Search results for ""author william"

In Beyond Reformation? An Essay on William Langland’s Piers Plowman and the End of Constantinian Christianity, David Aers presents a sustained and profound close reading of the final version of William Langland’s Piers Plowman, the most searching Christian poem of the Middle Ages in English. His reading, most unusually, seeks to explore the relations of Langland's poem to both medieval and early modern reformations together with the ending of Constantinian Christianity. Aers concentrates on Langland’s extraordinarily rich ecclesiastic politics and on his account of Christian virtues and the struggles of Conscience to discern how to go on in his often baffling culture. The poem’s complex allegory engages with most institutions and forms of life. In doing so, it explores moral languages and their relations to current practices and social tendencies. Langland’s vision conveys a strange sense that in his historical moment some moral concepts were being transformed and some traditions the author cherished were becoming unintelligible. Beyond Reformation? seeks to show how Langland grasped subtle shifts that were difficult to discern in the fourteenth century but were to become forces with a powerful future in shaping Western Christianity. The essay form that Aers has chosen for his book contributes to the effectiveness of the argument he develops in tandem with the structure of Langland’s poem: he sustains and tests his argument in a series of steps or “passus,” a Langlandian mode of proceeding. His essay unfolds an argument about medieval and early modern forms of Constantinian Christianity and reformation, and the way in which Langland's own vision of a secularizing, de-Christianizing late medieval church draws him toward the idea of a church of “fools,” beyond papacy, priesthood, hierarchy, and institutions. For Aers, Langland opens up serious diachronic issues concerning Christianity and culture. His essay includes a brief summary of the poem and modern translations alongside the original medieval English. It will challenge specialists on Langland's poem and supply valuable resources of thought for anyone who continues to struggle with the church of today.

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After a brilliant military career in India, General Thaddeus Carlyon finally meets death not in the frenzy of battle, but at a London dinner party, in what appears to be a freak accident. But the General's beautiful wife readily confesses that she killed him - a story she clings to even under the shadow of the gallows. Investigator William Monk, nurse Hestor Latterly and Oliver Rathbone, counsel for the defence, work feverishly to break down the silence of the accused and her husband's proud family; and with the trial only days away they inch towards the appalling heart of the mystery.

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In No Professor's Lectures Can Save Us, John J. Stuhr utilizes the thought of American philosopher and psychologist William James to develop an original world view that addresses both enduring philosophical problems and contemporary cultural issues. Drawing on and illuminating the entirety of James's work, Stuhr explores James's psychology, his account of religious experience and his "will to believe" thesis, his pragmatism, his radical empiricism, his pluralism, and his writing on politics, democracy, and imperialism. Throughout, Stuhr engages the wide-ranging scholarship on James's philosophy and explores connections between James and the work of Bergson, Deleuze, Dewey, Peirce, Rorty, and Whitehead, as well as intellectual movements including contemporary democratic theory, positive psychology, and philosophical naturalism. After establishing the need to approach James's writings as intimately interwoven, Stuhr turns to each of James's major texts, including The Will to Believe, Principles of Psychology, Varieties of Religious Experience, Pragmatism, The Meaning of Truth, and Essays in Radical Empiricism. His focus throughout is practical, showing the concrete differences it makes in one's life should one take up a broadly Jamesian perspective across the "ever not quite" endeavors of our finite lives. "From this unsparing practical ordeal," James noted, "no professor's lectures and no array of books can save us." In this spirit, this book does not by itself, promise salvation. Instead, it is a master class not only in the philosophy of William James but in a new philosophy through James's thought.

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In this dual biography, Douglas B. Craig examines the careers of two prominent American public figures, Newton Diehl Baker and William Gibbs McAdoo, whose lives spanned the era between the Civil War and World War II. Both Baker and McAdoo migrated from the South to northern industrial cities and took up professions that had nothing to do with staple-crop agriculture. Both eventually became cabinet officers in the presidential administration of another southerner with personal memories of defeat and Reconstruction: Woodrow Wilson. A Georgian who practiced law and led railroad tunnel construction efforts in New York City, McAdoo served as treasury secretary at a time when Congress passed an income tax, established the Federal Reserve System, and funded the American and Allied war efforts in World War I. Born in the eastern panhandle of West Virginia, Baker won election as mayor of Cleveland in the early twentieth century and then, as Wilson's secretary of war, supervised the dramatic build-up of the U.S. military when the country entered the Great War in Europe. This is the first full biography of McAdoo and the first since 1961 of Baker. Craig points out similarities and differences in their backgrounds, political activities, professional careers, and family lives. Craig's approach in "Progressives at War" illuminates the shared struggles, lofty ambitions, and sometimes conflicted interactions of these figures. Their experiences and perspectives on public and private affairs (as insiders who nonetheless were, in some sense, outsiders) make their lives, work, and thought especially interesting. Baker and McAdoo, in league with Wilson, offer Craig the opportunity to deliver a fresh and insightful study of the period, its major issues, and some of its leading figures.

