Search results for ""author keith"

With an Introduction and Notes by Professor Stephen Arkin, San Francisco State University. Katherine Mansfield is widely regarded as a writer who helped create the modern short story. Born in Wellington, New Zealand in 1888, she came to London in 1903 to attend Queen's College and returned permanently in 1908. her first book of stories, In a German Pension, appeared in 1911, and she went on to write and publish an extraordinary body of work. This edition of The Collected Stories brings together all of the stories that Mansfield had written up until her death in January of 1923. With an introduction and head-notes, this volume allows the reader to become familiar with the complete range of Mansfield's work from the early, satirical stories set in Bavaria, through the luminous recollections of her childhood in New Zealand, and through the mature, deeply felt stories of her last years. Admired by Virginia Woolf in her lifetime and by many writers since her death, Katherine Mansfield is one of the great literary artists of the twentieth century.

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With a new Introduction by Professor Cedric Watts, M.A., Ph.D. The Forsyte Saga is Galsworthy’s enduringly popular masterpiece. Initially, the plot centres on Soames Forsyte, a successful solicitor living in London with his beautiful wife, Irene. A pillar of the late-Victorian upper middle class, wealthy and well-connected, he seems to lead an enviable life. But beneath the respectable exterior lie acute tensions and frustrations. The marriage of Soames and Irene culminates in sexual violence and recriminations. The consequent feud within the family will be long-lasting, with ironic and dramatic outcomes. In The Forsyte Saga, John Galsworthy analyses the achievements, confusions and hypocrisies of an era. This renowned chronicle of a divided dynasty, repeatedly filmed and televised, has engrossed audiences internationally.

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Finnegans Wake is the book of Here Comes Everybody and Anna Livia Plurabelle and their family - their book, but in a curious way the book of us all as well as all our books. Joyce's last great work, it is not comprised of many borrowed styles, like Ulysses, but, rather, formulated as one dense, tongue-twisting soundscape. This 'language' is based on English vocabulary and syntax but, at the same time, self-consciously designed to function as a pun machine with an astonishing capacity for resisting singularity of meaning. Announcing a 'revolution of the word', this astonishing book amounts to a powerfully resonant cultural critique - a unique kind of miscommunication which, far from stabilizing the world in meaning, constructs a universe radically unfixed by a wild diversity of possibilities and potentials. It also remains the most hilarious, 'obscene', book of innuendos ever to be imagined.

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Introduction and Notes by Dr Ian Littlewood, University of Sussex. Pride and Prejudice, which opens with one of the most famous sentences in English Literature, is an ironic novel of manners. In it the garrulous and empty-headed Mrs Bennet has only one aim - that of finding a good match for each of her five daughters. In this she is mocked by her cynical and indolent husband. With its wit, its social precision and, above all, its irresistible heroine, Pride and Prejudice has proved one of the most enduringly popular novels in the English language.

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With an Introduction and Notes by John M.L. Drew, University of Buckingham. Wilde's only novel, first published in 1890, is a brilliantly designed puzzle, intended to tease conventional minds with its exploration of the myriad interrelationships between art, life, and consequence. From its provocative Preface, challenging the reader to believe in 'art for art's sake', to its sensational conclusion, the story self-consciously experiments with the notion of sin as an element of design. Yet Wilde himself underestimated the consequences of his experiment, and its capacity to outrage the Victorian establishment. Its words returned to haunt him in his court appearances in 1895, and he later recalled the 'note of doom' which runs like 'a purple thread' through its carefully crafted prose.

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Edited, introduced and annotated by Cedric Watts, M.A., Ph.D., Emeritus Professor of English, University of Sussex. Shakespeare’s Macbeth is one of the greatest tragic dramas the world has known. Macbeth himself, a brave warrior, is fatally impelled by supernatural forces, by his proud wife, and by his own burgeoning ambition. As he embarks on his murderous course to gain and retain the crown of Scotland, we see the appalling emotional and psychological effects on both Lady Macbeth and himself. The cruel ironies of their destiny are conveyed in poetry of unsurpassed power. In the theatre, this tragedy remains perennially engrossing.

