Search results for ""author leonard"

An enticing history of food and drink in Western art and cultureEating and drinking can be aesthetic experiences as well as sensory ones. The Hungry Eye takes readers from antiquity to the Renaissance to explore the central role of food and drink in literature, art, philosophy, religion, and statecraft.In this beautifully illustrated book, Leonard Barkan provides an illuminating meditation on how culture finds expression in what we eat and drink. Plato's Symposium is a timeless philosophical text, one that also describes a drinking party. Salome performed her dance at a banquet where the head of John the Baptist was presented on a platter. Barkan looks at ancient mosaics, Dutch still life, and Venetian Last Suppers. He describes how ancient Rome was a paradise of culinary obsessives, and explains what it meant for the Israelites to dine on manna. He discusses the surprising relationship between Renaissance perspective and dinner parties, and sheds new light on the moment when the risen Christ appears to his disciples hungry for a piece of broiled fish. Readers will browse the pages of the Deipnosophistae—an ancient Greek work in sixteen volumes about a single meal, complete with menus—and gain epicurean insights into such figures as Rabelais and Shakespeare, Leonardo and Vermeer.A book for anyone who relishes the pleasures of the table, The Hungry Eye is an erudite and uniquely personal look at all the glorious ways that food and drink have transfigured Western arts and high culture.

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Margaret Nuttall’s autobiography spans over 80 years. Born just before the outbreak of World War II, and the youngest of six children, she grew up in Rochdale, Lancashire. Her story begins with her early recollections of wartime, with blackouts, rationing and an air-raid shelter full of frogs. She recounts anecdotes from her home life, school days, youthful social life and working life, having started work at the age of fifteen. Margaret married her first husband, Leonard, in 1959 and they had two daughters, Carolyn and Tracy. A skilled typist, Margaret gained a job at the motorway police post in Heywood, which marked a turning point in her life. She met Tony Nuttall, a police chief inspector, who was to become her second husband. The couple share a passion for foreign travel, and Margaret gives a colourful account of their many holidays, including trips to Thailand, Bermuda and a recent world cruise. The book concludes in lockdown during the current coronavirus pandemic, with Margaret enjoying her garden. Margaret has travelled the world, but will always be a Lancashire lass.

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A new crew of the legendary Serenity face new enemies, reunite with old friends, and travel to the EARTH THAT WAS for the first time in Firefly history!Firefly jumps forward in time after the battle with the Reavers that left Wash & Book dead. Serenity soars again, with Kaylee captaining a crew including River, Jayne and the bandit Leonard Chang-Benitez. They’ll soon find themselves drawn into a shocking conflict that puts them on an interception course with old friends… and new enemies! In an attempt to evade the Alliance the crew of Serenity find themselves stranded on The-Earth-That-Was, a strange world filled with ancient artifacts, a new civilization and…maybe some semblance of hope. As strangers in a strange land they encounter individual and shared challenges galore! The groundbreaking future of Firefly by New York Times best-selling writer Greg Pak (Darth Vader) and an all-star group ofartists including Pius Bak (The Magicians), Ethan Young (NANJING: The Burning City), Simona Di Gianfelice (Power Rangers), Jordi Perez (Queen of Bad Dreams), and Jahnoy Lindsay (Marvel’s Voices) is collected for the first time in a special deluxe edition hardcover! Collects Firefly #25-36.

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COWBOYS AND INDIES is the story of the 'record men' - the mavericks and moguls who have shaped the music industry from the first sound machines of the 1850s through to today's digital streams. Men like John Hammond, who discovered Billie Holiday, Bob Dylan and Leonard Cohen; Sam Phillips and Berry Gordy, founders of the Sun and Motown labels; Chris Blackwell, who brought Bob Marley and reggae music into the mainstream; Geoff Travis who built Rough Trade and launched The Smiths; or genre-busting producer Rick Rubin, who recorded Run DMC, Red Hot Chili Peppers and Johnny Cash. Gareth Murphy has drawn on more than 100 interviews with music business legends, as well as extensive archive research, to bring us the behind-the-scenes stories of how music gets made and sold. He explains, too, how the industry undergoes regular seismic changes. We may think the digital revolution is a big deal, but in the 1920s the arrival of radio and the Wall Street Crash wiped out 95 per cent of record sales. But, as we all know, you can't stop the music ...

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In 2012, journalist Hugo Meunier went undercover as a Walmart employee for three months in St. Leonard, Quebec, just north of Montreal.In great detail, Meunier charts the daily life of an impoverished Walmart worker, referring to his shifts at the box store giant as "somewhere between the army and Walt Disney." Each shift began with a daily chant before bowing to customer demands and the constant pressure to sell. Meanwhile Meunier and his fellow workers could not afford to shop anywhere else but Walmart, further indenturing them to the multi-billion-dollar corporation.Beyond his time on the shop floor, Meunier documents the extraordinary efforts that Walmart exerts to block unionization campaigns, including their 2005 decision to close their outlet in Jonquiere, QC, where the United Food and Commercial Workers union had successfully gained certification rights. A decade later he charts the Supreme Court of Canada ruling that exposed the dubious legal ground on which Walmart stood in invoking closure and throwing workers out on the street.In Walmart: Diary of an Associate, Meunier reveals the truths behind Walmart's low prices. It will make you think twice before shopping there.

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This timely, necessary collection of essays provides feminist analyses of a recession-era media culture characterized by the reemergence and refashioning of familiar gender tropes, including crisis masculinity, coping women, and postfeminist self-renewal. Interpreting media forms as diverse as reality television, financial journalism, novels, lifestyle blogs, popular cinema, and advertising, the contributors reveal gendered narratives that recur across media forms too often considered in isolation from one another. They also show how, with a few notable exceptions, recession-era popular culture promotes affective normalcy and transformative individual enterprise under duress while avoiding meaningful critique of the privileged white male or the destructive aspects of Western capitalism. By acknowledging the contradictions between political rhetoric and popular culture, and between diverse screen fantasies and lived realities, Gendering the Recession helps to make sense of our postboom cultural moment.Contributors. Sarah Banet-Weiser, Hamilton Carroll, Hannah Hamad, Anikó Imre, Suzanne Leonard, Isabel Molina-Guzmán, Sinéad Molony, Elizabeth Nathanson, Diane Negra, Tim Snelson, Yvonne Tasker, Pamela Thoma

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A fresh and penetrating exploration of South Africa’s history, from the earliest known human inhabitation of the region to the present“I did not think it was possible for a white person to write a history of South Africa which a black South African would find to be a fair and accurate account of a beautiful land and its people. Leonard Thompson has disabused me of that notion. His is a history that is both accurate and authentic, written in a delightful literary style.”—Archbishop Desmond Tutu The Fourth Edition of this classic text brings South Africa's history up to date with a new chapter chronicling the first presidential term of Mbeki and ending with the funeral of Nelson Mandela. “An admirably objective history of South Africa . . . [that] will be most useful in contemplating the country’s future.”—Lorna Hahn, New York Times Book Review “This is a work of insight and durability that is certain to assist South Africa’s coming generation of nation-builders to reach a more objective understanding of their past.”—Foreign Affairs “Concentrating on southern Africa’s black inhabitants, rather than on its white minority, this work has received universal praise from scholars and activists alike.”—Washington Post Book World “The text is basic for any reader who wishes to comprehend the historical patterns that preface the struggles that seethe and boil in this country. A careful, reliable book for student research.”—School Library Journal

