Search results for ""author manus"

The less it is part of everyday life, the more the appeal of handwriting grows. This wonderful selection of treasures from the Bodleian Library introduces remarkable individuals through documents written by their own hands. From the second century BCE to the present, individual lives and relationships are illuminated through the writing that has been left behind. We see Elizabeth I attempting to win over her new stepmother, Alan Bennett working out the character of Mr Toad, Henry Moore advising soap and water for cleaning sculpture and Dorothy Crowfoot Hodgkin balancing childcare with discovering the structure of penicillin. Here you will find letters, first drafts, autograph albums and hastily scribbled notes, fair copies, marked-up proofs and doodles. Divided into themed categories, the entries feature novelists Jane Austen, Charlotte Brontë, Arthur Conan Doyle and Raymond Chandler; scientists Isaac Newton, Charles Darwin and Albert Einstein; reformers Emmeline Pankhurst, Florence Nightingale and Mohandas Gandhi; and explorers Walter Ralegh, T.E. Lawrence and Patrick Leigh Fermor among many others. Each of these extraordinary people has passed on a manuscript or document with a fascinating story to tell.

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Authoritative reference guide, using the documents in which arms and armour first appeared to explain and define them. Medieval arms and armour are intrinsically fascinating. From the smoke and noise of the armourer's forge to the bloody violence of the battlefield or the silken panoply of the tournament, weapons and armour - and those who made and bore them - are woven into the fabric of medieval society. This sourcebook will aid anyone who seeks to develop a deeper understanding by introducing and presenting the primary sources in which these artefacts are first mentioned. Over a hundred original documents are transcribed and translated, including wills and inventories, craft statutes, chronicle accounts, and challenges to single combat. The book also includes an extensive glossary, lavishly illustrated with forty-six images of extant armour and weapons from the period, and contemporary artistic depictions from illuminated manuscripts and other sources. This book will therefore be of interest to a wide audience, from the living history practitioner, crafter, and martial artist, to students of literature, military history, art, and material culture.

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James Raven, a leading historian of the book, offers a fresh and accessible guide to the global study of the production, dissemination and reception of written and printed texts across all societies and in all ages. Students, teachers, researchers and general readers will benefit from the book's investigation of the subject's origins, scope and future direction. Based on original research and a wide range of sources, What is the History of the Book? shows how book history crosses disciplinary boundaries and intersects with literary, historical, media, library, conservation and communications studies. Raven uses examples from around the world to explore different traditions in bibliography, palaeography and manuscript studies. He analyses book history's growing global ambition and demonstrates how the study of reading practices opens up new horizons in social history and the history of knowledge. He shows how book history is contributing to debates about intellectual and popular culture, colonialism and the communication of ideas. The first global, accessible introduction to the field of book history from ancient to modern times, What is the History of the Book? is essential reading for all those interested in one of society's most important cultural artefacts.

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This book is a systematic linguistic study of, and commentary upon, Julian of Norwich’s A Vision Showed to a Devout Woman. Luke Penkett draws attention to the medieval anchoress’s stylistic brilliance, clarifies complicated passages for the twenty-first century reader, and summarises and builds upon the wisdom of the most up-to-date scholarly research to inspire fresh insight of what is the earliest record of a woman writing in the English language. Penkett gives context to Julian’s writing with a survey of other English literary texts of the thirteenth, fourteenth and fifteenth centuries. He offers a detailed analysis of the notable vocabulary and syntax employed by Julian, her rhetorical techniques, and of what we can learn from the stylistic choices of Julian as both ‘listener’ and ‘communicator’. The book concludes with a fascinating study of what we can learn of the initial reader and listener responses to Julian’s writing from the marginalia found in the manuscript of the Short Text of A Vision Showed to a Devout Woman. This book will bring richer meaning to Julian’s words for those who know them well and assist understanding for those discovering her for the first time, perhaps seeking wisdom and comfort in challenging circumstances or to deepen their prayer life.

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Stefan's Zweig's posthumously-published Journey into the Past (Widerstand der Wirklichkeit) is a beautiful meditation on the effect of time on passion-one of the most intense and compelling works from a master of the novella form. Published by Pushkin Press with a cover designed by David Pearson and Clare Skeats as part of a new range of Stefan Zweig paperbacks. Kept away for nine years by the First World War Ludwig has finally returned home, reunited at last with the woman he had so passionately loved, and who had promised to wait for him. Previously divided by wealth and class, both are now married and much changed by their experiences. Confronted with an uncertain future, and still haunted by the past, they discover whether their love has survived hardships, betrayals, and the lapse of time. Zweig's long-lost final novella- recently discovered in manuscript form-is a poignant examination of the angst of nostalgia and the fragility of love.. 'Journey into the Past is vintage Stefan Zweig lucid, tender, powerful and compelling.' — Chris Schuler, Independent 'Zweig belongs with three very different masters who each perfected the challenging art of the short story and the novella: Maupassant, Turgenev and Chekhov.' — Paul Bailey Translated from the German by Anthea Bell, Stefan Zweig's Journey into the Past is published by Pushkin Press. Stefan Zweig (1881-1942) was born in Vienna, into a wealthy Austrian-Jewish family. He studied in Berlin and Vienna and was first known as a poet and translator, then as a biographer. Zweig travelled widely, living in Salzburg between the wars, and was an international bestseller with a string of hugely popular novellas including Letter from an Unknown Woman, Amok and Fear. In 1934, with the rise of Nazism, he moved to London, where he wrote his only novel Beware of Pity. He later moved on to Bath, taking British citizenship after the outbreak of the Second World War. With the fall of France in 1940 Zweig left Britain for New York, before settling in Brazil, where in 1942 he and his wife were found dead in an apparent double suicide. Much of his work is available from Pushkin Press.

