Search results for ""author elizabeth"

¡A Su Salud! is an intermediate-level Spanish language program designed for students and practicing healthcare professionals. Learners work with vocabulary and grammar within the context of a telenovela called La comunidad, which features authentic Spanish spoken by native speakers in a variety of accents.Major features include: New readings from external sources on medical topics that spark student discussion Dozens of exercises from the original DVD program have been incorporated into the textbook A companion website (yalebooks.com/salud) that includes the 96-minute telenovela drama La comunidad, as well as dozens of additional clips that help students practice their language skills and learn more about the culture of their Hispanic patients A Recursos website (yalebooks.com/salud/recursos) with links to important language, culture, and health-related sites.

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As published excavated contexts become more plentiful and as older contexts are reexamined, it has become increasingly possible to consider Greek figure-decorated pottery from the perspective of its use. The essays in this volume explore the relationship between image and use in different contexts, with an emphasis on the user and consumer-that is, they explore the possible meanings images had for the individuals who obtained the objects on which they appear. The essays pose questions concerning why a consumer might choose a particular pot, why it might be part of an assemblage, or why a particular set of pots might have moved in a particular direction. The contributors are Sheramy D. Bundrick, An Jiang, Kathleen M. Lynch, Bice Peruzzi, Vivi Sarapanidi, Tara Trahey, and Vicky Vlachou. 67 b&w illustrations, photographs and drawings.

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A report on the excavation during the 1950s of an Early Dynastic Temple discovered in the northwestern part of the Religious Quarter of Nippur. The volume includes reports on the structural remains, the burials and the finds, such as pottery, tablets, seals, ornaments and figurines.

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Making the historical past come alive for students is a goal of most social studies teachers. Many youth find the people and events and movements portrayed in their textbooks to be wooden, remote, and empty. For history to become alive to them, students seek personal meanings as they use knowledge of context and ponder details. Currently most school history programs emphasize knowledge acquisition at the expense of these personal constructions of meaning. This new collection of essays provides practical assistance in the search for a more robust teaching of history and the social studies. Contributors to this volume offer insights from the discipline of history about the nature of empathy and the necessity of examining perspectives on the past. On the basis of recent classroom research, they suggest tested guides to more robust teaching. They also employ examples from classroom practice about how teachers can facilitate students' consideration of multiple and sometimes conflicting perspectives when seeking historical meanings. The contributors insist that with experienced history and social studies teachers, students can learn many historical details and, with the use of empathy, develop deepened and textured interpretations of the history that they study.

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The world of work is rapidly changing. What then do 21st century workplaces look like, and what factors are supporting these workplace changes? Globalisation, financial and labour market deregulation, and rapid technological advances have accelerated workplace change and skill requirements. Organisations, for example, need to increasingly manage geographically diverse and technologically-mediated workplace relationships. Advances in artificial intelligence and automation are further questioning the future and nature of work itself. This book identifies and examines the institutions, frameworks and technologies that are emerging to support these new work practices. It analyses changing work environments, entrepreneurial and self-employment strategies, global virtual labour markets and the impacts of data analytics and automation on work practices and skill sets. It is critical for governments, practitioners and academics to better understand how to harness the benefits and meet the challenges of these new organisational workplace practices. Further, it requires informed choices and decisions on the part of individuals, as they seek to log on to work in the 21st century.

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This cutting-edge book invites readers to rethink environmental law and its critical role in ensuring a sustainable future for all. Featuring international narratives, it demonstrates how environmental law can be a potent tool to secure multi-actor engagement, to improve ocean governance and to usher in effective policy reforms. Contributors illustrate narratives of successful historic and contemporary developments in environmental law, setting out innovative approaches to issues such as environmental enforcement and monitoring, effective forest protection, climate adaptation and disaster risk reduction. Drawing out key lessons and practices for effective reform, this insightful book highlights opportunities by which we can respond to the acute environmental challenges facing the planet. Bringing together perspectives from both established and up-and-coming scholars, this book will be of interest to academics and students of environmental law, as well as researchers of environmental management. Policy makers and practitioners will also find inspiration in fruitful stories of environmental law and policy reform. Contributors include: T.N. Adimazoya, T. Daya-Winterbottom, R.-L. Eisma-Osorio, D. Estrin, A. Foerster, L.L. Heng, E.A. Kirk, Y. Lin, R.V. Percival, F.-K. Phillips, A. Pickering, N. Robinson, J. Steinberg-Albin

