Search results for ""author john"

This important new edition of one of Shakespeare's more neglected plays offers a wide-ranging critical introduction, concentrating on its relevance to Elizabethan political issues and on the role played in it by women, the family, and the law. There is a comprehensive stage history, and full and helpful annotation pays special attention to the play's language and staging. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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John Napier (1550-1617) is celebrated today as the man who invented logarithms--an enormous intellectual achievement that would soon lead to the development of their mechanical equivalent in the slide rule: the two would serve humanity as the principal means of calculation until the mid-1970s. Yet, despite Napier's pioneering efforts, his life and work have not attracted detailed modern scrutiny. John Napier is the first contemporary biography to take an in-depth look at the multiple facets of Napier's story: his privileged position as the eighth Laird of Merchiston and the son of influential Scottish landowners; his reputation as a magician who dabbled in alchemy; his interest in agriculture; his involvement with a notorious outlaw; his staunch anti-Catholic beliefs; his interactions with such peers as Henry Briggs, Johannes Kepler, and Tycho Brahe; and, most notably, his estimable mathematical legacy. Julian Havil explores Napier's original development of logarithms, the motivations for his approach, and the reasons behind certain adjustments to them. Napier's inventive mathematical ideas also include formulas for solving spherical triangles, "Napier's Bones" (a more basic but extremely popular alternative device for calculation), and the use of decimal notation for fractions and binary arithmetic. Havil also considers Napier's study of the Book of Revelation, which led to his prediction of the Apocalypse in his first book, A Plaine Discovery of the Whole Revelation of St. John--the work for which Napier believed he would be most remembered. John Napier assesses one man's life and the lasting influence of his advancements on the mathematical sciences and beyond.

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Writer, poet, lecturer, broadcaster and man-of -letters, John Jordan (1930-88) was a distinguished scholar-critic in the Dublin of his day, teaching English at University College Dublin (1955-66) and at the Memorial University of Newfoundland at St John’s (1966-7). A true cosmopolitan, and formidably read, his interests ranged from drama to literature in all its forms. This gathering of prose essays and reviews are taken from the columns of the Irish Press, Hibernia, The Crane Bag and Irish University Review and Poetry Ireland (a magazine he refounded in 1962), as well as from private unpublished papers. They focus on the mid-century canon of Irish and Anglo-American writing: Joyce, Yeats, Lawrence, Eliot, Kavanagh, O’Casey, Behan, Clarke, Stuart, Bowen, Gregory, Synge, Shaw and Wilde, as well as on the new voices of a succeeding generation: Kinsella, Cronin, Hutchinson, Heaney, and Durcan. With occasional literary detours to Russia, France and Spain, Jordan brings a continental sensibility to bear on his literary milieu.

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A new approach to the visual arts in the work of John Donne

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The renowned scholar-poet John of Garland wrote the Integumenta Ovidii (“Allegories on Ovid”) in early thirteenth-century Paris at a time of renewed interest in Classical Latin literature. In this short poem, John offers a series of dense, highly allusive allegories on various Greek and Roman myths in Ovid’s Metamorphoses. This important but difficult work has fascinated and challenged generations of modern students and scholars. The text is here edited and translated for the first time in 90 years, drawing on the evidence of over two dozen manuscripts. Comprehensive explanatory notes help readers to understand John’s condensed allegories in their medieval context. Textual notes discuss the various difficulties in the transmitted text of the poem, and offer several improvements on the texts of the older editions.

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John Henry Newman's decision to become a Roman Catholic was confirmed by his work on one of his major contributions to theology, Essay on the Development of Christian Doctrine. Ironically, the writings that brought him into the Catholic Church were viewed so suspiciously by Church officials that from his very first days as a Catholic he experienced distance, avoidance, distrust, and even cynicism in his relationship with the hierarchy. In hope of obtaining an honest and competent critique of his views on the development of doctrine, he conceived the idea of a presentation of his ideas, not in English, but in Latin, and in the style not of a historical essay, but of a Scholastic treatise. The result was De catholici dogmatis evolutione, here translated into the author's native tongue as On The Development of Catholic Dogma