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First published in 1912, Theodore Dreiser's third novel, The Financier, captures the ruthlessness and sparkle of the Gilded Age alongside the charismatic amorality of the power brokers and bankers of the mid-nineteenth century. This volume is the first modern edition of The Financier to draw on the uncorrected page proofs of the original 1912 version, which established Dreiser as a master of the American business novel. The novel was the first volume of Dreiser’s Trilogy of Desire, also known as the Cowperwood Trilogy, which includes The Titan (1914) and The Stoic (1947).Dreiser laboriously researched the business practices and personal exploits of real-life robber baron Charles Yerkes to narrate Frank Algernon Cowperwood's early career in The Financier, which explores the unscrupulous world of finance from the Civil War through the panic incited by the 1871 Chicago fire. In 1927, the monumental novel reappeared in a radically revised version for which Dreiser, notorious for lengthy novels, agreed to cut more than two hundred and seventy pages. This revised version became the most familiar, reprinted by publishers and studied by scholars for decades.For this new edition, Roark Mulligan meticulously reviewed earlier versions of the novel and its publication history, including the last-minute removal of paragraphs, pages, and even whole chapters from the 1912 edition, cuts based mainly on the advice of H. L. Mencken. The restored text better matches Dreiser's original vision for the work. More than three hundred additional pages not available to modern readers--including those cut from the 1927 edition and more than seventy hastily removed from the manuscript just days before publication in 1912--more effectively establish characterization and motivation. Restored passages dedicated to the internal thoughts of major and minor characters bring a softer dimension to a novel primarily celebrated for its realistic attention to the cold external world of finance.Mulligan's historical commentary reveals new insights into Dreiser's creative practices and how his business knowledge shaped The Financier. This supplemental material considers the novel's place within the tradition of American business novels and its reflections on the scandalous business practices of the robber baron era.

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A sparkling new translation of one of the greatest travel books ever written: Marco Polo's seminal account of his journeys in the east, in a collectible clothbound edition. Marco Polo was the most famous traveller of his time. His voyages began in 1271 with a visit to China, after which he served the Kublai Khan on numerous diplomatic missions. On his return to the West he was made a prisoner of war and met Rustichello of Pisa, with whom he collaborated on this book. His account of his travels offers a fascinating glimpse of what he encountered abroad: unfamiliar religions, customs and societies; the spices and silks of the East; the precious gems, exotic vegetation and wild beasts of faraway lands. Evoking a remote and long-vanished world with colour and immediacy, Marco's book revolutionized western ideas about the then unknown East and is still one of the greatest travel accounts of all time.For this edition - the first completely new English translation of the Travels in over fifty years - Nigel Cliff has gone back to the original manuscript sources to produce a fresh, authoritative new version. The volume also contains invaluable editorial materials, including an introduction describing the world as it stood on the eve of Polo's departure, and examining the fantastical notions the West had developed of the East.Marco Polo was born in 1254, joining his father on a journey to China in 1271. He spent the next twenty years travelling in the service of Kublai Khan. There is evidence that Marco travelled extensively in the Mongol Empire and it is fairly certain he visited India. He wrote his famous Travels whilst a prisoner in Genoa.Nigel Cliff was previously a theatre and film critic for The Times and a regular writer for The Economist, among other publications, and now writes historical nonfiction books. His first book, The Shakespeare Riots, was published in 2007 and shortlisted for the Washington-based National Award for Arts Writing. His second book, The Last Crusade: Vasco da Gama and the Birth of the Modern World appeared in 2011 and was shortlisted for the PEN Hessell-Tiltman Prize.

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Annual volume on medieval textual cultures, engaging with intellectual and cultural pluralism in the Middle Ages, showcasing the best new work in this field. New Medieval Literatures is an annual of work on medieval textual cultures, aiming to engage with intellectual and cultural pluralism in the Middle Ages and now. Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies, and embraces the range of European cultures, capaciously defined. Essays in this volume engage with widely varied themes: law and literature; manuscript production, patronage, and aesthetics; real and imagined geographies; gender and its connections to narrative theory and to psychoanalysis. Investigations range from the eleventh to the fifteenth centuries, from England to the eastern Mediterranean. New arguments are put forward about the dating, context, and occasion of Geoffrey Chaucer's Boece, while the narrative dynamics of Chaucer's "Franklin's Tale" and "Tale of Melibee" are examined from new perspectives. The topography of the Holy Lands appears both as a set of emotional sites, depicted in the Prick of Conscience in its account of the end of the world, and as co-ordinates in the cultural imaginary of medieval the wine-trade. Grendel's mother emerges as the invisible and unavowable centre of male heroic culture in Beowulf, and the fourteenth-century St Erkenwald is brought into contact with the community-building project of the medieval death investigation. Finally, the late medieval Speculum Christiani is revealed to be a work with deep aesthetic investments when read through the framework of how its medieval scribes encountered and shaped that work.

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The surprising final chapter of a great American life. When the first volume of Mark Twain's uncensored Autobiography was published in 2010, it was hailed as an essential addition to the shelf of his works and a crucial document for our understanding of the great humorist's life and times. This third and final volume crowns and completes his life's work. Like its companion volumes, it chronicles Twain's inner and outer life through a series of daily dictations that go wherever his fancy leads. Created from March 1907 to December 1909, these dictations present Mark Twain at the end of his life: receiving an honorary degree from Oxford University; railing against Theodore Roosevelt, founding numerous clubs; incredulous at an exhibition of the Holy Grail; credulous about the authorship of Shakespeare's plays; relaxing in Bermuda; observing (and investing in) new technologies. The Autobiography's "Closing Words" movingly commemorate his daughter Jean, who died on Christmas Eve 1909. Also included in this volume is the previously unpublished "Ashcroft-Lyon Manuscript," Mark Twain's caustic indictment of his "putrescent pair" of secretaries and the havoc that erupted in his house during their residency. Fitfully published in fragments at intervals throughout the twentieth century, Autobiography of Mark Twain has now been critically reconstructed and made available as it was intended to be read. Fully annotated by the editors of the Mark Twain Project, the complete Autobiography emerges as a landmark publication in American literature. Editors: Benjamin Griffin and Harriet Elinor Smith Associate Editors: Victor Fischer, Michael B Frank, Amanda Gagel, Sharon K Goetz, Leslie Diane Myrick, Christopher M Ohge.

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The homily "On the Succession of the Kings and the End of Times" attributed to bishop Methodius of Patara (died ca. 311) is one of the most influential non-biblical apocalyptic texts both in Eastern and in Western Christianity. Written about 692 in Iraq by a Syriac-speaking Christian, it was soon translated into Greek and Latin, and subsequently into many other languages in East and West. The present edition offers the first critical text based on all extant Syriac textual witnesses, including references to the forthcoming new edition of the oldest Greek and Latin recensions by W.J. Aerts and G.A.A. Kortekaas in the Subsidia of CSCO. The present volume also includes the facsimile edition of the text (difficult of access) in the Oriental manuscripts Mardin Orth. 368 and Mardin Orth. 891. The German translation is provided with a comprehensive apparatus of explanatory notes and preceded by and introductory essay discussing the historical, religious and literary aspects of this important text, which may be considered as one of the earliest Christian responses to the rise of Islam.

