Search results for ""author jean"

Jeannie is twenty years old and she's Lancashire's worst perfume girl. She works in her small town's department store, where all the other girls have perfect make-up (if a little too orange, and a mite too thick) and hair in buoyant ponytails. Jeannie, with wet hair and pale skin, doesn't fit the bill. And she doesn't really care - she arrived as a temp two years ago and has never got round to leaving. Being bored by work gives her plenty of time to think about her impending nuptials to Jimmy, her teenage sweetheart who's now a mechanic. He's a local lad and like everyone in the town, he lives for Saturday nights: beer, brawls and bare flesh. Jeannie is happier at home on the sofa, or better still, day-dreaming about leaving the town behind. Just as her feet are at their most cold, she stumbles upon Danny at the train station. He's a well-read, well-travelled, sophisticated ladies' man and represents everything her life is not. Or at least that's how it seems. And before long, it all becomes complicated.

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For fans of Harriet Evans, Lucinda Riley and Rowan Coleman; a sweeping family drama about secrets, sacrifice and love, spanning from the 1950s to present day.All families have secrets.89-year-old Jeannette never meant to keep the truth from her family. But when a near fatal fall sends her to live with her granddaughter Amy, she finds herself revisiting a past that's been hidden for too many years.Amy, however, has always been good at keeping secrets. When ex-partner Nick shows up, she's forced to admit that some things just can't stay hidden forever.Judith is starting from scratch - again. The master of reinvention, Amy's mother has been seeking happiness in all the wrong places. This time though, she might just find it a lot closer to home than she ever believed she would...As Jeannette's 90th birthday party approaches, all three women discover they have more in common than they first thought, and the secrets from the past may be the key to unlocking the future.Three women. Three generations. One legacy they all share...From the winner of the Gingerbread and Trapeze New Writer Award.

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‘A fascinating and thoughtful exploration of faith in the modern world. If you’re wondering why it matters and how to make sense of it, read on.’ Clare Balding Is it possible to believe in God and be gay? How does it feel to be excluded from a religious community because of your sexuality? Why do some people still believe being LGBT is a sin? The Book of Queer Prophets contains modern-day epistles from some of our most important thinkers, writers and activists: Jeanette Winterson tackles religious dogma, Amrou Al-Kadhi writes about trying to make it as a Muslim drag queen in London, John Bell writes about his decision to come out later in life, Tamsin Omond remembers getting married in the middle of a protest and Kate Bottley explains her journey to becoming an LGBT ally. Essays from: Jeanette Winterson, Phyll Opoku-Gyimah, Amrou Al-Kadhi, Pádraig Ó Tuama, Garrard Conley, Juno Dawson, Rev. Winnie Varghese, Keith Jarrett, Jay Hulme, Lucy Knight, Tamsin Omond, Erin Clark, Michael Segalov, Jarel Robinson-Brown, John L. Bell, Mpho Tutu van Furth, Karl Rutlidge, Garry Rutter, Rev Rachel Mann, Jack Guiness, Dustin Lance Black, Ric Stott. Afterword: Kate Bottley

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Titled Masquerades: Drawn to Metamorphosis, the 18th edition of the MOMENTA Biennale de l’image presents 23 artists whose projects activate processes of transformation, mimicry, and mutation. Its goal is to shed light on the dynamics of visibility and invisibility defining the relationships between self and other, between humans and their environment, whether that environment is vegetal, animal, or technological. This publication assembles the descriptions of the exhibitions, an essay by Anne Anlin Cheng on the metamorphic potential of “skin consciousness,” an original portfolio of photographs by Chris Curreri, and an essay by the curator Ji-Yoon Han that reflects on the notion of the image through the prism of the Biennale’s theme. Artists: Bianca Shonee Arroyo-Kreimes, Bianca Baldi, Rémi Belliveau, Valérie Blass, Michèle Pearson Clarke, Chris Curreri, Lindsay Katsitsakatste Delaronde, Mara Eagle, Jeannette Ehlers, Séamus Gallagher, Lynn Hershman Leeson, siren eun young jung, Marion Lessard, Tuan Andrew Nguyen, Marianne Nicolson, Kristina Norman, Meky Ottawa, Émilie Pitoiset, Naomi Rincón Gallardo, Anette Rose, Hito Steyerl, Maya Watanabe, Carey Young.

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From Subject to Subjectivities profiles the recent debates about the role of qualitative and participatory methods in psychology, a discipline which has traditionally seen itself as a form of positivistic science. Contributors explain how fundamentally different views of the nature of reality and of scientific theory have shaped these debates, and how psychology is being transformed through the use of these methods. At the heart of the book are 10 exemplars of interpretive and participatory action research which describe the rationale for and process of using these methods in actual cases. They also articulate some of the challenges psychologists may face in adopting them, offering insights into how these complications can be successfully negotiated. Relevant beyond psychology, the models provided can be used within the context of a wide array of social science disciplines, from sociology and anthropology to women's studies and public health. The contributors represent a veritable "who's who" of qualitative scholars, including Lyn Mikel Brown, Larry Davidson, Michelle Fine, Louise Kidder, M. Brinton Lykes, Jeanne Marecek, Abigail Stewart, and Niobe Way. No previous book has examined qualitative and participatory methods specifically within the context of psychology. From Subjects to Subjectivities provides a unique and badly needed resource for those interested in learning about the practice of these methods in the field.

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At once poetry, art and activism, Vicuña’s playful multimedia works "open up minds by opening up words" This beautifully designed clothbound book brings together the Palabrarmas series by the Chilean-born artist, poet and activist Cecilia Vicuña (born 1948). Images of these works—each a powerful juxtaposition of color, poetry and politics—appear alongside new essays and historical references chosen with the artist. Palabrarmas, a neologism that translates to "word weapons" or "word arms," imagine new ways of seeing language. Taking the form of collages, silkscreens, drawings, poems, fabric banners, cutouts, mixed-media installations and street actions, Vicuña’s Palabarmas bring together her work in poetry, activism and visual art. Each one unpacks and deconstructs single words to reveal other words hiding within them, allowing new meanings to emerge. The artist began making these visual anagrams while in exile in London and Bogotá after the Pinochet-led coup of 1973 in Chile, and has always seen them as a form of liberation—as a way to "open up minds by opening up words," as she puts it. The Palabarmas have taken on new relevance in today’s political climate, and appeared on the streets during Chile’s 2019 revolution as protest signs. This book presents a range of Palabrarmas in color for the first time, with new essays by Mónica de la Torre, Carla Macchiavello, Cecilia Vicuña and Jeanne Gerrity, and reprinted texts by René Daumal, Robert Randall and Simón Rodríguez.

