Search results for ""Author Fredericks"

In a series of penetrating reflections on the United States and its institutions in the post-9/11 world, this book offers some answers to questions that people at home and abroad have begun to ask about our country. How did it attain its international preeminence? What exactly is this richest, most powerful of countries made of? Where will its unmatched influence lead? Military historian Frederick Kagan discusses the future of our armed forces and the challenges they will face in defending America's unique position. David B. Hart shows how religion, with all its variety and occasional excess, is "alive and striving in America, with the power to shelter many virtues under its promises of supernatural grace." From the future of the law to the future of higher education, from music to the visual arts, Lengthened Shadows provides a unique situation report on American culture today. Writers and thinkers such as Robert Bork, Hilton Kramer, Roger Kimball and Mark Steyn offer a probing assessment of the institutions that organize our lives--their health, their influence and their prospects--at the beginning of what some commentators are calling "the next American century."

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What do the oldest black church in the country, an Arts-and-Crafts-style artists' studio building, a concrete football stadium, and an acoustically perfect performance space have in common? They are all National Historic Landmarks located in Boston. In fact, the city boasts more National Historic Landmarks per square mile than any other major city in the country. Given Boston's long history and record of accomplishments, it's really not surprising that 57 properties—from the nation's oldest subway tunnel to a floating lighthouse—have received this designation. Add in the adjoining cities of Cambridge and Brookline and the number swells. Historic Boston includes the most rewarding and easily visited landmarks. That's a lot of history in 103 square miles. The Secretary of the Interior designates the status of National Historic Landmark to places considered “exceptional because of their abilities to illustrate U.S. heritage.” More simply put, they are the places that resonate broadly with us, that we cherish, and want to pass on to future generations. The list is surprisingly diverse. In metro Boston, it includes an historic church with a stunning collection of Tiffany windows, a Transcendentalist community, a Grand Banks schooner, and the home and studio of landscape architect Frederick Law Olmsted.

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In The Kid and Me Frederick Turner deftly re-creates the Lincoln County War in what was then New Mexico Territory. The 1878 war pitted an established faction led by James Dolan against new arrivals in the county led by John Tunstall and Alexander McSween. When Tunstall and McSween opened a dry-goods store in 1876 in a direct challenge to Dolan’s monopoly on the dry-goods business, trouble was inevitable. Both the Dolan and the Tunstall-McSween factions garnered supporters, including lawmen, criminal gangs, and ranch hands. The ambush and murder of Tunstall by a local sheriff’s posse loyal to Dolan sparked a wave of revenge killings and bloody reprisals in which Billy the Kid—one of Tunstall’s ranch hands—played a prominent role. Narrated by George Coe, an aged veteran of New Mexico’s Lincoln County War but now a devout painter of village churches, The Kid and Me tells what it felt like to ride alongside Billy the Kid, whom Coe both admired and greatly feared. Gang loyalty, extreme violence, political corruption in the highest places, and profound moral ambiguity characterize this tale of what made the American West wild.

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Black Freethinkers argues that, contrary to historical and popular depictions of African Americans as naturally religious, freethought has been central to black political and intellectual life from the nineteenth century to the present. Freethought encompasses many different schools of thought, including atheism, agnosticism, and nontraditional orientations such as deism and paganism.Christopher Cameron suggests an alternative origin of nonbelief and religious skepticism in America, namely the brutality of the institution of slavery. He also traces the growth of atheism and agnosticism among African Americans in two major political and intellectual movements of the 1920s: the New Negro Renaissance and the growth of black socialism and communism. In a final chapter, he explores the critical importance of freethought among participants in the civil rights and Black Power movements of the 1960s and 1970s.Examining a wealth of sources, including slave narratives, travel accounts, novels, poetry, memoirs, newspapers, and archival sources such as church records, sermons, and letters, the study follows the lives and contributions of well-known figures such as Frederick Douglass, Zora Neale Hurston, James Baldwin, and Alice Walker, as well as lesser-known thinkers such as Louise Thompson Patterson, Sarah Webster Fabio, and David Cincore.

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Ovid’s epic poem—whose theme of change has resonated throughout the ages—is one of the most important texts of Western imagination, an inspiration from Dante’s time to the present, when writers such as Salman Rushdie and Italo Calvino have found a living source in Ovid’s work. The text is accompanied by a preface, A Note on the Translation, and detailed explanatory annotations. “Sources and Backgrounds” includes Seneca’s inspired commentary on Ovid, Charles Martin’s essay on the ways in which pantomimic dancing—an art form popular in Ovid’s time—may have been the model for Metamorphoses, as well as related works by Virgil, Callimachus, Hesiod, and Lucretius, among others. From the enormous body of scholarly writing on Metamorphoses, Charles Martin has chosen six major interpretations by Bernard Knox, J. R. R. Mackail, Norman O. Brown, Italo Calvino, Frederick Ahl, and Diane Middlebrook. A Glossary of Persons, Places, and Personifications in the Metamorphoses and a Chronology and Selected Bibliography are also included.

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George F. Will has been one of this country's leading columnists since 1974. He won the Pulitzer Prize for it in 1977. The Wall Street Journal once called him "perhaps the most powerful journalist in America." In new collection, he examines a remarkably unsettling thirteen years in our nation's experience, from 2008 to 2020. Included are a number of columns about court cases, mostly from the Supreme Court, that illuminate why the composition of the federal judiciary has become such a contentious subject.Other topics addressed include the American Revolutionary War, historical figures from Frederick Douglass to JFK, as well as a scathing assessment of how State of the Union Addresses are delivered in the modern day. Mr. Will also offers his perspective on American socialists, anti-capitalist conservatives, drug policy, the criminal justice system, climatology, the Coronavirus, the First Amendment, parenting, meritocracy and education, China, fascism, authoritarianism, Frank Sinatra, Bob Dylan, The Beach Boys, and the morality of enjoying football. American Happiness and Discontents: The Unruly Torrent, 2008-2020 is a collection packed with wisdom and leavened by humor from one the preeminent columnists and intellectuals of our time.

