Search results for ""author john"

Feasting on the Gospels follows up on the success of the Feasting on the Word series with all new material on the most prominent and preached-on New Testament books, the four Gospels.With contributions from a diverse and respected group of scholars and pastors, Feasting on the Gospels covers every single passage in the Gospels, making it suitable for both lectionary and nonlectionary use. Moreover, these volumes incorporate the unique format of Feasting on the Word, with four perspectives for preachers to choose from for each Gospel passage: theological, pastoral, exegetical, and homiletical.

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John Pearce faces a court martial, but will cowardly Toby Burns, chief witness, stand up to questioning? With the matter unresolved, HMS Hazard is put under the command of Horatio Nelson, with whom no cruise can be without incident. Sure enough, battle is joined with two Spanish frigates, though success is short-lived and flight in the face of a superior foe becomes the only option.In London, the government denies prize money for the cargo of silver Pearce took off the Santa Leocadia, claiming it as property of the Crown. Pearce’s prize agent seeks to fight this, only to be outmanoeuvred by devious Henry Dundas. Worse, some very bad pennies from the past have come back to haunt the life of Emily Barclay and the thief-taker Walter Hodgson.From Elba, Pearce is sent on a mission to collect fleeing members of the Corsican government: an assignment which looks simple but is anything but. Seeking a solution which will not risk his ship, he seeks the aid of a local clan chief, inadvertently putting himself, his crew, and his rescued charges in jeopardy. Pearce finds himself trapped in a deep Corsican bay, facing odds of two to one, which he can only overcome by employing devious tactics. And even successful, he will be forced to make a decision: to follow his instincts or to obey his orders.

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The fantastical story of Sir Elton John's life, through his influential and enduring partnership with his songwriting collaborator Bernie Taupin. Rocketman, an epic musical fantasy from Paramount Pictures, Marv Studios and Rocket Pictures, stars Taron Egerton (Elton John), Jamie Bell (Bernie Taupin), Richard Madden (John Reid) and Bryce Dallas Howard (Sheila Eileen). Rocketman is written by Lee Hall (Billy Elliot, War Horse) and directed by Dexter Fletcher (Eddie the Eagle). This is the official book of the movie and features on-set and behind-the-scenes photos, quotes and more.

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Uplifting and engaging, this story recounts the life and career of a rebellious 20th-century British artist Born into a large, musical, and bohemian family in London, the British artist John Craxton (1922–2009) has been described as a Neo-Romantic, but he called himself a “kind of Arcadian”. His early art was influenced by Blake, Palmer, Miró, and Picasso. After achieving a dream of moving to Greece, his work evolved as a personal response to Byzantine mosaics, El Greco, and the art of Greek life. This book tells his adventurous story for the first time. At turns exciting, funny, and poignant, the saga is enlivened by Craxton’s ebullient pictures. Ian Collins expands our understanding of the artist greatly—including an in-depth exploration of the storied, complicated friendship between Craxton and Lucian Freud, drawing on letters and memories that Craxton wanted to remain private until after his death.

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"I always wanted to be a writer, but I became a policeman instead." WESSEX, 2016. Teenagers are vanishing off the council estates of a small provincial city. A crop of herbs that are said to posses magical powers which only grow once every fifty years are found in the woods. A supernatural creature believed to be the guardian of the herbs is seen in nightmares. Rumours of orgiastic rituals on the estates of the rich and powerful excite the curious. And the Queen of England decides to celebrate her 90th birthday with a visit to the city’s famous cathedral spire. Into this madness, two ambitious detectives, one with doomed literary ambitions, seek to solve the mystery, their only lead that “posh people are taking our children”. Blending mysticism, class war, societal malfeasance and transcendence, High John The Conqueror identifies the point in our recent history when the ghosts of our past become the political monsters of the present.

