Search results for ""Unbound""

Discover the future awaiting Connor, Risa, and Lev after the events of the New York Times bestselling Unwind Dystology series by Neal Shusterman in this short story collection.Connor Lassiter’s fight to bring down Proactive Citizenry and find a suitable alternative to unwinding concluded in UnDivided. Now, Connor, Risa, and Lev are free to live in a peaceful future—or are they? Neal Shusterman brings back beloved characters for his fans to see what’s left for those who were destined to be unwound

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Tayla Mancuso is a demon-slayer who hungers for sensual pleasure - but fears it will always be denied her. Until she lands in a hospital run by demons in disguise, and the head doctor, Eidolon, makes her body burn with unshakable desire. But to prove her ultimate loyalty to her peers, she must betray the surgeon who saved her life. Eidolon cannot resist this fiery, dangerous woman who fills him with both rage and passion. Not only is she his enemy, but she could very well be the hunter who has been preying upon his people. Torn between his need for the truth and his quest to find his perfect mate before a horrific transformation claims him forever, Eidolon will dare the unthinkable - and let Tayla possess him, body and soul ...

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Theology, says Brian McLaren, is at its best when it is in conversation with the wild world that flourishes beyond our walls and outside our windows and cities. In God Unbound, McLaren follows his love of nature all the way to the Galapagos Islands. There, he pays close attention to the flora and fauna around him but also to what is happening within him, how the natural world awakens his soul in a way that organized religion cannot. The result is a sparkling and engrossing theology which refuses to remain indoors.

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Since the 1990s, there has been unparalleled growth in the literary output from an ever more diverse group of Latinx writers. Extant criticism, however, has yet to catch up with the diversity of writers we label Latinx and the range of themes about which they write. Little sustained scholarly attention has been paid, moreover, to the very category under which we group this literature. Latinx Literature Unbound, thus, begins with a fundamental question “What does it mean to label a work of literature or an entire corpus of literature Latinx?” From this question others emerge: What does Latinx allow or predispose us to see, and what does it preclude us from seeing? If the grouping—which brings together a heterogeneous collection of people under a seemingly homogeneous label—tells us something meaningful, is there a poetics we can develop that would facilitate our analysis of this literature? In answering these questions, Latinx Literature Unbound frees Latinx literature from taken-for-granted critical assumptions about identity and theme. It argues that there may be more salubrious taxonomies than Latinx for organizing and analyzing this literature. Privileging the act of reading as a temporal, meaning-making event, Ralph E. Rodriguez argues that genre may be a more durable category for analyzing this literature and suggests new ways we might proceed with future studies of the writing we have come to identify as Latinx.

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As millions of people around the world who have read her diary attest, Anne Frank, the most familiar victim of the Holocaust, has a remarkable place in contemporary memory. Anne Frank Unbound looks beyond this young girl's words at the numerous ways people have engaged her life and writing. Apart from officially sanctioned works and organizations, there exists a prodigious amount of cultural production, which encompasses literature, art, music, film, television, blogs, pedagogy, scholarship, religious ritual, and comedy. Created by both artists and amateurs, these responses to Anne Frank range from veneration to irreverence. Although at times they challenge conventional perceptions of her significance, these works testify to the power of Anne Frank, the writer, and Anne Frank, the cultural phenomenon, as people worldwide forge their own connections with the diary and its author.

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While the United States stumbles, an award-winning foreign correspondent chronicles China’s dramatic moves to become a dominant power. As the world’s second-largest economy, China is extending its influence across the globe with the complicity of democratic nations. Joanna Chiu has spent a decade tracking China’s propulsive rise, from the political aspects of the multi-billion-dollar “New Silk Road” global investment project to a growing sway on foreign countries and multilateral institutions through “United Front” efforts. Chiu offers readers background on the protests in Hong Kong, underground churches in Beijing, and exile Uyghur communities in Turkey, and exposes Beijing’s high-tech surveillance and aggressive measures that result in human rights violations against those who challenge its power. The new world disorder documented in China Unbound lays out the disturbing implications for global stability, prosperity, and civil rights everywhere.

