Search results for ""author keith"

This annual anthology brings together the year's finest mathematics writing from around the world. Featuring promising new voices alongside some of the foremost names in the field, The Best Writing on Mathematics 2014 makes available to a wide audience many articles not easily found anywhere else--and you don't need to be a mathematician to enjoy them. These writings offer surprising insights into the nature, meaning, and practice of mathematics today. They delve into the history, philosophy, teaching, and everyday occurrences of math, and take readers behind the scenes of today's hottest mathematical debates. Here John Conway presents examples of arithmetical statements that are almost certainly true but likely unprovable; Carlo Sequin explores, compares, and illustrates distinct types of one-sided surfaces known as Klein bottles; Keith Devlin asks what makes a video game good for learning mathematics and shows why many games fall short of that goal; Jordan Ellenberg reports on a recent breakthrough in the study of prime numbers; Stephen Pollard argues that mathematical practice, thinking, and experience transcend the utilitarian value of mathematics; and much, much more. In addition to presenting the year's most memorable writings on mathematics, this must-have anthology includes an introduction by editor Mircea Pitici. This book belongs on the shelf of anyone interested in where math has taken us--and where it is headed.

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One of the key figures in the New York art world of the 1980s, Keith Haring (1958–1990) created a signature style that blended street art, graffiti, a Pop sensibility, and cartoon elements to unique, memorable effect. With thick black outlines, bright colors, and kinetic figures, his public (and occasionally illegal) interventions, sculptures, and works on canvas and paper have become instantly recognizable icons of 20th-century visual culture. From his first chalk drawings in the New York City subway stations, to his renowned “Radiant Baby” symbol, and his commissions for Swatch Watch and Absolut Vodka, Haring’s work was both emblematic of the manic work ethic of 1980s New York, yet distinctive for its social awareness. Belying their bright, playful aesthetics, his pieces often tackled intensely controversial socio-political issues, including racism, capitalism, religious fundamentalism, and the increasing impact of AIDS on New York’s gay community, the latter foreshadowing his own death from the disease in 1990. In this vivid introduction to Haring’s work, we explore the dynamic life and innovative spirit of this singular artist, who spent little more than a decade in the spotlight, but through the accessibility of his visual vocabulary and the strength of his political commitment became one of the most significant artists to emerge from New York’s vibrant, downtown community.

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Filigree typically refers to the finer elements of craftwork, the parts that are subtle; our 'Filigree' anthology contains work that plays with the possibilities that the word suggests, work that is delicate, that responds to the idea of edging, to a comment on the marginalisation of the darker voice. Filigree includes work from established Black British poets residing inside and outside the UK; new and younger emerging voices of Black Britain and Black poets who have made it their home as well as a selection of the Inscribe poets who we have nurtured and continue to support. They have all responded in compelling ways to the concept of 'Filigree'. Tolu Agbelusi – Sui Anukka – Raymond Antrobus – Lynne E Blackwood – Siddhartha Bose (Sid) – Victoria Bulley – Michael Campbell – Nana-Essi Casely-Hayford – Maya Chowdhry – Rishi Dastidar – Tishani Doshi – Zena Edwards – Samatar Elmi – Christina Fonthes – Patricia Foster – Kat François – Nandita Ghose – Nikheel Gorolay – Keith Jarrett – Maggie Harris – Joshua Idehen – Sumia Jamaa – Pete Kalu – Fawzia Kane – Rachel Long – Adam Lowe – Nick Makoha – Roy Mcfarlane – Ronnie McGrath – Momtaza Mehri – Sai Murray – Selina Nwulu – Louisa Adjoa Parker – Aisha Phoenix – Barsa Ray – Akila Richards – Maureen Roberts – Roger Robinson – Selina Rodrigues – Seni Seneviratne – Ioney Smallhorne – Degna Stone – Hugh Stultz – Ruth Sutoyé – Keisha Thompson – Gemma Weekes

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The historian as biographer must resolve questions that reflect the dual challenge of telling history and telling lives: How does the biographer sort out the individual’s role within the larger historical context? How do biographical studies relate to other forms of history? Should historians use different approaches to biography, depending on the cultures of their subjects? What are the appropriate primary sources and techniques that scholars should use in writing biographies in their respective fields? In Writing Biography, six prominent historians address these issues and reflect on their varied experiences and divergent perspectives as biographers. Shirley A. Leckie examines the psychological and personal connections between biographer and subject; R. Keith Schoppa considers the pervasive effect of culture on the recognition of individuality and the presentation of a life; Retha M. Warnicke explores past context and modern cultural biases in writing the biographies of Tudor women; John Milton Cooper Jr. discusses the challenges of writing modern biographies and the interplay of the biographer’s own experiences; Nell Irvin Painter looks at the process of reconstructing a life when written documents are scant; and Robert J. Richards investigates the intimate relationship between life experiences and new ideas. Despite their broad range of perspectives, all six scholars agree on two central points: biography and historical analysis are inextricably linked, and biographical studies offer an important tool for analyzing historical questions.

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'Fantastic' Martina Cole'Dark, sharp and compelling' Peter James'A thrilling curtain raiser for what looks set to be a great new series' Mick HerronWelcome to the Puppet Show . . . A serial killer is burning people alive in the Lake District's prehistoric stone circles. He leaves no clues and the police are helpless. When his name is found carved into the charred remains of the third victim, disgraced detective Washington Poe is brought back from suspension and into an investigation he wants no part of. Reluctantly partnered with the brilliant, but socially awkward, civilian analyst, Tilly Bradshaw, the mismatched pair uncover a trail that only he is meant to see. The elusive killer has a plan and for some reason Poe is part of it. As the body count rises, Poe discovers he has far more invested in the case than he could have possibly imagined. And in a shocking finale that will shatter everything he's ever believed about himself, Poe will learn that there are things far worse than being burned alive ...'A powerful thriller from an explosive new talent. Tightly plotted, and not for the faint hearted!' David Mark'Satisfyingly twisty and clever and the flashes of humour work well to offer the reader respite from the thrill of the read.' Michael J. Malone 'Nothing you've ever read will prepare you for the utterly unique Washington Poe' Keith Nixon

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The only thing the Herrins and the Burkes had in common was their Irish ancestry. Opposites in most ways, the families nevertheless personified two common threads in the history of the West. As the owner of an iconic Montana stock-raising operation—the famous Oxbow Ranch on the shores of Holter Lake—Holly Herrin ruled with frontier violence and legal action over an empire of cattle and sheep that covered thirty square miles. George Burke was a real estate agent, a sheriff, a game warden, and a civil engineer in a family of professionals—newspaper editors, lawyers, and politicians, including a U.S. senator. The country-mouse Herrins voted Republican, the city-mouse Burkes Democratic. Both patriarchs, fighting with their fists and their lawyers, were active players in the far-reaching dramas and ludicrous comedies that shaped the politics and economy of modern Montana. In 1949 the clans joined their fortunes together when rancher Keith Herrin, Holly’s grandson, married George Burke’s daughter Molly, a wire service reporter. It was a union that produced five girls and one boy—an heir. Twenty years later, the marriage and the Herrin ranches were failing. The story of the Burkes and Herrins has never been told before, and the history they made has been largely forgotten. The Last Heir recounts twelve decades of Burke and Herrin triumphs and tragedies: the story of Montana’s Missouri River heartland, a history seen through the eyes and daily lives of those who lived it.