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The brothers Paul and John Nash, in their very different ways, were a major influence on twentieth century British design. Paul Nash (1889-1946) is now recognised as the most significant war artist of the last century; John Nash (1893-1977) as a plantsman artist. Both worked as designers and as tutors at the Royal College of Art, Paul encouraging a generation of designer artists that included Eric Ravilious, Edward Bawden and Enid Marx. As a committee member of the Design and Industries Association and President of the newly formed Society of Industrial Artists (now the Chartered Society of Designers) Paul promoted design as no less an art form than the fine arts of painting and sculpture. His clients included London Transport, Shell and Curwen Press and publishers the Nonesuch and Golden Cockerel Presses. John became well known for his Edward Lear influenced humorous illustrations and his superb plant drawings and wood engravings that illustrate innumerable books and publications. Paul Nash and John Nash, Design features over 150 illustrations, including graphic design, textile design, ceramics and glass, many not reproduced before. With descriptions by Brian Webb and an introductory essay by Peyton Skipwith. The Design series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: "A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb." Also available: Claud Lovat Fraser ISBN: 9781851496631 GPO ISBN: 9781851495962 Peter Blake ISBN: 9781851496181 FHK Henrion ISBN: 9781851496327 David Gentleman ISBN: 9781851495955 David Mellor ISBN: 9781851496037 E.McKnight Kauffer ISBN: 9781851495207 Edward Bawden and Eric Ravilious ISBN: 9781851495009 El Lissitzky ISBN: 9781851496198 Festival of Britain 1951 ISBN: 9781851495337 Harold Curwen & Oliver Simon: Curwen Press ISBN: 9781851495719 Jan Le Witt and George Him ISBN: 9781851495665 Rodchenko ISBN: 9781851495917 Abram Games ISBN: 9781851496778

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This selection of over five hundred letters gives us the life of John Cage with all the intelligence, wit, and inventiveness that made him such an important and groundbreaking composer and performer. The missives range from lengthy reports of his early trips to Europe in the 1930s through his years with the dancer Merce Cunningham, and shed new light on his growing eminence as an iconic performance artist of the American avant-garde. Cage's joie de vivre resounds in these letters - fully annotated throughout - in every phase of his career, and includes correspondence with Peter Yates, David Tudor, and Pierre Boulez, among others. Above all, they reveal his passionate interest in people, ideas, and the arts. The voice is one we recognize from his writings: singular, profound, irreverent, and funny. Not only will readers take pleasure in Cage's correspondence with and commentary about the people and events of a momentous and transformative time in the arts, they will also share in his meditations on the very nature of art. A deep pleasure to read, this volume presents an extraordinary portrait of a complex, brilliant man who challenged and changed the artistic currents of the twentieth century.

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In book 9 of ""Paradise Lost"" near the end of what is generally referred to as the separation scene, Eve speaks of Adam's 'reasoning words' (379) as she prepares to leave her husband's side to garden alone. For a writer who focused on the importance of debate and the consequences of choices in his three major epics - ""Paradise Lost"", ""Paradise Regained"", and ""Samson Agonistes"" - and who depicted the awesome power of temptation in poetry and prose alike, Milton consistently argued that 'God...trusts [his created being] with the gift of reason to be his own chooser' (Areopagitica), whether that chooser be Satan, Eve, Adam, the Son, the English people, the reader, or Milton himself.As he states in ""Of Education"", 'language is but the instrument conveying to us things useful to be known' (631). While the ten essays that make up this collection are intentionally diverse in subject matter, emphasis, and approach, what unifies them is a common interest in aspects of language, or, as the title suggests, 'reasoning words'. Charles W. Durham is Professor Emeritus of English at Middle Tennessee State University. Kristin A. Pruitt is Professor Emerita of English at Christian Brothers University.

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New essays demonstrate Gower's mastery of the three languages of medieval England, and provide a thorough exploration of the voices he used and the discourses in which he participated. John Gower wrote in three languages - Latin, French, and English - and their considerable and sometimes competing significance in fourteenth-century England underlies his trilingualism. The essays collected in this volume start from Gower as trilingual poet, exploring Gower's negotiations between them - his adaptation of French sources into his Latin poetry, for example - as well as the work of medieval translators who made Gower's French poetry availablein English. "Translation" is also considered more broadly, as a "carrying over" (its etymological sense) between genres, registers, and contexts, with essays exploring Gower's acts of translation between the idioms of varied literary and non-literary forms; and further essays investigate Gower's writings from literary, historical, linguistic, and codicological perspectives. Overall, the volume bears witness to Gower's merit and his importance to English literary history, and increases our understanding of French and Latin literature composed in England; it also makes it possible to understand and to appreciate fully the shape and significance of Gower's literary achievement and influence, which have sometimes suffered in comparison to Chaucer. ELISABETH DUTTON is Fellow of Worcester College, Oxford. Contributors: Elisabeth Dutton, Jean Pascal Pouzet, Ethan Knapp, Carolyn P. Collette,Elliot Kendall, Robert R. Edwards, George Shuffleton, Nigel Saul, David Carlson, Candace Barrington, Andreea Boboc, Tamara F. O'Callaghan, Stephanie Batkie, Karla Taylor, Brian Gastle, Matthew Irvin, Peter Nicholson, J.A. Burrow,Holly Barbaccia, Kim Zarins, Richard F. Green, Cathy Hume, John Bowers, Andrew Galloway, R.F. Yeager, Martha Driver