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In this lavishly illustrated volume, Laura Lee introduces the art of Tokyo-based digital art collective teamLab, which has soared to global fame with its electrifying immersive and interactive installations. The first of its kind, Worlds Unbound: The Art of teamLab provides a comprehensive overview of teamLab’s artistic vision and achievements from its beginnings to its twentieth anniversary in 2021, and illuminates the remarkable scope of teamLab’s groundbreaking art and its fundamental contribution to the pivotal field of new media art. This original new book, the first scholarly monograph on this popular group, unpacks the popularity and success of the digital immersive environments created worldwide by the Tokyo-based collective, teamLab, from multiple perspectives and addresses the lack of critical appreciation of their work. The book includes an extensive interview with teamLab. teamLab launched in January 2001 with five members and now comprises more than 600 individuals in a multidisciplinary collaboration of engineers, computer graphics animators, mathematicians, graphic designers, architects, artists and computer programmers. The digital art collective has attained international celebrity for its electrifying installations that transcend boundaries between gallery, public space and popular entertainment and, judging from press coverage, ticket sales and prolific production, it seems clear teamLab’s success is only on the rise. In 2018, the collective opened the MORI Building DIGITAL ART MUSEUM: teamLab Borderless, a massive technological environment in Tokyo that recorded 2.3 million visitors in its first year of operation – the world’s largest annual number of visitors of any single-artist museum. The same year saw numerous other high-profile immersive exhibitions, including teamLab: Massless in Helsinki, Au-delà des limites in Paris, and teamLab Planets TOKYO, a second exhibition in Tokyo. These were quickly followed by two new museums, teamLab Borderless Shanghai in 2019 and, in 2020, teamLab SuperNature in Macao. The vast sea of selfies that have emerged from these venues index the collective’s soaring global popularity. At the same time, teamLab’s works have found art market success and have been exhibited in major museums worldwide, including the National Gallery of Art in Washington DC and Los Angeles County Museum of Art (LACMA), and they are part of the permanent collection of The Art Gallery of New South Wales, the Asian Art Museum of San Francisco, and Amos Rex in Helsinki, among numerous others. This canonization of teamLab’s art belies the fact that the group did not have a traditional gallery start, and in fact teamLab has always engaged in software development and corporate work, in addition to creating artworks. The collective thus boasts an enigmatic status, spanning conventional categories and defying traditional art world pedigree. In so doing it has produced a tremendously rich body of work that speaks to several overlapping issues pertinent to contemporary art while advancing a unique artistic vision. Primary readership will include artists, art historians and visual studies scholars who are particularly interested in the most recent media art and Japanese contemporary art. It will be an essential resource for students and scholars working in Japanese art, global contemporary art, digital art, augmented reality, expanded cinema and installation art and related fields. It will also be of more general interest to those who have visited, or hope to visit, teamLab environments worldwide.

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Tony Soprano, Don Draper, and Walter White ushered in the era of the television antihero, with compelling narratives and complex characters. While critics and academics celebrated these characters, the antiheroines who populatedtelevision screens in the twenty-first century were pushed to the margins and dismissed as "chick TV."In this volume, Yael Levy advances antiheroines to the forefront of television criticism, revealing the varied and subtle ways in which they perform feminist resistance. Offering a retooling of gendered media analyses, Levy finds antiheroism not only in the morally questionable cop and tormented lawyer, but also in the housewife and nurse who inhabit more stereotypical feminine roles. By analyzing Girls, Desperate Housewives, Nurse Jackie, Being Mary Jane, Grey’s Anatomy, Six Feet Under, Sister Wives, and the Real Housewives franchise, Levy explores the narrative complexities of "chick TV" and the radical feminist potential of these shows.

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Tony Soprano, Don Draper, and Walter White ushered in the era of the television antihero, with compelling narratives and complex characters. While critics and academics celebrated these characters, the antiheroines who populatedtelevision screens in the twenty-first century were pushed to the margins and dismissed as "chick TV."In this volume, Yael Levy advances antiheroines to the forefront of television criticism, revealing the varied and subtle ways in which they perform feminist resistance. Offering a retooling of gendered media analyses, Levy finds antiheroism not only in the morally questionable cop and tormented lawyer, but also in the housewife and nurse who inhabit more stereotypical feminine roles. By analyzing Girls, Desperate Housewives, Nurse Jackie, Being Mary Jane, Grey’s Anatomy, Six Feet Under, Sister Wives, and the Real Housewives franchise, Levy explores the narrative complexities of "chick TV" and the radical feminist potential of these shows.