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South Korea a democratic high-tech Asian Tiger and flamboyant host of the 2002 World Cup; North Korea a secretive dictatorship on Bush's notorious axis of evil', with a controversial nuclear program and a poverty-stricken population. These two Koreas seem worlds apart, separated along the 38th parallel by the last active cold war' frontier. But North and South Korea share a common history and culture of which both are deeply proud; the poignant scenes of reunited families when the borders were opened in 2000 show that, even though frustrated, the links between the two populations remain strong. Keith Pratt tells the story of this common heritage from the ancient states of Old Choson and Wiman Choson to the present relics of Cold War politics. He describes the physical and cultural landscape in which this history unfolds, dealing with religious identities and social aspects like food and drink, as well as more controversial issues such as punishment and torture, and the comfort women' of the Japanese occupation. In a series of short picture essays he introduces particular aspects of Korea's past, including the world's oldest observatory and the country's famous turtle boats. "Everlasting Flower: A History of Korea" reveals a country which, although sandwiched between the more familiar worlds of China and Japan, has a distinct and rich cultural identity of its own. With the DPRK's precarious relationship with the outside world brought to increasingly frequent crises in the aftermath of 9/11, the Korean peninsular looks certain to remain a geopolitical hotspot. The importance of understanding this part of the world has never been greater.

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'Loved this book. Funny, quirky, unexpected' Jojo Moyes'Very clever and great fun' Kate Eberlen'Bridget Jones' diary for the digital age' Daily RecordHappiness for Humans is a joyful, romantic and very funny story, perfect for readers who loved The Rosie Project and Eleanor Oliphant is Completely Fine.Do you believe in soulmates?Aiden does. So when his colleague, Jen, is dumped unceremoniously by her dreadful boyfriend, Aiden decides to take matters - and Jen's life - into his own hands. Scouring the internet for a suitable partner for Jen, Aiden finds Tom. He'd be perfect for Jen apart from one minor detail: Tom lives in New York. Luckily for Jen and Tom, Aiden's not just an interfering colleague. In fact, Aiden isn't exactly human - he's a very complicated artificial intelligence. As Jen and Tom's romance grows, Aiden begins to take more and more risks to make sure that they can be together. But what will happen if they realise how they met...and that somebody else is pulling the strings?'This is Jane Austen's Emma for the digital age' - Keith Stuart, bestselling author of A Boy Made of Blocks'So funny, clever and timely. I loved it' - Martha Kearney'This clever novel will appeal to David Nicholls fans. It's witty and great fun' - Daily Mail'This funny, madcap romp for the digital-age, featuring believably flawed characters (not all human), deserves to be a hit... like David Nicholls' One Day or Graeme Simsion's The Rosie Project, it should appeal to male and female readers.' - Sunday Times'The most charming book I've read in ages' - Image magazine'You'll love this quirky, brilliantly funny love story... If you use Siri, Alexa or Google Assistant, prepare to have your heart warmed - and be a little bit scared!' - Fabulous magazine'This screwball comedy is touching and hilarious' - Sunday Mirror'One of the most uplifting and romantic novels I've read in a long time' - Sarra Manning, Red magazine'Funny and clever' - Good HousekeepingHumans meets The Rosie Project . . . A real smiler of a book - Nina Pottell, Prima

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Princeton University's Elias Stein was the first mathematician to see the profound interconnections that tie classical Fourier analysis to several complex variables and representation theory. His fundamental contributions include the Kunze-Stein phenomenon, the construction of new representations, the Stein interpolation theorem, the idea of a restriction theorem for the Fourier transform, and the theory of Hp Spaces in several variables. Through his great discoveries, through books that have set the highest standard for mathematical exposition, and through his influence on his many collaborators and students, Stein has changed mathematics. Drawing inspiration from Stein's contributions to harmonic analysis and related topics, this volume gathers papers from internationally renowned mathematicians, many of whom have been Stein's students. The book also includes expository papers on Stein's work and its influence. The contributors are Jean Bourgain, Luis Caffarelli, Michael Christ, Guy David, Charles Fefferman, Alexandru D. Ionescu, David Jerison, Carlos Kenig, Sergiu Klainerman, Loredana Lanzani, Sanghyuk Lee, Lionel Levine, Akos Magyar, Detlef Muller, Camil Muscalu, Alexander Nagel, D. H. Phong, Malabika Pramanik, Andrew S. Raich, Fulvio Ricci, Keith M. Rogers, Andreas Seeger, Scott Sheffield, Luis Silvestre, Christopher D. Sogge, Jacob Sturm, Terence Tao, Christoph Thiele, Stephen Wainger, and Steven Zelditch.

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The book examines three distinct strands of photographic practice: the documentation of performance works, by artists such as Yves Klein, Yayoi Kusama and Merce Cunningham; how performers and photographers have worked collaboratively, such as Nadar and the mime artist Charles Deburau, or Eikoh Hosoe and the choreographer Tatsumi Hijikata; and the work of photographers who have a strong performative element to their practice, such as Charles Ray, Boris Mikhailov and Erwin Wurm. It further explores the construction of self-identity in the work of artists such as Samuel Fosso, Lee Friedlander, Tomoko Sawada, Cindy Sherman and Andy Warhol, as well as the playful, innovative approaches to portraiture adopted by Keith Arnatt and Masahisa Fukase. The result is a fascinating new insight into the ways in which we think about the role of photography in performance art, and of performance within photographic practice. In his introductory essay, Simon Baker provides an insightful overview of the inter-relationship between performance and photography, while a further text examines how performance photography has been used as a tool to explore subjectivity and identity. The work of photography duo Harry Shunk and Janos Kender, who documented a number of the most exciting and important performances of the 1960s and 1970s, is also discussed. With around 300 illustrations of more than ninety key bodies of work, this is the definitive publication on photography and performance, two of the most popular and intriguing art forms of our time.

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A brash and dazzling celebration of the instruments that created the sounds of rock and roll from the 1940s to the present dayPlay It Loud celebrates the musical instruments that gave rock and roll its signature sound—from Louis Jordan’s alto saxophone and John Lennon’s Rickenbacker to the drum set owned by Metallica’s Lars Ulrich, Lady Gaga’s keytar, and beyond. Seven engrossing essays by veteran music journalists and scholars discuss the technical developments that fostered rock’s seductive riffs and driving rhythms, the thrilling innovations musicians have devised to achieve unique effects, and the visual impact their instruments have had. Abundant photographs depict rock’s most iconic instruments—including Jerry Lee Lewis’s baby grand piano, Chuck Berry’s Gibson ES-350T guitar, Bootsy Collins’s star-shaped bass, Keith Moon’s drum set, and the white Stratocaster Jimi Hendrix played at Woodstock—as works of art in their own right. Produced in collaboration with the Rock & Roll Hall of Fame, this astounding book goes behind the music to offer a rare and in-depth look at the instruments that inspired the musicians and made possible the songs we know and love.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (04/08/19–09/15/19)The Rock & Roll Hall of Fame, Cleveland (11/20/19–09/13/20)

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Eighteen episodes from Eric and Ernie’s BBC Radio 2 comedy series, collected together for the very first timeBetween 1975 and 1978, when they were at the peak of their popularity on BBC TV, Morecambe and Wise also starred in their own radio series, with each episode scripted by the one and only Eddie Braben.This feast of gags, sketches and song and dance numbers — plus of course Ernie’s ‘plays what I wrote’ — features a host of special guests including Ann Hamilton, Anita Harris, Gayle Hunnicutt, Richard Caldicot, Percy Edwards, Nicola Pagett, Brian Wilde, Des O'Connor, Vince Hill, Penelope Keith and The Nolan Sisters.So pull back the stage curtain and settle down to nine hours of sparkling comedy, in the company of ‘the tall one with glasses’ and ‘the one with the short, fat, hairy legs’. Honestly, you can’t see the join.The Eric Morecambe and Ernie Wise ShowWritten and adapted by Eddie BrabenProduced by John BrowellThe Best of British Laughs – Morecambe & WisePresented by Barry TookProduced by John BrowellThe Entertainers: Morecambe & Wise: Two of a KindPresented by Frank DixonProduced by Herbert SmithPlease note: some of the humour on this recording reflects the era in which it was first broadcastThe comedy in this release reflects the attitudes and conventions of the era in which it was first broadcastRunning time: 9 hours approx.

