Search results for ""author manus"

In 1912, C. G. Jung wrote, “Should it happen that all traditions in the world were cut off with a single blow, the whole mythology and history of religion would start over again with the succeeding generation.”With this, Jung gave new understanding to the concept of world literature: that the history of human thought lay in the soul, passed from generation to generation, always ready to reemerge. This book shows how Jung’s theory evolved through classics of Western literature, annotated books from his library, manuscripts of his Black Books and The Red Book,other major works in which he attempted to translate insights from The Red Book for a scientific public, the Gnostic and alchemical texts he studied and presented as parallels to his psychology of the unconscious, and Eastern texts he presented in collaboration with leading scholars, establishing a cross-cultural psychology of the process of higher development.

Read more less

What prevents you from finishing your life's work?Josh Bayer finds a manuscript of an unfinished play inside his deceased father's desk. The play tells the story of Josh's mother's early death (age 37) and his father's struggle with single parenthood. When he attempts to adapt the play into comics, it triggers a series of personal crises. Bayer's limitations and futile ambitions are brought into sharp relief as he grapples with an estranged, unknowable parent and the play's frustrating lack of resolution.Humans worship lore, myth, and fables, but many people's creative dreams become abandoned. Why?Bayer's inky line, tangled textures, and kaleidoscopic color boldly fuse on the page into comic book semiotics, flights of grandeur, and tangents inside tangents. Josh Bayer stitches scattered memories into surrealistic episodes permeated with dream logic. Unended is a Promethean quest to excavate the creative fire hidden inside us.

Read more less

It is commonly believed that Edmund Husserl (1859-1938), well known as the founder of phenomenology and as the teacher of Heidegger, was unable to free himself from the framework of a classical metaphysics of subjectivity. Supposedly, he never abandoned the view that the world and the Other are constituted by a pure transcendental subject, and his thinking in consequence remains Cartesian, idealistic, and solipsistic. The continuing publication of Husserl's manuscripts has made it necessary to revise such an interpretation. Drawing upon both Husserl's published works and posthumous material, Husserl's Phenomenology incorporates the results of the most recent Husserl research. It is divided into three parts, roughly following the chronological development of Husserl's thought, from his early analyses of logic and intentionality, through his mature transcendental-philosophical analyses of reduction and constitution, to his late analyses of intersubjectivity and lifeworld. It can consequently serve as a concise and updated introduction to his thinking.

Read more less

This book is both a revelatory biography and an accessible study of Leonardo's life and multi-faceted work as a scientist and engineer. It covers all aspects of the man's life but is also a re-interpretation of the voluminous evidence to paint an original picture of Leonardo da Vinci not only as the archetypal polymath, but as the first true scientist. Topics include:* A detailed investigation of how Leonardo's manuscripts and notebooks were lost to the world and kept secret during his own lifetime and how this altered the progress of science.* A thorough analysis of his work as a scientist and how he predated many of the great figures of the 16th and 17th centuries, including Galileo, Kepler, William Harvey, Francis Bacon and Isaac Newton.* Leonardo's legacy -- what did Leonardo leave in his notebooks and how may they be viewed in the light of modern scientific understanding? What did he achieve in science?

Read more less

Mi nombre es Akil y soy un yinn, un espíritu del otro lado del tiempo, una criatura de la eternidad. Soy muy poderoso, soy inmortal... y estoy aquí para serviros, mi señor. En el año 1120, el yinn Akil regresa al mundo de los hombres para servir a un joven noble leonés llamado Diego Tovar. Diego ha perdido sus tierras y está dispuesto a todo para recuperarlas. Pero el único modo de conse guir su objetivo consiste en robar un valioso manuscrito al mensajero que lo transporta... Y que resulta ser una chica llamada Sahar. "Fuego azul" es el primer título de Yinn, una trilogía creada por los autores de La llave del tiempo, quienes, en esta ocasión, combinan el relato histórico con la novela fantástica y de aventuras. El marco histórico nos sitúa en la Península a comienzos del siglo XII: una época convulsa en los reinos cristianos por los enfrentamientos nobiliarios; así como en al-Ándalus, donde, frente al esplendor cultural, los almorávides imponen un nuevo orden. Yinn nos introduce tamb

Read more less

El manuscrito del Cantar de Ruodlieb, poema épico en latín compuesto en territorio alemán poco antes de la primera cruzada, no fue sin embargo descubierto hasta principios del siglo XIX. Los filólogos que se acercaron entonces a los ajados pergaminos se toparon con un excepcional material narrativo: viajes y aventuras, reyes, caballeros y damas, guerras, delitos y juicios, historias de amor y folclore; una creación única, ignorada y precoz que llegaría a ser considerada por algunos estudiosos nada menos que como la primera novela de caballerías, y su protagonista, el joven Ruodlieb, como el primer héroe cortés.Aunque el anónimo autor del poema ;que cierra el ciclo de la épica latina carolingia de la que el Cantar de Valtario fue el más excelso testimonio; escribió unos cuatro mil hexámetros con rima leonina, solo algo más de la mitad han llegado hasta nosotros, muestra suficiente para evidenciar la imaginación y modernidad literaria de un texto que amalgama con perfecta naturalidad

Read more less

Scribes are paradoxically both central and invisible in most societies before the typographic revolution of the 15th century, witnessed by every manuscript, but often elusive as historical figures. The act of writing is a quotidian and vernacular practice as well as a literary one, and must be observed not only in the outputs of literary copyists or reports of their activities, but in the documents of everyday life. This volume collects contributions on scribal practice as it features on diverse media (including papyri, tablets, and inscriptions) in a range of ancient societies, from the Ancient Near East and Dynastic Egypt through the Graeco-Roman world to Byzantium. These discussions of the role and place of scribes and scribal activity in pre-typographic cultures both contribute to a better understanding of one of the key drivers of these cultures, and illuminate the transmission of knowledge and traditions within and between them.

