Search results for ""author william"

This is the first extensive study of William Amess (1576-1633) Latin polemical writings against Arminianism during his exile in the Dutch Republic. Through these writings, Ames quickly established himself as a champion of Reformed orthodoxy. This reputation led him to be appointed as a theological advisor to the president of the Synod of Dort (1618-9) and then to be nominated for the newly established chair of practical theology at Leiden University. The Dutch Reformed theologian who compiled Amess Latin works believed that Ames was indeed a precious gift from England. By exploring Amess significant but neglected Latin corpus, this book uncovers Amess theological contributions to the central issues of the Arminian controversy. It provides a corrective to current readings of Amess theology by highlighting the links between his polemical writings and his better-known work, The Marrow of Theology. Ames was not, as previous scholarship has suggested, making a compromise or softening Reformed thought by finding a needed corrective in Arminianism. Instead, he was steadfastly defending the Reformed tradition against the threat of Arminianism without being blind to new philosophical and exegetical challenges. By exploring the medieval scholastic background behind his key arguments, this book also addresses the recent scholarly debate about the medieval roots of early modern Reformed thought. It shows that, by combining Thomistic ideas of physical premotion with Scotistic metaphysics of contingency, Ames trod a path which many other Reformed theologians would follow.

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How to Ruin an Omelet is the third in a series of artist’s books by Los Angeles–based painter Michael Williams (born 1978), following California Land for Sale!! and Yoga Online. Using a fashion sketchbook with figurative templates as its foundation, How to Ruin an Omelet is a lively amalgam of text and image.

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The William Lowell Putnam Mathematics Competition is the most prestigious undergraduate mathematics problem-solving contest in North America, with thousands of students taking part every year. This volume presents the contest problems for the years 2001-2016. The heart of the book is the solutions; these include multiple approaches, drawn from many sources, plus insights into navigating from the problem statement to a solution. There is also a section of hints, to encourage readers to engage deeply with the problems before consulting the solutions. The authors have a distinguished history of engagement with, and preparation of students for, the Putnam and other mathematical competitions. Collectively they have been named Putnam Fellow (top five finisher) ten times. Kiran Kedlaya also maintains the online Putnam Archive.

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The importance of Whewell, Lardner and Babbage to the history of economic thought is as dependent upon the retrospective reading of their work as it is upon their contemporary significance. However, their individual reactions to the industrial and technological revolutions of the early nineteenth century are also of particular interest to us.William Whewell was known in his own times as a historian and philosopher of science, however, more recently he has been hailed as one of the founders of British mathematical economics. Dionysius Lardner, Professor of Natural Philosophy and Astronomy at University College, London, was both an early railway economist and a precursor of modern theories of profit maximalization. Charles Babbage may legitimately be regarded as the father of the modern computer, yet his most popular book, On the Economics of Machinery and Manufacturers (1832), was an unprecedented study of what we would now call operational research and had a significant effect upon both John Stuart Mill and Karl Marx. These were the 'also ran' but they are no less important than the forerunners for understanding the development of economic thought in the first half of the nineteenth century.

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Genvieve Stonefield's husband Angus is missing when she seeks William Monk's help to find him. She is convinced that he has been murdered by his twin brother Caleb, a shadowy figure who lives in the slums bordering the Thames and has always hated his respectable businessman brother. Although worried about Hester Latterly's health as she nurses victims of a typhoid outbreak in Limehouse, and threatened by a personal scandal, Monk is determined to bring one of the most bizarre cases he has ever encountered to its conclusion.

