Search results for ""Author Fredericks"

The contributors to this issue investigate the complex ways that policies of the Affordable Care Act (ACA) have diffused through the states over seven years of implementation. When the ACA was passed in 2010, states were given the option to set up their own health care exchanges, expand their Medicaid programs, and reform both their local public health and their health care delivery systems. These reforms significantly impacted citizens’ access to insurance. Contributors examine how local conditions account for variation in enrollment across states, analyze the evolution of Medicaid waivers in Republican-led states, show how early-adopting states affected later adopters, explore the role of public opinion in the diffusion of ACA policies, and argue for the importance of rhetorical framing when advocating in favor of the ACA. Contributors. Frederick J. Boehmke, Timothy Callaghan, Rena Conti, Bruce A. Desmarais, Colleen M. Grogan, Jeffrey J. Harden, Lawrence Jacobs, David K. Jones, Andrew Karch, Elizabeth Maltby, Julianna Pacheco, Aaron Rosenthal, Abigail A. Rury, Phillip McMinn Singer, Craig Volden

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Arriving in Paris in 1845, at the age of twenty and with only a few francs in his pocket, Charles Frederick Worth would go on to build the most prominent, innovative and successful fashion house of the century. Worth was inspired by a love of fine art, luxurious fabrics and his vision of the female ideal. He was the first to set out to dictate new styles and silhouettes to his elite clientele – not the other way around – hosting them in his rue de la Paix salons, which included ground-breaking ‘sportswear’ and ‘maternity’ departments, as well as silk, velvet and brocade rooms, and a special salon with closed shutters and gas lighting designed to allow clients to try on ball gowns in lighting conditions precisely matched to those of the event. Organized chronologically and illustrated with striking ensembles (including photographs of details that reveal the garments’ intricate construction and craftsmanship), paintings and documents sourced from both private family archives and the best fashion collections from museums around the world, The House of Worth is an inspiring tribute to the house that started it all.

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Since it first appeared in 1960, The Supreme Court Review (SCR) has won acclaim for providing a sustained and authoritative survey of the implications of the Court's most significant decisions. SCR is an in-depth annual critique of the Supreme Court and its work, keeping up on the forefront of the origins, reforms, and interpretations of American law. SCR is written by and for legal academics, judges, political scientists, journalists, historians, economists, policy planners, and sociologists. This year’s volume features prominent scholars assessing major legal events, including: Mark Tushnet on President Trump’s “Muslim Ban” Kate Andrias on Union Fees in the Public Sector Cass R. Sunstein on Chevron without Chevron Tracey Maclin on the Fourth Amendment and Unauthorized Drivers Frederick Schauer on Precedent Pamela Karlan on Gay Equality and Racial Equality Randall Kennedy on Palmer v. Thompson Lisa Marshall Manheim and Elizabeth G. Porter on Voter Suppression Melissa Murray on Masterpiece Cakeshop Vikram David Amar on Commandeering Laura K. Donohue on Carpenter, Precedent, and Originalism Evan Caminker on Carpenter and Stability

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Strong Voices: Fifteen American Speeches Worth Knowing is a collection of significant speeches, made both by those who held the reins of power and those who didn’t, at significant times in American history. Read the original words—sometimes abridged and sometimes in their entirety—that have shaped our cultural fabric. A Chicago Public Library Best Book!"A wide-ranging collection of speeches and a worthwhile resource for students of American history." —Booklist"A golden celebration of the multicultural voices who demand the U.S.—and the world—do better." —Kirkus"An important addition to American history collections." —School Library JournalIntroductions by acclaimed writer Tonya Bolden provide historical context and critical insights to the meaning and impact of every speech. Illustrations by award-winning artist Eric Velasquez illuminate what it was really like at each moment in history. This collection includes the following: Patrick Henry, “Give Me Liberty or Give Me Death” George Washington, Farewell Address Red Jacket, “We Never Quarrel about Religion” Frederick Douglass, “What to the Slave Is the Fourth of July?” Sojourner Truth, “I Am a Woman’s Rights” Abraham Lincoln, Gettysburg Address Theodore Roosevelt, “Citizenship in a Republic” Franklin Delano Roosevelt, “The Only Thing We Have to Fear Is Fear Itself” Lou Gehrig, “Farewell to Baseball” Langston Hughes, “On the Blacklist All Our Lives” John Fitzgerald Kennedy, “We Choose to Go to the Moon” Martin Luther King, Jr., “I Have a Dream” Fannie Lou Hamer, “I Question America” Cesar Chavez, Address to the Commonwealth Club of California, 1984 Hillary Rodham Clinton, “Women’s Rights Are Human Rights” Strong Voices includes a foreword by #1 New York Times bestselling author and celebrated journalist Cokie Roberts, as well as a timeline in the back of the book, along with letters to the reader from Tonya Bolden and Eric Velasquez. Strong Voices is a tremendous introduction to the extraordinary words spoken in history.

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Constance in Peril is a brilliantly funny story from the creators of the critically acclaimed The Misadventures of Frederick, a Sunday Times Children's Book of the Year. Told with all Ben Manley's characteristic wit and genius for comic timing, with beautiful, atmospheric illustrations by Emma Chichester Clark adding to the fun.Edward’s favourite toy was a soft, old, cloth doll. Her name was Constance Hardpenny and she had led a tragic life.Having been rescued from a rubbish bin by a boy called Edward, Constance suffers a series of potentially catastrophic incidents. More suited to elegant tea parties in a bygone age, she nevertheless remains stoic throughout. From being forgotten and left out in the rain or trapped up a tree, even being caught between the jaws of the neighbour's dog, Constance is constantly finding herself in mortal danger. Although she’s luckily rescued each time by the watchful Grace, Edward’s loving older sister, it seems disaster is never far behind. Is Constance doomed to suffer a life of never-ending peril? Probably.

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Kurt Frank Korf’s story is one of the most unusual to come out of World War II. Although German-Americans were America’s largest ethnic group, and German-Americans—including thousands of native-born Germans—fought bravely in all theaters, there are few full first-person accounts by German- Americans of their experiences during the 1930s and 1940s. Drawing on his correspondence and on oral histories and interviews with Korf, Patricia Kollander paints a fascinating portrait of a privileged young man forced to flee Nazi Germany in 1937 because the infamous Nuremburg Laws had relegated him to the status of “second-degree mixed breed” (Korf had one Jewish grandparent). Settling in New York City, Korf became an FBI informant, watching pro-Nazi leaders like Fritz Kuhn and the German-American Bund as they moved among the city’s large German immigrant community. Soon after, he enlisted in the U.S. Army, serving in Germany as an intelligence officer during the Battle of the Bulge, and as a prisoner of war camp administrator. After the war, Korf stayed on as a U.S. government attorney in Berlin and Munich, working to hunt down war criminals, and lent his expertise in the effort to determine the authenticity of Joseph Goebbels’s diaries. Kurt Frank Korf died in 2000. Kollander not only draws a detailed portrait of this unique figure; she also provides a rich context for exploring responses to Nazism in Germany, the German-American position before and during the war, the community’s later response to Nazism and its crimes, and the broader issues of ethnicity, religion, political ideology, and patriotism in 20th-century America. Patricia Kollander is Associate Professor of History at Florida Atlantic University. She is the author of Frederick III: Germany’s Liberal Emperor. “I Must Be a Part of This War” is part of her ongoing research into the experiences of some fifteen thousand native-born Germans who served in the U.S. Army in World War II. John O'Sullivan was Professor of History at Florida Atlantic University.