Read more less

Este libro estudia la narración autobiográfica y manuscrita de un alemán llamado Jerónimo Köler que, antes de fallecer en 1573 y tras una vida en el más completo anonimato, quiso dejar como herencia a sus descendientes un testimonio de los esfuerzos que realizó para lograr un lugar para su apellido en el mundo. Su ambición, sus inquietudes y su carácter le condujeron por algunos de los escenarios más importantes de su tiempo. Alemania, Austria, Italia, Holanda, Bélgica, Portugal o España constituirían el itinerario de sus planes vitales. Unos planes que se irían sucediendo a medida que se descomponían, y que le condujeron finalmente como destino hasta Sevilla y su puerto, con el espejismo de América en el horizonte. Jerónimo Köler no logró sus anhelos porque regresó sin conseguir la solvencia económica por la que luchó, pero sus aventuras le ofrecieron otro tipo de equipaje: un patrimonio en forma de textos y de imágenes que dejó a su familia y que es el que ha sobrevivido al tiempo. U

Read more less

William S. Burroughs publicó Yonqui , en 1953, gracias a los buenos oficios de Allen Ginsberg, que se paseó con el manuscrito bajo el brazo por diversas editoriales hasta dar con Carl Solomon, un editor más valiente ?y más desesperado? que otros, y que años después confesó que era tal el terror que le daba trabajar con semejante material que estuvo a punto de sufrir un colapso.Y así fue como apareció uno de los libros míticos de la literatura americana de nuestro siglo, pero también uno de los más prohibidos y subterráneos, en una editorial marginal, bajo el pseudónimo de William Lee. Burroughs aún no era el autor de El almuerzo desnudo, ni se había constituido en el gran visionario de nuestra época, que ha inspirado a escritores, a músicos, a pintores y a cineastas, pero en esta descarnada, deslumbrante crónica de una adicción ?los vagabundeos en busca de droga, la avidez por el chute, la peculiar sexualidad y las no menos extrañas relaciones nacidas en la comunión de la droga? est

Read more less

An illuminating biographical study of the eighteenth-century English man of letters and patron of the artsHorace Walpole (1717–1797) was a collector, printer, novelist, arbiter of taste, and renowned writer of letters. In this book, eminent scholar Wilmarth Sheldon Lewis provides an unprecedented look at the life and work of one of England’s greatest men of letters. Lewis sheds light on Walpole’s relationships with his family and friends, his politics, his writings and printmaking activities, and his correspondence. Featuring portraits of Walpole, his relatives, and friends; images of Walpole's sketches and manuscripts; pages from books printed at Walpole’s Strawberry Hill Press; and views and plans of Strawberry Hill, the house, its rooms and furnishings, and its grounds, and accompanied by Lewis’s extensive annotations, this book provides an invaluable history of an extraordinary man.

Read more less

At the forefront of the medieval wisdom tradition was The Dicts and Sayings of the Philosophers, a long prose text that purports to be a compendium of lore collected from biblical, classical, and legendary philosophers and sages. Dicts and Sayings was a well-known work that traveled across many lands and was translated into many languages. It became popular in England in the fifteenth century, and cemented its place in English literary history on 18 November 1477, when William Caxton printed an edition of Dicts and Sayings that was perhaps the first book ever printed in England. Dicts and Sayings is presented as a series of truisms handed down from a wise speaker to a receptive audience. The text introduces its audience to a long series of eminent wise men, with each philosopher's words of wisdom being preceded by a biographical story that ranges from a few words to several manuscript pages.

Read more less

Barbara Hepworth's work and ideas are illuminated in her own lucid and eloquent words in this first collection of her writings and conversations. The book makes available much that is out of print and inaccessible, and includes a significant number of unpublished texts. A surprisingly large body of work, it spans almost the whole of Hepworth's artistic life, showing her innate gift for language and desire to communicate to the public. Alongside the writings are Hepworth's lectures and speeches, a selection of interviews and conversations with writers as well as radio and television broadcasts. The collection sheds new light on Hepworth's life, her working practices, the sources of her inspiration, the breadth of her intellectual interests and her deep engagement with contemporary politics and society. The illustrations include manuscripts and archive photographs from Hepworth's own collection.

Read more less

The British Romantic era (ca. 1775-1830) was a time of contradictions, of growth, and of diversity in all aspects of English life. "Romanticism" originally referred to the works of six male poets: Wordsworth, Blake, Shelley, Coleridge, Keats, and Byron. However, current scholarly attempts to demonstrate that the period encompasses a rich and varied range of poets, essayists, and novelists of both genders have caused the definition to come under debate. Not limiting itself to these six figures, Literary Research and the British Romantic Era discusses English, Scottish, Irish, and Welsh resources for both primary and secondary research within the Romantic Era, including general literary research guides; union library catalogs; print and online bibliographies; manuscripts and archives; microfilm and digitization projects; eighteenth and nineteenth century journals and newspapers; contemporary reviews; and electronic texts, journals, and Web resources. Each chapter addresses the best methods to extract relevant information from the research tools employed, enabling scholars to find relevant materials. The strengths and weakness of core and specialized electronic and print research tools and standard search techniques are also examined.

Read more less

First volume in a new edition of Douglas's "Eneados", providing a comprehensive introduction and commentary. Although Virgil's Aeneid was one of the most widely admired works of the European Middle Ages, the first complete translation to appear in any form of English was Gavin Douglas's magisterial verse rendering into Older Scots, completed in 1513, which he called the "Eneados". It included not only the twelve books of Virgil's original, but a thirteenth added by the Italian humanist scholar Maphaeus Vegius, and lively, original prologues to every book.D.F.C. Coldwell's four-volume modern edition of it was published in 1957-64 for the Scottish Text Society, but for some time now has needed revision. This new edition will provide a corrected version of Coldwell's text and variants in subsequent volumes. The first volume, here, the Introduction and Commentary, offers a wealth of new scholarship, comparing Douglas's text to his exact Latin source (first identified by Professor Bawcutt in a 1973 essay reprinted here); vastly expanding the Commentary; offering detailed new analysis of the manuscript and print witnesses to the text and its early reception and circulation; and surveying modern Douglas criticism. There is also a new Bibliography.