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John Wayne is renowned as having been a larger than life, yet his personal code was a simple one of loyalty, self-reliance, grit, honesty, patriotism and generosity. John Wayne: Lessons for My Children examines how Wayne used his beliefs to raise six lively kids into successful young adults, and how those lessons might be used by readers to help guide their own sons and daughters. Packed with reminiscences and anecdotes from Duke's children (including a foreword and an afterword), quotes and personal stories from Duke, himself, and analyses of key scenes from Duke's films, plus hundreds of touching, rousing and inspiring photos from Duke's family life as well as his films, John Wayne: Lessons for My Children is a perfect gift for dads and Duke fans everywhere. The book itself is a stunning handbook with glossy pages, and a leatherette cover to ensure the book lasts for years and years. The perfect impulse purchase for Father's Day or any day.

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John Ormond was a poet and documentary filmmaker from Swansea, south Wales. His early poetry was published while he was a student in the 1940s and, upon graduation, Ormond moved to work as a journalist in London where he soon secured a job at the celebrated photojournalist magazine Picture Post. Having learned there to `think like a camera', he was employed by the BBC in Cardiff during the early days of television, and went on to become a pioneer of the documentary film form. In a uniquely dualistic creative career spanning five decades, Ormond made major contributions both to English-language poetry and documentary filmmaking. This book is the first in-depth examination of the fascinating correspondences between Ormond's twin creative channels: viewing his work against the backdrop of a changing Wales, it constitutes an important case study in the history of documentary filmmaking, in the history of British television, in inter-artistic creativity, and in the cultural history of Wales.

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“Once more after an Interruption of ten Years, I pronounce myself a happy Man, and pray Heaven to continue me so.” Thus wrote John Adams in late August 1784 after the arrival in Europe of his wife Abigail and daughter Nabby. Adams and his family were living together in the pleasant Paris suburb of Auteuil. There Adams, with Benjamin Franklin and Thomas Jefferson, formed a joint commission to conclude commercial treaties with the nations of Europe and North Africa. For the first time since he had left America in 1778 on his first diplomatic mission, Adams was no longer engaged in “militia diplomacy.”Volume 16 of the Papers of John Adams chronicles fourteen months of Adams’ diplomatic career. As minister to the Netherlands he raised a new Dutch loan to save America from financial ruin. As joint commissioner he negotiated a commercial treaty with Prussia, proposed similar treaties with other European nations, and prepared to negotiate with the Barbary states. The commissioners also sought to resolve Anglo-American differences left over from the peace negotiations and arising from the two nations’ burgeoning trade. Volume 16 thus forms a prelude to the next phase of John Adams’ diplomatic career, for his February 1785 appointment as minister to the Court of St. James meant that the management of Anglo-American relations would be his responsibility alone.

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'I am not here, then, as the accused; I am here as the accuser of capitalism dripping with blood from head to foot' – John Maclean, Speech from the Dock, 1918. Feared by the government, adored by workers, celebrated by Lenin and Trotsky; the head of British Military Intelligence called John Maclean 'the most dangerous man in Britain'. This new biography explores the events that shaped the life of a momentous man – from the Great War and the Great Unrest, to the Rent Strike and the Russian Revolution. It examines his work as an organiser and educator, his imprisonment and hunger strike, and how he became the early hero of radical Scottish Independence.

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"This series is a testimony to the Spirit breathing where He wills." America John Climacus: The Ladder of Divine Ascent edited and translated by Colm Luibheid and Norman Russell notes on translation by Norman Russell, preface by Kallistos Ware "Prayer is the mother and daughter of tears. It is an expiation of sin, a bridge across temptation, a bulwark against affliction. It wipes out conflict, is the work of angels, and is the nourishment of everything spiritual." John Climacus (c. 579-649) The Ladder of Divine Ascent was the most widely used handbook of the ascetic life in the ancient Greek Church. Popular among both lay and monastics, it was translated into Latin, Syriac, Arabic, Armenian, Old Slavonic, and many modern languages. It was written while the author (who received his surname from this book) was abbot of the monastery of Catherine on Mount Sinai. As reflected in the title, the ascetical life is portrayed as a ladder which each aspirant must ascend, each step being a virtue to be acquired, or a vice to be surrendered. Its thirty steps reflect the hidden life of Christ himself. This work had a fundamental influence in the particularly the Hesychastic, Jesus Prayer, or Prayer of the Heart movement. Pierre Pourrat in his History of Christian Spirituality calls John Climacus the "most important ascetical theologian of the East, at this epoch, who enjoyed a great reputation and exercised and important influence on future centuries." †