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Jacob and Wilhelm Grimm were pioneers in the field of folklore, collecting stories through Germany’s rich oral tradition in order to preserve a history that might otherwise have been lost forever. In doing so, they popularized some of today’s most enduring fairy tales. “The Frog Prince; or, Iron Henry” was the first tale in the 1812 edition of Grimms’ Fairy Tales (Kinder- und Hausmärchen). It tells the story of a spoiled princess who reluctantly befriends a frog who, unbeknownst to her, is actually a prince under a sorcerer’s spell. In the original tale, the curse is lifted when the princess throws the frog against a brick wall in anger, but in later years the Brothers Grimm sanitized the story, turning it into the tale we know today. The Grimms’ impact was so profound that it is hard to imagine a world without these stories as they continue to be passed down through generations. We are honoured to reproduce this manuscript from the Bodmer

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For some time in the distant past, hand-lettering used to be a highly-regarded skill to master and was ubiquitous via publications and public signages. Although society relies heavily on keyboards and screens for communication today, a growing number of creative practitioners have been busy reviving the seemingly-lost art in recent years, in a bid to return the sincerity and warmth of the human touch to our predominantly digital lives. Brimming with character, hand-lettering serves as the bridge between old-school calligraphy and modern typography to bring nuance back into an age of uniformity. Rereleased in conjunction with Victionary’s 20th anniversary, the 2021 boxset edition of ‘Handstyle Lettering’ comes with a beginner-friendly calligraphy pen-and-nib set crafted by renowned British companies Manuscript and D. Leonardt & Co. which––coupled with new projects, interviews, and an expanded step-by-step guide––serves to help aspiring creatives kickstart their hand-lettering journey.

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Shortly after the Civil War ended, David Power Conyngham, an Irish Catholic journalist and war veteran, began compiling the stories of Catholic chaplains and nuns who served during the war. His manuscript, Soldiers of the Cross, is the fullest record written during the nineteenth century of the Catholic Church's involvement in the war, as it documents the service of fourteen chaplains and six female religious communities, representing both North and South. Many of Coyngham's chapters contain new insights into the clergy during the war that are unavailable elsewhere, either during his time or ours, making the work invaluable to Catholic and Civil War historians. The introduction contains over a dozen letters written between 1868 and 1870 from high-ranking Confederate and Union officials, such as Confederate General Robert E. Lee, Union Surgeon General William Hammond, and Union General George B. McClellan, who praise the church's services during the war. Chapters on Fathers William Corby and Peter P. Cooney, as well as the Sisters of the Holy Cross, cover subjects relatively well known to Catholic scholars, yet other chapters are based on personal letters and other important primary sources that have not been published prior to this book. Unpublished due to Conyngham's untimely death, Soldiers of the Cross remained hidden away in an archive for more than a century. Now annotated and edited so as to be readable and useful to scholars and modern readers, this long-awaited publication of Soldiers of the Cross is a fitting presentation of Conyngham's last great work.

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Alemania, 1938. El comerciante Otto Silbermann es un miembro respetado de la sociedad. Es, también, judío. Tras la Noche de los Cristales Rotos, comprueba que muchos de sus amigos y familiares han sido detenidos o han desaparecido. Solo, sin nadie a quien recurrir, consciente de ser el blanco perfecto del odio, procura hacerse invisible. Aferrado a un maletín con el poco dinero que ha logrado salvar, toma un tren tras otro, tratando de hallar la manera de huir de Alemania y fugarse al extranjero. Novela autobiográfica de Ulrich Alexander Boschwitz, el manuscrito de El pasajero pasó décadas desapercibido en el Archivo del Exilio de la Biblioteca Nacional de Alemania, hasta ser descubierto y publicado recientemente en ese país, convirtiéndose en un verdadero acontecimiento literario.

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The baby boomers and postwar suburbia remain a touchstone. For many, there is a belief that it has never been as good for youngsters and their families, as it was in the postwar years. Boom Kids explores the triumphs and challenges of childhood and adolescence in Calgary's postwar suburbs. The boomers' impact on fifties and sixties Canadian life is unchallenged; social and cultural changes were made to meet their needs and desires. While time has passed, this era stands still in time-viewed as an idyllic period when great hopes and relative prosperity went hand in hand for all. Boom Kids is organized thematically, with chapters focusing on: suburban spaces; the Cold War and its impact on young people; ethnicity, 'race,' and work; the importance of play and recreation; children's bodies, health and sexuality; and "the night," resistances and delinquency. Reinforced throughout this manuscript is the fact that children and adolescents were not only affected by their suburban experiences, but that they influenced the adult world in which they lived. Oral histories from former community members and archival materials, including school-based publications, form the backbone for a study that demonstrates that suburban life was diverse and filled with rich experiences for youngsters.

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Those Good Gertrudes explores the professional, civic, and personal roles of women teachers throughout American history. Its voice, themes, and findings build from the mostly unpublished writings of many women and their families, colleagues, and pupils. Geraldine J. Clifford studied personal history manuscripts in archives and consulted printed autobiographies, diaries, correspondence, oral histories, interviews-even film and fiction-to probe the multifaceted imagery that has surrounded teaching. This broad ranging, inclusive, and comparative work surveys a long past where schoolteaching was essentially men's work, with women relegated to restricted niches such as teaching rudiments of the vernacular language to young children and socializing girls for traditional gender roles. Clifford documents and explains the emergence of women as the prototypical schoolteachers in the United States, a process apparent in the late colonial period and continuing through the nineteenth century, when they became the majority of American public and private schoolteachers. The capstone of Clifford's distinguished career and the definitive book on women teachers in America, Those Good Gertrudes will engage scholars in the history of education and women's history, teachers past, present, and future, and readers with vivid memories of their own teachers.

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The Road to the Spring is the first book publication of Mary Austin's (1868-1934) poems. Best known for her prose book The Land of Little Rain (1903), Austin was in fact a poet from the beginning of her career to the end, even though she never published a volume dedicated to her own original poetry. Instead, Austin's work came to light in collections of poetry and in prestigious journals such as Poetry, the Nation, the Forum, Harper's, and Saturday Review of Literature, among many others. The Road to the Spring contains more than 200 poems, most of which can only be found in out-of-print books, magazines, and periodicals, and her unpublished manuscripts archived at the Huntington Library. This singular publication includes her original work, poems she claimed to have written with her grammar school pupils at the end of the nineteenth century, and her translations and ""re-expressions"" of Native American songs, which often diverge greatly from any other known sources. Warren includes an introduction, laying out Austin's place in American literature and situating her writings in feminist, environmentalist, regionalist, and Native American contexts. He also includes notes for those new to Austin's work, glossing Native terms, geographical names, and the ethnological sources of the Native songs she re-creates.