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This book provides a timely analysis of the role that information—particularly scientific information—plays in the policy-making and decision-making processes in coastal and ocean management. It includes contributions from global experts in marine environmental science, marine policy, fisheries, public policy and administration, resource management, risk management, and information management.The book is divided into four sections that provide focused analyses, including An overview of the characteristics of the science–policy interface, including a discussion of the role of scientific information in policy making and an argument that the term "science–policy interface" is inaccurate due to the existence of many possible interfaces Descriptions of fundamental concepts and principles for understanding the role of information in effective integrated coastal and ocean management National and international case studies that illustrate key factors in successful science–policy interfaces, such as awareness, communication, and use of information Critical issues and future research challenges The book also explores the different types of science–policy interfaces existing within and between different organizations, as well as the various roles that different types of non-governmental organizations play in producing and disseminating information.Science, Information, and Policy Interface for Effective Coastal and Ocean Management presents a wealth of knowledge that enhances current best practices to achieve more effective communication and use of marine environmental information. Useful to all major groups in the policy-making process, from senior policy- and decision-makers to practitioners in coastal and ocean management, it helps to increase understanding of catalysts and barriers to communicating research findings. It also serves as a starting point for further research and progress in efficient marine environment management.The Open Access version of this book, available at https://doi.org/10.1201/b21483, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

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Since the late 1970s, household archaeology has become a key theoretical and methodological framework for research on the development of permanent social inequality and complexity, as well as for understanding the social, political and economic organization of chiefdoms and states. This volume is the cumulative result of more than a decade of research focusing on household archaeology as a means to gain understanding of the evolution of social complexity, regardless of underlying economy.

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The first fully-fledged example of a revenge tragedy, the genre that became so influential in later Elizabethan and Jacobean drama, The Spanish Tragedy (1589) occupies a very special place in the history of English Renaissance drama. Hieronimo, Knight-Marshal of Spain during its war with Portugal, fails to obtain justice when his son is murdered for courting Bel-Imperia, the Duke of Castile's daughter, and decides to take justice into his own hands...This new student edition has been freshly revised by Professor Andrew Gurr to incorporate the latest stage history and critical interpretations of the play. It also appends the scenes that were added in 1602, discusses Elizabethan attitudes to revenge, the Senecan features of the play and the significance of the Anglo-Spanish conflict in the 1580s.

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The Spanish Tragedy became one of the most successful plays on the Elizabethan English stage and laid the foundation of the revenge tragedy, a genre that playwrights returned to throughout the early modern era and that endures even today. The story surrounds the civil servant Hieronimo who joins Bel-imperia of the royal family to take revenge on her own brother for murdering Hieronimo's son, the object of her affection. The work goes far beyond a story of intrigue and brings up questions about aristocratic privilege, the moral hazards of revenge, the spectacle of violence, and the agency of women at court.This Broadview Edition includes a freshly edited text based on the 1592 edition, notes designed to help first-time readers understand and enjoy the work, an extensive introduction that situates the play in its literary and historical context, and extensive historical documents. The documents open up avenues of inquiry for students interested in the life and work of Thomas Kyd, the construction of women at court, the question of revenge, violence and entertainment in Elizabethan England, and Spain in the Elizabethan imagination.

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In this classic work, acclaimed Shakespeare critic C. L. Barber argues that Elizabethan seasonal festivals such as May Day and Twelfth Night are the key to understanding Shakespeare's comedies. Brilliantly interweaving anthropology, social history, and literary criticism, Barber traces the inward journey--psychological, bodily, spiritual--of the comedies: from confusion, raucous laughter, aching desire, and aggression, to harmony. Revealing the interplay between social custom and dramatic form, the book shows how the Elizabethan antithesis between everyday and holiday comes to life in the comedies' combination of seriousness and levity. "I have been led into an exploration of the way the social form of Elizabethan holidays contributed to the dramatic form of festive comedy. To relate this drama to holiday has proved to be the most effective way to describe its character. And this historical interplay between social and artistic form has an interest of its own: we can see here, with more clarity of outline and detail than is usually possible, how art develops underlying configurations in the social life of a culture."--C. L. Barber, in the Introduction This new edition includes a foreword by Stephen Greenblatt, who discusses Barber's influence on later scholars and the recent critical disagreements that Barber has inspired, showing that Shakespeare's Festive Comedy is as vital today as when it was originally published.