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For the first time in paperback, a powerful and raw glimpse behind the scenes of the Black Panther Party Making Revolution is Don Cox’s revelatory, even incendiary account of his years in the Black Panther Party. He had participated in many peaceful Bay Area civil rights protests but hungered for more militant action. His book tells the story of his work as the party’s field marshal in charge of gunrunning to planning armed attacks—tales which are told for the first time in this remarkable memoir—to his star turn raising money at the Manhattan home of Leonard Bernstein (for which he was famously mocked by Tom Wolfe in Radical Chic and Mau-Mauing the Flak Catchers), to his subsequent flight to Algeria to join Eldridge Cleaver in exile, to his decision to leave the party following his disillusionment with Huey P. Newton’s leadership. Cox would live out the rest of his life in France, where he wrote these unrepentant recollections in the early 1980s, enjoining his daughter to promise him that she would do everything she could to have them published.

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More than fifty years after it ended, the Holocaust continues to leave survivors and their descendants, as well as historians, philosophers, and theologians, searching for words to convey the enormity of that event. Efforts to express its realities and its impact on successive generations often stretch language to the breaking point--or to the point of silence. Words whose meaning was contested before the Holocaust prove even more fragile in its wake. David Patterson and John K. Roth identify three such "after-words": forgiveness, reconciliation, and justice. These words, though forever altered by the Holocaust, are still spoken and heard. But how should the concepts they represent be understood? How can their integrity be restored within the framework of current philosophical and, especially, religious traditions? Writing in a format that creates the feel of dialogue, the nine contributors to After-Words tackle these and other difficult questions about the nature of memory and forgiveness after the Holocaust to encourage others to participate in similar inter- and intrafaith inquiries. The contributors to After-Words are members of the Pastora Goldner Holocaust Symposium. Led since its founding in 1996 by Leonard Grob and Henry Knight, the symposium’s Holocaust and genocide scholars--a group that is interfaith, international, interdisciplinary, and intergenerational--meet biennially in Oxfordshire, England.

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Under the covers of Where the Nights Are Twice as Long: Love Letters of Canadian Poets, David Eso and Jeanette Lynes collect letters and epistolary poems from more than 120 Canadian poets, including Pauline Johnson, Malcolm Lowry, Louis Riel, Alden Nowlan, Anne Szumigalski, Leonard Cohen, John Barton, and Di Brandt, and many others, encompassing the breadth of this country's English literary history.Presented in order not of the chronology of composition, but according to the poets' ages at the time of writing, the poems in the book comprise a single lifeline. The reader follows an amalgam of the Poet from the passionate intensity of youth, through the regrets and satisfactions of adulthood and middle age, and into the reflective wisdom of old age.All the writings are about love, but love in a dizzying array of colours, shapes, and sizes. Deep, enduring love, unrequited love, passionate love, violent love. Here are odes and lyric ecstasies, tirades and tantrums, pastoral comforts and abject horrors -- all delivered with the vibrancy, wit, and erudition of our finest poets. Where the Nights Are Twice as Long is more than an anthology: it is an unforgettable journey into the long night of love.

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Can you make an ice cube disappear? Put it on a hot sidewalk. It melts into water and then vanishes! The ice cube changes from solid to liquid to gas. This Level 2 Let's-Read-and-Find-Out picture book is a fascinating exploration of the three states of matter. Now rebranded with a new cover look, this classic picture book features rich vocabulary and uses simple, fun diagrams to explain the difference between solids, liquids and gases. This book also includes a find out more section with experiments designed to encourage further exploration and introduce record keeping. Both text and artwork were vetted for accuracy by Dr. Leonard Fine, formerly of Columbia University, and Dr. Karin Block of the Department of Earth and Atmospheric Sciences at the City College of New York. This is a Level 2 Let's-Read-and-Find-Out, which means the book explores more challenging concepts perfect for children in the primary grades and supports the Common Core Learning Standards and Next Generation Science Standards. Let's-Read-and-Find-Out is the winner of the American Association for the Advancement of Science/Subaru Science Books & Films Prize for Outstanding Science Series.

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The Holocaust was a cataclysmic upheaval in politics, culture, society, ethics, and theology. The very fact of its occurrence has been forcing scholars for more than sixty years to assess its impact on their disciplines. Educators whose work is represented in this volume ask their students to grapple with one of the grand horrors of the twentieth century and to accept the responsibility of building a more just, peaceful world (tikkun olam). They acknowledge that their task as teachers of the Holocaust is both imperative and impossible; they must “teach something that cannot be taught,” as one contributor puts it, and they recognize the formidable limits of language, thought, imagination, and comprehension that thwart and obscure the story they seek to tell. Yet they are united in their keen sense of pursuing an effort that is pivotal to our understanding of the past-and to whatever prospects we may have for a more decent and humane future. A “Holocaust course” refers to an instructional offering that may focus entirely on the Holocaust; may serve as a touchstone in a larger program devoted to genocide studies; or may constitute a unit within a wider curriculum, including art, literature, ethics, history, religious studies, jurisprudence, philosophy, theology, film studies, Jewish studies, German studies, composition, urban studies, or architecture. It may also constitute a main thread that runs through an interdisciplinary course. The first section of Testimony, Tensions, and Tikkun can be read as an injunction to teach and act in a manner consistent with a profound cautionary message: that there can be no tolerance for moral neutrality about the Holocaust, and that there is no subject in the humanities or social sciences where its shadow has not reached. The second section is devoted to the process and nature of students' learning. These chapters describe efforts to guide students through terrain that hides cognitive and emotional land mines. The authors examine their responsibility to foster students' personal connection with the events of the Holocaust, but in such a way that they not instill hopelessness about the future. The third and final section moves the subject of the Holocaust out of the classroom and into broader institutional settings-universities and community colleges and their surrounding communities, along with museums and memorial sites. For the educators represented here, teaching itself is testimony. The story of the Holocaust is one that the world will fail to master at its own peril. The editors of this volume, and many of its contributors, are members of the Pastora Goldner Holocaust Symposium. Led since its founding in 1996 by Leonard Grob and Henry F. Knight, the symposium's scholars--a group that is interfaith, international, interdisciplinary, and intergenerational--meet biennially in Oxfordshire, England.