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George F. Will has been one of this country's leading columnists since 1974. He won the Pulitzer Prize for it in 1977. The Wall Street Journal once called him "perhaps the most powerful journalist in America." In this new collection, he examines a remarkably unsettling thirteen years in our nation's experience, from 2008 to 2020. Included are a number of columns about court cases, mostly from the Supreme Court, that illuminate why the composition of the federal judiciary has become such a contentious subject.Other topics addressed include the American Revolutionary War, historical figures from Frederick Douglass to JFK, as well as a scathing assessment of how State of the Union Addresses are delivered in the modern day. Mr. Will also offers his perspective on American socialists, anti-capitalist conservatives, drug policy, the criminal justice system, climatology, the Coronavirus, the First Amendment, parenting, meritocracy and education, China, fascism, authoritarianism, Frank Sinatra, Bob Dylan, The Beach Boys, and the morality of enjoying football. American Happiness and Discontents: The Unruly Torrent, 2008-2020 is a collection packed with wisdom and leavened by humor from one the preeminent columnists and intellectuals of our time.

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In this provocative and original exploration of Black males and the legal establishment, Carlyle Van Thompson illuminates the critical issues defining Black male subjectivity. Since the days of Black people’s enslavement and the days of Jim Crow segregation, Black males have been at odds with the legal and extra-legal restrictions that would maintain white supremacy and white male privilege. Grounded in the voices of Frederick Douglass and David Walker, who challenged hegemonic systems designed to socio-economically disenfranchise Black people, Black Outlaws examines legal aspects with regard to Black males during the period of segregation. By critically looking at Richard Wright’s The Outsider, Chester Bomar Himes’ The Third Generation, Walter Mosley’s Devil in a Blue Dress, and Ernest J. Gaines’ A Lesson Before Dying – all of which examine Black males during the Jim Crow period – Thompson investigates the challenges that Black males confront and surmount in their journeys to establish their individual and collective agency. Black Outlaws helps decipher critical legal and racial issues in the works of four of the most important Black male writers, and is suitable for readers in literary studies, cultural studies, and history.

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What if you’d committed a truly dreadful crime but couldn’t remember? The Doctor takes Peri to the Memory Farm – a state of the art space station where hidden memories can be harvested and analysed. To their surprise, they find the station in lock-down and all its resources dedicated to probing the memories of an elderly man. Garius Moro may, or may not, have been responsible for the deaths of billions of people many years ago, but he simply can’t remember. The assembled representatives of two opposing factions, each with their own agenda, anxiously wait for the truth to be unlocked from Moro’s mind. But when a memory does eventually surface, everyone is surprised to learn that it is of Peri. CAST: Colin Baker (The Doctor), Nicola Bryant (Peri), Joseph Mydell (Garius Moro), Diane Keen (Varish), Charlotte Strevens (Naras), Caleb Frederick (Offram), Sean Connolly (Kennedy), Steven Wickham (Grisk / Venorg), John Green (Otwoe). Other parts played by members of the cast.

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Photography was invented between the publication of Adam Smith's The Wealth of Nations and Karl Marx and Frederick Engels's The Communist Manifesto. Taking the intertwined development of capitalism and the camera as their starting point, the essays in Capitalism and the Camera investigate the relationship between capitalist accumulation and the photographic image, and ask whether photography might allow us to refuse capitalism's violence-and if so, how?Drawn together in productive disagreement, the essays in this collection explore the relationship of photography to resource extraction and capital accumulation, from 1492 to the postcolonial; the camera's potential to make visible critical understandings of capitalist production and society, especially economies of class and desire; and propose ways that the camera and the image can be used to build cultural and political counterpublics from which a democratic struggle against capitalism might emerge. With essays by Ariella Aïsha Azoulay, Siobhan Angus, Kajri Jain, Walter Benn Michaels, T. J. Clark, John Paul Ricco, Blake Stimson, Chris Stolarski, Tong Lam, and Jacob Emery.

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Since its publication in 1944, many Americans have described Gunnar Myrdal's An American Dilemma as a defining text on U.S. race relations. Here, Maribel Morey confirms with historical evidence what many critics of the book have suspected: An American Dilemma was not commissioned, funded, or written with the goal of challenging white supremacy. Instead, Morey reveals it was commissioned by Carnegie Corporation president Frederick Keppel, and researched and written by Myrdal, with the intent of solidifying white rule over Black people in the United States.Morey details the complex global origins of An American Dilemma, illustrating its links to Carnegie Corporation's funding of social science research meant to help white policymakers in the Anglo-American world address perceived problems in their governance of Black people. Morey also unpacks the text itself, arguing that Myrdal ultimately complemented his funder's intentions for the project by keeping white Americans as his principal audience and guiding them towards a national policy program on Black Americans that would keep intact white domination. Because for Myrdal and Carnegie Corporation alike, international order rested on white Anglo-Americans' continued ability to dominate effectively.

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Slavery is not a crime confined to the far reaches of history. It is an injustice that continues to entrap twenty-seven million people across the globe. Laura Murphy offers close to forty survivor narratives from Cambodia, Ghana, Lebanon, Macedonia, Mexico, Russia, Thailand, Ukraine, and the United States, detailing the horrors of a system that forces people to work without pay and against their will, under the threat of violence, with little or no means of escape. Representing a variety of circumstances in diverse contexts, these survivors are the Frederick Douglasses, Sojourner Truths, and Olaudah Equianos of our time, testifying to the widespread existence of a human rights tragedy and the urgent need to address it. Through storytelling and firsthand testimony, this anthology shapes a twenty-first-century narrative that many believe died with the end of slavery in the Americas. Organized around such issues as the need for work, the punishment of defiance, and the move toward activism, the collection isolates the causes, mechanisms, and responses to slavery that allow the phenomenon to endure. Enhancing scholarship in women's studies, sociology, criminology, law, social work, and literary studies, the text establishes a common trajectory of vulnerability, enslavement, captivity, escape, and recovery, creating an invaluable resource for activists, scholars, legislators, and service providers.

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What is the opposite of freedom? In Freedom as Marronage, Neil Roberts answers this question with definitive force: slavery. From there he unveils powerful new insights on the human condition as it has been understood between these poles. Crucial to his investigation is the concept of marronage - a form of slave escape that was an important aspect of Caribbean and Latin American slave systems. Examining this overlooked phenomenon - one of action from slavery and toward freedom - he deepens our understanding of freedom itself and the origin of our political ideals. Roberts examines the liminal and transitional space of slave escape in order to develop a theory of freedom as marronage, which contends that freedom is fundamentally located within this space-that it is a form of perpetual flight. He engages a stunning variety of writers, including Hannah Arendt, W. E. B. Du Bois, Angela Davis, Frederick Douglass, Samuel Taylor Coleridge, and the Rastafari, among others, to develop a compelling lens through which to interpret the quandaries of slavery, freedom, and politics that still confront us today. The result is a sophisticated, interdisciplinary work that unsettles the ways we think about freedom by always casting it in the light of its critical opposite.