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In proving the existence of stem cells, Ernest Armstrong McCulloch and James Edgar Till formed the most important partnership in Canadian medical research since Frederick Banting and Charles Best, the discoverers of insulin. Together, Till and McCulloch instructed, influenced, and inspired successive generations of researchers who have used their findings to make huge advances against disease. Thousands of people who would have died from leukemia and immunological disorders now owe their lives to therapies developed from their discoveries. Despite their accomplishments, Till and McCulloch remain largely unknown, and until now, their story has remained untold. Dreams and Due Diligence vividly chronicles the work of two researchers who made medical history - two men who possessed exactly the right complementary talents to achieve greatness and win nearly every award available in medical research. Bringing their legacy to life for the first time, Joe Sornberger provides a dramatic account of the development of stem cell research, one of today's most ground-breaking medical scientific fields.

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Between 1772 and 1795, Russia, Prussia, and Austria concluded agreements to annex and eradicate the Commonwealth of Poland-Lithuania. With the partitioning of Poland, the dioceses of the Uniate Church (later known as the Greek Catholic Church) were fractured by the borders of three regional hegemons.Larry Wolff's deeply engaging account of these events delves into the politics of the Episcopal elite, the Vatican, and the three rulers behind the partitions: Catherine II of Russia, Frederick II of Prussia, and Joseph II of Austria. Wolff uses correspondence with bishops in the Uniate Church and ministerial communiqués to reveal the nature of state policy as it unfolded.Disunion within the Union adopts methodologies from the history of popular culture pioneered by Natalie Zemon Davis (The Return of Martin Guerre) and Carlo Ginzburg (The Cheese and the Worms) to explore religious experience on a popular level, especially questions of confessional identity and practices of piety. This detailed study of the responses of common Uniate parishioners, as well as of their bishops and hierarchs, to the pressure of the partitions paints a vivid portrait of conflict, accommodation, and survival in a church subject to the grand designs of the late eighteenth century’s premier absolutist powers.

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Located in Chelten Hills just outside of Philadelphia, Pennsylvania, Camp William Penn was the largest and first Civil War facility to exclusively train Northern-based federal black soldiers during the war. Boasting the biggest free-black population in the country and the 19th-century’s epicenter of the Underground Railroad, Philadelphia and Camp William Penn, hosted the greatest anti-slavery abolitionists, including Frederick Douglass, Harriet Tubman, Sojourner Truth, Robert Purvis, and William Still. Douglass and Tubman spoke to and rallied some of the almost 11,000 soldiers, many of them runaway or ex-slaves, who trained in eleven regiments that fought in a slew of major battles, helped to corner the Confederate General Robert E. Lee and his Rebel forces, as well as capture President Lincoln’s assassins. Several earned the Medal of Honor for their bravery, and many gave their lives. At a time when America’s very existence was threatened, the warriors and freedom fighters for human equality associated with Camp William Penn were a major part of the country’s salvation. The complete story is told here.

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A compelling anthology of Black voices from England, America, Africa and the Caribbean, from people who lived, worked, campaigned and travelled in Britain from the eighteenth to the early twentieth century.Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover.Professor Hakim Adi, shortlisted for the Wolfson history prize, draws on a variety of published works in Black Voices on Britain, all of which describe powerful experiences: James Gronniosaw and his family endure poverty, illness and unemployment; Mary Prince is driven out by her cruel owners and turns to London charities for help; Frederick Douglass, on a lecture tour around Britain, reveals how the Christian clergy built churches with slave-owners’ money; and William Wells Brown gives his impressions of England as he travels around a country which welcomes him more readily than America. These and other voices offer a fascinating and thought-provoking portrayal of Black experiences in Britain.

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In 1893 Frederick Jackson Turner famously argued that the generational process of meeting and conquering the supposedly uncivilized western frontier is what forged American identity. In the late twentieth century, “new western” historians dissected the mythologized western histories that Turner and others had long used to embody American triumph and progress. While Turner’s frontier is no more, the West continues to present America with challenging processes to wrestle, navigate, and overcome.The North American West in the Twenty-First Century, edited by Brenden W. Rensink, takes stories of the late twentieth-century “modern West” and carefully pulls them toward the present—explicitly tracing continuity with or unexpected divergence from trajectories established in the 1980s and 1990s. Considering a broad range of topics, including environment, Indigenous peoples, geography, migration, and politics, these essays straddle multiple modern frontiers, not least of which is the temporal frontier between our unsettled past and uncertain future. These forays into the twenty-first-century West will inspire more scholars to pull histories to the present and by doing so reinsert scholarly findings into contemporary public awareness.

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In 1893 Frederick Jackson Turner famously argued that the generational process of meeting and conquering the supposedly uncivilized western frontier is what forged American identity. In the late twentieth century, “new western” historians dissected the mythologized western histories that Turner and others had long used to embody American triumph and progress. While Turner’s frontier is no more, the West continues to present America with challenging processes to wrestle, navigate, and overcome.The North American West in the Twenty-First Century, edited by Brenden W. Rensink, takes stories of the late twentieth-century “modern West” and carefully pulls them toward the present—explicitly tracing continuity with or unexpected divergence from trajectories established in the 1980s and 1990s. Considering a broad range of topics, including environment, Indigenous peoples, geography, migration, and politics, these essays straddle multiple modern frontiers, not least of which is the temporal frontier between our unsettled past and uncertain future. These forays into the twenty-first-century West will inspire more scholars to pull histories to the present and by doing so reinsert scholarly findings into contemporary public awareness.

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In 1892, Lord Frederick Arthur Stanley donated the Dominion Hockey Challenge Cup – later known as the Stanley Cup – to crown the first Canadian hockey champions. Canada’s Holy Grail documents Lord Stanley’s personal politics, his desire to affect Canadian nationality and unity, and the larger transformations in Anglo-liberal political thought at the time. This book posits that the Stanley Cup fit directly within Anglo-American traditions of using sport to promote ideas of the national, and the donation of the cup occurred at a moment in history when Canadian nationalists needed identifying symbols. Jordan B. Goldstein asserts that only with a transformation in Anglo-liberal thought could the state legitimately act through culture to affect national identity. Drawing on primary source documentation from Lord Stanley’s archives, as well as statements by politicians and hockey enthusiasts, Canada’s Holy Grail integrates political thought into the realm of sport history through the discussion of a championship trophy that still stands as one of the most well-known and recognized Canadian national symbols.

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In 1892, Lord Frederick Arthur Stanley donated the Dominion Hockey Challenge Cup – later known as the Stanley Cup – to crown the first Canadian hockey champions. Canada’s Holy Grail documents Lord Stanley’s personal politics, his desire to affect Canadian nationality and unity, and the larger transformations in Anglo-liberal political thought at the time. This book posits that the Stanley Cup fit directly within Anglo-American traditions of using sport to promote ideas of the national, and the donation of the cup occurred at a moment in history when Canadian nationalists needed identifying symbols. Jordan B. Goldstein asserts that only with a transformation in Anglo-liberal thought could the state legitimately act through culture to affect national identity. Drawing on primary source documentation from Lord Stanley’s archives, as well as statements by politicians and hockey enthusiasts, Canada’s Holy Grail integrates political thought into the realm of sport history through the discussion of a championship trophy that still stands as one of the most well-known and recognized Canadian national symbols.