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Born in New York City just as the Civil War was starting, Herbert Putnam was a Harvard graduate and a lawyer who had held two highly responsible top library posts, first at the Minneapolis Public Library and then at the Boston Public Library before he was selected by President McKinley in 1899 as Librarian of Congress. Putnam was the first librarian with prior library experience to hold this position. During his tenure, Putnam introduced what would become the Library of Congress Classification System, expanded the role of the Library of Congress to that of the Nation's Library and not just as the reference library for Congress, established an interlibrary loan system, and increased the library's holdings to six million volumes. These transcribed and edited manuscripts represent a "slice of life" taken from the career of Putnam when he went to Europe in July, 1903, on a trip that combined work and recreation. Through Putnam's correspondence we are given personal glimpses into a variety of sides of his unexpectedly warm temperament—husband, father, brother, and even absentee Librarian. For many years, students of the Library of Congress have instinctively felt Putnam must have been impossibly aloof and frosty. Through these firsthand accounts we see just how wrong these assumptions were.

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This is a second, significantly revised, edition of the work of Eric Roach, who with Claude McKay and Louise Bennett was the Caribbean's most important poet before the generation of Derek Walcott and Kamau Brathwaite. It collects the poems published in literary journals between 1938-1973, Roach's early pseudonymous work and a substantial selection of his unpublished poems from manuscript. The collection is edited and introduced by Kenneth Ramchand, Professor Emeritus at the University of the West Indies.When the first edition appeared in 1992, it was recognised as one of the most important Caribbean publishing events of recent years. This second edition adds a number of rediscovered poems and includes significant variants of a number of Roach's most important poems."The most splendid voice of the Caribbean Renaissance (1948-1972)."Kamau BrathwaiteEric Merton Roach was born in 1915 in Tobago. As well as three plays – Belle Fanto (1967), Letter from Leonora (1968) and A Calabash of Blood (1971) – he accumulated an impressive body of poetry. In 1974, leaving behind 'Finis', a suicide note transformed into art, Roach drank insecticide and swam out to sea at Quinam Bay, itself the subject of his fine poem 'At Quinam Bay'. He was posthumously awarded the Trinidad and Tobago National Hummingbird Gold Medal in 1974.

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A fresh examination of the four poems of the Cotton manuscript, arguing that they share a profound theological vision. Pearl, Cleanness, Patience and Sir Gawain and the Green Knight are accomplished examples of four different literary genres and represent some of the finest poetry in Middle English. They are, by turns, fast and funny, powerfully dramatic, gentle and ironic, telling of painful bereavement and the terror of victims of disaster and violence, as well as the comic bewilderment of people entangled in alarmingly mysterious situations. The anonymous poet's evident delight in the pleasures and artistry of courtly life has led some readers to suggest that he was a gifted but complacent frequenter of courts, his attention dedicated to the wealthy and his sympathies to thepowerful, and moreover, that his poems pay the merest lipservice to religious observance. God and the Gawain-poet argues that, on the contrary, the poet's wide-ranging engagement with all human life explicitly acknowledgesall material creation as God's gift, revelling in its physicality, in bodily senses and movement and the ways a community celebrates itself. Dr Hatt shows how, in exhorting readers to recognize and respond to the narrative of divine gift, he appears as an energetic Christian poet and a humane and compassionate observer. Cecilia A. Hatt gained her D.Phil from Oxford University.

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Published through the Recovering Languages and Literacies of the Americas initiative, supported by the Andrew W. Mellon Foundation. A Native American language formerly spoken in hundreds of communities in the interior of California, Patwin (also known as Wintun Tʼewe) is now spoken by a small but growing number of language revitalizationists and their students. A Grammar of Patwin brings together two hundred years of word lists, notebooks, audio recordings, and manuscripts from archives across the United States and synthesizes this scattered collection into the first published description of the Patwin language. This book shines a light on the knowledge of past speakers and researchers with a clear and well-organized description supported by ample archival evidence. Lewis C. Lawyer addresses the full range of grammatical structure with chapters on phonetics, phonology, nominals, nominal modifiers, spatial terms, verbs, and clauses. At every level of grammatical structure there is notable variation between dialects, and this variation is painstakingly described. An introductory chapter situates the language geographically and historically and also gives a detailed account of previous work on the language and of the archival materials on which the study is based. Throughout the process of writing this book, Lawyer remained in contact with Patwin communities and individuals, who helped to ensure that the content is appropriate from a cultural perspective.

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Using interviews of Nazi officials and German publishers, as well as printed and manuscript sources, Mr. Hale tells how the Nazi party developed its own insignificant party press into mass circulation newspapers, and how it forced the transfer of ownership of important papers to camouflaged holding companies controlled by the party's central publishing house. Contents: Introduction. I. The Volkischer Beobachter--Central Organ of the Nazi Party. II. The Nazi Party Press, 1925-1933. III. The Organization of Total Control. IV. The Party and the Publishing Industry, 1933-1934. V. The Final Solution--The Amann Ordinances. VI. Political and Economic Cleansing of the Press. VII. The Captive Publishing Industry, 1936-1939. VIII. The German Press in Wartime. Index. Originally published in 1964. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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A gathering of poetic blossoms.The Greek Anthology (literally, “Gathering of Flowers”) is the name given to a collection of about 4500 short Greek poems (called epigrams but usually not epigrammatic) by about 300 composers. To the collection (called Stephanus, literally, “wreath” or “garland”) made and contributed to by Meleager of Gadara (1st century BC) was added another by Philippus of Thessalonica (late 1st century AD), a third by Diogenianus (2nd century), and much later a fourth, called the Circle, by Agathias of Myrina. These (lost) and others (also lost) were partly incorporated, arranged according to contents, by Constantinus Cephalas (early 10th century?) into fifteen books now preserved in a single manuscript of the Palatine Library at Heidelberg. The grand collection was rearranged and revised by the monk Maximus Planudes (14th century) who also added epigrams lost from Cephalas’ compilation.The fifteen books of the Palatine Anthology are: I, Christian Epigrams; II, Descriptions of Statues; III, Inscriptions in a temple at Cyzicus; IV, Prefaces of Meleager, Philippus, and Agathias; V, Amatory Epigrams; VI, Dedicatory; VII, Sepulchral; VIII, Epigrams of St. Gregory; IX, Declamatory; X, Hortatory and Admonitory; XI, Convivial and Satirical; XII, Strato’s “Musa Puerilis”; XIII, Metrical curiosities; XIV, Problems, Riddles, and Oracles; XV, Miscellanies. Book XVI is the Planudean Appendix: Epigrams on works of art.Outstanding among the poets are Meleager, Antipater of Sidon, Crinagoras, Palladas, Agathias, Paulus Silentiarius.