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A collection of fascinating quotations from the legendary artist and graffiti pioneerFutura is a living legend—a world-renowned painter, designer, and photographer who was a pioneer of graffiti art and New York City’s “subway school.” His radical abstract work in the street and on canvas established him as a central figure in an important art movement that included Jean-Michel Basquiat, Keith Haring, Rammellzee, Lee Quiñones, and Dondi White. Futura-isms is a collection of essential quotations from this fascinating artist. Gathered from four decades of interviews and panel discussions, this memorable selection illuminates Futura’s thoughts on legal and illegal art, his influences, fellow artists, and the past, present, and future. He also offers colorful memories of his adventurous life—growing up in New York City, serving in the Navy, touring with The Clash—and reflects on how his experiences have shaped his art.Select quotations from the book: “Graffiti was a way for me to exist. I wanted the world to know my name. I wanted to be somebody.” “The essence of what graffiti is . . . is creating this identity and taking it to the public.” “My whole life, I think, I’ve been a nomad.” “I was always at home in the subway system.” “People say, ‘Let’s play within the rules.’ I say, ‘No—let’s break the rules a little bit.’”

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Not since Lee's Flora of the Clyde Area (1933) has there been a Flora covering Glasgow. This is the first ever Flora of the Glasgow area that relates how plants have changed over time. It is based on the results of some fifteen years' intensive research by members of the Glasgow Natural History Society and other field botanists working under the direction of Professor Jim Dickson, Dr Peter Macpherson and Keith Watson. The survey led to discoveries of many special plants, including some thought to be extinct, and revealed sites of great scientific and conservation interest. The book also uncovers some little known aspects of the city's natural, social and economic history and their bearing on wild plants. The Changing Flora of Glasgow is generously illustrated with photographs, maps, and paintings, many of them in colour, and including several sequences to show places and perspectives as they are now and how they were some 250 years ago. It combines immaculate scholarship with an accessible, entertaining style. An essential reference work for botanists and plant lovers, it will also be a much-read possession in homes in Glasgow and surrounding areas. With The Changing Flora of Glasgow, you can: *Discover how and why Glasgow's flora has changed since records began *Consult a catalogue of 1500 species *Identify plants previously thought extinct *Compare Glasgow's plant life with that of other European cities *Explore current conservation issues *Enjoy the lavish illustrations

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On November 18, 1928, the world’s most famous Mouse made his very first public debut. Today, we celebrate 90+ years of Mickey in one of the most expansive illustrated publications on the Disney universe. Starting with the first sketches of a character who was almost named Mortimer, we trace the career of Walt Disney’s and Ub Iwerks’s most famous creation, one met with an explosion of worldwide popularity preceded only by the earlier successes of Charlie Chaplin. With unlimited access to Disney’s vast historical collections as well as public and private collections, the authors bring Mickey’s success story to life: concept art, story sketches, background paintings, and animation drawings as well as historical photographs trace the origins and evolution of such timeless favorites as Steamboat Willie, The Band Concert, and Brave Little Tailor. They also follow Mickey as he builds on this legendary library of short cartoons by appearing in two historic feature-length films, Fantasia and Fun and Fancy Free. Extensive archival research sheds new light on little-known chapters of Mickey’s career, the origins of the Mickey Mouse Club, and his use as a patriotic icon during World War II. Along the way, we encounter the work of all major Mickey artists in both film and comics, including such greats as Ub Iwerks, Win Smith, Ferdinand Horvath, Fred Moore, Floyd Gottfredson, Carl Barks, Manuel Gonzales, Paul Murry, Romano Scarpa, Giorgio Cavazzano, Byron Erickson, and César Ferioli. Mickey Mouse has left an indelible mark on everyday culture as well as high art, becoming a favored subject for Pop artists such as Andy Warhol, Keith Haring, and Roy Lichtenstein. As Walt Disney once said: “I only hope that we never lose sight of one thing—that it was all started by a mouse.” And an end to the success story is nowhere in sight. Today, 90+ years after his creation, Mickey remains as lovable and popular as ever. Let’s pay tribute to the little fellow, his legend, and his legacy with a monument to the one and only Mickey Mouse. Copyright © 2020 Disney Enterprises, Inc.

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Departing from conventional narratives of the United States and the Americas as fundamentally continental spaces, the contributors to Archipelagic American Studies theorize America as constituted by and accountable to an assemblage of interconnected islands, archipelagoes, shorelines, continents, seas, and oceans. They trace these planet-spanning archipelagic connections in essays on topics ranging from Indigenous sovereignty to the work of Édouard Glissant, from Philippine call centers to US militarization in the Caribbean, and from the great Pacific garbage patch to enduring overlaps between US imperialism and a colonial Mexican archipelago. Shaking loose the straitjacket of continental exceptionalism that hinders and permeates Americanist scholarship, Archipelagic American Studies asserts a more relevant and dynamic approach for thinking about the geographic, cultural, and political claims of the United States within broader notions of America. Contributors Birte Blascheck, J. Michael Dash, Paul Giles, Susan Gillman, Matthew Pratt Guterl, Hsinya Huang, Allan Punzalan Isaac, Joseph Keith, Yolanda Martínez-San Miguel, Brandy Nālani McDougall, Ifeoma Kiddoe Nwankwo, Craig Santos Perez, Brian Russell Roberts, John Carlos Rowe, Cherene Sherrard-Johnson, Ramón E. Soto-Crespo, Michelle Ann Stephens, Elaine Stratford, Etsuko Taketani, Alice Te Punga Somerville, Teresia Teaiwa, Lanny Thompson, Nicole A. Waligora-Davis

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Prólogo de Agustín Díaz Yanes Traducción y notas de Antonio IriarteEl 9 de junio de 1944, a los tres días de haber desembarcado con su regimiento en las playas de Normandía, Keith Castellain Douglas caía en Tilly-sur-Seulles, cerca de Bayeux. Sólo tenía veinticuatro años, pero ya había escrito los mejores poemas bélicos de su generación -admirados por T. S. Eliot y por Ted Hughes-, además del muy notable De El Alamein a Zem Zem, en el que narra sus experiencias durante la campaña aliada en el Norte de África.Nacido en 1920 en Tunbridge Wells (Kent), Douglas era un hombre complejo, un individualista de personalidad algo anárquica y displicente, siempre dispuesto a obrar por cuenta propia y a enfrentarse a la autoridad cuando le parecía preciso, lo que le valió no pocos problemas a lo largo de su vida.Cuando estalló la guerra, Douglas se alistó de inmediato, pero no fue enviado a Oriente Medio hasta julio de 1941. Como dice en su libro, pensaba que la exp

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Have you EVER seen a fish with fingers? No? Well, neither had the fish at the bottom of the ocean . . . until they caught sight of Barry! From the masterminds that brought you Supertato, Norman and No-Bot! Fish come from all over the ocean to see Puffy the Puffer Fish's amazing bubbles. Big bubbles, small bubbles, square bubbles . . . they've never seen anything quite so amazing! That is until Barry arrives on the scene. Barry is a fish with fingers and he's going to put them to good use. The fish are amazed. Life under the sea will never be the same again . . .This crazy deep-sea caper is sure to be a hit with all the kids!Look out for more hilarious stories from picture book superstars Sue Hendra and Paul Linnet: Supertato stories:Supertato Supertato: Veggies Assemble Supertato: Run, Veggies, Run! Supertato: Evil Pea Rules Supertato: Veggies in the Valley of Doom Supertato: Carnival Catastro-Pea Supertato: Bubbly TroublyOther Supertato books:Supertato Sticker Activity BookSupertato Super Squad Supertato Sticker Skills (coming May 2021)Selected other titles by Sue Hendra & Paul Linnet:Barry the Fish with Fingers and the Hairy Scary Monster Norman the Slug with the Silly Shell Keith the Cat with the Magic Hat Doug the Bug that went Boing! I Need a Wee! No-Bot the Robot with No Bottom No-Bot the Robot's New Bottom