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Teamwork is essential to improving the quality of patient care and reducing medical errors and injuries. But how does teamwork really function? And what are the barriers that sometimes prevent smart, well-intentioned people from building and sustaining effective teams? Collaborative Caring takes an unusual approach to the topic of teamwork. Editors Suzanne Gordon, David L. Feldman, MD, and Michael Leonard, MD, have gathered fifty engaging first-person narratives provided by people from various health care professions. Each story vividly portrays a different dimension of teamwork, capturing the complexity—and sometimes messiness—of moving from theory to practice when it comes to creating genuine teams in health care. The stories help us understand what it means to be a team leader and an assertive team member. They vividly depict how patients are left out of or included on the team and what it means to bring teamwork training into a particular workplace. Exploring issues like psychological safety, patient advocacy, barriers to teamwork, and the kinds of institutional and organizational efforts that remove such barriers, the health care professionals who speak in this book ultimately have one consistent message: teamwork makes patient care safer and health care careers more satisfying. These stories are an invaluable tool for those moving toward genuine interprofessional and intraprofessional teamwork.

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Shortlisted for the 2022 National Book Critics' Circle John Leonard Prize for best first book '...I don't know what comes after, once I decide to let desire have its way with me. How to un-melt the melted? How to turn the ground powder back into a person? This idea points to a knowledge that I don't have: how to love without losing the self.' Plumbing the well of culture for clues about love and loss - from Agnes Martin's abstract paintings to Anne Carson's Eros the Bittersweet to Frank Ocean's Blonde - this brilliant work of debut nonfiction explores the state of falling in love, whether with a painting or a person. Pham creates a perfectly fractured portrait of modern intimacy, triumphant in its vulnerability and restlessness. Pop Song is a book about distances: the miles we travel to get away from ourselves, or those who hurt us, and the impossible gaps that can exist between two people sharing a bed. Here is a map to all the routes by which we might escape our own needs before finally finding a way home.

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As the cruel South Dakota winter thawed toward the end of February 1976, a rancher on Pine Ridge Indian Reservation discovered the frostbitten corpse of a Jane Doe at the bottom of a 30-foot cliff, 100 feet from a state highway. An autopsy determined she had died of exposure, while the FBI sent her severed hands to Washington for analysis. Weeks later, a match of fingerprints to feisty American Indian Movement (AIM) activist Anna Mae Pictou-Aquash led to exhumation and another autopsy, this time revealing that she had been shot in the head. Those sympathetic to AIM assumed hers was simply one of nearly 200 unsolved murders during an era when the Reservation was held secretly under martial law, now known as the Reign of Terror. Months before Aquash's murder, a deadly gun battle between AIM members and two young FBI agents forced her to flee with her friend and fellow agitator Leonard Peltier. Although Peltier always denied FBI claims that he was the one who delivered coup de grâce s

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In The History of Anthropology Regna Darnell offers a critical reexamination of the Americanist tradition centered around the figure of Franz Boas and the professionalization of anthropology as an academic discipline in the late nineteenth and early twentieth centuries. Focused on researchers often known as the Boasians, The History of Anthropology reveals the theoretical schools, institutions, and social networks of scholars and fieldworkers primarily interested in the anthropology and ethnography of North American Indigenous peoples. Darnell’s fifty-year career entails seminal writings in the history of anthropology’s four fields: cultural anthropology, ethnography, linguistics, and physical anthropology. Leading researchers, theorists, and fieldwork subjects include Edward Sapir, Daniel Brinton, Mary Haas, Franz Boas, Leonard Bloomfield, Benjamin Lee Whorf, Stanley Newman, and A. Irving Hallowell, as well as the professionalization of anthropology, the development of American folklore scholarship, theories of Indigenous languages, Southwest ethnographic research, Indigenous ceremonialism, text traditions, and anthropology’s forays into contemporary public intellectual debates.The History of Anthropology is the essential volume for scholars, undergraduates, and graduate students to enter into the history of the Americanist tradition and its legacies, alternating historicism and presentism to contextualize anthropology’s historical and contemporary relevance and legacies.

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THE MUST-READ NOIR FOR FANS OF ELMORE LEONARD, JAMES ELLROY AND MICHAEL CONNELLY'A hard-charging, bell-ringing, mother-....... debut novel!' — James EllroyThe last scion of a once-powerful political family, Worcester mayor John O'Toole has his sights set on vastly higher aspirations.When night shift paramedic Thomas Archer uncovers a secret that could upend the mayor's career, O'Toole is set on silencing him, and sends Eamon Conroy, a brutal former cop, to ensure the truth remains under wraps.But O'Toole doesn't stop there.With bribes, buried secrets, and personal attacks, he wreaks havoc on Archer's life in an attempt to save himself.Archer's troubles continue to mount when domestic terrorist and militia member Gerald Knak, who blames Archer for his wife's recent death, sets in motion a deadly plan for revenge.With two forces of evil aligned against him, Archer doesn't stand a chance. But things aren't always what they seem — and he may just have a few tricks up his sleeve in a last gambit to get out alive.Reputations and lies unravel in this gripping tale of corruption, revenge and power.

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LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2021 Shortlisted for the 2022 National Book Critics' Circle John Leonard Prize for best first book As heard on BBC Radio 4's Front Row 'A voraciously knowing, compulsively readable novel' Chris Kraus 'Tremendously funny and sexy as hell' Juliet Jacques 'I loved this very smart book from start to finish, with its beautifully drawn, complicated, and winning characters.' Madeleine Miller Reese nearly had it all: a loving relationship with Amy, an apartment in New York, a job she didn't hate. She'd scraped together a life previous generations of trans women could only dream of; the only thing missing was a child. Then everything fell apart and three years on Reese is still in self-destruct mode, avoiding her loneliness by sleeping with married men. When her ex calls to ask if she wants to be a mother, Reese finds herself intrigued. After being attacked in the street, Amy de-transitioned to become Ames, changed jobs and, thinking he was infertile, started an affair with his boss Katrina. Now Katrina's pregnant. Could the three of them form an unconventional family - and raise the baby together?

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Jewish Bible Translations is the first book to examine Jewish Bible translations from the third century BCE to our day. It is an overdue corrective of an important story that has been regularly omitted or downgraded in other histories of Bible translation. Examining a wide range of translations over twenty-four centuries, Leonard Greenspoon delves into the historical, cultural, linguistic, and religious contexts of versions in eleven languages: Arabic, Aramaic, English, French, German, Greek, Hungarian, Italian, Russian, Spanish, and Yiddish. He profiles many Jewish translators, among them Buber, Hirsch, Kaplan, Leeser, Luzzatto, Mendelssohn, Orlinsky, and Saadiah Gaon, framing their aspirations within the Jewish and larger milieus in which they worked. Greenspoon differentiates their principles, styles, and techniques—for example, their choice to emphasize either literal reflections of the Hebrew or distinctive elements of the vernacular language—and their underlying rationales. As he highlights distinctive features of Jewish Bible translations, he offers new insights regarding their shared characteristics and their limits. Additionally, Greenspoon shows how profoundly Jewish translators and interpreters influenced the style and diction of the King James Bible. Accessible and authoritative for all from beginners to scholars, Jewish Bible Translations enables readers to make their own informed evaluations of individual translations and to holistically assess Bible translation within Judaism.