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This volume includes the text of Twelfth Night as prepared and annotated by David Swain for The Broadview Anthology of British Literature, and is accompanied by the excellent introduction and supplementary materials from the anthology. The diverse and extensive appendices acquaint readers with Shakespeare’s sources and contextualize the play within Elizabethan society. The appendices include an excerpt from Barnabe Riche’s “Of Apollonius and Silla,” Shakespeare’s primary source of inspiration for the play; selections from Galen, Plato, and others illustrating Elizabethan attitudes toward gender and sexuality; excerptions illuminating contemporary moral discomfort with the theatre, such as Philip Stubbes’s “Of Stage-plays and Interludes, with their wickedness”; and pieces on music and duelling that illustrate cultural conventions important to the interpretation of Twelfth Night.This is one of several Broadview Anthology of British Literature Editions being released this year; those wishing to teach the text will have the option of including the convenient stand-alone book as part of a specially-priced shrink-wrapped package together with a volume of the anthology.

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This book has been selected for AQA's official approval process for this specification. This Second Edition of British Depth Studies c1066-1685 Student Book is part of the popular Oxford AQA GCSE History (9-1) series. Updated as part of our commitment to the inclusive presentation of diverse histories, this book covers exactly what your students require to succeed in their AQA Paper 2 exam. Developed by Aaron Wilkes and a team of teachers and historians with examining experience, this revised textbook provides expert guidance on all four of AQA's British Depth Study options, with detailed and specification-specific coverage of key developments and events of each period. Carefully selected interpretations and sources give students the opportunity to analyse and evaluate different perspectives on the past in context. Practice Questions, Study Tips and the How to... pages help students thoroughly prepare for the AQA exam questions; the differentiated Work questions build up essential skills, while Extension features challenge students to investigate the history more deeply. Also now available for the Norman England and Elizabethan England depth studies: a separate Norman England textbook (9781382045186) and a separate Elizabethan England textbook (9781382045155): the same high-quality content in a cost-effective format. This title is also available as eBook: 9781382045100.

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Written in the late sixteenth century, at the pinnacle of the English Renaissance, the rich and ingenious works of Thomas Nashe uniquely reveal the ambivant nature of the Elizabethan era. Mingling the devout and the bawdy, scholarship and slang, they express throughout an irrepressible, inexhaustible wit and an astonishing command of language. This collection of Nashe's finest works includes The Unfortunate Traveller, the sharp and grotesque tale of Jack Wilton, an Englishman travelling through Europe; Pierce Penniless, a biting satire on the society of his age; Terrors of the Night; Lenten Stuff; the sensual poem The Choice of Valentines; and extracts from Christ's Tears over Jerusalem and other works. Wide-ranging in subject, all capture the unique voice and fantastic ingenuity of one of the most entertaining Elizabethan writers - a man regarded by his contemporaries as the 'English Juvenal'.

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This book focuses on the importance of topical reading in understanding Islamic figures and themes, and applies this approach to two landmark Elizabethan plays: George Peele’s Battle of Alcazar and William Percy’s Mahomet and his Heaven. The former is the first English play to present a Moor as a major character, while the latter is the first English play to be based on Quranic material and feature the Prophet of Islam as a major character. In both plays, the book argues, topical concerns played a major role in the formation of Islamic characters and themes, rendering the term ‘representation’ highly debatable. The book also briefly covers other Elizabethan plays that contained Islamic elements, such as Shakespeare’s Titus Andronicus and The Merchant of Venice, and Marlowe’s Tamburlaine and Doctor Faustus. Topical issues covered in the work include British-Muslim relations, the Spanish Armada, Elizabethan patriotism in literature, Catholic-Protestant tensions in the late 16th century, the gynaecocracy debate, and Elizabethan alchemy and magic.