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The expression of cultural differences in medieval courtly literature explored. Cultural differences in medieval European literary practice are reflected in many different ways, as this volume illustrates. The essays cover a whole range of courtly topics, in particular questions of context, genre and poetic voice. The five sections explore contexts for courtliness, especially the position of the vernacular poet at or near the court; the ways in which courtly values and political aspirations are reflected in the work of medieval chronicle and romance writers; questions of register, convention, gender, and narrative technique; problems of literary production and reception, particularly the transmission of courtly and quasi-courtly texts among widely differing medieval audiences; and broader issues such as the clues to the courtly mentality provided by peripheral narrative details, the blurring of conventional courtly boundaries, and the perennial fascination of tales with strong folklore or fabliau elements. Dr EVELYN MULLALLY and Dr JOHN THOMPSON are Senior Lecturers at the Queen's University of Belfast. Contributors: GEAROID MAC EOIN, NOLLAIG O MURA-LE, RUPERT T. PICKENS, FRANÇOISE LE SAUX, CATHERINE LÉGLU, BARBARA N. SARGENT-BAUR, AD PUTTER, MICHEL ZINK, DONALD MADDOX, JEANBLACKER, SARA STURM-MADDOX, MICHELLE SZKIILNIK, THEA SUMMERFIELD, HELEN COOPER JOHN SCATTERGOOD, JUNE HALL MCCASH, JOAN BRUMLIK, LESLIE C. BROOKMAUREEN BOULTON, JESSICA COOKE, DIANE M. WRIGHT, G. KOOLEMANS BEYNEN, LORI J. WALTERS, SYLVIA WRIGHT, FRANK BRANDSMA, CARTER REVARD, A S G EDWARDS, HEATHER COLLIER, TERENCE SCULLY, CHRISTOPHER KLEINHENZ, SARA I. JAMES, WILLIAM MACBAIN, SARA I. JAMES, MARY B. SPEER, YASMINA FOEHR-JANSSENS, CAROL J. HARVEY, BART BESAMUSCA, KEITH BUSBY

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The Christo Interviews brings together a series of conversations between the artist, who is best known for the large-scale, site-specific environmental installations he created in collaboration with artistic partner and wife, Jeanne-Claude, and Hans Ulrich Obrist, the pre-eminent commentator on and curator of contemporary art.Taking place between December 2012 and May 2020, the interviews provide insight into the individual minds of two of the art world's most esteemed figures, while also tracking the unfolding of their entire working relationship. Hans Ulrich describes these as werksttat interviews', meaning a workshop or laboratory of words' and taken together, they also reveal the progress of The London Mastaba, Serpentine Lake, Hyde Park (2016-18), Christo's first major public outdoor work in the UK, which coincided with an exhibition at the Serpentine Galleries outlining Christo and Jeanne Claude's 60-year history of working with oil barrels.Fully illustrated with images of finish

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The Polaroid Corporation’s photography collection is the greatest portfolio of Polaroid images in the world. Begun by Polaroid founder Edwin Land and photographer Ansel Adams, the collection now includes some 23,000 images by hundreds of photographers throughout the world, including pieces by the likes of David Hockney, Andy Warhol, and Jeanloup Sieff. The Polaroid Book dives into these archives, paying tribute to a medium that continues to defy the digital age. Like an oversized Polaroid film pack, this collection curates works by luminaries and unknowns alike, celebrating the boundless possibilities that develop inside the white borders of the original instant photograph. Features: more than 250 works from the Polaroid Collections an essay by Polaroid’s Barbara Hitchcock on the beginnings of instant photography and the collection’s history a chapter featuring the various types of Polaroid cameras

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The book is based on amateur films, shot by the architect Ernest Weissmann (1903-1985) with a Pathé Motocamera in the years 1929-1933 at, among other places, the Atelier Le Corbusier and Pierre Jeanneret. These films capture moments from Le Corbusier's life that have never been seen before. It also documents his friendships with Pierre Jeanneret, Lluis Sert, Charlotte Perriand, Norman Rice, Kunio Maekawa, Sigfried Giedion and others. Across six chapters, the book shows impressive stills from these films and places them in the respective historical and personal context of Le Corbusier in introductory texts. Two introductions are devoted to the history of these pioneering amateur films and to Ernest Weissmann's life and his life-long relationship with Le Corbusier. A documentary treasure trove on the life of Le Corbusier Featuring 80 previously unpublished film stills Available as softcover (9783035627282), hardcover (9783035627299) and limited special edition with three photographic prints (9783035627305)

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Two women. One devastating tsunami. And a decision that will change people’s lives forever. Eighteen-year-old Jeannie has suffered a life of abuse at the hands of her stepfather. Now Jeannie thinks she is pregnant and wonders how she will ever escape him. When she disappears after a tsunami, her stepfather senses that she is not dead, that she is running from him, and he vows to track her down. Anna’s husband, Jamie, has borderline personality disorder. Obsessed with Anna, he believes theirs is a perfect marriage; only a baby would make it better. As far as he is concerned, only death is capable of parting them. Then the tsunami hits and Anna is gone. Demented with grief, he goes to extraordinary lengths to recreate the life he and his dead wife should have had. Two strangers, connected only by trauma and disaster, whose lives collide forever, set off a chain reaction that will have devastating consequences for another, innocent, woman…

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Two architects, Jeanne Della Casa and Sylvie Pfaehler, together with their new partners Michael Perret and Lucile Fonta-Rak, are working on a remarkable oeuvre in Lausanne. In the midst of an urban garden and an ensemble of housing, three timber residential developments have their own poetic radiance. The architects' award-winning works include clear tectonically structured residential buildings in Lausanne and the Lavaux region. Text in English and German. Text in English and German.