Read more less

Philosophical dialogues of a grieving statesman.Cicero (Marcus Tullius, 106–43 BC), Roman lawyer, orator, politician and philosopher, of whom we know more than of any other Roman, lived through the stirring era that saw the rise, dictatorship, and death of Julius Caesar in a tottering republic. In his political speeches especially and in his correspondence we see the excitement, tension and intrigue of politics and the part he played in the turmoil of the time. Of about 106 speeches, delivered before the Roman people or the Senate if they were political, before jurors if judicial, fifty-eight survive (a few of them incompletely). In the fourteenth century Petrarch and other Italian humanists discovered manuscripts containing more than 900 letters of which more than 800 were written by Cicero and nearly 100 by others to him. These afford a revelation of the man all the more striking because most were not written for publication. Six rhetorical works survive and another in fragments. Philosophical works include seven extant major compositions and a number of others; and some lost. There is also poetry, some original, some as translations from the Greek. The Loeb Classical Library edition of Cicero is in twenty-nine volumes.

Read more less

Van 1392 tot 1578 heeft Amsterdam een groep kloosterlingen geherbergd die de statuten van de kartuizers hebben nageleefd in hun klooster Sint-Andries-ter-Zaliger-Haven. De kartuis kent zijn grootste bloei in de eerste helft van de vijftiende eeuw, ongetwijfeld mede dankzij de geest van de Moderne Devotie. Later raakt de kartuizerorde ook in Amsterdam over haar hoogtepunt heen, en wanneer rond 1520 de Reformatie deze streken bereikt, heeft het klooster het grootste deel van zijn aantrekkingskracht op de bevolking verloren. Desondanks blijft het kartuizerklooster bestaan, tot het einde wordt ingeluid met plunderingen in de jaren zestig van de zestiende eeuw. Aan het hieropvolgende kwijnende bestaan maakt de Alteratie van 1578 een eind. Er is geen bron uit het kloosterarchief die dergelijke evoluties beter in kaart helpt te brengen dan het manuscript dat in de onderzoeksliteratuur de titel Liber benefactorum heeft gekregen. Dit middeleeuwse ‘weldoenersboek’, vandaag bewaard in het Stadsarchief van Amsterdam, wordt in deze publicatie uitgegeven. De broneditie wordt voorafgegaan door een inleiding die de structuur en genese van dit bijzondere handschrift beschrijft.

Read more less

It has long been argued that Tatian, in the production of the Diatessaron, made regular reference to the Old Testament Peshitta when he came across Old Testament citations in the Gospels. This book argues on the contrary that Tatian made little or no use of the Old Testament Peshitta, but regularly took over the text of the Old Testament citations as he found them in the Gospel sources out of which he created his harmony. Where they differ from the form of these citations in the standard Greek text tradition of the Gospels, it is because, in the second century, Tatian had access to Gospel sources which may have varied significantly from the text of the later manuscripts on which our modern critical editions are based. Thus, Tatian's Diatessaron becomes a window into an early state of the Gospel texts and supports the idea that a significant amount of textual fluidity characterized the Gospel texts in the first two centuries of their transmission. This study will be of interest to those working in the fields of Diatessaronic studies, New Testament Textual Criticism, and the history of the Syriac Church.

Read more less

Long after the Aztecs and the Incas had become a fading memory, a Maya civilization still thrived in the interior of Central America. Lost Shores, Forgotten Peoples is the first collection and translation of important seventeenth-century narratives about Europeans travelling across the great “Ocean Sea” and encountering a people who had maintained an independent existence in the lowlands of Guatemala and Belize.In these narratives—primary documents written by missionaries and conquistadors—vivid details of these little known Mayan cultures are revealed, answering how and why lowlanders were able to evade Spanish conquest while similar civilizations could not. Fascinating tales of the journey from Europe are included, involving unknown islands, lost pilots, life aboard a galleon fleet, political intrigue, cannibals, and breathtaking natural beauty. In short, these forgotten manuscripts—translations of the papers of the past—provide an unforgettable look at an understudied chapter in the age of exploration. Lost Shores, Forgotten Peoples will appeal to archaeologists, anthropologists, and historians interested in Central America, the Maya, and the Spanish Conquest.

Read more less

Night Shade Books unleashed The Book of Cthulhu onto an unsuspecting world. Critically acclaimed as “the ultimate Cthulhu anthology” and “a ‘must read’ for fans of Lovecraft’s Cthulhu mythos,” The Book of Cthulhu went where no collection of mythos tales had gone before: to the very edge of madness… and beyond. For nearly a century, H. P. Lovecraft’s tales of malevolent Great Old Ones existing beyond the dimensions of this world, beyond the borders of sanity, have captured and held the imaginations of writers and aficionados of the dark, the macabre, the fantastic, and the horrible. Now, because you demanded more, anthologist Ross E. Lockhart has risked all to dive back into the Cthulhu canon, combing through mind-shattering manuscripts and moldering tomes to bring you The Book of Cthulhu 2, with even more tales of tentacles, terror, and madness. Featuring monstrous stories by many of weird fiction’s brightest lights, The Book of Cthulhu 2 brings you even more tales inspired by H. P. Lovecraft’s greatest creation: The Cthulhu mythos. This year, the stars are right… Iä! Iä! Cthulhu Fhtagn!

