Search results for ""author rod"

Turning sixty isn’t the end; it’s only the beginning.Michael Cosgrove had a beautiful family, a successful career, and a lovely Southern California home overlooking the Pacific Ocean. At age sixty, he decided to leave all that behind to sail around the world.With the vision of rugged individualism and salty tales to share with his grandchildren, Cosgrove quickly realized that sailing around the world wasn’t as easy as he had imagined. From a psychotic crewmate, to sleep deprivation and mental breakdowns, to constant storms and hallucinations, Cosgrove rode the waves, trying to keep his idea of “doing something grand” alive. Alone, and thousands of miles away from everyone he loved, he was forced to ask himself one question: What in God’s name am I doing here?In his attempt to avoid the inevitable (growing old, weak, frail), Cosgrove runs amok. He breaks his budget to outfit the boat and then refuses to read the manuals. He enters unfamiliar harbors in the dead of night, hires a violent first mate, and sails headlong into ferocious storms. At the same time, he longs for the simpler days when his four daughters were still children, when his first marriage was still intact, and when his dreams were still within reach. Though driven by scenes of sheer terror, absurd folly, and deep inner searching, the tone is always buoyant and laugh-out-loud funny.Imperfect Passage is the story of one man’s perseverance against Father Time and Mother Nature, proving that with enough will, one can indeed conquer the unconquerable.

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A biker and a cowboy must stop the apocalypse in the first book of the Blood and Bone modern western fantasy series.His voice was rich, a much loved baritone, as he handed his seven-year-old grandson a gun. “It’s time we had a talk, you and I. You won’t remember it, but you need to know it, and one day, when it’s time, I’ll call it up in you. You’ll know who you are, and what you’re intended to do. You’ll be a soldier, boy. Sealed to it. Life and limb, blood and bone. Not a soldier like others are, for it’s not the kind of war most people fight on earth. But because we’re not ‘most people,’ you and I, it will be far more important. The fate of the world will hinge upon it.” Now no longer that wide-eyed child, Gabe is fresh out of prison, a leather-clad biker answering Grandaddy’s peremptory summons to, of all places, a cowboy bar in Northern Arizona. He is about to find out just how different he is from “most people”—and to meet the stranger with whom he will be sealed: life and limb, blood and bone, conscripted to fight an unholy war unlike any other. For the greatest trick the devil ever pulled was convincing the world he didn’t exist. When he does. And Gabe, thrown into the unlikely company of a country-music-loving rodeo cowboy from West Texas, an ancient Celtic goddess of war, an African Orisha who sings volcanoes awake, a Chinese goddess of mercy, Nephilim, and Grigori, finds himself fighting a battle he was bred for, but wants no part of.

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In the late 1960s specialty bookstores selling magazines under the counter were replaced by sex shops, or “adult bookstores” in the U.S., at which point every subject, with few exceptions, was freely available. It started with Swedish Private and its shockingly explicit covers. Denmark’s Theander brothers countered with Rodox and Color Climax, with equally explicit content. Soon they were supplying most of Northern Europe, with the Netherlands pitching in. In the U.S. Reuben Sturman was hailed King of Porn, with affiliates churning out hardcore of every kind to fill his 800 bookstores. Suddenly men used to taking what was offered could be picky. Lesbian dominance? Hot housewives? Black and Asian women? Hippie nudists espousing free love and drug use? Hairy women? Shaved women? Shaved women giving hairy women enemas? It was all there. For the kinky, every fetish was represented: spanking titles Zap and Smack cuddled up to dominance titles Bitch and Aggressive Gals, and to Wet Dreams, Diapered and Dominated and Enema Pick ups. For rubberists there was quirky Atomage, and even quirkier Belly Button. Yes, Belly Button. Are you familiar with the name Edw. Wood, Jr., called the world’s worst film director? Then you’ll enjoy his little-known porn magazines, including Balling, Skin & Bones and Party Time. What a decade. Warning: everything in this volume is uncensored and for mature adults only. The photos do not represent the majority. Volume 6 features over 600 covers and photos from Sweden, Denmark, the Netherlands, and the U.S. with the usual, amusing text.

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Blending the sacred and the everyday, Amali Gunasekera’s second collection The Golden Thread is a search for grace through the deep process of transmuting emotional trauma into peace. She takes up Muriel Rukeyser’s famous line: ‘What would happen if one woman told the truth about her life? The world would split open.’ Her book’s central sequence, Nine [Miscarried] Methods, considers the challenge of asserting a woman’s equal status within a patriarchal objectified culture. Approaching the polemic or the existential with a gentle touch, this is poetry as lyric essay, mysterious and shapeshifting as sunlight on water. Formally, the poems explore the instability of the lyric ‘I’ and the addressed ‘You’. Often there is no static vantage point; instead, the ‘I’ and ‘You’ are verbs in a state of becoming. Their very unfixity reflects dynamic systems in the natural world where elements are constantly interacting and altering their natures. These poems also respond to Wilfred Bion’s notion of ‘Thoughts Without a Thinker’ and Carl Jung’s ‘Collective Unconscious’: through a rich symbolic system they simultaneously hold two dimensions of time; the linear Chronos of our material world, and the vertical Kairos or spiritual time. Thus, the field of this collection is holographic, in search of new co-ordinates, always beholden to something just beyond sight. Amali Gunasekera was born and grew up in Sri Lanka. She works in the field of Archetypal Psychology. After living in Mozambique, Kenya and India, she is now based in Cumbria. Her first collection, Lotus Gatherers, was published by Bloodaxe in 2016 (under her former name of Amali Rodrigo).

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Harper's Bazaar BEST cookbook to buy now Shortlisted for Fortnum & Mason Cookery Writer of the Year - Ravinder Bhogal for work in FT Weekend Magazine --------------- Vegetables are the soul of the kitchen. Comfort and Joy is a fresh take on vegetarian and vegan cooking; not geared towards health or denial but indulging all the senses with a decadent global larder. This is a cookbook of great bounty, promising fortifying curries and stews, the warm embrace of aromatic fried bhajis and rich, satisfying desserts. For Ravinder Bhogal, food should be made and shared with abundance in mind, and this sense of pleasure is conveyed on every page. From Mango and Golden Coin Curry, Shiro Miso Udon Mushroom and Kale Carbonara to Strawberry Falooda Milk Cake, this is food as pursuit of pleasure. Ravinder is one of the best food writers in Britain today, and interwoven throughout these recipes are stories of a life led by the feel-good, life-enhancing power of vegetarian food. Raw, modern and sensual, Comfort and Joy applies Ravinder's creative ingenuity to approachable veg-centric recipes for home cooks. The vegetarian option will never again be relegated to second choice. ------------------ 'Nothing less than the most original cookery writer in Britain today' - Sathnam Sanghera ‘A gorgeous and enticing marriage of styles and flavours that is uniquely Ravinder’s’ - Claudia Roden 'A revelation-you will never look at "the vegetarian option” in the same way after diving into her inventive, bewitching and mouth watering book ' - Meera Syal 'Never has a book been so aptly named. Ravinder Bhogal is a sorceress with vegetables. You’ll find the unexpected and the startling on every page' - Diana Henry

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The specter of the Soviet Union lingers in Cuba, yet until now there has been no book-length work on the ways Cubans process their country’s relationship with the Soviet bloc. Dreaming in Russian at last brings into the light the reality that for nearly three decades, the Soviet Union subsidized the island economically, intervened in military matters, and exported distinct pedagogical and cultural models to Cuba. Drawing on interviews with Cuban artists and intellectuals, as well as treasures from cinematographic and bibliographic archives, Jacqueline Loss delivers the first book to show that Cuba remembers and retains many aspects of the Soviet era, far from shedding those cultural facets as relics of the Cold War.Weaving together intriguing, seldom-seen images, Dreaming in Russian showcases the ways in which Cuba’s relationship to its Soviet benefactors lingered after the disintegration of the U.S.S.R. in 1991. Analyzing numerous literary texts and works of visual art, Loss also incorporates aspects of architecture, popular culture, the space race, and other strands to create a captivating new perspective on Cuban society. Among the luminaries featured are poet Reina María Rodríguez, writer Antonio José Ponte, visual artist Tonel, and novelist Wendy Guerra. A departure from traditional cultural history, Loss’s approach instead presents a kaleidoscopic series of facets, reflecting the hybrid nature of the self-images that emerged in the aftermath of the Soviet aegis. As speculations about Cuba’s future under Fidel Castro’s heir apparent continue, the portrait that emerges in Dreaming in Russian is both timely and mesmerizing.

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A selected guide to over 2,550 routes in the North-West, the Far North, the Hebrides and Orkney. Volume 1 extends this area South of the great Glen. These guides will take you to some extraordinary places to experience some of the best rock climbing and scrambling around. Explore the renowned rough Cuillin gabbro on Skye, sample the delights of sea cliff climbing on the islands of Lewis, Pabbay, Mingulay and Orkney. From convenient roadside crags to remote mountain routes and Hebridean sea cliffs, they're all here. This 3rd Edition of Volume 2 includes several significant recently-discovered venues such as 'Supercrag Sport' (Loch Maree Sport) and 'Supercrag Trad' (Creag Rodha Mor), along with a host of mainly easier additions at the superlative Diabaig. On the islands, many recent additions on the popular Skye sea cliffs of Suidhe Biorach, Neist and the recently-cleaned Staffin Slip South have been included. Similarly, the abundance of superb rock on Lewis, Pabbay and Mingulay has been well documented, with many new topos illustrating the wealth of wonderful climbing throughout a range of grades. Many minor and less popular crags have been replaced, freeing up space to include over 300 new routes, 40 new topos and more than 50 additional action photos. Featuring: * Over 2,550 of the region's best routes from Moderate difficulty to top-end Extremes. * Accessible multi-pitch mountain routes and scrambles. * Sport climbs from F5 to F8c+. * 280 full colour photo topos. * Scale area maps, highlighting the approaches. * Inspirational photographs, including many first ascents.

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Whether you're an adventure junkie, road-tripper, or card shark, Nevada has something for you. Make it the perfect trip with Moon Nevada.Inside you'll find:* The best road trips through Nevada, from 3 days on "the loneliest road in America," to a week covering Death Valley and the Extraterrestrial Highway, with detailed information on travel times, distances, and directions* Full-color photos and detailed maps throughout* The top sights and unique activities for all travel styles:Explore caves and glaciers at Great Basin National Park, or go fishing, swimming, or boating on Lake Tahoe or Lake Mead. Marvel at the engineering of the Hoover Dam, camp out at a secluded alpine lake, or find the best spots for a day hike. Schedule your visit during one of the major festivals that frequent Nevada (Burning Man, Art Town Reno, or the National Rodeo Finals), or shop for local turquoise trinkets. Try your hand at a slot machine, and get a taste of the world-renowned Las Vegas nightlife* Focused coverage of Reno, Las Vegas, Death Valley, Tahoe, Central Nevada, Elko, the Ruby Mountains, and more* Honest advice on where to stay, when to go, and how to get around* Expert tips from long-time Nevada local Scott Smith* Thorough information, including background on the landscape, plants and animals, climate, and local cultureWith Moon Nevada's practical tips, myriad activities, and local insight, you can plan your trip your way.Spending more time at the lake? Try Moon Tahoe. Headed to the parks? Try Moon Yosemite National Park or Moon Death Valley National Park.