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Provence, May 1889. The hospital of Saint-Paul-de Mausole is home to the mentally ill. An old monastery, it sits at the foot of Les Alpilles mountains amongst wheat fields, herbs and olive groves. For years, the fragile have come here and lived quietly, found rest behind the shutters and high, sun-baked walls. Tales of the new arrival - his savagery, his paintings, his copper-red hair - are quick to find the warden's wife. From her small white cottage, Jeanne Trabuc watches him - how he sets his easel amongst the trees, the irises and the fields of wheat, and paints in the heat of the day. Jeanne knows the rules; she knows not to approach the patients at Saint-Paul. But this man - paint-smelling, dirty, troubled and intense - is, she thinks, worth talking to. So ignoring her husband's wishes, the dangers and despite the word mad, Jeanne climbs over the hospital wall. She will find that the painter will change all their lives.Let Me Tell You About A Man I Knew is a beautiful novel about the repercussions of longing, of loneliness and of passion for life. But it's also about love - and how it alters over time.

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The topic of the 7th international Marianne Brandt Award—“I am all of glass”—quotes a poem by the Bauhaus member, designer and artist. This bilingual volume does more than merely present the sixty competition entries: accompanying texts convey the utopian charge held by glass as a material in Modernism. Linda Pense, for example, writes about historical “glass states” that continue to be inspiring today. Freyja Hartzell reflects on the ways in which fantasies of glass shaped the foundational vision of Bauhaus. Using the artist Josef Albers as an example, Jeannette Redensek illustrates the metaphorical and functional importance of glass in Bauhaus design. The tension between poetry and functionality, which also characterizes the competition entries, demonstrates that glass remains a fascinating concept and material to this day.

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If you want to push your Java skills to the next level, this book provides expert advice from Java leaders and practitioners. You'll be encouraged to look at problems in new ways, take broader responsibility for your work, stretch yourself by learning new techniques, and become as good at the entire craft of development as you possibly can Edited by Kevlin Henney and Trisha Gee, 97 Things Every Java Programmer Should Know reflects lifetimes of experience writing Java software and living with the process of software development. Great programmers share their collected wisdom to help you rethink Java practices, whether working with legacy code or incorporating changes since Java 8 A few of the 97 things you should know: "Behavior Is Easy, State Is Hard"-Edson Yanaga "Learn Java Idioms and Cache in Your Brain"-Jeanne Boyarsky "Java Programming from a JVM Performance Perspective"-Monica Beckwith "Garbage Collection Is Your Friend"-Holly K Cummins "Java's Unspeakable Types"-Ben Evans "The Rebirth of Java"-Sander Mak "Do You Know What Time It Is?"-Christin Gorman

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Fifteen of the most important and influential women fiction writers, critics, and theorists writing in France today are interviewed in Shifting Scenes. Although their writing and attitudes differ in many ways, their work is perceived in the U.S. to constitute "French Feminism," and has a marked impact on American feminist theory. Alice Jardine and Anne Menke interviewed Chantal Chawaf, Helene Cixous, Catherine Clement, Francoise Collin, Marguerite Duras, Claudine Herrmann, Jeanne Hyvrard, Luce Irigaray, Sarah Kofman, Julia Kristeva, Eugenie Lemoine-Luccioni, Marcelle Marini, Michele Montrelay, Christiane Rochefort, and Monique Wittig. The women were asked what it means to be a woman writer in France today and how each views her relations to her country's institutions, and the place of women writers in the canon. the answers are lively, unexpectedly argumentative, and diverse. What these highly accomplished women have to say about contemporary society, politics, literature, feminism, and their own work, will surprise, inform, and challenge.

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This international collection of eleven original essays on Australian Aboriginal literature provides a comprehensive critical companion that contextualizes the Aboriginal canon for scholars, researchers, students, and general readers. Australian Aboriginal literature, once relegated to the margins of Australian literary studies, now receives both national and international attention. Not only has the number of published texts by contemporary Australian Aboriginals risen sharply, but scholars and publishers have also recently begun recovering earlier published and unpublished Indigenous works. Writing by Australian Aboriginals is making a decisive impression in fiction, autobiography, biography, poetry, film, drama, and music, and has recently been anthologized in Oceania and North America. Until now, however, there has been no comprehensive critical companion that contextualizes the Aboriginal canon for scholars, researchers, students, and general readers. This international collection of eleven original essays fills this gap by discussing crucial aspects of Australian Aboriginal literature and tracing the development of Aboriginalliteracy from the oral tradition up until today, contextualizing the work of Aboriginal artists and writers and exploring aspects of Aboriginal life writing such as obstacles toward publishing, questions of editorial control (orthe lack thereof), intergenerational and interracial collaborations combining oral history and life writing, and the pros and cons of translation into European languages. Contributors: Katrin Althans, Maryrose Casey, Danica Cerce, Stuart Cooke, Paula Anca Farca, Michael R. Griffiths, Oliver Haag, Martina Horakova, Jennifer Jones, Nicholas Jose, Andrew King, Jeanine Leane, Theodore F. Sheckels, Belinda Wheeler. Belinda Wheeler is Associate Professor of English at Claflin University, Orangeburg, SC.