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The life of William Morris (1834-1896) is revealed in significant new detail by his complete surviving correspondence, brought together here for the first time and including many previously unpublished letters. This collection not only bears witness to Morris's day-to-day activities and friendships, but also reflects his keen response to landscape and architecture, his sense of social responsibility, and his interest in the techniques of the applied arts. Volume I covers Morris's student days at Oxford and marriage to Jane Burden; the first twenty years of Morris and Co.; his success as a poet with the publication of The Earthly Paradise; his two trips to Iceland; the moves to Kelmscott Manor and Kelmscott House; and the start of his socialist career. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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What’s for dinner tonight? You’ll find a year’s-worth of ideas inside this inspiring volume of 365 recipes, including recipes for soups, salads, desserts, and one pot, vegetable, and healthy dishes. From the best-selling Williams Sonoma Of The Day series, comes a compilation of 365 favorite recipes, ranging from soups, salads, desserts, and one pot, vegetable, and healthy dishes. Find inspiration for cooking any day of the year in this indispensable collection. This colorful, calendar-style cookbook offers ideas to match any season, occasion, or mood. Organized by date, this book can be used as a guide to eating seasonally throughout the year. Stunning photographs and a colorful graphic design add visual appeal to the enticing cookbook.

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In Author Under Sail: The Imagination of Jack London, 1902–1907, Jay Williams explores Jack London’s necessity to illustrate the inner workings of his vast imagination. In this second installment of a three-volume biography, Williams captures the life of a great writer expressed though his many creative works, such as The Call of the Wild and White Fang, as well as his first autobiographical memoir, The Road, some of his most significant contributions to the socialist cause, and notable uncompleted works. During this time, London became one of the most famous authors in America, perhaps even the author with the highest earnings, as he prepared to become an equally famous international writer.Author Under Sail documents London’s life in both a biographical and writerly fashion, depicting the importance of his writing experiences as his career followed a trajectory similar to America’s from 1876 to 1916. The underground forces of London’s narratives were shaped by a changing capitalist society, media outlets, racial issues, increases in women’s rights, and advancements in national power. Williams factors in these elements while exploring London’s deeply conflicted relationship with his own authorial inner life. In London’s work, the imagination is figured as a ghost or as a ghostlike presence, and the author’s personas, who form a dense population among his characters, are portrayed as haunted or troubled in some way. Along with examining the functions and works of London’s exhaustive imagination, Williams takes a critical look at London’s ability to tell his stories to wide arrays of audiences, stitching incidents together into coherent wholes so they became part of a raconteur’s repertoire. Author Under Sail provides a multidimensional examination of the life of a crucial American storyteller and essayist.

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How a visionary university and foundation president tackled some of the thorniest problems facing higher educationAs provost and then president of Princeton University, William G. Bowen (1933–2016) took on the biggest and most complex challenges confronting higher education: cost disease, inclusion, affirmative action, college access, and college completion. Later, as president of the Andrew W. Mellon Foundation, he took his vision for higher education—and the strategies for accomplishing that vision—to a larger arena. Along the way, he wrote a series of influential books, including the widely read The Shape of the River (coauthored with Derek Bok), which documented the success of policies designed to increase racial diversity at elite institutions. In Changing the Game, drawing on deep archival research and hundreds of interviews, Nancy Weiss Malkiel argues that Bowen was the most consequential higher education leader of his generation.Bowen, who became Princeton’s president in 1972 at the age of 38, worked to shore up the university’s financial stability, implement coeducation, and create a more inclusive institution. Breaking through the traditional Ivy League demographics of white, Protestant, and male, he embraced equal access in admissions for women and men and actively sought to enroll Black, Hispanic, and Asian American students. To “increase the intellectual muscle of the faculty,” he used targeted recruiting and enforced higher scholarly standards. In 1988, Bowen moved on to Mellon, where, among many other accomplishments, he developed digital research tools, most notably JSTOR, and promoted racial diversity through the Mellon Mays Undergraduate Fellowship. Attacking problems with tenacity, insight, and deep knowledge, Bowen showed the world of higher education how a visionary leader can transform an institution.