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This Eden is a smart modern-day adventure reminiscent of both the cyber noir novels of William Gibson and the golden age of espionage fiction.'An incredibly fast-paced literary thriller, tricksy & crammed with ideas, beautifully written, occupying its own unique territory somewhere between Graham Greene & William Gibson' Kevin PowerEver felt like you were living in a dystopian tech thriller? That's because you are... Michael is out of his depth. The closest he ever came to working in tech was when he rode a delivery bike for a food app in Vancouver. Yet when his coder girlfriend dies, he is inexplicably headhunted by sinister tech mogul Campbell Fess, who transplants him to Silicon Valley. There, a reluctant female spy named Aoife lures him into the hands of Towse, an enigmatic war-gamer, who tricks them both into joining his quest to save the world, and reality itself, from the deadliest weapon ever invented. Hunted by government agents and corporate goons, manipulated at every turn by the philosophising Towse, Aoife and Michael find themselves in an intercontinental chase which will take them from California to New York, from the forests of Uganda to Jerusalem, Gaza, Alexandria and Paris, and to a final showdown with the truth in Aoife's native Ireland.Fast-moving, exhilarating and tense, This Eden is both a classic spy novel and speculative fiction for the here and the now. O'Loughlin adapts the propulsive thriller form to create a sharp yet passionate account of a world under mortal threat from cyber-warfare, feral money, runaway technology, and a cynical onslaught on truth itself.

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Country Music: A Very Short Introduction presents a compelling overview of the music and its impact on American culture. Country music has long been a marker of American identity; from our popular culture to our politics, it has provided a soundtrack to our national life. While traditionally associated with the working class, country's appeal is far broader than any other popular music style. While this music rose from the people, it is also a product of the popular music industry, and the way the music has been marketed to its audience is a key part of its story. Key artists, songs, and musical styles are highlighted that are either touchstones for a particular social event (such as Tammy Wynette's "Stand By Your Man," which produced both a positive and negative backlash as a marker of women's roles in society at the beginning of the liberation movement) or that encompass broader trends in the industry (for example, Jimmie Rodgers' "T for Texas" was an early example of the appropriation of black musical forms by white artists to market them to a mainstream audience). While pursuing a basically chronological outline, the book is structured around certain recurring themes (such as rural vs. urban; tradition vs. innovation; male vs. female; white vs. black) that have been documented through the work of country artists from the minstrel era to today. Truly the voice of the people, country music expresses both deep patriotism as well as a healthy skepticism towards the powers that dominate American society. Country Music: A Very Short Introduction illuminates this rich tradition and assesses its legacy in American popular music culture.

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A USA TODAY BEST BOOK OF THE YEAR (★★★★)“Little and Often is a beautiful memoir of grief, love, the shattered bond between a father and son, and the resurrection of a broken heart. Trent Preszler tells his story with the same level of art and craftsmanship that he brings to his boat making, and he reminds us of creativity’s power to transform and heal our lives. This is a powerful and deeply moving book. I won’t soon forget it.” —Elizabeth GilbertTrent Preszler thought he was living the life he always wanted, with a job at a winery and a seaside Long Island home, when he was called back to the life he left behind. After years of estrangement, his cancer-stricken father had invited him to South Dakota for Thanksgiving. It would be the last time he saw his father alive.Preszler’s only inheritance was a beat-up wooden toolbox that had belonged to his father, who was a cattle rancher, rodeo champion, and Vietnam War Bronze Star Medal recipient. This family heirloom befuddled Preszler. He did not work with his hands—but maybe that was the point. In his grief, he wondered if there was still a way to understand his father, and with that came an epiphany: he would make something with his inheritance. Having no experience or training in woodcraft, driven only by blind will, he decided to build a wooden canoe, and he would aim to paddle it on the first anniversary of his father’s death.While Preszler taught himself how to use his father’s tools, he confronted unexpected revelations about his father’s secret history and his own struggle for self-respect. The grueling challenges of boatbuilding tested his limits, but the canoe became his sole consolation. Gradually, Preszler learned what working with his hands offered: a different per­spective on life, and the means to change it.Little and Often is an unflinching account of bereavement and a stirring reflection on the complexities of inheritance. Between his past and his present, and between America’s heartland and its coasts, Preszler shows how one can achieve reconciliation through the healing power of creativity.“Insightful, lyrical…Little and Often proves to be a rich tale of self-discovery and reconciliation. Resonating with Robert Pirsig’s classic Zen and the Art of Motorcycle Maintenance, it is a profound father-and-son odyssey that discovers the importance of the beauty of imperfection and small triumphs that make extraordinary happen.” —USA Today (★★★★)

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Grandes ideas, explicaciones sencillasCon una prosa sencilla, El libro de la física presenta explicaciones claras y concisas que desbrozan la jerga especializada, diagramas que plasman complejas teorías, citas memorables e ingeniosas ilustraciones que juegan con nuestros conocimientos de la física.¿Cómo generan electricidad los imanes? ¿Qué es la antimateria? ¿Es posible viajar en el tiempo? A partir de estas y otras muchas preguntas, los físicos han ampliado las fronteras del conocimiento humano y nos han ayudado a comprender las leyes físicas que rigen nuestro mundo y el universo.Tanto el estudiante deseoso de aprender cómo el simple lector curioso acerca del funcionamiento del mundo encontrarán en este libro en español de física muchas ideas estimulantes.La física explicada de forma sencillaAdéntrate en una emocionante travesía por la historia de la física y sus descubrimientos más relevantes. Mediante explicaciones claras y concisas este libro de física contesta a las preguntas más profundas acerca del funcionamiento del mundo que nos rodea.Recopilatorio de grandes momentos de la física a lo largo de los años donde destacan diagramas que plasman complejas teorías, citas memorables de los científicos más grandes de la historia, termodinámica, teoría de cuerdas, física cuántica, y mucho más.Este libro en español para niños, jóvenes y adultos te adentra en el apasionante mundo de la física con explicaciones realmente sencillas a lo largo de los siguientes capítulos: • Medida y movimiento. La física y el mundo cotidiano. • Energía y materia. Materiales y calor. • Electricidad y magnetismo. Dos fuerzas se unen. • Sonido y luz. Las propiedades de las ondas. • El mundo cuántico. Nuestro incierto universo. • Física nuclear y de partículas. Dentro del átomo. • La relatividad y el universo. Nuestro lugar en el cosmos. El libro de la física pertenece a la galardonada serie Grandes Ideas explica temas complejos de un modo fácil de entender mediante explicaciones claras y alejándose del academicismo tradicional. Su creativo diseño y los gráficos innovadores que acompañan al texto hacen de esta serie una introducción perfecta a una gran diversidad de materias para toda la familia.

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In celebration of the incredible life of HM Queen Elizabeth II, here is the history of her reign, told through the enthralling life stories of The Queen and 25 amazing people who have called Britain home.The reign of HM Queen Elizabeth II has been long and eventful. Over the past 70 years, Great Britain has seen incredible changes in the ways we live, think and feel, shaped by the inspiring people who were born in Britain or arrived on its shores. As we commemorate the Queen's life and reign, learn about her extraordinary life and 25 other amazing history-makers - from modern pioneers, leaders and scientists to writers, athletes and activists - in this fully updated new special edition paperback. Each beautifully illustrated page spread is devoted to a tale of an incredible Briton, told by talented writer and children's book critic Imogen Russell Williams and brought to life by Sara Mulvanny's vivid colour illustration. The book also features a gloriously illustrated timeline, showing key events from Queen Elizabeth's long reign.Discover the life-changing events of the last 70 years, from the foundation of the NHS by Aneurin Bevan to the creation of the AstraZeneca COVID-19 vaccine by Sarah Gilbert. Learn about how amazing activists like Paul Stephenson and Malala Yousafzai fought hard for equal rights for all, and scientists like Stephen Hawking and Tim Berners-Lee made incredible advances that allowed us to know more about the universe, or communicate in a whole new way via the Internet. Find out about the fantastic achievements of athletes like Mo Farah and Tanni Grey-Thompson and writers like Judith Kerr and Lemn Sissay, despite the challenges they faced. The tales include key figures from all areas of British life - science, medicine, entertainment, sports, activism and more.Featuring the inspirational lives and achievements of amazing people such as Alan Turing, Kelly Holmes, Stormzy and Anita Roddick, this book is not only a glorious celebration of Queen Elizabeth's life and reign, but also the citizens who have contributed to such an incredible 70 years on the throne.

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An analysis of how Britain developed a superb supply system for the navy, with beneficial consequences both for victory in war and for Britain's economic development. A very important analysis of British naval victualling, with wide implications for economic as well as naval history. N.A.M. RODGER, All Souls College, Oxford This book, by a leading French maritime historian, discusses how Britain's success in the Seven Years War (1756-63) was made possible by the creation of a superb victualling system for the British navy. It shows how this system had been developed over the preceding centuries, how it balanced carefully the advantages of state control with the flexibility of commercial contracting, and how the system was designed to mesh with and support British strategic ambitions. It provides rich detail on how the system worked,how it was administered, how key products were priced, bought, stored and transported, and how it compared, very favourably, to equivalent systems in France and elsewhere. The book shows how the increasing efficiency of theVictualling Board enabled the navy to take advantage of agricultural, commercial and financial advances in the British economy to supply its front line fighting forces over ever longer distances and ever longer periods. The Victualling Board was one of a number of interfaces between the demands of the State and the supply facilities of the economy, to their mutual benefit. As a major purchaser through competitive tender, the Board made a positive contribution to the entrepreneurial spirit of British society. The book goes beyond maritime history by discussing how naval supply provided a huge stimulus for British finance, agriculture, trade and manufacturing, and argues that all this together was one of the principal causes of Britain's later Industrial Revolution. CHRISTIAN BUCHET is Professor of Modern History and Director of the Centre d'Etudes de la Mer at the Institut Catholique de Paris. Besides comparative studies of the British and French navies 1688-1783, he has written extensively on maritime environmental issues and is Secretary General of the National Council of the French Archipelago.