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Prepared by the Frozen Ground Committee and the Transportation and Infrastructure Committee of the Cold Regions Engineering DivisionFrost Action in Soils: Fundamentals and Mitigation in a Changing Climate presents the challenges of cold regions engineering in a changing climate, as well as the current practices and state-of-the-art tools for addressing them. Climate change poses questions regarding associated effects on freeze–thaw action and the potential impacts of these effects on pavements and other structures in cold regions. In the last 35 years, significant technological advancements addressing frost action in soils have occurred; and tools for instrumentation, measurement, and computer analysis have improved considerably. This manuscript explores frost action in soils from different perspectives, as presented in three parts. The first section presents the fundamentals of frost heave and thaw weakening, the impacts on roads and other structures, and the projected effects of climate change on frost action. The second section presents mitigation of frost heave and thaw weakening within pavement structures. The third section highlights four case studies dealing with frost action and mitigation for buildings, roadways, and airfields. This book is a valuable resource for engineers, scientists, and government agencies involved in cold regions engineering and the mitigation of frost action on pavements and other structures.

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The first exploration of the artistic and cultural intersections of the African continent and the Byzantine world Medieval art history has long emphasized the glories of the Byzantine Empire, but less known are the profound artistic contributions of Nubia, Egypt, Ethiopia, and other powerful African kingdoms whose pivotal interactions with Byzantium had an indelible impact on the medieval Mediterranean world. Bringing together more than 170 masterworks in a range of media and techniques—from mosaic, sculpture, pottery, and metalwork to luxury objects, panel paintings, and religious manuscripts—Africa and Byzantium recounts Africa’s centrality in transcontinental networks of trade and cultural exchange. With incisive scholarship and new photography of works rarely or never before seen in public, this long-overdue publication sheds new light on the staggering artistic achievements of late antique Africa. It reconsiders the continent’s contributions to the development of the premodern world and offers a more complete history of Africa as a vibrant, multiethnic society of diverse languages and faiths that played a crucial role in the artistic, economic, and cultural life of Byzantium and beyond. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (November 19, 2023–March 3, 2024)The Cleveland Museum of Art (April 14–July 21, 2024)

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La obra única de Villard de Honnecourt consiste en un cuaderno de sesenta y seis láminas cuyo manuscrito aquí reproducido se conserva en la Biblioteca Nacional francesa. Memoria de un arquitecto itinerante, colección de dibujos de un destacado artista, libro de notas de un espíritu inventivo y típico de su tiempo, el conjunto constituye una obra inclasificable y excepcional. Y ello en un momento, a principios del siglo XIII, en el que Europa conoce una explosión arquitectónica sin precedentes que ve nacer entre otras las catedrales de Meaux, Chartres, Reims, Cambrai o Laon. Inmerso, pues, en esa actividad, el autor ha concebido su Cuaderno como manual de enseñanza en el que nos muestra los procedimientos técnicos utilizados, además de dejarnos testimonio de su genio inventor. La edición del Cuaderno se acompaña de cuatro estudios monográficos. Así, la medievalista Régine Pernoud estudia al autor situándolo en su tiempo: Alain Elande-Brademburg analiza el arte de Villard. Jean Gimpel ha

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Essays on the turbulent history of Syon Abbey, focussing on the role played by reading and writing in constructing its identity and experience. Founded in 1415, the double monastery of Syon Abbey was the only English example of the order established by the fourteenth-century mystic St Bridget of Sweden. After its dispersal at the Dissolution, the community survived in exile and was briefly restored during the reign of Mary I; but with the accession of Elizabeth I, some of the nuns and brothers once again sought refuge on the Continent, first in the Netherlands and later in Lisbon. This volumeof essays traces the fortunes of Syon Abbey and the Bridgettine order between 1400 and 1700, examining the various ways in which reading and writing shaped its identity and defined its experience, and exploring the interconnections between late medieval and post-Reformation monastic history and the rapidly evolving world of communication, learning, and books. They extend our understanding of religious culture and institutions on the eve of the Reformationand the impulses that inspired initiatives for early modern Catholic renewal, and also illuminate the spread of literacy and the gradual and uneven transition from manuscript to print between the fourteenth and the seventeenth centuries. In the process, the volume engages with larger questions about the origins and consequences of religious, intellectual and cultural change in late medieval and early modern England. E.A. JONES is Senior Lecturerin English, University of Exeter; ALEXANDRA WALSHAM is Professor of Modern History and a Fellow of Trinity College, Cambridge. Contributors: E.A. Jones, Alexandra Walsham, Peter Cunich, Virginia Bainbridge, Vincent Gillespie, C. Annette Grise, Claire Walker, Caroline Bowden, Claes Gejrot, Ann Hutchison

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Across Eurasia and North Africa in the First Millennium AD, empires rose and fell, each adopting a universalizing faith which distinguished it broadly from its neighbours. In Egypt, our sources are particularly rich, owing to the land’s arid climate and the unparalleled survival not only of stone, ceramic and metalwork, but also of organic material such as textiles, wood and manuscripts found on papyrus, parchment and paper. This volume brings together over a dozen of the world’s leading specialists to explore the dialectical interplay between empire and religious identity through a series of case studies from Egypt. Evidence from Egypt suggests that it was precisely in the context of empire that ‘religious identity’ emerged as a distinctive marker. Using the unrivalled abundance and variety of surviving material culture, this volume explores the formation, renegotiation and reconstitution of religious identities from the Roman period forward. Whereas Egypt’s ‘pharaonic’ millennia (c. 3000-30 BC) have been studied as a coherent whole, later eras are often studied as fragments. Egypt and Empire offers a different approach by covering together periods that are usually treated separately in different academic disciplines.

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Le règne du souverain Khusro Ier (531-579) fut une période-phare de l’histoire de la Perse sassanide, marquée aussi par des persécutions sporadiques à l’encontre des chrétiens d’origine zoroastrienne. Parmi ces martyrs figurent de grands personnages de la société civile tels Grigor Pirian-Gusnasp, général en chef des armées du roi, un haut-fonctionnaire et juge du nom de Yazd-panah ainsi qu’un notable de la cour, `Awira. Le plus illustre fut sans doute le catholicos Mar Abba (540-552), réunificateur de l’Église d’Orient après un schisme de près de vingt-cinq ans, canoniste, exégète, restaurateur de la discipline ecclésiastique qui avait été affaiblie depuis l’action entreprise par Barsauma en 484, controversiste réputé avec les zoroastriens et les chrétiens syro-orthodoxes, médiateur de paix pour les communautés chrétiennes. Ces textes, mis par écrit par des contemporains des événements, sont les seules hagiographies syro-orientales de cette époque à nous être parvenues en syriaque et présentent une remarquable qualité d’informations sur le paysage socio-religieux et politique de l’Orient au VIe siècle. Une édition critique commentée, accompagnée d’une traduction en français, est pour la première fois proposée à partir des uniques manuscrits existants de Londres, Berlin et du Vatican.