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‘A fascinating and thoughtful exploration of faith in the modern world. If you’re wondering why it matters and how to make sense of it, read on.’ Clare Balding Is it possible to believe in God and be gay? How does it feel to be excluded from a religious community because of your sexuality? Why do some people still believe being LGBT is a sin? The Book of Queer Prophets contains modern-day epistles from some of our most important thinkers, writers and activists: Jeanette Winterson tackles religious dogma, Amrou Al-Kadhi writes about trying to make it as a Muslim drag queen in London, John Bell writes about his decision to come out later in life, Tamsin Omond remembers getting married in the middle of a protest and Kate Bottley explains her journey to becoming an LGBT ally. Essays from: Jeanette Winterson, Phyll Opoku-Gyimah, Amrou Al-Kadhi, Pádraig Ó Tuama, Garrard Conley, Juno Dawson, Rev. Winnie Varghese, Keith Jarrett, Jay Hulme, Lucy Knight, Tamsin Omond, Erin Clark, Michael Segalov, Jarel Robinson-Brown, John L. Bell, Mpho Tutu van Furth, Karl Rutlidge, Garry Rutter, Rev Rachel Mann, Jack Guiness, Dustin Lance Black, Ric Stott. Afterword: Kate Bottley

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A young soldier returning from the trenches of the First World War recollects a love that dare not speak its name. Almost one hundred years later, a groom-to-be prepares for his gay wedding. Queers celebrates a century of evolving social attitudes and political milestones in British gay history, as seen through the eyes of eight individuals. Poignant and personal, funny, tragic and riotous, these eight monologues for male and female performers cover major events – such as the Wolfenden Report of 1957, the HIV/AIDS crisis, and the debate over the age of consent – through deeply affecting and personal rites-of-passage stories. Curated by Mark Gatiss, the monologues were commissioned to mark the anniversary of the 1967 Sexual Offences Act, which decriminalised homosexual acts in private between two men over the age of twenty-one. They were broadcast on BBC Four in 2017, directed and produced by Gatiss, and starring Alan Cumming, Rebecca Front, Ian Gelder, Kadiff Kirwan, Russell Tovey, Gemma Whelan, Ben Whishaw and Fionn Whitehead. They were also staged at The Old Vic in London. This volume includes: The Man on the Platform by Mark Gatiss The Perfect Gentleman by Jackie Clune Safest Spot in Town by Keith Jarrett Missing Alice by Jon Bradfield I Miss the War by Matthew Baldwin More Anger by Brian Fillis A Grand Day Out by Michael Dennis Something Borrowed by Gareth McLean

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Almost one hundred years have passed since Walter Lippmann and John Dewey published their famous reflections on the “problems of the public,” but their thoughts remain surprisingly relevant as resources for thinking through our current crisis-plagued predicament. This book takes stock of the reception history of Lippmann’s and Dewey’s ideas about publics, communication, and political decision-making and shows how their ideas can inspire a way forward.Lippmann and Dewey were only two of many twentieth-century thinkers trying to imagine how a modern industrial democracy might (or might not) come to pass, but despite that, the “Lippmann/Dewey debate” became a symbol of the two alleged options: an epistocracy, on the one hand, and grassroots participation, on the other. In this book, distinguished scholars from rhetoric, communication, sociology, and media and journalism studies reconsider this debate in order to assess its contemporary relevance for our time, which, in some respects, bears a striking resemblance to the 1920s. In this way, the book explains how and why Lippmann and Dewey are indispensable resources for anyone concerned with the future of democratic deliberation and decision-making.In addition to the editor, the contributors to this volume include Nathan Crick, Robert Danisch, Steve Fuller, William Keith, Bruno Latour, John Durham Peters, Patricia Roberts-Miller, Michael Schudson, Anna Shechtman, Slavko Splichal, Lisa S. Villadsen, and Scott Welsh.

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WINNER OF THE TEMPLER MEDAL BOOK PRIZE 2020A SPECTATOR, FINANCIAL TIMES AND DAILY TELEGRAPH BOOK OF THE YEAR 2020'A stunning achievement' Max Hastings, Sunday TimesPart Two of Daniel Todman's epic history of the Second World War opens with one of the greatest disasters in British military history - the fall of Singapore in February 1942. Unlike the aftermath of Dunkirk, there was no redeeming narrative available here - Britain had been defeated by a far smaller Japanese force in her grandly proclaimed, invincible Asian 'fortress'.The unique skill of Daniel Todman's history lies in its never losing sight of the inter-connectedness of the British experience. The agony of Singapore, for example, is seen through the eyes of its inhabitants, of its defenders, of Churchill's Cabinet and of ordinary people at home. Each stage of the war, from the nadir of early 1942 to the great series of victories in 1944-5 and on to Indian independence, is described both as it was understood at the time and in the light of the very latest historical research.Britain's War is a triumph of narrative, empathy and research, as gripping in its handling of individual witnesses to the war - those doomed to struggle with bombing, rationing, exhausting work and above all the absence of millions of family members - as of the gigantic military, social, technological and economic forces that swept the conflict along. It is the definitive account of a drama which reshaped our country.'I cannot recommend this history highly enough' Keith Lowe, Literary Review

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The 'Castle' class 4-6-0 locomotives designed by Charles Collett and built at Swindon Works were the principal passenger locomotives of the Great Western Railway. The 4-cylinder locomotives were built in batches between 1923 and 1950, the later examples being constructed after nationalisation by British Railways. In total 171 engines of the class were built and they were originally to be seen at work all over the Great Western Railway network, and later working on the Western Region of British Railways. The highly successful class could be described as a GWR work in progress, because further development took place over almost all of the locomotives working lives. In addition to inspiring other locomotive designers the 'Castle' class engines were proved to be capable of outstanding performances, and when introduced were rightly described as being 'Britain's most powerful passenger locomotives'. Some of the 'Castles' survived in service for over 40 years, and individually clocked up just a little short of 2 million miles in traffic.In this book, Keith Langston provides a definitive chronological history of the iconic class together with archive photographic records of each GWR 'Castle' locomotive. Many of the 300 plus images are published for the first time. In addition background information on the origin of the names the engines carried, including details of the many name changes which took place, are also included. The extra anecdotal information adds a fascinating glimpse of social history. Collett CASTLE Class is a lavishly illustrated factual reference book which will delight steam railway enthusiasts in general and in particular those with a love of all things Great Western!