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In Translating Blackness Lorgia García Peña considers Black Latinidad in a global perspective in order to chart colonialism as an ongoing sociopolitical force. Drawing from archives and cultural productions from the United States, the Caribbean, and Europe, García Peña argues that Black Latinidad is a social, cultural, and political formation—rather than solely a site of identity—through which we can understand both oppression and resistance. She takes up the intellectual and political genealogy of Black Latinidad in the works of Frederick Douglass, Gregorio Luperón, and Arthur Schomburg. She also considers the lives of Black Latina women living in the diaspora, such as Black Dominicana guerrillas who migrated throughout the diaspora after the 1965 civil war and Black immigrant and second-generation women like Mercedes Frías and Milagros Guzmán organizing in Italy with other oppressed communities. In demonstrating that analyses of Black Latinidad must include Latinx people and cultures throughout the diaspora, García Peña shows how the vaivén—or, coming and going—at the heart of migrant life reveals that the nation is not a sufficient rubric from which to understand human lived experiences.

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Frederick Douglass Opie deconstructs and compares the foodways of people of African descent throughout the Americas, interprets the health legacies of black culinary traditions, and explains the concept of soul itself, revealing soul food to be an amalgamation of West and Central African social and cultural influences as well as the adaptations blacks made to the conditions of slavery and freedom in the Americas. Sampling from travel accounts, periodicals, government reports on food and diet, and interviews with more than thirty people born before 1945, Opie reconstructs an interrelated history of Moorish influence on the Iberian Peninsula, the African slave trade, slavery in the Americas, the emergence of Jim Crow, the Great Migration, the Great Depression, and the Civil Rights and Black Power movements. His grassroots approach reveals the global origins of soul food, the forces that shaped its development, and the distinctive cultural collaborations that occurred among Africans, Asians, Europeans, and Americans throughout history. Opie shows how food can be an indicator of social position, a site of community building and cultural identity, and a juncture at which different cultural traditions can develop and impact the collective health of a community.

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How does a so-called bad neighborhood go about changing its reputation? Is it simply a matter of improving material conditions or picking the savviest marketing strategy? What kind of role can or should the arts play in that process? Does gentrification always entail a betrayal of a neighborhood's roots? Tackling these questions and offering a fresh take on the dynamics of urban revitalization, "The Philadelphia Barrio" examines one neighborhood's fight to erase the stigma of devastation. Frederick F. Wherry shows how, in the predominantly Latino neighborhood of Centro de Oro, entrepreneurs and community leaders forged connections between local businesses and cultural institutions to rebrand a place once nicknamed the Badlands. Artists and performers negotiated with government organizations and national foundations, Wherry reveals, and took to local galleries, stages, storefronts, and street parades in a concerted, canny effort to reanimate the spirit of their neighborhood. Complicating our notions of neighborhood change by exploring the ways the process is driven by local residents, "The Philadelphia Barrio" presents a nuanced look at how city dwellers can make commercial interests serve the local culture, rather than exploit it.

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"David Blight has produced a fine edition of Douglass' second autobiography. This is an essential work in African-American and American history, and displays Douglass' developing strength as a writer and political leader."—Richard Slotkin, Wesleyan University Born into slavery in 1818, Frederick Douglass escaped to freedom and became a passionate advocate for abolition and social change and the foremost spokesperson for the nation’s enslaved African American population in the years preceding the Civil War. My Bondage and My Freedom is Douglass’s masterful recounting of his remarkable life and a fiery condemnation of a political and social system that would reduce people to property and keep an entire race in chains. This classic is revisited with a new introduction and annotations by celebrated Douglass scholar David W. Blight. Blight situates the book within the politics of the 1850s and illuminates how My Bondage represents Douglass as a mature, confident, powerful writer who crafted some of the most unforgettable metaphors of slavery and freedom—indeed of basic human universal aspirations for freedom—anywhere in the English language.

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Meet Gwendolyn - living proof that princesses don’t always have it all. Although she lives in a castle and her father is the King, Gwendolyn isn’t like a fairy-tale princess and isn’t conventionally attractive. But one night, she accidentally stumbles upon the twisted world of the Cursed Princess Club, and her life will never be the same. Hexed and cast out, the ladies of the club are just the people Gwendolyn needs to show her that just because she doesn’t “fit the mold” does not mean she’s any less of a princess. In this second book of the series, we learn low self esteem isn’t just for girls! Meet the Princels - princes who have shunned society not because of curses (although one has to wonder…) but because of their own insecurities about their physical appearance and their inabilities to find romantic partners. And then we have Prince Frederick, who starts to worry if he even deserves Gwen. Plus, you too can learn to be as pretty as a Cursed Princess!

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Art of the United States is a landmark volume that presents three centuries of US art through a broad array of historical texts, including writings by artists, critics, patrons, literary figures, and other commentators. Combining a wide-ranging selection of texts with high-quality reproductions of artworks, it offers a resource for the study and understanding of the visual arts of the United States. With contextual essays, explanatory headnotes, a chronology of US historical landmarks, maps, and full-color illustrations of key artworks, the volume will appeal to national and international audiences ranging from undergraduates and museum visitors to art historians and other scholars. Texts by a range of artists and cultural figures—including John Adams, Thomas Cole, Frederick Douglass, Mary Cassatt, Edward Hopper, Clement Greenberg, and Cindy Sherman—are grouped according to historical era alongside additional featured artists. A sourcebook of unprecedented breadth and depth, Art of the United States brings together multiple voices throughout the ages to provide a framework for learning and critical thinking on US art.

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Freud's Paranoid Quest is an exceptionally broad-ranging and well-written book....Whether or not one agrees with certain of his arguments and assessments, one must acknowledge the remarkable intelligence that is displayed on nearly every page. --Louis Sassauthor of Madness and Modernism and The Paradoxes of Delusion John Farrell's Freud's Paranoid Quest is the most trenchant, exhilarating and illuminating book I have encountered in many years. [The book] should be pondered not just by all students of Freud's thought but by everyone who senses that 'advanced modernity' has by now outstayed its welcome. --Frederick CrewsUniversity of California, Berkeley In Freud's Paranoid Quest, John Farrell analyzes the personality and thought of Sigmund Freud in order to give insight into modernity's paranoid character and into the true nature of Freudian psychoanalysis. John Farrell's Freud is not the path-breaking psychologist he claimed to be, but the fashioner and prisoner of a total system of suspicion. The most gifted of paranoids, Freud deployed this system as a self-heroizing myth and a compelling historical ideology.