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Introduction and Notes by Dr David Rogers, Kingston University. 'There he lay looking as if youth had been half-renewed, for the white hair and moustache were changed to dark iron-grey, the cheeks were fuller, and the white skin seemed ruby-red underneath; the mouth was redder than ever, for on the lips were gouts of fresh blood, which trickled from the corners of the mouth and ran over the chin and neck. Even the deep, burning eyes seemed set amongst the swollen flesh, for the lids and pouches underneath were bloated. It seemed as if the whole awful creature were simply gorged with blood; he lay like a filthy leech, exhausted with his repletion.' Thus Bram Stoker, one of the greatest exponents of the supernatural narrative, describes the demonic subject of his chilling masterpiece Dracula, a truly iconic and unsettling tale of vampirism.

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Introduction and Notes by Dr Claire Seymour, University of Kent at Canterbury. The proverbial phrase 'life's little ironies' was coined by Hardy for his third volume of short stories. These tales and sketches possess all the power of his novels: the wealth of description, the realistic portrayal of the quaint lore of Wessex, the 'Chaucerian' humour and characterisation, the shrewd and critical psychology, the poignant estimate of human nature and the brooding sense of wonder at the essential mystery of life. The tales which make up Life's Little Ironies tenderly re-create a rapidly vanishing rural world and scrutinise the repressions of fin-de-siecle bourgeois life. They share the many concerns of Hardy's last great novels, such as the failure of modern marriage and the insidious effects of social ambition on the family and community life. Ranging widely in length and complexity, they are unified by Hardy's quintessential irony, which embraces both the farcical and the tragic aspects of human existence.

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With an Introduction and Notes by Dr Claire Seymour, University of Kent at Canterbury. Under the Greenwood Tree is Hardy's most bright, confident and optimistic novel. This delightful portrayal of a picturesque rural society, tinged with gentle humour and quiet irony, established Hardy as a writer. However, the novel is not merely a charming rural idyll. The double-plot, in which the love story of Dick Dewey and Fancy Day is inter-related with a tragic chapter in the history of Mellstock Choir, hints at the poignant disappearance of a long-lived and highly-valued traditional way of life.

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With an Introduction and Notes by David Blair. From its first publication in 1816 Rob Roy has been recognised as containing some of Scott's finest writing and most engaging, fully realised characters. The outlaw Rob Roy MacGregor was already a legendary, disputed figure by the time Scott wrote - a heroic Scottish Robin Hood to some, an over-glamorised, unprincipled predator to others. Scott approaches Rob Roy indirectly, through the adventures of his fictional hero, Frank Osbaldistone, amid the political turmoil of England and Scotland in 1715. With characteristic care Scott reconstructs the period and settings so as to place Rob Roy and the Scotland he inhabits amid conflicting moral, economic and historical forces. This edition features, besides a new critical introduction and extensive explanatory notes, an essay outlining clearly the novel's historical context and a glossary of Scottish words and phrases used by Scott's colourful, vernacular characters.

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With an Introduction and Notes by Professor Emeritus John Chapple, University of Hull. The sheer variety and accomplishment of Elizabeth Gaskell's shorter fiction is amazing. This new volume contains six of her finest stories that have been selected specifically to demonstrate this, and to trace the development of her art. As diverse in setting as in subject matter, these tales move from the gentle comedy of life in a small English country town in Dr Harrison's Confessions, to atmospheric horror in far north-west Wales with The Doom of the Griffiths. The story of Cousin Phillis, her masterly tale of love and loss, is a subtle, complex and perceptive analysis of changes in English national life during an industrial age, while the gripping Lois the Witch recreates the terrors of the Salem witchcraft trials in seventeenth-century New England, as Gaskell shrewdly shows the numerous roots of this furious outbreak of delusion. Whimsically modified fairy tales are set in a French chateau, while an engaging love story poetically evokes peasant life in wine-growing Germany.

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Introduction and Notes by Professor Stephen Arkin, San Francisco University. 'Young women who have no economic or political power must attend to the serious business of contriving material security'. Jane Austen's sardonic humour lays bare the stratagems, the hypocrisy and the poignancy inherent in the struggle of two very different sisters to achieve respectability. Sense and Sensibility is a delightful comedy of manners in which the sisters Elinor and Marianne represent these two qualities. Elinor's character is one of Augustan detachment, while Marianne, a fervent disciple of the Romantic Age, learns to curb her passionate nature in the interests of survival. This book, the first of Austen’s novels to be published, remains as fresh a cautionary tale today as it ever was.