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The Old English Genesis is the sole illustrated Anglo-Saxon poem. In full appreciation of this unique concurrent execution of visualization and versification in a single manuscript, this multidisciplinary work explores the pictorial (Vol. 1) and the metrical (Vol. 2) organization from both synchronic–structural and diachronic–comparative perspectives. Among the most significant findings of each volume are: The first twenty-two images in the Old English Genesis originated on the whole from the Touronian Bibles; and the underlying classical Old English and Old Saxon meters were interactively reshaped through mutual adaptation and recomposition aimed at their firm integration into a synthesized Old English Genesis. While each part is solidly embedded in the respective scholarly tradition and pursues its own disciplinary concerns and problematics, vigorous formal and cognitive reasoning and theorizing run commonly through both. By way of mutual corroboration and integration, the twin volumes eventually converge on the hypothesis that the earliest portion of the extant Old English Genesis (lines 1–966) derived from the corresponding episodes of an illustrated Touronian Old Saxon Genesis in both pictorial and metrical terms.

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Greetings from the dead," Maxwell Broadbent declared from the videotape he left behind after his mysterious disappearance. A notorious treasure hunter and tomb robber, Maxwell accumulated a priceless collection of rare art, gems, and artefacts before vanishing completely - along with all his riches. At first, robbery is suspected, but the truth proves far stranger: as a final challenge to his three sons, Maxwell has buried himself and his treasures somewhere in the world, hidden away like an ancient Egyptian pharaoh. If his sons wish to claim their inheritance, they must find their father's concealed tomb. Furthermore, Maxwell's priceless possessions include a codex-an ancient Mayan manuscript that contains all the lost arts of Mayan herbal medicine, secrets that have the capacity to revolutionize pharmacology. The codex is worth billions, and one pharmaceutical company CEO has sent mercenaries after it with orders to kill anyone in their way, including the beautifully enigmatic woman accompanying one of them. Now the race is on, with more and more people competing for the treasure - including some who will stop at nothing to succeed.

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The Mandaeans of Iraq and Iran are adherents of the last surviving Gnostic tradition from the period of Late Antiquity, and the Book of Kings is the capstone to one of their most sacred scriptures. A universal history in four parts, it concisely outlines the entire 480,000 year span of the material world, from its creation to its destruction in the maw of the great Leviathan, with details including a succession of antediluvian cataclysms that have previously wiped out all human life, the reigns of the kings who have reigned over humanity and are still yet to reign, a lament on the end of pagan antiquity under the reign of the Arabs, and the apocalyptic drama attending those who have the misfortune to live at the end of the world era. For the first time ever, this work appears in English in its entirety, complete and unabridged, and directly translated from original Mandaic manuscripts, with the events mentioned within it coordinated with our calendar. It also includes an extensive commentary illustrating its relationship to contemporary historical writing and with the sacred literature of Zoroastrians, Jews, Christians, Muslims, and other neighbouring religious communities living under Sasanian rule.

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In 1948 Robert Graves published The White Goddess. His study of poetic mysticism and goddess worship has since become a founding text of Western paganism. As Wicca emerged from what Graves called, a few hopeful young people in California, to over two million strong, The White Goddess has achieved near liturgical status. This rising appreciation brings all the problems of liturgical texts. Many pagans consider Graves' work like the goddess herself; awe inspiring but impenetrable. Stalking The Goddess is the first extensive examination of this enigmatic text to come from the pagan community and guides readers through bewildering forests of historical sources, poems, and Graves' biography to reveal his unorthodox claims and entrancing creative process. Relentlessly perusing each path it explores the uncharted woods and reveals the hidden signposts Graves has posted. The hunt for the goddess spans battlefields, ancient manuscripts, the British museum, and Stonehenge. En route we encounter not only the goddess herself but her three sacred animals; dog, roebuck, and lapwing. Perhaps the muse cannot be captured on her own grounds, but now at least there is a map.

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The Hopeful Hat is Carole Satyamurti's last collection. She was preparing these poems for publication at the time of her death, and left the manuscript in an advanced state of readiness. The sequencing of the poems, and the sections they are grouped in, had already been decided by her. These late poems are informed by Satyamurti's keen eye for social injustice and, equally, by the breadth of her compassion. Poignantly, they are also her nuanced poetic response to having her voice box removed following a diagnosis of laryngeal cancer. The poems' formal accomplishment is carried lightly; characteristically, it is this light touch that enables Satyamurti to move so deeply. Clear-eyed in the face of her own mortality, she produced a series of courageous poems that are, as Carol Ann Duffy said of her work, 'laced with the hard stuff'. They are also graced with Satyamurti's unique and subtle wit. The preface by the poet's daughter, Emma Satyamurti, places this collection in the larger context of four decades of published work, and provides an illuminating insight into the poems gathered together here. Poetry Book Society Recommendation.

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Despite long-standing assertions that languages, including French and English, cannot sufficiently communicate the experience of smell, much of France’s nineteenth-century literature has gained praise for its memorable evocation of odours. As French perfume was industrialized, democratized, cosmeticized, and feminized in the nineteenth century, stories of fragrant scent trails aligned perfume with toxic behaviour and viewed a woman’s scent as something alluring, but also something to be controlled. Drawing on a wealth of resources, Perfume on the Page in Nineteenth-Century France explores how fiction and related writing on olfaction meet, permeate, and illuminate one another. The book examines medical tracts, letters, manuscripts, posters, print advertisements, magazine articles, perfume manuals, etiquette books, interviews, and encounters with fragrant materials themselves. Cheryl Krueger explores how the olfactory language of a novel or poem conveys the distinctiveness of a text, its unique relationship to language, its style, and its ways of engaging the reader: its signature scent. Shedding light on the French perfume culture that we know today, Perfume on the Page in Nineteenth-Century France follows the scent trails that ultimately challenge us to read perfume and literature in new ways.