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What are the logics of pricing, and why do some pricing schemes defy standard economic expectations? What explains the different labor market outcomes of people who receive the same training from the same place and who have similar grades? Why do national governments issue statements about the country’s history and personality when developing economic policies, and why are struggles over the images pictured on money so hard fought? This engaging book locates the answers to these and other questions in the cultural logics and dynamics that constitute and guide markets. Using clear prose and illustrative examples, Frederick F. Wherry demystifies what culture is, and how it can be identified both in the way that markets are organized and in the way that people operate within them. The Culture of Markets offers a comprehensive introduction to the puzzles found in studies of markets and to the ways that cultural analyses address those puzzles. The clarity of the arguments will make this a welcome resource for upper-level students of cultural sociology, economic sociology, and business/marketing.

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A foundational reckoning with how Black Americans have used the written word to define and redefine themselves over the course of the country''s history.Distilled over many years from Henry Louis Gates Jr''s legendary Harvard course in African American Studies, The Black Box: Writing the Race is the story of Black self-definition in America through the prism of the writers who have led the way. From Phillis Wheatley and Frederick Douglass, W. E. B. Du Bois and Booker T. Washington, to Zora Neale Hurston and Richard Wright, James Baldwin and Toni Morrison, these writers used words to create a liveable world a home for Black people destined to live in a bitterly racist society.This is a community that defined and transformed itself in defiance of oppression and lies; a collective act of resistance and transcendence that is at the heart of its self-definition. Out of that contested ground has flowered a resilient, creative, powerful, diverse culture formed b

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Trawling through a vast family archive and arcane sources in half a dozen languages, Adam Zamoyski has revealed the dramatic life of his great-great-great grandmother, an uneducated, vulnerable girl cast into a man's world.Her aristocratic position enmeshed her in high politics and close encounters with Frederick the Great, Benjamin Franklin, Rousseau, Joseph II, Marie-Antoinette and Tsar Alexander I, and earned her the enmity of Catherine the Great. She lived through revolution and no less than five wars, in which her cherished homes were devastated, her possessions looted and her children scattered. Caught up in tempestuous love affairs which led her to nervous breakdown and the brink of suicide, exploited by her lovers, she remained undaunted and liberated herself through education. And, unusually for her time, she became a caring mother devoted to her children.She learned much by travelling extensively around Europe at a time of political and ideological change, and her observation

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From Frederick Douglass to Angela Davis, “natural hair” has been associated with the Black freedom struggle. In New Growth Jasmine Nichole Cobb traces the history of Afro-textured coiffure, exploring it as a visual material through which to reimagine the sensual experience of Blackness. Through close readings of slave narratives, scrapbooks, travel illustrations, documentary films, and photography as well as collage, craft, and sculpture, from the nineteenth century to the present, Cobb shows how the racial distinctions ascribed to people of African descent become simultaneously visible and tactile. Whether examining Soul Train’s and Ebony’s promotion of the Afro hairstyle alongside styling products or how artists such as Alison Saar and Lorna Simpson underscore the construction of Blackness through the representation of hair, Cobb foregrounds the inseparability of Black hair’s look and feel. Demonstrating that Blackness is palpable through appearance and feeling, Cobb reveals the various ways that people of African descent forge new relationships to the body, public space, and visual culture through the embrace of Black hair.

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From the sixteenth to early-nineteenth century, four times more Africans than Europeans crossed the Atlantic Ocean to the Americas. While this forced migration stripped slaves of their liberty, it failed to destroy many of their cultural practices, which came with Africans to the New World. In Working the Diaspora, Frederick Knight examines work cultures on both sides of the Atlantic, from West and West Central Africa to British North America and the Caribbean. Knight demonstrates that the knowledge that Africans carried across the Atlantic shaped Anglo-American agricultural development and made particularly important contributions to cotton, indigo, tobacco, and staple food cultivation. The book also compellingly argues that the work experience of slaves shaped their views of the natural world. Broad in scope, clearly written, and at the center of current scholarly debates, Working the Diaspora challenges readers to alter their conceptual frameworks about Africans by looking at them as workers who, through the course of the Atlantic slave trade and plantation labor, shaped the development of the Americas in significant ways.

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Field Language presents the work of an extraordinary couple who together left the rural lifeways of their Mennonite upbringing to go “into the world” to create forms of modern art that reflected on the places and culture they came from. Published on the occasion of a retrospective exhibition devoted to the working relationship between abstract painter Warren Rohrer and his wife, poet Jane Turner Rohrer, this sumptuously illustrated book explores the Rohrers’ painting and poetry in relation to their biographies and to the nature of modernism and modernity. The artists, poets, and historians contributing to this volume present a variety of perspectives on the Rohrers, situating their work within the context of modernism, the changing agricultural landscapes of Lancaster County, Pennsylvania, and the aestheticization of local craft practices. Through the work of these two highly original and creative artists, Field Language invites readers to consider relationships between global art movements and local visual cultures, issues of land use, the sustainability of rural communities and cultures, and our own relationships with agricultural landscapes, seasonal change, labor, and human need and desire.In addition to the editors, the contributors include Christopher Campbell, Steven Z. Levine, Nancy Locke, Sally McMurry, Janneken Smucker, William R. Valerio, Jonathan Frederick Walz, and Douglas Witmer.

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Read by Martin Jarvis, this joyous celebration of spring fever is an undisputed comic masterpiece. Once again we find ourselves at that idyllic country seat, Blandings. This time it's debonair charmer, Frederick Altamont Cornwallis Twistleton, fifth Earl of Ickenham (known to most as 'Uncle Fred') who has been lured to the castle by affable Lord Emsworth. His lordship requires an expert in human behaviour to prevent the egg-throwing Duke of Dunstable from stealing Emsworth's treasured pig, Empress of Blandings. The plot's eccentricities naturally include love and romance and, crucially, three imposters. Add to the cocktail some 'Mickey Finns', a brace of financially embarrassed nephews and a private investigator, 'Mustard Pott'. As the mixture boils there are shot guns in the night time - plus redoubtable Lady Constance, Emsworth's sister, who could halt a cavalry charge merely with her voice. A happy and appropriate ending is of course on the cards. But the joy is to marvel at how Wodehouse weaves the intricate threads in this tapestry of dottiness, and to hear him tie it up (and us) in knots of laugh-aloud hilarity.Martin Jarvis is the quintessential reader for the 'Blandings' series, with an outstanding range of voices and a true passion for the works of P.G. Wodehouse, Britain's greatest comic writer.