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Leonard B. Meyer explica en este libro cómo funcionan los mecanismos de la mente para percibir y entender la música. Sus páginas constituyen un lúcido estudio de la psicología de la percepción musical que ha sido profusamente citado por musicólogos, compositores y filósofos desde su primera edición de 1956. Entre sus admiradores figuran Umberto Eco y Enrico Fubini, cuyos comentarios aparecen recogidos en el amplio prólogo escrito por el prestigioso compositor José Luis Turina, autor también de la traducción. "El objeto principal de este ensayo -señala Turina- es doble: de un lado, establecer el modo en que los mecanismos perceptivos del ser humano crean una impresión de forma determinada ante los estímulos musicales que recibe; de otro, las expectativas de una forma concreta que de este modo se generan, y que a su vez pueden verse satisfechas o frustradas, como resultado de lo cual se produce en el oyente una emoción musical que está directamente relacionada con el significado que la p

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Women held more positions of power in the silent film era than at any other time in American motion picture history. Marion Leonard broke from acting to cofound a feature film company. Gene Gauntier, the face of Kalem Films, also wrote the first script of Ben-Hur. Helen Holmes choreographed her own breathtaking on-camera stunt work. Yet they and the other pioneering filmmaking women vanished from memory. Using individual careers as a point of departure, Jane M. Gaines charts how women first fell out of the limelight and then out of the film history itself. A more perplexing event cemented their obscurity: the failure of 1970s feminist historiography to rediscover them. Gaines examines how it happened against a backdrop of feminist theory and her own meditation on the limits that historiography imposes on scholars. Pondering how silent era women have become absent in the abstract while present in reality, Gaines sees a need for a theory of these artists' pasts that relates their aspirations to those of contemporary women. A bold journey through history and memory, Pink-Slipped pursues the still-elusive fate of the influential women in the early years of film.

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Viewed as a crucible of modernity, the eighteenth century has become a special focus of Modern Language Quarterly, a journal that has led the revival of literary history as a subject for empirical study and theoretical reflection. The essays in this volume, which cover a broad cross-section of eighteenth-century literary history, represent the best studies of this period recently published in MLQ. While examining different parts of the century, as well as different aspects and countries, contributors explore the intersection of literary studies with history, philosophy, psychology, and the visual arts. They discuss a creative range of topics, including feminism, nationalism, domestic ideology, the classical novel–drama–lyric poetry triad, and both aesthetic and philosophical writings. This span of subjects and approaches extends the focus of Eighteenth-Century Literary History beyond its period to project a spirit of inquiry onto literary history in general. Contributors. Nancy Armstrong, Marshall Brown, Sanford Budick, Catherine Gallagher, Thomas M. Kavanagh, Jon Klancher, Jill Kowalik, Jonathan Brody Kramnick, Christie McDonald, Jerome McGann, Ruth Perry, Michael B. Prince, Leonard Tennenhouse

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Nicky Burkett finds his childhood friend Vinnie dead at the bottom of a tower block. He and his mates have a code of conduct which makes revenge inevitable. They have to find the villains - much more serious criminals than themselves - and then they have to take them on. The result is a hilarious hybrid of Elmore Leonard and Quentin Tarantino, with dialogue that crackles off the page, unforgettable characters and an authentic sense of place.Darkly comic, stylish and violent, Vinnie Got Blown Away offers a radical contrast from the British tradition of a murder mystery among the middle classes. It mixes without discrimination among black, white and Asian communities; it follows their speech patterns: cockney and Caribbean unite. It demonstrates the resilience in these communities, an ability to survive against all outside pressures and values.Walthamstow is stuck on the end of the north east of London. It is part of London but it inhabits a world of its own. Vinnie Got Blown Away is the first of five novels by Jeremy Cameron describing the area. This first book is set partly in prison, where Nicky Burkett tells his tale and reflects on life.It is part detective story, part thriller.

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Another book in The Kissing Hand series releasing in paperback! Pocket Full of Kisses is the second book in The Kissing Hand series to be released in paperback. The New York Times bestseller and children's classic The Kissing Hand has changed the lives of millions of children and their parents. With Pocket Full of Kisses, Chester Raccoon's story continues as he learns to welcome his baby brother into the family.In this tender sequel to the New York Times bestseller and children's classic The Kissing Hand, Audrey Penn provides parents with another tale of love and reassurance to share with their children. Chester Raccoon has a baby brother—and the baby brother is taking over his territory. When Chester sees his mother give his baby brother a Kissing Hand—his Kissing Hand—he is overcome with sadness, but Mrs. Raccoon soothes his fears with her own special brand of wisdom, finding just the right way to let Chester know he is deeply loved. Brought to life by Barbara Leonard Gibson's warm illustrations, this story is perfect for families who are adjusting to all the changes new members can bring.

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“Earnest, amusing, and contemplative....though Beattie is known for her fiction, her nonfiction has just as much to offer.”—Publishers Weekly“Shimmering prose and critical acumen on display in an eclectic collection.”—Kirkus ReviewsAs deeply rewarding as her fiction, a selection of Ann Beattie’s essays, chosen and introduced by the author. From appreciations of writers, photographers, and other artists, to notes on the craft of writing itself, this is a wide-ranging, and always penetrating collection of writing never before published in book form. Ann Beattie, a master storyteller, has been delighting readers since the publication of her short stories in the 1970s and her first novel, Chilly Scenes of Winter. But as her literary acclaim grew and she was hailed “the voice of her generation,” Ms. Beattie was also moonlighting as a nonfiction writer. As she writes in her introduction to this collection, “Nonfiction always gave me a thrill, even if it provided only an illusion of freedom. Freedom and flexibility—for me, those are the conditions under which imagination sparks.” These penetrating essays are stories unto themselves, closely observed appreciations of life and art. The reader travels with Ms. Beattie to Cedar Rapids, Iowa to learn about the legacy of the painter, Grant Wood, and his iconic painting American Gothic; to the famed University of Virginia campus with her husband, the painter Lincoln Perry; to Key West, Florida for New Years with writer and translator, Harry Mathews; to a roadside near Boston in a broken-down car with the wheelchair-bound writer Andre Dubus. There are explorations of novels, short stories, paintings, and photographs by artists ranging from Alice Munro to Elmore Leonard, from Sally Mann to John Loengard. Whatever the subject, Ms. Beattie brings penetrating insight into literature and art that’s both familiar and unfamiliar—as she writes, “This, I think, is what artists want to do: find a way to lure the reader or viewer into an alternate realm, to overcome the audience’s resistance to being taken away from their own lives and interests and priorities.” Ann Beattie’s nonfiction (originally published in Life, The New Yorker, The New York Times, and The American Scholar, among others) is a new way to enjoy one of the great writers of her generation. Readers will find much to love in this journey with a curious and fascinating mind.More to Say is part of Godine’s Nonpareil series: celebrating the joy of discovery with books bound to be classics.