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Sold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradable cellobag, and are themed with our art calendars, foiled notebooks and illustrated art books.Born in Kent, William Morris was an outstanding character of many talents, being an architect, writer, social campaigner, artist and, with his Kelmscott Press, an important figure of the Arts and Crafts movement. Many of us probably know him best, however, from his superb furnishings and textile designs, intricately weaving together natural motifs in a highly stylized two-dimensional fashion influenced by medieval conventions.

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William “Extra Billy” Smith, the oldest and one of the most controversial Confederate generals on the field at Gettysburg, was also one of the most colourful and charismatic characters of the Civil War and the antebellum Old South. Despite a life full of drama, politics, and adventure, until now no full-length biography of this former general, governor, and attorney existed Known nationally as“Extra Billy” because of his prewar penchant for finding loopholes in government postal contracts to gain extra money for his stagecoach lines, Smith served as Virginia’s governor during both the War with Mexico and the Civil War, served five terms in the U.S. Congress, and was one of Virginia’s leading spokesmen for slavery and States’ Rights. Extra Billy’s extra-long speeches and wry sense of humor were legendary among his peers. A lawyer during the heady Gold Rush days, Smith made a fortune in California and, like his income earned from stagecoaches, quickly lost it. Despite his advanced age Smith took the field and fought well at First Manassas, was wounded at Seven Pines and again at Sharpsburg, and marched with Lee’s Army of Northern Virginia into Pennsylvania. There, on the first day at Gettysburg, Smith’s frantic messages about a possible Union flanking attack remain a matter of controversy to this day. Did his aging eyes see distant fence-lines that he interpreted as approaching enemy soldiers—mere phantoms of his imagination?—or did his prompt action stave off a looming Confederate disaster? What we do know is that his calls for support diverted limited Confederate manpower away from attacks against Cemetery Hill and Culp’s Hill that might have turned the tide of Southern fortunes. Mingus’s biography draws upon a wide array of newspapers, diaries, letters, and other firsthand accounts to paint a broad, deep, and colorful portrait of one of the South’s most interesting leaders and devoted sons. Complete with original maps and photos, Extra Billy Smith will satisfy anyone who loves politics, war, and a great story well told.

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Raymond Williams is widely acknowledged to be one of the most original and influential thinkers of the post-war era. He wrote extensively across a wide range of subjects: from drama and the novel to politics, popular culture and mass communications. He was also a major novelist, well-known for books such as Border Country and Second Generation. This volume of new and original essays, edited and introduced by Terry Eagleton, provides a critical appreciation of Raymond Williams' writings by those best acquainted with his work. Among the contributions are essays on Williams's work as a literary critic, as a student of popular culture, as a novelist and as an analyst of contemporary politics and society.

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A full scholarly edition of Dowsing's record of his and his deputies' activities in Suffolk, Cambridgeshire and Norfolk, 1643-4. During the Civil War, in late 1643 and 1644, the Suffolk puritan William Dowsing visited some hundred parish churches in Cambridgeshire, and about a hundred and fifty in Suffolk, smashing stained glass and other 'superstitious' imagery, ripping up monumental brass inscriptions, destroying altar rails and steps, and pulling down crucifixes and crosses. He dealt equally vigorously with the chapels of the Cambridge colleges, still fresh from their Laudian re-ordering. This modern edition of Dowsing's journal brings together, with commentary, the Cambridgeshire and Suffolk sections of his record of what he destroyed, never previously published together. Dowsing and his character and beliefs are set in context, with coverage of Dowsing and the administration of iconoclasm; the work of Dowsing and his deputies in Cambridgeshire, Norfolk and Suffolk; Dowsing and Cambridge University, and the arguments at PembrokeCollege; evidence of destruction in the other counties of the Eastern Association; the text and history of the journal. Contributors: JOHN BLATCHLY, TREVOR COOPER, JOHN MORRILL, S. SADLER, ROBERT WALKER.