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A fresh look at this astute, likably quirky statesman, by the author of the Pulitzer Award-winning Founding Brothers and the National Book Award winning American Sphinx.

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In the modern world of networked digital media, authors must navigate many challenges. Most pressingly, the illegal downloading and streaming of copyright material on the internet deprives authors of royalties, and in some cases it has discouraged creativity or terminated careers. Exploring technology’s impact on the status and idea of authorship in today’s world, The Near-Death of the Author reveals the many obstacles facing contemporary authors. John Potts details how the online culture of remix and creative reuse operates in a post-authorship mode, with little regard for individual authorship. The book explores how developments in algorithms and artificial intelligence (AI) have yielded novels, newspaper articles, musical works, films, and paintings without the need of human authors or artists. It also examines how these AI achievements have provoked questions regarding the authorship of new works, such as Does the author need to be human? And, more alarmingly, Is there even a need for human authors? Providing suggestions on how contemporary authors can endure in the world of data, the book ultimately concludes that network culture has provoked the near-death, but not the death, of the author.

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This is a major reinterpretation of John Bunyan, a prolific author best known for his two allegories, The Pilgrim's Progress and The Holy War, and his spiritual autobiography, Grace Abounding. In this book, Richard L. Greaves draws on recent literature on depression to demonstrate that Bunyan suffered from this mood disorder as a young man and then used this experience to help mold his literary works. Light and darkness, joy and sadness, despair and hope became key literary motifs. In this biography, each of Bunyan's works, including the dozen published posthumously, is analyzed in its immediate historical context. The Pilgrim's Progress, although not published until 1678, takes its rightful place as a contribution to the momentous debate over conscience between 1667 and 1673. This historical approach, as distinct from the literary one favored by nearly all of Bunyan's biographers, reveals the changes in his views over time, including his interest in the millenarian Fifth Monarchists in the 1650s, his circumspect endorsement of militant action to block the anticipated succession of James, duke of York, in the 1680s, his retreat from this position following the disclosure of the Rye House conspiracy, and his cooperation with James II's government when it offered toleration to dissenters. Bunyan's extraordinary ability to rouse the imaginations of his readers is shown to be rooted in his intense spirituality and powerful creativity, and given emotive force by his deep sympathy for the poor and oppressed and his fierce commitment to the principle that truth must be free. Two periods in prison, one lasting more than eleven years, failed to crush his spirit. Unbroken, he emerged from confinement to continue his preaching and writing, having honed a regime of composition that served him well as a free man. No less significant was his triumph over debilitating depressive moods that left him with a keen sensitivity to the importance of light, warmth, and love. Bunyan's potent creativity enabled him to turn his experiences into a gripping spiritual autobiography and two major allegories that attest to his triumph over crippling despair and a repressive government.

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Mother Bombie is unique among Lyly’s comedies in its urban setting and focus upon middle and lower class concerns. The play turns on the tissue of misconceptions surrounding the efforts of four fathers to secure socially advantageous marriages for their heirs, and the determination of their young servants to exploit their masters’ misguided aspirations for their own advantage. A theatrical success in its own day, the play is of particular interest to twenty-first century criticism for its focus upon those situated on the margins of the social group, notably Mother Bombie herself, thought by some to be a witch, and the two simpletons whose marital prospects lie at the heart of the action.This fully annotated, modern-spelling edition of the play, now available in paperback, is re-edited from the earliest witnesses; the quartos of 1594 and 1598, and incorporates the songs first published by Blount in his collected edition of Lyly’s works in 1632

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Cambridge English Readers is an award-winning series of original fiction readers for learners of English, offering exciting reading from Starter to Advanced levels. A man is found on the street, and taken to hospital. He appears unable to tell the doctor who he is, or where he comes from, but has he really lost his memory? The man is playing a dangerous game, and really knows a lot more than he is prepared to say. When he leaves the hospital, he goes to the house of the nurse who looked after him, and events take a very sinister turn. Paperback-only version. Also available with Audio CD including complete text recordings from the book.