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A dramatic departure for the #1 bestseller. A gripping story of rivalry and ambition, loyalty and love set in the heart of Elizabethan England. ‘With all the vivid history that is his trademark, Bernard Cornwell transports the readers to the playhouses, backstreets and palaces of Shakespeare's London with added depth and compassion’ Philippa Gregory In the heart of Elizabethan England, young Richard Shakespeare dreams of a glittering career in the London playhouses, dominated by his older brother, William. But as a penniless actor with a silver tongue, Richard’s onetime gratitude begins to sour, as does his family loyalty. So it is that Richard falls under suspicion when a priceless manuscript goes missing, forcing him into a high-stakes game of duplicity and betrayal, and through the darkest alleyways of the city. In this richly portrayed tour de force, Fools and Mortals takes you among the streets and palaces, scandals and rivalries, and lets you stand side-by-side with the men and women of Bernard Cornwell’s masterful Elizabethan London.

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When civilizations first encounter each other a cascade of change is triggered that both challenges and reinforces the identities of all parties. Making Contact revisits key encounters between cultures in the medieval and early modern world-Europe and Africa, the multiple ethnicities of greater Poland, Christians and Jews, Jesuits and Japanese, Elizabethans vs. aboriginals and vagrants, English and Algonquians, Pierre Radisson and the Iroquois, and the Spaniards in America.

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This is an edition of Christopher Marlowe’s play Dr Faustus as it was first printed in 1604. This is one of the most celebrated of all Elizabethan plays, famous for its treatment of the damnation of Faustus and his struggles with his divided conscience. It combines spectacular visual effects with sophisticated theological discussion. The edition reproduces the only surviving copy, held in the Bodelian Library, Oxford, in photofacsimile. The introduction offers up-to-date analysis of the authorship, sources, staging and printing of the play. The edition will be invaluable for advanced students and established scholars working on Marlowe, Elizabethan drama generally, demonology, and early modern book production.An edition of the revised text of 1616 will be published by the Malone Society in early 2019.

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Shakespeare's Theater: A Sourcebook brings together in one volume the most significant Elizabethan and Jacobean texts on the morality of the theater. A collection of the most significant Elizabethan and Jacobean texts on the morality of the theater. Includes attacks on the stage by moralists, defences by actors and playwrights, letters by magistrates, mayors and aldermen of London, and extracts from legislation. Demonstrates just how heated debates about the theater became in the late sixteenth and early seventeenth centuries. A general introduction and short prefaces to each piece situate the writers and debates in the literary, social, political and religious history of the time. Brings together in one volume texts that would otherwise be hard to locate. Student-friendly - uses modern spelling and includes vocabulary glosses and annotation.

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The indispensable guide to the architectural heritage of Wiltshire With hundreds of buildings added to the new gazetteer, this volume offers a fully revised and updated guide to Wiltshire. From prehistoric Stonehenge and thirteenth-century Salisbury Cathedral, to Elizabethan Longleat, Palladian Wilton and landscaped gardens of Stourhead, the buildings of Wiltshire represent the best of every period of English architecture. Towns range from Marlborough with its sweeping High Street to Bradford-on-Avon, rich in the architectural legacy of clothiers’ houses. Villages include the exceptional Lacock in the shadow of its abbey’s remains as well as Avebury, where the houses sit within the famous stone circle. This volume, covering structures as diverse as garden follies and railway workers’ housing is an essential reference for visitors and residents alike.

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In this engaging text, Arthur Kinney introduces students to Shakespeare’s plays in the context of Elizabethan and Jacobean theater. Introduces students to Shakespeare's plays in the context of Elizabethan and Jacobean theater. Focuses on the material conditions of playing and of playgoing. Covers venues, audiences, actors, society, government and regulation. Each topic is considered in relation to a selection of Shakespeare's plays. Shows students how the plays and the context in which they were produced illuminate one another.