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Presents rich detail on captains' duties and everyday lives. We have always known who were the captains of the Seven Years' War, in the sense of having lists of their names. A few of them, who later became famous, we knew personally at least a little, but until now most of them have neverbeen more than names. The genius of this book is to bring them to life as individuals; to show their hopes and fears, their faults and virtues, and to fill in the details of their working lives. Far from the grand narrative of battles and campaigns, this book illuminates the everyday world and everyday thoughts of a generation of 18th-century naval officers.' N.A.M. RODGER, All Souls College, Oxford This book provides a detailed insight into the operations of the British Navy during the Seven Years' War by examining the experiences of the cohort of men promoted to the rank of captain in 1757. Byrne McLeod outlines their early careers, discusses how they were selected for promotion and examines the opportunities for making reputations and fortunes through action first against the French and then also the Spanish. She also demonstrates the iron control wielded by the Admiralty over its captains and shows that, although connections and interest assisted greatly with promotion, allegations of 'corruption' were misplaced. The navy in this period was highly effective: an extremely complex and efficient bureaucracy where meritwas most definitely rewarded. Based on extensive original research, this book explores the everyday minutiae of the captains' duties and responsibilities. The captains were well aware that every detail of their commands contributed to their effectiveness as fighting machines. From never-ending convoy protection to large-scale, world-wide amphibious operations, these men served in what has rightly been called the first global war. Maritime and eighteenth-century historians will find this book particularly rewarding. A.B. McLeod obtained her doctorate in naval history from the University of Exeter following careers as a teacher and in the City.

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For fans of the hit Netflix docuseries The Last Dance.During his storied career as head coach of the Chicago Bulls and Los Angeles Lakers, Phil Jackson won more championships than any coach in the history of professional sports. Even more important, he succeeded in never wavering from coaching his way, from a place of deep values. Jackson was tagged as the 'Zen master' half in jest by sportswriters, but the nickname speaks to an important truth: this is a coach who inspired, not goaded; who led by awakening and challenging the better angels of his players’ nature, not their egos, fear, or greed.This is the story of a preacher’s kid from North Dakota who grew up to be one of the most innovative leaders of our time. In his quest to reinvent himself, Jackson explored everything from humanistic psychology and Native American philosophy to Zen meditation. In the process, he developed a new approach to leadership based on freedom, authenticity, and selfless teamwork that turned the hyper-competitive world of professional sports on its head.In Eleven Rings, Jackson candidly describes how he:- Learned the secrets of mindfulness and team chemistry while playing for the champion New York Knicks in the 1970s- Managed Michael Jordan, the greatest player in the world, and got him to embrace selflessness, even if it meant losing a scoring title- Forged successful teams out of players of varying abilities by getting them to trust one another and perform in sync- Inspired Dennis Rodman and other 'uncoachable' personalities to devote themselves to something larger than themselves- Transformed Kobe Bryant from a rebellious teenager into a mature leader of a championship team. Eleven times, Jackson led his teams to the ultimate goal: the NBA championship six times with the Chicago Bulls and five times with the Los Angeles Lakers. We all know the legendary stars on those teams, or think we do. What Eleven Rings shows us, however, is that when it comes to the most important lessons, we don’t know very much at all. This book is full of revelations: about fascinating personalities and their drive to win; about the wellsprings of motivation and competition at the highest levels; and about what it takes to bring out the best in ourselves and others.

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Catherine McAuley (1778–1841), the founder of the Sisters of Mercy in 1831, frequently gave oral instructions to the first Mercy community. Though she sometimes spoke explicitly about their religious vows, her words were always focused on the life, example, teachings, and evangelic spirit of Jesus Christ, emphasizing “resemblance” to him and fidelity to the calls of the Gospel. Her instructions have, therefore, a broad present-day relevance that can be inspiring and encouraging for all Christians. They are the “shining” words of a companion, a soul-friend, who offers guiding light to those who wend their pilgrim way toward the full embrace of God’s merciful reign. These instructions were initially written down, insofar as that was humanly possible, by sisters who were actually present and listening as she spoke. Some of their manuscripts were later copied into the long manuscript compilation that is the centerpiece of this book. Research also indicates that in preparing and giving her lectures, Catherine often relied on the content of previously published spiritual books, including works by Alphonsus Rodriguez, SJ, Louis Bourdaloue, SJ, and other well-known spiritual writers of the eighteenth and earlier centuries. The book’s endnotes illustrate this dependence. Catherine McAuley’s voice in these instructions is realistic, down-to- earth, humble, and compassionate. She is clearly dead-set against “froth” and “mere outward show” in one’s spiritual life. Like the practical Saint Teresa of Avila, whose life and thought she studied, she favors surrendering oneself now, with God’s help, to “ordinary,” every-day, possible holiness, rather than simply dreaming about extraordinary, but perhaps impossible, future sanctity. Her themes are some of the great themes of the Gospel: genuine humility and poverty of spirit, universal charity, self-denial, taking up one’s “cross,” and following Jesus Christ.

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A sumptuously illustrated survey of the remarkable flowering of radical, visionary and experimental design for performance in Russia in the twenty years between 1913 and 1933. At the beginning of the twentieth century, Russian theatre produced an unprecedented period of creative radicalism and collaborative experimentation. Against the turbulent backdrop of the First World War and the Russian Revolution, the avant-garde movement transformed Russia’s cultural landscape as visionaries from several disciplines generated a vortex of innovative performance and design. The astounding body of work produced by Kazimir Malevich, Alexander Rodchenko, Vladimir Tatlin, Sergei Eisenstein and Liubov Popova, among others, overturned traditions in art, music, literature and theatre. This book explores the importance and influence of a seminal moment in twentieth-century culture – one that still resonates today. Published to accompany a major exhibition at London’s Victoria and Albert Museum in association with the Bakhrushin State Central Theatre Museum in Moscow, this book includes essays by experts from Russia, Britain and America illustrated with over 150 images from leading artists and designers, many of which are previously unpublished. Edited by John E. Bowlt, Professor of Slavic Languages and Literatures at the University of Southern California, the result is an astonishing record of a period of creative innovation that redefined not only what was possible in theatre and the avant-garde, but in wider artistic practices too. It will be of interest both to theatregoers and art historians, as well as current and future designers seeking inspiration for their own work.

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Winner, 2016 Best First Book Prize from the Immigration and Ethnic History Society Finalist, 2016 Sami Rohr Prize for Jewish Literature Winner, 2015 Book Prize from the Southern Jewish Historical Society Finalist, 2015 Jordan Schnitzer Book Award from the Association for Jewish Studies Winner, 2014 National Jewish Book Award in American Jewish Studies from the Jewish Book Council The majority of Jewish immigrants who made their way to the United States between 1820 and 1924 arrived nearly penniless; yet today their descendants stand out as exceptionally successful. How can we explain their dramatic economic ascent? Have Jews been successful because of cultural factors distinct to them as a group, or because of the particular circumstances that they encountered in America? The Rag Race argues that the Jews who flocked to the United States during the age of mass migration were aided appreciably by their association with a particular corner of the American economy: the rag trade. From humble beginnings, Jews rode the coattails of the clothing trade from the margins of economic life to a position of unusual promise and prominence, shaping both their societal status and the clothing industry as a whole. Comparing the history of Jewish participation within the clothing trade in the United States with that of Jews in the same business in England, The Rag Race demonstrates that differences within the garment industry on either side of the Atlantic contributed to a very real divergence in social and economic outcomes for Jews in each setting.

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Death beyond Disavowal utilizes “difference” as theorized by women of color feminists to analyze works of cultural production by people of color as expressing a powerful antidote to the erasures of contemporary neoliberalism.According to Grace Kyungwon Hong, neoliberalism is first and foremost a structure of disavowal enacted as a reaction to the successes of the movements for decolonization, desegregation, and liberation of the post–World War II era. It emphasizes the selective and uneven affirmation and incorporation of subjects and ideas that were formerly categorically marginalized, particularly through invitation into reproductive respectability. It does so in order to suggest that racial, gendered, and sexualized violence and inequity are conditions of the past, rather than the foundations of contemporary neoliberalism’s exacerbation of premature death. Neoliberal ideologies hold out the promise of protection from premature death in exchange for complicity with this pretense.In Audre Lorde’s Sister Outsider, Cherríe Moraga’s The Last Generation and Waiting in the Wings, Oscar Zeta Acosta’s The Revolt of the Cockroach People, Ana Castillo’s So Far from God, Gayl Jones’s Corregidora, Isaac Julien’s Looking for Langston, Inge Blackman’s B. D. Women, Rodney Evans’s Brother to Brother, and the work of the late Barbara Christian, Death beyond Disavowal finds the memories of death and precarity that neoliberal ideologies attempt to erase.Hong posits cultural production as a compelling rejoinder to neoliberalism’s violences. She situates women of color feminism, often dismissed as narrow or limited in its effect, as a potent diagnosis of and alternative to such violences. And she argues for the importance of women of color feminism to any critical engagement with contemporary neoliberalism.

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When the 2016 Oscar acting nominations all went to whites for the second consecutive year, #OscarsSoWhite became a trending topic. Yet these enduring racial biases afflict not only the Academy Awards, but also Hollywood as a whole. Why do actors of color, despite exhibiting talent and bankability, continue to lag behind white actors in presence and prominence? Reel Inequality examines the structural barriers minority actors face in Hollywood, while shedding light on how they survive in a racist industry. The book charts how white male gatekeepers dominate Hollywood, breeding a culture of ethnocentric storytelling and casting. Nancy Wang Yuen interviewed nearly a hundred working actors and drew on published interviews with celebrities, such as Viola Davis, Chris Rock, Gina Rodriguez, Oscar Isaac, Lucy Liu, and Ken Jeong, to explore how racial stereotypes categorize and constrain actors. Their stories reveal the day-to-day racism actors of color experience in talent agents’ offices, at auditions, and on sets. Yuen also exposes sexist hiring and programming practices, highlighting the structural inequalities that actors of color, particularly women, continue to face in Hollywood. This book not only conveys the harsh realities of racial inequality in Hollywood, but also provides vital insights from actors who have succeeded on their own terms, whether by sidestepping the system or subverting it from within. Considering how their struggles impact real-world attitudes about race and diversity, Reel Inequality follows actors of color as they suffer, strive, and thrive in Hollywood.

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2020 Foreword INDIES Book of the Year Awards Winner, Silver (Political and Social Sciences) Winner of the Montaigne Medal, awarded to "the most thought-provoking books"The first book to explore a shocking yet all-too-common type of wrongful conviction—one that locks away innocent people for crimes that never actually happened. Rodricus Crawford was convicted and sentenced to die for the murder by suffocation of his beautiful baby boy. After years on death row, evidence confirmed what Crawford had claimed all along: he was innocent, and his son had died from an undiagnosed illness. Crawford is not alone. A full one-third of all known exonerations stem from no-crime wrongful convictions.The first book to explore this common but previously undocumented type of wrongful conviction, Smoke but No Fire tells the heartbreaking stories of innocent people convicted of crimes that simply never happened. A suicide is mislabeled a homicide. An accidental fire is mislabeled an arson. Corrupt police plant drugs on an innocent suspect. A false allegation of assault is invented to resolve a custody dispute. With this book, former New York City public defender Jessica S. Henry sheds essential light on a deeply flawed criminal justice system that allows—even encourages—these convictions to regularly occur. Smoke but No Fire promises to be eye-opening reading for legal professionals, students, activists, and the general public alike as it grapples with the chilling reality that far too many innocent people spend real years behind bars for fictional crimes.