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Focusing on John Hilliard’s fascination with the monochrome and visual obstruction, this career-spanning volume draws together the artist’s diverse engagement with photography. Perhaps best known for iconic ‘photo-conceptual’ works produced during the 1970s, this British artist’s work explores the limits of the photographic medium. Using new and pioneering processes, such as overlaying prints and incorporating projector screens, the artist aims to disrupt the viewer’s relationship to the photograph. Hilliard’s focus on the monochrome ‘blanks out’ the picture to undermine the photograph’s usual expectations and draw the viewer’s attention to the context of its creation. Duncan Wooldridge provides a survey on Hilliard’s continuous challenge to photographic convention throughout his 40-year career, accompanied by texts by the artist and over 60 illustrations.

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World-renowned visionary artist John Harris'' unique concept paintings capture the Universe on a massive scale, featuring everything from epic landscapes and towering cities to out-of-this-world science fiction vistas. This collection focuses on his wide variety of futuristic art, as well as his striking covers for a variety of esteemed SF authors, including Arthur C Clarke, John Scalzi, Ben Bova, Hal Clement, Jack McDevitt, Frederik Pohl, Orson Scott Card''s Enders books and many more.

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I love anything by artist John Derian, whose decoupage pieces can be kinda pricey. Get in on the action with these adorable John Derian Jigsaw Puzzles. Bonus: With some puzzle glue and a frame, it's ready to hang.Rachael Ray In Season John Derian is an artist and designer whose work with printed images from the past transports the viewer to another world. In Calm Cat, get lost in the mesmerizing gaze of its regal subject, perched on a silk cushion like an artist's model and utterly indifferent to the two going at each other in the background, backs and tails raised in an attitude familiar to every cat lover. Adapted from a nineteenth-century print, the image has the delight and mystery of a scene half remembered from an old children's book.Featuring: 750 full-color interlocking pieces Art print with puzzle image Finished puzzle is 26 3/8 x 18 7/8

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Canadian-born filmmaker and photographer John Cook (1935-2001) was one the key figures in the "Austrian New Wave" of the 1970s. A maverick, Cook almost single-handedly introduced a type of freewheeling auteur cinema reminiscent of both Italian neorealism and the works of the French nouvelle vague. This volume offers a German-language section of essays, interviews, and an annotated filmography, and a brief autobiography by Cook in English.

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In September 1962, John Vassall, a clerk at the Admiralty in London, was unmasked as a Soviet spy. After being photographed in compromising positions while working at the British embassy in Moscow, Vassall was blackmailed into handing British defence secrets over to his Soviet handlers for seven years. While there have been several successful books and film adaptations about the Profumo, Jeremy Thorpe and Duchess of Argyll affairs, the story of John Vassall, who was responsible for a more serious intelligence breach, is ripe for retelling. It has everything: a honey trap, industrial-scale espionage, journalists jailed for not revealing their sources and the first modern tabloid witch-hunt, which resulted in a ministerial resignation and almost brought down Harold Macmillan’s government. With access to newly released MI5 files and interviews with people who knew Vassall from the 1950s until his death in 1996, this book sheds new light on a neglected spy scandal. Despite having been drugged and sexually assaulted by the KGB in Moscow, as a gay man John Vassall was shown no mercy by the British press or the courts. Sentenced to eighteen years in jail, he served ten years, despite telling MI5 everything. Once released, he found that many of his old friends and lovers had been persecuted or dismissed from the civil service in Britain, America and Australia. Unlike the Cambridge Five, who courted attention, after leaving prison Vassall changed his name to avoid the media and lived quietly in London. Including atmospheric detail about Dolphin Square – a hotbed of political intrigue but also a safe haven for members of the LGBT community – in the 1950s and ’60s, this is an explosive tale of sexual violence, betrayal, conspiracy, snobbery, homophobia and hypocrisy that blows apart some of the British establishment’s darkest secrets.