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A deep dive into the science behind the creative ways Shakespeare killed off his characters. William Shakespeare found dozens of different ways to kill off his characters, and audiences today still enjoy the same reactions – shock, sadness, fear – that they did more than 400 years ago when these plays were first performed. But how realistic are these deaths, and did Shakespeare have the knowledge to back them up? In the Bard’s day death was a part of everyday life. Plague, pestilence and public executions were a common occurrence, and the chances of seeing a dead or dying body on the way home from the theatre were high. It was also a time of important scientific progress. Shakespeare kept pace with anatomical and medical advances, and he included the latest scientific discoveries in his work, from blood circulation to treatments for syphilis. He certainly didn’t shy away from portraying the reality of death on stage, from the brutal to the mundane, and the spectacular to the silly. Elizabethan London provides the backdrop for Death by Shakespeare, as Kathryn Harkup turns her discerning scientific eye to the Bard and the varied and creative ways his characters die. Was death by snakebite as serene as Shakespeare makes out? Could lack of sleep have killed Lady Macbeth? Can you really murder someone by pouring poison in their ear? Kathryn investigates what actual events may have inspired Shakespeare, what the accepted scientific knowledge of the time was, and how Elizabethan audiences would have responded to these death scenes. Death by Shakespeare will tell you all this and more in a rollercoaster of Elizabethan carnage, poison, swordplay and bloodshed, with an occasional death by bear-mauling for good measure.

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James Fenton, a Whitbread-winning poet praised for his own love poetry, gathers together the best lyric poems originating in the English language. Ranging from the sixteenth century to the present day, The New Faber Book of Love Poems contains a fantastic mix of classics and popular favourites, as well as blues lyrics, American folk poetry, Elizabethan lyrics and Broadway songs. There are poems by men about women, women about men, men about men and women about women - in short, something for everyone, and a must-have for everyone's bookshelf.

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Think you know Shakespeare? Think again . . . Was a real skull used in the first performance of Hamlet? Were Shakespeare's plays Elizabethan blockbusters? How much do we really know about the playwright's life? And what of his notorious relationship with his wife? Exploring and exploding 30 popular myths about the great playwright, this illuminating new book evaluates all the evidence to show how historical material—or its absence—can be interpreted and misinterpreted, and what this reveals about our own personal investment in the stories we tell.

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In this series, a contemporary poet selects and introduces a poet of the past. By their selection of verses and by the personal and critical reactions they express in their introductions, the selectors offer a passionate and accessible introduction to some of the greatest poets in history. Ben Jonson (1572-1637) was born in London, and became a leading poet, playwright and essayist of the Elizabethan age. In 1598he killed an actor in a duel but escaped hanging by pleading benefit of the clergy, and by 1616 had re-established enough Court favour to be awarded a pension by James I - in effect making him the first Poet Laureate.

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Inspired by the fast-moving scenes and vulnerable, complex characters of Elizabethan drama, this new opera by George Benjamin and Martin Crimp considers what space, if any, exists for love and human affection inside the dangerous machinery of power. A king, compelled to choose between love and political hard-headedness, makes a fatal decision, allowing his country to slide into civil war, and setting his own wife and son implacably against him. Lessons in Love and Violence is Benjamin and Crimp’s third operatic collaboration, following Into the Little Hill and the critically acclaimed Written on Skin.

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This edition answers the needs of both beginning and advanced students:It features the text of Marlowe's play with modern spelling and punctuation, glosses and annotations on the page, and a thorough Introduction devoted to the play's historical, cultural, and theological contexts.In addition, it includes a generous selection of related texts, including excerpts from Machiavelli's The Prince, Gentillet's Anti-Machiavel, and Bacon's The Advancement of Learning.Its combination of pedagogical acuity and historical craft make Lynch's an excellent edition of Marlowe's play--one that also serves as a fine introduction to Elizabethan drama as a whole. It moreover offers a convenient window on the reception of Machiavelli in England and the representation of Christmas, Jews, and Turks on the Elizabethan stage.

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This edition answers the needs of both beginning and advanced students:It features the text of Marlowe's play with modern spelling and punctuation, glosses and annotations on the page, and a thorough Introduction devoted to the play's historical, cultural, and theological contexts.In addition, it includes a generous selection of related texts, including excerpts from Machiavelli's The Prince, Gentillet's Anti-Machiavel, and Bacon's The Advancement of Learning.Its combination of pedagogical acuity and historical craft make Lynch's an excellent edition of Marlowe's play--one that also serves as a fine introduction to Elizabethan drama as a whole. It moreover offers a convenient window on the reception of Machiavelli in England and the representation of Christmas, Jews, and Turks on the Elizabethan stage.