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Austin, Texas, entered the aviation age on October 29, 1911, when Calbraith Perry Rodgers landed his Wright EX Flyer in a vacant field near the present-day intersection of Duval and 45th Streets. Some 3,000 excited people rushed out to see the pilot and his plane, much like the hundreds of thousands who mobbed Charles A. Lindbergh and The Spirit of St. Louis in Paris sixteen years later. Though no one that day in Austin could foresee all the changes that would result from manned flight, people here—as in cities and towns across the United States—realized that a new era was opening, and they greeted it with all-out enthusiasm.This popularly written history tells the story of aviation in Austin from 1911 to the opening of Austin-Bergstrom International Airport in 1999. Kenneth Ragsdale covers all the significant developments, beginning with military aviation activities during World War I and continuing through the barnstorming era of the 1920s, the inauguration of airmail service in 1928 and airline service in 1929, and the dedication of the first municipal airport in 1930. He also looks at the University of Texas's role in training pilots during World War II, the growth of commercial and military aviation in the postwar period, and the struggle over airport expansion that occupied the last decades of the twentieth century. Throughout, he shows how aviation and the city grew together and supported each other, which makes the Austin aviation experience a case study of the impact of aviation on urban communities nationwide.

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In recent years, millions of TV viewers have devoured images of the law. Amy Fisher, O.J. Simpson, Rodney King and JonBenet Ramsey have become household names. To meet popular demand we have a cable channel devoted to trials and police dramas 24 hours a day. Quick justice-dealing judges preside over TV courtrooms resolving real-life conflicts. What are the consequences when legal culture and popular culture dissolve into eath other? What happens, asks Richard K. Sherwin, when law goes pop? Sherwin, a law professor and former New York prosecutor, offers a pathbreaking interdisciplinary study of law and popular culture. He argues that in the welter of communication technologies, an unrestrained marketplace and postmodern ideas, law is increasingly becoming a spectacle, mimicking the style, techniques and visual logic of advertising and public relations. How will law continue to function when truth becomes interpretation and reality and fiction can no longer be separated? To answer these questions, Sherwin draws on a wealth of fascinating material: the contemporary storytelling strategies of lawyers; notoriously popular criminal cases in American legal history; representations of the law such as Errol Morris's "The Thin Blue Line"; and examples of how lawyers and judges have used the media to legitimize the judicial process. The law can be a powerful and affirmative tool for realizing meaning in postmodern life, but not when it is buffeted by corrosive cultural practices. "When Law Goes Pop" is an examination of legal practice in today's world, one that should be needed by everyone concerned with the future of our legal system and the meaning we invest in it.

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A major, new, and comprehensive look at six decades of macroeconomic policies across the region What went wrong with the economic development of Latin America over the past half-century? Along with periods of poor economic performance, the region’s countries have been plagued by a wide variety of economic crises. This major new work brings together dozens of leading economists to explore the economic performance of the ten largest countries in South America and of Mexico. Together they advance the fundamental hypothesis that, despite different manifestations, these crises all have been the result of poorly designed or poorly implemented fiscal and monetary policies. Each country is treated in its own section of the book, with a lead chapter presenting a comprehensive database of the country’s fiscal, monetary, and economic data from 1960 to 2017. The chapters are drawn from one-day academic conferences—hosted in all but one case, in the focus country—with participants including noted economists and former leading policy makers. Cowritten with Nobel Prize winner Thomas J. Sargent, the editors’ introduction provides a conceptual framework for analyzing fiscal and monetary policy in countries around the world, particularly those less developed. A final chapter draws conclusions and suggests directions for further research.A vital resource for advanced undergraduate and graduate students of economics and for economic researchers and policy makers, A Monetary and Fiscal History of Latin America, 1960–2017 goes further than any book in stressing both the singularities and the similarities of the economic histories of Latin America’s largest countries.Contributors: Mark Aguiar, Princeton U; Fernando Alvarez, U of Chicago; Manuel Amador, U of Minnesota; Joao Ayres, Inter-American Development Bank; Saki Bigio, UCLA; Luigi Bocola, Stanford U; Francisco J. Buera, Washington U, St. Louis; Guillermo Calvo, Columbia U; Rodrigo Caputo, U of Santiago; Roberto Chang, Rutgers U; Carlos Javier Charotti, Central Bank of Paraguay; Simón Cueva, TNK Economics; Julián P. Díaz, Loyola U Chicago; Sebastian Edwards, UCLA; Carlos Esquivel, Rutgers U; Eduardo Fernández Arias, Peking U; Carlos Fernández Valdovinos (former Central Bank of Paraguay); Arturo José Galindo, Banco de la República, Colombia; Márcio Garcia, PUC-Rio; Felipe González Soley, U of Southampton; Diogo Guillen, PUC-Rio; Lars Peter Hansen, U of Chicago; Patrick Kehoe, Stanford U; Carlos Gustavo Machicado Salas, Bolivian Catholic U; Joaquín Marandino, U Torcuato Di Tella; Alberto Martin, U Pompeu Fabra; Cesar Martinelli, George Mason U; Felipe Meza, Instituto Tecnológico Autónomo de México; Pablo Andrés Neumeyer, U Torcuato Di Tella; Gabriel Oddone, U de la República; Daniel Osorio, Banco de la República; José Peres Cajías, U of Barcelona; David Perez-Reyna, U de los Andes; Fabrizio Perri, Minneapolis Fed; Andrew Powell, Inter-American Development Bank; Diego Restuccia, U of Toronto; Diego Saravia, U de los Andes; Thomas J. Sargent, New York U; José A. Scheinkman, Columbia U; Teresa Ter-Minassian (formerly IMF); Marco Vega, Pontificia U Católica del Perú; Carlos Végh, Johns Hopkins U; François R. Velde, Chicago Fed; Alejandro Werner, IMF.

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En esta biografía impactante y vibrante, el galardonado creador Duncan Tonatiuh echa luz sobre el legado de un legendario capoeirista, Mestre Bimba, quien se resistió a la opresión racial a través del arte y convirtió una práctica marginada en un fenómeno globalUna meia lua silbó a través del aire. El golpe fue evadido y le siguió un aú.Dos jóvenes estaban jugando a la capoeira en medio de la roda. Bimba también quería jugar.Aunque se debate cuándo y dónde se originó exactamente la capoeira, una forma de arte que combina las artes marciales, la danza, las acrobacias, la música y la espiritualidad, una cosa es segura: a principios del siglo XX Brasil era el único país en el mundo en el que se jugaba a la capoeira, y era practicada principalmente por personas de ascendencia africana. En 1890, dos años después de que Brasil aboliera oficialmente la esclavitud, el juego fue prohibido. La sociedad rica y de piel más clara temía y menospreciaba la capoeira, viéndola como un juego de “malandros”, como llamaban las personas en el poder a las comunidades negras y pobres a las que despreciaban. Pero, a principios de la década de 1920 en la ciudad de Salvador, un hombre llamado Bimba abogaría por que la capoeira, y quienes la practicaban, fueran tratados con la dignidad y el respeto que se merecían.La prosa lírica y el adorado estilo de ilustración de Duncan Tonatiuh, inspirado en los códices precolombinos, cuentan la historia de quien se podría decir fue el mejor capoeirista de todos los tiempos, quien luchó para convertir una actividad afrobrasileña perseguida e incomprendida en un arte célebre y practicado por millones de personas en todo el mundo. En 2014, la Organización de las Naciones Unidas para la Educación, la Ciencia y la Cultura (UNESCO) designó a la capoeira como un Patrimonio Cultural Inmaterial de la Humanidad, una distinción otorgada por su promoción de la integración social y la memoria que guarda de la lucha contra la opresión histórica.En Juego de libertad, el galardonado Tonatiuh nos brinda una conmovedora celebración de la solidaridad y la resistencia a través del arte.

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Monica Minott’s poems grasp the reader’s attention with a voice that is distinctively personal, both taut and musical – and tender and muscular when the occasion demands. Her language moves seamlessly and always appropriately between standard and Jamaican patwa, a reflection of a vision that encompasses a Black modernity still very much in touch with its aphoristic folk roots, where the ancestral meets Skype or a Jonkonnu band is stuck in a Kingston traffic jam. It is possible to see Minott’s poems as being in a constant dialogue between four quadrants of engagement: with history, with landscape, with personal and family experience and with the worlds of literature, music and art. Minott’s sense of history is deeply informed by a knowledge of the brutalities of commercial empire and of slavery and Black people’s struggles against injustice and for selfhood. There is scarcely a poem that does not have some precisely described sense of the materiality of its circumstance and the interactions between the physical world and human feelings. You sense that what sustains a certain bravery of self-exposure and of risk is a sense of belonging to family histories that have taught endurance, of knowing that loss can be gain (and this is certainly a world into which tragedy intrudes) and the experience of “running from extremity to extremity, to glory”. In literature and the arts, books are “bright lamps to light away dark hours”, and the examples of musicians like Don Drummond and Rico Rodriquez, artists such as Jean-Michel Basquiat and dancer Barry Moncrieffe point to the possibilities of the transcendent arising out of the everyday. Literature is a way of seeing that connects “Telemachus,/ original rasta and broomseller” of the Kingston streets to the Ulyssean world of voyaging and of seeking a home.

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This Handbook offers an insightful and comprehensive overview from a geographic perspective of the numerous and varied technologies that are shaping the contemporary world. It shows how geography and technology are intimately linked by examining the origins, growth, and impacts of 27 different technologies and highlighting how they influence the structure and spatiality of society. Following summaries of important conceptual issues such as diffusion, gender and science studies, the book explores various technologies, which are grouped into six main categories: Computational: code, location-based services and virtual reality Communications: fiber optics, satellites, the internet, radio, cell phones and television Transportation: automobiles, aviation, drones, railroads, and shipping and ports Energy: biofuels, dams, fracking, geothermal energy, pipelines, solar energy and LEED buildings Manufacturing: robotics, just-in-time systems and nanotechnology Life sciences: new technologies of health care, biotechnology and biometrics. Significantly, the book includes in-depth explorations of new technologies that have so far received very little attention from geographers. This much-needed Handbook offers a comprehensive and state-of-the-art summary of the geographies of major technologies and how they affect society, economies, geographies and everyday life. It will appeal to academics and advanced students interested in geography, planning and the social sciences in general.Contributors include: R. Baghel, M. Batty, R.E. Baxter, T. Birtchnell, M.J. Blair, L. Cabral, K.E. Calvert, M. Chen, J. Cidell, J.C. Comer, D. Comfort, S.W. Cunningham, M. Dodge, A.R. Goetz, A. Golub, A. Grech, D. Hillier, A. Holl, J.P. Howell, A. Johnson, P. Jones, A. Kellerman, L. Kurdgelashvili, L. Li, H. Lin, R. Lobato, B.P.Y. Loo, A. López Peláez, E. Louie, S. Maalsen, W.E. Mabee, J.D. Makholm, J. McLean, M. Nüsser, G. Popescu, R. Rama, P.L. Robertson, J.-P. Rodrigue, M.W. Rosenberg, B. Solomon, J.D. Stephen, D. Sui, G. Timilsina, N. Waldbrook, B. Warf, T.A. Wikle, C. Wilkinson

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In a year when the Southern Foodways Alliance asks, “Where is the South?”, the Fall 2023 issue of Gravy examines Southern food inside and outside the region. Readers will follow traditional Southern foods as they transcend the region’s historic geographic borders. Meanwhile, newcomers to the South adapt to regional tastes and introduce new flavors to the canon. Mackenzie Martin tells of culinary entrepreneur Annie Fisher, who built a booming catering business at the turn of the twentieth century with her signature beaten biscuits—all without investors or access to a bank loan, as a Black woman in Jim Crow Missouri. In a story by Mikeie Reiland, two professional soccer players of African Muslim ancestry find a taste of home in Nashville, at iftar, the fast-breaking meal of Ramadan. Chris Jay serves up Shreveport stuffed shrimp, a dish perfected by a network of Black chefs in Shreveport, Louisiana, through five generations of restaurant ownership. Gravy columnist Hanna Raskin tracks Bojangles’ expansion into the Midwest, asking: does a fast food biscuit lose its fluff outside the South? Adrian Miller digs into the menu archives at the Carter Center to find out exactly how “Southern” the First Family ate in the White House. SFA oral historian Sarah Rodriguez shares excerpts from the new oral history project, Tapping into Richmond Beer, which chronicles craft brewing in Richmond, Virginia, through the city’s vibrant and diverse beer scene. Poet Reyes Ramirez explores Latino foodways in Texas in verse from his debut collection El Rey of Gold Teeth, forthcoming from Hub City Press. Erika Council talks biscuits and business in a Q&A about her new book, Still We Rise: A Love Letter to the Southern Biscuit with Over 70 Sweet and Savory Recipes.