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An anthology of essays examining the nature and practice of sexual masochism The contested psychoanalytic concept of masochism has served to open up pathways into less-explored regions of the human mind and behavior. Here, rituals of pain and sexual abusiveness prevail, and sometimes gruesome details of unconscious fantasies are constructed out of psychological pain, desperate need, and sexually excited, self- destructive violence. In this significant addition to the Essential Papers in Psychoanalysis series, Margaret Ann Fitzpatrick Hanly presents an anthology of the most outstanding writings in the psychoanalytic study of masochism. In bringing these essays together, Dr. Fitzpatrick Hanly expertly combines classic and contemporary theories by the most respected scholars in the field to create a varied and integrated volume. This collection features papers by S. Nacht, R. Loewenstein, Victor Smirnoff, Sigmund Freud, Jacques Laplanche, Robert Bak, Leonard Shengold, K. Novick, J. Novick, S. Coen, Margaret Brenman, Esther Menaker, S. Lorand, M. Balint, Bernhard Berliner, Charles Brenner, Helene Deutsch, Annie Reich, Marie Bonaparte, Jessica Benjamin, S.L. Olinick, Arnold Modell, Betty Joseph, and Janine Chasseguet-Smirgel.

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For more than three decades, Ethnic Americans has been hailed as a classic history of immigration to America. Leonard Dinnerstein and David M. Reimers begin with a brief overview of immigration during the colonial and early national eras (1492 to the 1820s), focusing primarily on the arrival of English Protestants, while at the same time stressing the diversity brought by Dutch, French, Spanish, and other small groups, including "free people of color" from the Caribbean. Next they follow large-scale European immigration from 1830 to the 1880s. Catholicism became a major force in America during this period, with immigrants--five million in the 1880s alone--creating a new mosaic in every state of the Union. This section also touches on the arrival, beginning in 1848, of Chinese immigrants and other groups who hoped to find gold and get rich. Subsequent chapters address eastern and southern European immigration from 1890 to 1940; newcomers from the Western Hemisphere and Asia who arrived from 1840 to 1940; immigration restriction from 1875 to World War II; and the postwar arrival and experiences of Asian, Mexican, Hungarian, and Cuban refugees. Taking the past fifteen years into account, the fifth edition of Ethnic Americans considers recent influxes of Asians and Hispanics, especially the surge in the Mexican population, and includes expanded coverage of nativist sentiment in American politics and thought.

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For more than three decades, Ethnic Americans has been hailed as a classic history of immigration to America. Leonard Dinnerstein and David M. Reimers begin with a brief overview of immigration during the colonial and early national eras (1492 to the 1820s), focusing primarily on the arrival of English Protestants, while at the same time stressing the diversity brought by Dutch, French, Spanish, and other small groups, including "free people of color" from the Caribbean. Next they follow large-scale European immigration from 1830 to the 1880s. Catholicism became a major force in America during this period, with immigrants--five million in the 1880s alone--creating a new mosaic in every state of the Union. This section also touches on the arrival, beginning in 1848, of Chinese immigrants and other groups who hoped to find gold and get rich. Subsequent chapters address eastern and southern European immigration from 1890 to 1940; newcomers from the Western Hemisphere and Asia who arrived from 1840 to 1940; immigration restriction from 1875 to World War II; and the postwar arrival and experiences of Asian, Mexican, Hungarian, and Cuban refugees. Taking the past fifteen years into account, the fifth edition of Ethnic Americans considers recent influxes of Asians and Hispanics, especially the surge in the Mexican population, and includes expanded coverage of nativist sentiment in American politics and thought.

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How did the soldiers in the trenches of the Great War understand and explain battlefield experience, and themselves through that experience? Situated at the intersection of military history and cultural history, The Embattled Self draws on the testimony of French combatants to explore how combatants came to terms with the war. In order to do so, they used a variety of narrative tools at hand—rites of passage, mastery, a character of the soldier as a consenting citizen of the Republic. None of the resulting versions of the story provided a completely consistent narrative, and all raised more questions about the "truth" of experience than they answered. Eventually, a story revolving around tragedy and the soldier as victim came to dominate—even to silence—other types of accounts. In thematic chapters, Leonard V. Smith explains why the novel structured by a specific notion of trauma prevailed by the 1930s. Smith canvasses the vast literature of nonfictional and fictional testimony from French soldiers to understand how and why the "embattled self" changed over time. In the process, he undermines the conventional understanding of the war as tragedy and its soldiers as victims, a view that has dominated both scholarly and popular opinion since the interwar period. The book is important reading not only for traditional historians of warfare but also for scholars in a variety of fields who think critically about trauma and the use of personal testimony in literary and historical studies.

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La apasionada historia de amor entre Napoleón y Josefina (Josephine Baker, por supuesto); un retrato del autor como un caminante de larga distancia en las carreteras de Irlanda; un thriller íntimo deconstruido; una biografía de Leonard Cohen, cuando menos, delirante: de todo esto está hecho el nuevo libro de Jason. Aquí encontramos todo lo que hace el encanto de este autor único: un arte de la narración consumado, un humor mordaz demoledor, personajes de ojos vacíos que parecen perpetuamente consumidos por una profunda melancolía...Casi veinte años después de la publicación de su primer cómic, 'Chhht!', Jason sigue siendo un autor escurridizo, totalmente dedicado a su arte y que ignora las modas y las tendencias para ofrecer sin descanso obras que siempre resultan fascinantes y reconocibles al primer vistazo.

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The bestselling, prize-winning Adventures on Trains series embarks on a thrilling sixth adventure as Harrison Beck and Uncle Nat climb aboard the night train to Narvik, travelling to the Arctic Circle to see the northern lights for Christmas.'A thrilling and hugely entertaining adventure story' – David Walliams on The Highland Falcon Thief, the first journey in the series.As their train leaves Stockholm, Hal and Uncle Nat realize they’re being followed by a sinister figure, and Hal’s powers of observation are tested when Uncle Nat’s past comes back to haunt him. Journeying into the never ending night of the arctic winter, our railway detectives must outsmart an assassin in their most chilling adventure yet, in which nothing is as it seems.The Arctic Railway Assassin can be read as a stand-alone novel, or enjoyed as part of the award-winning Adventures on Trains series written by M. G. Leonard and Sam Sedgman. Join Hal and Uncle Nat on more stops in this thrilling series with: Murder on the Safari Star, Danger at Dead Man's Pass and Sabotage on the Solar Express.Praise for the series:'Like Murder on the Orient Express but better!' – Frank Cottrell-Boyce on The Highland Falcon Thief'A first class choo-choo-dunnit!' – David Solomons on Kidnap on the California Comet'A high-speed train journey worth catching . . .The best yet' – The Times on Murder on the Safari Star'This series just gets better and better' – Maz Evans on Danger at Dead Man's Pass

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The saints are good company. They are the heroes of the faith who blazed new and creative paths to holiness; they are the witnesses whose testimonies echo throughout the ages in the memory of the Church. Most Christians, and particularly Catholics, are likely to have their own favorite saints, those who inspire and “speak” to believers as they pray and struggle through the challenges of their own lives. Leonard DeLorenzo’s book addresses the idea of the communion of saints, rather than individual saints, with the conviction that what makes the saints holy and what forms them into a communion is one and the same. Work of Love investigates the issue of communication within the communio sanctorum and the fullness of Christian hope in the face of the meaning—or meaninglessness—of death. In an effort to revitalize a theological topic that for much of Catholic history has been an indelible part of the Catholic imaginary, DeLorenzo invokes the ideas of not only many theological figures (Rahner, Ratzinger, Balthasar, and de Lubac, among others) but also historians, philosophers (notably Heidegger and Nietzsche), and literary figures (Rilke and Dante) to create a rich tableau. By working across several disciplines, DeLorenzo argues for a vigorous renewal in the Christian imagination of the theological concept of the communion of saints. He concludes that the embodied witness of the saints themselves, as well as the liturgical and devotional movements of the Church at prayer, testifies to the central importance of the communion of saints as the eschatological hope and fulfillment of the promises of Christ.