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Converse in the Spirit is a comparative study of the writings of William Blake and the German visionary philosopher Jacob Boehme. It argues that the relationship between Blake and Boehme was a meeting of like minds that transcended place and time, that each regarded himself as part of a community of vision, and aspiration, and believed that any predominant form ofthought and understanding was only partial.

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Part of a collection of fun-filled, dynamic and dramatic stories, tales that every aspiring boy-adventurer wants to read.

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This is the first full biography of Charles Williams (1886-1945), an extraordinary and controversial figure who was a central member of the Inklings—the group of Oxford writers that included C.S. Lewis and J.R.R. Tolkien. Charles Williams—novelist, poet, theologian, magician and guru—was the strangest, most multi-talented, and most controversial member of the group. He was a pioneering fantasy writer, who still has a cult following. C.S. Lewis thought his poems on King Arthur and the Holy Grail were among the best poetry of the twentieth century for 'the soaring and gorgeous novelty of their technique, and their profound wisdom'. But Williams was full of contradictions. An influential theologian, Williams was also deeply involved in the occult, experimenting extensively with magic, practising erotically-tinged rituals, and acquiring a following of devoted disciples. Membership of the Inklings, whom he joined at the outbreak of the Second World War, was only the final phase in a remarkable career. From a poor background in working-class London, Charles Williams rose to become an influential publisher, a successful dramatist, and an innovative literary critic. His friends and admirers included T.S. Eliot, W.H. Auden, Dylan Thomas, and the young Philip Larkin. A charismatic personality, he held left-wing political views, and believed that the Christian churches had dangerously undervalued sexuality. To redress the balance, he developed a 'Romantic Theology', aiming at an approach to God through sexual love. He became the most admired lecturer in wartime Oxford, influencing a generation of young writers before dying suddenly at the height of his powers. This biography draws on a wealth of documents, letters and private papers, many never before opened to researchers, and on more than twenty interviews with people who knew Williams. It vividly recreates the bizarre and dramatic life of this strange, uneasy genius, of whom Eliot wrote, 'For him there was no frontier between the material and the spiritual world.'

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This close analysis of Justice William J. Brennan, Jr.'s, jurisprudence on the eve of his death on July 24, 1997, demonstrates why Brennan deserves to be recognized as the most important liberal jurist of the twentieth century. David E. Marion offers a careful review of Brennan's opinions that clarifies his defense of libertarian dignity and illustrates the profound political and constitutional impact of Brennan's opinions on public discourse and government policy. This is must reading for anyone interested in the role of the judiciary in modern American public life.

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In his brief life, Hank Williams created one of the defining bodies of American music. He has sold millions of records and became the model for virtually all country music that followed. But by the time of his death at the age of 29, he had drugged and philandered his way through two messy marriages and was sacked from his headline spot on the Grand Ole Opry. In this newly updated edition, Escott adds the fruit of several years of impeccable research to this already full-blooded portrait of Williams and reveals much that was previously unknown or hidden.

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Offers more than forty recipes for breakfast including, eggs benedict, huevos rancheros, hash browns, and a variety of morning breads.

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How to Ruin an Omelet is the third in a series of artist’s books by Los Angeles–based painter Michael Williams (born 1978), following California Land for Sale!! and Yoga Online. Using a fashion sketchbook with figurative templates as its foundation, How to Ruin an Omelet is a lively amalgam of text and image.