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'A classic of its kind.' William Boyd'Thought-provoking, hilarious, sardonic and scarily brilliant.' Scotsman'A work of dazzling craft.' Times Literary Supplement'A memoir in a million.' Sunday Times** Chosen as a Time Book of the Year ** Don Paterson was born in Dundee, Scotland, in 1963. He spent his boyhood on a council housing estate.When he wasn't busy dreading his birthdays, dodging kids who wanted to kill him in a game of toy fights,working with his country-and-western singer dad, obsessing over God, origami, sex or Scottish football cards, he was developing a sugar addiction, playing guitar and descending into madness.While he didn't manage to figure out who he was meant to be, the first twenty years of his life - before he took a chance, packed his guitar and boarded a train to London - did, for better or worse, shape who he would become'A book that swan-dives into the filthy waters of growing up and resurfaces clear-eyed, bearing pearls.' Financial Times 'Paterson is arguably Scotland's finest writer at work today, his sense of the absurd is acutely honed, his wisdom hard-won.' The National'Wonderful, aggressively wise and always - especially at its most serious - devastatingly funny.' Geoff Dyer

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Monson's Church Notes, covering 227 parishes, were compiled before the 19th century spirit of renovation in Lincolnshire. Hence their value, for much of what he records disappeared during the passion for renovation.

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The Creolization of American Culture examines the artworks, letters, sketchbooks, music collection, and biography of the painter William Sidney Mount (1807–1868) as a lens through which to see the multiethnic antebellum world that gave birth to blackface minstrelsy. As a young man living in the multiethnic working-class community of New York's Lower East Side, Mount took part in the black-white musical interchange his paintings depict. An avid musician and tune collector as well as an artist, he was the among the first to depict vernacular fiddlers, banjo players, and dancers precisely and sympathetically. His close observations and meticulous renderings provide rich evidence of performance techniques and class-inflected paths of musical apprenticeship that connected white and black practitioners. Looking closely at the bodies and instruments Mount depicts in his paintings as well as other ephemera, Christopher J. Smith traces the performance practices of African American and Anglo-European music-and-dance traditions while recovering the sounds of that world. Further, Smith uses Mount's depictions of black and white music-making to open up fresh perspectives on cross-ethnic cultural transference in Northern and urban contexts, showing how rivers, waterfronts, and other sites of interracial interaction shaped musical practices by transporting musical culture from the South to the North and back. The "Africanization" of Anglo-Celtic tunes created minstrelsy's musical "creole synthesis," a body of melodic and rhythmic vocabularies, repertoires, tunes, and musical techniques that became the foundation of American popular music. Reading Mount's renderings of black and white musicians against a background of historical sites and practices of cross-racial interaction, Smith offers a sophisticated interrogation and reinterpretation of minstrelsy, significantly broadening historical views of black-white musical exchange.

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Shortlisted for the Orange Prize for FictionWinner of the McKitterick Prize 2011Runner up, Mind Book of the Year 2011 Shortlisted for the Commonwealth Writers' First Book Award, the Waverton Good Read Award, the Authors Club First Novel Awardthe Wellcome Trust Book PrizeThe doctors said no more could be done and advised Grace's parents to put her away.On her first day at the Briar Mental Institute, Grace, aged eleven, meets Daniel.Debonair Daniel, an epileptic who can type with his feet, sees a different Grace: someone to share secrets and canoodle with, someone to fight for.A deeply affecting, spirit-soaring story of love against the odds.

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The great echoing phrases of the King James Bible that have boomed through the English-speaking mind for 400 years - an eye for an eye . . . eat, drink and be merry . . . . death, where is thy sting? . . . man shall not live by bread alone - are largely the work of a man whose genius for words matches Shakespeare. But William Tyndale, the young Gloucestershire tutor who wrote them, paid for them with his life. He was persecuted, exiled and eventually burned at the stake. Book of Fire is the thrilling, moving story of the man who first translated the word of God into the English vernacular. Tyndale did so in defiance of church and state, hunted by the implacable enmity and the agents of the sainted Thomas More. He was finally betrayed, but by then his courage and poetic instinct had provided the backbone of the single most significant work in the English language. The Tudor heretic had changed the literary, religious and political landscape for ever.

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Illustrated with 35 b/w figures. These essays were written in honour of William G Dever, doyen of Syro-Palestinian archaeology, and Professor Emeritus of Near Eastern Archaeology and Anthropology at the University of Arizona, where he was Professor from 1975 until his retirement in 2001.