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A revised and updated version of the artist’s collected lyrics An American original, Patti Smith is a multi-disciplined artist and performer. Her work is rooted in poetry, which infused her 1975 landmark album, Horses. A declaration of existence, Horses was described as ‘three chords merged with the power of the word’; it was graced with the now iconic portrait by Robert Mapplethorpe, the subject of her award-winning memoir Just Kids. Initially published in 1998, Patti Smith’s Complete Lyrics was a testimony to her uncompromising poetic power. Now, on the fortieth anniversary of the release of Smith’s groundbreaking album, Collected Lyrics has been revised and expanded with more than thirty-five additional songs, including her first, 'Work Song', written for Janis Joplin in 1970, and her most current, 'Writer’s Song', to be recorded in 2015. The collection is liberally illustrated with original manuscripts of lyrics from Smith’s extensive archive. Patti Smith’s work continues to retain its relevance, whether controversial, political, romantic or spiritual. Collected Lyrics offers forty-five years of song, an enduring commemoration of Smith’s unique contribution to the canon of rock and roll.

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A delightful and often witty description of the Oxford colleges in the eighteenth century. Shepilinda's Memoirs of the City and University of Oxford is a light-hearted but valuable manuscript account of the Oxford colleges in 1738, written by a lively and engaging young woman who had a measure of social access to many of them. Elizabeth Sheppard (pen-name "Shepilinda") was accompanied on her visits by a friend and confidante with the nickname "Scrippy", for whom the resulting memoir and appended collection of poems are intended as a gift. Elizabeth clearly had a facility for getting people to talk to her quite freely, together with a quick grasp of the information she received; she also had a lively, sometimes mischievous, sense of humour. The work, frequently unflattering to the dons (the wife of one is described as "ever a Moving Dumpling"), is entertaining, informative, and also unusual, in that women's voices are rarely heard at that date. The Memoirs are presented here with anintroduction and notes, providing information on the people involved and setting them into context. Until his retirement GEOFFREY NEATE worked at the Bodleian Library, Oxford, with particular responsibility for computerising the catalogue entries for books published before 1920.

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Edmund Husserl, founder of the phenomenological movement, is usually read as an idealist in his metaphysics and an instrumentalist in his philosophy of science. In Nature’s Suit, Lee Hardy argues that both views represent a serious misreading of Husserl’s texts. Drawing upon the full range of Husserl’s major published works together with material from Husserl’s unpublished manuscripts, Hardy develops a consistent interpretation of Husserl’s conception of logic as a theory of science, his phenomenological account of truth and rationality, his ontology of the physical thing and mathematical objectivity, his account of the process of idealization in the physical sciences, and his approach to the phenomenological clarification and critique of scientific knowledge. Offering a jargon-free explanation of the basic principles of Husserl’s phenomenology, Nature’s Suit provides an excellent introduction to the philosophy of Edmund Husserl as well as a focused examination of his potential contributions to the philosophy of science. While the majority of research on Husserl’s philosophy of the sciences focuses on the critique of science in his late work, The Crisis of European Sciences, Lee Hardy covers the entire breadth of Husserl’s reflections on science in a systematic fashion, contextualizing Husserl’s phenomenological critique to demonstrate that it is entirely compatible with the theoretical dimensions of contemporary science.

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The winning manuscript of the fourth annual Hollis Summers Poetry Prize is also the exciting American debut by a poet who has already established himself as an important international poetic voice. Midland, the seventh collection by Kwame Dawes, draws deeply on the poet’s travels and experiences in Africa, the Caribbean, England, and the American South. Marked equally by a lushness of imagery, an urgency of tone, and a muscular rhythm, Midland, in the words of the final judge, Eavan Boland, is “a powerful testament of the complexity, pain, and enrichment of inheritance…It is a compelling meditation on what is given and taken away in the acts of generation and influence. Of a father’s example and his oppression. There are different places throughout the book. They come willfully in and out of the poems: Jamaica. London. Africa. America. But all the places become one place in the central theme and undersong here: which is displacement…The achievement of this book is a beautifully crafted voice which follows the painful and vivid theme of homelessness in and out of the mysteries of loss and belonging.” Midland is the work of a keen and transcendent intellect, a collection of poems that speaks to the landscape from inside, from an emotional and experiential place of risk and commitment.

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Jordan Stump had often contemplated the relationship between a translation and “the book itself,” ruminating on the intriguing inherent sameness and difference between the two. In The Other Book, Stump examines the “other” forms of a book and the ways in which they both mirror and depart from the original. Grounding his witty and original study in an exploration of four forms of Raymond Queneau’s Le chiendent—a copy, the manuscript, a translation, and a critical edition—Stump poses questions designed to help readers reconsider the nature of fiction and reading. Each form of Le chiendent both is and is not what we mean when we say "Le chiendent," yet the friction between their ways of being and that of “the book itself” proves unexpectedly productive, raising troublesome questions about the nature of textuality, reading, language, and knowledge. It also positions us to assess several answers proposed in response to such questions and to wonder about their usefulness. And as we consider those questions, we will have Queneau’s novel beside us, further confounding our attempts to answer—for our inability to answer those questions is precisely the point of The Other Book, as it is of Le chiendent.

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In this timely book, edited from a manuscript left unfinished at his death, one of Canada's leading constitutional scholars presents his prescription for constitutional change. The book diagnoses the failure of Canada's present constitution, both in dealing with the country's distinctive characteristics-regional identity and regional disparity-and in providing for effective national economic management. Drawing upon comparisons with other federal constitutions and with the European Economic Community, it proposes a new constitutional charter which would shift important responsibilities to the provinces while strengthening the economic powers of the central government. Specific recommendations are set out for a provincial residuary power, restructured taxing and spending powers, and a Canadian Equalization Council-the last a unique redistributive mechanism designed to ensure that residents of every province have access to adequate government services. Throughout, the plan pays close attention to the need to formulate constitutional provisions in a way which protects them against distortion by subsequent interpretation. At a time when the need for solutions to Canada's constitutional problems has never been more pressing, Albert Abel's is a particularly valuable individual contribution to the Canadian constitutional debate.

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The Pardoner's Tale is unique among the Canterbury Tales in that it showcases a character who also makes several other appearances throughout the Tales. One of only three pilgrims to be given a full-length prologue by Chaucer, the Pardoner takes on a dramatic force unequaled among the pilgrims. A research tool for specialist and graduate student alike, this volume on Chaucer's Pardoner's Prologue and Tale offers an exhaustive collection of material from the period 1900 to 1995, abstracting and cross-referencing book-length and chapter-length studies, sections of books and chapters, articles, portions of articles, notes, extensive commentary in editions, and representative study guides. There are separate sections for editions and translations; bibliographies, indexes, studies of the manuscript, and textual studies; sources, analogues, and influences for the Pardoner's Prologue and Tale; the Pardoner portrait in the General Prologue; studies of the Pardoner's interruption of the Wife of Bath, the wordes of the Hoost to the Phisicien and the Pardoner; the Pardoner's Prologue; and The Pardoner's Tale. The Chaucer Bibliographies are designed to encompass a complete listing and assessment of scholarship and criticism on the writings of Geoffrey Chaucer, his life, times, and historical context.

