Search results for ""author elizabeth"

An engaging comedy of love, The Two Gentlemen of Verona deals with the conflict between friendship and romance, and features one of Shakespeare's most memorable clowns. This Penguin Shakespeare edition is edited by Norman Sanders with an introduction by Russell Jackson.'Except I be by Silvia in the night, There is no music in the nightingale'Leaving behind both home and beloved, a young man travels to Milan to meet his closest friend. Once there, however, he falls in love with his friend's new sweetheart and resolves to seduce her. Love-crazed and desperate, he is soon moved to commit cynical acts of betrayal, revealing how passion can prove more powerful than even the strongest loyalty owed to a friend.This book contains a general introduction to Shakespeare's life and Elizabethan theatre, a separate introduction to the play, a chronology, suggestions for further reading, an essay discussing performance options on both stage and screen, and a commentary.

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From the Royal Shakespeare Company – a modern, definitive edition of Shakespeare’s magical late play. With an expert introduction by Sir Jonathan Bate, this unique edition presents a historical overview of Cymbeline in performance, takes a detailed look at specific productions, and recommends film versions. Included in this edition are interviews with two leading directors – Dominic Cooke and Emma Rice – providing an illuminating insight into the extraordinary variety of interpretations that are possible. This edition also includes an essay on Shakespeare’s career and Elizabethan theatre, and enables the reader to understand the play as it was originally intended – as living theatre to be enjoyed and performed. Ideal for students, theatre-goers, actors and general readers, the RSC Shakespeare editions offer a fresh, accessible and contemporary approach to reading and rediscovering Shakespeare’s works for the twenty-first century.

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With a foreword by twice Great British Menu winner Colin Mcgurran from Winteringham Fields, The Lincolnshire Cook Book celebrates the culinary diversity of the county of Lincolnshire. This 160 page cook book features more than 35 stunning recipes from local restaurants, cafes, delis, pubs and food producers including some of the county’s finest food establishments such as Elizabethan country estate Doddington Hall, legendary Lincoln restaurant Jews House and TV chef Rachel Green. It also features one of Lincoln’s most popular hangouts, Buntys Tearoom, as well as farm shop and educational centre Uncle Henry’s in Gainsborough. San Pietro in Scunthorpe – who are listed in the Good Food Guide - have also produced three recipes for the book; lobster linguine, rabbit bonbon and liquorice panna cotta. Whether you are a fan of fine dining or a non nonsense cook, this book has something for everyone's taste and ability in the kitchen.

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The collected BBC radio adaptations of Virginia Woolf’s pioneering modernist novelsThe Voyage OutA sea voyage to South America turns into a journey of self-discovery for naïve Rachel Vinrace.Night and DayIn pre-First World War London, aristocrat Katharine Hilbery and suffragette Mary Datchet have their assumptions about love challenged.Mrs DallowayVirginia Woolf’s masterpiece charts one day in the life of Clarissa Dalloway, as she prepares to host an important party.To the LighthouseCentring around a summer home on Skye, Virginia Woolf’s landmark tale follows the Ramsay family and their guests before and after World War I.OrlandoThe adventures of time-travelling, gender-swapping poet Orlando, who is born male in Elizabethan England and dies female over 300 years later.The WavesIn this radical ‘play-poem’, six characters look back on their childhood and first forays into adulthood, and reflect on the loss of their friend Percival.Between the ActsAn eccentric artist devises a pageant celebrating English history – but it is 1939, and the shadow of war hangs over England’s present.Among the stars of these seven poignant, penetrating dramatisations are Bertie Carvel, Kristin Scott-Thomas, Dervla Kirwan, John Lynch, Geraldine James, Anna Massey and Don Warrington.

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The text of a talk given by renowned theatre director Peter Brook in Berlin in 1998, addressing essential questions about performing Shakespeare today. Brook invites us to consider the actual conditions of the Elizabethan theatre and the actual qualities of Shakespeare's language. Published as part of the Dramatic Contexts series: important statements on the theatre by major figures in the theatre.