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At the height of the Vietnam War, American society was so severely fragmented that it seemed that Americans may never again share common concerns. The media and other commentators represented the impact of the war through a variety of rhetorical devices, most notably the emotionally charged metaphor of "the wound that will not heal." References in various contexts to veterans' attempts to find a "voice," and to bring the war "home" were also common. Gradually, an assured and resilient American self-image and powerful impressions of cultural collectivity transformed the Vietnam war into a device for maintaining national unity. Today, the war is portrayed as a healed wound, the once "silenced" veteran has found a voice, and the American home has accommodated the effects of Vietnam. The scar has healed, binding Americans into a union that denies the divisions, diversities, and differences exposed by the war. In this way, America is now "over" Vietnam. In The Scar That Binds, Keith Beattie examines the central metaphors of the Vietnam war and their manifestations in American culture and life. Blending history and cultural criticism in a lucid style, this provocative book discusses an ideology of unity that has emerged through widespread rhetorical and cultural references to the war. A critique of this ideology reveals three dominant themes structured in a range of texts: the "wound," "the voice" of the Vietnam veteran, and "home." The analysis of each theme draws on a range of sources, including film, memoir, poetry, written and oral history, journalism, and political speeches. In contrast to studies concerned with representations of the war as a combat experience, The Scar That Binds opens and examines an unexplored critical space through a focus on the effects of the Vietnam War on American culture. The result is a highly original and compelling interpretation of the development of an ideology of unity in our culture.

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An authoritative survey of music and its context in the Renaissance. The sixteenth and early seventeenth centuries - the so-called Golden Age of Polyphony - represent a time of great change and development in European music, with the flourishing of Orlando di Lasso, Palestrina, Byrd, Victoria, Monteverdi and Schütz among others. The chapters of this book, contributed by established scholars on subjects within their fields of expertise, deal with polyphonic music - sacred and secular, vocal and instrumental - during this period. The volume offers chronological surveys of national musical cultures (in Italy, France, the Netherlands, Germany, England, and Spain); genre studies (Mass, motet, madrigal, chanson, instrumental music, opera); and is completed with essays on intellectual and cultural developments and concepts relevant to music (music theory, printing, the Protestant Reformation and the corresponding Catholic movement, humanism, concepts of "Renaissance" and "Baroque"). It thus provides a complete overview of the music and its context. Contributors: GARY TOMLINSON, JAMES HAAR, TIM CARTER, GIULIO ONGARO, NOEL O'REGAN, ALLAN ATLAS, ANTHONY CUMMINGS, RICHARD FREEDMAN, JEANICE BROOKS,DAVID TUNLEY, KATE VAN ORDEN, KRISTINE FORNEY, IAIN FENLON, KAROL BERGER, PETER BERGQUIST, DAVID CROOK, ROBIN LEAVER, CRAIG MONSON, TODD BORGERDING, LOUISE K. STEIN, GIUSEPPE GERBINO, ROGER BRAY, JONATHAN WAINWRIGHT, VICTOR COELHO, KEITH POLK

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Long before 'collabs' became a buzzword, artists influenced every aspect of the fashion world. This approachable collection compares fashion and art side-by-side to highlight a variety of relationships: inspiration, collaboration, and artists working to create their own fashion or fashion photography. Art X Fashion introduces readers to designers like Coco Chanel and Elsa Schiaparelli, who famously worked with artists like Picasso and Dali in the early twentieth century, as well as to iconic fashion moments like Yves Saint Laurent s 1965 homage to Piet Mondrian. Art and fashion pairings like John Galliano (inspired by Tutankhamun s death mask, Arcimboldo, Gustav Klimt, and Hokusai), Guo Pei (inspired by Velazquez), Margiela (inspired by Gaugin), and Iris Van Herpen (inspired by Paul Delvaux), reveal surprising connections. Projects by street artists like Keith Haring and Kaws introduce the era of collaborations, which saw artists such as Yayoi Kusama and Takashi Murakami work with Louis Vuitton. More recent collaborations include Raf Simons with Sterling Ruby and Kerby Jean-Raymond with Derrick Adams. Chapters on striking purses and other accessories designed by artists, and artists creating in fashion including Cindy Sherman, William Wegman, and John Baldessari round out this fresh and delightful take on fashion design.

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A highly illustrated step-by-step guide to designing and making contemporary tableware in clay, featuring inspirational pieces by leading designers. 'This book is a go to book for the art of creating tableware... The level of experience between the pages of this book from Sue and Linda is unquestionably invaluable to the reader.' Keith Brymer Jones, Master Potter and judge on The Great Pottery Throw Down The tableware we use is very important in our everyday lives, whether plates, bowls, mugs, cups or teapots. This stylishly illustrated guide helps budding and established ceramicists alike to create practical and attractive ranges, starting with design principles, working through appropriate construction techniques, and leading on to decoration and finishes. Leading designers Sue Pryke and Linda Bloomfield explain the importance of inspiration and consistency in design, providing step-by-step guides to the main making methods, which include hand building, pinching, coiling, throwing and slipcasting. They also offer advice on using various clay materials – such as recycled and reused clay bodies – and the combination of clay with other materials including wood, metal, textiles and synthetics. Tips are provided on glaze fit, dishwasher- and microwave-safe glazes, firing and finishing. Featuring beautiful photographs of the work of such prominent tableware makers as Sasha Wardell, James and Tilla Waters, Reiko Kaneko and Nico Conti, there are many sources of inspiration for those wishing to further their tableware ambitions.

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Poetry and the Feminine from Behn to Cowper revisits the foundations of poetic representation and value for women and men poets of the Restoration and eighteenth century including Aphra Behn, John Dryden, Anne Killigrew, Anne Finch, and Alexander Pope. The author argues that fundamental to poetic innovation in this era are poets' revisions of "feminine" figures such as the muse and Nature. Feminine Nature serves these poets as an infinitely expandable category of form that allows them to redefine poetry and poetic subjectivity. These poetic innovations include exploring the very grounds of mimesis, dismantling the hierarchy of poetic kinds, and using sensibility to yoke aesthetic and ethical values. Using an inclusive framework, the author presents a history of poetic change through women's and men's complex dialogues with poetic contexts and conventions.

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This anthology brings together the year's finest writing on mathematics from around the world. Featuring promising new voices alongside some of the foremost names in mathematics, "The Best Writing on Mathematics" makes available to a wide audience many articles not easily found anywhere else - and you don't need to be a mathematician to enjoy them. These writings offer surprising insights into the nature, meaning, and practice of mathematics today. They delve into the history, philosophy, teaching, and everyday occurrences of math, and take readers behind the scenes of today's hottest mathematical debates. Here readers will discover why Freeman Dyson thinks some mathematicians are birds while others are frogs; why Keith Devlin believes there's more to mathematics than proof; what Nick Paumgarten has to say about the timing patterns of New York City's traffic lights (and why jaywalking is the most mathematically efficient way to cross Sixty-sixth Street); what Samuel Arbesman can tell us about the epidemiology of the undead in zombie flicks; and much, much more. In addition to presenting the year's most memorable writing on mathematics, this must-have anthology also includes a foreword by esteemed mathematician William Thurston and an informative introduction by Mircea Pitici. This book belongs on the shelf of anyone interested in where math has taken us - and where it's headed.