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Virginia Woolf's most unusual and fantastic creation, a funny, exuberant tale that examines the very nature of sexuality. WITH INTRODUCTIONS BY PETER ACKROYD AND MARGARET REYNOLDS As his tale begins, Orlando is a passionate young nobleman whose days are spent in rowdy revelry, filled with the colourful delights of Queen Elizabeth's court. By the close, he will have transformed into a modern, thirty-six-year-old woman and three centuries will have passed. Orlando will not only witness the making of history from its edge, but will find that his unique position as a woman who knows what it is to be a man will give him insight into matters of the heart. The Vintage Classics Virginia Woolf series has been curated by Jeanette Winterson and Margaret Reynolds, and the texts used are based on the original Hogarth Press editions published by Leonard and Virginia Woolf. **One of the BBC’s 100 Novels That Shaped Our World**

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Hone your understanding of imaging concepts and techniques with the Student Workbook for Frommer's Radiology for the Dental Professional, 10th Edition. Coordinating step-by-step with the main text, this workbook offers the essential practice and review you need to master radiography concepts and learn to capture high-quality images. Activities and exercises - including new laboratory workshop activities and new ordering sequence questions - cover application, image assessment, image labeling, vocabulary, information recall, and more. It's the perfect hands-on practice tool to help you successfully support oral diagnosis and treatment planning. Correlation with the textbook makes your workbook experience seamless. Additional illustrations not found in the text provide practice with identification and interpretation. Perforated pages provie for on-the-go study or turn-in assignments. NEW! Content on digital imaging, radiation protection, and infection prevention has been added throughout the workbook. NEW! Practice questions and exercises aid in content recall and understanding. NEW! Clinical and radiographic images hone your interpretation and evaluation skills. NEW! Laboratory workshop activities promote assessment and skill-building. NEW! Ordering sequence questions reinforce your understanding of key skills and techniques.

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Vascular Plants of the Pacific Northwest, in five parts, offers the first complete guide, with keys, to the ferns, fern-related, and seed-bearing plants of Washington, northern Oregon, Idaho north of the Snake River plains, the mountainous western part of Montana, and southern British Columbia. Each volume gives complete regional synonymy, type collections, geographic ranges, “genuine” common names, and chromosome numbers for each species, as well as economic importance and horticultural features. Part 2 covers the Salicaceae through the Crassulaceae. Each species is illustrated by one to several detailed drawings at considerable magnification of such structures as the flower, fruit, and seed, as well as a habit sketch, mostly at one-half natural size. Two keys to the families of Dicotyledonae covered by Parts 2 to 5 are included. In the first, the families are initially separated into orders, largely on the basis of floral morphology, then keyed apart. The second key, which is completely artificial, utilizes such peculiarities of the various taxa as habitat, habit, duration, and foliage, as well as floral morphology. As in Parts 3 and 4, notes on the ornamental value of the trees, shrubs, and many herbs, were written in collaboration with Brian O. Mulligan, director of the University of Washington Arboretum, and Carl S. English, well-known botanist and horticulturalist. Illustrated by Jeanne R. Janish.

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A richly illustrated exploration of Hannah Wilke’s provocative art and trailblazing feminismOne of the most groundbreaking artists to emerge in American art in the 1960s, Hannah Wilke consistently challenged the prevailing narratives of women’s bodies and their representation throughout her career, until her untimely death in 1993. Wilke established a uniquely feminist iconography in virtually all of the mediums she engaged with—painting, sculpture, photography, video, and performance art—and offered a life-affirming expression of vitality and bodily pleasure in her work.Hannah Wilke: Art for Life’s Sake highlights the artist’s full range of expression, bringing together photographs, works on paper, video, and examples of Wilke’s sculptures in clay and other, nonconventional materials such as latex, kneaded erasers, and chewing gum. New object photography brings clarity to Wilke’s boundary-crossing art practice, making many of her rarely shown works accessible to readers for the first time. The book features a previously unpublished 1975 interview with Wilke by art critic and historian Cindy Nemser as well as a narrative chronology of Wilke’s art and life with many previously unpublished archival photographs. It includes essays by Glenn Adamson, Connie Butler, and Tamara Schenkenberg, and responses to Wilke’s work by contemporary artists Hayv Kahraman, Nadia Myre, Jeanine Oleson, and Catherine Opie.Offering fresh perspectives on this influential artist, Hannah Wilke: Art for Life’s Sake sheds new light on Wilke’s technical and formal virtuosity, her important role in shaping postwar American art, and the nuance and poignancy of her feminist subject matter.Published in association with the Pulitzer Arts FoundationExhibition SchedulePulitzer Arts Foundation, St. LouisJune 4, 2021–January 16, 2022

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This wonderful collection brings together seven well-loved carols, all newly arranged by Mack Wilberg for low voice and piano. Featuring a range of Christmas texts, including 'Bring a torch, Jeannette, Isabella', 'Deck the hall', and 'The Twelve Days of Christmas', it also offers two carols with alternative, original foreign-language options (French and Catalan). With a delightful variety of musical styles and moods, this volume is perfect for recitals, services, and concerts at Christmas time. Also available in a volume for high voice.

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"Chosen" is the third installment of an exciting, dark paranormal series in which one woman carries the weight of the world on her shoulders in the ultimate battle between all things of the night and mortals. "Chosen's" main character, Kyana, is part vampire and part Lychen warrior-and is a hot, compelling, smart, and complicated heroine whom readers will love. Strong sales for Marjorie M. Liu, Nalini Singh, Jeaniene Frost, and Pamela Palmer have shown that readers have a voracious appetite for dark and sexy paranormals about vampires, shapeshifters, and demons-and Sable Grace has them all! Perfect for fans of Jeaniene Frost, Nalini Singh, and Pamela Palmer.

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An inspiring history of all the women who have taken a seat in Congress! For the first 128 years of America’s history, only men served in the Senate and House of Representatives. All that changed in January 1917 when Jeannette Rankin was sworn in as the first woman elected to Congress. From the women’s suffrage movement to the 2018 election, Ilene Cooper highlights influential and diverse female leaders who opened doors for women in politics. Women featured include Nancy Pelosi (the first woman Speaker of the House), Margaret Chase Smith (the first woman elected to the Senate), Patsy Mink (the first woman of color to serve in the House), and newcomers like Representatives Alexandria Ocasio-Cortez and Ilhan Omar. This updated book includes archival photographs and lively illustrations from Elizabeth Baddeley, as well as a chart of all the women who have served in Congress, appendices that define key terms and governmental procedures, and an index. In a great new reading format, this updated, revised edition is perfect for young feminists!