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Bill Bryson’s biography of William Shakespeare unravels the superstitions, academic discoveries and myths surrounding the life of our greatest poet and playwright. Ever since he took the theatre of Elizabethan London by storm over 400 years ago, Shakespeare has remained centre stage. His fame stems not only from his plays – performed everywhere from school halls to the world's most illustrious theatres – but also from his enigmatic persona. His face is familiar to all, yet in reality very little is known about the man behind the masterpieces. Shakespeare’s life, despite the scrutiny of generations of biographers and scholars, is still a thicket of myths and traditions, some preposterous, some conflicting, arranged around the few scant facts known about the Bard – from his birth in Stratford to the bequest of his second best bed to his wife when he died. Taking us on a journey through the streets of Elizabethan and Jacobean England, Bryson examines centuries of stories, half-truths and downright lies surrounding our greatest dramatist. With a steady hand and his trademark wit, he introduces a host of engaging characters, as he celebrates the magic of Shakespeare's language and delights in details of the bard's life, folios, poetry and plays.

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From small timber-framed houses to sprawling manors, this comprehensive guide to west Suffolk presents an impressive range of buildings from across the centuries. At its center lies the town of Bury St. Edmunds, site of one of Norman England’s most powerful abbeys, whose monolithic gates remain as a local landmark. Other towns boast impressive architecture as well, including Newmarket, where the racetrack and other unique structures support its role as a historic and international center for horse breeding and racing. Also attesting to the remarkable variation of west Suffolk’s buildings are a number of impressively grand residences, such as the fine Elizabethan manors of Long Melford, Majarajah Duleep Singh’s palace at Elveden, and the extraordinary circular mansion of Ickworth.

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With a foreword by twice Great British Menu winner Colin Mcgurran from Winteringham Fields, The Lincolnshire Cook Book celebrates the culinary diversity of the county of Lincolnshire. This 160 page cook book features more than 35 stunning recipes from local restaurants, cafes, delis, pubs and food producers including some of the county’s finest food establishments such as Elizabethan country estate Doddington Hall, legendary Lincoln restaurant Jews House and TV chef Rachel Green. It also features one of Lincoln’s most popular hangouts, Buntys Tearoom, as well as farm shop and educational centre Uncle Henry’s in Gainsborough. San Pietro in Scunthorpe – who are listed in the Good Food Guide - have also produced three recipes for the book; lobster linguine, rabbit bonbon and liquorice panna cotta. Whether you are a fan of fine dining or a non nonsense cook, this book has something for everyone's taste and ability in the kitchen.

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Travel back 400 years to visit rowdy theatres and royal palaces to understand what it was like to live in Shakespeare’s Elizabethan England and the influence it had on his ground-breaking work. This book charts Shakespeare’s phenomenal talent and peeks behind the curtain at his most famous plays, from tragedies such as Romeo and Juliet and Hamlet to comedies such as A Midsummer Night’s Dream and The Taming of the Shrew.

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This 'lamentable and true tragedy', as it is announced on its title page, dramatises a domestic murder of the sort that nowadays scandalises and thrills the readers of tabloid newspapers. Although the title advertises 'the great malice and dissimulation of a wicked woman' and her 'unsatiable desire of filthie lust', the unknown playwright with great dramatic skill and psychological insight manages to balance the motivations of all the main characters. Thomas Arden, one of the rapacious landlords so reviled in mid-Elizabethan social drama, was murdered at his own house in Faversham, Kent, in 1551. His murderers, it turned out, had been hired by his wife Alice, thrall to Mosby, who hoped to rise socially by marrying a rich widow. As the introduction to this edition shows, sexual and material covetousness is the central theme running through the play, which is commonly rated 'unquestionably the best of all Elizabethan domestic tragedies'.

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In Shakespeare and the Popular Voice Annabel Patterson challenges as counter-intuitive the common opinion that Shakespeare was anti-democratic, contemptuous of the crowd and an unfailing supporter of Elizabethan social hierarchy.