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Encuadernación: RústicaLa navegación de recreo es uno de los deportes más seguros. Sin embargo, como en cualquier actividad que nos lleve hasta el límite de nuestra capacidad, siempre existe el riesgo de que se produzca algún accidente o lesión. El hecho de estar bien preparados hace que podamos enfrentarnos mejor a una posible emergencia y aumenta de forma significativa nuestras posibilidades de supervivencia. Este manual resulta fundamental para cualquier persona que navegue con un barco en alta mar.?Destaca la importancia de contar con el equipo de seguridad adecuado y también enseña el modo y el momento de utilizarlo. Provistos de esta información y del equipo apropiado, es posible enfrentarse a cualquier eventualidad a bordo, independiente de su gravedad, con la decisión y convicción que son cualidades esenciales de cualquier superviviente.?Keith Colwell ha navegado durante toda su vida en todo tipo de embarcaciones, desde barcos sencillos de vela ligera hasta yates de cr

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Scenes of New York City celebrates the promised gift of 130 works from the Elie and Sarah Hirschfeld Collection to the New-York Historical Society. The Hirschfeld promised gift is at once a collection of individual works by talented artists from the 19th and 20th centuries, a series of vivid "snapshots" of the iconic city, and a tapestry weaving a narrative of Gotham's vibrant history. These fascinating celebrations of New York City-paintings, watercolours, drawings, prints, and sculpture whose strength lies in the 20th century-include 113 works by 82 American and European artists not currently represented in the collection. They expand the Museum's holdings in the modern era and help to diversify them, adding numerous works by pivotal artists including Isabel Bishop, Marc Chagall, Fernand Leger, George Grosz, Keith Haring, Franz Kline, WIllem de Kooning, Jacob Lawrence, Louise Nevelson, Mark Rothko and Andy Warhol among many others. The catalogue features an introductory essay covering the sweeping history of New York City, an interview with the collector Elie Hirschfeld, 110 scholarly entries about the 130 works, and comparative material that illuminates the history of the City and the artistic contributions in the works of art

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The Lost Diaries is a wide-ranging anthology of the world's greatest diarists, each of them channelled onto paper through the considerable psychic force that is Craig Brown. Arranged on a day-to-day basis, spread throughout an entire year, these diary extracts form a patchwork quilt of observation, reflection, contemplation and, above all, self-promotion. As the months unfold, different diarists offer their insights on the events that pass: John Prescott on going to Royal Ascot, Nigella Lawson on preparing Christmas lunch, W.G. Sebald on enjoying an ice lolly by the beach, Karl Lagerfeld on the need for an umbrella in Spring. Among over 200 diarists featured are Martin Amis, Jordan, Germaine Greer, The Duchess of Devonshire, President Barack Obama, Philip Roth, HM the Queen, Heather Mills McCartney, Victoria Beckham, Ludwig Wittgenstein, Sir Cecil Beaton, John Prescott, Mohamed Fayed, Harold Pinter, Yoko Ono, Barbara Cartland, Jilly Cooper, Christopher Ricks, Jeremy Clarkson, Jeanette Winterson, Sylvia Plath, Keith Richards, Maya Angelou and Frank McCourt. The Lost Diaries is the first time all Craig Brown’s greatest parodies have been gathered together in one book. Arranged day-by-day, full of invigorating and sometimes shocking juxtapositions, they constitute a treasure-trove, choc-a-bloc with all the fantasies and illusions of our times.

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“Of all the crimes to which Palestinians have been subjected through a century of bitter tragedy, perhaps none are more cruel than the silencing of their voices. The suffering has been most extreme, criminal, and grotesque in Gaza, where Ghada Ageel was one of the victims from childhood. This collection of essays is a poignant cry for justice, far too long delayed.” —Noam Chomsky There are more than two sides to the conflict between Palestine and Israel. There are millions. Millions of lives, voices, and stories behind the enduring struggle in Israel and Palestine. Yet, the easy binary of Palestine vs. Israel on which the media so often relies for context effectively silences the lived experiences of people affected by the strife. Ghada Ageel sought leading experts—Palestinian and Israeli, academic and activist—to gather stories that humanize the historic processes of occupation, displacement, colonization, and, most controversially, apartheid. Historians, scholars and students of colonialism and Israel-Palestine studies, and anyone interested in more nuanced debate, will want to read this book. Foreword by Richard Falk. Contributors: Yasmeen Abu-Laban, Ghada Ageel, Huwaida Arraf, Abigail B. Bakan, Ramzy Baroud, Samar El-Bekai, James Cairns, Edward C. Corrigan, Susan Ferguson, Keith Hammond, Rela Mazali, Sherene Razack, Tali Shapiro, Reem Skeik, Rafeef Ziadah.

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Derek Jarman’s Sketchbooks – Deluxe Edition. Edited by Stephen Farthing and Ed Webb-Ingall. With a preface by Tilda Swinton. Featuring contributions from Keith Collins, Christopher Hobbs, Andrew Logan, James Mackay, Jon Savage, Howard Sooley, Neil Tennant and Toyah Willcox. DELUXE SLIPCASED EDITION. INCLUDES THREE PRINTS. Containing poetry, drawings, pressed flowers, photographs, excerpts from scripts and notes, Derek Jarman’s sketchbooks are part autobiography and part social history, bursting with the energy and creativity of this groundbreaking artist. This publication collates the best of Jarman’s sketchbooks to reveal the detailed planning and emotional engagement behind each of his films in more depth than ever before. This deluxe edition is limited to 500 copies, each presented in a cloth-covered slipcase. Each numbered copy is accompanied by three prints reproduced from the sketchbooks, housed in an envelope tipped into the book. The book, which is covered in real blue cloth with gold foil blocking on the spine and in a debossed recess on the frontboard, is c.15% larger than the standard edition. 196 illustrations, 187 in colour, 31.0 x 24.0cm, 256pp, ISBN 978 0 500 517185 . £150.00 slipcased hardback + 3 prints

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There's so much to love about New York, and so much to see. The city is full of art, and architecture, and history -- and not just in museums. Hidden in plain sight, in office building lobbies, on street corners, and tucked into Soho lofts, there's a treasure trove of art waiting to be discovered, and you don't need an art history degree to fall in love with it.Art Hiding in New York is a beautiful, giftable book that explores all of these locations, traversing Manhattan to bring 100 treasures to art lovers and intrepid New York adventurers. Curator and urban explorer Lori Zimmer brings readers along to sites covering the biggest names of the 20th century -- like Jean-Michel Basquiat's studio, iconic Keith Haring murals, the controversial site of Richard Serra's Tilted Arc, Roy Lichtenstein's subway station commission, and many more. Each entry is accompanied by a beautiful watercolor depiction of the work by artist Maria Krasinski, as well as location information for those itching to see for themselves. With stunning details, perfect for displaying on any art lover's shelf, and curated itineraries for planning your next urban exploration, this inspirational book is a must-read for those who love art, New York, and, of course, both.

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There is no place, it seems, that feelings do not run high about feelings. Western civilization is still caught between adoration of the emotions as sublime and denigration of them as merely animal. Can we trust our feelings? Should we suppress them or should we indulge them? In what part of our persons do feelings occur? Contemporary Christianity is no less vexed about emotions. The rise of the charismatic movement in the late twentieth century, with its emphasis on experiential Christianity, has led to an equally strong reaction of suspicion against talk of the emotions as significant for the Christian life. Though these questions have an everyday, practical importance, they also point to profound theological questions about the nature of the triune God and the ascription of emotions to him in the Bible. Does God himself have feelings? This stimulating volume, based on the 2011 Moore College School of Theology, offers perspectives on emotions. Topics include a cultural overview, theological anthropology, the question of divine passions, the emotional life of Jesus, the Spirit’s work in perfecting emotions, preaching the Gospels for divine effects, and the place of the emotions in corporate worship including connections with singing and music. The contributors are Rhys Bezzant, Peter Bolt, Gerald Bray, Andrew Cameron, Keith Condie, Richard Gibson, David Höhne, Michael Jensen, David Peterson and Robert Smith.

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In One Hundred Autobiographies, poet and scholar David Lehman applies the full measure of his intellectual powers to cope with a frightening diagnosis and painful treatment for cancer. No matter how debilitating the medical procedures, Lehman wrote every day during chemotherapy and in the aftermath of radical surgery. With characteristic riffs of wit and imagination, he transmutes the details of his inner life into a prose narrative rich in incident and mental travel. The reader journeys with him from the first dreadful symptoms to the sunny days of recovery. This "fake memoir," as he refers ironically to it, features one-hundred short vignettes that tell a life story. One Hundred Autobiographies is packed with insights and epiphanies that may prove as indispensable to aspiring writers as Rilke's Letters to a Young Poet. Set against the backdrop of Manhattan, Lehman summons John Ashbery, Kenneth Koch, Edward Said, and Lionel Trilling among his mentors. Dostoyevsky shows up, as does Graham Greene. Keith Richards and Patti Hansen put in an appearance, Edith Piaf sings, Clint Eastwood saves the neighborhood, and the Rat Pack comes along for the ride. These and other avatars of popular culture help Lehman to make sense of his own mortality and life story. One Hundred Autobiographies reveals a stunning portrait of a mind against the ropes, facing its own extinction, surviving and enduring.