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LONGLISTED FOR THE WOMEN'S PRIZE FOR NON-FICTION ONE OF THE NEW YORK TIMES' BEST BOOKS OF 2023ONE OF THE ECONOMIST'S BEST BOOKS OF 2023ONE OF THE NEW YORKER'S BEST BOOKS OF 2023ONE OF BARACK OBAMA'S BEST BOOKS OF 2023TIME MAGAZINE'S #1 NONFICTION BOOK OF THE YEAR'A journalistic masterpiece' David Remnick, New YorkerMy job is to go to places where people die. I pack my bags, talk to the survivors, write my stories, then go home to wait for the next catastrophe. I don't wait very long.Journalist Patricia Evangelista came of age in the aftermath of a street revolution that forged a new future for the Philippines. Three decades later, in the face of mounting inequality, the nation discovered the fragility of its democratic institutions under the regime of strongman Rodrigo Duterte.Some People Need Killing is Evangelista's meticulously reported and deeply human chronicle of the Philippines' drug war. For six years, Evangelista chronicled the killings carried out by police and vigilantes in the name of Duterte's war on drugs - a war that has led to the slaughter of thousands - immersing herself in the world of killers and survivors and capturing the atmosphere of fear created when an elected president decides that some lives are worth less than others.The book takes its title from a vigilante whose words seemed to reflect the psychological accommodation that most of the country had made: 'I'm really not a bad guy,' he said. 'I'm not all bad. Some people need killing.'A profound act of witness and a tour de force of literary journalism, Some People Need Killing is also a brilliant dissection of the grammar of violence and an important investigation of the human impulses to dominate and resist.

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Martin Stevens explores the extraordinary variety of senses in the animal kingdom, and discusses the cutting-edge science that is shedding light on these secret worlds. Our senses of vision, smell, taste, hearing, and touch are essential for us to respond to threats, communicate and interact with the world around us. This is true for all animals - their sensory systems are key to survival, and without them animals would be completely helpless. However, the sensory systems of other animals work very differently from ours. For example, many animals from spiders to birds can detect and respond to ultraviolet light, to which we are blind. Other animals, including many insects, rodents, and bats can hear high-frequency ultrasonic sounds well beyond our own hearing range. Many other species have sensory systems that we lack completely, such as the magnetic sense of birds, turtles, and other animals, or the electric sense of many fish. These differences in sensory ability have a major bearing on the ways that animals behave and live in different environments, and also affect their evolution and ecology. In this book, Martin Stevens explores the remarkable sensory systems that exist in nature, and what they are used for. Discussing how different animal senses work, he also considers how they evolve, how they are shaped by the environment in which an animal lives, and the pioneering science that has uncovered how animals use their senses. Throughout, he celebrates the remarkable diversity of life, and shows how the study of sensory systems has shed light on some of the most important issues in animal behaviour, physiology, and evolution. He also describes evidence of the disruptive effects of human activities on the way other animals navigate the world.

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¡La serie de libros para niños más exitosa de la editorial DK disponible ahora en formato bilingüe!Un educativo libro para bebés con hojas de cartón repleto de imágenes y vocabulario para que los bebés aprendan a identificar y nombrar sus juguetes y juegos favoritos. Ideal para estimular el bilingüismo desde la primera infancia y la capacidad de observación de los niños en edad preescolar. Los niños aprenden jugando desde que son bebés, durante los primeros años y a lo largo de toda la infancia. Sus primeros juguetes son objetos muy especiales que les ayudan a explorar el mundo y expresarse. Con 16 dobles páginas a todo color e increíbles fotografías de los juguetes y objetos favoritos de los niños en edad preescolar, My First Bilingual Playtime es el libro para niños perfecto para que tu pequeño se familiarice con sus juegos favoritos, a la vez que desarrolla su memoria y lenguaje.Hora de jugar y aprenderCamiones, bloques de construcción, peluches, disfraces, muñecas, plastilina, cometas… y ¡hasta trompetas y xilófonos! No falta ninguno. Anima a tu bebé a recorrer las páginas del libro e identificar los juguetes que más le gustan. Practicad juntos buscando y nombrando las imágenes en inglés y español. ¡Le encantará aprender el nombre de sus juguetes preferidos!My First Bilingual Playtime es un libro para bebés en español e inglés que ayuda a los niños a • Identificar y nombrar sus juguetes y lugares de juego preferidos • Aprender jugando • Fomentar el interés por la lectura • Aprender vocabulario en dos idiomas y familiarizarse con los sonidos y la grafía de las palabras. • Desarrollar habilidades de observación y ampliar el conocimiento del mundo que les rodea con la ayuda de fotografías e ilustraciones.My First Bilingual Playtime pertenece a la serie My First (primeras lecturas), una magnífica colección de libros infantiles ideal para niños en edad preescolar de 0 a 2 años. Estos libros para bebés abarcan una amplia variedad de temas y vocabulario e incluyen fotografías, ilustraciones y rótulos fáciles de entender en todas sus páginas. Como libros de aprendizaje, son el complemento perfecto para ayudar a los niños a adquirir vocabulario y desarrollar las habilidades lingüísticas que forman la base de la educación temprana. Además, ahora están disponibles en edición bilingüe inglés-español. ¡Ideal para aprender simultáneamente dos lenguas!

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For centuries, fame and fortune was to be found in India. In the 16th and 17th centuries, India called out to those in search of riches and adventure. The British were the last European Nation to sail to India to trade. The British Empire in India began with the East India Company, incorporated in 1600 by the Royal Charter of Her Majesty Queen Elizabeth I, to trade with India. In two centuries, the East India Company became Master of a vast country, by extortion, doublespeak and outright corruption, backed by violence and superior force composed of Indians.The British had come as adventurers but found the lure of this country too strong not to adopt to some customs and traditions of local population. In military organizations the British initially adopted the system of allowing Kings to rule but appointed British Regents. The history of the 3rd Battalion shifts the centre of gravity of success onto the Indian Officers who being `waffadar` rode the tide to establish the British Empire in India. The British were ruthless in ensuring discipline and fidelity. The book is set in chronological order as events unfolded, but also narrates events and draws some important lessons out of it.The Battalion within a month of raising was put to test at Pritchetgarh. It was actively involved in eliminating the remnants of the Peshwa Army. The Battalion was used to suppress and bring Gujarat and Kutch under control of the British Empire. Maharaja Gaekwad of Baroda was Browbeaten. The Battalion formed part of the Army of the Indus. It primarily secured the Sindh and kept the Amirs of Sindh under control. It was here that battalion marched 40 miles within 24 hours to ensure Sher Mohamed, the `Lion of Manipur` withdrew his force from Tatta.The battalion participated in the Persian Campaign of 1856 in the Battles of Bushire and Khushab. In 185, the Battalion was at Satara and ensured no rebellion takes place. For its loyalty the battalion was designated `Waffadar Paltan`.The battalion saw action in China during the Boxer rebellion and in Aden. It also had the privilege of hosting His Royal Highness Prince of Wales, in 1875. The battalion participated in Mesopotamia and then in North West Persia during World War I. The Battalion participated in the Coronation Hockey Tournament and was runner up. Musketry had always been its core strength. The recruiting base of the battalion kept on changing as the British Empire expanded. From Marathi and Konkanis, the recruitment base expanded to Rajputs, Muslims from Gujarat and Central India.The book extensively covers the structure changes such as double battalion, double companies, linked battalions, mounted infantry, camp followers.There is enough fresh scholarship and exploration of the pain and joy in accomplishment of a mission. Failures have been narrated along with successes. In Army all is not war. The book covers social aspects, life at the outposts and interpersonal relationships as well as reforms.

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This thoroughly revised and updated second edition provides a comprehensive guide to Post Keynesian methodology, theory and policy prescriptions. The Companion reflects the challenges posed by the global financial crisis that began in 2008 and by the consolidation of the New Neoclassical Synthesis in macroeconomic theory. There are 41 entirely new entries, marking the emergence of a new generation of Post Keynesian scholars. The central issues that were dealt with in the first edition remain at the core of the book, but much more attention is paid in this second edition to financial markets, to Post Keynesian economics outside its traditional Anglo-American heartland and to gender issues and environmental policy. Including major theoretical, methodological and policy issues in Post Keynesian economics, this enriching Companion will strongly appeal to postgraduate and advanced undergraduate students in economics as well as related social science disciplines including international political economy, international relations, politics, public policy and sociology.Contributors: A. Altuzarra, P. Arestis, T. Asada, A. Barba, T. Baskoy, J. Bibow, S. Blankenburg, R.A. Blecker, H. Bloch, A. Brown, D. Bunting, F.J. Cardim de Carvalho, V. Chick, J. Cornwall, W. Cornwall, J. Courvisanos, C. Danby, F. Dantas, P. Davidson, L.F. De Paula, D. Dequech, S.C. Dow, P. Downward, S. Dullien, S.P. Dunn, A.K. Dutt, S. Fazzari, F. Ferrari-Filho, B. Fine, G. Fontana, M. Forstater, G. Fujii, R. Garnett, B. Gerrard, M. Glickman, G.C. Gu, G.C. Harcourt, J.T. Harvey, M. Hayes, E. Hein, J.F. Henry, G. Hewitson, M.C. Howard, P. Howells, T. Jefferson, J. Jespersen, T.-H. Jo, D.W. Katzner, S. Keen, S. Kelton, J.E. King, P. Kriesler, M. Lavoie, J. Leclaire, F.S. Lee, J. Lodewijks, M.C. Marcuzzo, J.S.L. McCombie, E.J. McKenna, A. Mearman, J. Melmiès, W. Mitchell, G. Mongiovi, T. Mott, T. Mouakil, Y. Nersisyan, J.W. Nevile, T. Niechoj, R. O'Donnell, P.A. O'Hara, A. Pacella, T.I. Palley, G. Palma, C. Panico, S.D. Parsons, N. Perry, M. Pivetti, R. Pollin, S. Pressman, J. Priewe, A. Razmi, R. Realfonzo, C. Rider, L.-P. Rochon, C.J. Rodríguez-Fuentes, S. Rossi, C. Sardoni, M. Sawyer, R.H. Scott III, M. Setterfield, N. Shapiro, H.J. Sherman, P. Skott, J. Smithin, E. Stockhammer, R. Studart, P.R. Tcherneva, A.P. Thirlwall, Z. Todorova, J. Toporowski, G. Tortorella Esposito, A.B. Trigg, É. Tymoigne, L. Ussher, T. Van Treeck, A. Vercelli, M. Vernengo, M. Watts, E. Webster, A. Winnett, M.H. Wolfson, L.R. Wray, D.C. Zannoni