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Reluctant Pioneers describes the migration of Chinese to Manchuria, their settlement there, and the incorporation of Manchuria into an expanding China, from the seventeenth to the twentieth centuries. The expansion of Chinese state and society from the agrarian and urban core of China proper to the territories north and west of the Great Wall doubled the size of the empire, forming the "China" now so prominent on the map of Asia. The movement and settlement of people, clearing and cultivation of land, invasions of soldiers, circulation of merchants, and establishment of government offices extended the boundaries of China at the same time that the American expansion westward and the Russian expansion eastward created the other great landed empires that dominated the twentieth century and persist today. The chief purpose of this book is to describe the Chinese experience and what it tells us about the expansion of states and societies, drawing comparisons with Russia and America, and reflecting on the nature of what scholars since Frederick Jackson Turner have called "frontiers" and what Turner's critics now call "borderlands" or "middle ground." In addition, the book touches on several other issues central to our understanding of modern China, such as the development of the Chinese economy and the nature of Chinese migration.

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>CLASSIFY, EXCLUDE, POLICE ‘Laurent Fourchard’s deep, first-hand knowledge of the history and contemporary politics of Nigeria and South Africa forms the basis of an insightful and compelling analysis of how states produce invidious distinctions among their people and at the same time how political linkages are forged between state and society, elites and subalterns, bureaucratic structures and personal relations.’Frederick Cooper, Professor of History, New York University, USA ‘Violence, control, police and political order are essential dimensions of metropolis. In this exceptional book, Laurent Fourchard compares decentralised exercises of authority in providing vivid analysis of exclusion of youth and migrants, policing and riots, politics of “Big men” and fine-grained blurring between bureaucracy and society. A masterpiece of urban politics.’Patrick Le Galès, Dean of Urban School, Sciences Po Paris, France ‘This book is a major contribution to rethinking urban politics from the experiences of African cities. Based on detailed historical analysis of South Africa and Nigeria, Fourchard recalibrates the actors, stakes and terms of urban politics around African-centred concerns.’ Jennifer Robinson, Professor of Geography, University College London, UK The cities of South Africa and Nigeria are reputed to be dangerous, teeming with slums, and dominated by the informal economy but we know little about how people are divided up, categorised and policed. Colonial governments assigned rights and punishments, banned categories considered problematic (delinquents, migrants, single women, street vendors) and give non-state organisations the power to police low-income neighbourhoods. Within this enduring legacy, a tangle of petty arrangements has developed to circumvent exclusion to public places and government offices. In this unpredictable urban reality ??? which has eluded all planning ??? individuals and social groups have changed areas of public action through exclusion, violence and negotiation. In combining historical and ethnographic methods, Classify, Exclude, Police explores the effects and limits of public action, and questions the possibility of comparison between cities often perceived as incommensurable. Focusing on state formation, urbanization, and daily lives, Laurent Fourchard addresses debates and controversies in comparative urban studies, history, political science, and urban anthropology. The book provides a systematic, comparative approach to the practices, processes, arrangements used to create boundaries, direct violence, and produce social, racial, gender, and`generational differences.

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Following the death of Elizabeth Siddal in 1862 and his settling in Chelsea, Rossetti entered on a period of his life -- charted in volume 3 -- that was marked by renewed activity as a painter and increased financial prosperity.The years 1868-1870 covered by volume 4 culminate in his return to writing poetry and the publication in June 1870 of his long-anticipated and widely-read Poems. However, despite the satisfaction that he could take from his standing as a painter and from the fact that he was about to establish himself as a poet, 1868-1870 were troubled years for Rossetti. Problems with his eyesight led him to give up painting for long periods, and to fear that, like his father before him, he would end his days blind. He consulted Sir William Bowman and other leading ophthalmologists, who eased his mind sufficiently for him to return to his easel. This was also the time when he declared his lovefor Jane Morris, the wife of his long-time friend and admirer William Morris. In his long, moving letters to Janey we come face to face with the satisfactions and frustrations of their relationship. The letters to Janey provide acontext for understanding the many paintings and drawings from this period for which she was the model, and for gauging the biographical origins of the sonnets, written at this time for the sequence, The House of Life, an early version of which was included in Poems.Probably the most rewarding letters in the volume concern the preparation of Poems. The letters deal at length with Rossetti's decision to have his poems typeset for distribution to friends,the exhumation of Elizabeth Siddal's coffin to recover the manuscript of his poems, his obsessive care over the physical appearance of the volume, especially the binding , and his efforts at "working the oracle," William Bell Scott's description of his methodically lining up sympathetic reviewers.As with all of Rossetti's correspondence, the letters in volume 4 are replete with pointed and sometimes humorous commentary on an array of people and events, ranging from Edward Burne-Jones's affair with "the Greek damzel," Mary Zambaco, and Frederick Sandys's appropriation of subjects from his pictures, to his unease over Swinburne's uncontrollable drunkenness, and his ominous hatred of Robert Buchanan, the author of the "Fleshly School" attack on his poetry in the Contemporary Review of October 1871, which became a major cause of the disastrous events of the years 1871-1872.

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Harry Walsh is a young man on the make. He intends to become a famous singer, little knowing what dramas this will lead him through. He attaches himself to the celebrity composer, George Frederick Handel, maestro of the Italian opera, a favourite of royalty. But the aristocratic fashion for Handel is cooling. Opposing opera factions, one led by the scheming castrato, Senesino, knock the great man from his pinnacle. Meanwhile, rival impresarios are capturing new audiences with vulgar burlesques and extravagant pleasure gardens. As Harry negotiates his way through these shifts in popular entertainment his love-life proves equally complicated. He develops a passion for Handel's shy young assistant and finds himself tied into a triangle of love that slowly and painfully falls apart. Documenting the launch of the great oratorio, the Messiah, in Dublin, and capturing the self-absorbed world of the singer, this is a light-hearted account of the rise and fall of the Italian opera in Hanoverian London. It is also a well-observed story of confused sexuality and an adolescent yearning for self-esteem and love.

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This book offers the first sustained examination of the cultural relations of the American and Soviet avant-gardes in a period of major transformation. From the formation of the USSR in 1922 until its recognition by the American government, American avant-garde artists, writers and designers watched the 'Red Dawn' with fascination, enthusiastically reporting on its post-revolutionary cultural developments in articles and books, and brought these works to an American audience in ground-breaking exhibitions. Americans also emulated and adapted aspects of Soviet culture, as in the case of the New Playwrights Theatre, a group that mixed Russian avant-garde theatrical techniques with jazz, vaudeville and slapstick comedy in plays about strikes and racial injustice. Figures discussed include Louis Lozowick, Jane Heap, Frederick Kiesler, Ralph Steiner, John dos Passos, Margaret Bourke-White and Langston Hughes.Watching the red dawn takes an innovative interdisciplinary approach, considering these developments in architecture, theatre, film, photography and literature, and will be invaluable for students and specialists in these subject areas. It provides a new perspective on American avant-garde culture of the inter-war years.