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More widely studied and more frequently performed than ever before, John Webster's The Duchess of Malfi is here presented in an improved, accessible and throughly up-to-date edition. Starting with the authoritative Revels Plays edition of 1964, John Russell Brown has augmented the notes and collations, and casts new light on Webster's dramatic dialogue and on the stage action. An entirely new introduction encompasses a stage history from its well-documented early performances right through to recent productions in the twenty first century. The bibliography has also been expanded.Students, actors, directors, academics and theatre-goers will find here a reappraisal of Webster's artistry in the greatest age of English theatre.

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This volume brings together a diverse group of Reformation scholars to examine the life, work, and enduring significance of John Jewel, bishop of Salisbury from 1560 to 1571.A theologian and scholar who worked with early reformers in England such as Peter Martyr Vermigli, Martin Bucer, and Thomas Cranmer, Jewel had a long-lasting influence over religious culture and identity. The essays included in this book shed light on often-neglected aspects of Jewel’s work, as well as his standing in Elizabethan culture not only as a priest but as a leader whose work as a polemicist and apologist played an important role in establishing the authority and legitimacy of the Elizabethan Church of England. The contributors also place Jewel in the wider context of gender studies, material culture, and social history. With its inclusion of a short biography of Jewel’s early life and a complete list of his works published between 1560 and 1640, Defending the Faith is a fresh and robust look at an important Reformation figure who was recognized as a champion of the English Church, both by his enemies and by his fellow reformers.In addition to the editors, contributors to this volume are Andrew Atherstone, Ian Atherton, Paul Dominiak, Alice Ferron, Paul A. Hartog, Torrance Kirby, W. Bradford Littlejohn, Aislinn Muller, Joshua Rodda, and Lucy Wooding.

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First published in Latin in 1699, John Craige's Theology represents a rare early attempt to introduce mathematical reasoning into moral and theological dispute.Craige's effort to determine the earliest possible date of the Apocalypse earned him ridicule as an eccentric and a crank. Yet, Richard Nash argues, the intensity of the response to Craige's work testifies to how widely felt the conflict was between the old and newly emergent notions of probability.

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The first survey in nearly two decades of the work of John McAslan + Partners. Making Architecture both provides an up-to-date account of the work of John McAslan + Partners, one of Britain’s most respected and dynamic architectural practices, and analyses the culture of a studio that has made a remarkable contribution to architecture, place-making and the lives of individuals for four decades. A series of thematic chapters includes detailed, fully illustrated descriptions of many recent and ongoing international projects, from Central and Waterloo stations in Sydney and ten new stations for Delhi Metro to the transformation of King’s Cross station in London; from the sensitive restoration of the De La Warr Pavilion in Bexhill-on-Sea, East Sussex, to the new Doha Mosque and nearby Msheireb Museums in Qatar. It also includes the pioneering initiatives for which the McAslan studio has become well known and that underline the practice’s humanity and sense of social responsibility: the urgent restoration of the Iron Market in Port-au-Prince, Haiti, after the devastating earthquake in 2010; the Hidden Homelessness initiative, begun in 2017; the N17 project that provided a pop-up design studio in Tottenham, London, after the riots of 2011, with the aim of inspiring young people to become engaged in the regeneration of their own community; and many others. Edited by Chris Foges, with a foreword by Kenneth Frampton and an introduction by Alan Powers, and with contributions by architectural specialists, this beautifully designed book offers the key to understanding the development and philosophy of one of the world’s most socially engaged architectural practices.