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This thoroughly revised and updated second edition provides a comprehensive guide to Post Keynesian methodology, theory and policy prescriptions. The Companion reflects the challenges posed by the global financial crisis that began in 2008 and by the consolidation of the New Neoclassical Synthesis in macroeconomic theory. There are 41 entirely new entries, marking the emergence of a new generation of Post Keynesian scholars. The central issues that were dealt with in the first edition remain at the core of the book, but much more attention is paid in this second edition to financial markets, to Post Keynesian economics outside its traditional Anglo-American heartland and to gender issues and environmental policy. Including major theoretical, methodological and policy issues in Post Keynesian economics, this enriching Companion will strongly appeal to postgraduate and advanced undergraduate students in economics as well as related social science disciplines including international political economy, international relations, politics, public policy and sociology.Contributors: A. Altuzarra, P. Arestis, T. Asada, A. Barba, T. Baskoy, J. Bibow, S. Blankenburg, R.A. Blecker, H. Bloch, A. Brown, D. Bunting, F.J. Cardim de Carvalho, V. Chick, J. Cornwall, W. Cornwall, J. Courvisanos, C. Danby, F. Dantas, P. Davidson, L.F. De Paula, D. Dequech, S.C. Dow, P. Downward, S. Dullien, S.P. Dunn, A.K. Dutt, S. Fazzari, F. Ferrari-Filho, B. Fine, G. Fontana, M. Forstater, G. Fujii, R. Garnett, B. Gerrard, M. Glickman, G.C. Gu, G.C. Harcourt, J.T. Harvey, M. Hayes, E. Hein, J.F. Henry, G. Hewitson, M.C. Howard, P. Howells, T. Jefferson, J. Jespersen, T.-H. Jo, D.W. Katzner, S. Keen, S. Kelton, J.E. King, P. Kriesler, M. Lavoie, J. Leclaire, F.S. Lee, J. Lodewijks, M.C. Marcuzzo, J.S.L. McCombie, E.J. McKenna, A. Mearman, J. Melmiès, W. Mitchell, G. Mongiovi, T. Mott, T. Mouakil, Y. Nersisyan, J.W. Nevile, T. Niechoj, R. O'Donnell, P.A. O'Hara, A. Pacella, T.I. Palley, G. Palma, C. Panico, S.D. Parsons, N. Perry, M. Pivetti, R. Pollin, S. Pressman, J. Priewe, A. Razmi, R. Realfonzo, C. Rider, L.-P. Rochon, C.J. Rodríguez-Fuentes, S. Rossi, C. Sardoni, M. Sawyer, R.H. Scott III, M. Setterfield, N. Shapiro, H.J. Sherman, P. Skott, J. Smithin, E. Stockhammer, R. Studart, P.R. Tcherneva, A.P. Thirlwall, Z. Todorova, J. Toporowski, G. Tortorella Esposito, A.B. Trigg, É. Tymoigne, L. Ussher, T. Van Treeck, A. Vercelli, M. Vernengo, M. Watts, E. Webster, A. Winnett, M.H. Wolfson, L.R. Wray, D.C. Zannoni

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Anyan was born in the mid-1920s into the pre-metal culture of the Tairora of what is now called Papua New Guinea. Her early life was rooted in the traditions of her remote village, where she worked the land and took part in the rituals connected with raising food, but she lived at the time of first contact between her people and those from "outside" and she saw the traditional ways begin to change. At her marriage she moved to the government station at Kainantu, where she was exposed to more Western influences, even as she tried to hold on to her past and her ties to her village. Before she died in the mid-1970s, this woman of indomitable spirit rode in an airplane and voted in a Western-style election. When Virginia Watson began her anthropological fieldwork in the eastern highlands of New Guinea in 1954, she needed an interpreter for the unwritten language of the Tairora. Fortune sent her Anyan. In their work together as Watson researched the role of Tairora women, Anyan gradually painted a picture of her society using events from her own life. Over many years of collaboration and deepening friendship a remarkable life history was told, one that bridged the periods before and after contact with Western culture. When Watson suggested the book to Anyan, "she was elated. She was anxious that everyone know about Tairora. Her pride in her upbringing, in her culture, in her beautiful corner of the world, was apparent." Individuals experience the shock of cultural transplantation in many ways. As Watson writes, "some of those forced to make the move from one culture to another were consumed by it, and some were consigned to straddling the dark void that the cultural disparities created. Others, like Anyan, were able to maintain equilibrium in both cultures." Anyan's Story will be of interest to anthropologists and other social scientists. It is a valuable study of gender roles, women's experience in cross-cultural societies, and culture shock.

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Thailand is known for its picturesque beaches and famous temples, but there's much more to this popular holiday destination than many realize.A Brief History of Thailand offers an engaging look at the country's last 250 years—from coups and violent massacres to the invention of Pad Thai in the 1930's. Readers will learn the vibrant story of Thailand's emergence as a prosperous Buddhist state, its transformation from traditional kingdom to democratic constitutional monarchy and its subsequent rise to prominence in Southeast Asian affairs.Thailand's dramatic history spans centuries of conflict, and this book recounts many of these fascinating episodes, including: The true story of Anna Leonowens, the British governess hired to teach the children of King Mongkut, fictionalized in Margaret Landon's bestselling novel Anna and the King of Siam and turned into a hit Rodgers and Hammerstein musical and film, The King and I The bloodless Siamese Revolution of 1932 that established overnight the first constitutional monarchy in Asia, ending almost eight centuries of absolute rule and creating a democratic system of parliamentary government The Japanese invasion of Thailand and construction of the "Bridge Over the River Kwai" made famous by the novel and Oscar-winning film The mysterious death of King Ananda Mahidol, murdered in his bed in 1946, and a source of controversy ever since The development of Thailand as an international playground during the Vietnam War, when American military used it as rowdy destination for servicemen on furlough The 70-year reign of King Bhumibol Adulyadej, the world's longest-serving monarch, who was born in the U.S., educated in Switzerland, loved to play the saxophone and was idolized by his people With this book, historian and professor Richard A. Ruth has skillfully crafted an accessible cultural and political history of an understudied nation. Covering events through the King's death in 2016, A Brief History of Thailand will be of interest to students, travelers and anyone hoping to learn more about this part of the world.

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A fourth novel featuring former Texas Ranger turned lawyer turned crime fighter, Billy Bob Holland, set in the savage and beautiful landscape of Montana.Wyatt Dixon, rodeo cowboy and 'the most dangerous, depraved, twisted and unpredictable human I ever knew' is certainly not one of Billy Bob Holland's favourite people. Sentenced to sixty years in jail for murder, Dixon is out after only a year, due to the DA's failure to disclose a piece of information. He swears he's a changed man and needs Billy Bob's help, but how can Billy Bob believe the man who tortured his wife?And then there's Johnny American Horse, who has been caught carrying a gun. He says he needs it for protection; in a dream he saw two men coming for him and it isn't long before his prediction proves him right . . .Praise for one of the great American crime writers, James Lee Burke:'James Lee Burke is the heavyweight champ, a great American novelist whose work, taken individually or as a whole, is unsurpassed.' Michael Connelly'A gorgeous prose stylist.' Stephen King'Richly deserves to be described now as one of the finest crime writers America has ever produced.' Daily MailFans of Dennis Lehane, Michael Connelly and Don Winslow will love James Lee Burke: Billy Bob Holland Series1. Cimarron Rose 2. Heartwood 3. Bitterroot 4. In The Moon of Red Ponies Dave Robicheaux Series1. The Neon Rain 2. Heaven's Prisoners 3. Black Cherry Blues 4. A Morning for Flamingos 5. A Stained White Radiance 6. In the Electric Mist with Confederate Dead 7. Dixie City Jam 8. Burning Angel 9. Cadillac Jukebox 10. Sunset Limited 11. Purple Cane Road 12. Jolie Blon's Bounce 13. Last Car to Elysian Fields 14. Crusader's Cross 15. Pegasus Descending 16. The Tin Roof Blowdown 17. Swan Peak 18. The Glass Rainbow 19. Creole Belle 20. Light of the World 21. Robicheaux Hackberry Holland Series1. Lay Down My Sword and Shield 2. Rain Gods 3. Feast Day of Fools 4. House of the Rising Sun* Each James Lee Burke novel can be read as a standalone or in series order *

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This book addresses the relationships between fashion, women and power. One of the constants within the book is to question the enduring relationship between women and dress and how these inform and articulate the ways in which women remain represented as either suitable or not for public office and their behaviour is informed through dress when they are in power. The book critiques the interplays between politics, power, class, race and expectation in relation to the everyday practice of getting dress and the more performative and symbolic function of dress as embodiment. As never before, women are in positions of political power, and find themselves facing the maelstroms of mass media regarding their fashion, their deportment, and their right to govern. The contributors offer a wide set of perspectives on women and their roles, and their fashions when taking up powerful positions in Australia, New Zealand, United Kingdom and the United States. From the United Kingdom, the historical issues surrounding the movement towards ‘rational dress’ for women seeking their rights to vote and exercise are interrogated. The volume also explores viewpoints from East Asia, such as the constricting role for ‘common’ women upon entering the Imperial family in Japan. From the United States come the troublesome media stories engulfing two significant American Democratic First Ladies, Hillary Rodham Clinton and Michelle Obama. From New Zealand, the media reports on Prime Minister Jacinda Ardern upon her motherhood while serving in the office and on her clothing during the 2019 Christchurch massacre comprise a much-needed contribution to the literature on women, politics and dress. Further, the role of dress in politics broadly as a form of resistance, will be examined in Australia from recent skirmishes over ‘appropriate dress’ with ex-prime minister Julia Gillard and other Australian female politicians. The role of women and what their fashion selections mean continues via considerable debate during worldwide events. Finally, the theme of resistance and social media continues with an examination of protest dressing in the recent street battles in Hong Kong to how young Asian women have been influenced by the social media campaigns to encourage wearing the veil in Indonesia, to Asian women negotiating femininity in political dress. Primary readership will be among researchers, scholars, educators and students in the fields of fashion, dress studies, women and gender studies and media and history. It will be of particular value as at graduate level and as a supplementary resource. There may be some general appeal to those with an interest in the women or cultures at the centre of the discussions.