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This handsome volume is the first authoritative survey of one of the most intriguing periods of British art—the radically innovative decade of the 1860s. The book explores new developments in English painting of this period, focusing on the early work of Edward Burne-Jones, Frederic Leighton, Albert Moore, Edward Poynter, Simeon Solomon, and James McNeill Whistler, as well as on paintings by Frederick Sandys and the older G. F. Watts, and by Dante Gabriel Rossetti and his Pre-Raphaelite colleagues Holman Hunt and John Everett Millais. Allen Staley argues that engagement in the decorative arts, particularly by Burne-Jones, Moore, and Poynter at the outset of their careers, led to a transcending of traditional expectations of painting, making abstract formal qualities, or beauty for beauty's sake, the main goal. Rather than being about what it depicts, the painting itself becomes its own subject. The New Painting of the 1860s examines the interplay among the artists and the shared ambitions underlying their works, giving impetus to what would soon come to be known as the Aesthetic Movement.Published for the Paul Mellon Centre for Studies in British Art

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Africa since 1940 is the flagship textbook in Cambridge University Press' New Approaches to African History series. Now revised to include the history and scholarship of Africa since the turn of the millennium, this important book continues to help students understand the process out of which Africa's position in the world has emerged. A history of decolonisation and independence, it allows readers to see just what political independence did and did not signify, and how men and women, peasants and workers, religious and local leaders sought to refashion the way they lived, worked and interacted with each other. Covering the transformation of Africa from a continent marked by colonisation to one of independent states, Frederick Cooper follows the 'development question' across time, seeing how first colonial regimes and then African elites sought to transform African society in their own ways. He shows how people in cities and villages tried to make their way in an unequal world, through times of hope, despair, renewed possibilities, and continued uncertainties. Looking beyond the debate over what or who may be to blame, Cooper explores alternatives for the future.

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In Stay Black and Die, I. Augustus Durham examines melancholy and genius in black culture, letters, and media from the nineteenth century to the contemporary moment. Drawing on psychoanalysis, affect theory, and black studies, Durham explores the black mother as both a lost object and a found subject often obscured when constituting a cultural legacy of genius across history. He analyzes the works of Frederick Douglass, Ralph Ellison, Marvin Gaye, Octavia E. Butler, and Kendrick Lamar to show how black cultural practices and aesthetics abstract and reveal the lost mother through performance. Whether attributing Douglass’s intellect to his matrilineage, reading Gaye’s falsetto singing voice as a move to interpolate black female vocality, or examining the women in Ellison’s life who encouraged his aesthetic interests, Durham demonstrates that melancholy becomes the catalyst for genius and genius in turn is a signifier of the maternal. Using psychoanalysis to develop a theory of racial melancholy while “playing” with affect theory to investigate racial aesthetics, Durham theorizes the role of the feminine, especially the black maternal, in the production of black masculinist genius.

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In Stay Black and Die, I. Augustus Durham examines melancholy and genius in black culture, letters, and media from the nineteenth century to the contemporary moment. Drawing on psychoanalysis, affect theory, and black studies, Durham explores the black mother as both a lost object and a found subject often obscured when constituting a cultural legacy of genius across history. He analyzes the works of Frederick Douglass, Ralph Ellison, Marvin Gaye, Octavia E. Butler, and Kendrick Lamar to show how black cultural practices and aesthetics abstract and reveal the lost mother through performance. Whether attributing Douglass’s intellect to his matrilineage, reading Gaye’s falsetto singing voice as a move to interpolate black female vocality, or examining the women in Ellison’s life who encouraged his aesthetic interests, Durham demonstrates that melancholy becomes the catalyst for genius and genius in turn is a signifier of the maternal. Using psychoanalysis to develop a theory of racial melancholy while “playing” with affect theory to investigate racial aesthetics, Durham theorizes the role of the feminine, especially the black maternal, in the production of black masculinist genius.

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The Early Romantics met resistance from artists and academics alike in part because they defied the conventional wisdom that philosophy and the arts must be kept separate. Indeed, as the literary component of Romanticism has been studied and celebrated in recent years, its philosophical aspect has receded from view. This book, by one of the most respected scholars of the Romantic era, offers an explanation of Romanticism that not only restores but enhances understanding of the movement's origins, development, aims, and accomplishments--and of its continuing relevance.Poetry is in fact the general ideal of the Romantics, Frederick Beiser tells us, but only if poetry is understood not just narrowly as poems but more broadly as things made by humans. Seen in this way, poetry becomes a revolutionary ideal that demanded--and still demands--that we transform not only literature and criticism but all the arts and sciences, that we break down the barriers between art and life, so that the world itself becomes "romanticized." Romanticism, in the view Beiser opens to us, does not conform to the contemporary division of labor in our universities and colleges; it requires a multifaceted approach of just the sort outlined in this book.

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Retirement planning is difficult enough without having to contend with misinformation. Unfortunately, much of the advice that is dispensed is either unsubstantiated or betrays a strong vested interest. In The Essential Retirement Guide, Frederick Vettese analyses the most fundamental questions of retirement planning and offers some startling insights. The book finds, for example that: Saving 10 percent a year is not a bad rule of thumb if you could follow it, but there will be times when you cannot do so and it might not even be advisable to try. Most people never spend more than 50 percent of their gross income on themselves before retirement; hence their retirement income target is usually much less than 70 percent. Interest rates will almost certainly stay low for the next 20 years, which will affect how much you need to save. Even in this low-interest environment, you can withdraw 5 percent or more of your retirement savings each year in retirement without running out of money. Your spending in retirement will almost certainly decline at a certain age so you may not need to save quite as much as you think. As people reach the later stages of retirement, they become less capable of managing their finances, even though they grow more confident of their ability to do so! Plan for this before it is too late. Annuities have become very expensive, but they still make sense for a host of reasons. In addition, The Essential Retirement Guide shows how you can estimate your own lifespan and helps you to understand the financial implications of long-term care. Most importantly, it reveals how you can calculate your personal wealth target - the amount of money you will need by the time you retire to live comfortably. The author uses his actuarial expertise to substantiate his findings but does so in a jargon-free way.