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Silver for Entertaining is a comprehensive, well-illustrated guide to one of the most important collections of 18th-century silver in Europe. The guide extends to nearly a thousand individual pieces of the highest quality, style and exuberance of form. These pieces have survived virtually intact, along with extensive and previously untapped archival evidence of their commissioning and use. The book also provides new information on the diplomatic, political and court appointments of its principal patron, George William Hervey, 2nd Earl of Bristol (1721-75). The finest London makers of the time are represented, including Paul de Lamerie, Paul Crespin and, in particular, Frederick Kandler. It also contains a significant quantity of continental pieces, commissioned contemporaneously whilst Lord Bristol was in Turin. The Earl's silver, of the latest French fashions and of opulent extent, was a critical tool in his armoury. It was in part by maintaining a sufficient state of 'magnificence' there, and in Madrid, that he could hold the diplomatic ground for Britain during the Seven Years War. The book analyses the silver from stylistic and technical perspectives and uses them to illuminate the patronage, fashion and social history of the period, casting new light on the Herveys, one of England's most famous and eccentric aristocratic families.

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Arguing that the fundamental, familiar, sexual violence of slavery and racialized subjugation have continued to shape black and white subjectivities into the present, Christina Sharpe interprets African diasporic and Black Atlantic visual and literary texts that address those “monstrous intimacies” and their repetition as constitutive of post-slavery subjectivity. Her illuminating readings juxtapose Frederick Douglass’s narrative of witnessing the brutal beating of his Aunt Hester with Essie Mae Washington-Williams’s declaration of freedom in Dear Senator: A Memoir by the Daughter of Strom Thurmond, as well as the “generational genital fantasies” depicted in Gayl Jones’s novel Corregidora with a firsthand account of such “monstrous intimacies” in the journals of an antebellum South Carolina senator, slaveholder, and vocal critic of miscegenation. Sharpe explores the South African–born writer Bessie Head’s novel Maru—about race, power, and liberation in Botswana—in light of the history of the KhoiSan woman Saartje Baartman, who was displayed in Europe as the “Hottentot Venus” in the nineteenth century. Reading Isaac Julien’s film The Attendant, Sharpe takes up issues of representation, slavery, and the sadomasochism of everyday black life. Her powerful meditation on intimacy, subjection, and subjectivity culminates in an analysis of Kara Walker’s black silhouettes, and the critiques leveled against both the silhouettes and the artist.

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Part of the American Literatures Initiative Series Neither Fugitive nor Free draws on the freedom suit as recorded in the press and court documents to offer a critically and historically engaged understanding of the freedom celebrated in the literary and cultural histories of transatlantic abolitionism. Freedom suits involved those enslaved valets, nurses, and maids who accompanied slaveholders onto free soil. Once brought into a free jurisdiction, these attendants became informally free, even if they were taken back to a slave jurisdiction—at least according to abolitionists and the enslaved themselves. In order to secure their freedom formally, slave attendants or others on their behalf had to bring suit in a court of law. Edlie Wong critically recuperates these cases in an effort to reexamine and redefine the legal construction of freedom, will, and consent. This study places such historically central anti-slavery figures as Frederick Douglass, Olaudah Equiano, and William Lloyd Garrison alongside such lesser-known slave plaintiffs as Lucy Ann Delaney, Grace, Catharine Linda, Med, and Harriet Robinson Scott. Situated at the confluence of literary criticism, feminism, and legal history, Neither Fugitive nor Free presents the freedom suit as a "new" genre to African American and American literary studies.

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How to see the hidden wisdom in the painful moments we encounter. Every day we have an inner battle going on between two parts of ourselves: our ego and our soul. When we view the world through our ego lens, life can seem tragic, random, meaningless, and painful. When viewed from our soul’s perspective, we find Divine order and soul agreements in every event of our lives. In this guide to aligning with your soul and seeing life through a Divine lens, Sue Frederick presents mindful practices and spiritual tools to shift your perspective and step into your power. She explains how each of us arrived in this life with a soul intention to live up to our greatest potential and do great work that helps others—but often we hit bumps in the road that disconnect us from our soul’s wisdom and allow the ego lens to take over and destroy our confidence. Yet, as she reveals in detail, each crisis is an awakening, an opportunity to shift from feeling like a victim to feeling that your soul came here to experience these exact challenges in order to evolve in just the way it needs. Sharing sacred practices to align with the soul’s wisdom, shift energy from fear to love, and release grief, anger, sadness, anxiety, and self-doubt, the author explores how to see the hidden beauty of each painful moment we encounter. She presents powerful examples of healing and insight from clients who have successfully reconnected with their soul’s perspective, even after great loss. She shows how to use your intuition, affirmations, and your own pain as inspiring fuel for moving fearlessly through life’s trials and reaching your true self’s full potential. She also shares practical action steps you can take during difficult moments to shift into the Divine lens view of your soul and experience immediate benefits. Each of us has the power to uplift and inspire, to feel love and compassion, no matter how tragic our experiences may be. By viewing the world through your Divine lens, you can reawaken to the wisdom and potential of your soul, see the opportunities behind suffering, and help in the collective evolution of soul consciousness.

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Blackness in Opera critically examines the intersections of race and music in the multifaceted genre of opera. A diverse cross-section of scholars places well-known operas (Porgy and Bess, Aida, Treemonisha) alongside lesser-known works such as Frederick Delius's Koanga, William Grant Still's Blue Steel, and Clarence Cameron White's Ouanga! to reveal a new historical context for re-imagining race and blackness in opera. The volume brings a wide-ranging, theoretically informed, interdisciplinary approach to questions about how blackness has been represented in these operas, issues surrounding characterization of blacks, interpretation of racialized roles by blacks and whites, controversies over race in the theatre and the use of blackface, and extensions of blackness along the spectrum from grand opera to musical theatre and film. In addition to essays by scholars, the book also features reflections by renowned American tenor George Shirley. Contributors are Naomi André, Melinda Boyd, Gwynne Kuhner Brown, Karen M. Bryan, Melissa J. de Graaf, Christopher R. Gauthier, Jennifer McFarlane-Harris, Gayle Murchison, Guthrie P. Ramsey Jr., Eric Saylor, Sarah Schmalenberger, Ann Sears, George Shirley, and Jonathan O. Wipplinger.