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In The History of Anthropology Regna Darnell offers a critical reexamination of the Americanist tradition centered around the figure of Franz Boas and the professionalization of anthropology as an academic discipline in the late nineteenth and early twentieth centuries. Focused on researchers often known as the Boasians, The History of Anthropology reveals the theoretical schools, institutions, and social networks of scholars and fieldworkers primarily interested in the anthropology and ethnography of North American Indigenous peoples. Darnell’s fifty-year career entails seminal writings in the history of anthropology’s four fields: cultural anthropology, ethnography, linguistics, and physical anthropology. Leading researchers, theorists, and fieldwork subjects include Edward Sapir, Daniel Brinton, Mary Haas, Franz Boas, Leonard Bloomfield, Benjamin Lee Whorf, Stanley Newman, and A. Irving Hallowell, as well as the professionalization of anthropology, the development of American folklore scholarship, theories of Indigenous languages, Southwest ethnographic research, Indigenous ceremonialism, text traditions, and anthropology’s forays into contemporary public intellectual debates.The History of Anthropology is the essential volume for scholars, undergraduates, and graduate students to enter into the history of the Americanist tradition and its legacies, alternating historicism and presentism to contextualize anthropology’s historical and contemporary relevance and legacies.

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An anthology of essays examining the nature and practice of sexual masochism The contested psychoanalytic concept of masochism has served to open up pathways into less-explored regions of the human mind and behavior. Here, rituals of pain and sexual abusiveness prevail, and sometimes gruesome details of unconscious fantasies are constructed out of psychological pain, desperate need, and sexually excited, self- destructive violence. In this significant addition to the Essential Papers in Psychoanalysis series, Margaret Ann Fitzpatrick Hanly presents an anthology of the most outstanding writings in the psychoanalytic study of masochism. In bringing these essays together, Dr. Fitzpatrick Hanly expertly combines classic and contemporary theories by the most respected scholars in the field to create a varied and integrated volume. This collection features papers by S. Nacht, R. Loewenstein, Victor Smirnoff, Sigmund Freud, Jacques Laplanche, Robert Bak, Leonard Shengold, K. Novick, J. Novick, S. Coen, Margaret Brenman, Esther Menaker, S. Lorand, M. Balint, Bernhard Berliner, Charles Brenner, Helene Deutsch, Annie Reich, Marie Bonaparte, Jessica Benjamin, S.L. Olinick, Arnold Modell, Betty Joseph, and Janine Chasseguet-Smirgel.

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Hastings: Wartime Memories and Photographs weaves the personal stories of 75 people who endured life in Hastings during the Home Front war years with more than 140 photographs, the majority of which have never been published before. It describes the dramatic and turbulent way in which a peaceful seaside resort quickly became a town in grave danger of enemy attack, whose residents had to adapt very rapidly in order to cope with the numerous problems that now faced them. The book delves into the lives of ordinary men, women and children, as well as the soldiers and evacuees who made Hastings their home at the time and so lived with the constant fear of invasion, and provides a detailed and colourful account of life on the front line. The personal stories and photographs are complemented by documentary evidence from various sources, including local newspapers, local and national government records and two very informative private diaries that were meticulously kept in Hastings during the Second World War by John Turner and Charles Chalk. The focus of this book is once again Hastings and St Leonards, but inevitably the surrounding towns and villages are also included.

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"Oh, my God! to think of that kind-hearted, lovely young woman, who brings happiness with her wherever she goes, bringing terror to me! Terror when her pitying eyes look at me; terror when her kind voice speaks to me; terror when her tender hand touches mind!" Porthgenna Tower on the remote western Cornish coast. Moments before her death, Mrs Treverton dictates a secret to her maid, never to be passed to her husband as she had instructed. Fifteen years later, when Mrs Treverton's daughter, Rosamond, returns to Porthgenna with her blind husband, Leonard, she is intrigued by the strange and seemingly disturbed Mrs Jazeph's warning not to enter the Myrtle Room in the ruined north wing. Strong-minded and ingenious, Rosamond's determined detective work uncovers shocking and unsettling truths beyond all expectation. A mystery of unrelenting suspense and psychologically penetrating characters, The Dead Secret explores the relationship between a fallen woman, her illegitimate daughter, and buried secrets in a superb blend of romance and Gothic drama. Wilkie Collins's fifth novel, The Dead Secret anticipates the themes of his next novel, The Woman in White in its treatment of mental illness, disguise and deception, and the dispossession of lost identity. Yet a series of comic figures offsets the tension, from the dyspeptic Mr Phippen to the perpetually smiling governess, Miss Sturch. Displaying the talent and energy which made Collins the most popular novelist of the 1860s, The Dead Secret represents a crucial phase in Collins's rise as a mystery writer, and was his first full-length novel written specifically for serialization. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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#1 WALL STREET JOURNAL BESTSELLER & WINNER OF 20 INTERNATIONAL BOOK AWARDS! The highly anticipated 10th edition of the groundbreaking innovation book Non-Obvious – featuring ten all new trend predictions for winning the future. Introducing a book about what it really takes to predict the future, by getting better at understanding the accelerating present. What can the quirky rules of Icelandic hot tub etiquette and the unexpected celebrity of a Michelin-ranked food stall in Singapore teach you about the future of business and culture? The answer may not be all that obvious, and that’s exactly the point. For the past decade, innovation expert and marketing professor Rohit Bhargava and his intrepid team of trend curators have produced one of the most widely read annual trend forecasts in the world: the Non-Obvious Trend Report. Whether you are among one of the more than 1 million readers of a previous edition of this report or not, this completely updated new edition features an unprecedented look behind the scenes at the author’s award-winning “Haystack Method” for identifying the ideas and insights others miss by learning to collect ideas the way most people collect frequent flier miles. You don’t need to be a futurist or innovation expert in order to learn to think like one. In this book you’ll not only learn how to use the Haystack Method yourself, but also read insights about how to leverage the ten forecasted megatrends to grow your own business or propel your career. The key to winning the future lies in better understanding the present. This book is an essential guide to becoming a non-obvious thinker and using the art of trend curation to get better at predicting what will be important tomorrow based on learning to better observe patterns in the world today. List of awards for previous editions: Winner: Eric Hoffer Business Book of the Year Winner: Axiom Award Silver Medal (Business Theory) Winner: INDIE Gold Medal (Business Business Book) Finalist: Leonard L. Berry Marketing Book Award Winner: IPPY Silver Medal (Best Business Book) Finalist: International Book Award (Best Business Book) Official Selection: Gary’s Book Club at CES Winner: Non-Fiction Book Award (Gold Medal) Winner: Pinnacle Best Business Book Award