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Now, the cold heart of a cunning predator will be warmed against its will . . .Ruthless and brilliant, Vishous, a member of the Black Dagger Brotherhood, possesses a destructive curse and the frightening ability to see the future. Tormented and abused growing up in his father's war camp, he has no interest in love or emotion, only the battle with the Lessening Society. But when a mortal injury puts him in the care of a human surgeon, Dr Jane Whitcomb compels him to reveal his inner pain and taste true pleasure for the first time - until a destiny he didn't choose takes him towards a future that cannot include her . . .

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Lewis Carroll explored childlike wonder and the bewildering realm of adult rules and status, which clashed in bizarre ways. And although it seems we all know something about Alice and Wonderland, we-like Alice herself upon her first reading of Jabberwocky-find “It fills my head with ideas, but I don’t know what they are.” So as each new generation falls under Carroll’s word spells, each in turn must attempt to understand what Alice and Wonderland might mean in the context of their world and in their time. This collection of twenty-first century speculative fiction stories is inspired by Alice’s Adventures in Wonderland, Alice Through the Looking Glass, The Hunting of the Snark, and to some degree, aspects of the life of the author, Charles Dodgson, and the real-life Alice (Liddell). Enjoy our wild ride down into and back up out of the rabbit hole! Preface by David Day Authors: Patrick Bollivar, Mark Charke, Christine Daigle, Robert Dawson, Linda DeMeulemeester, Pat Flewwelling, Geoff Gander and Fiona Plunkett, Cait Gordon, Costi Gurgu, Kate Heartfield, Elizabeth Hosang, Nicole Iversen, J.Y.T. Kennedy, Danica Lorer, Catherine MacLeod, Bruce Meyer, Dominik Parisien, Alexandra Renwick, Andrew Robertson, Lisa Smedman, Sara C. Walker, James Wood

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As a teacher on deliverance, Neal Lozano knows that many believers struggle with the same sin areas time after time. Yet victory can be as simple as tapping into the potent power of the gospel. By focusing on Jesus and his work, rather than on the intimidating aspects of evil spirits, readers can reset their mindset about their spiritual struggles. In Unbound, Lozano shows readers how to do just this. He also shows them how to find and close any doors they may have opened to evil influence--and, consequently, Satan's underhanded strategies. Balanced and full of hope, Unbound is a practical, thorough, and easy-to-follow guide to deliverance and freedom. It also includes practical instruction on praying for others to be set free.

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Since the 1990s, there has been unparalleled growth in the literary output from an ever more diverse group of Latinx writers. Extant criticism, however, has yet to catch up with the diversity of writers we label Latinx and the range of themes about which they write. Little sustained scholarly attention has been paid, moreover, to the very category under which we group this literature. Latinx Literature Unbound, thus, begins with a fundamental question “What does it mean to label a work of literature or an entire corpus of literature Latinx?” From this question others emerge: What does Latinx allow or predispose us to see, and what does it preclude us from seeing? If the grouping—which brings together a heterogeneous collection of people under a seemingly homogeneous label—tells us something meaningful, is there a poetics we can develop that would facilitate our analysis of this literature? In answering these questions, Latinx Literature Unbound frees Latinx literature from taken-for-granted critical assumptions about identity and theme. It argues that there may be more salubrious taxonomies than Latinx for organizing and analyzing this literature. Privileging the act of reading as a temporal, meaning-making event, Ralph E. Rodriguez argues that genre may be a more durable category for analyzing this literature and suggests new ways we might proceed with future studies of the writing we have come to identify as Latinx.

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Focusing on the vital role of literature in the development of the artistic practice of Frank Stella (b. 1936), this insightful book looks at four transformative series of prints made between 1984 and 1999. Each of these series is named after a literary work—the Had Gadya (a playful song traditionally sung at the end of the Passover Seder), Italian Folktales, compiled by Italo Calvino, Moby-Dick by Herman Melville, and The Dictionary of Imaginary Places by Alberto Manguel and Gianni Guadalupi. This investigation offers a critical new perspective on Stella: an examination of his interdisciplinary process, literary approach, and interest in the lessons of art history as crucial factors for his artistic development as a printmaker. Mitra Abbaspour, Calvin Brown, and Erica Cooke examine how Stella’s dynamic engagement with literature paralleled the artist’s experimentation with unconventional printmaking techniques and engendered new ways of representing spatial depth to unleash the narrative potential of abstract forms.Distributed for the Princeton University Art MuseumExhibition Schedule:Princeton University Art Museum (05/19/18–09/23/18)Museum of Contemporary Art Jacksonville (10/06/18–01/13/19)