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With a new Introduction by Cedric Watts, Research Professor of English, University of Sussex. Guy de Maupassant was a master of the short story. This collection displays his lively diversity, with tales that vary in theme and tone, ranging from tragedy and satire to comedy and farce. In a lucidly direct style, he provides unflinching realism and sceptical irony. He depicts the deceptions, hypocrisies and vanities at different levels of society. Prostitution is frankly described, while the harshness of war is deftly exposed. His tales have been televised and have influenced films, operas and rock music. Unillusioned but humane, Maupassant remains our contemporary.

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The third edition of this successful title presents current research and commercial uses of controlled atmosphere storage and modified atmosphere packaging of fresh fruit and vegetables to provide a comprehensive and up-to-date overview. New and developed technologies for the transportation and storage of horticultural products are essential to ensure that produce reaches consumers in the best possible condition, and have the potential to reduce the postharvest use of chemicals, reduce losses and maintain nutritional quality and organoleptic characteristics. Covering the increasingly used science and technology of preserving the freshness of fruit and vegetables in all aspects of their postharvest life, this book puts the subject in the context of its history and current practices, in addition to future prospects. The new edition: - Explores the large volume of research that is continuously being published on the topic. - Reviews and evaluates the adaptation and improvement of commercial technologies. - Considers the effects of techniques and technologies on flavour, quality and physiology, in addition to the damage inflicted by pests, diseases and disorders. - Contains 5 new chapters covering genetics and CA storage, dynamic CA storage, hyperbaric storage, hypobaric storage and fruit ripening. Fully revised and presented in full colour throughout, this book is a readily accessible resource for researchers, scientists, growers, students and industry personnel.

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These three volumes comprise a new history of Scotland's first parliament from the first surviving official records in the thirteenth century to its final dissolution in 1707. Denigrated by unionists as inferior to the English parliament and despised by nationalists for agreeing to its own demise, the Scottish parliament has been shockingly under-researched by Scottish historians. This new history will go a long way towards redressing the balance, not merely putting the record straight but making it visible for the first time. Written by some twenty-five leading scholars the three volumes will be by far the most comprehensive history of the parliament ever published. Volumes 1 and 2 examine the history of parliament under the medieval and early modern monarchs. The former describes its role during the wars of independence, under the Stewart monarchy, and during the Reformation. The latter describes its role in the reign of James VI and throughout the century between the unions of the crowns in 1603 and of the parliaments in 1707, a period of royal absenteeism , religious upheaval, revolutions, civil wars, and economic catastrophe. Volume 3 addresses broad themes across the life of the parliament: relationship to the crown and nobility; legislative role; procedures; modes of government; relations with burghs and regions; receptiveness to political ideas; relationship with the church and role in national religious life. The refounding of the parliament in Edinburgh makes this a good time for a new look at the history, workings, and effectiveness of its long medieval and early modern antecedent. The History of the Scottish Parliament will be the definitive account for many years, informative, reliable, readable, and replete with story, character and incidentIt is, in sum, an outstanding testimony to the quality of historical scholarship in Scotland.

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With an Introduction by David Stuart Davies. 'Doctor Watson, Mr Sherlock Holmes' - The most famous introduction in the history of crime fiction takes place in Sir Arthur Conan Doyle's A Study in Scarlet, bringing together Sherlock Holmes, the master of science detection, and John H. Watson, the great detective's faithful chronicler. This novel not only establishes the magic of the Holmes myth but also provides the reader with a dramatic adventure yarn which ranges from the foggy, gas-lit streets of London to the burning plains of Utah. The Sign of the Four, the second Holmes novel, presents the detective with one of his greatest challenges. The theft of the Agna treasure in India forms a catalyst for treachery, deceit and murder. With these two classic novels, A Study in Scarlet and The Sign of the Four, you have the brilliant foundation of the Sherlock Holmes canon. Reading pleasure rarely comes any finer.