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Shoes is an inspiring, impeccably researched and concise history of footwear through the ages. After a general introduction, chronological chapters illustrated throughout retrace the history of footwear from the Middle Ages to today, featuring shoes and boots that once belonged to both anonymous and famous male and female wearers, from battered old ‘chimney shoes’ hidden away for good luck to the elegant styles of the Renaissance, from Elizabethan mules to the first stilettos. A detailed glossary, bibliography and index conclude the book.

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If one name stands out among musicologists writing today, that name is Joseph Kerman. Eminent, wide-ranging, and wonderfully readable, Kerman's writing on musicology, opera, Beethoven, and Elizabethan music has informed and inspired an extensive audience both in America and abroad. There is much to interest both the general reader and the musicologist in this collection of twenty essays. Included are several notable pleas addressed by Kerman to his professional colleagues in an effort to get them to adopt a more critical orientation for their work. Other essays range from a moving account of William Byrd as a spokesman for the beleaguered Elizabethan Catholic minority to a discerning analysis of Beethoven's well-known obsession with the key of C minor. The controversial tenets of Kerman's classic Opera as Drama (1956) are reaffirmed in essays on Don Giovanni, The Magic Flute, Tristan und Isolde, Ernani and I Lombardi. Kerman's legacy to a younger generation is here, too: in an exemplary writing style, he offers challenging models for a humane and historically informed music criticism. An added gem is the Preface, which provides an intellectual and anecdotal road map of the place of the essays in Kerman's academic and public expeditions. Joseph Kerman has been at the very center of musicology for almost four decades. This overview of his work will be warmly received and greatly valued.

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As the Elizabethan era gave way to the reign of James I, England grappled with corruption within the royal court and widespread religious anxiety. Dramatists responded with morally complex plays of dark wit and violent spectacle, exploring the nature of death, the abuse of power and vigilante justice. In Kyd's The Spanish Tragedy a father failed by the Spanish court seeks his own bloody retribution for his son's murder. Shakespeare's 1603 version of Hamlet creates an avenging Prince of unique psychological depth, while Chettle's The Tragedy of Hoffman is a fascinating reworking of Hamlet's themes, probably for a rival theatre company. In Marston's Antonio's Revenge, thwarted love leads inexorably to gory reprisals and in Middleton's The Revenger's Tragedy, malcontent Vindice unleashes an escalating orgy of mayhem on a debauched Duke for his bride's murder, in a ferocious satire reflecting the mounting disillusionment of the age. Emma Smith's introduction considers the political and religious climate behind the plays and the dramatic conventions within them. This edition includes a chronology, playwrights' biographies and suggestions for further reading.

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The Nick Hern Books RSC Classics - a series of rarely performed plays from the 16th and 17th centuries, published alongside their resurrection by the Royal Shakespeare Company in Stratford-upon-Avon and the West End. Eastward Ho! is a collaboratively written City Comedy by Ben Jonson, John Marston and George Chapman, which sees true love and virtue triumphing over social-climbing, deception and trickery. Teeming with energy and larger than life characters, Eastward Ho! sees Touchstone, a London goldsmith, preparing to marry off his two daughters. Touchstone's two apprentices lead the wooing until the rakish fop Sir Petronel Flash arrives on the scene. Eastward Ho! was first performed at the Blackfriars Theatre, London, in 1605. This edition of the play is edited with an introduction by Helen Ostovich and preface by Gregory Doran. The plays in the RSC Classics series reflect the diversity of styles, themes and subjects of the Elizabethan and Jacobean stage, and include a 'new' addition to the Shakespeare canon.

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‘A lively book that captures the essence of a modern monarchy and a new Elizabethan era’ - Lyndsy Spence, The Lady‘Down-to-earth and insightful’ - Daily MailIt is 1952 and Britain is changing. The Second World War is over, but the country is still scarred, recovering from six years of horror and still in the grip of food rationing. The British Empire is crumbling as countries fight for their independence both literally and physically. And George VI, the king who had refused to abandon London, is dead.Thorns in the Crown is the story of a country on the precipice, divided between those who held firm to old values and traditions and those who were fighting for modernity and progression. Featuring memories and reflections of those who were part of the coronation, Barry Turner presents a unique look at Britain as it came to terms with the second Elizabethan age.

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The fictional portrait of Woolf's close friend and lover Vita Sackville-West, the hero Orlando is a young nobleman in Elizabethan England, a dreamy and romantic youth who wakes up one day to find himself transformed, astonishingly, into a woman.