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This special issue interrogates the plantation as a form, logic, and technology that continues to produce inequalities. Attending to the Caribbean, Latin America, and the United States, contributors follow the evolution of plantation slavery in the eighteenth and nineteenth centuries through its subsequent iterations in the Jim Crow and civil rights eras, and into the neoliberal present, where the carceral state props up fantasies of postracialism. The contributors rethink the necro- and biopolitics of plantation slavery, uncovering laborers' strategies of self-determination, affiliation, and communication in spite of the plantation's mechanisms of control. Essay topics include the circulation of a weekly newspaper published by black tenant farmers in the 1920s, a nineteenth-century trial of an enslaved woman, and the fetish-making of Haitian revolutionary François Makandal. Reconsidering the time and space of the plantation, contributors analyze Western processes of racialization and uncover the experience and agency of the oppressed. This search for modes of being within the plantation structure offers one way to rewrite histories of slavery. Contributors. Monique Allewaert, Gwen Bergner, Benjamin Child, Jeannine Marie DeLombard, Julius B. Fleming Jr., Jarvis C. McInnis, Zita Nunes, Roberta Wolfson

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Vascular Plants of the Pacific Northwest, in five parts, offers the first complete guide, with keys, to the ferns, fern-related, and seed-bearing plants of Washington, northern Oregon, Idaho north of the Snake River plains, the mountainous western part of Montana, and southern British Columbia. Each volume gives complete regional synonymy, type collections, geographic ranges, “genuine” common names, and chromosome numbers for each species, as well as economic importance and horticultural features. Part 1 covers vascular cryptogams, often referred to as “ferns and fern allies”; gymnosperms; and monocotyledons. An unusual feature is the inclusion of a key to the species of grasses based upon vegetative features, as well as one to grass genera based primarily upon floral structures. Part 1 also includes several sections relating to the work as a whole: an Index to Plant Families, a Glossary, a key to aquatic plants based mainly on vegetative features, several pages of additions and corrections, and a general index to common, generic, and specific names. Illustrated by Jeanne R. Janish.

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From the grit of Fannie Sperry Steele and the Greenough sisters to the thrilling tenacity of Evel Knievel, Courageous People from Montana Who Changed the World is a young child’s first introduction to the amazing and brave people from Montana who made a difference.Simple text and adorable illustrations tell the contributions of more than a dozen courageous Montanans: Running Eagle, Granville Stuart, Lena Mattausch and Bridget Shea, Jeannette Rankin, Fannie Sperry Steele and the Greenough sisters, A. B. Guthrie, Mike Mansfield, Alma Smith Jacobs, Evel Knievel, and Jack Homer. A quote from each hero is included on each spread along with colorful, delightful artwork.

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Titled Masquerades: Drawn to Metamorphosis, the 18th edition of the MOMENTA Biennale de l’image presents 23 artists whose projects activate processes of transformation, mimicry, and mutation. Its goal is to shed light on the dynamics of visibility and invisibility defining the relationships between self and other, between humans and their environment, whether that environment is vegetal, animal, or technological. This publication assembles the descriptions of the exhibitions, an essay by Anne Anlin Cheng on the metamorphic potential of “skin consciousness,” an original portfolio of photographs by Chris Curreri, and an essay by the curator Ji-Yoon Han that reflects on the notion of the image through the prism of the Biennale’s theme. Artists: Bianca Shonee Arroyo-Kreimes, Bianca Baldi, Rémi Belliveau, Valérie Blass, Michèle Pearson Clarke, Chris Curreri, Lindsay Katsitsakatste Delaronde, Mara Eagle, Jeannette Ehlers, Séamus Gallagher, Lynn Hershman Leeson, siren eun young jung, Marion Lessard, Tuan Andrew Nguyen, Marianne Nicolson, Kristina Norman, Meky Ottawa, Émilie Pitoiset, Naomi Rincón Gallardo, Anette Rose, Hito Steyerl, Maya Watanabe, Carey Young. Text in French.

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The diverse contributors to this issue of Plough Quarterly focus on what it means to be a peacemaker. Peacemaking, they show, is a riskier and more ambitious undertaking than we may have imagined. Today we must wage peace where thousands of children are being murdered by militias or forced to fight as soldiers. We need peacemakers in divided cities from Paris to Baltimore, peacemakers in a culture with little tolerance for Christian witness, and peacemakers in churches riven by ideological fights and petty grudges, not to mention making peace with our spouses, and with ourselves. Hear from active peacemakers on the frontlines of these battles and explore insights on peacemaking from Thomas Merton, Dorothy Day, Badshah Khan, Jeannette Rankin, Charles Spurgeon, André Trocmé, Peace Pilgrim, Albert Schweitzer, Dietrich Bonhoeffer, and Eberhard Arnold. And as always, Plough Quarterly includes world-class art by the likes of Marc Chagall, Egon Schiele, Lisa Toth, Carl Larsson, Ben Shahn, Mikalojus Konstantinas Čiurlionis, Paul Klee, Antonello da Messina, and others. Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, fiction, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

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An unprecedented collection of African American writings on Lincoln Though not blind to Abraham Lincoln's imperfections, Black Americans long ago laid a heartfelt claim to his legacy. At the same time, they have consciously reshaped the sixteenth president's image for their own social and political ends. Frederick Hord and Matthew D. Norman's anthology explores the complex nature of views on Lincoln through the writings and thought of Frederick Douglass, Ida B. Wells-Barnett, Mary McLeod Bethune, Thurgood Marshall, Malcolm X, Gwendolyn Brooks, Barbara Jeanne Fields, Barack Obama, and dozens of others. The selections move from speeches to letters to book excerpts, mapping the changing contours of the bond--emotional and intellectual--between Lincoln and Black Americans over the span of one hundred and fifty years. A comprehensive and valuable reader, Knowing Him by Heart examines Lincoln’s still-evolving place in Black American thought.