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POETRY SELECTION IN THE POPULAR CRANES CLASSICS SERIES, WELL KNOWN POETS PRODUCED IN SMALL 64 PAGE HARDBACKS WITH ATTRACTIVE COVERS.

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This volume joins new editions of both texts of John Lydgate's The Dance of Death, related Middle English verse, and a new translation of Lydgate's French source, the Danse macabre. Together these poems showcase the power of the danse macabre motif, offering a window into life and death in late medieval Europe. In vivid, often grotesque, and darkly humorous terms, these poems ponder life's fundamental paradox: while we know that we all must die, we cannot imagine our own death.

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A lifetime of letters, collected for the first time, from the legendary The Beatles musician and songwriter John LennonJohn Lennon is one of the world's greatest-ever song writers, creator of 'Help!', 'Lucy in the Sky with Diamonds', 'Imagine' and dozens more. Now, his letters have been collected and published, illuminating as never before the intimate side of a private genius.Hunter Davies, author of the only authorised biography of The Beatles, has tracked down almost three hundred of Lennon's letters and postcards - to relations, friends, fans, strangers, lovers and even to the laundry. Some of the letters are tender, informative, funny, angry and abusive, and some are simply heart-breaking - from his earliest surviving thank-you note, written when he was ten, to his last scribbled autograph given on 8 December 1980, the day he was shot, aged forty.

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Unconquerable is John Milton Oskison’s biography of John Ross, written in the 1930s but unpublished until now. John Ross was principal chief of the Cherokees from 1828 to his death in 1866. Through the story of John Ross, Oskison also tells the story of the Cherokee Nation through some of its most dramatic events in the nineteenth century: the nation’s difficult struggle against Georgia, its forced removal on the Trail of Tears, its internal factionalism, the Civil War, and the reconstruction of the nation in Indian Territory west of the Mississippi. Ross remains one of the most celebrated Cherokee heroes: his story is an integral part not only of Cherokee history but also of the history of Indian Territory and of the United States. With a critical introduction by noted Oskison scholar Lionel Larré, Unconquerable sheds light on the critical work of an author who deserves more attention from both the public and scholars of Native American studies.

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Unconquerable is John Milton Oskison’s biography of John Ross, written in the 1930s but unpublished until now. John Ross was principal chief of the Cherokees from 1828 to his death in 1866. Through the story of John Ross, Oskison also tells the story of the Cherokee Nation through some of its most dramatic events in the nineteenth century: the nation’s difficult struggle against Georgia, its forced removal on the Trail of Tears, its internal factionalism, the Civil War, and the reconstruction of the nation in Indian Territory west of the Mississippi. Ross remains one of the most celebrated Cherokee heroes: his story is an integral part not only of Cherokee history but also of the history of Indian Territory and of the United States. With a critical introduction by noted Oskison scholar Lionel Larré, Unconquerable sheds light on the critical work of an author who deserves more attention from both the public and scholars of Native American studies.

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*A BBC Radio 4 Book of the Week* ‘Carefully observed, rich in detail, imaginative, compassionate and angry. A raw, unexpected portrait of Britain’s grandeur, wealth, energy, cruelty and hypocrisy in the age of liberalism’ RORY STEWART 'A shocking story of prejudice and injustice, told in meticulous detail' KEIR STARMER From award-winning historian and Sunday Times bestselling author Chris Bryant MP, James and John tells the story of what it meant to be gay in early 19th-century Britain through the lens of a landmark trial. They had nothing to expect from the mercy of the crown; their doom was sealed; no plea could be urged in extenuation of their crime, and they well knew that for them there was no hope in this world. When Charles Dickens wrote these tragic lines he was penning fact, not fiction. He had visited the condemned cells at the infamous prison at Newgate, where seventeen men who had been sentenced to death were awaiting news of their pleas for mercy. Two men stood out: James Pratt and John Smith, who had been convicted of homosexuality. Theirs was ‘an unnatural offence’, a crime so unmentionable it was never named. That was why they alone despaired and, as the turnkey told Dickens, why they alone were ‘dead men’. The 1830s ushered in great change in Britain. In a few short years the government swept away slavery, rotten boroughs, child labour, bribery and corruption in elections, the ban on trades unions and civil marriage. They also curtailed the ‘bloody code’ that treated 200 petty crimes as capital offences. Some thought the death penalty itself was wrong. There had not been a hanging at Newgate for two years; hundreds were reprieved. Yet when the King met with his ‘hanging’ Cabinet, they decided to reprieve all bar James and John. When the two men were led to the gallows, the crowd hissed and shouted. In this masterful work of history, Chris Bryant delves deep into the public archives, scouring poor law records, workhouse registers, prisoner calendars and private correspondence to recreate the lives of two men whose names are known to history – but whose story has been lost, until now.