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A showcase of the extraordinary career America’s first Black novelist and pivotal figure in African American literature “It is difficult to imagine any one of his contemporaries who contributed as much or as richly to so many genres.” —Henry Louis Gates Jr. Born a slave and kept functionally illiterate until he escaped at age nineteen, William Wells Brown (1814–1884) refashioned himself first as an agent of the Underground Railroad, then as an antislavery activist and self-taught orator, and finally as the author of a series of landmark works that made him, like Frederick Douglass, a foundational figure of African American literature. His controversial novel Clotel; or, the President’s Daughter (1853), a fictionalized account of the lives and struggles of Thomas Jefferson’s black daughters and granddaughters, is the first novel written by an African American. This Library of America volume brings it together with Brown’s other groundbreaking works: Narrative of William W. Brown: A Fugitive Slave, Written by Himself (1847), his first published book and an immediate bestseller, which describes his childhood, life in slavery, and eventual escape; later memoirs charting his life during the Civil War and Reconstruction; the first play (The Escape; or, A Leap for Freedom, 1858), travelogue (The American Fugitive in Europe, 1855), and history (The Black Man, His Antecedents, His Genius, and His Achievements, 1862) written by an African American; and eighteen speeches and public letters from the 1840s, 50s, and 60s, many collected here for the first time. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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Published to coincide with the 50th anniversary of his death, this book presents new articles by leading authorities on John Ireland and his music, together with transcriptions of his broadcast talks and of interviews with the composer. John Ireland [1879-1962] was one of the most distinctive and distinguished of a generation of exceptional British composers that included Vaughan Williams, Gustav Holst, Frank Bridge and Arnold Bax. They emerged in the decade before the First World War and, in the inter-war years, produced a remarkable body of music. In Ireland's case his was not only the most popular British Piano Concerto of its time, but he also composed a splendid repertoire of songs,piano music, chamber music and orchestral and choral scores. This richly illustrated Companion will be essential for all admirers of the composer. Not only for the performer - pianist, singer, conductor - but for thewider musical public, record collectors and music historians, academics and anyone interested in British music of the earlier twentieth century. Lewis Foreman has drawn on his extensive research into Ireland's life and letters over many years, and, in association with the John Ireland Charitable Trust, has not only commissioned a wide range of chapters from leading performers and writers of today, but has brought together in one convenient format Ireland's own writings on music, the memories of his friends and students (including Britten, Moeran and Arnell) and a selection of important earlier articles. The Companion also includes a complete list of works and themost comprehensive discography of Ireland ever compiled. The accompanying CD contains historical recordings featuring the voice of John Ireland, with two of his broadcast talks, as well as otherwise unobtainable performances of Ireland's music from the composer himself and from other well-known performers of the past. LEWIS FOREMAN is author of Bax: A Composer and His Time [Boydell, 2007] and London: a Musical Gazetteer [Yale 2005]. Contributors: FELIX APRAHAMIAN, RICHARD ARNELL, BENJAMIN BRITTEN, JOCELYN BROOKE, ALAN BUSH, GEOFFREY BUSH, GEORGE DANNATT, JULIE DELLER, JEREMY DIBBLE, EDWIN EVANS, LEWIS FOREMAN, NORAH KIRBY, FREDERICK LAMOND, PHILIP LANCASTER, STEPHEN LE PROVOST, STEPHEN LLOYD, CHARLES MARKES, ROBERT MATTHEW-WALKER, E.J. MOERAN, ANGUS MORRISON, ERIC PARKIN, BRUCE PHILLIPS, C. B. REES, FIONA RICHARDS, ALAN ROWLANDS, R. MURRAY SCHAFER, MARION SCOTT, COLIN SCOTT-SUTHERLAND, HUMPHREY SEARLE, FREDA SWAIN, KENNETH THOMPSON, RODERICK WILLIAMS, KENNETH A. WRIGHT

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'Damien Lewis is both a meticulous historian and a born storyteller' Lee ChildSAS Great Escapes Two recounts the hitherto untold stories of six of the most dramatic and daring escapes executed by the world's most famous fighting force during WWII. From the very earliest SAS missions to the push into Nazi-occupied Europe, they cover some of the key figures in the Regiment, including its founder, David Stirling, plus other lesser-known heroes.With each story comes an edge-of-the-seat, rollercoaster ride in classic Damien Lewis fashion, as readers are plunged into the escapees' experiences - sharing their most terrifying yet inspiring moments. These stunning accounts of survival beggar belief, revealing nerve-racking bluff and deception, knife-edge encounters with enemy hunter forces hellbent on wreaking vengeance and murder, but also incredible acts of mercy and kindness from those who risk all to help the escapees on their way. Each tale of breath-taking derring-do reveals how necessity really is the mother of all invention, as with every step and at every juncture these fugitives defied fate, snatching survival and freedom from the jaws of the enemy, and all the horrors that would have followed capture.Damien Lewis has worked closely with the families of those portrayed, accessing wartime diaries, letters, mission reports, interrogation transcripts and more, to relate how the men of the SAS crossed blazing deserts, evaded enemy hunter forces and escaped through hostile lands, battling against seemingly insurmountable odds. But most of all, these uplifting tales of endurance beyond measure showcase the triumph of the human spirit and the will to survive.'Damien Lewis paints a uniquely vivid picture of the wartime SAS. Packed with detail, this fresh and dynamic book brings us as close to its remarkable members as we are ever likely to get.' Joshua Levine, author of Dunkirk'In these days when we are told to be scared of everything it is a relief to read of steely nerves and cold courage. Damien Lewis has collected examples of exactly these qualities from World War II and they are all thrillers, to be read with pleasure - and a bit of nostalgia!' Frederick Forsyth'The fund of SAS escapes turns out to be too big for one book, and in Damien Lewis there is a writer of rare narrative gifts able to bring alive these epic stories for us today' Mark Urban'An astonishing book: a collection of truly riveting stories of bravery, all brilliantly told. In terms of sheer drama and audacity, SAS: Great Escapes Two goes where no fiction writer would dare venture' Alex Gerlis, author of Agent in the Shadows

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This book examines the important role of consumer activism in health policy in different national contexts. In an age of shifting boundaries between state and civil society, consumer groups are potentially drivers of democratization in the health domain. The expert contributors explore how their activities bring new dynamics to relations between service providers, the medical profession, government agencies, and other policy actors. This book is unique in comprehensively analyzing the opportunities and dilemmas of this type of activism, including ambiguous partnerships between consumer groups and stakeholders such as the pharmaceutical industry. These themes are explored within an internationally comparative framework, with case studies from various countries. Students and researchers in the fields of health policy and sociology, public policy and social movements will find this relevant and path-breaking book enlightening. It will also prove invaluable for participants and activists in patient and health consumer organizations.Contributors include: K. Adams, W. Armstrong, R. Baggott, R. Bal, S. Barraclough, G. Braunegger-Kallinger, J. Church, D. Delnoij, R. Edwards, R. Forster, M. Fox, B. Fredericks, J. Geissler, P.C. John, K. Jones, M. Koivusalo, K. Krajic, A. Lambertson, M. Leahy, D. Legge, H. Lofgren, T. Milewa, C. Nunez Daw, O. O'Donovan, K.-L. Phua, A. Schipaanboord, J. Tritter, D. Truong, P. Vaillancourt Rosenau, A. Vitry

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In a concise study, Rudolf Steiner presents an inspirational sketch of the evolution of the Mysteries - from ancient Persia through Egypt and Greece, to the Christian era and the present day. He traces the line of initiates from Egyptian divinities Isis and Osiris to Moses, King Arthur's Round Table and the Holy Grail in the twelfth century. Steiner focuses on the process of initiation as a historical topic: how initiation worked in ancient Egypt and in the late Middle Ages. But his presentation is also inspirational, leading to the question: How can we advance to initiation now? He underscores the potential for achieving enlightenment today without a teacher in the flesh, and explains the four stages of the process towards initiation. He also highlights the need for strenuous efforts to overcome the subtle power of evil - in the form of Lucifer and Ahriman - through selfless work. The four lectures collected here form an important landmark in Rudolf Steiner's biography: the first being delivered on 3 February 1913 - the very day that the Anthroposophical Society was founded. First published in English under the title The Mysteries of the East and of Christianity and unavailable for many years, this edition has been re-edited by Professor Frederick Amrine and features appendices, an index as well as an introduction by Robert McDermott. Four lectures, Berlin, 3-7 Feb. 1913, GA 144