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From the Royal Shakespeare Company – a modern, definitive edition of Shakespeare’s magnificent tragedy of love, jealousy and explosive racial politics. With an expert introduction by Sir Jonathan Bate, this unique edition presents a historical overview of Othello in performance, takes a detailed look at specific productions, and recommends film versions. Included in this edition are interviews with two leading directors and an actor – Trevor Nunn, Michael Attenborough and Antony Sher – providing an illuminating insight into the extraordinary variety of interpretations that are possible. This edition also includes an essay on Shakespeare’s career and Elizabethan theatre, and enables the reader to understand the play as it was originally intended – as living theatre to be enjoyed and performed. Ideal for students, theatre-goers, actors and general readers, the RSC Shakespeare editions offer a fresh, accessible and contemporary approach to reading and rediscovering Shakespeare’s works for the twenty-first century.

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Some of England's grandest country houses are to be found in this prosperous rural county. The Elizabethan Renaissance Kirby Hall, the Jacobean mansion at Apethorpe, the late 17th-century French-inspired Boughton, Hawksmoor's stately Baroque Easton Neston, and the interiors of Althorp provide a fascinating survey of changing taste through the centuries. Complementing them are smaller buildings of great character, supreme among them those of Sir Thomas Tresham: the eccentric and ingenious Triangular Lodge at Rushton and the evocative New Beild at Lyveden. Of no less interest are the fine churches, from Anglo-Saxon Brixworth to the noble Gothic of Warmington, Rushden and Finedon and from All Saints, Northampton, one of the grandest 17th-century churches outside London, to Comper’s St. Mary’s, Wellingborough. Chief among the towns, Northampton has not only distinguished Victorian and Edwardian public, commercial and industrial buildings but also the principal work in England by Charles Rennie Mackintosh.

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Exam Board: AQA, Edexcel, OCR B and WJEC Eduqas Level: GCSE 9-1 Subject: British History Suitable for the 2024 exams Complete revision and practice to fully prepare for the GCSE grade 9-1 exams Revision that Sticks! Collins GCSE 9-1 British History Complete All-in-One Revision and Practice uses a revision method that really works: repeated practice throughout. A revision guide, workbook and practice paper in one book!With clear and concise revision for every topic, plus seven practice opportunities, Collins offers the best revision at the best price. Depth studies: Norman England and Elizabethan EnglandThematic studies: Health and Medicine and Crime and Punishment Includes: quick tests as you go end-of-topic practice questions topic review questions later in the book mixed practice questions at the end of the book more topic-by-topic practice in the workbook a complete exam-style paper free Q&A flashcards to download online free ebook version

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A masterful, highly engaging analysis of how Shakespeare’s plays intersected with the politics and culture of Elizabethan England With an ageing, childless monarch, lingering divisions due to the Reformation, and the threat of foreign enemies, Shakespeare’s England was fraught with unparalleled anxiety and complicated problems. In this monumental work, Peter Lake reveals, more than any previous critic, the extent to which Shakespeare’s plays speak to the depth and sophistication of Elizabethan political culture and the Elizabethan imagination. Lake reveals the complex ways in which Shakespeare’s major plays engaged with the events of his day, particularly regarding the uncertain royal succession, theological and doctrinal debates, and virtue and virtù in politics. Through his plays, Lake demonstrates, Shakespeare was boldly in conversation with his audience about a range of contemporary issues. This remarkable literary and historical analysis pulls the curtain back on what Shakespeare was really telling his audience and what his plays tell us today about the times in which they were written.

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In this engaging text, Arthur Kinney introduces students to Shakespeare’s plays in the context of Elizabethan and Jacobean theater. Introduces students to Shakespeare's plays in the context of Elizabethan and Jacobean theater. Focuses on the material conditions of playing and of playgoing. Covers venues, audiences, actors, society, government and regulation. Each topic is considered in relation to a selection of Shakespeare's plays. Shows students how the plays and the context in which they were produced illuminate one another.

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The Nick Hern Books RSC Classics - a series of rarely performed plays from the 16th and 17th centuries, published alongside their resurrection by the Royal Shakespeare Company in Stratford-upon-Avon and the West End. Eastward Ho! is a collaboratively written City Comedy by Ben Jonson, John Marston and George Chapman, which sees true love and virtue triumphing over social-climbing, deception and trickery. Teeming with energy and larger than life characters, Eastward Ho! sees Touchstone, a London goldsmith, preparing to marry off his two daughters. Touchstone's two apprentices lead the wooing until the rakish fop Sir Petronel Flash arrives on the scene. Eastward Ho! was first performed at the Blackfriars Theatre, London, in 1605. This edition of the play is edited with an introduction by Helen Ostovich and preface by Gregory Doran. The plays in the RSC Classics series reflect the diversity of styles, themes and subjects of the Elizabethan and Jacobean stage, and include a 'new' addition to the Shakespeare canon.