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William Wobbly is having a very bad day. He didn't want to go to school and when he got there things just got worse. The wobbly feeling got bigger and bigger and BIGGER until...Something happened to William Wobbly when he was very little which makes it hard for him to understand or control his feelings. Luckily, his new mum is here to help with his wibbly wobbly feelings. Written by a mum who understands, and her daughter (who used to have a lot of wobbly feelings), this is a story for children functioning at age 3-10 who struggle with sensory overload.

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"An excellent book about a boy named William who wants the forbidden—a doll. The long-awaited realistic handling of this theme makes it a landmark book."—School Library JournalMore than anything, William wants a doll. “Don’t be a creep,” says his brother. “Sissy, sissy,” chants the boy next door. Then one day someone really understands William’s wish, and make it easy for others to understand, too. William gets a doll, so he can learn to be a loving parent someday.Written by beloved author Charlotte Zolotow and illustrated by Newbery Medal-winning author and Caldecott Honor Book illustrator William Pène du Bois, William’s Doll was published in 1972 and was one of the first picture books to deal with gender stereotypes. William's Doll has been welcomed by teachers, librarians, and other caregivers as a springboard for discussion about gender roles and intolerance, whether shared one on one or with groups in a classroom or library setting.

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This interdisciplinary book breaks new ground by systematically examining ways in which two of the most important works of late-medieval English literature - Julian of Norwich's Revelations of Love and William Langland's Piers Plowman - were borne from engagement with the biblical Apocalypse and exegetical writings. This study contends that the exegetical approach to the Apocalypse is more extensive in Julian's Revelations and more sophisticated in Langland's Piers Plowman than previously thought, whether through a primary textual influence or a discernible Joachite influence. The author considers the implications of areas of confluence, which both writers reapply and emphasise - such as spiritual warfare and other salient thematic elements of the Apocalypse, gender issues, and Julian's explications of her vision of the soul as city of Christ and all believers (the fulcrum of her eschatologically-focused Aristotelian and Augustinian influenced pneumatology). The liberal soteriology implicit in Julian's `Parable of the Lord and the Servant' is specifically explored in its Johannine and Scotistic Christological emphasis, the absent vision of hell, and the eschatological `grete dede', vis-a-vis a possible critique of the prevalent hermeneutic.

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Something to Say: William Carlos Williams on Younger Poets collects all of Williams’ known writings—reviews, essays, introductions, and letters to the editor—on the two generations of poets that followed him, from Kenneth Rexroth and Louis Zukofsky to Robert Lowell and Allen Ginsberg. What might have been a random collection of occasional pieces achieves remarkable coherence from the singleness of Williams’ poetic vision: his belief that the secret spirit of ritual, of poetry, was trapped in restrictive molds, and, if these could be broken, the spirit would be able to live again in a new, contemporary form. Only a revived clarity and accuracy in sight and expression would enable the modern world to reform social order which Williams saw in complete disarray. To resuscitate American Poetry, Williams concentrated his efforts on the purification of poetic speech—his American idiom—and on remaking the poetic line in a new measure—his variable foot. And while his battles with his contemporaries on these issues could be heated, he was always a nurturing father to the young, “a useful presence,” “a model and a liberator.” He told Ginsberg to pare down and economize, Roethke to open up, and encouraged Lowell and Levertov to shake off poetic conventions. But in all his emphasis on the poem as a made object of concrete physicality or as a field of action, he would return again and again to this basic advice to young writers: “The only thing necessary is to have something to say when at last the opportunity comes to say it.”

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Charles Sanders Peirce complained that James allowed pragmatism to become "infected" with "seeds of death" like the idea that truth is mutable. The Truth is What Works is an attempt to defend James's pragmatic theory of truth from a wide range of critics including Peirce, Betrand Russell, Hilary Putnam, and Cornel West. Cormier runs the gauntlet of historical and contemporary criticism in an attempt to show, not that Jamesian pragmatism does in fact contain a perfectly good theory of objective reality after all, but rather that it doesn't, and is still a kind of realism anyway because it does not leave individuals and their subjective desires behind in an attempt to describe the real world.