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The Creolization of American Culture examines the artworks, letters, sketchbooks, music collection, and biography of the painter William Sidney Mount (1807–1868) as a lens through which to see the multiethnic antebellum world that gave birth to blackface minstrelsy. As a young man living in the multiethnic working-class community of New York's Lower East Side, Mount took part in the black-white musical interchange his paintings depict. An avid musician and tune collector as well as an artist, he was the among the first to depict vernacular fiddlers, banjo players, and dancers precisely and sympathetically. His close observations and meticulous renderings provide rich evidence of performance techniques and class-inflected paths of musical apprenticeship that connected white and black practitioners. Looking closely at the bodies and instruments Mount depicts in his paintings as well as other ephemera, Christopher J. Smith traces the performance practices of African American and Anglo-European music-and-dance traditions while recovering the sounds of that world. Further, Smith uses Mount's depictions of black and white music-making to open up fresh perspectives on cross-ethnic cultural transference in Northern and urban contexts, showing how rivers, waterfronts, and other sites of interracial interaction shaped musical practices by transporting musical culture from the South to the North and back. The "Africanization" of Anglo-Celtic tunes created minstrelsy's musical "creole synthesis," a body of melodic and rhythmic vocabularies, repertoires, tunes, and musical techniques that became the foundation of American popular music. Reading Mount's renderings of black and white musicians against a background of historical sites and practices of cross-racial interaction, Smith offers a sophisticated interrogation and reinterpretation of minstrelsy, significantly broadening historical views of black-white musical exchange.

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In this short work of 1860, William Craft (c.1825–1900), assisted by his wife Ellen (c.1825–91), recounts the remarkable story of how they escaped from slavery in America. Having married as slaves in Georgia, yet unwilling to raise a family in servitude, the couple came up with a plan to disguise the light-skinned Ellen as a man, with William acting as her slave, and to travel to the north in late 1848. This compelling narrative traces their successful journey to Philadelphia and their subsequent move to Boston, where they became involved in abolitionist activities. Later, the couple sought greater safety in England, where they lived for a number of years and had five children. A success upon its first appearance, the book touches on the themes of race, gender and class in mid-nineteenth-century America, offering modern readers a first-hand account of how barriers to freedom could be overcome.

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With his twinkling eyes, boundless energy and unrivalled natural wit, Robin Williams was the comedian who brought laughter to a generation. Through roles in cherished films such as Mrs. Doubtfire, Jumanji, Aladdin and Hook, he became the genial face of family comedy. His child-like enthusiasm was infectious, sweeping viewers away. Allied to his lightning-quick improvisation and ability to riff lewdly off any cue thrown at him, Robin was that rare thing - a true comic genius who appealed to adults and children equally. He could also play it straight, and empathetic depth came to him naturally. A poignant performance in Good Will Hunting won him an Academy Award whilst his masterfully chilling turn in psychological thriller Insomnia shocked audiences and hinted at a darker side. What truly caught the imagination, though, was his good-heartedness. Warmth radiated from him on-screen, but he was legendary for his off-screen acts of selfless generosity. Where most Hollywood A-listers demand outrageous pampering in their contract riders, he always insisted that the production company hire a full quota of homeless people to help make his movies. But behind the laughter lay a deeply troubled man, and tragedy would follow. At midday, on 11 August 2014, Robin Williams was pronounced dead at his California home. The verdict was suicide. He had battled depression and addiction for many years and was allegedly beset by financial difficulties. Emily Herbert's sensitive and thoughtful biography celebrates his genius and warmth, but also attempts to understand what could have driven such a gentle and gifted man to so tragic an end. This is Robin Williams, the life, the laughter, and the deep sorrow of the man who made the world smile.

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In 1906, William J. Seymour (1870–1922) preached Pentecostal revival at the Azusa Street mission in Los Angeles. From these and other humble origins the movement has blossomed to 631 million people around the world. Gastón Espinosa provides new insight into the life and ministry of Seymour, the Azusa Street revival, and Seymour's influence on global Pentecostal origins. After defining key terms and concepts, he surveys the changing interpretations of Seymour over the past 100 years, critically engages them in a biography, and then provides an unparalleled collection of primary sources, all in a single volume. He pays particular attention to race relations, Seymour's paradigmatic global influence from 1906 to 1912, and the break between Seymour and Charles Parham, another founder of Pentecostalism. Espinosa's fragmentation thesis argues that the Pentecostal propensity to invoke direct unmediated experiences with the Holy Spirit empowers ordinary people to break the bottle of denominationalism and to rapidly indigenize and spread their message.The 104 primary sources include all of Seymour's extant writings in full and without alteration and some of Parham's theological, social, and racial writings, which help explain why the two parted company. To capture the revival's diversity and global influence, this book includes Black, Latino, Swedish, and Irish testimonies, along with those of missionaries and leaders who spread Seymour's vision of Pentecostalism globally.