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Kids can experience William Shakespeare’s England and get their first taste of the Bard’s sublime craft with this lively biography and activity book. Staging swordplay, learning to juggle, and creating authentic costumes like a flamboyant shirt with slashed sleeves or a lady’s lace-trimmed glove bring the theater arts to life. Making a quill pen and using it to write a story, binding a simple book by hand, creating a fragrant pomander ball and a dish of stewed apples show what daily life was like in Elizabethan times. Inspired by scenes from Shakespeare’s plays, kids can invent new words, write songs, and devise scathing or comical insults just as he did. Fascinating and accurate historical information and 21 fun activities open a dramatic new world of learning for children ages 8 and up.

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First published in 1996, James Shapiro's pathbreaking analysis of the portrayal of Jews in Elizabethan England challenged readers to recognize the significance of Jewish questions in Shakespeare's day. From accounts of Christians masquerading as Jews to fantasies of settling foreign Jews in Ireland, Shapiro's work delves deeply into the cultural insecurities of Elizabethans while illuminating Shakespeare's portrayal of Shylock in The Merchant of Venice. In a new preface, Shapiro reflects upon what he has learned about intolerance since the first publication of Shakespeare and the Jews.

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"Shall I compare thee to a summer's day?" Shakespeare's much-quoted sonnets are some of the most beautiful and moving poems in English literature. Dealing with love, beauty and the effects of time, they speak to us as directly now as they spoke to Elizabethan readers. This handsome edition of Shakespeare's sonnets is based on the Arden Shakespeare edition, making authoritative texts available to the more general reader who wants to read for pleasure rather than study. A must for all Shakespeare and poetry lovers. Published as a small format hardback with colourful jacket, book ribbon and bookplate this is a beautiful collector's edition of some of the greatest poetry in English

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Expanded footnotes designed to help readers from all levels of familiarity with Elizabethan drama. Emphasis on the play as a theatre text - informative stage-directions. Stimulating introduction, which makes something of a break from the orthodox style .

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Shakespeare's potent use of garden imagery has captivated successive generations of readers and inspired the making of gardens across the globe. Laced with quotations and abounding with illustrations drawn from sources including Elizabethan gardening books, embroidered fabrics and hand-coloured herbals, The Quest for Shakespeare's Garden tells the story of the Bard's own garden at New Place in Stratford-upon-Avon, revealing its place in garden history.

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Selection of correspondence from the house which was once Little Malvern priory, illuminating life at the time. In 1538 John Russell, secretary to the Council of the Welsh Marches, acquired the dissolved priory of Little Malvern, where his descendants, the Beringtons, still live. This selection from the family letters in the WorcestershireRecord Office vividly illustrates the impact on Worcestershire of the Reformation and the Civil War. Among much else, it includes correspondence with Thomas Cromwell and Lord Chancellor Audley (who was John Russell's brother-in-law); Elizabethan medical prescriptions and business letters; correspondence about evading the penal laws against Catholics; a mock-heroic Latin skit on James I; a personal letter from one of the Jesuits executed at the time of theOates Plot, and an official certificate that Little Malvern had been (unsuccessfully) searched for priests. The letters themselves are accompanied by an introduction and explanatory notes. Michael Hodgetts has written extensively on Recusant History and is an acknowledged expert on English Catholic families and their houses.

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Here, in the second volume of a series, E.D. Blodgett extends the meditations of Apostrophes: woman at a piano, which won the Governor General's award for poetry in 1996. An astonishing hybrid of Symboliste vision and Elizabethan form, through you I is a lovely offering from one of Canada's leading writers.

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First survey of the religious history of Cornwall, from the county's Romano-British origins to the sixteenth century. Religious history is the focus of this volume, which covers the development of Christianity in the county from its Romano-British origins up to the Elizabethan Church Settlement of 1559; it provides the first ever in-depth study of the county's religious history during the Middle Ages and the Reformation. The story it tells is a highly distinctive one, full of interest, covering the uniquely numerous local saints and founders, their legends and the parish churches, chapels, holy wells and religious sites associated with them, as well as the larger religious communities. The Cornish clergy are placed in a national context and the impact of their scholarship on the wider word is emphasised. Five general chapters are followed by detailed histories of the 35 monasteries, friaries, collegiate churches, and hospitals in the county. The book is well-illustrated throughout, with numerous maps, plans,and photographs. NICHOLAS ORME is Emeritus Professor of History at Exeter University and an honorary canon of Truro Cathedral. He has written some twenty books on English religious, cultural, and social history, including Medieval Children, Medieval Schools, and The Saints of Cornwall.