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Music education today requires an approach rooted in care and kindness that coexists alongside the dismantling of systems that fail to serve our communities in higher education. But, as the essayists in Sound Pedagogy show, the structural aspects of music study in higher education present obstacles to caring and kindness like the entrenched master-student model, a neoliberal individualist and competitive mindset, and classical music’s white patriarchal roots. The editors of this volume curate essays that use a broad definition of care pedagogy, one informed by interdisciplinary scholarship and aimed at providing practical strategies for bringing transformative learning and engaged pedagogies to music classrooms. The contributors draw from personal experience to address issues including radical kindness through universal design; listening to non-human musicality; public musicology as a forum for social justice discourse; and radical approaches to teaching about race through music. Contributors: Molly M. Breckling, William A. Everett, Kate Galloway, Sara Haefeli, Eric Hung, Stephanie Jensen-Moulton, Mark Katz, Nathan A. Langfitt, Matteo Magarotto, Mary Natvig, Frederick A. Peterbark, Laura Moore Pruett, Colleen Renihan, Amanda Christina Soto, John Spilker, Reba A. Wissner, and Trudi Wright

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Music education today requires an approach rooted in care and kindness that coexists alongside the dismantling of systems that fail to serve our communities in higher education. But, as the essayists in Sound Pedagogy show, the structural aspects of music study in higher education present obstacles to caring and kindness like the entrenched master-student model, a neoliberal individualist and competitive mindset, and classical music’s white patriarchal roots. The editors of this volume curate essays that use a broad definition of care pedagogy, one informed by interdisciplinary scholarship and aimed at providing practical strategies for bringing transformative learning and engaged pedagogies to music classrooms. The contributors draw from personal experience to address issues including radical kindness through universal design; listening to non-human musicality; public musicology as a forum for social justice discourse; and radical approaches to teaching about race through music. Contributors: Molly M. Breckling, William A. Everett, Kate Galloway, Sara Haefeli, Eric Hung, Stephanie Jensen-Moulton, Mark Katz, Nathan A. Langfitt, Matteo Magarotto, Mary Natvig, Frederick A. Peterbark, Laura Moore Pruett, Colleen Renihan, Amanda Christina Soto, John Spilker, Reba A. Wissner, and Trudi Wright

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Ryan and Selena Frederick were newlyweds when they landed in Switzerland to pursue Selena's dream of training horses. Neither of them knew at the time that Ryan was living out a death sentence brought on by a worsening genetic heart defect. Soon it became clear he needed major surgery that could either save his life--or result in his death on the operating table. The young couple prepared for the worst. When Ryan survived, they both realized that they still had a future together. But the near loss changed the way they saw all that would lie ahead. They would live and love fiercely, fighting for each other and for a Christ-centered marriage, every step of the way. Fierce Marriage is their story, but more than that, it is a call for married couples to put God first in their relationship, to measure everything they do and say to each other against what Christ did for them, and to see marriage not just as a relationship they should try to keep healthy but also as one worth fighting for in every situation. With the gospel as their foundation, Ryan and Selena offer hope and practical help for common struggles in marriage, including communication problems, sexual frustration, financial stress, family tension, screen-time disconnection, and unrealistic expectations.

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By the fifteenth century the Swiss method of warfare, in which disciplined foot soldiers fought in tightly formed units, was being imitated. The Germans and Spanish took notice when in 1479 Archduke Maximilian and his victorious Flemish infantrymen used their long pikes to prevent the mounted French knights from charging. The era of modern warmaking was at hand. In this last volume of his classic history of the art of war, Hans Delbrück considers new developments: the use of gunpowder, the invention of firearms, and the employment of noisy large cannon that shot stone and, later, iron balls. After reviewing the establishment of a European infantry, Delbrück discusses the transformation of loose confederations of knights into cavalry (well developed by the last Huguenot wars), the organization of fighting mercenaries (followed by wives and prostitutes), and the changing of mercenary bands into standing armies.The Dawn of Modern Warfare is colored by larger-than-life personalities: Niccolo Machiavelli, the theoretician of the new art of war; Maurice of Orange, renovator of the art of drill and father of military discipline; Gustavus Adolphus of Sweden, perfecter of infantry tactics; Oliver Cromwell of England, reorganizer of a citizen militia into a professional army; and Frederick the Great and Napoleon Bonaparte, military strategists par excellence.

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Among the most magnificent buildings of England are its Anglican cathedrals, great symbols of spiritual and architectural power. No one can fail to marvel at Durham's incomparable Romanesque masterpiece, the elegant stylistic unity of Salisbury, the world-famous stained glass of Canterbury or the striking Gothic scissor arch at Wells. In this breathtaking new book, award-winning Magnum photographer Peter Marlow has captured the nave of each of England's 42 Anglican cathedrals. Taken in natural light at dawn, usually looking towards the east end of the building, these remarkable images bring into sharp relief the full splendour of the architecture, whatever the style. Marlow's spellbinding photographs are accompanied by his commentary on the project, including sketches and preparatory shots; an introduction by curator Martin Barnes on the tradition of church photography in England, particularly the work of Frederick Evans and Edwin Smith; and a concise summary of each cathedral interior by architectural historian John Goodall. AUTHOR: Martin Barnes is a graduate of Leicester University and the Courtauld Institute of Fine Art in London. Having worked at the Tate, Walker and Bluecoat galleries in Liverpool and the Witt Library in London, he moved to the Word & Image Department at the Victoria and Albert Museum, London, where he is now Senior Curator of Photographs. John Goodall is Architectural Editor of Country Life magazine. His book The English Castle was published in 2011. Peter Marlow has been a member of the international photographers' collective Magnum Photos for more than 30 years. He has exhibited his work throughout Europe. SELLING POINTS: . A unique photographic record of the Anglican cathedrals of England . A new compact edition of this superbly produced, critically acclaimed book . With an overview of the architectural importance of each cathedral, and an introduction on ecclesiastical photography . Essential for anyone interested in architectural photography, church architecture or the heritage of England 45 colour, 5 b/w, 1 map