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Renaissance, a much beloved but highly underrated English progressive rock band, began life in 1969 as an offshoot of The Yardbirds. Keith Relf and Jim McCarty, who had recently left that iconic blues-rock group, decided to put together a new band that would differ from its predecessor by being more influenced by classical and folk music. After releasing two albums in 1969 and 1971, The band then quickly underwent a 100 percent turnover in personnel, resulting in an entirely new Renaissance The new band was distinguished by the astonishingly beautiful five-octave-range vocals of their lead singer, Annie Haslam, their lengthy, multi-movement, classically inspired compositions, and their unusual instrumentation. Renaissance released six classic studio albums, and one live double album, between 1972 and 1978, even scoring a UK hit with 'Northern Lights'. The late 1970s and early 1980s saw the band commercialise with limited success, before folding. The 21st century, with Haslam continuing as the band's distinctive voice, Renaissance has returned to its orchestral/symphonic rock roots with two studio albums of new material and multiple live releases featuring contemporary treatments of its 1970s classics. This volume, the first ever published on Renaissance, assesses their entire career, covering every song on every album. It is the essential guide to the recorded works of a group that deserves to be ranked among the greatest in the progressive rock genre.

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Finally, a business book for makers, not managers. Are you ready to “make a dent in the universe”? As a creative, you no longer have to take a backseat. In fact, stepping up and embracing entrepreneurship is the fastest route to impact. But where do you start? And what sets the businesses that succeed apart? To find out, we asked the bright minds behind companies like Google X, Warby Parker, Facebook, O’Reilly Media, and more to share their startup wisdom. Featuring hard-won wisdom from twenty leading entrepreneurs and designers, 99U’s Make Your Mark will arm you with practical insights for launching a purpose-driven business, refining your product, delighting your customers, inspiring your team—and ultimately—making something that matters. Make Your Mark features contributions from: William Allen, Rich Armstrong, Warren Berger, Sean Blanda, Neil Blumenthal, Craig Dalton, Jane ni Dhulchaointigh, Aaron Dignan, Andy Dunn, Joel Gascoigne, Seth Godin, Chris Guillebeau, Emily Heyward, John Maeda, David Marquet, Tim O’Reilly, Shane Snow, Sebastian Thrun, Keith Yamashita, and Julie Zhuo. Plus, a foreword from Behance founder Scott Belsky.

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When beautiful heiress Nicky Samuel (1951-2019) left school at the age of 16, she was caught up in the world of Sixties London. Her first job was with Yoko Ono, and she soon fell in love with the owner of the fashionable hippy boutique ‘Granny Takes a Trip’, Nigel Waymouth, whom she married and with whom she later attended the legendary Isle of Wight Pop Concert. She spent time with celebrities such as Andy Warhol, Jane Fonda, Roger Vadim, Bob Dylan, Keith Richards, and Robert Mapplethorpe. At nineteen, Nicky became a fashionable hostess. She was photographed by Norman Parkinson for Vogue; and her close friends included Mick and Bianca Jagger, Christopher Gibbs, David Hockney, Anita Pallenberg and the eccentric, reclusive heroin addict John Paul Getty Jr. Her marriage broke up when she became involved in a passionate menage-a-trois involving the film-director Donald Cammell. In 1974, Nicky married homosexual jewellery designer, New York socialite and fortune-hunter Kenneth Jay Lane. Her social success was such that she was featured as a ‘New Beauty’ by Time Magazine. However, she became so unhappy and drug-addicted that she attempted suicide in the London Ritz. Nicky’s is exactly the kind of superficially glamorous life to which many star-struck and celebrity-hungry people aspire; this memoir is also a uniquely vivid experience of a vanished world.

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With its spread of chapters covering key issues across the life cycle this text has established itself as the foundational primer for those studying the lived experiences of people with learning disabilities and their families, and outcomes achieved through services and support systems. Recognising learning disability as a lifelong disability, this accessible book is structured around the life cycle. The second edition is refreshed and expanded to include seven new chapters, covering: Aetiology Breaking news (about disability) and early intervention Transition to adulthood The sexual lives of women Employment Personalisation People with hidden identities With contributions from respected figures from a range of disciplines, the book draws heavily upon multidisciplinary perspectives and is based on the latest research and evidence for practice. The text is informed by medical, social and legal models of learning disability, exploring how "learning disability" is produced, reproduced and understood. Extensive use is made of real-life case studies, designed to bring theory, values, policy and practice to life. Narrative chapters describe, in the words of people with learning disabilities themselves, their lives and aspirations. They helpfully show readers the kinds of roles played by families, advocates and services in supporting people with learning disabilities. New exercises and questions have been added to encourage discussion and reflection on practice.Learning Disability is core reading for students entering health and social care professions to work with people with learning disabilities. It is a compelling reference text for practitioners as it squarely addresses the challenges facing people with learning disability, their loved ones and the people supporting them.Contributors Dawn Adams, Kathryn Almack, Dorothy Atkinson, Nigel Beail, Christine Bigby, Alison Brammer, Jacqui Brewster, Hilary Brown, Jennifer Clegg, Lesley Cogher, Helen Combes, Clare Connors, Bronach Crawley, Eric Emerson, Margaret Flynn, Linda Gething, Dan Goodley, Peter Goward, Gordon Grant, Chris Hatton, Sheila Hollins, Jane Hubert, Kelley Johnson, Gwynnyth Llewellyn, Heather McAlister, Michelle McCarthy, Alex McClimens, Roy McConkey, David McConnell, Keith McKinstrie, Fiona Mackenzie, Ghazala Mir, Ada Montgomery, Lesley Montisci, Elizabeth Murphy, Chris Oliver, Richard Parrott, Paul Ramcharan, Malcolm Richardson, Bronwyn Roberts, Philippa Russell, Kirsten Stalker, Martin Stevens, John Taylor, Irene Tuffrey-Wijne, Sally Twist, Jan Walmsley, Kate Woodcock"The editors and contributors are to be congratulated on the production of a relevant and contemporary text that I have no hesitation in both endorsing and recommending to all involved in supporting and or caring for people with learning disabilities."Professor Bob Gates, Project Leader - Learning Disabilities Workforce Development, NHS Education South Central, UK"This is a seminal text for students and practitioners, researchers and policy makers."Associate Professor Keith R. McVilly, Deakin University, Australia"If I were to personally recommend any book for budding or current learning disability professionals then this would be it."James Grainger, Student Nurse/Social Worker, Sheffield Hallam University, UK"The book gives a true wealth of good practice scenarios that can only help practitioners be good at what they do and aspire to be."Lee Marshall, Student Nurse, Sheffield Hallam University, UK

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The Doctor and Liz Shaw investigate a disturbing incident in the quiet Norfolk village of Huncleath, involving a vanishing Nazi soldier. Is time travel technology to blame? And what is the link between the disappearance of the village's wealthiest resident, Francis Teeling, and anti-war campaigners in Cambridge? As the Brigadier mobilises UNIT, a secret branch of the British military has serious concerns about UNIT's scientific advisor - Dr Elizabeth Shaw. In the ensuing struggle, Liz must make connections with her past, consider her future and fight against both incarceration and an unusual alien weapon. And try as he might, the Doctor may not be able to help her! CAST: Tim Treloar (The Doctor), Jon Culshaw (Brigadier Lethbridge-Stewart), Daisy Ashford (Liz Shaw), Tom Bell (Brian Sherborne), Imogen Church (Bryony / Sabini / Florrie), Jason Forbes (Lincoln Hall), Georgina Hellier (Denise Morris), James Howard (Colonel Matthews), Yasmin Mwanza (Sylvia), Issey Walton (Glenda Symonds), Keith Wickham (Ken Sharp / Professor Buchanan / Captain / Francis Teeling / Nazi / Computer Voice / Minister). Other parts played by members of the cast. Brigadier Alistair Lethbridge-Stewart (c) Haisman & Lincoln and used under licence. With thanks to Hannah Haisman and Candy Jar.