Read more less

En el nombre del Señor. Comienza el breve tratado o coloquio acerca del gobierno tiránico sobre lo divino y lo humano. Y de modo especial sobre el imperio y los súbditos usurpado por algunos de los que se dicen sumos pontífices. La obra política de Guillermo de Ockham es hoy objeto de investigación y crítica con la misma intensidad que en otras épocas se estudió su obra teológica. El punto de partida del autor son los hechos concretos, personas con nombre propio, situaciones y conductas particulares de la sociedad medieval del siglo XIV. A ello aplica una reflexión realizada desde la razón y la fe. Su navaja barbera echa por tierra y denuncia todo lo superfluo, postizo y erróneo. Así nace una teología política o una política teológica completamente nueva. De principatu tyrannico papae, descubierto en 1928, es un manuscrito de finales del siglo XIV o principios del XV. La obra aparece inacabada sin que se puedan dar razones de ello; tal como nos ha quedado, consta de seis libros y un pr

Read more less

A richly illustrated exploration of the impact of South Asian Miniature painting on contemporary art. This book tells the dynamic story of contemporary art’s engagement with the miniature painting traditions of South Asia from the sixteenth century onwards, and the role of Britain in these developments. This is the first publication to address this remarkable painting tradition on a transhistorical and transnational scale. Readers are invited to admire the formal, technical and conceptual innovations of some of the most exciting historic and contemporary artists from South Asia, while reflecting on questions of culture and power in the entangled histories of empire and globalization. Many of the greatest collections of South Asian paintings are held in Britain, and some of the pivotal encounters that shaped this story happened in London. The process of these acquisitions and their central role within British and South Asian art histories are explored in this book. The book also demonstrates how the traditions of South Asian miniature painting have been reclaimed and reinvented by modern and contemporary artists, exploding beyond the pages of illuminated manuscripts to experimental forms that include installation, sculpture and film. While miniature painting represented a strand of cultural resistance to colonial rule in the early twentieth century, artists continue to find contemporary relevance in the possibilities offered by this tradition. Beyond the Page is richly illustrated with historic works from the Victoria & Albert Museum, the British Library, the British Museum, the Ashmolean, the Bodleian Library and the Royal Collection Trust. It also features work by artists from different generations working in dialogue with the miniature tradition, including Hamra Abbas, David Alesworth, Nandalal Bose, Noor Ali Chagani, Lubna Chowdhary, Adbur Rahman Chughtai, Samuel Fyzee-Rahamin, N.S. Harsha, Howard Hodgkin, Ali Kazim, Bhupen Khakhar, Jess MacNeil, Imran Qureshi, Nusra Latif Qureshi, Mohan Samant, Nilima Sheikh, the Singh Twins, Shahzia Sikander and Abanindranath Tagore.

Read more less

In 1822 Rudolph Ackermann's Forget Me Not [...] for 1823 established a fashion for handsomely produced and copiously illustrated annual anthologies of short literary works. Books of this kind were designed as Christmas and New Year's presents, and in the 1820s and 1830s they became a significant publishing phenomenon. Like other well-known writers of the time (including Wordsworth, Scott, and Letitia Elizabeth Landon), Hogg was a contributor to the annuals, and Contributions to Annuals and Gift-Books brings together all the Hogg texts that were either written for, or first published in, annuals and gift-books. 'Invocation to the Queen of the Fairies' in the Literary Souvenir for 1825 was Hogg's first known contribution to an annual, and thereafter writing for the annuals became 'a kind of business' for him during the economic slump of the late 1820s. Contributions to Annuals and Gift-Books contains some of Hogg's finest short stories (for example 'The Cameronian Preacher's Tale' and 'Scottish Haymakers'), as well as some of his best-known poems (for example 'A Boy's Song' and 'The Sky Lark'). This volume highlights a coherent part of Hogg's total literary output, and in doing so provides new insights into an area of nineteenth-century publishing history that is attracting increasing interest and attention. Hogg was a professional writer with an acute awareness of the shifting trends of the literary marketplace during the 1820s and 1830s, when annuals were at their peak of popularity. However, his literary objectives did not always match the needs of the annuals, and as a result some of his contributions were returned as unsuitable for a family-oriented audience. Hogg's sometimes complex negotiations with the editors and publishers of the annuals are meticulously documented in Contributions to Annuals and Gift-Books. In this context, the volume (for example) reprints both Hogg's manuscript version of 'What is Sin?', and the version actually published in Ackermann's Juvenile Forget Me Not. The engravings for which Hogg wrote are included in the present volume.

Read more less

Catherine McAuley (1778–1841), the founder of the Sisters of Mercy in 1831, frequently gave oral instructions to the first Mercy community. Though she sometimes spoke explicitly about their religious vows, her words were always focused on the life, example, teachings, and evangelic spirit of Jesus Christ, emphasizing “resemblance” to him and fidelity to the calls of the Gospel. Her instructions have, therefore, a broad present-day relevance that can be inspiring and encouraging for all Christians. They are the “shining” words of a companion, a soul-friend, who offers guiding light to those who wend their pilgrim way toward the full embrace of God’s merciful reign. These instructions were initially written down, insofar as that was humanly possible, by sisters who were actually present and listening as she spoke. Some of their manuscripts were later copied into the long manuscript compilation that is the centerpiece of this book. Research also indicates that in preparing and giving her lectures, Catherine often relied on the content of previously published spiritual books, including works by Alphonsus Rodriguez, SJ, Louis Bourdaloue, SJ, and other well-known spiritual writers of the eighteenth and earlier centuries. The book’s endnotes illustrate this dependence. Catherine McAuley’s voice in these instructions is realistic, down-to- earth, humble, and compassionate. She is clearly dead-set against “froth” and “mere outward show” in one’s spiritual life. Like the practical Saint Teresa of Avila, whose life and thought she studied, she favors surrendering oneself now, with God’s help, to “ordinary,” every-day, possible holiness, rather than simply dreaming about extraordinary, but perhaps impossible, future sanctity. Her themes are some of the great themes of the Gospel: genuine humility and poverty of spirit, universal charity, self-denial, taking up one’s “cross,” and following Jesus Christ.