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No More Separate Spheres! challenges the limitations of thinking about American literature and culture within the narrow rubric of “male public” and “female private” spheres from the founders to the present. With provocative essays by an array of cutting-edge critics with diverse viewpoints, this collection examines the ways that the separate spheres binary has malingered unexamined in feminist criticism, American literary studies, and debates on the public sphere. It exemplifies new ways of analyzing gender, breaks through old paradigms, and offers a primer on feminist thinking for the twenty-first century.Using American literary studies as a way to talk about changing categories of analysis, these essays discuss the work of such major authors as Catharine Sedgwick, Herman Melville, Pauline E. Hopkins, Frederick Douglass, Catharine Beecher, Ralph Waldo Emerson, W. E. B. Du Bois, Sarah Orne Jewett, Nathaniel Hawthorne, María Ampara Ruiz de Burton, Ann Petry, Gwendolyn Brooks, Cynthia Kadohata, Chang Rae-Lee, and Samuel Delany. No More Separate Spheres! shows scholars and students different ways that gender can be approached and incorporated into literary interpretations. Feisty and provocative, it provides a forceful analysis of the limititations of any theory of gender that applies only to women, and urges suspicion of any argument that posits “woman” as a universal or uniform category.By bringing together essays from the influential special issue of American Literature of the same name, a number of classic essays, and several new pieces commissioned for this volume, No More Separate Spheres! will be an ideal teaching tool, providing a key supplementary text in the American literature classroom.Contributors. José F. Aranda, Lauren Berlant, Cathy N. Davidson, Judith Fetterley, Jessamyn Hatcher, Amy Kaplan, Dana D. Nelson, Christopher Newfield, You-me Park, Marjorie Pryse, Elizabeth Renker, Ryan Schneider, Melissa Solomon, Siobhan Somerville, Gayle Wald , Maurice Wallace

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>CLASSIFY, EXCLUDE, POLICE ‘Laurent Fourchard’s deep, first-hand knowledge of the history and contemporary politics of Nigeria and South Africa forms the basis of an insightful and compelling analysis of how states produce invidious distinctions among their people and at the same time how political linkages are forged between state and society, elites and subalterns, bureaucratic structures and personal relations.’Frederick Cooper, Professor of History, New York University, USA ‘Violence, control, police and political order are essential dimensions of metropolis. In this exceptional book, Laurent Fourchard compares decentralised exercises of authority in providing vivid analysis of exclusion of youth and migrants, policing and riots, politics of “Big men” and fine-grained blurring between bureaucracy and society. A masterpiece of urban politics.’Patrick Le Galès, Dean of Urban School, Sciences Po Paris, France ‘This book is a major contribution to rethinking urban politics from the experiences of African cities. Based on detailed historical analysis of South Africa and Nigeria, Fourchard recalibrates the actors, stakes and terms of urban politics around African-centred concerns.’ Jennifer Robinson, Professor of Geography, University College London, UK The cities of South Africa and Nigeria are reputed to be dangerous, teeming with slums, and dominated by the informal economy but we know little about how people are divided up, categorised and policed. Colonial governments assigned rights and punishments, banned categories considered problematic (delinquents, migrants, single women, street vendors) and give non-state organisations the power to police low-income neighbourhoods. Within this enduring legacy, a tangle of petty arrangements has developed to circumvent exclusion to public places and government offices. In this unpredictable urban reality ??? which has eluded all planning ??? individuals and social groups have changed areas of public action through exclusion, violence and negotiation. In combining historical and ethnographic methods, Classify, Exclude, Police explores the effects and limits of public action, and questions the possibility of comparison between cities often perceived as incommensurable. Focusing on state formation, urbanization, and daily lives, Laurent Fourchard addresses debates and controversies in comparative urban studies, history, political science, and urban anthropology. The book provides a systematic, comparative approach to the practices, processes, arrangements used to create boundaries, direct violence, and produce social, racial, gender, and`generational differences.

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Dak Prescott and Ezekiel Elliott took the league and the Big D by storm in a way not seen since the glory days of America’s Team with Troy Aikman, Emmitt Smith, and Michael Irvin. The superstar teammates and fast friends took different paths to stardom — Zeke as a highly-touted running back out of Ohio State and Dak, an overlooked 4th round pick out of Mississippi State — but they had equally impressive and memorable rookie campaigns.The Boys Are Back: Dak, Zeke, and a New Cowboys Era in Big D is the ultimate celebration of the Cowboys’ unforgettable 2016 season and details the incredible rise to prominence for Prescott and Elliott. Including dozens of full-color photographs, fans are provided a glimpse into the best and brightest Cowboys of present and future — Dez Bryant, Cole Beasley, Zack Martin, Byron Jones, Travis Frederick, and more. It will also feature an in-depth look at the key veterans who helped spark the breakthrough season, including Jason Witten, Sean Lee, Tyron Smith, and the minds behind it all — Jerry Jones and Jason Garrett. This keepsake is sure to inspire and entertain Cowboys fans everywhere and get them ready for the 2017 season and what promises to be years of winning big in Big D.

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Frederick Mote, one of the twentieth century's most prominent Sinologists, has written a historian's memoir that uses observation and personal experiences to understand the intellectual and social transformation of China. Mote's thought-provoking narrative distills his reflections on modern China and details change in Chinese historical studies in the twentieth century. Mote assesses the work of historians prior to 1950 and the domination of China by the Communist Chinese, hints at the direction of Chinese historical studies in the post-1950s era, and explores the continuous change in the ways Chinese history has been understood among the Chinese themselves and within the field. Language training in the Army Specialized Training Program and subsequent wartime service with the Office of Strategic Services serendipitously drew Mote into the study of China, the immense discipline to which he devoted his life. Previously unpublished material in the text, appendices, and addenda document such diverse encounters as the destruction of a Catholic mission by the Communists, Sino-Japanese relations in China in the aftermath of World War II, the growth of East Asian Studies at Princeton University, and a 1974 delegation visit to China. Evaluating Chinese ideas and attitudes toward revolution, modernization, and war, Mote measures the weight and meaning of Chinese historical study.

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How did Ludwig van Beethoven help overthrow a tsarist regime? With the establishment of the Russian Musical Society and its affiliated branches throughout the empire, Beethoven's music reached substantially larger audiences at a time of increasing political instability. In addition, leading music critics of the regime began hearing Beethoven's dramatic works as nothing less than a call to revolution. Beethoven in Russia deftly explores the interface between music and politics in Russia by examining the reception of Beethoven's works from the late 18th century to the present. In part 1, Frederick W. Skinner's clear and sweeping review examines the role of Beethoven's more dramatic works in the revolutionary struggle that culminated in the Revolution of 1917. In part 2, Skinner reveals how this same power was again harnessed to promote Stalin's campaign of rapid industrialization. The appropriation of Beethoven and his music to serve the interests of the state remained the hallmark of Soviet Beethoven reception until the end of communist rule. With interdisciplinary appeal in the areas of history, music, literature, and political thought, Beethoven in Russia shows how Beethoven's music served as a call to action for citizens and weaponized state propaganda in the great political struggles that shaped modern Russian history.