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‘A glorious story that celebrates the power of love’ – Bestselling author ADRIANA TRIGIANI ‘I adored The House in the Olive Grove. It is a hymn to friendship and love, and is utterly perfect’ – Bestselling author LIZ FENWICK Will one week in Greece change their lives for ever? Chef Maria is running a successful cookery school in her home village of Petalidi, Greece – but she is also running from the secrets of her past. Food journalist Kayla thought this was going to be just another work trip. But right before she leaves for Greece, she discovers that her whole life is built on a lie. Jewellery-maker Alessandra has always lived according to her own rules – despite what it has cost her to do so. But she has just had some devastating news. As these three very different women come together at the house in the olive grove, unlikely friendships blossom and a season of self-discovery begins. Will the sumptuous flavours, sapphire waters and golden sands of Greece give each of them the answers they so desperately seek? The breathtaking, escapist second novel from Emma Cowell, perfect for fans of Victoria Hislop, Carol Kirkwood and Karen Swan. Readers love The House in the Olive Grove: ‘Emma Cowell creates worlds of warmth, laughter, healing and hope in her delicious novels. The House in the Olive Grove is a glorious story that celebrates the power of love.’ – Adriana Trigiani ‘Light your favourite candle, pour yourself a glass of ouzo, play Leonard Cohen’s ‘Bird on a Wire,’ and let author Emma Cowell transport you to Petalidi, Greece.’ Reader Review ⭐⭐⭐⭐⭐ ‘I adored The House in the Olive Grove. It is a hymn to friendship and love, and is utterly perfect.’ – Liz Fenwick ‘A homage to Greek cooking, bee keeping and to the closeness of small communities … The book has an exceptionally strong emotional pulse.’ Reader Review ⭐⭐⭐⭐⭐ ‘A culinary twist, female solidarity, friendship and romance, what more does one need for a perfect summer read?’ – Nadia Marks ‘This book is food for the soul.’ Reader Review ⭐⭐⭐⭐⭐ ‘Evocative, compelling, moving. A glorious story.’ – Kate Frost ‘I loved how beautifully Greece and the food were described – it makes you wish you were there yourself.’ Reader Review ⭐⭐⭐⭐⭐ ‘Sunshine and friendship, broken hearts and secrets. Cowell’s exquisite writing is as delicious as the food she describes.’ – Jennie Keer ‘Eloquent prose brings to life the feel of the breeze off the ocean, the enticing aroma drifting from Maria’s kitchen and the sweetness of the bees’ honey.’ Reader Review ⭐⭐⭐⭐⭐ ‘A sweeping novel about sisterhood, courage and new beginnings that will inspire and delight.’ – Tessa Harris ‘Cowell has written a lovely atmospheric novel that will engage and entertain you.’ Reader Review ⭐⭐⭐⭐⭐ ‘The glorious setting will instantly transport you to sunnier climes!’ – My Weekly ‘A gorgeous read and a real nod to the friendships women can form.’ – Best

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Elmore Leonard (1925-2013) es considerado el último gran maestro de la novela negra norteamericana en un raro consenso tanto entre escritores que se reconocen afines a su estilo conciso como entre los que no. Fiel a los consejos expresados en un famoso decálogo que compendió en 2001, en sus novelas la escritura, desnuda y trepidante, nunca incurre en distracciones ni adornos, dando preferencia a la acción y al diálogo ?a menudo irónico y corrosivo? sobre cualquier clase de descripción física o psicológica. En ?Un tipo implacable?, los Estados Unidos de la Depresión, el gangsterismo y la Ley Seca de los años treinta sirven de marco a un duelo insólito en busca de la fama entre el autodestructivo Jack Belmont, ávido por convertirse en el ?enemigo público número uno?, y Carl Webster, un joven policía señalado por su frialdad y su capacidad calculadora.

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The making of the Star Trek movies, as told by the cast and crew! As Star Trek Beyond heads into movie theaters and the Star Trek franchise celebrates its 50th Anniversary, this jam-packed volume celebrates Star Trek on the silver screen in all its incarnations - from the J.J. Abrams-directed Star Trek and Into Darkness to the classic The Wrath of Khan and The Undiscovered Country - with a stellar array of big name cast and crew interviews.In this unparalleled collection of interviews and behind the scenes features, all true Star Trek fans can learn of J.J. Abrams' challenges in revitalising Star Trek for the big screen. Experience the late, great Leonard Nimoy's reflections on the life of Spock and his own directorial experiences on Star Trek. Chris Pine, Zoe Saldana, and Zachary Quinto reveal their secrets behind reinterpreting classic Trek characters, while Benedict Cumberbatch, Eric Bana, Peter Weller and Malcolm McDowell reveal all about creating some of the most memorable Star Trek villains.Packed with in-depth features and interviews with the casts and crews of the Star Trek movies, plus an exclusive inside story on making Star Trek: The Motion Picture, this is a must for all true Trek fans!

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Julia Kydd returns in a new mystery set in the beguiling world of the Harlem Renaissance, where reckless revelry leads to devastating crimes. When stylish young bibliophile Julia Kydd returns to 1920s New York, she’s determined to launch her own private press. Julia’s aspirations take her into the heart of the Harlem Renaissance, a literary movement unlike any she’s known—where notions of race, sexuality, and power are slippery, and identities can be deceptively fluid. At a risqué soiree, Julia befriends singer Eva Pruitt, whose new book is rumored to reveal lurid details about the Harlem nightlife. But Leonard Timson, a local nightclub owner, is furious when he suspects he’s the inspiration for a violent character in the book. By morning, Timson is dead, and both Eva and her manuscript are missing. Julia finds herself immersed in a case as troubling as Jazz Age race relations. More questions than answers surface about Eva’s mysterious world, and powerful interests conspire to protect dangerous secrets. Still, no man can stand between Julia and the truth: appalled by violent injustice, she must use her wit and guile to find the killer.

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Women held more positions of power in the silent film era than at any other time in American motion picture history. Marion Leonard broke from acting to cofound a feature film company. Gene Gauntier, the face of Kalem Films, also wrote the first script of Ben-Hur. Helen Holmes choreographed her own breathtaking on-camera stunt work. Yet they and the other pioneering filmmaking women vanished from memory. Using individual careers as a point of departure, Jane M. Gaines charts how women first fell out of the limelight and then out of the film history itself. A more perplexing event cemented their obscurity: the failure of 1970s feminist historiography to rediscover them. Gaines examines how it happened against a backdrop of feminist theory and her own meditation on the limits that historiography imposes on scholars. Pondering how silent era women have become absent in the abstract while present in reality, Gaines sees a need for a theory of these artists' pasts that relates their aspirations to those of contemporary women. A bold journey through history and memory, Pink-Slipped pursues the still-elusive fate of the influential women in the early years of film.