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'Damien Lewis is both a meticulous historian and a born storyteller' Lee ChildSAS Great Escapes Two recounts the hitherto untold stories of six of the most dramatic and daring escapes executed by the world's most famous fighting force during WWII. From the very earliest SAS missions to the push into Nazi-occupied Europe, they cover some of the key figures in the Regiment, including its founder, David Stirling, plus other lesser-known heroes.With each story comes an edge-of-the-seat, rollercoaster ride in classic Damien Lewis fashion, as readers are plunged into the escapees' experiences - sharing their most terrifying yet inspiring moments. These stunning accounts of survival beggar belief, revealing nerve-racking bluff and deception, knife-edge encounters with enemy hunter forces hellbent on wreaking vengeance and murder, but also incredible acts of mercy and kindness from those who risk all to help the escapees on their way. Each tale of breath-taking derring-do reveals how necessity really is the mother of all invention, as with every step and at every juncture these fugitives defied fate, snatching survival and freedom from the jaws of the enemy, and all the horrors that would have followed capture.Damien Lewis has worked closely with the families of those portrayed, accessing wartime diaries, letters, mission reports, interrogation transcripts and more, to relate how the men of the SAS crossed blazing deserts, evaded enemy hunter forces and escaped through hostile lands, battling against seemingly insurmountable odds. But most of all, these uplifting tales of endurance beyond measure showcase the triumph of the human spirit and the will to survive.'Damien Lewis paints a uniquely vivid picture of the wartime SAS. Packed with detail, this fresh and dynamic book brings us as close to its remarkable members as we are ever likely to get.' Joshua Levine, author of Dunkirk'In these days when we are told to be scared of everything it is a relief to read of steely nerves and cold courage. Damien Lewis has collected examples of exactly these qualities from World War II and they are all thrillers, to be read with pleasure - and a bit of nostalgia!' Frederick Forsyth'The fund of SAS escapes turns out to be too big for one book, and in Damien Lewis there is a writer of rare narrative gifts able to bring alive these epic stories for us today' Mark Urban'An astonishing book: a collection of truly riveting stories of bravery, all brilliantly told. In terms of sheer drama and audacity, SAS: Great Escapes Two goes where no fiction writer would dare venture' Alex Gerlis, author of Agent in the Shadows

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The year 2013 will see a big anniversary: 450 years of Heidelberg Catechism. This Protestant confession was written in Heidelberg in 1563 on behalf of Frederick III, Elector Palatine and spread over the world when it was approved on the Synod of Dort in 1619. Since then the Heidelberg Catechism has shaped the spiritual and political life and became a symbol of change and departure from the old in Europe, America, and Asia. Even today the Heidelberg Catechism is the binding confession of the Reformed Church. It is in everyday use by more than 20 million people worldwide. The institutions Palatinate museum Heidelberg (KMH), State Palaces and Gardens Baden-Wurttemberg (SSG), the foundation Refo500 and the Johannes A Lasco Library (JALB) will celebrate the anniversary of the Heidelberg Catechism together in several events. Heart of the activities will be a joint exhibition presented by KMH and SSG in two locations in Heidelberg and the exhibition at Palace Het Loo in Heidelberg, as well as this exhibition book that is realized by Refo500. In addition the Johannes A Lasco Library has supported this project with a conference in March 2011; the conference papers will be included. In this companion to the exhibitions well known specialists in the field present how the Heidelberg Catechism spread and influenced culture, education and ecclesiastical life. Together with over 700 pictures illustrating the contributes and many objects in the exhibitions this documentation becomes an incomparable event!

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Erased. Ignored. Hidden. Lost. Underappreciated. No longer. Delve into the unique, inspiring, and world-changing history of Black people. From Frederick Douglass to Oprah Winfrey, and the achievements of ancient African kingdoms to those of the US Civil Rights Movement, Timelines From Black History: Leaders, Legends, Legacies takes kids on an exceptional journey from prehistory to modern times. This DK children's book boasts more than 30 visual timelines, which explore the biographies of the famous and the not-so-famous - from royalty to activists, and writers to scientists, and much, much more. Stunning thematic timelines also explain the development of Black history - from the experiences of black people in the US, to the story of postcolonial Africa.Did you know that the richest person ever to have lived was a West African? Or that the technology that made the lightbulb possible was developed by African American inventor, and not Thomas Edison? How about the fact that Ethiopia was the only African country to avoid colonization, thanks to the leadership of a brave queen? Stacked with facts and visually vibrant, Timelines From Black History: Leaders, Legacies, Legends is an unforgettable and accessible hive of information on the people and the issues that have shaped Black history. Includes content previously published in Timelines of Everything and Timelines of Everyone.

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Widely acknowledged as the most influential land- scape designer of his age, Lancelot Capability Brown was to England what Frederick Law Olmsted was to America responsible for shaping the very ideal of the nation s parkland. Brown s ambition was to bring out of a landscape the best of its potential rather than impose his own ideas upon it. His designs are organic, weaving gestures of colour and perspective into the features that the country already afforded. So natural are his designs, and so perfectly do they complement the houses within them, that for many a Capability Brown landscape is the epitome of the English estate. His gardens and park- lands as much as the houses themselves would become icons of British country life. Published to coincide with the tercentenary of his birth, this remarkable book illuminates fifteen of Brown s most celebrated landscapes. To love the great English estates is to love the settings with which Brown surrounded them from idyllic parklands at Milton and Broadlands to structured landscapes around iconic houses at Blenheim, Burghley, Wake- field, and Chatsworth. With photography commissioned for the book, and including rarely seen archival drawings that shed light on Brown s process, this book serves as a guide to Britain s most beloved landscapes and an exploration of the masterful mind behind their creation.

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The Constitution is the cornerstone of American government, hailed as one of the greatest contributions of the Western Enlightenment. While many seem content simply to celebrate it, those most familiar with the document invariably find it wanting in at least some aspects. This unique volume brings together many of the country's most esteemed constitutional commentators and invites them to answer two questions: First, what is the stupidest provision of the Constitution? "Stupid" need not mean evil. Thus, a second, related question is whether the scholar-interpreter would be forced to reach truly evil results even if applying his or her own favored theory of constitutional interpretation. The contributors include Lawrence Alexander, Akhil Reed Amar, Jack Balkin, Philip Bobbitt, Gerard Bradley, Rebecca Brown, Steven Calabresi, Lief Carter, Christopher Eisgruber, Lawrence Sager, Marie Failinger, Daniel Farber, James Fleming, Mark Graber, Stephen Griffin, Gary Jacobsohn, Randall Kennedy, Lewis LaRue, Theodore Lowi, Earl Maltz, Michael McConnell, Matthew Michael, Robert Nagel, Daniel Ortiz, Pamela Karlen, Michael Paulsen, Robert Post, Lucas Powe, Dorothy Roberts, Jeffrey Rosen, Frederick Schauer, Michael Seidman, Suzanna Sherry, David Strauss, Laurence Tribe, Mark Tushnet, and John Yoo.