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Homecoming, haunting, nostalgia, desire: these are some of the themes evoked by the beguiling motif of the lighted window in literature and art. In this innovative combination of place-writing, memoir and cultural study, Peter Davidson takes us on atmospheric walks through nocturnal cities in Britain, Europe and North America, and revisits the field paths of rural England. Surveying a wide range of material, the book extends, chronologically, from early romantic painting to contemporary fiction, and geographically, from the Low Countries to Japan. It features familiar lighted windows in English literature (in the works of poets such as Thomas Hardy and Matthew Arnold and in the novels of Virginia Woolf, Arthur Conan Doyle and Kenneth Grahame) and examines the painted nocturnes of James Whistler, John Atkinson Grimshaw and the ruralist Samuel Palmer. It also considers Japanese prints of the nineteenth and twentieth centuries; German romanticism in painting, poetry and music; Proust and the painters of the French belle époque; René Magritte’s 'L’Empire des Lumières'; and North American painters such as Edward Hopper and Linden Frederick. By interpreting the interactions of art, literature and geography around this evocative motif, Peter Davidson shows how it has inspired an extraordinary variety of moods and ideas, from the romantic period to the present day.

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'A delightful storybook . . . a portrait of our whole world created from the contents of the ground' Literary Review'A real cabinet of curiosities' Sunday TimesFrom the hematite used in cave paintings to the moldavite that became a TikTok sensation; from the stolen sandstone of Scone to the unexpected acoustics of Stonehenge; from crystal balls to compasses, rocks and minerals have always been central to our story.3,000 years ago Babylonians constructed lapidaries - books that tried to pin down the magical secrets of rocks. In Lapidarium, renowned art critic Hettie Judah explores the unexpected stories behind sixty stones that have shaped and inspired human history, from Dorset fossil-hunters to Chinese philosophers, Catherine the Great to Michelangelo.Discover why alchemists sought cinnabar and sulphur. Unearth the mystery of the tuff statues of Rapa Nui, the lost amber room of Frederick of Prussia and the scandal of Flint Jack. Find out how a Greek monster created coral, moon rock explains the history of Earth's only satellite and obsidian inspired the world's favourite computer game. Stone by stone, story by fascinating story, Lapidarium builds into a dazzling, epoch-spanning adventure through human culture, and beyond.

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An 1797 publication of Enlightenment era thought, read by virtually every American schoolboy in the early 19th century First published in 1797, The Columbian Orator helped shape the American mind for the next half century, going through some 23 editions and totaling 200,000 copies in sales. The book was read by virtually every American schoolboy in the first half of the 19th century. As a slave youth, Frederick Douglass owned just one book, and read it frequently, referring to it as a "gem" and his "rich treasure." The Columbian Orator presents 84 selections, most of which are notable examples of oratory on such subjects as nationalism, religious faith, individual liberty, freedom, and slavery, including pieces by Washington, Franklin, Milton, Socrates, and Cicero, as well as heroic poetry and dramatic dialogues. Augmenting these is an essay on effective public speaking which influenced Abraham Lincoln as a young politician. As America experiences a resurgence of interest in the art of debating and oratory, The Columbian Orator--whether as historical artifact or contemporary guidebook--is one of those rare books to be valued for what it meant in its own time, and for how its ideas have endured. Above all, this book is a remarkable compilation of Enlightenment era thought and language that has stood the test of time.

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Histories of German philosophy in the nineteenth century typically focus on its first half--when Hegel, idealism, and Romanticism dominated. By contrast, the remainder of the century, after Hegel's death, has been relatively neglected because it has been seen as a period of stagnation and decline. But Frederick Beiser argues that the second half of the century was in fact one of the most revolutionary periods in modern philosophy because the nature of philosophy itself was up for grabs and the very absence of certainty led to creativity and the start of a new era. In this innovative concise history of German philosophy from 1840 to 1900, Beiser focuses not on themes or individual thinkers but rather on the period's five great debates: the identity crisis of philosophy, the materialism controversy, the methods and limits of history, the pessimism controversy, and the Ignorabimusstreit. Schopenhauer and Wilhelm Dilthey play important roles in these controversies but so do many neglected figures, including Ludwig Buchner, Eugen Duhring, Eduard von Hartmann, Julius Fraunstaedt, Hermann Lotze, Adolf Trendelenburg, and two women, Agnes Taubert and Olga Pluemacher, who have been completely forgotten in histories of philosophy. The result is a wide-ranging, original, and surprising new account of German philosophy in the critical period between Hegel and the twentieth century.

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"Charley Ellis has written a magnificent portrait, capturing the indomitable spirit of Joe Wilson and his instinctive understanding of the need for and commercial usefulness of a transforming imaging technology. Joe Wilson and his extraordinary team, which I had the good fortune to first meet in 1960, epitomized the wonderful observation of George Bernard Shaw who said, 'Some look at things that are, and ask why? I dream of things that never were and ask why not?' Xerox and xerography are not only a part of our vocabulary, but part of our everyday life. Charley Ellis gives the reader a poignant understanding of just how this happened through the life, adventures, critical business decisions, and dreams of Joseph Wilson and a cadre of remarkable individuals. This book will surely join the library of memorable biographies that capture the building of America into a risk-tolerant, technologically sophisticated, idea-oriented society that thrives by understanding what Charles Darwin really said: 'Survival will be neither to the strongest of the species, nor to the most intelligent, but to those most adaptable to change.'" —Frederick Frank, Vice Chairman, Lehman Brothers Inc.

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Perfect for fans of Kevin Henkes’ Mouse Adventures and Leo Lionni’s Frederick, or young readers taking their first steps towards independence!Henri is a palace rat living as the pampered pet of King Louis the XVI! He’s waited on paw and foot . . . but not everybody is happy about it. When a dastardly plan by the royal staff casts Henri out to the streets, he must find his own way safely home. Country mice take Henri in and kindly show him their ways of living. To survive, Henri will eat field strawberries, fashion new clothes out of rags to match the latest Parisian styles, and sleep on grass nests, dreaming of his return to the palace. In no time, Henri will become a popular figure, spinning rich and colorful tales of palace life for growing audiences. Yet every great tale must have a happy ending . . . and when the time comes for Henri to determine how his own story will conclude, will he choose to stay with his new friends on the street or return to his regal life of comfort?

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