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In 1801, a 45-year-old Revolutionary War veteran and politician, slovenly, genial, brilliant, and persuasive, became the fourth chief justice of the United States, a post he would hold for a record thirty-four years. Before John Marshall joined the Court, the judicial branch was viewed as the poor sister of the federal government, lacking in dignity and clout. After his passing, the Supreme Court of the United States would never be ignored again. John Marshall is award-winning and bestselling author Richard Brookhiser's definitive biography of America's longest-serving Chief Justice.Marshall (1755-1835) was born in Northern Virginia and served as a captain during the Revolutionary War and then as a delegate to the Virginia state convention. He was a friend and admirer of George Washington, and a cousin and enemy of Thomas Jefferson. His appointment to the Supreme Court came almost by chance-Adams saw him as the last viable option, after previous appointees declined the nomination. Yet he took to the court immediately, turning his sharp mind toward strengthening America's fragile legal order.Americans had inherited from their colonial past a deep distrust of judges as creatures of arbitrary royal power; in reaction, newly independent states made them pawns of legislative whim. The result was legal caprice, sometimes amounting to chaos. Marshall wanted a strong federal judiciary, led by the Supreme Court, to define laws, protect rights, and balance the power of the legislative and executive branches. However, America's legal system, he believed, was threatened by specific individuals-namely Thomas Jefferson and the early Republican Party-who were intent on undermining the Constitution and respect for law in order to empower themselves.As a Federalist and a follower of Washington and Hamilton, he also wanted a strong national government, favorable to business. In his three decades on the court, Marshall accomplished just that. As Brookhiser vividly relates, in a string of often-colorful cases involving businessmen, educators, inventors, scoundrels, Native Americans, and slaves, Marshall clipped the power of the states vis-à-vis the federal government, established the Supreme Court's power to correct or rebuke Congress or the president, and bolstered commerce and contracts. John Marshall's modus operandi was charm and wit, frequently uniting his fellow justices around unanimous decisions in even the most controversial cases. For better and for worse, he made the Supreme Court a central part of American life.John Marshall is the definitive biography of America's greatest judge and most important early Chief Justice.

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Stephen F. Knott has spent his life grappling with the legacy of President John F. Kennedy: JFK was the first president Knott remembers, he worked for Ted Kennedy’s Senate campaign in 1976, and later he worked at the John F. Kennedy Library in Boston. Moreover, Knott’s scholarly work on the American presidency has wrestled with Kennedy’s time in office and whether his presidency was ultimately a positive or negative one for the country. After initially being a strong Kennedy fan, Knott’s views began to sour during his time at the library, eventually leading him to become a “Reagan Democrat.” The Trump presidency led Knott to revisit JFK, leading him once more to reconsider his views.Coming to Terms with John F. Kennedy offers a nuanced assessment of the thirty-fifth president, whose legacy and impact people continue to debate to this day. Knott examines Kennedy through the lens of five critical issues: his interpretation of presidential power, his approach to civil rights, and his foreign policy toward Cuba, the Soviet Union, and Vietnam. Knott also explores JFK’s assassination and the evolving interpretations of his presidency, both highly politicized subject matters. What emerges is a president as complex as the author’s shifting views about him.The passage of sixty years, from working in the Kennedy Library to a career writing about the American presidency, has given Knott a broader view of Kennedy’s presidency and allowed him to see how both the Left and the Right, and members of the Kennedy family, distorted JFK's record for their own purposes.Despite the existence of over forty thousand books dealing with the man and his era, Coming to Terms with John F. Kennedy offers something new to say about this brief but important presidency. Knott contends that Kennedy’s presidency, for better or for worse, mattered deeply and that whatever his personal flaws, Kennedy’s lofty rhetoric appealed to what is best in America, without invoking the snarling nativism of his least illustrious successor, Donald Trump.