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"Joseph F. Keithley, a modern pioneer of instrumentation, brings you a fascinating history of electrical measurement from the ancient Greeks to the inventors of the early twentieth century. Written in a direct and fluent style, the book illuminates the lives of the most significant inventors in the field, including George Simon Ohm, Andre Marie Ampere, and Jean Baptiste Fourier. Chapter by chapter, meet the inventors in their youth and discover the origins of their lifelong pursuits of electrical measurement. Not only will you find highlights of important technological contributions, you will also learn about the tribulations and excitement that accompany the discoveries of these early masters. Included are nearly 100 rare photographs from museums around the world. THE STORY OF ELECTRICAL AND MAGNETIC MEASUREMENTS is a ""must read"" for students and practitioners of physics, electrical engineering, and instrumentation and metrology who want to understand the history behind modern day instruments." Sponsored by: IEEE Instrumentation and Measurement Society

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Two British environmental activists are discovered dead amongst the whale corpses after a whale-kill in Torshavn. The detective Hannis Martinsson is asked to investigate by a representative of the organisation Guardians of the Sea - who shortly afterwards is killed when his private plane crashes. Suspicion falls on Faroese hunters, angry at persistent interference in their traditional whale hunt; but the investigation leads Martinsson to a much larger group of international vested interests, and the discovery of a plot which could devastate the whole country.

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David Neumann/Advanced Beginner Group’s I Understand Everything Better is a "deeply felt and deeply moving" (New York Times) performance piece, a multi-disciplinary, dance-based work that explores the impulse to report on calamity, the shimmer of attention to realms unseen, and the evidence of the body as possessing a will to let go of living.Emerging from a year in which David Neumann lost both his mother and father, I Understand Everything Better documents a process of dying, and how the altered attentiveness of the dying and those who care for them can invite a complex layering of now and then, here and there, living room and mountain road. The text draws on Neumann’s accounts of his father’s final days as well as Noh theater, the Kyogen play Boshibari, Shakespeare’s King Lear, transcripts of live weather reporting (mostly during hurricanes), and interviews with end-of-life caregivers, doctors, and meteorologists.Advanced Beginner Group’s 2015 production—winner of two Bessie awards for Outstanding Production and Outstanding Sound Design—includes text by David Neumann and Sibyl Kempson. Edited and designed by Karinne Keithley Syers with photography by Maria Baranova, this volume is an elegant, richly layered record of a rigorously collaged, collaborative performance that was itself a record of a storm.

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Bare your blades, students of Saint-Noel! The biannual swordsmanship tournament has arrived, and the competition is as fierce as the stakes are high! Can Prince Abel prevail in a battle of wills against his chauvinistic brother? Can anyone stop Prince Sion''s meteoric rise through the ranks? When the day is finally won, who will emerge victorious as the academy''s finest swordsman? And most importantly, will Mia''s culinary genius secure Abel''s affection, or will Keithwood''s incessant nitpicking and idea-quashing ruin everything?

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Geological Society of London Handbook Series Edited by KeithCox Founded in 1807, the Geological Society of London has beenpublishing since 1845 and now distributes its journal to Fellowsthroughout the world. This Handbook is published as part ofa series of authoritative practical guides to field geology. The Field Description of Metamorphic Rocks "This handbook describes how metamorphic rocks and rock masses maybe observed, recorded and mapped in the field. Written at a levelsuitable for undergraduate students of geology, this book (as withits companion volumes in the series) has firmly established itselfas an essential tool for any geologist -- student, professional oramateur -- faced with the task of making a general description ofan area of metamorphic rocks. A clear, systematic frameworktogether with numerous diagrams, illustrations and checklistsenables readers to produce useful and broadly similar descriptions,despite possible differences of background or specialist interest.This well-written and well-produced little text will, I am certain,become standard reading for most geology undergraduates. It willalso interest many geologists who do not regularly work inmetamorphic terrains and will be particularly useful to engineeringgeologists and civil engineers who are often concerned withdescribing the fabrics of metamorphic rocks without being concernedabout their origins." --M.E. Jones, Mineralogical Magazine Contents: * Metamorphic Fieldwork and Mapping * Names and Categories of Metamorphic Rocks and Rock Units * Rock Banding * Minerals * Compositions * Grade * Textures * Fabric Types * Relations to Structures * Undeformed Pods * Augen * Pseudomorphs * Veins * Igneous Contacts * Metasomatism * Reaction Zones * Fault-Zones and Mylonites * Reference Tables and Checklists

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