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The Art of The Faerie Queene is the first book centrally focused on the forms and poetic techniques employed by Spenser. It offers a sharp new perspective on Spenser by rereading The Faerie Queene as poetry which is at once absorbing, demanding and experimental. Instead of the traditional conservative model of Spenser as poet, this book presents the poem as radical, edgy and unconventional, thus proposing new ways of understanding the Elizabethan poetic Renaissance. The book moves from the individual words of the poem to metre, rhyme and stanza form onto its larger structures of canto and book. It will be of particular relevance to undergraduates studying Elizabethan poetry, graduate students and scholars of Renaissance poetry, for whom the formal aspect of the poetry has been a topic of growing relevance in recent years.

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Kids can experience William Shakespeare’s England and get their first taste of the Bard’s sublime craft with this lively biography and activity book. Staging swordplay, learning to juggle, and creating authentic costumes like a flamboyant shirt with slashed sleeves or a lady’s lace-trimmed glove bring the theater arts to life. Making a quill pen and using it to write a story, binding a simple book by hand, creating a fragrant pomander ball and a dish of stewed apples show what daily life was like in Elizabethan times. Inspired by scenes from Shakespeare’s plays, kids can invent new words, write songs, and devise scathing or comical insults just as he did. Fascinating and accurate historical information and 21 fun activities open a dramatic new world of learning for children ages 8 and up.

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This fully re-edited, modernised play text is accompanied by commentary notes and an introduction written by Paul Menzer, guiding you through the fume of fact and legend that have accompanied the play across the centuries. As well as the complete text of the play, this re-edited New Mermaids edition includes: · A detailed plot summary and annotations throughout the text · An annotated bibliography and suggestions for further reading · A comprehensive introduction exploring the historical and literary context, and performance history, including Orson Welles’s 1937 role as Doctor Faustus as well as recent productions at The Globe and the RSC One of the most spectacular and popular plays of the Elizabethan stage, Christopher Marlowe's Doctor Faustus, with its fantastical mix of high-minded theology and low-brow slapstick, has allured generations of readers and playgoers in the ensuing centuries.

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The Annotated Shakespeare series enables readers to fully understand and enjoy the plays of the world’s greatest dramatist Treacherous, power-hungry, untempered by moral restraint, and embittered by physical deformity, Richard, the younger brother of King Edward IV, is ablaze with ambition to take England’s throne. Richard III, Shakespeare’s long chronicle of Richard’s machinations to be king, is a tale of murder upon murder. He gains the throne, but only briefly. In a terrible dream, the ghosts of his victims visit the now-despised monarch to foretell his demise. Richard’s death in battle the next day concludes his reign of evil, ushering in at last a new and hopeful era of peace for England. This fully annotated version of Richard III makes the play completely accessible to readers in the twenty-first century. It has been carefully assembled with students, teachers, and the general reader in mind. Eminent linguist and translator Burton Raffel offers generous help with vocabulary and usage of Elizabethan English, pronunciation, prosody, and alternative readings of phrases and lines. His on-page annotations provide readers with all the tools they need to comprehend the play and begin to explore its many possible interpretations.

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Annual collection of essays, this year treating works by Donne, Shakespeare, Marvell, and Spenser, among other topics. Renaissance Papers is a collection of the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The conference accepts papers on all subjects relating to the Renaissance -- music, art, history, literature, etc. -- from scholars all over North America and the world. Of the nine essays in the 2002 volume, three have to do with John Donne; among the topics here are Donne and Pietro Aretino, Donne and "All the World," andauthorial intention in the Holy Sonnets. Two essays deal with Shakespeare, specifically the discourse of dilution in 2 Henry IV and the Ovidian underworld in Othello. Other essays treat Marvell and the temporality of paranoia; poetry, patronage, and identity in Spenser's The Faerie Queene; and the visual culture of the Elizabethan prodigy house. Contributors: Nicholas Crawford, Dennis Flynn, Heather Hirschfeld, Pamela Royston Macfie, Anne E. McIlhaney, Graham Roebuck, Gary Stringer, James M. Sutton, Alzada Tipton. M. Thomas Hester is professor of English at North Carolina State University

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