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By an expert with over twenty-five years' experience interviewing more than thirty of the most dangerous male and female serial killers of contemporary times, this latest book from the bestselling author explores the darkest corners of these thrill-killers' minds.As all law-enforcement authorities, including the FBI's elite Behavioral Science Unit, will confirm, the majority of sexual psychopaths gain most of their perverse thrills from the stalking of their unsuspecting victims, often in so many different ways.For them, the actual kill is frequently something less, after which the dead body is treated like so much garbage and simply abandoned or thrown away. Yet as these cases show, a victim has often been unwittingly followed, watched, or even visited before they are attacked, sometimes for weeks or even months.Having exhaustively studied the case histories of more than sixty modern-day sexually motivated serial murderers - some still alive, others subsequently executed - the author zeros in on the Internet porn industry as one of the main motivating drivers in cultivating fantasy stalking, which can lead to rape, multiple rapes, and homicide graduating to serial murder. Even more chillingly, anyone who is active on social media is a potential stalker's victim.

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Considered by John Singer Sargent to be the best British draughtsman since the Renaissance, Augustus John was the first of the British ‘Post-Impressionists’. Such was his importance that Virginia Woolf declared in 1921 that by 1908 ‘The age of Augustus John was dawning,’ and Wyndham Lewis would dub the ten years leading up to 1914 ‘the Augustan decade'. Handsome, unconventional and full of brilliant promise and Bohemian spirit, John was the man almost every young British art student wanted to emulate. This book reveals why, telling his extraordinary story from his birth in south Wales in 1878 through to the end of his youth in the closing stages of the First World War. Interweaving his biography are the personalities who surrounded John, and the book looks at their influence on him, and his upon them. They include his fellow students at the Slade School of Art – his sister Gwen John and future wife Ida Nettleship, and his friends William Orpen, Ambrose McEvoy, Spencer Gore and Percy Wyndham Lewis – all of whom would become prominent artists in their own right. This book is a long overdue, new interpretation of this singular figure, who was both at the heart of the British artistic milieu, and yet set apart from its movements and manifestos.

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Passed by the House of Representatives at the start of the 1836 session, the gag rule rejected all petitions against slavery, effectively forbidding Congress from addressing the antislavery issue until it was rescinded in late 1844. In the Senate, a similar rule lasted until 1850. Strongly supported by all southern and some northern Democratic congressmen, the gag rule became a proxy defense of slavery's morality and economic value in the face of growing pro-abolition sentiment. In John Quincy Adams and the Gag Rule, 1835-1850, Peter Charles Hoffer transports readers to Washington, DC, in the period before the Civil War to contextualize the heated debates surrounding the rule. At first, Hoffer explains, only a few members of Congress objected to the rule. These antislavery representatives argued strongly for the reception and reading of incoming abolitionist petitions. When they encountered an almost uniformly hostile audience, however, John Quincy Adams took a different tack. He saw the effort to gag the petitioners as a violation of their constitutional rights. Adams's campaign to lift the gag rule, joined each year by more and more northern members of Congress, revealed how the slavery issue promoted a virulent sectionalism and ultimately played a part in southern secession and the Civil War. A lively narrative intended for history classrooms and anyone interested in abolitionism, slavery, Congress, and the coming of the Civil War, John Quincy Adams and the Gag Rule, 1835-1850, vividly portrays the importance of the political machinations and debates that colored the age.