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This expertly revised and enlarged survey is the perfect architectural companion to one of England’s most beautiful regions. From the misty Levels to the heights of Exmoor and the Mendips, the Somerset landscape is enriched by buildings of outstanding quality and interest. The early medieval ruins of Glastonbury Abbey and the Elizabethan great house of Montacute are among the finest works of their time. Also famous are the lavishly decorated church towers of the Perpendicular period, such as those at Taunton, Evercreech, and Huish Episcopi. Many of these churches serve towns and villages of exceptional charm, marked by an unusual diversity of building stones and materials. From Porlock to Burnham-on-Sea, the ports and resorts of the long coastline all have their own distinctive architectural inheritance. Well-kept vernacular houses and other rural buildings complete the inland picture.

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Originally constructed in the late 16th century for the notorious Bess of Hardwick, Countess of Shrewsbury, Hardwick Hall is now among the National Trust’s greatest architectural landmarks, with much of its original interior and ornamentation still intact. This splendid publication is the definitive source of scholarship on the remarkably well-preserved exemplar of late-Elizabethan style. Composed of extensive research and newly commissioned photography, this beautifully illustrated book traces the history of the house and its inhabitants through the centuries, showcasing a remarkable collection of portraiture, tapestries, furniture, and gardens, and providing readers with a genuine sense of the house’s environment. Published in association with the Paul Mellon Centre for Studies in British Art

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Essays exploring medieval castration, as reflected in archaeology, law, historical record, and literary motifs. Castration and castrati have always been facets of western culture, from myth and legend to law and theology, from eunuchs guarding harems to the seventeenth- and eighteenth-century castrati singers. Metaphoric castration pervadesa number of medieval literary genres, particularly the Old French fabliaux - exchanges of power predicated upon the exchange or absence of sexual desire signified by genitalia - but the plain, literal act of castration and its implications are often overlooked. This collection explores this often taboo subject and its implications for cultural mores and custom in Western Europe, seeking to demystify and demythologize castration. Its subjects includearchaeological studies of eunuchs; historical accounts of castration in trials of combat; the mutilation of political rivals in medieval Wales; Anglo-Saxon and Frisian legal and literary examples of castration as punishment; castration as comedy in the Old French fabliaux; the prohibition against genital mutilation in hagiography; and early-modern anxieties about punitive castration enacted on the Elizabethan stage. The introduction reflects on these topics in the context of arguably the most well-known victim of castration in the middle ages, Abelard. LARISSA TRACY is Associate Professor of Medieval Literature at Longwood University. Contributors: Larissa Tracy, Kathryn Reusch, Shaun Tougher, Jack Collins, Rolf H. Bremmer Jr, Jay Paul Gates, Charlene M. Eska, Mary A. Valante, Anthony Adams, Mary E. Leech, Jed Chandler, Ellen Lorraine Friedrich, Robert L.A. Clark, Karin Sellberg, LenaWånggren

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Essays on the development of the post-medieval house, its contents and decoration. During the last forty years, South-West England has been the focus of some of the most significant work on the early modern house and household in Britain. Its remarkable wealth of vernacular buildings has been the object of muchattention, while the area has also seen productive excavations of early modern household goods, shedding new light on domestic history. This collection of papers, written by many of the leading specialists in these fields, presents a number of essays summarizing the overall understanding of particular themes and places, alongside case studies which publish some of the most remarkable discoveries. They include the extraordinary survival of wall-hangings in a South Devon farm, the discovery of painted rooms in an Elizabethan town house, and a study of a table-setting mirrored on its ceiling. Also considered are forms of decoration which seem specific to particular areas of the West Country houses. Taken together, the papers offer a holistic view of the household in the early modern period. John Allan is Consultant Archaeologist to the Dean & Chapter of Exeter Cathedral; Nat Alcock is EmeritusReader in the Department of Chemistry, University of Warwick; David Dawson is an independent archaeologist and museum and heritage consultant. Contributors: Ann Adams, Nat Alcock, John Allan, James Ayres, Stuart Blaylock, Peter Brears, Tania Manuel Casimiro, Cynthia Cramp, Christopher Green, Oliver Kent, Kate Osborne, Richard Parker, Isabel Richardson, John Schofield, Eddie Sinclair, John R.L. Thorp, Hugh Wilmott,