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If any single characteristic differentiates current, neoclassical economics from the classical economics of Adam Smith and David Ricardo, it is the use of mathematics. Pointing to the critical role of William Stanley Jevons (1835-1882), Margaret Schabas demonstrates that the advent of mathematical economics in late Victorian England resulted more from new currents in logic and the philosophy of science than from problems specific to the classical theory of value and distribution. Jevons's Principles of Science (1874) was the first book to take issue with John Stuart Mill's faith in inductive reasoning, to assimilate George Boole's mathematical logic, and to discern many of the limitations that beset scientific inquiry. Together with a renewed appreciation for Bentham's utility calculus, these philosophical insights served to convince Jevons and his followers that the economic world is fundamentally quantitative and thus amenable to mathematical analysis. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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‘A rip-roaring new life of Marshal … [a] splendid account of a great medieval life' Dan Jones, author of Crusaders‘A thoroughly entertaining account of England’s most colourful and courageous medieval knight’ Sunday Times Drawing upon an array of contemporary evidence, renowned historian Thomas Asbridge’s authoritative and dramatic account brings to life the often overlooked figure of William Marshal, a man who not only served at the right hand of five English monarchs but also helped negotiate the terms of Magna Carta. Charting the unparalleled rise to prominence of a man bound to a code of honour, yet driven by unquenchable ambition, this knight's tale lays bare the brutish realities of medieval warfare and the machinations of the royal court, and draws us into the heart of a formative period of our history: when the West emerged from the Dark Ages and stood on the brink of modernity. Friend of Richard the Lionheart and the infamous King John and, ultimately, regent of the realm, this is the story of one remarkable man and the forging of the English nation. ‘Skilfully done...a powerful cast of characters that fascinates still’ TLS ‘The medieval world...at last comes touchingly to life’ Spectator

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Monson's Church Notes, covering 227 parishes, were compiled before the 19th century spirit of renovation in Lincolnshire. Hence their value, for much of what he records disappeared during the passion for renovation.

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Comprising the sermons preached by William Sloane Coffin while he was senior minister at the prestigious Riverside Church in New York City, The Collected Sermons of William Sloane Coffin: The Riverside Years captures the renowned preacher and social activist at work: ministering to American hostages in Iran, supporting AIDS awareness, and rallying his audiences to battle poverty and nuclear proliferation--all the while celebrating marriages, baptisms, and Mother's Days and mourning the loss of loved ones, including his own son. In each of these brilliant and painstakingly crafted sermons, Coffin combined his deep love of Scripture and passionate commitment to peace and justice with his unparalleled gift for the spoken word. While also revealing the personal and pastoral dimensions of his ministry, each sermon provides a powerful example of Coffin's well-accomplished mission: to challenge the conscience of a nation.

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When civil rights leader Hosea Lorenzo Williams died in 2000, U.S. Congressman John Lewis said of him, "Hosea Williams must be looked upon as one of the founding fathers of the new America. Through his actions, he helped liberate all of us."In this first comprehensive biography of Williams, Rolundus Rice demonstrates the truth in Lewis's words and argues that Williams's activism in the Southern Christian Leadership Conference (SCLC) was of central importance to the success of the larger civil rights movement. Rice traces Williams's journey from a local activist in Georgia to a national leader and one of Martin Luther King Jr.'s chief lieutenants. He helped plan the Selma-to-Montgomery march and walked shoulder-to-shoulder with Lewis across the Edmund Pettus Bridge on "Bloody Sunday." While his hard-charging tactics were counter to the diplomatic approach of other SCLC leaders, Rice argues that it was this contrast in styles that made the organization successful.Andrew Young Jr., former SCLC executive director, U.S. Congressman, U.S. Ambassador to the United Nations, and mayor of Atlanta, provides a foreword.

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Illustrated with 35 b/w figures. These essays were written in honour of William G Dever, doyen of Syro-Palestinian archaeology, and Professor Emeritus of Near Eastern Archaeology and Anthropology at the University of Arizona, where he was Professor from 1975 until his retirement in 2001.