Read more less

Letters written by a clergyman during the late seventeenth century illuminate the religious turmoil of the period. This book provides an edition of the letters of George Davenport, an Anglican clergyman in the north of England whose adult career covered the period of the Interregnum and the Restoration. Many of the letters are to his former Cambridge tutor, William Sancroft, beginning from 1651 after Sancroft had been expelled from Cambridge, and continuing after the Restoration when Davenport replaced Sancroft as chaplain to John Cosin, bishop of Durham, later becoming Rector of Houghton-le Spring, Durham. They were written to keep Sancroft supplied with information about Durham, where he was a prebendary with license to be non-resident, needing to collect revenues from his living and then torebuild his prebendal house. The earlier letters reveal something about the life of an illegally (since episcopally) ordained young Anglican who, unlike many, did not go into exile but stayed largely in London supported by friends. Davenport eventually became a most conscientious resident parish priest and the letters throw considerable light on the Restoration settlement in the Durham diocese, from the `beautifying' of Houghton church to the catechisingof the people and the collection of tithes from a sometimes tardy flock. Davenport also helped Cosin to Catalogue his famous library and himself gave many manuscripts to it, of which a list is included here as an appendix. The letters are presented here with full introduction and elucidatory notes.

Read more less

The Middle Ages provides a particularly rich trove of hybrid creatures, semi-human beings, and composite bodies: we need only consider manuscript pages and stone capitals in Romanesque churches to picture the myriad figures incorporating both human and animal elements that allow movement between, and even confusion of, components of each realm. From Beasts to Souls: Gender and Embodiment in Medieval Europe raises the issues of species and gender in tandem, asking readers to consider more fully what happens to gender in medieval representations of nonhuman embodiment. The contributors reflect on the gender of stones and the soul, of worms and dragons, showing that medieval cultural artifacts, whether literary, historical, or visual, do not limit questions of gender to predictable forms of human or semi-human embodiment. By expanding what counts as "the body" in medieval cultural studies, the essays shift our understanding of gendered embodiment and articulate new perspectives on its range, functions, and effects on a broader theoretical spectrum. Drawing on depictions of differently bodied creatures in the Middle Ages, they dislodge and reconfigure long-standing views of the body as always human and the human body as merely male and female. The essays address a number of cultural contexts and academic disciplines: from French and English literature to objects of Germanic and Netherlandish material culture, from theological debates to literary concerns with the soul. They engage with issues of gender and embodiment located in stones, skeletons, and snake tails, swan-knights, and werewolves, along with a host of other unexpected places in a thought-provoking addition to somatic cultural history.

Read more less

Reveals the brilliant musical and pedagogical thinking of the famed eighteenth- and early nineteenth-century Neapolitan composer and teacher of royal students. Giovanni Paisiello (1740-1816) was one of the most important composers of opera in the eighteenth century. His operas were performed throughout Europe, and his fame led to appointments as a maestro di cappella and composer at prominent European courts. This book is the first study to address his work as a teacher of composition and what we would today call music theory. The practice of partimento (figured or unfigured bass lines) was an integral part of the training of musicians at the renowned conservatories in eighteenth-century Naples. By employing these often-unprepossessing partimento bass lines, young musicians learned the techniques of variation, improvisation, and composition while seated at the harpsichord. Paisiello's Regole per bene accompagnare il Partimento (Rules for Harpsichordists; 1782) survives in both autograph and printed forms. It contains forty-six partimenti that have long been considered the core of his pedagogic oeuvre. However, two recently discovered manuscripts contain a further forty-one unknown partimenti, notated as two- and three-part disposizioni (realizations). The present study offers numerous insights gleaned from the surviving sources and bolsters our understanding of how to perform the music of Paisiello and his contemporaries: music that has often survived in an incomplete form. These findings are relevant not just for keyboard players but also for singers, instrumentalists, and anyone interested in the inner workings of eighteenth- and early nineteenth-century music.

Read more less

The Armenians’ perspectives on and perceptions of Islam are some of the earliest and integral parts of Near Eastern interactive history, yet the subject remains in virtual obscurity. A novel and extensive study, Islam in Armenian Literary Culture. Texts, Context, Dynamics is a maiden voyage into this unchartered territory and an overdue task in regional, Armenian and Interfaith studies. In view of the broad temporal and thematic peripheries, multiple aspects and complicated problematics, primarily Armenian texts – such as hitherto unknown manuscripts and/or indirectly familiar literature – are given high priority and cited. They are analyzed in their social, cultural and political contexts in dynamic processes. For greater clarity and ease of navigation, the book is organized around three main themes: the “Armenian Mahmet”, the “Armenian Ghurans”, and the “Armenian Pax Islamica”, from the seventh to the twenty-first centuries. These are also arguments, tools of analysis and major chapters in the book.

Read more less

This book presents a contextual study of the life and work of the Cambridge Platonist Ralph Cudworth (1617-1688). Focusing on the theological basis of Cudworth's ethical philosophy, this book unlocks the hitherto ignored political aspect to Cudworth's ethical philosophy. Through a detailed examination of Cudworth's published works - particularly his voluminous True Intellectual System of the Universe -, his posthumously published writings, and his 'freewill' manuscripts Benjamin Carter argues that the ethical and political arguments in Cudworth's philosophy develop out of Cudworth's Trinitarian theology. Carter traces the link between Cudworth's Trinitarianism and his ethical and political ideas by placing Cudworth's work in the turbulent religious and intellectual context of seventeenth-century England, and the University of Cambridge in particular. He links Cudworth's theology and philosophy to developments in English Puritan theology, to contemporary philosophical figures such as Thomas Hobbes, and draws out Cudworth's often overlooked influence on the developping patterns of liberal and latitudinarian theology of late seventeenth-century England.