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Why Captain Ahab is worthy of our fear—and our compassion Herman Melville’s Captain Ahab is perennially seen as the paradigm of a controlling, tyrannical agent. Ahab Unbound leaves his position as a Cold War icon behind, recasting him as a contingent figure, transformed by his environment—by chemistry, electromagnetism, entomology, meteorology, diet, illness, pain, trauma, and neurons firing—in ways that unexpectedly force us to see him as worthy of our empathy and our compassion. In sixteen essays by leading scholars, Ahab Unbound advances an urgent inquiry into Melville’s emergence as a center of gravity for materialist work, reframing his infamous whaling captain in terms of pressing conversations in animal studies, critical race and ethnic studies, disability studies, environmental humanities, medical humanities, political theory, and posthumanism. By taking Ahab as a focal point, we gather and give shape to the multitude of ways that materialism produces criticism in our current moment. Collectively, these readings challenge our thinking about the boundaries of both persons and nations, along with the racist and environmental violence caused by categories like the person and the human.Ahab Unbound makes a compelling case for both the vitality of materialist inquiry and the continued resonance of Melville’s work.Contributors: Branka Arsić, Columbia U; Christopher Castiglia, Pennsylvania State U; Colin Dayan, Vanderbilt U; Christian P. Haines, Pennsylvania State U; Bonnie Honig, Brown U; Jonathan Lamb, Vanderbilt U; Pilar Martínez Benedí, U of L’Aquila, Italy; Steve Mentz, St. John’s College; John Modern, Franklin and Marshall College; Mark D. Noble, Georgia State U; Samuel Otter, U of California, Berkeley; Donald E. Pease, Dartmouth College; Ralph James Savarese, Grinnell College; Russell Sbriglia, Seton Hall U; Michael D. Snediker, U of Houston; Matthew A. Taylor, U of North Carolina at Chapel Hill; Ivy Wilson, Northwestern U.

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Bodies Unbound is a comparative study showing how ideologies of gendered bodies shape medical care and the ways in which patients respond to these ideologies through decisions about their bodies using three cases: transgender men seeking preventative gynecological care, cisgender men diagnosed with breast cancer, and cisgender women with breast cancer who elect to undergo prophylactic mastectomies. Bodies Unbound is a story about how the relationship between bodies and gender becomes socially intelligible as well as how medical professionals use their position of relative authority over bodies to dictate which combinations of bodies and genders are legitimate or not. Drawing on the experiences of individuals whose bodies and gender identities don't match medical and social expectations for gynecological and breast cancer care, Sledge unravels the taken-for-granted alignment of bodies and gender that provide the foundation of medical care in the United States.

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This study explores the vestiges of primitive sacrificial rituals that emerge in a group of canonical modernist novels, including The Turn of the Screw, Heart of Darkness, The Good Soldier, The Great Gatsby, and To the Lighthouse. It argues that these novels reenact a process that achieved its seminal expression in the Genesis story of 'The Binding of Isaac,' in which Abraham, having been prevented from sacrificing Isaac, offers up a ram in his place. Modernist reenactments of this pattern present narrators who, although vigorously protesting the victimization of certain characters, unfailingly seize upon others as their surrogates. Each novel is designed in such a way, however, as to resist the reconstruction of a sacrificial ritual to which its narrator is prone. The resulting tension between the binding and unbinding of ritual persecution dramatizes the paradox that we can neither believe convincingly in the guilt of our scapegoats nor imagine a society that has dispensed with them entirely.

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** The venue was the canteen block of the Red Hammer Cement Works. It was the usual set-up: way out of town, secretive directions to get there, and disco lights blazing… Moscow, 1993. The end of the Cold War and the collapse of the Soviet Union have brought unimaginable change to Russia. With this change come new freedoms: freedom to travel abroad and to befriend Westerners, freedom to make money, and even the freedom for an underground gay scene to take root.Encouraged by the new climate of openness, twenty-one-year-old Kostya ventures out of the closet and resolves to pursue his dreams: to work in the theatre and to find love as his idol Tchaikovsky never could. Those dreams, however, lead to tragedy – not only for Kostya, but for his mother and for the two young men he loves, as all three face up to the ways they have betrayed him.Last Dance at the Discotheque for Deviants is both a gripping thriller and a poignant, very human tale of people beset by forces beyond their control, in a world where all the old certainties have crumbled and it’s far from clear what will eventually take their place.