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Lose yourself in the uplifting, escapist debut of the year . . .'If you liked Harold Fry and Me Before You, you will love Cullen's nostalgic debut. This life-affirming book will draw you in and keep you there' IndependentWilliam Woolf is a letter detective at the Dead Letters Depot in East London, spending his days reuniting lost mail with its intended recipient.But when he discovers a series of letters addressed simply to 'My Great Love' everything changes . . . Written by a woman to a soulmate she hasn't met yet, her heartfelt words stir William in ways he has long forgotten.Could they be destined for him? And what would that mean for his own troubled marriage?William must follow the clues in the letters to solve his most important mystery yet: his own heart. _________'I found myself totally transported into William's poignant and beguiling world of lost opportunities and love' A. J. Pearce, author of Sunday Times bestseller Dear Mrs Bird'An enchanting contribution to the popular new trend of 'up lit', like Gail Honeyman's Eleanor Oliphant is Completely Fine' Irish Times'Delightful' Sunday TimesSHORTLISTED FOR NEWCOMER OF THE YEAR, IRISH BOOK AWARDS

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During the Civil War, William H. Gregg served as William Clarke Quantrill’s de facto adjutant from December 1861 until the spring of 1864, making him one of the closest people to the Confederate guerrilla leader. “Quantrill’s raiders” were a partisan ranger outfit best known for their brutal guerrilla tactics, which made use of Native American field skills. Whether it was the origins of Quantrill’s band, the early warfare along the border, the planning and execution of the raid on Lawrence, Kansas, the Battle of Baxter Springs, or the dissolution of the company in early 1864, Gregg was there as a participant and observer. This book includes his personal account of that era.The book also includes correspondence between Gregg and William E. Connelley, a historian. Connelley was deeply affected by the war and was a staunch Unionist and Republican. Even as much of the country was focusing on reunification, Connelley refused to forgive the South and felt little if any empathy for his Southern peers. Connelley’s relationship with Gregg was complicated and exploitive. Their bond appeared mutually beneficial, but Connelley manipulated an old, weak, and naïve Gregg, offering to help him publish his memoir in exchange for Gregg’s inside information for a biography of Quantrill.

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These letters chart the friendship between Boswell and the man he called his "most intimate friend", William Johnson Temple. Covering the period from Boswell and Temple's student days at Edinburgh University until their mid-30s, the dialogue reveals the two men's thoughts on their families, ambitions, sex-life and friendship. Each is the other's "brother confessor" and the letters provide glimpses into Boswell's personality and the subjective life of an 18th-century country parson.

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In the dead of night in a notorious area of Victorian London's East End known as St Giles a factory girl stumbles over the bloody bodies of two City gentlemen. When Detective John Evan finally arrives at the scene, he is confronted by a most difficult investigation. First he must identify the men. Then he must find out why men of means and social standing would go to such a sordid area. Most importantly, who are their assailants? And how could they escape unharmed and unnoticed? Mercifully the younger victim is not quite dead. Having sustained terrible internal injuries, he's later released home from hospital severely traumatised and unable to speak - to be told that the other victim, his father, is dead, and Hester Latterly has been employed to help nurse him back to full recovery. With too many obstacles impeding his progress, Evan finally enlists the aid of his old friend, William Monk, who, together with Hester's help, must unravel one of his most complex and shocking cases yet.

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When Jane marries the elderly grocer William Chirp, she thinks she has moved up into the comfort of middle class. Instead, she discovers that William exerts a control over her life that forces her to live like a prisoner. His tight fistedness and suspicions so affect Jane that even after his death, she finds herself trapped in a penny pinching paranoia and resorts to scavenging for food out of garbage bins and taking her silverware with her everywhere in a shopping bag. Utterly forgotten for over 80 years, neither the book nor its author are mentioned in any history of 20 th century English literature. Yet Trevelyan is arguably the finest novelist of the generation to follow Virginia Woolf and William’s Wife is one of the most powerful psychological portraits in all fiction.As a story about a woman at the mercy of a domineering and abusive husband, William’s Wife is a novel still resonant and relevant in today’s world. Even more, it’s one of the most effective accounts of the onset and experience of mental illness, of a paranoia and miserliness that gradually takes over Jane Chirp’s life and leads her to move to ever more cramped and dingy flats where she surrounds herself with her belongings like a besieged hermit.