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Populism in politics and policy orientations in law have thrown the jurisdiction of the academy and the disciplines of interpretation into disarray. Critique flounders in abstraction and negativity, law loses itself in particularity. Administering Interpretation brings together philosophers, humanists, and jurists from both continental and Anglophone jurisdictions to reassess the status and trajectory of interpretative theory as applied in the art of law. Tracking the thread of philosophical influences upon the community of legal interpretation, the essays move from the translation and wake of Derrida to the work of Agamben, from deconstruction to oikononmia. Sharing roots in the philological excavation of the political theology of modern law, contributors assess the failure of secularism and the continuing theological borrowings of juridical interpretation. The book brings contemporary critique to bear upon the interpretative apparatuses of exclusion, the law of spectacular sovereignty, and the bodies that lie in its wake. Contributors: Giovanna Borradori, Marinos Diamantides, Allen Feldman, Stanley Fish, Pierre Legrand, Bernadette Meyler, Michel Rosenfeld, Bernhard Schlink, Jeanne Schroeder, Laurent de Sutter, Katrin Trüstedt, Marco Wan

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This second book featuring the work of the Louis I. Kahn Visiting Assistant Professors includes the studios of Jeanne Gang, Sunil Bald and Mark Tsurumaki.

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Jeanne Calment, who lived to be 121, credited one thing for her long life: olive oil.Olive oil enthusiasts and experts Alice Alech and Cécile Le Galliard join forces in this complete guidebook discussing the amazing—almost miraculous—health benefits of olive oil. From slowing the effects of Alzheimer’s to building healthy bones, extra virgin olive oil is unrivaled in its natural goodness. With detailed research and findings from doctors, medical researchers, nutritionists, and chefs around the globe, The 7 Wonders of Olive Oil explores the role olive oil plays in the Mediterranean diet, covers tips for cooking with, buying, and storing the green nectar, and most of all, reveals its seven amazing health benefits including: ·Anti-inflammation ·Cancer prevention ·Skin rejuvenation ·Healthy bones ·Alzheimer’s disease prevention ·Reduction in risk for diabetes ·Stroke and heart attack prevention

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'This unique and fascinating book carefully traces aspects of the personality of sextuplets which persist from birth onwards. The way in which the personal characteristics of both the mother and her children influence the quality of maternal care and relationships with peers is also carefully compared and delineated. What is most original and striking about this book is the examination of sibling group relationships and the description of the sextuplets' early innate characteristics and interactions in early childhood through both psychological testing and infant observations and then shows how specific characteristics and interactions persist through early adult life. It is essential reading for many professionals involved in child development studies including doctors, teachers, psychologists, psychotherapists and health visitors.'- Jeanne Magagna, Phd, Consultant Psychotherapist, Ellern Mede Centre and former Head of Psychotherapy Services, Great Ormond Street Hospital for Children

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When Gomer isn''t unwittingly sabotaging all work at Spirou Magazine, he naps at his desk and dreams of being a handsome, fearless action hero for Miss Jeanne - not realising that this is already how she sees him! But outside the office, out in the city streets, well, that''s Officer Longsnoot''s territory, and between him and Gomer - and most importantly Gomer''s often apocalyptically tweaked car - a merciless war of nerves is waged every day!

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An Yves R. Simon Reader is the first collection of texts from the entirety of the philosopher’s work. French Catholic (and then American) political philosopher Yves R. Simon was a student of Jacques Maritain and one of the most important figures in the revival of Thomism. His work, however, is still little known in English, and there is as yet no English biography of him. In An Yves R. Simon Reader: The Philosopher’s Calling, Michael D. Torre provides an erudite and helpful introduction to Simon’s life and thought. The volume contains selected key texts from all of Simon’s twenty books, half of which were published posthumously, dividing them into three sections. The first fundamentally defends the Aristotelian and Thomistic account of human knowing. The second begins with his groundbreaking discussion of human freedom and ends with his account of practical wisdom. The third then expands this account to cover the chief concerns of his social and political philosophy. The selections are long enough to be substantive and contain sustained and complete arguments. Each selection has its own foreword by an eminent commentator, familiar with Simon’s work, who lays out the necessary context for the reader. An Yves R. Simon Reader includes sections from several of Simon’s last and most important essays: on sensitive knowledge and on the analogous nature of “act.” It includes a number of excerpts from his justly famous account and defense of democratic government. The hallmarks of his work—his careful conceptual analysis, his genius for finding undervalued examples, and his talent for creating expressions that revivified an outworn idea—are on display throughout. Indeed, as one of the book’s contributors says, Simon touched nothing that he did not adorn. The result is a highly readable introduction to the thought of a key and underappreciated modern philosopher. Contributors: Michael D. Torre, Jude P. Dougherty, Raymond Dennehy, John C. Cahalan, Steven A. Long, Ralph Nelson, John P. Hittinger, Ralph McInerny, David B. Burrell, CSC, Laurence Berns, Catherine Green, W. David Solomon, V. Bradley Lewis, Joseph W. Koterski, SJ, James V. Schall, SJ, George Anastaplo, Walter J. Nicgorski, John A. Gueguen, Jr., Thomas R. Rourke, Jeanne Heffernan Schindler, and Robert Royal.

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Through films that alternate between containment, order, and symmetry on the one hand, and obsession, explosiveness, and a lack of control on the other, Chantal Akerman has gained a reputation as one of the most significant filmmakers working today. Her 1975 film Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles is widely regarded as the most important feminist film of that decade. In Nothing Happens, Ivone Margulies presents the first comprehensive study of this influential avant-garde Belgian filmmaker.Margulies grounds her critical analysis in detailed discussions of Akerman’s work—from Saute ma ville, a 13-minute black-and-white film made in 1968, through Jeanne Dielman and Je tu il elle to the present. Focusing on the real-time representation of a woman’s everyday experience in Jeanne Dielman, Margulies brings the history of social and progressive realism and the filmmaker’s work into perspective. Pursuing two different but related lines of inquiry, she investigates an interest in the everyday that stretches from postwar neorealist cinema to the feminist rewriting of women’s history in the seventies. She then shows how Akerman’s “corporeal cinema” is informed by both American experiments with performance and duration and the layerings present in works by European modernists Bresson, Rohmer, and Dreyer. This analysis revises the tired opposition between realism and modernism in the cinema, defines Akerman’s minimal-hyperrealist aesthetics in contrast to Godard’s anti-illusionism, and reveals the inadequacies of popular characterizations of Akerman’s films as either simply modernist or feminist. An essential book for students of Chantal Akerman’s work, Nothing Happens will also interest international film critics and scholars, filmmakers, art historians, and all readers concerned with feminist film theory.