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Spenser’s extraordinary Shepheardes Calender as first printed in 1579 is arguably the seminal book of the Elizabethan literary renaissance. This volume reassesses it as a material text in relation to book history, and provides the first clearly detailed facsimile of the 1579 Calender available as a book. The editor reconsiders the original book’s development, production, design, and particular characteristics, and demonstrates both its correlations with diverse precursors in print and its significant departures. Numerous illustrations of archival sources facilitate comparison. By reinvestigating the 1579 Calender’s twelve pictures, he shows that Spenser himself probably designed them, that they involve complex symbolism, and that this book’s meaning is thus profoundly verbal-visual. An analyzed facsimile is an essential new resource for study of Spenser’s Calender, Spenser, Elizabethan print and poetics, and early modern English literary history.

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The 1950s saw a major shift in the lifestyles of many in Britain. Employment levels rose to new heights, white consumer goods appeared in shop windows for the first time, television replaced the radio in many homes, rock ‘n’ roll was born, the National Health Service provided free healthcare to the nation, families went on holiday, and the new Queen was crowned — bringing in a glorious new Elizabethan age.Including interviews with former Labour leader Lord Neil Kinnock and footballers Bobby Charlton, Wilf McGuinness and Terry Venables, Recollections of the 1950s will appeal to all who grew up in this post-war decade. With chapters on schooldays, television and radio, trips to the seaside, music and fashion, these wonderful stories are sure to jog the memories of all who remember this exciting era.

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Though Sally Jupp came from the village home for unmarried mothers, she seemed the ideal girl to help Mrs Maxie run a large Elizabethan manor house and look after her invalid husband. But the real Sally, pretty, ambitious and clever, was very different from the docile, repentant character she seemed to be. Murder shattered the tranquillity of her new home and Chief Detective Inspector Adam Dalgliesh arrived in the peace of a country Sunday to solve a case as mysterious as Sally herself. He soon discovers that there is no shortage of motives, and as he investigates, the complex secrets and powerful passions of village and family life come into play. This BBC Radio dramatisation stars Robin Ellis, with Hugh Thomas Grant and Siân Phillips. 2 CDs. 2 hrs.

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Considered by Thomas de Quincey to be 'perhaps the most superb work in the language', The Two Noble Kinsmen is set in Athens and was co-written by Shakespeare with John Fletcher. This Penguin Shakespeare edition is edited by N. W. Bawcutt with an introduction by Peter Swaab.'Once, he kissed me. I loved my lips the better ten days after'When Theseus, Duke of Athens, learns that the ruler of Thebes has killed three noble kings he swears to take revenge. But after Athens triumphs over the rival city, Theseus is struck by the bravery of two Theban cousins and orders his surgeons to attend to them. Soon, the cousins' lifelong friendship is threatened, as both become overwhelmed with love for the duke's beautiful sister.This book contains a general introduction to Shakespeare's life and Elizabethan theatre, a separate introduction to the play, a chronology, suggestions for further reading, an essay discussing performance options on both stage and screen, and a commentary.

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When two men are thrown together by the curse of immortality in a magical version of Elizabethan London, they are drawn into a dark plot that threatens to upend the world as they know it, all the while trying not to fall in love.

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A reissue of a volume published in 1931. Originally published in 1593, this book is one of the best of the many Elizabethan anthologies and includes poems of such fine writers as Thomas Lodge, Nicholas Breton, Sir Walter Raleigh, George Peele, and Robert Greene.

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Drama Classics: The World's Great Plays at a Great Little Price A rumbustious Elizabethan comedy featuring identity fraud, love triangles and a marriage proposal disguised as a shoe fitting. Thomas Dekker's play The Shoemaker's Holiday was first staged in London in 1599. This edition of the play, in the Nick Hern Books Drama Classics series, is edited and introduced by Peter J. Smith.

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Stephen Warbeck's Oscar-winning music from the hit film 'Shakespeare in Love' has been skillfully arranged by Tony Osbourne into a four-movement suite for intermediate string ensemble.The suite perfectly encapsulates all the passion, romance and wit of this delightful love story, which traces the footsteps of the young Shakespeare. With an exciting opening, sighing love-themes and two rhythmic dances, which capture the atmosphere of the vibrant Elizabethan court, this contrasted suite will stir players' and audiences' imagination and take flight.