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BRITISH SPORTS BOOK AWARDS SPORTS BOOK OF THE YEAR. SHORTLISTED FOR THE WILLIAM HILL SPORTS BOOK OF THE YEAR PRIZE 2017. SHORTLISTED FOR THE JAMES TAIT BLACK BIOGRAPHY OF THE YEAR. WINNER OF THE PEN/ESPN AWARD FOR LITERARY SPORTS WRITING. THE TIMES SPORTS BOOK AWARDS BIOGRAPHY OF THE YEAR. The most comprehensive and definitive biography of Muhammad Ali that has ever been published, based on more than 500 interviews with those who knew him best, with many dramatic new discoveries about his life and career. When the frail, trembling figure of Muhammad Ali lit the Olympic flame in Atlanta in 1996, a TV audience of up to 3 billion people was once again gripped by the story of the world's most famous sporting icon. The man who had once been reviled for his refusal to fight for his country and for his fast-talking denunciation of his opponents was now almost universally adored, the true cost of his astonishing boxing career clear to see. In Jonathan Eig's ground-breaking biography, backed up with much detailed new research specially commissioned for this book, we get a stunning portrait of one of the most significant personalities of the second half of the twentieth century. We are not only taken inside the ring for some of the most famous bouts in boxing history, we also learn about his personal life, his finances, his faith and the moments when the first signs of his physical decline began to show. Ali was a symbol of freedom and courage, a hero to many, but this is also a very personal story of a warrior who vanquished every opponent but was finally brought down by his own stubborn refusal to quit. An epic tale of a fighter who became the world's most famous pacifist, Ali: A Life does full justice to an extraordinary man.‘Ali: A Life is the business – 640 pages of patient scholarship and intelligent reassessment written in crackly prose’ Giles Smith, The Times ‘[A] richly researched, sympathetic yet unsparing portrait ... Ali: A Life is an epic of a biography’ Joyce Carol Oates, New York Times

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Author Under Sail offers the first complete literary biography of Jack London as a professional writer. Jay Williams examines the authorial imagination in London’s work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a three-volume biography, Williams traverses the years 1893 to 1902, from London’s “Story of a Typhoon” to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on theatricality and the representation of the seen and the unseen.Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.

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A thrilling tale of incredible courage and resilience, a true wartime story of William Ash.The Cooler King is at once uplifting and inspirational, and stands as a testament to the durability of decent values and the invincible spirit of liberty.The Cooler King tells the astonishing story of William Ash, an American flyer brought up in Depression-hit Texas, who after being shot down in his Spitfire over France in early 1942 spent the rest of the war defying the Nazis by striving to escape from every prisoner of war camp in which he was incarcerated. Alongside William Ash is a cast of fascinating characters, including Douglas Bader, Roger Bushell, who would go on to lead the Great Escape, and Paddy Barthropp, a dashing Battle of Britain pilot who despite his very different background became Ash's best friend and shared many of his adventures. Using contemporary documents and interviews with Ash's comrades, Patrick Bishop vividly recreates the multiple escape attempts, while also examining the P.O.W. experience and analysing the passion that drove some prisoners to risk death in repeated bids for freedom.

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William Morris was one of the most celebrated practitioners of the Arts and Crafts movement in the late 19th century. Created using woodblock printing done by hand, his evocations of antique florals and plants in all their magical gradation of tints have become design classics gracing the decorative arts.

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Something to Say: William Carlos Williams on Younger Poets collects all of Williams’ known writings—reviews, essays, introductions, and letters to the editor—on the two generations of poets that followed him, from Kenneth Rexroth and Louis Zukofsky to Robert Lowell and Allen Ginsberg. What might have been a random collection of occasional pieces achieves remarkable coherence from the singleness of Williams’ poetic vision: his belief that the secret spirit of ritual, of poetry, was trapped in restrictive molds, and, if these could be broken, the spirit would be able to live again in a new, contemporary form. Only a revived clarity and accuracy in sight and expression would enable the modern world to reform social order which Williams saw in complete disarray. To resuscitate American Poetry, Williams concentrated his efforts on the purification of poetic speech—his American idiom—and on remaking the poetic line in a new measure—his variable foot. And while his battles with his contemporaries on these issues could be heated, he was always a nurturing father to the young, “a useful presence,” “a model and a liberator.” He told Ginsberg to pare down and economize, Roethke to open up, and encouraged Lowell and Levertov to shake off poetic conventions. But in all his emphasis on the poem as a made object of concrete physicality or as a field of action, he would return again and again to this basic advice to young writers: “The only thing necessary is to have something to say when at last the opportunity comes to say it.”

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