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In the twenty-first century, as in centuries past, stories of the supernatural thrill and terrify us. But despite their popularity, scholars often dismiss such beliefs in the uncanny as inconsequential, or even embarrassing. The editors and contributors to The Supernatural in Society, Culture, and History have made a concerted effort to understand encounters with ghosts and the supernatural that have remain present and flourished. Featuring folkloric researchers examining the cultural value of such beliefs and practices, sociologists who acknowledge the social and historical value of the supernatural, and enthusiasts of the mystical and uncanny, this volume includes a variety of experts and interested observers using first-hand ethnographic experiences and historical records.The Supernatural in Society, Culture, and History seeks to understand the socio-cultural and socio-historical contexts of the supernatural. This volume takes the supernatural as real because belief in it has fundamentally shaped human history. It continues to inform people’s interpretations, actions, and identities on a daily basis. The supernatural is an indelible part of our social world that deserves sincere scholarly attention. Contributors include: Janet Baldwin, I'Nasah Crockett, William Ryan Force, Rachael Ironside, Tea Krulos, Joseph Laycock, Stephen L. Muzzatti, Scott Scribner, Emma Smith, Jeannie Banks Thomas, and the editors

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Discover the extraordinary diaries of the real Anne Lister: the inspiration for Gentleman Jack and Emma Donoghue's new novel Learned By Heart'Engaging, revealing, at times simply astonishing' SARAH WATERS'[Anne Lister's] sense of self, and self-awareness, is what makes her modern to us . . . The diaries gave me courage' JEANETTE WINTERSON'The Lister diaries are the Dead Sea Scrolls of lesbian history' EMMA DONOGHUEWhen this volume of Anne Lister's diaries was first published in 1988, it was hailed as a vital piece of lost lesbian history. The editor, Helena Whitbread, had spent years painstakingly researching and transcribing Lister's extensive journals, much of which were written in an elaborate code - what Lister called her 'crypthand', which allowed her to record her life in intimate, and at times, explicit, detail. Until then, Anne Lister's lesbianism had been supressed or hinted at; this was the first time her story had been told. Anne Lister defied the role of nineteenth century womanhood: she was bold, fiercely independent, a landowner, industrialist, traveller and lesbian - a woman who lived her life on her own terms.These diaries include the years 1816-1824. The second volume, continuing Anne's story, THE SECRET DIARIES OF MISS ANNE LISTER: NO PRIEST BUT LOVE, is now available.

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The classic bestselling Angelina Ballerina picture book about Angelina’s trip to the big city is back in a beautiful, refreshed hardcover edition! For the first time ever, Angelina Ballerina is visiting the most famous city in Mouseland: the Big Cheese! She can’t wait to explore the city and perform her fairy ballet. But her cousin Jeanie tells Angelina that tap dancing is much better than ballet. Can the two girls overcome their differences and learn to work together in time for the big show? © 2023 Helen Craig Ltd and Katharine Holabird. The Angelina Ballerina name and character and the dancing Angelina logo are trademarks of HIT Entertainment Limited, Katharine Holabird, and Helen Craig.

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Written by working librarians, this is a day-to-day guide to reference service in community college libraries, based on their daily experience and intended to solve practical problems facing the librarians in these institutions. Contributors include Derrie R. Roark, Marilyn Searson Lary, Susan Anderson & Susanne Fischer, Al Carlson, Mary Adams Loomba, Mark Y. Herring, Richard N. Shaw, Dale Luchsinger, Diane Grund, Gene Elliott, Douglas K. Lehman, Sue Hatfield, Jennie S. Boyarski, Wanda K. Johnsto, Patricia Twilde, Pamela A. Price, Kate Donnelly Hickey, Stanley N. Ruckman, Wanda K. Johnston & Joan S. Clarke, Donald Ray, Tisa M. Houck, Camila A. Alire, Karen Fischer, Gloria Terwilliger, Mimi Gronlund, & Sylvia Rortvedt, and W. Jeanne Gardner.

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Caribbean art as a diasporic, fugitive phenomenon: a groundbreaking global survey The 1990s were a period of profound political transformation, from the dissolution of the Eastern Bloc to the rise of trade agreements that continue to influence the world we live in today. Emerging from this pivotal decade—which also shaped the production, circulation and framing of art in the Caribbean—Forecast Form traces a path into the present, highlighting forms, materials and processes that reveal new modes of thinking about identity and place. This volume features scholarly essays alongside richly illustrated plate sections and texts focused on an intergenerational group of 37 artists working across the Americas and Europe. A radical rethinking of contemporary art in the Caribbean, Forecast Form reveals the region as a place where the past, the present and the future meet—where continuous exchanges forecast what is to come while remaining grounded in the histories that shape the present. Artists include: Candida Alvarez, Firelei Báez, Álvaro Barrios, Frank Bowling, Sandra Brewster, María Magdalena Campos-Pons, Donna Conlon and Jonathan Harker, Christopher Cozier, Julien Creuzet, Maksaens Denis, Peter Doig, Jeannette Ehlers, Tomm El-Saieh, Alia Farid, Teresita Fernández, Rafael Ferrer, Denzil Forrester, Joscelyn Gardner, Felix Gonzalez-Torres, Deborah Jack, Engel Leonardo, Daniel Lind-Ramos, Suchitra Mattai, David Medalla, Ana Mendieta, Lorraine O'Grady, Ebony G. Patterson, Keith Piper, Marton Robinson, Donald Rodney, Freddy Rodríguez, Tavares Strachan, Zilia Sánchez, Rubem Valentim, Adán Vallecillo, Cosmo Whyte and Didier William.