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From the Royal Shakespeare Company – a modern, definitive edition of Shakespeare's ambiguous, bittersweet fairy tale. With an expert introduction by Sir Jonathan Bate, this unique edition presents a historical overview of All’s Well that Ends Well in performance, takes a detailed look at specific productions, and recommends film versions. Included in this edition are interviews with important directors Gregory Doran, Stephen Fried and the actor Guy Henry – providing an illuminating insight into the extraordinary variety of interpretations that are possible. This edition also includes an essay on Shakespeare’s career and Elizabethan theatre, and enables the reader to understand the play as it was originally intended – as living theatre to be enjoyed and performed. Ideal for students, theatre-goers, actors and general readers, the RSC Shakespeare editions offer a fresh, accessible and contemporary approach to reading and rediscovering Shakespeare’s works for the twenty-first century.

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Inspired by Homer's Iliad and Chaucer's Troilus and Criseyde, Shakespeare's play explores heroism, love and betrayal against the backdrop of the Trojan War. This Penguin Shakespeare edition is edited by R. A. Foakes with an introduction by Colin Burrow.'Lechery, still wars and lechery; nothing else holds fashion'It is the seventh year of the Trojan War. The Greek army is camped outside Troy and Achilles - their military hero - refuses to fight. Inside the city Troilus, the Trojan King's son, falls in love with Cressida, whose father has defected to the Greek camp. In an exchange of prisoners the couple are split - they believe forever. The honour of lovers and soldiers is tested as a fierce battle begins and heroes must prove their worth.This book contains a general introduction to Shakespeare's life and Elizabethan theatre, a separate introduction to the play, a chronology, suggestions for further reading, an essay discussing performance options on both stage and screen, and a commentary.

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A cultural history of the representations of Sir Francis Drake, from contemporary accounts to the present day. For four hundred years Sir Francis Drake's exploits have fascinated, inspired and entertained. Every age has sought to reconstruct the narrative of the great Elizabethan seafarer: the basis of his fame has shifted continually overthe years, from single-handed victor over the Spanish Armada, to hero of commerce, explorer, and ruthless entrepreneur. In each incarnation, however, he has always been portrayed to answer the demands and anxieties of each new era. Here, for the first time, the history of Drake as a cultural icon, and of his myth, is explored, from his appearances in west-country folklore to Elizabethan poetry, from eighteenth-century garden architecture to Victorianpageants and twentieth-century films. There is a particular focus on the "long" nineteenth century, during which Drake's reputation underwent a rigorous reconstruction to present him as a hero of empire. BRUCE WATHEN gained his PhD from Exeter University.

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Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.'

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A collaboration between writer Jamie Rhodes and the National Trust, A Castle in England is a unique and fascinating graphic fiction project inspired by Scotney Castle in Kent.Using the rich history of this fourteenth-century castle as a starting point, Rhodes has created five short stories that take place over different eras in the castle's past: The Labourer (Medieval), The Priest (Elizabethan), The Smuggler (Georgian), The Widow (Victorian), and The Hunter (Edwardian). Each of these stories has been illustrated by experienced comic and graphic novel artists Isaac Lenkiewicz, Briony May Smith, William Exley, Becky Palmer, and Isabel Greenberg, creating a visually striking graphic collection that is steeped in historical context.

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William Shakespeare's Henry VIII is a compelling history play, recreating a crucial moment in the Tudor dynasty, and the events that marked the beginning of the English Reformation. This Penguin Shakespeare edition is edited by A.R. Humphreys, with an introduction by C.M.S. Alexander.'O, how wretchedIs that poor man that hangs on princes' favours!'Conspiracies and intrigue are rife in the court of Henry VIII as the Duke of Buckingham is executed for treason, having been tricked by his enemy Cardinal Wolsey. And when the King falls in love with Anne Boleyn and decides to divorce his wife, Katherine of Aragon, he causes an irrevocable rift with the Catholic Church. After the King's secret marriage to Anne, courtiers fall in and out of favour and deaths abound, with far-reaching consequences.This book contains a general introduction to Shakespeare's life and Elizabethan theatre, a separate introduction to Henry VIII, a chronology, suggestions for further reading, an essay discussing performance options on both stage and screen, and a commentary.If you enjoyed Henry VIII, you might like Richard II, also available in Penguin Shakespeare.'If we wish to know the force of human genius we should read Shakespeare'William Hazlitt