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John Pearce faces a court martial, but will cowardly Toby Burns, chief witness, stand up to questioning? With the matter unresolved, HMS Hazard is put under the command of Horatio Nelson, with whom no cruise can be without incident. Sure enough, battle is joined with two Spanish frigates, though success is short-lived and flight in the face of a superior foe becomes the only option.In London, the government denies prize money for the cargo of silver Pearce took off the Santa Leocadia, claiming it as property of the Crown. Pearce’s prize agent seeks to fight this, only to be outmanoeuvred by devious Henry Dundas. Worse, some very bad pennies from the past have come back to haunt the life of Emily Barclay and the thief-taker Walter Hodgson.From Elba, Pearce is sent on a mission to collect fleeing members of the Corsican government: an assignment which looks simple but is anything but. Seeking a solution which will not risk his ship, he seeks the aid of a local clan chief, inadvertently putting himself, his crew, and his rescued charges in jeopardy. Pearce finds himself trapped in a deep Corsican bay, facing odds of two to one, which he can only overcome by employing devious tactics. And even successful, he will be forced to make a decision: to follow his instincts or to obey his orders.

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In the modern world of networked digital media, authors must navigate many challenges. Most pressingly, the illegal downloading and streaming of copyright material on the internet deprives authors of royalties, and in some cases it has discouraged creativity or terminated careers. Exploring technology’s impact on the status and idea of authorship in today’s world, The Near-Death of the Author reveals the many obstacles facing contemporary authors. John Potts details how the online culture of remix and creative reuse operates in a post-authorship mode, with little regard for individual authorship. The book explores how developments in algorithms and artificial intelligence (AI) have yielded novels, newspaper articles, musical works, films, and paintings without the need of human authors or artists. It also examines how these AI achievements have provoked questions regarding the authorship of new works, such as Does the author need to be human? And, more alarmingly, Is there even a need for human authors? Providing suggestions on how contemporary authors can endure in the world of data, the book ultimately concludes that network culture has provoked the near-death, but not the death, of the author.

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It would not be an exaggeration to observe that in the last two decades Gower studies have developed in response to a widening appreciation of his poetry. On John Gower: Essays at the Millennium represents the third volume of essays originating from sessions of the John Gower Society at the International Congress on Medieval Studies at Kalamazoo, Michigan. The contributions here and in the previous volumes provide insight into the shifts and trends in Gower studies over time. This collection offers a vibrant and fresh view of the field of Gower studies today, making it and its companion volumes an essential set for Gower scholars.

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When 22-year-old Avery Walker, a senior at Penn State, meets Grant Danko, a 37-year-old performance artist from Brooklyn whose stage name is Saint John of the Five Boroughs, her life changes radically as she leaves college to live with Grant in Brooklyn and pursue a life as an artist. Worried about Avery, her mother, Kate, and her aunt, Lindsey, and Lindsey's husband, Hank, travel to Brooklyn, where they all face a crisis of their own and make life-altering choices. Grant is an angry guy with a curiously attractive personality and a coterie of bright, artistic friends. He's used his good looks and his accomplishments, and the accomplishments of those friends, to get by while he works hauling stolen goods for his gangster uncle. He carries dark secrets that have caused his life to go off the rails. Grant is about as lost as a man can get, adept at making wrong choices. But when he finally faces his explosive moment of truth, something extraordinary happens. Saint John of the Five Boroughs is beautifully turned--a stunning and layered novel about the effects of violence, both personal and cultural, on its characters' lives. It's about the way violence twists character, but also about the possibilities for redemption and change, for achieving a kind of personal grace. Edward Falco once again proves to be a master of urgency and suspense, of events careening out of control, as he brilliantly explores why we make the choices we make--both the ones that threaten to destroy our lives, and those choices that might save us.

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This study guide introduces gospel of John, also known as the Fourth Gospel, from an ideological perspective. First, Lozada deals with the key historical questions about how we come to understand John’s historical identity. Lozada explores debates around how scholars construct a picture of who, where, when, and why John was written helping readers to recognize how scholars construct an historical identity for John. Second, Lozada introduces literary questions related to John such as its structure, plot, and narrative development, showing readers on how an ideological reading is constructed. Finally Lozada devotes three chapters to key ideological themes in the gospel related to otherness, such as the portrayal of women, the Samaritan woman, and “the Jews.”