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The second series of adventures from Big Finish continues, featuring Christopher Eccleston as the Ninth Doctor. Distant worlds, alien cultures, vessels of exploration - the Doctor is never more at home than when he's out among the stars. But that's when travellers face the greatest dangers, and where the Doctor's help is needed most... 2.1 Salvation Nine by Timothy X Atack. The Doctor happens upon an unusual outpost - and discovers it is about to be annihilated. To save Salvation Nine, he must rally a people for whom war is an alien concept - and protect the future of the Sontaran race! 2.2 Last of the Zetacene by James Kettle. The rich and the criminal rub shoulders on Stage Three spaceport - and play high-stakes games for valuable prizes. The Doctor is always interested in endangered species, and the Zetacene is more endangered than most... 2.3 Break the Ice by Tim Foley. On a chilly space station, the Doctor meets a group of scientists experimenting with cryogenics. But when one subject returns from extreme sub-zero temperatures, he does not return alone. A creature awakens that can freeze the soul with icy fingers - Jack Frost! CAST: Christopher Eccleston (The Doctor), Lily Bevan (Antinav Floris), Nicolas Colicos (Succeeding/Robot), Martyn Ellis (The Rotter/Delius), Alice Feetham (Nel), Josie Lawrence (Gaznak), Amy Manson (Jeanie/System), Maureen O’Brien (Selo/First Gyra), Joanne Pearce (Luton/Second Gyra), Pooja Shah (Navarch Al-Hanin), Simon Shepherd (Pal Andrews), Dan Starkey (Sontaran), Thalissa Teixeita (Dr Lenni Fisk), Pip Torrens (Kenton). Other parts played by members of the cast.

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An authoritative survey of music and its context in the Renaissance. The sixteenth and early seventeenth centuries - the so-called Golden Age of Polyphony - represent a time of great change and development in European music, with the flourishing of Orlando di Lasso, Palestrina, Byrd, Victoria, Monteverdi and Schütz among others. The chapters of this book, contributed by established scholars on subjects within their fields of expertise, deal with polyphonic music - sacred and secular, vocal and instrumental - during this period. The volume offers chronological surveys of national musical cultures (in Italy, France, the Netherlands, Germany, England, and Spain); genre studies (Mass, motet, madrigal, chanson, instrumental music, opera); and is completed with essays on intellectual and cultural developments and concepts relevant to music (music theory, printing, the Protestant Reformation and the corresponding Catholic movement, humanism, concepts of "Renaissance" and "Baroque"). It thus provides a complete overview of the music and its context. Contributors: GARY TOMLINSON, JAMES HAAR, TIM CARTER, GIULIO ONGARO, NOEL O'REGAN, ALLAN ATLAS, ANTHONY CUMMINGS, RICHARD FREEDMAN, JEANICE BROOKS,DAVID TUNLEY, KATE VAN ORDEN, KRISTINE FORNEY, IAIN FENLON, KAROL BERGER, PETER BERGQUIST, DAVID CROOK, ROBIN LEAVER, CRAIG MONSON, TODD BORGERDING, LOUISE K. STEIN, GIUSEPPE GERBINO, ROGER BRAY, JONATHAN WAINWRIGHT, VICTOR COELHO, KEITH POLK

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In the twenty-first century, as in centuries past, stories of the supernatural thrill and terrify us. But despite their popularity, scholars often dismiss such beliefs in the uncanny as inconsequential, or even embarrassing. The editors and contributors to The Supernatural in Society, Culture, and History have made a concerted effort to understand encounters with ghosts and the supernatural that have remain present and flourished. Featuring folkloric researchers examining the cultural value of such beliefs and practices, sociologists who acknowledge the social and historical value of the supernatural, and enthusiasts of the mystical and uncanny, this volume includes a variety of experts and interested observers using first-hand ethnographic experiences and historical records.The Supernatural in Society, Culture, and History seeks to understand the socio-cultural and socio-historical contexts of the supernatural. This volume takes the supernatural as real because belief in it has fundamentally shaped human history. It continues to inform people’s interpretations, actions, and identities on a daily basis. The supernatural is an indelible part of our social world that deserves sincere scholarly attention. Contributors include: Janet Baldwin, I'Nasah Crockett, William Ryan Force, Rachael Ironside, Tea Krulos, Joseph Laycock, Stephen L. Muzzatti, Scott Scribner, Emma Smith, Jeannie Banks Thomas, and the editors

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On Superhero Day, Super Milly helps out her school friends with the best superpower of all . . . her super-kindness!It's Superhero Day at school, and Super Milly can't wait to wow everyone with her costume and amazing powers! The only problem is she can't actually fly, climb buildings or do force fields. But when Superhero Day doesn't go to plan, Milly realises she only needs her super-kindness to save the day!With its superhero theme and energetic and hilarious main character, this upbeat and very funny picture book about the power of kindness will inspire children to help others and have confidence in themselves.Stephanie Clarkson creates books for children including the popular Hello Happy! Mindful Kids activity book.Illustrator Gwen Millward has illustrated and written many picture books, and won awards including the Booktrust Early Years Award for The Bog Baby (written by Jeanne Willis).Every Nosy Crow paperback picture book comes with a free "Stories Aloud" audio recording. Just scan the QR code and listen along!

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This collection of fifteen insightful essays examines the complexity and diversity of Quaker antislavery attitudes across three centuries, from 1658 to 1890. Contributors from a range of disciplines, nations, and faith backgrounds show Quaker's beliefs to be far from monolithic. They often disagreed with one another and the larger antislavery movement about the morality of slaveholding and the best approach to abolition. Not surprisingly, contributors explain, this complicated and evolving antislavery sensibility left behind an equally complicated legacy. While Quaker antislavery was a powerful contemporary influence in both the United States and Europe, present-day scholars pay little substantive attention to the subject. This volume faithfully seeks to correct that oversight, offering accessible yet provocative new insights on a key chapter of religious, political, and cultural history. Contributors include Dee E. Andrews, Kristen Block, Brycchan Carey, Christopher Densmore, Andrew Diemer, J. William Frost, Thomas D. Hamm, Nancy A. Hewitt, Maurice Jackson, Anna Vaughan Kett, Emma Jones Lapsansky-Werner, Gary B. Nash, Geoffrey Plank, Ellen M. Ross, Marie-Jeanne Rossignol, James Emmett Ryan, and James Walvin.

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