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Empires--vast states of territories and peoples united by force and ambition--have dominated the political landscape for more than two millennia. Empires in World History departs from conventional European and nation-centered perspectives to take a remarkable look at how empires relied on diversity to shape the global order. Beginning with ancient Rome and China and continuing across Asia, Europe, the Americas, and Africa, Jane Burbank and Frederick Cooper examine empires' conquests, rivalries, and strategies of domination--with an emphasis on how empires accommodated, created, and manipulated differences among populations. Burbank and Cooper examine Rome and China from the third century BCE, empires that sustained state power for centuries. They delve into the militant monotheism of Byzantium, the Islamic Caliphates, and the short-lived Carolingians, as well as the pragmatically tolerant rule of the Mongols and Ottomans, who combined religious protection with the politics of loyalty. Burbank and Cooper discuss the influence of empire on capitalism and popular sovereignty, the limitations and instability of Europe's colonial projects, Russia's repertoire of exploitation and differentiation, as well as the "empire of liberty"--devised by American revolutionaries and later extended across a continent and beyond. With its investigation into the relationship between diversity and imperial states, Empires in World History offers a fresh approach to understanding the impact of empires on the past and present.

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A quiet chat with Casanova turns into a catalogue of racy encounters set in 18th-century Venice and other cities … and we can even ask questions! You’ll find out just how he got himself both in and out of some extremely sticky situations, from debt and imprisonment, to confrontations with jealous husbands and even heartbreak. Renowned as a great lover and seducer, Casanova was far more than a bed hopping rake. He founded the world's first national lottery, discussed theories of taxation with Frederick the Great, debated the merits of the Gregorian calendar with Catherine the Great, talked theology with Pope Clement XIII, lectured on Horace and Homer, and gave a public recital of his own poem on the Passion of the Christ. He was also an accomplished swindler, an extraordinary wit, a brilliant philosopher, a formidable duellist, and a notable spy. The impressive scale of Casanova's many gifts – and vices – is brought brilliantly to life in this innovative biography. A concise biographical essay is followed by a scintillating dialogue that is as historically rigorous as it is entertaining. As Dita Von Teese says in her Foreword: "In my most amorous fantasies, I spend languid days and glittering nights with a true 'Casanova'— a man with a heartfelt passion for life, a thirst for knowledge and adventure, and of course a lust for refined romance." Be seduced by this brilliant book.

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Before Black Lives Matter and Hamilton, there were abolitionist poets, who put pen to paper during an era when speaking out against slavery could mean risking your life. Indeed, William Lloyd Garrison was dragged through the streets by a Boston mob before a planned lecture, and publisher Elijah P. Lovejoy was fatally shot while defending his press from rioters. Since poetry formed a part of the cultural, political, and emotional lives of readers, it held remarkable persuasive power. Yet antislavery poems have been less studied than the activist editorials and novels of the time. In Lyrical Liberators, Monica Pelaez draws on unprecedented archival research to recover these poems from the periodicals—Garrison’s Liberator, Frederick Douglass’s North Star, and six others—in which they originally appeared. The poems are arranged by theme over thirteen chapters, a number that represents the amendment that finally abolished slavery in 1865. The book collects and annotates works by critically acclaimed writers, commercially successful scribes, and minority voices including those of African Americans and women. There is no other book like this. Sweeping in scope and passionate in its execution, Lyrical Liberators is indispensable for scholars and teachers of American literature and history, and stands as a testimony to the power of a free press in the face of injustice.

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For most people, the work of Frederic Remington conjures an antiquarian world of all things “western.” Why this is so, and whether it should be so, are two of the critical questions raised in this book. Stephen Tatum closely considers selected paintings from Remington’s last four years of life—his so-called years of critical acclaim. Tatum’s purpose is twofold: first, to understand these paintings, both formally and thematically, within their historical, aesthetic, and biographical contexts; and second, to account for what endows them today—after marking the centennial of Remington’s death in 1909—with continuing aesthetic and cultural significance. To this end, Tatum examines these late paintings in relation to Remington’s other works, his letters and published writings, his evolving critical reception, and the writing and artwork of other cultural figures of the era, such as historian Frederick Jackson Turner and sociologist Georg Simmel. The book provides an illuminating glimpse of how and why particular Remington works might seize a viewer’s attention in his or her past or present moment of reception—how in fact their unstable visual complexity can ultimately absorb their viewer. In his “Coda,” Tatum offers a personal memoir of his own encounter with Remington’s The Love Call, a critical meditation enacting and questioning the “Remington Moment.”

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The Civil War revealed what united as well as what divided Americans in the nineteenth century—not only in its deadly military conflict, but also in the broader battle of ideas, dueling moral systems, and competing national visions that preceded and followed. This cultural civil war was the clash among North, South, and West, as their leaders sought to shape Manifest Destiny and slavery politics.No site embodied this struggle more completely than St. Louis, the largest city along the border of slavery and freedom. In this sweeping history, Adam Arenson reveals a city at the heart of the cultural civil war. St. Louisans heralded a new future, erasing old patterns as the United States stretched across the continent. They tried to reorient the nation’s political landscape, with westerners in the vanguard and St. Louis as the cultural, commercial, and national capital. John C. Calhoun, Frederick Douglass, Walt Whitman, and John Brown tracked the progress of the cultural contest by monitoring events in St. Louis, observing how the city’s leaders tried yet ultimately failed to control the national destiny.The interplay of local ambitions and national meanings reveals the wider cultural transformation brought about by westward expansion, political strife, and emancipation in the era of the Civil War and Reconstruction. This vibrant and beautifully written story enriches our understanding of America at a crossroads.

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In Broken Ground, William Logan explores the works of canonical and contemporary poets, rediscovering the lushness of imagination and depth of feeling that distinguish poetry as a literary art. The book includes long essays on Emily Dickinson’s envelopes, Ezra Pound’s wrestling with Chinese, Robert Frost’s letters, Philip Larkin’s train station, and Mrs. Custer’s volume of Tennyson, each teasing out the depths beneath the surface of the page.Broken Ground also presents the latest run of Logan’s infamous poetry chronicles and reviews, which for twenty-five years have bedeviled American verse. Logan believes that poetry criticism must be both adventurous and forthright—and that no reader should settle for being told that every poet is a genius. Among the poets under review by the “preeminent poet-critic of his generation” and “most hated man in American poetry” are Anne Carson, Jorie Graham, Paul Muldoon, John Ashbery, Geoffrey Hill, Louise Glück, John Berryman, Marianne Moore, Frederick Seidel, Les Murray, Yusef Komunyakaa, Sharon Olds, Johnny Cash, James Franco, and the former archbishop of Canterbury.Logan’s criticism stands on the broken ground of poetry, soaked in history and soiled by it. These essays and reviews work in the deep undercurrents of our poetry, judging the weak and the strong but finding in weakness and strength what endures.

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Frederick Douglass, Harriet Jacobs, W.E.B. Du Bois, Zora Neale Hurston, Malcolm X - their words speak firmly, eloquently and personally of the impact of white America on the lives of African-Americans. Black autobiographical discourses, from the earliest slave narratives to contemporary urban raps, have each in their own way gauged and confronted the character of society. For Crispin Sartwell, as philosopher, cultural critic, and white male, these texts provide a rare opportunity of gaining access to the contents and core of white identity. There is, Sartwell contends, a fundamental elusiveness to that identity. Whiteness defines itself as normative, as a neutral form of the human condition, marking all other forms of identity as "racial" or "ethnic" deviations. Invisible to itself, white identity seeks to define its essence over and against those other identities, in effect defining itself through opposition and oppression. By maintaining fictions of black licentiousness, violence, and corruption, white identity is able to cast itself as humane, benevolent, and pure; the stereotype fabricates not only the oppressed but the oppressor as well. Sartwell argues that African-American autobiography perceives white identity from a particular and unique vantage point: one that is knowledgeable and intimate, yet removed from the white world and thus unencumbered by its obfuscating claims to normativity.