Read more less

The great fine art doodler returnsCanadian treasure Marc Bell returns with another gorgeous, confounding comic that redefines how an art book can tell a story and how a graphic novel can be an object first and story second. His internal monologue leaks out like static from a radio and informs the external; he's tying up loose ends; he's finishing long-paused sentences.Raw Sewage Science Fiction is about making art and understanding the results as autobiography. The process is a series of indignities, bubble wrapped frames, unpaid invoices, art lost through neglect or in the mail. Bell uses autofiction, collage, straight comix, tight cross hatching, loose doodling, repurposed in-flight magazines, envelopes, grocery lists, and snatches of late night CBC radio to examine a lost decade as he wanders from coast to coast.In a century, these will be our illuminated manuscripts, our sacred texts, our guides to life for now they are simply the truththe i

Read more less

Imaginary Distance' is the first book to undertake a survey of the literature produced by nineteenth-century settler emigration. It argues that the demographic shift in the nineteenth century to settler colonies in Canada, Australia, New Zealand was also a textual one: a vast literature supported and underpinned this movement of people. The monograph brings printed emigrants' letters, manuscript shipboard newspapers and settler fiction into conversation with each other across the first three chapters to explore the generic features of 'emigration literature': textual mobility, a sense of place, and home-making. The last two chapters demonstrate how pervasive the textual cultures of settler emigration were in shaping the nineteenth-century cultural imagination: concerns raised in emigration literature were pervasive and seeped through representations of space and place: the works of Charles Dickens, Elizabeth Gaskell and Ford Madox Brown, amongst others, draw upon emigration to explore the networks of people and texts extending across the settler world.

Read more less

Originally published between 1981 and 2003, the thirteen essays collected here cover topics in medieval rhetoric from its origins in late antiquity through the end of the Middle Ages. Most of the essays are concerned with the teaching of prose composition, especially the art of letter writing known as the ars dictaminis, and many of them focus on specific textbooks that were used for such instruction, in particular those composed in England from the twelfth through the fifteenth centuries. Individual essays are devoted to works by major figures such as Saint Augustine, Peter of Blois, and Geoffrey of Vinsauf; to teaching programmes at important academic centres such as Oxford and Bologna; and to such topics as the relationship between the art of letter writing and the art of poetry, the oral dimension of medieval epistolography, the manuscript traditions of influential textbooks, medieval genre terminology, and the position of medieval rhetoric within a continuous disciplinary history rooted in classical rhetoric.

Read more less

For more than three decades Richard Charteris has researched European music, sources and collections, focusing particularly on late Renaissance England, Germany and Italy. This group of essays, many concerning previously unknown or unexplored works and materials, covers the 16th and early to mid 17th centuries. The studies involve variously 'new' compositions, music manuscripts and editions, and documents that relate to figures such as the Italians Giovanni Gabrieli, Claudio Monteverdi and Alfonso Ferrabosco the Elder, the Germans Hans Leo Hassler and Adam Gumpelzhaimer, as well as the Englishmen John Coprario, John Dowland, John Jenkins, Henry Lawes, William Lawes, Peter Philips, and the French composer Marin Marais. In addition, Charteris elucidates contemporary performance practice in relation to works by Gabrieli, investigates printed music editions that originated from the Church of St Anna, Augsburg, and evaluates materials in collections, inlcuding ones in Berlin, Hamburg, Kraków, London, Regensburg and Warsaw.

Read more less

Drawing on the work of British sculptor Antony Gormley, alongside more traditional literary scholarship, this book argues for new relationships between Chaucer’s poetry and works by others. Chaucer’s playfulness with textual history and chronology anticipates how his own work is figured in later – and earlier – texts. Responding to this, the book presents innovative readings of the relationships between medieval texts and early modern drama, literary texts and material culture. It re-energises conventional models of source and analogue study to reveal unexpected – and sometimes unsettling – literary cohabitations. At the same time, it exposes how associations between architecture, pilgrim practice, manuscript illustration and the soundscapes of dramatic performance reposition how we read Chaucer’s oeuvre and what gets made of it. An invaluable resource for scholars and students of all levels with an interest in medieval English literary studies and early modern drama, Transporting Chaucer offers a new approach to how we encounter texts through time.

Read more less

Another 87th precinct novel from 'the undisputed master - and there's nobody who does it better' DAILY MIRRORIrritating though he was, Lester Henderson had it all when he strode up to rehearse his keynote address in the darkness of a downtown theatre. Widely tipped to be the next mayor and possessing a nice line in catalogue-casual daywear, Henderson stood four-square facing his glorious future. But five shots later and his lifeblood was seeping away - gunned down by person or persons unknown from stage-right... At that point he became Ollie Weeks' problem. But this savage crime is suddenly overshadowed by a deed even more repugnant. Ollie's life's work is his novel. Honed by countless rejection letters, it is finally ready to be released to the general populace. But then the one and only manuscript disappears, leaving Ollie to head off in pursuit of the thief. A thief who is convinced that Ollie's work contains the secret location of a hoard of hidden diamonds...

Read more less

A medieval A to Z with letters from the collections of the British Library to colour in. Before the invention of the printing press, books were written out by hand, and were priceless objects. The most precious books were illuminated with gold or with bright colours. Initial letters were often highlighted either as decoration or to mark an important passage. This new colouring book is packed with a series of intricate letters carefully selected from the extensive collection of the British Library. The letters are sourced from medieval charters and seals, historical and literary manuscripts, from Virgil to Chaucer and Royal Statutes to the Book of Psalms. Each of the original letters is reproduced in colour, so that you can decide whether you prefer to choose your own colours, or to use the colours that the artist intended. With key facts about each of the letters and their source, this is the perfect book for history buffs and colouring-in fans alike.