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It has long been a trope of Civil War history that Gettysburg was an accidental battlefield. General Lee, the old story goes, marched blindly into Pennsylvania while his chief cavalryman Jeb Stuart rode and raided incommunicado. Meanwhile, General Meade, in command only a few days, gave uncertain chase to an enemy whose exact positions he did not know. And so these ignorant armies clashed by first light at Gettysburg on July 1, 1863. In the spirit of his iconoclastic Lee’s Real Plan at Gettysburg, Troy D. Harman argues for a new interpretation: once Lee invaded Pennsylvania and the Union army pursued, a battle at Gettysburg was entirely predictable, perhaps inevitable.Most Civil War battles took place along major roads, railroads, and waterways; the armies needed to move men and equipment, and they needed water for men, horses, and artillery. And yet this perspective hasn’t been fully explored when it comes to Gettysburg. Look at an 1863 map, says Harman: look at the area framed in the north by the Susquehanna River and in the south by the Potomac, in the east by the Northern Central Railroad and in the west by the Cumberland Valley Railroad. This is where the armies played a high-stakes game of chess in late June 1863. Their movements were guided by strategies of caution and constrained by roads, railroads, mountains and mountain passes, rivers and creeks, all of which led the armies to Gettysburg. It’s true that Lee was disadvantaged by Stuart’s roaming and Meade by his newness to command, which led both to default to the old strategic and logistical bedrocks they learned at West Point—and these instincts helped reinforce the magnetic pull toward Gettysburg.Moreover, once the battle started, Harman argues, the blue and gray fought tactically for the two creeks—Marsh and Rock, essential for watering men and horses and sponging artillery—that mark the battlefield in the east and the west as well as for the roadways that led to Gettysburg from all points of the compass. This is a perspective often overlooked in many accounts of the battle, which focus on the high ground—the Round Tops, Cemetery Hill—as key tactical objectives.Gettysburg Ranger and historian Troy Harman draws on a lifetime of researching the Civil War and more than thirty years of studying the terrain of Gettysburg and south-central Pennsylvania and northern Maryland to reframe the story of the Battle of Gettysburg. In the process he shows there’s still much to say about one of history’s most written-about battles. This is revisionism of the best kind.

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"Jane King" is very much present in these poems, though never in obvious autobiographical ways. She is the observant eye taking in the beauties and droughts, climatic and human, she sees in St Lucia and in the semi-public lives of her neighbours. Hers is also the inward eye that plumbs dream states, the unconscious and the alarming darkness that the free-floating imagination sometimes reaches. If the poems selected from her previous collections, In to the Centre and Fellow Traveller have a greater focus on the absurdities of race, the traps of history and the dread context of Caribbean postcolonial politics in the 1980s and early 90s, and witty acidic poems on gender and male betrayal, Performance Anxiety takes further those signs in the earlier collections that Jane King is a distinctively original explorer of the inner person, and of the world on the margins of perception. In the new poems, organised around the metaphors of spectacle, performance and vulnerability, there is a reaching for a vision that offers some map to being "lost in this strange century". This is sought in the dialectics of birth and death and in remembering the vision of the child "innocent as clay" in the midst of adult despairs. Not least is vision sought in the making of the poem itself, the "frail boat" that if built wrong, surrenders to the sea, but whose risky venturing may lead to clarity. As the tree teaches in the poem "The Performer Gains Some Comfort from a Tree", it is "what's softest, most vulnerable [that] conquers drought".Jane King Hippolyte was born in St Lucia. She was educated in Trinidad and Tobago, Barbados, St Lucia and Scotland. She was awarded an MA in Literary Studies at Deakin University, Australia.She has worked as a secondary teacher in Scotland and St Lucia, then as a senior lecturer in English at the Sir Arthur Lewis Community College in St Lucia where she is currently Dean of the Division of Arts, Science and General Studies. She has also been an assistant chief examiner for CAPE Literatures in English, and has served as a judge and chairperson for the Commonwealth Writers Prize.She was awarded Witter Bynner and James Michener fellowships at Yaddo, New York, and the University of Miami respectively. She was awarded the Minvielle & Chastanet Fine Arts Award for Poetry in 1990 and the James Rodway Memorial Prize, awarded by Derek Walcott for Fellow Traveller in 1994.She has a number of acting and directing credits in theatre and was a founding director of the Lighthouse Theatre Company, St Lucia. She has been active in community service.Her previous publications are In to the Centre (1993) and Fellow Traveller (1994) and her work has appeared in numerous journals and is widely anthologised.

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Evelyn Barish began this book partly to inquire into a silence--Ralph Waldo Emerson's failure to discuss or mourn his father, who died when the boy was seven years old. As she probed the meaning of this loss, she found herself tracing the development of an American prophet, producing a detailed intellectual biography of Emerson's early years up to the writing of Nature. In the process she has painted a vivid picture of American society of the period and of Emerson's unusual family--including his aunt, Mary Moody Emerson, a brilliant and eccentric woman, who was described by Emerson as spinning at a higher velocity than all the other tops but who also rode around Concord in her shroud! In the years after the death of William Emerson, Mary Moody Emerson came to help her widowed sister-in-law, Ruth, rear her five sons and thus became a deep influence on the young Ralph Waldo. Barish reveals the complexities of the Emersons' family life, the preoccupations with death and questions of sexual identity in the Romantic fantasies that Emerson wrote as a youth, the emotional struggles of his student years at Harvard, and his private study of the unsettling ideas of the skeptical philosopher David Hume. Pursuing a series of small clues, she clears up the obscurity surrounding the crucial breakdown of his health during the vocational crisis of his twenties. Finally, she traces his path out of fear and self-doubt into autonomy, as he overcame crippling grief after the death of his first wife. Barish makes it clear how Emerson the American classic thinker emerged from a welter of conflicts and handicaps previously obscure to us. How did he free himself from the rigor mortis of his own cultural and personal past--from what he called the "corpse-cold Unitarianism of Brattle Street and Harvard College"--to become the liberator of America from the intellectual shackles of its colonial experience? Her answer redefines Emerson's "self-reliance" not in traditional transcendent or idealistic terms but as the result of real life and hard struggle--experience "passed through the fire of thought." Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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'A must-read for working women and the men who work with us, love us and support us' Hillary Rodham Clinton'Surprising and compelling' Financial TimesThe much-anticipated and inspiring memoir by Indra Nooyi, the trailblazing former CEO of PepsiCo, offering clear-eyed insight and a call to action for how our society can really blend work and family - and advance women - in the twenty-first centuryFor more than a dozen years as one of the world's most admired CEOs, Indra Nooyi redefined what it means to be an exceptional leader. The first woman, person of color, and immigrant to run a Fortune 50 company - and one of the foremost strategic thinkers of our time - Nooyi transformed PepsiCo with a unique vision, a vigorous pursuit of excellence, and a deep sense of purpose. Now, in a rich memoir brimming with grace, grit, and good humor, My Life in Full offers a firsthand view of a legendary career and the sacrifices it so often demanded.In her book, Nooyi shares the events that shaped her - from her childhood in 1960s India, to the Yale School of Management, to her rise as a consultant and corporate strategist who soon ascended into the most senior executive ranks. The book offers an intimate look inside PepsiCo, detailing how she steered the iconic American company toward healthier products and reinvented its environmental profile without curbing financial performance - despite resistance at every turn.At the same time, Nooyi built a home with her husband - also a high-powered executive - two daughters, and members of her extended family. My Life in Full includes her unvarnished take on the competing pressures on her attention and time, and what she learned along the way. This book, as has her personal journey, will inspire young women everywhere to believe that they, too, can climb to powerful roles without giving up on the desire for a family and children. But, as Nooyi eloquently argues, her story is not a call for women to simply try harder, but is proof of the importance of organised care structures in all of our success. Nooyi makes a clear, actionable, urgent call for business and government to prioritise the care ecosystem, from skilled care networks to zoning policy, to paid leave and flexible and predictable work hours, each so critical to unleashing the economy's full potential and helping families thrive.Generous, authoritative, and grounded in lived experience, My Life in Full is both the story of an extraordinary leader's life, and a moving tribute to the relationships that created it.