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Derived from the colorful traditions of vaudeville, burlesque, revue, and operetta, the musical has blossomed into America's most popular form of theater. Scott McMillin has developed a fresh aesthetic theory of this underrated art form, exploring the musical as a type of drama deserving the kind of critical and theoretical regard given to Chekhov or opera. Until recently, the musical has been considered either an "integrated" form of theater or an inferior sibling of opera. McMillin demonstrates that neither of these views is accurate, and that the musical holds true to the disjunctive and irreverent forms of popular entertainment from which it arose a century ago. Critics and composers have long held the musical to the standards applied to opera, asserting that each piece should work together to create a seamless drama. But McMillin argues that the musical is a different form of theater, requiring the suspension of the plot for song. The musical's success lies not in the smoothness of unity, but in the crackle of difference. While disparate, the dancing, music, dialogue, and songs combine to explore different aspects of the action and the characters. Discussing composers and writers such as Rodgers and Hammerstein, Stephen Sondheim, Kander and Ebb, Leonard Bernstein, and Jerome Kern, The Musical as Drama describes the continuity of this distinctively American dramatic genre, from the shows of the 1920s and 1930s to the musicals of today.

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In the popular imagination, slavery in the United States ended with Abraham Lincoln's Emancipation Proclamation. The Proclamation may have been limited-freeing only slaves within Confederate states who were able to make their way to Union lines - but it is nonetheless generally seen as the key moment, with Lincoln's leadership setting into motion a train of inevitable events that culminated in the passage of an outright ban: the Thirteenth Amendment. The real story, however, is much more complicated - and dramatic - than that. With Who Freed the Slaves?, distinguished historian Leonard L. Richards tells the little-known story of the battle over the Thirteenth Amendment, and of James Ashley, the unsung Ohio congressman who proposed the amendment and steered it to passage. Taking readers to the floor of Congress and to the back rooms where deals were made, Richards brings to life the messy process of legislation - a process made all the more complicated by the bloody war and the deep-rooted fear of black emancipation. We watch as Ashley proposes, fine - tunes, and pushes the amendment even as Lincoln drags his feet, coming aboard and providing crucial support only at the last minute. Even as emancipation became the law of the land, Richards shows, its opponents were already regrouping, beginning what would become a decades-long - and largely successful-fight to limit the amendment's impact. Who Freed the Slaves? is a masterwork of American history, presenting a surprising, nuanced portrayal of a crucial moment for the nation, one whose effects are still being felt today.

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For more than a decade, top coaches have turned to one resource time and time again. Collecting the wisdom, insights, and advice from the sport’s legendary instructors, The Swim Coaching Bible immediately established its place in the libraries of swim coaches around the globe. Coaches, it’s time to make room alongside that classic for a new resource! The Swim Coaching Bible, Volume II, picks up where the original left off, providing more instruction, guidance, and expertise on every aspect of the sport. Inside, you’ll learn the secrets, strategies, and philosophies of 27 of today’s most successful coaches, including these legendary leaders: • Jack Bauerle • George Block • Mike Bottom • Bob Bowman • Sid Cassidy • John Urbancheck • Bill Rose • Vern Gambetta • David Durden • Brett Hawke • Gregg Troy • John Leonard • Dick Shoulberg • David Marsh • Teri McKeever • Bill Sweetenham From developing swimmers to building a winning program, teaching the nuances and refining stroke techniques to applying the latest research to training and conditioning programs, it’s all here. Endorsed by the World Swimming Coaches Association, this new collection is another landmark work in competitive swimming. If you coach the sport or want a competitive edge, The Swim Coaching Bible, Volume II, is a must-own.

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Eight years before the French Revolution, the paper mill at Vidalon-le-Haut was the setting for a bitter strike and successful lockout. This labor dispute, resulting from conflicts between master papermakers and skilled journeymen, ultimately benefitted the mill's owners and administrators-the Montgolfier family. They converted the 1781 lockout into an opportunity to train a new kind of worker, a malleable employee, and to fashion a new sort of workplace, a theater of technological experiment. Papermaking in Eighteenth-Century France: Management, Labor, and Revolution at the Montgolfier Mill, 1761-1805, gives us history from the workshop up, offering the most comprehensive exploration available of the historical experience of papermaking. Leonard N. Rosenband explains how paper was made, depicting the tools, techniques, raw materials, and seasonable flows of the craft, and explores the many conflicts and compromises between masters and men. Rosenband provides a compelling account of how technological change affected the papermaking industry, transforming an elaborate, established system of production. The Montgolfier archives are a rich source of information, providing records of daily output and procedures, including complex rules ranging from the precise hours of meals and prayer to matters of propriety and personal sanitation. They also provide insight into the attitudes of the Montgolfier family and their workers-what they made of their trade, their labor, and one another. This case study of the Montgolfier mill, adding details about technological innovation and shopfloor relations during a time of social unrest, enriches the current debate about the nature and impact of capitalism in France during the years leading up to the French Revolution.

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Most macroeconomists agree that we live in the age of microfoundations. The recent worldwide financial crisis may have emboldened critics of this microfoundational orthodoxy, but it remains the dominant view that macroeconomic models must go beyond supply and demand functions to the level of individual decision-making, taking into account the general dynamic environment where agents live. Microfoundations Reconsidered seeks to reassess how the relationship of micro and macroeconomics evolved over time. The highly regarded contributors to the book argue that the standard narrative of microfoundations is likely to be unreliable. They therefore re-examine the history of the relationship of microeconomics and macroeconomics, starting from their emergence as self-consciously distinct fields within economics in the early 1930s. They seek to go beyond the conventional history that is often told and written by practicing economists. From different perspectives they challenge the association of microfoundations with Robert Lucas and rational expectations and offer both a more complete and a deeper reading of the relationship between micro and macroeconomics. Microfoundations Reconsidered is a valuable addition to the macroeconomic research literature. It is ideally suited to students, scholars, researchers, and practitioners with an interest in macro and microeconomics and the history of economics. Contributors: M. De Vroey, P. Garcia Duarte, D.W. Hands, K.D. Hoover, R. Leonard, G.T. Lima, P.E. Mirowski

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More than fifty years after it ended, the Holocaust continues to leave survivors and their descendants, as well as historians, philosophers, and theologians, searching for words to convey the enormity of that event. Efforts to express its realities and its impact on successive generations often stretch language to the breaking point--or to the point of silence. Words whose meaning was contested before the Holocaust prove even more fragile in its wake. David Patterson and John K. Roth identify three such "after-words": forgiveness, reconciliation, and justice. These words, though forever altered by the Holocaust, are still spoken and heard. But how should the concepts they represent be understood? How can their integrity be restored within the framework of current philosophical and, especially, religious traditions? Writing in a format that creates the feel of dialogue, the nine contributors to After-Words tackle these and other difficult questions about the nature of memory and forgiveness after the Holocaust to encourage others to participate in similar inter- and intrafaith inquiries. The contributors to After-Words are members of the Pastora Goldner Holocaust Symposium. Led since its founding in 1996 by Leonard Grob and Henry Knight, the symposium’s Holocaust and genocide scholars--a group that is interfaith, international, interdisciplinary, and intergenerational--meet biennially in Oxfordshire, England.

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