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In mid-March 1781, John Adams received his commission and instructions as minister to the Netherlands and embarked on the boldest initiative of his diplomatic career. Disappointed by the lack of interest shown by Dutch investors in his efforts to raise a loan for the United States, Adams changed his tactics, and in a memorial made a forthright appeal to the States General of the Netherlands for immediate recognition of the United States. Published in Dutch, English, and French, it offered all of Europe a radical vision of the ordinary citizen’s role in determining political events. In this volume, for the first time, the circumstances and reasoning behind Adams’s bold moves in the spring of 1781 are presented in full.In July the French court summoned Adams, the only American in Europe empowered to negotiate an Anglo–American peace, to Paris for consultations regarding an offer made by Austria and Russia to mediate the Anglo–French war. In his correspondence with France’s foreign minister, the Comte de Vergennes, Adams passionately insisted that the United States was fully and unambiguously independent and sovereign and must be recognized as such by Great Britain before any negotiations took place. This volume shows John Adams to be a determined and resourceful diplomat, unafraid to go beyond the bounds of traditional diplomacy to implement his vision of American foreign policy.

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This first full-length biography of the Nobel Laureate to appear in a quarter century explores John Steinbeck’s long apprenticeship as a writer struggling through the depths of the Great Depression, and his rise to greatness with masterpieces such as The Red Pony, Of Mice and Men and The Grapes of Wrath. His most poignant and evocative writing emerged in his sympathy for the Okies fleeing the dust storms of the Midwest, the migrant workers toiling in California’s fields and the labourers on Cannery Row, reflecting a social engagement—paradoxical for all of his natural misanthropy—radically different from the writers of the so-called Lost Generation. A man by turns quick-tempered, contrary, compassionate and ultimately brilliant, Steinbeck took aim at the corrosiveness of power, the perils of income inequality and the growing urgency of ecological collapse, all of which drive fierce public debate to this day.

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Drawing on published and previously unpublished manuscript sources in poetry and prose, John Berryman's Public Vision offers an original reappraisal of an important twentieth-century American poet's work. Challenging the confessional labelling of him that has dominated his critical reception and popular perception for decades, the book argues that Berryman (1914-72) had a far greater concern for developments in the public sphere than has previously been acknowledged. It reassesses the poet's engagements with W.B. Yeats and Robert Bhain Campbell in the 1940s and offers radical re- contexualisations of Berryman's work from every stage of his career. Concluding with an account of Berryman's influence on contemporary writing on both sides of the Atlantic, John Berryman's Public Vision provides a detailed and comprehensive reconsideration of the poet's achievement in his centenary year.

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The language of the Gospel of John is known for its complexity. On the basis of the modern standards of transparency and logic, previous scholars have depicted this language as obscure, confusing, and mysterious. Thomas Tops goes beyond these oversimplifications by providing an in-depth historical study of John's characterisation of Jesus' language with the terms paroimia and parr ē sia . By providing original insights in these terms, the author offers a new perspective on the functioning of Johannine language. As the Johannine Jesus teaches both through paroimia and parr ē sia , his language conceals and reveals at the same time. His criticism is veiled and calls on its addressees to search for the hidden meanings of his words. Veiled speech allows the Johannine Jesus to criticise his opponents and openly reveal his messianic identity to those who cannot accept the truth in any other way.

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John Adams reached Paris on October 26, 1782, for the final act of the American Revolution: the peace treaty. This volume chronicles his role in the negotiations and the decision to conclude a peace separate from France. Determined that the United States pursue an independent foreign policy, Adams's letters criticized Congress's naive confidence in France. But in April 1783, frustrated at delays over the final treaty and at real and imagined slights from Congress and Benjamin Franklin, Adams believed the crux of the problem was Franklin's moral bankruptcy and servile Francophilia in the service of a duplicitous Comte de Vergennes.Volume 14 covers more than just the peace negotiations. As American minister to the Netherlands, Adams managed the distribution of funds from the Dutch-American loan. Always an astute observer, he commented on the fall of the Shelburne ministry and its replacement by the Fox-North coalition, the future of the Anglo-American relationship, and the prospects for the United States in the post-revolutionary world. But he was also an anxious father, craving news of John Quincy Adams's slow journey from St. Petersburg to The Hague. By May 1783, Adams was tired of Europe, but resigned to remaining until his work was done.

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This new volume in Shakespeare: The Critical Tradition increases our knowledge of how Shakespeare’s plays were received and understood by critics, editors and general readers. Updated with a new introduction providing a survey of critical responses to the plays since the late 1930s to the present day, the volume offers, in separate sections, both critical opinions about the play across the centuries and an evaluation of their positions within and their impact on the reception of the play. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, whereas the introduction offers a critical evaluation from a current stance, including modern theories and methods. Thus the volume makes a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century.

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