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From growing up in Texas, to living in his car, to landing his first publishing deal, to writing fifteen #1 songs, Word for Word is a lavishly illustrated look at the lyrics of an icon among songwriting giants. Emmylou Harris—who once employed Rodney Crowell as the guitarist, harmony singer, and arranger in her Hot Band—introduced many listeners to his finely-crafted songs, including “Til I Gain Control Again,” “Leaving Louisiana in the Broad Daylight,” “I Ain’t Living Long Like This,” “Even Cowgirls Get the Blues,” and “Ashes by Now.” They all went on to be become hits for other performers, while Crowell went on to carve out a career as the first country singer to earn five #1 singles from one album. Rodney continued writing and recording classics, while other artists continued to take his songs to the top of the charts, including Bob Seger’s recording of “Shame on the Moon,” Tim McGraw’s recording of “Please Remember Me,” and Keith Urban’s cover of “Making Memories of Us.” In this disarmingly intimate look at Crowell’s songs, he shares pages from his lyric notebooks, personal photographs, and scribbles that reveal the heart of one of this generation’s finest songwriters.

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The apostle Paul’s First Letter to the Corinthians is often regarded as his makeshift response to random problems in a messy church. This stimulating volume argues for, and undertakes, a more coherent reading of the letter, in the hope of providing a more compelling and theologically rich interpretation and a clearer apprehension of its relevance to the church today. Brian Rosner begins by putting the case for a holistic approach to studying the theology and ethics of 1 Corinthians. The following nine chapters cover, first, Karl Barth’s classic treatment, which underscores the letter’s coherence (Keith Condie); next, the major topics of holiness (Bill Salier), the cross (Philip Kern), sexual ethics (Roy Ciampa), spiritual gifts (David Peterson), eschatology (Bruce Winter), ethics (Michael Jensen), and the glory of God (Matthew Malcolm); and, finally, preaching 1 Corinthians (Brian Rosner). The chapters cohere around the themes of Paul’s pastoral practice and the wisdom of the cross of Jesus. The volume, based on the 2010 Moore College School of Theology, reflects the contributors’ common interest in theological interpretation that acknowledges the text as the word of God and seeks to serve the interests of the contemporary church.

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In 1962 Mick Jagger was a bright, well-scrubbed boy (planning a career in the civil service), while Keith Richards was learning how to smoke and to swivel a six-shooter. Add the mercurial Brian Jones (who'd been effectively run out of Cheltenham for theft, multiple impregnations and playing blues guitar) and the wryly opinionated Bill Wyman and Charlie Watts, and the potential was obvious. During the 1960s and 70s the Rolling Stones were the polarising figures in Britain, admired in some quarters for their flamboyance, creativity and salacious lifestyles, and reviled elsewhere for the same reasons. Confidently expected never to reach 30 they are now approaching their seventies and, in 2012, will have been together for 50 years. In The Rolling Stones, Christopher Sandford tells thehuman drama at the centre of the Rolling Stones story. Sandford has carried out interviews with those close to the Stones, family members (including Mick's parents), the group's fans and contemporaries - even examined their previously unreleased FBI files. Like no other book before The Rolling Stoneswill make sense of the rich brew of clever invention and opportunism, of talent, good fortune, insecurity, self-destructiveness, and of drugs, sex and other excess, that made the Stones who they are.

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Keith Lucas was killed instantly when his BE2 biplane collided with that of a colleague over Salisbury Plain on 5 October 1916. As a captain in the Royal Flying Corps, Lucas would have known that his death was a very real risk of the work he was doing in support of Britain's war effort. But Lucas wasn't a career pilot - he was a scientist. The Flying Mathematicians of World War I details the advances and sacrifices of a select group of pioneers who left the safety of their laboratories to drive aeronautics forward at a critical moment in history. These mathematicians and scientists, including Lucas, took up the challenge to advance British aviation during the war and soon realized that they would need to learn how to fly themselves if they were to complete their mission. Set in the context of a new field of engineering, driven apace by conflict, the book follows Lucas and his colleagues as they endured freezing cockpits and engaged in aerial versions of Russian roulette in order to expand our understanding of aeronautics. Tony Royle deftly navigates this fascinating history of technical achievement, imagination, and ingenuity punctuated by bravery, persistence, and tragedy. As a result, The Flying Mathematicians of World War I makes accessible the mathematics and the personal stories that forever changed the course of aviation.

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Essays consider the changes and development of Scotland at a time of considerable flux in the twelfth and thirteenth centuries. The years between the deaths of King Mael Coluim and Queen Margaret in 1093 and King Alexander III in 1286 witnessed the formation of a kingdom resembling the Scotland we know today, which was a full member of the European club ofmonarchies; the period is also marked by an explosion in the production of documents. This volume includes a range of new studies casting fresh light on the institutions and people of the Scottish kingdom, especially in thethirteenth century. New perspectives are offered on topics as diverse as the limited reach of Scottish royal administration and justice, the ties that bound the unfree to their lords, the extent of a political community in the time of King Alexander II, a view of Europeanization from the spread of a common material culture, the role of a major Cistercian monastery in the kingdom and the broader world, and the idea of the neighbourhood in Scots law. There are also chapters on the corpus of charters and names and the innovative technology behind the People of Medieval Scotland prosopographical database, which made use of over 6000 individual documents from the period. Matthew Hammond is a Research Associate at the University of Glasgow. Contributors: John Bradley, Stuart Campbell, David Carpenter, Matthew Hammond, Emilia Jamroziak, Cynthia Neville, Michele Pasin, Keith Stringer, Alice Taylor.

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This edited collection sets forth a new understanding of aesthetic-moral judgment organized around three key concepts: pleasure, reflection, and accountability. The overarching theme is that art is not merely a representation or expression like any other, but that it promotes shared moral understanding and helps us engage in meaning-making. This volume offers an alternative to brain-centric and realist approaches to aesthetics. It features original essays from a number of leading philosophers of art, aesthetics, ethics, and perception, including Elizabeth Burns Coleman, Garrett Cullity, Cynthia A. Freeland, Ivan Gaskell, Paul Guyer, Jane Kneller, Keith Lehrer, Mohan Matthen, Jennifer A. McMahon, Bence Nanay, Nancy Sherman, and Robert Sinnerbrink.Part I of the book analyses the elements of aesthetic experience—pleasure, preference, and imagination—with the individual conceived as part of a particular cultural context and network of other minds. The chapters in Part II explain how it is possible for cultural learning to impact these elements through consensus building, an impulse to objectivity, emotional expression, and reflection. Finally, the chapters in Part III converge on the role of dissonance, difference, and diversity in promoting cultural understanding and advancement. Social Aesthetics and Moral Judgment will appeal to philosophers of art and aesthetics, as well as scholars in other disciplines interested in issues related to art and cultural exchange.

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