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Shakespeare's Theater: A Sourcebook brings together in one volume the most significant Elizabethan and Jacobean texts on the morality of the theater. A collection of the most significant Elizabethan and Jacobean texts on the morality of the theater. Includes attacks on the stage by moralists, defences by actors and playwrights, letters by magistrates, mayors and aldermen of London, and extracts from legislation. Demonstrates just how heated debates about the theater became in the late sixteenth and early seventeenth centuries. A general introduction and short prefaces to each piece situate the writers and debates in the literary, social, political and religious history of the time. Brings together in one volume texts that would otherwise be hard to locate. Student-friendly - uses modern spelling and includes vocabulary glosses and annotation.

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From the Royal Shakespeare Company – a modern, definitive edition of Shakespeare’s most loved comedy. With an expert introduction by Sir Jonathan Bate, this unique edition presents a historical overview of Measure for Measure in performance, takes a detailed look at specific productions, and recommends film versions. Included in this edition are three interviews with a leading director and two actors – Trevor Nunn, Roger Allam and Josette Simon – providing an illuminating insight into the extraordinary variety of interpretations that are possible. This edition also includes an essay on Shakespeare’s career and Elizabethan theatre, and enables the reader to understand the play as it was originally intended – as living theatre to be enjoyed and performed. Ideal for students, theatre-goers, actors and general readers, the RSC Shakespeare editions offer a fresh, accessible and contemporary approach to reading and rediscovering Shakespeare’s works for the twenty-first century.

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From the Royal Shakespeare Company – a modern, definitive edition of Shakespeare's journey into the Forest of Arden. With an expert introduction by Sir Jonathan Bate, this unique edition presents a historical overview of As You Like It in performance, takes a detailed look at specific productions, and recommends film versions. Included in this edition are interviews with important Shakespearean directors (Dominic Cooke and Michael Boyd) and a Shakespearean actor (Naomi Frederick) – providing an illuminating insight into the extraordinary variety of interpretations that are possible. This edition also includes an essay on Shakespeare’s career and Elizabethan theatre, and enables the reader to understand the play as it was originally intended – as living theatre to be enjoyed and performed. Ideal for students, theatre-goers, actors and general readers, the RSC Shakespeare editions offer a fresh, accessible and contemporary approach to reading and rediscovering Shakespeare’s works for the twenty-first century.

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In 1593 Shakespeare awoke and found himself famous. Lines from his comic, erotic, tragic poem Venus and Adonis were on everyone's lips.The appearance in 1594 of the darkly reflective and richly descriptive Rape of Lucrece confirmed his fame as 'Sweet Master Shakespeare', Elizabethan England's most brilliant non-dramatic poet. Shorter poems in this volume testify further to Shakespeare's versatility and to his poetic fame. Some, like the much-debated 'Phoenix and Turtle', pose problems of meaning; others raise questions about authorship and authenticity. Detailed annotation and a full Introduction seek to resolve such difficulties while also locating Shakespeare's poems in their literary context, which includes his own career as a playwright.

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The Annotated Shakespeare series enables readers to fully understand and enjoy the plays of the world’s greatest dramatist “Each volume . . . proves to be a splendid addition to the series.”—Tita French Baumlin, Southwest Missouri State University From the hilarious mischief of the elf Puck to the rough humor of the self-centered Bottom and his fellow players, from the palace of Theseus in Athens to the magic wood where fairies play, Shakespeare’s lyrical A Midsummer Night’s Dream is a play of enchantment and an insightful portrait of the predicaments of love. This extensively annotated edition makes Midsummer completely accessible to readers in the twenty-first century and provides a rich resource for students, teachers, and the general reader. Burton Raffel’s on-page annotations offer generous help with vocabulary and usage of Elizabethan English, pronunciation, prosody, and alternative readings of phrases and lines. In his introduction he explores the complexities of A Midsummer Night’s Dream. And in a concluding essay, Harold Bloom examines the play’s extraordinary mélange of characters.

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In the family of passions none is more patient than hate. This masterpiece of the Elizabethan stage, first published in 1607, is a study of debauchery, deep offense, and the high cost of revenge. It is often compared to Hamlet for its relentless tension and its lecherous royalty. Its protagonist, Vindice, is one of the most memorable characters in all of Renaissance theater, a murderer who will not let a single enemy remain alive.