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"A smorgasbord for those who are sick and tired of it." —Seattle Book Review The 2021 edition of the premiere journal of contemporary dada writing and art considers humankind past and present with a collection of contemporary dada art and writing driven by the theme “HUMANITY: THE REBOOT.” More than 242 creators from 31 countries establish that social protest can be creatively achieved via risk-taking art. The premier journal gathering the work of internationally-renowned contemporary Dada artists and writers, MAINTENANT 15 offers compelling proof that Dada continue to serve as a catalyst to creators more than a century later. The annual MAINTENANT series, established in 2008, gathers work of contemporary Dada artists and writers from around the world. The new issue features cover art by renowned Cuban American artist Edel Rodriguez, whose provocative work has been featured on the covers of TIME, The New Yorker, Der Spiegel, and more. Past issues of MAINTENANT include work by artists Mark Kostabi, Walter Robinson, Raymond Pettibon, Nicole Eisenmann, Jean-Jacques Lebel, and Kazunori Murakami; writers include Gerard Malanga, Charles Plymell, Andrei Codrescu, and more, with a strong contingent of artist-writers from the world of punk rock. MAINTENANT 15 contributors include: Derek Adams • Alexey Adonin • Jamika Ajalon • Youssef Alaoui • Linda J. Albertano • Austin Alexis • Joel Allegretti • Santiago Amaya • Elizabeth Ashe • Gaëlle Audic • Liz Axelrod • Mahnaz Badihian • Amy Barone • Vittore Baroni • Amy Bassin • Regina Lafay Bellamy • John M. Bennett • C. Mehrl Bennett • Volodymyr Bilyk • József Bíró • Mark Blickley • Karen Boissonneault-Gauthier • Clemente Botelho • John Bowman • Jeff Boynton • Gedley Belchior Braga • Bob Branaman • philipkevinbrehse • Kathy Bruce • Imanol Buisan • Fork Burke • Irene Caesar • Billy Cancel • Peter Carlaftes • Virginia Carroll • Mona Jean Cedar • Robert Cenedella • Mutes César • Leanne Chabalko • Sarah M. Chen • Ross Cisneros • Lynette Clennell • Andrei Codrescu • Chuck Connelly • Roger Conover • Anthony Cox • Lars Crosby • Tchello d’Barros • Steve Dalachinsky • Zoë Darling • Allison Davis • Holly Day • Avelino de Araujo • Quỳnh Iris de Prelle • Laylah DeLautréamont • Bart Dewolf • Peter Dizozza • Sam Dodson • Bruce Louis Dodson • Carol Dorf • Robert Duncan • Jeff Farr • Amoye Favour • Rich Ferguson • Kathleen Florence • Gioivanni Fontana • Texas Fontanella • Robert C. Ford • Kofi Fosu Forson • Abigail A. Frankfurt • Barbara Friedman • Thomas Fucaloro • Joanna Fuhrman • Ignacio Galilea • Sandra Gea • Kat Georges • Christian Georgescu • Robert Gibbons • Gordon Gilbert • Mark Glista • Benjamin Goluboff • S. A. Griffin • Fausto Grossi • Meghan Grupposo • Egon Guenther • Genco Gulan • Elancharan Gunasekaran • John S. Hall • Janet Hamill • Bibbe Hansen • David Hargreaves • Nour Hassan • Heide Hatry • Aimee Herman • Karen Hildebrand • Jack Hirschman • Mark Hoefer • Lawrence Holzworth • Mane Hovhannisyan • Joël Hubaut • Heikki Huotari • Matthew Hupert • Ayushi Jain • Annaliese Jakimides • Marta Janik • Ruud Janssen • Mathias Jansson • Debra Jenks • Jerry Johnson • Boni Joi • Milana Juventa • Jerry Kamstra • Allan Kausch • Marina Kazakova • Donna Joy Kerness • Rose Knapp • Doug Knott • Ron Kolm • Mark Kostabi • Eleni Kourti • Paweł Kuczyński • Anatoly Kudryavitsky • Béné Kusendila • David Lawton • Serge Lecomte • Jane LeCroy • Patricia Leonard • Linda Lerner • Adam Li • Alexander Limarev • Laurinda Lind • Goran Lišnjić • Yvonne Litschel • Richard Loranger • Sarah Maino • Jaan Malin • Sophie Malleret • Bibiana Padilla Maltos • Giovanni Mangiante • Mary Manspeaker • Phil Marcade • Fred Marchant • Eliette Markhbein • Sara Cahill Marron • Malak Mattar • Bronwyn Mauldin • Ellyn Maybe • John Mazzei • Jesse McCloskey • Philip Meersman • R. S. Mengert • Lawrence Miles • Lois Kagan Mingus • Charles Mingus III • Richard Modiano • Mike M. Mollett • Thurston Moore • Tim Murphy • Alexander Nderitu • Gerald Nicosia • Anna O’Meara • Valery Oisteanu • Ruth Oisteanu • Marc Olmsted • Suzi Kaplan Olmsted • Jane Ormerod • Yuko Otomo • Csaba Pál • Lisa Panepinto • Gay Pasley • John S. Paul • Paulo • Giorgia Pavlidou • Ernst Perdriel • Puma Perl • Raymond Pettibon • Alex Andy Phuong • Charles Plymell • Leslie Prosterman • Lauren Purje • Renaat Ramon • Nicca Ray • C. R. Resetarits • Mado Reznik • Wes Rickert • Benjamin Robinson • Bruce Robinson • Aliah Rosenthal • Alison Ross • Bradley Rubenstein • Mashaal Sajid • Ralph Salisbury • Martina Salisbury • Aram Saroyan • Phil Scalia • Jack Seiei • Silvio Severino • Craig Shannon • Susan Shup • Bertholdus Sibum • Denise Silk-Martelli • Angela Sloan • Valerie Sofranko • Orchid Spangiafora • Dd. Spungin • Laurie Steelink • Samantha Steiner • J. J. Steinfeld • Christine Sloan Stoddard • Rich Stone • W. K. Stratton • Lucien Suel • Neal Skooter Taylor • Michael Thompson • Fred Tomaselli • Zev Torres • John J. Trause • Ann Firestone Ungar • Yrik-Max Valentonis • Luca Vallino • Anoek van Praag • Lynnea Villanova • Barbara Vos • Silvia Wagensberg • Tom Walker • George Wallace • Scott Wannberg • Mike Watt • Jennifer Weigel • Poul R. Weile • Ingrid Wendt • Syporca Whandal • A Whittenberg • Maw Shein Win • Yaryan • Gerald Yelle • Logan K. Young • Lorene Zarou-Zouzounis • Larry Zdeb • Leonard Zinovyev • Nina Zivancevic • Joanie HF Zosike

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AN ENTERTAINING AND STYLISH EXPLORATION OF FOOD AND NATIONALITY, FROM AWARD-WINNING WRITER ANYA VON BREMZEN 'This voyage into culinary myth-making is essential reading... I couldn't love it more!' Nigella Lawson 'A truly captivating and evocative book. National Dish takes you on a food journey written with real warmth, wit and perception' Dan Saladino 'A sparklingly intelligent examination of, and a meditation on, the interplay of cooking and identity' Spectator ________ In National Dish, award-winning food writer Anya von Bremzen sets out to investigate the eternal cliché that "we are what we eat". Her journey takes her from Paris to Tokyo, from Seville, Oaxaca and Naples to Istanbul. She probes the decline of France's pot-au-feu in the age of globalisation, the stratospheric rise of ramen, the legend of pizza, the postcolonial paradoxes of Mexico's mole, the community essence of tapas, and the complex legacy of multiculturalism in a meze feast. Finally she returns to her home in Queens, New York, for a bowl of Ukrainian borscht -a dish which has never felt more loaded, or more precious. As each nation's social and political identity is explored, so too is its palate. Rich in research, colourful? characters and lively wit, National Dish peels back the layers of myth and misunderstanding around world cuisines, reassessing the pivotal role of food in our cultural heritage and identity. Featuring an epilogue on Ukrainian borscht, recently granted World Heritage status by UNESCO ________ FURTHER PRAISE FOR NATIONAL DISH 'So enlightening - as well as well so much fun to read... Von Bremzen is a superb describer of flavours and textures' Bee Wilson Financial Times A fast-paced, entertaining travelogue, peppered with compact history lessons that reveal the surprising ways dishes become iconic' New York Times 'Enchanting, fascinating, thought provoking and humorous' Claudia Roden 'A playful, erudite and mouthwatering exploration of ideas around food and identity. With the help of a diverse group of characters and dishes, Anya von Bremzen highlights the intricacies and contradictions of our relationship with what we eat' Fuschia Dunlop 'Anya von Bremzen's new book reads like an engrossing unputdownable novel about the perpetual soup of humanity' Oli Hercules 'An evocative, gorgeously layered exercise in place-making and cultural exploration...'Boston Globe 'Von Bremzen's knowledge is staggering and her writing witty, urgent and personal. I couldn't put it down' Diana Henry

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In the third instalment of Rachel Brimble's exciting Victorian saga series, The Ladies of Carson Street will open the doors on a thoroughly modern marriage – and William is about to get a lot more than he bargained for... He needs a wife... Manchester industrialist William Rose was a poor lad from the slums who pulled himself up by his bootstraps, but in order to achieve his greatest ambitions he must become the epitome of Victorian respectability: a family man. She has a plan... But the only woman who's caught his eye is sophisticated beauty Octavia Marshall, one of the notorious ladies of Carson Street. Though she was once born to great wealth and privilege, she's hardly respectable, but she's determined to invest her hard-earned fortune in Mr Rose's mills and forge a new life as an entirely proper businesswoman. They strike a deal that promises them both what they desire the most, but William's a fool if he thinks Octavia will be a conventional married woman, and she's very much mistaken if she thinks the lives they once led won't follow them wherever they go. Perfect for fans of Rosie Goodwin, Lizzie Lane and Emma Hornby. Readers love A Very Modern Marriage! 'Superb... A captivating Historical Romance' Dash Fan Book Reviews, 5* Review 'Passionate, compelling and immensely romantic... Unforgettable... Readers will be completely charmed' Bookish Jottings, 4* Review 'Heartwarming and romantic... A Very Modern Marriage is a step back in time with a wonderful romance at its heart!' Rae Reads, 4* Review 'Gripping... Kept me guessing and on the edge of my seat... Extremely well written' Ginger Book Geek, 4* Review 'Engrossing' Corinne Rodrigues, 4* Review 'Emotive... A story of shared love, goals and dreams' Quirky Book Reads, 4* Review 'Lavishly descriptive and utterly compelling' Chez Maximka, 4* Review 'Dramatic, accessible, escapist and interesting' Ceri's Lil Blog, 4* Review

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Remember radicalism? A time when the Toronto art scene was in formation - and destruction? When there were no models and anything was possible? The late 1970s was a key period when Toronto thought itself Canada's most important art centre, but history has shown that the nascent downtown art community - not the established uptown scene of commercial galleries - was where it was happening. It was a political period. Beyond the art politics, art itself was politicised in its contents and context. Art's political dimension was continually polemically posed - or postured - by artists in these years. Beyond politics, posturing, in fact, was a constant presence as the community invented itself. It was also a period rich in invention of new forms of art. Punk, semiotics, and fashion were equally influential, not to mention transgressive sexuality. It was the beginning of the photo-blowup allied to the deconstructed languages of advertising. Video and performance aligned in simulations of television production as the "underground" mimicked the models of the mainstream for its own satiric, critical purposes. With no dominant art form and the influence of New York in decline, there were no models and anything was possible: even the invention of the idea of an art community as a fictional creation. Is Toronto Burning? takes you on a journey through this period rich in invention of new forms of art. It brings together artworks by Susan Britton, David Buchan, Colin Campbell, Elizabeth Chitty, Carole Conde and Karl Beveridge, Judith Doyle, General Idea, Isobel Harry, Ross McLaren, Missing Associates (Peter Dudar & Lily Eng), Clive Robertson, Tom Sherman, and Rodney Werden alongside archival documents. The artworks were all shown at the exhibition of the same name at the end of 2014 at The Art Gallery of York University, curated by Director Philip Monk. In partnership with The Art Gallery of York University.

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A long-overdue and dramatic reinterpretation of the life of Mary, Queen of Scots by one of the leading historians at work today. She was crowned Queen of Scotland at nine months of age, and Queen of France at sixteen years; at eighteen she ascended the throne that was her birthright and began ruling one of the most fractious courts in Europe, riven by religious conflict and personal lust for power. She rode out at the head of an army in both victory and defeat; saw her second husband assassinated, and married his murderer. At twenty-five she entered captivity at the hands of her rival queen, from which only death would release her. The life of Mary Stuart is one of unparalleled drama and conflict. From the labyrinthine plots laid by the Scottish lords to wrest power for themselves, to the efforts made by Elizabeth's ministers to invalidate Mary's legitimate claim to the English throne, John Guy returns to the archives to explode the myths and correct the inaccuracies that surround this most fascinating monarch. He also explains a central mystery: why Mary would have consented to marry – only three months after the death of her second husband, Lord Darnley – the man who was said to be his killer, the Earl of Bothwell. And, more astonishingly, he solves, through careful re-examination of the Casket Letters, the secret behind Darnley's spectacular assassination at Kirk o'Field. With great pathos, Guy illuminates how the imprisoned Mary's despair led to a reckless plot against Elizabeth – and thus to her own execution. The portrait that emerges is not of a political pawn or a manipulative siren, but of a shrewd and charismatic young ruler who relished power and, for a time, managed to hold together a fatally unstable country. MY HEART IS MY OWN is a compelling work of historical scholarship that offers radical new interpretations of an ancient story.

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