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Although his film career extended from the early days of sound to the British New Wave and beyond, Sir John Mills is nonetheless remembered as the archetypal hero of the Second World War. Regarded as an English 'everyman', his performances crossed the class divide and, in his easy transition from below decks to above, he came to represent a newly democratic masculine ideal. But what was this exemplary masculinity and what became of it in the aftermath of war? John Mills and British Cinema asks how was it possible for an actor to embody national identity and, by exploring the cultural contexts in which Mills and the nation became synonymous, the book offers a new perspective on 40 years of cinema and social change. Through detailed analysis of a wide range of classic British films, John Mills and British Cinema exposes the shifting constructions of 'national' masculinity, arguing that the screen persona of the actor is a fundamental, and often overlooked, dimension of British cinema. Features * Provides the first critical examination of the film career of Sir John Mills. * Uses contemporary feminist and gender theories to examine the body of the actor as a crucial dimension of the film text. * Explores the concept of a 'national cinema' from an innovative new perspective. * Provides stimulating new readings of key British films, including Forever England, The Way to the Stars, Great Expectations, Scott of the Antarctic, Hobson's Choice, Ice Cold in Alex, Tunes of Glory, The Family Way and Ryan's Daughter.

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The Architecture of Empathy is the title of a marble statue by John Isaacs and at the same time the basic attitude and raw material of all his works. The British artist made a name for himself as a Young British Artist around Damien Hirst in the 1990s with his hyper-realistic wax sculptures. Conscious about not locking himself into one style, he experiments with a wide variety of materials and techniques, from ceramics, neon, bronze, marble and sculpture to photography. This richly illustrated publication is the first comprehensive overview of his work from the 90s to the present, and reveals not just his broad reaching multifaceted technical scope, but also his psycho-anthropological poetic through numerous essays and conversations with companions.

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The fantastical story of Sir Elton John's life, through his influential and enduring partnership with his songwriting collaborator Bernie Taupin. Rocketman, an epic musical fantasy from Paramount Pictures, Marv Studios and Rocket Pictures, stars Taron Egerton (Elton John), Jamie Bell (Bernie Taupin), Richard Madden (John Reid) and Bryce Dallas Howard (Sheila Eileen). Rocketman is written by Lee Hall (Billy Elliot, War Horse) and directed by Dexter Fletcher (Eddie the Eagle). This is the official book of the movie and features on-set and behind-the-scenes photos, quotes and more.

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This is a major reinterpretation of John Bunyan, a prolific author best known for his two allegories, The Pilgrim's Progress and The Holy War, and his spiritual autobiography, Grace Abounding. In this book, Richard L. Greaves draws on recent literature on depression to demonstrate that Bunyan suffered from this mood disorder as a young man and then used this experience to help mold his literary works. Light and darkness, joy and sadness, despair and hope became key literary motifs. In this biography, each of Bunyan's works, including the dozen published posthumously, is analyzed in its immediate historical context. The Pilgrim's Progress, although not published until 1678, takes its rightful place as a contribution to the momentous debate over conscience between 1667 and 1673. This historical approach, as distinct from the literary one favored by nearly all of Bunyan's biographers, reveals the changes in his views over time, including his interest in the millenarian Fifth Monarchists in the 1650s, his circumspect endorsement of militant action to block the anticipated succession of James, duke of York, in the 1680s, his retreat from this position following the disclosure of the Rye House conspiracy, and his cooperation with James II's government when it offered toleration to dissenters. Bunyan's extraordinary ability to rouse the imaginations of his readers is shown to be rooted in his intense spirituality and powerful creativity, and given emotive force by his deep sympathy for the poor and oppressed and his fierce commitment to the principle that truth must be free. Two periods in prison, one lasting more than eleven years, failed to crush his spirit. Unbroken, he emerged from confinement to continue his preaching and writing, having honed a regime of composition that served him well as a free man. No less significant was his triumph over debilitating depressive moods that left him with a keen sensitivity to the importance of light, warmth, and love. Bunyan's potent creativity enabled him to turn his experiences into a gripping spiritual autobiography and two major allegories that attest to his triumph over crippling despair and a repressive government.

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This volume joins new editions of both texts of John Lydgate's The Dance of Death, related Middle English verse, and a new translation of Lydgate's French source, the Danse macabre. Together these poems showcase the power of the danse macabre motif, offering a window into life and death in late medieval Europe. In vivid, often grotesque, and darkly humorous terms, these poems ponder life's fundamental paradox: while we know that we all must die, we cannot imagine our own death.

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