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What are the limits of cultural critique? What are the horizons? What are the political implications? John Pemberton explores these questions in this far-reaching ethnographic and historical interpretation of cultural discourse in Indonesia since 1965. Pemberton considers in particular how the appearance of order under Soeharto's repressive New Order regime is an effect of an enigmatic politics founded upon routine appeals to cultural values. Through a richly textured ethnographic account of events ranging from national elections to weddings, Pemberton simultaneously elucidates and disturbs the contours of the New Order cultural imaginary. He pursues the fugitive signs of circumstances that might resist the powers of New Order rule through unexpected village practices, among graveyard spirits, and within ascetic refuges. Key to this study is a reexamination of the historical conditions under which a discourse of culture emerges. Providing a close reading of a number of Central Javanese manuscripts from the late eighteenth century on, Pemberton outlines the conditions of knowledge formation in Indonesia since the beginning of Dutch colonial control. As he overturns common assumptions concerning colonial encounters, he discloses the gradual emergence in these texts of a discursive figure inscribed in contrast to the increasingly invasive presence of the Dutch: a figuration of difference that came to be called "Java."

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The twelve studies contained in this second collection by Henry Maguire are linked together by a common theme, namely the relationship of Byzantine art to the imaginary. They show how art enabled the Byzantines not only to imagine the sacred events of the past, but also to visualize the invisible present by manifesting the spiritual world that they could not see. The articles are grouped around the following five topics: the depiction of nature by the Byzantines before and after iconoclasm, especially in portrayals of the earthly and the spiritual Paradise; the social functions and theological significance of classical artistic forms in Byzantine art after iconoclasm; the association between rhetoric and the visual arts in Byzantium, especially in contrast to the role played by liturgical drama in western medieval art; the relationship of the visual arts to Byzantine concepts of justice and the law, both human and divine; and portrayals of the two Byzantine courts, the imperial court on earth and the imagined court in heaven. The papers cover a wide range of media, including floor and wall mosaics, paintings in manuscripts and churches, ivory carvings, coins, and enamel work.

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Claudio Monteverdi (1567-1643) was the first important composer of opera. This innovative study by one of the foremost experts on Monteverdi and seventeenth-century opera examines the composer's celebrated final works - "Il ritorno d'Ulisse" (1640) and "L'incoronazione di Poppea" (1642) - from a new perspective. Ellen Rosand considers these works as not merely a pair but constituents of a trio, a Venetian trilogy that, Rosand argues, properly includes a third opera, "Le nozze d'Enea" (1641). Although its music has not survived, its chronological placement between the other two operas opens new prospects for better understanding all three, both in their specifically Venetian context and as the creations of an old master. A thorough review of manuscript and printed sources of Ritorno and Poppea, in conjunction with those of their erstwhile silent companion, offers new possibilities for resolving the questions of authenticity that have swirled around Monteverdi's last operas since their discovery in the late nineteenth century. "Le nozze d'Enea" also helps to explain the striking differences between the other two, casting new light on their contrasting moral ethos: the conflict between a world of emotional propriety and restraint and one of hedonistic abandon.

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Franz Schubert's song cycles, "Die Schone Mullerin" and "Winterreise" are cornerstones of the genre. But, as Richard Kramer argues in this book, Schubert envisioned many other songs as components of cyclical arrangements that were never published as such. By studying Schubert's original manuscripts, Kramer recovers some of these "distant cycles" and accounts for idiosyncrasies in the songs which other analyses have failed to explain. Returning the songs to their original keys, Kramer reveals linkages among songs which were often obscured as Schubert readied his compositions for publication. His analysis thus conveys even familiar songs in fresh contexts that will affect performance, interpretation and criticism. After addressing problems of multiple settings and revisions, Kramer presents a series of briefs for the reconfiguring of sets of songs to poems by Goethe, Rellstab and Heine. He deconstructs "Winterreise", using its convoluted origins to illuminate its textual contradictions. Finally, Kramer scrutinizes settings from the Abendrote cycle (on poems by Friedrich Schlegel) for signs of cyclic process. Probing the farthest reaches of Schubert's engagement with the poetics of lieder, "Distant Cycles" exposes tensions between Schubert the composer and Schubert the merchant-entrepreneur.

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The development of Judaism from ancient times to the modern day, shown in over 190 pictures. It traces the history of Judaism across the centuries, from ancient, rabbinic and medieval times to the present day. It discusses the creation of a Temple in Jerusalem, the Samaritans, Sadducees, Pharisees and Essenes, the emergence of rabbinic Judaism, the Jewish faith in the modern world, and untraditional Judaism. It is meticulously researched, with over 190 photographs of paintings, manuscripts, statues, important historical sites and archaeological revelations. It is a concise and readable account for both students and general readers. Judaism is one of the world's oldest monotheistic religions. This book covers the history of the Jews from the biblical period to the fall of the Temple, as well as life in the medieval and modern world. It explores many different forms of Jewish existence from the period of the twelve tribes through to the medieval mystics, and continues to modern kabbalism and Jewish renewal. The abundance of the Jewish heritage and its influence on other religions and modes of thought are also covered, including gender issues, the environment and vegetarianism.With its magnificent illustrations and expert text, the book is a fascinating guide to a rich and complex religion.

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The poems in this volume were prized and preserved because of their association with Chaucer's name and have been, paradoxically, almost entirely ignored by modern readers for the same reason. Many of these pieces are worthy of study, not only in the context of Chaucerian reception, but also as specimens of the kinds of vernacular poetry that circulated in late medieval manuscripts and which remained in print, largely by the accidental virtue of their association with Chaucer, throughout the Renaissance and well into the nineteenth century. The various genres represented in this sampler (the dream vision, good counsel, female panegyric, mass parody, proverbial wisdom, lover's dialogue, prochecy, advice to princes, elegiac complaint, courtly parody, and anti-feminist satire) attest to the diversity of late medieval literary tastes and to the flexibility of the courtly idiom. In the sixteenth century both Chaucer's poetry and the diverse works with which it circulated appear to have continued to have been valued for their perceived courtly qualities. Chaucer's early scribal and print editors also appear to have prized his sphere of influence (attested to by imitation, continuation, and emendation) and his adaptability to contemporary social and political needs.

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