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Selected by Anne Harvey, an experienced actress, director, writer and adjudicator, these dramatic monologues are suitable for performance at auditions, solo acting classes, festivals and examinations. Ranging from early Elizabethan to contemporary literature, the pieces are varied in content, tone and style and are equipped with an introduction setting the context. Writers include: Alan Ayckbourn, Enid Bagnold, David Campton, William Congreve, Sarah Daniels, Charles Dickens, Athol Fugard, Lucy Gannon, Graham Greene, John Godber, David Hare, Stanley Houghton, Henrik Ibsen, Shaman Macdonald, David Mercer, Iris Murdoch, Dennis Potter, Tom Stoppard, CP Taylor, Hugh Whitemore and many more.

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It was not so long ago that the belief in witchcraft was shared by members of all levels of society. In the sixteenth and seventeenth centuries, diseases were feared by all, the infant mortality rate was high, and around one in six harvests was likely to fail. In the small rural communities in which most people lived, affection and enmity could build over long periods. When misfortune befell a family, they looked to their neighbours for support - and for the cause. During the sixteenth century, Europe was subject to a fevered and pious wave of witch hunts and trials. As the bodies of accused women burnt right across the Continent, the flames of a nationwide witch hunt were kindled in England. In 1612 nine women were hanged in the Pendle witch trials, the prosecution of the Chelmsford witches in 1645 resulted in the biggest mass execution in England, and in the mid-1640s the Witch finder General instigated a reign of terror in the Puritan counties of East Anglia. Hundreds of women were accused and hanged. It wasn't until the latter half of the seventeenth century that witch-hunting went into decline.In this book, Andrew and David Pickering present a comprehensive catalogue of witch hunts, arranged chronologically within geographical regions. The tales of persecution within these pages are testimony to the horror of witch-hunting that occurred throughout England in the hundred years after the passing of the Elizabethan Witchcraft Act of 1563.

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One of the most frequently read and performed of all stage works, Shakespeare's Hamlet is unsurpassed in its complexity and richness. Now the most extensively annotated version of Hamlet to date makes the play completely accessible to readers in the twenty-first century. It has been carefully assembled with students, teachers, and the general reader in mind.Eminent linguist and translator Burton Raffel offers generous help with vocabulary and usage of Elizabethan English, pronunciation, prosody, and alternative readings of phrases and lines. His on-page annotations provide readers with all the tools they need to comprehend the play and begin to explore its many possible interpretations. This version of Hamlet is unparalleled for its thoroughness and adherence to sound historical linguistics. In his introduction, Raffel offers important background on the origins and previous versions of the Hamlet story, along with an analysis of the characters Hamlet and Ophelia. And in a concluding essay, Harold Bloom meditates on the originality of Shakespeare's achievement. The book also includes a careful selection of items for further reading.

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This book is a complete edition of the authentic poems, English and Latin, of the Elizabethan priest, poet and martyr S. Robert Southwell, offering new texts based on the very manuscripts which were circulated in secret among English Catholics in the years after the poet's death. This edition, by drawing its texts directly from a complete re-examination of these contemporary manuscripts, makes these poems more than items of literature; it allows them to regain some of their original purpose of communicating forbidden theologies and doctrines amongst a criminalised and near-silenced readership of secret, persecuted groups. These are the poems of those Catholics who did not or could not flee the country as the Elizabethan State bore down upon their faith in the last two decades of the sixteenth century. Southwell's new visions and visualisations in English bear their fruit a generation later in the works of Donne and Herbert. His rare Latin verses (here widely available for the first time, accompanied by a new translation) show also that that the Augustans, even Milton, owe him a creative debt.

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This anthology aligns feminist essays about Shakespeare with essays on other dramatists of the English Renaissance, particularly Peele, Marlowe, Webster, Marston, and Middleton. Foregrounding the intertextuality of Elizabethian drama, the thirteen essays_eleven of them new_explore the contribution of the stage to various feminist subjects, drawing on diverse theoretical approaches_formalists, materialist, historical, new historicist, deconstructionist, psychoanalytic, rhetorical_and resisting the figuration of feminist criticism as simple or univocal. Essayists include Laura Bromley, Mary Ann Bushman, Christy Desmet, Coppelia Kahn, Margaret Mikesell, Thomas Moisan, Jeanie Grant Moorem Phyllis Rackin, James Schiffer, Jeremy Tambling, Carolyn Whitney-Brown, and the editors. With extensive bibliographies.

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