Read more less

In The Jewish Bible: A Material History, David Stern explores the Jewish Bible as a material object—the Bibles that Jews have actually held in their hands—from its beginnings in the Ancient Near Eastern world through to the Middle Ages to the present moment. Drawing on the most recent scholarship on the history of the book, Stern shows how the Bible has been not only a medium for transmitting its text—the word of God—but a physical object with a meaning of its own. That meaning has changed, as the material shape of the Bible has changed, from scroll to codex, and from manuscript to printed book. By tracing the material form of the Torah, Stern demonstrates how the process of these transformations echo the cultural, political, intellectual, religious, and geographic changes of the Jewish community. With tremendous historical range and breadth, this book offers a fresh approach to understanding the Bible’s place and significance in Jewish culture.

Read more less

From the winner of the National Book Critics Circle Award, who's been shortlisted for the Pulitzer Prize, the Man Booker International Prize and the Orange Prize for Fiction comes the brilliant novel The Messiah of Stockholm.Lars Andeming, perhaps overly intellectual and certainly eccentric, is the Monday book reviewer for a Stockholm daily. He is also the self-proclaimed son of Bruno Schulz, a Polish writer who was executed by the Nazis before his last novel, The Messiah, could be published. When a manuscript of The Messiah mysteriously appears in Stockholm, in the possession of Schulz's 'daughter', Lars's circumscribed world of paper, apartment, and favorite bookstore turns upside down, catapulting him into a whirlwind of dream, magic, and illusion.A Brilliant novel... The Messiah of Stockholm is a worthy companion to Philip Roth's superb Prague Orgy... A complex and fascinating meditation on the nature of writing and the responsibilities of those who choose to create - or judge - tales. - Harold Bloom, New York Times

Read more less

Jung’s lectures on the history of psychology—in English for the first timeBetween 1933 and 1941, C. G. Jung delivered a series of public lectures at the Swiss Federal Institute of Technology (ETH) in Zurich. Intended for a general audience, these lectures addressed a broad range of topics, from dream analysis to yoga and meditation. Here for the first time in English are Jung’s lectures on the history of modern psychology from the Enlightenment to his own time, delivered in the fall and winter of 1933–34.In these inaugural lectures, Jung emphasizes the development of concepts of the unconscious and offers a comparative study of movements in French, German, British, and American thought. He also gives detailed analyses of Justinus Kerner’s The Seeress of Prevorst and Théodore Flournoy’s From India to the Planet Mars. These lectures present the history of psychology from the perspective of one of the field’s most legendary figures. They provide a unique opportunity to encounter Jung speaking for specialists and nonspecialists alike and are the primary source for understanding his late work.Featuring cross-references to the Jung canon and explanations of concepts and terminology, History of Modern Psychology painstakingly reconstructs and translates these lectures from manuscripts, summaries, and recently recovered shorthand notes of attendees. It is the first volume of a series that will make the ETH lectures available in their entirety to English readers.

Read more less

Advances in Accounting Education: Teaching and Curriculum Innovations publishes both non-empirical and empirical articles dealing with accounting pedagogy. All articles explain how teaching methods or curricula/programs can be improved. Non-empirical papers are academically rigorous, and specifically discuss the institutional context of a course or program, as well as any relevant tradeoffs or policy issues. Empirical reports exhibit sound research design and execution, and develop a thorough motivation and literature review, including references from outside the accounting field, where appropriate. Volume 21 includes papers that examine the following topics: a commentary and analysis of the new CPA exam, a citation analysis of Advances in Accounting Education for volumes 1-15, and an application of methods for reducing writing apprehension in students. The volume also includes a special section that focuses on active learning. One article presents a series of active learning assignments for use in introductory financial accounting classes while the other manuscript presents the results of a survey of accounting faculty and their incorporation of active learning techniques in their classes.

Read more less

Anne of Geierstein (1829) is set in Central Europe in the fifteenth century, but it is a remarkably modern novel, for the central issues are the political instability and violence that arise from the mix of peoples and the fluidity of European boundaries. With Anne of Geierstein Scott concludes the unfinished historical business of Quentin Durward, working on a larger canvas with broader brush-strokes and generally with more sombre colours. The novel illustrates the darkening of Scott's historical vision in the final part of his career. It is also a remarkable manifestation of the way in which the scope of his imaginative vision continued to expand even as his physical powers declined. This new edition is based upon the first edition but is corrected by recovering from the manuscript about 2000 readings lost in some cases by misreadings of what Scott had written, but in many others from the assumption that those who processed Scott's text knew better than he did. This is the first modern critical edition of what was in its day a remarkably successful novel.

Read more less

First edition of supplications concerning England and Wales from the Apostolic Penitentiary - an essential resource for any historian of the pre-Reformation Church. The Apostolic Penitentiary was and remains the highest office in the Catholic Church concerned with sin and matters of conscience. The papacy reserved to itself absolution from certain grave sins, and successive popes empowered the cardinal penitentiary in charge of the office to absolve sinners in these reserved cases, which included violence against or by the clergy and abandonment of the religious life. The cardinal was also authorised to grant other favours that were a papal monopoly, including dispensations, notably for marriages between close relatives normally forbidden by church law, and special licences, for example allowing confession to a personal chaplain rather than one's parish priest. Petitioners from across Western Europe requested such favours in their thousands and their supplications shed important new light on religious, social and even political history, covering themes as varied as marriage, sexual deviance, violence, the religious life, popular piety, illegitimacy, and pilgrimage. This valuable evidence, recorded in the registers of the Apostolic Penitentiary held in the Vatican Archives, has only beenavailable to researchers since 1983. This edition makes accessible for the first time over 4,000 supplications concerning England and Wales in the office's fifty earliest surviving registers; they are presented with notes and introduction and other apparatus. Peter D. Clarke is Reader in Medieval History at the University of Southampton; Patrick N.R. Zutshi is Keeper of Manuscripts and University Archives, Cambridge University Library, and a Fellow of Corpus Christi College, Cambridge.