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Sold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradable cellobag. William Kilburn (1745–1818) was a highly regarded designer of block-printed cottons in the 18th century. Born in Dublin, he was apprenticed to a cotton and linen printer at Lucan. He moved to London and sold designs to printers, and drawings and engravings to print shops.

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Strange Career offers a clear and illuminating analysis of the history of Jim Crow laws and American race relations. This book presented evidence that segregation in the South dated only to the 1880s. It's publication in 1955, a year after the Supreme Court ordered schools be desegregated, helped counter arguments that the ruling would destoy a centuries-old way of life. The commemorative edition includes a special afterword by William S. McFeely, former Woodward student and winner of both the 1982 Pulitzer Prize and 1992 Lincoln Prize. As William McFeely describes in the new afterword, 'the slim volume's social consequence far outstripped its importance to academia. The book became part of a revolution...The Civil Rights Movement had changed Woodward's South and his slim, quietly insistent book...had contributed to that change.'

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Hiking Washington's William O. Douglas Wilderness leads you on 44 hikes in this rugged, beautiful and only lightly used area. Ranging from very short hikes and nature trails to multi-day backpacks into the heart of the wilderness, this guide provides information that will be valuable to the first time hiker and the veteran alike. Following many of the hike descriptions, options for further exploration are included. Detailed maps and elevation profiles show you what to expect on each hike.

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In his most personal book to date, William Yeoward reveals his passion for colour, his inspirations and the "stories" behind his unique use of colour as he takes you on a journey through a dazzling array of beautiful homes. Known for his chic and stylish colour combinations, William Yeoward reveals his colour secrets, starting with the classic combination of blue and white – there are cobalt silk sofas, indigo linen armchairs, aquamarine and white patterned ceramics and sapphire plush cushions, all combined to evoke a sense of luxury, in William's trademark style. The unique colour stories in the book include red, white and blue in a villa in France, a comfortable coastal retreat with hints of pink, taking you through to lavender and amethyst in the country and the city, soft grey studies in living rooms and table settings, a blazing ochre red contemporary cottage, an orange rustic barn dinner, and a red and steel outdoor kitchen. This is William’s fourth book and is the first one to focus on his passion for colour and the sumptuous interiors that can be created by focusing on details and by layering opulent textures, prints and proportions.

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Roger Williams, founder of the colony of Rhode Island, is famous as an apostle of religious tolerance and a foe of religious establishments. In Separating Church and State, Timothy Hall combines impressive historical and legal scholarship to explore Williams's theory of religious liberty and relate it to current debate. Williams's fierce religious dogmaticism, Hall argues, is precisely what led to his religious tolerance, making him one of the most articulate champions of the argument for the necessary separation of church and state. "Both timely and provocative. . . . Offers Williams's largely overlooked but deeply important perspective on the peaceful coexistence of committed believers of diverse faiths. The book also brings into question crucial tenets of the United States Supreme Court's First Amendment religion clause jurisprudence at a time when many are raising questions about it." -- Marci A. Hamilton, Benjamin N. Cardozo School of Law, New York City "Hall has the entire Williams corpus under his command, and he plays the relevant texts like a master organist. He also has the legal corpus equally at his fingertips. One of the great strengths of his book is that it bridges the too often separate fields of history and jurisprudence." -- Edwin Gaustad, author of Liberty of Conscience: Roger Williams in America

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Things You Shouldn’t Understand is the newest in a series of drawing books by Los Angeles–based painter Michael Williams (born 1978). It employs the motif of marker bleeding through a page to propel the narrative, each image repeating in mirror form and interacting with a new one on its facing page, as a psychedelic cast of creatures twists and turns.

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A collection of essays put together by colleagues, friends, and students of William M. Sumner to honor his contribution to Iranian archaeology and archaeological field methodology. Topical contributions emphasize the methodological aspects of analysis of survey data, while regional contributions focus on two of the main geographical areas studied by archaeologists in Iran: the southwest and the northwest. This volume is published in association with The American Institute of Iranian Studies and The University of Pennsylvania Museum of Archaeology and Anthropology.

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