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This is a paperback edition of Eric Fenby's famous book which has not been available in authorised form for some years. It is a memoir of the last six years of the composer's life when Fenby, then a young organist from Scarborough, volunteered to live in Grez-sur-Loing to help the blind and partly paralysed Delius to continue to compose. The vivid account of the painful and exasperating process whereby Fenby was able to help Delius commit to paper such great works as Songs of Farewell and A Song of Summer is unforgettable. Equally gripping is the description of life in the strange household in which Frederick and Jelka Delius received visitors such as Balfour Gardiner, Roger Quilter, Philip Heseltine, Percy Grainger, Thomas Beecham and Elgar. Delius died in 1934 and Eric Fenby heeded Ernest Newman's advice not to wait but to write down his impressions at once. This he did and Delius As I Knew Him was published in 1936. In 1968 the book inspired Ken Russell's masterly film about the composer Song of Summer. In 1980, Delius and Fenby made an appearance in the song Delius by Kate Bush and subsequently their extraordinary story has influenced other artists too. Today Delius As I Knew Him remains one of the most remarkable books about a composer ever written.

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"Robert Hughes is probably the best - and certainly the most accessible - art critic in the world . . . in Barcelona his art-historical and his sociological talents converge in what is often a dazzling collage of Catalan peculiarities" FREDERICK RAPHAEL, Sunday TimesA modern homage to a proud, cosmopolitan city where Gaudí, Picasso and Miró learned how to break all the rules.Before Spain there was Catalunya, a thriving maritime empire with its own language and Barcelona as its capital, last bastion of resistance to Franco in the Spanish Civil War. Exploring 2000 of the city's history, Robert Hughes takes us down the Ramblas, through the "intestinal windings" of the ancient Gothic Quarter, past the bountiful Boqueria market to the Eixample, showcase of the daring, mannered architecture of Catalan modernisme, before resting at Gaudí's celebrated Sagrada Familia: crazy, unfinished symbol of this fiercely independent city of extremes."The pace is brisk, the narrative grasp cool, firm and confident . . . Hughes' prose has the 'capriciousness, symbolic precision and stylistic punch' he attributes to Catalan moustaches" HILARY SPURLING, Daily Telegraph"Nobody has ever represented Catalonia's character more powerfully, or illustrated its claims to self-destiny more persuasively, than Robert Hughes in this monumental work" JAN MORRIS

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When Worthy of the Nation first appeared in 1977, it won much acclaim for its comprehensive treatment of Washington's design and urban development. Now the story has been brought up to the present, tracing the first thirty years of home rule for the District through the completion of the National Museum of the American Indian and the World War II Memorial in the early twenty-first century. Frederick Gutheim and Antoinette J. Lee begin with L'Enfant's survey of 1791, the uneven growth of Washington City as an early port, its rapid expansion during the Civil War, and the McMillan Plan of 1901-1902, inspired by the City Beautiful movement. They consider the close relationship between the growth in national ambitions and responsibilities and the density of the governmental presence-offices, facilities, military outposts, parks, and multiplying statuary and memorials. Gutheim and Lee also survey residential communities, commercial districts, and transportation infrastructure. They outline various efforts to shape and channel the phenomenal growth of the city during the twentieth century, including controversial attempts to rehabilitate some neighborhoods while largely destroying others in the name of urban renewal. Illustrated with plans, maps, and new and historic photographs, the second edition of Worthy of the Nation provides researchers and general readers with an appealing and authoritative view of the planning and evolution of the federal district.

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Throughout the era of the Cold War a consensus reigned as to what constituted the great works of American literature. Yet as scholars have increasingly shown, and as this volume unmistakably demonstrates, that consensus was built upon the repression of the voices and historical contexts of subordinated social groups as well as literary works themselves, works both outside and within the traditional canon. This book is an effort to recover those lost voices. Engaging New Historicist, neo-Marxist, poststructuralist, and other literary practices, this volume marks important shifts in the organizing principles and self-understanding of the field of American Studies. Originally published as a special issue of boundary 2, the essays gathered here discuss writers as diverse as Kate Chopin, Frederick Douglass, Emerson, Melville, W. D. Howells, Henry James, W. E. B. DuBois, and Mark Twain, plus the historical figure John Brown. Two major sections devoted to the theory of romance and to cultural-historical analyses emphasize the political perspective of "New Americanist" literary and cultural study.Contributors. William E. Cain, Wai-chee Dimock, Howard Horwitz, Gregory S. Jay, Steven Mailloux, John McWilliams, Susan Mizruchi, Donald E. Pease, Ivy Schweitzer, Priscilla Wald, Michael Warner, Robert Weimann

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Across the country, races for judgeships are becoming more and more politically contested. As a result, several states and cities are now considering judicial election reform. Running for Judge examines the increasingly contentious judicial elections over the last twenty-five years by providing a timely, insightful analysis of judicial elections. The book ties together the current state of the judicial elections literature, and presents new evidence on a wide range of important topics, including: the history of judicial elections; an understanding of the types of judicial elections; electoral competition during races; the increasing importance of campaign financing; voting in judicial elections; the role interest groups play in supporting candidates; party organizing in supposedly non-partisan elections; judicial accountability; media coverage; and judicial reform of elections. Running for Judge is an engaging, accessible, empirical analysis of the major issues surrounding judicial elections, with contributions from prominent scholars in the fields of judicial politics, political behavior, and law. Contributors: Lawrence Baum, Chris W. Bonneau, Brent D. Boyea, Paul Brace, Rachel P. Caufield, Jennifer Segal Diascro, Brian Frederick, Deborah Goldberg, Melinda Gann Hall, Richard L. Hasen, David Klein, Brian F. Schaffner, and Matthew J. Streb.

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"This is an important book. In the latter nineteenth century, diverse and influential elements in white America combined forces to settle the 'Indian question' through assimilation...The results were the essentially treaty-breaking Dawes Act of 1887, related legislation, and dubious court decisions. Schoolteachers and missionaries were dispatched to the reservations en masse. Eventual 'citizenship' without functional rights was given Native Americans; the Indians lost two-thirds of reservation land as it had existed before the assimilationist campaign...With insight and skill that go well beyond craft, Hoxie has admirably defined issues and motives, placed economic/political/social interaction into cogent perspective, brought numerous Anglo and Indian individuals and organizations to life, and set forth important lessons."-Choice. "This significant study of Indian-white relations during a complex time in national politics deserves close attention."-American Indian Quarterly. "Important and intellectually challenging ...This volume goes far to fill a large gap in the history of United States Indian policy."-Journal of American History. Frederick E.Hoxie is director of the D'Arcy McNickle Center for the History of the American Indian at the Newberry Library. He coedited (with Joan Mark) E. Jane Gay's With the Nez Perces: Alice Fletcher in the Field, 1889-92 (Nebraska 1981).

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