Read more less

Esta obra es el gran desafío de editar en formato libro las clases magistrales y conferencias impartidas por Boaventura de Sousa Santos a lo largo de los últimos cinco años.El soporte de las siguientes lecciones que aquí se presentan es el resultado de archivos de audio y vídeo, así como notas manuscritas del profesor De Sousa Santos antes y durante sus intervenciones. Contiene pues toda la riqueza del trabajo pedagógico puesto en práctica por el profesor Boaventura en su diálogo fructífero con una amplia y variadísima asistencia: estudiantes de varios grupos de edad en distintas etapas de formación académica (graduación, máster, doctorado y posdoctorado), profesores de educación primaria y educación superior, militantes de varios movimientos sociales, hombres y mujeres de diferentes nacionalidades pertenecientes a distintos grupos étnicos y clases sociales.Es probable que los lectores y lectoras acostumbrados a la escritura de Boaventura de Sousa Santos se sorprendan al encont

Read more less

A monastic ritual intended for use in the Benedictine monastery of St Mary and St Egwin, Evesham, Worcestershire, edited from Oxford, Bodleian Library, Barlow MS 7 [SC 6419]. Although similar to other surviving manuscripts that have benn labelled as pontificals, this MS contains no episcopal offices, all rites being appropriate for celebration by the abbot or his delegate. Of the three sections, the first contains general regulations concerning the role of the abbot in liturgical and extraliturgical ceremonial, 'ordines' for catechumens, tonsure, monastic profession, admission of laybrothers, marriage, blessing of pilgrims, blessing of various vestments, and various blessings for use at the night office. The second has the special blessings relating to liturgical celebrations from 2 February to Easter, and blesings for use at the night office on 1 November. The third section has 'ordines' for the visitation of the sick and Christian burial. It was probably written c. 1300, for John de Brokehampton, abbot 1282-1316, although the first two sections appear to be copied from earlier compilations.

Read more less

From 1637 to the middle of the eighteenth century, Venice was the world center for operatic activity. No exact chronology of the Venetian stage during this period has previously existed in any language. This reference work, the culmination of two decades of research throughout Europe, provides a secure ordering of 800 operas and 650 related works from the period 1660 to 1760. Derived from thousands of manuscript news-sheets and other unpublished materials, the Chronology provides a wealth of new information on about 1500 works. Each entry in this production-based survey provides not only perfunctory reference information but also a synopsis of the text, eyewitness accounts, and pointers to surviving musical scores. What emerges, in addition to secure dates, is a profusion of new information about events, personalities, patronage, and the response of opera to changing political and social dynamics. Appendixes and supplements provide basic information in Venetian history for music, drama, and theater scholars who are not specialists in Italian studies.

Read more less

Valentinus, an Egyptian Christian who traveled to Rome to teach his unique brand of theology, and his followers, the Valentinians, formed one of the largest and most influential sects of Christianity in the second and third centuries. But by the fourth century, their writings had all but disappeared suddenly and mysteriously from the historical record, as the newly consolidated imperial Christian Church condemned as heretical all forms of what has come to be known as Gnosticism. Only in 1945 were their extensive original works finally rediscovered, and the resurrected “Gnostic Gospels” soon rooted themselves in both the scholarly and popular imagination.Valentinian Christianity: Texts and Translations brings together for the first time all the extant texts composed by Valentinus and his followers. With accessible introductions and fresh translations based on new transcriptions of the original Greek and Coptic manuscripts on facing pages, Geoffrey S. Smith provides an illuminating, balanced overview of Valentinian Christianity and its formative place in Christian history.

Read more less

In most of his half century of writing, John Dos Passos consistently tried to capture and define the American character. The complete range of his work builds to Dos Passos' concept of "contemporary chronicle," his own name for his fiction. In this first study of all Dos Passos' writing, Linda W. Wagner examines his fiction, poetry, drama, travel essays, and history—a body of work that evokes a vivid image of America meant to be neither judgmental nor moralistic. From Manhattan Transfer to U. S. A. to District of Columbia to The Thirteenth Chronicle and Mid-century, Wagner illuminates Dos Passos' work with fresh readings and new interpretations. She makes extensive use of unpublished manuscript material so that this is a casebook of Dos Passos' interest in craft and method as well as a thematic study. In addition, this volume chronicles the years during which Dos Passos wrote—the immediate post-World War I period through the twenties and thirties and well into the fifties. This is an important book both in literary criticism and in American social history.

Read more less

Penguin Weird Fiction: a celebration of the very best of the weird, a store of novels and tales that for generations have delighted and horrified. A manuscript is found. Filled with small, precise writing and smelling of pit-water, it tells the story of an old recluse and his strange home and it's even stranger, jade-green double, seen by that old man on an otherworldly plain where gigantic gods and monsters roam. Soon his earthly abode is no less terrible than this strange vision, as swine-like creatures boil from a cavern beneath the ground and besiege it. But a still greater horror will face the recluse, one more awful than any creature that can be fought or killed. The House on the Borderland, William Hope Hodgson's great masterpiece of cosmic fear, is an extraordinary novel that defied all accepted conventions of horror writing, forging in an instant a new, weird direction for the form. 'Forget vampires and gore . . . this is where the screaming really starts, out in the vo

Read more less

There are few experiences as discouraging to a researcher trained in art history, drama, music, folk arts, or social history as the first encounter with an original medieval or Renaissance document. Despite Satan's claim, there is little comfort in the company of others who are miserable, but it may be comforting to know that many untrained researchers have learned to read original documents without formal instruction or years of practice. While some of the skills of a professional paleographer—the ability to identify various transitional hands, localize regional variations, or date documents by their handwriting, for instance—do require considerable training, a researcher can learn on his or her own to make some sense of a manuscript with little help on the way letters were formed, on standard abbreviations and formulaic constructions, and on the sheer need to practice transcription. Wasson here provides the basic tools necessary to transcribe documents, without regard for the historical development of alphabets, letter forms, and the like. This manual will be of great interest to scholars of the arts in need of a guide for their journeys into the archives.

Read more less