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Rosen gives a new voice to more than a dozen women of the Bible. She imagines and writes the missing chapters of these women’s lives in a witty and engaging collection of stories. In addition, she introduces the book with a lively essay about classical Midrash, its relationship to fiction and the imagination, and the possibilities for new midrashim written for and about women.

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​​A moving collection of essays that bring poetic insight to the sheer facts of the AIDS epidemic, in an attempt to make meaning from suffering.​​Unbound is a poet’s intimate account of life in San Francisco in the 80s and 90s during the apex of the AIDS epidemic. In his search for meaning, Shurin dives down into the broken-hearted, revelatory core of the social landscape and the lives of friends who both succumbed to and transcended the disease. Twenty-five years after its initial publication, Unbound continues the search, resonating inescapably with the perils of our new pandemic. Shurin brings to life a familiar world tensed on the threshold of living, balanced precariously on the edges of love and friendship, family and community, rapture and mourning.

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An immersive collection of poetry to open your world, curated by the host of Poetry UnboundThis inspiring collection, edited by Pádraig Ó Tuama, presents fifty poems about what it means to be alive in the world today. Each poem is paired with Pádraig's illuminating commentary that offers personal anecdotes and generous insights into the content of the poem.Engaging, accessible and inviting, Poetry Unbound is the perfect companion for everyone who loves poetry and for anyone who wants to go deeper into poetry but doesn't necessarily know how to do so.Poetry Unbound contains expanded reflections on poems as heard on the podcast, as well as exclusive new selections. Contributors include Hanif Abdurraqib, Patience Agbabi, Raymond Antrobus, Margaret Atwood, Ada Limón, Kei Miller, Roger Robinson, Lemn Sissay, Layli Long Soldier and more.

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Journalism is rapidly changing. Journalism education must too. In Journalism Unbound, Mitchell Stephens introduces new methods of teaching reporting and writing--for video, audio and the written word. In lively chapters full of examples and anecdotes, he explores a number of ways journalism might take advantage of the current digital revolution to become less formulaic and more engaging, searching, diverse in its concerns and relevant, particularly to younger audiences. Although the focus is on what journalism might be, the book employs as examples the best of what journalism has been--from Joan Didion to Nate Silver, Edward R. Murrow to Samantha Power, and James Baldwin to Adrian Nicole LeBlanc.

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A bold reimagining of the literary history of Decadence through a close examination of the transnational contexts of Oscar Wilde's classic novel The Picture of Dorian Gray.Building upon a large body of archival and critical work on Oscar Wilde's only novel, Dorian Unbound offers a new account of the importance of transnational contexts in the forging of Wilde's imagination and the wider genealogy of literary Decadence. Sean O'Toole argues that the attention critics have rightly paid to Wilde's backgrounds in Victorian Aestheticism and French Decadence has had the unintended effect of obscuring a much broader network of transnational contexts. Attention to these contexts allows us to reconsider how we read The Picture of Dorian Gray, what we believe we know about Wilde, and how we understand literary Decadence as both a persistent, highly mobile cultural mode and a precursor to global modernism. In developing a transnational framework for reading Dorian Gray, O'Toole recovers a subterranean network of nineteenth-century cultural movements. At the same time, he joins several active and vital conversations about what it might mean to expand the geographical reach of Victorian studies and to trace the globalization of literature over a longer period of time. Dorian Unbound includes chapters on the Irish Gothic, German historical romance, US magic-picture tradition, and experimental English epigrams, as well as a detailed history and a new close reading of the novel, in an effort to understand Wilde's contribution to a more dynamic idea of Decadence than has been previously known. From its rigorous account of the broad archive of texts that Wilde read and the array of cultural movements from which he drew inspiration in writing Dorian Gray to the novel's afterlives and global resonances, O'Toole paints a richer picture of the author and his famously allusive prose. This book makes a compelling case for a comparative reading of the novel in a global context. It will appeal to historians and admirers of Wilde's career as well as to scholars of nineteenth-century literature, queer and narrative theory, Irish studies, and art history.

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For too long melodrama has been associated with outdated and morally simplistic stereotypes of the Victorian stage; for too long film studies has construed it as a singular domestic genre of familial and emotional crises, either subversively excessive or narrowly focused on the dilemmas of women. Drawing on new scholarship in transnational theatrical, film, and cultural histories, this collection demonstrates that melodrama is a transgeneric mode that has long spoken to fundamental aspects of modern life and feeling.Pointing to melodrama’s roots in the ancient Greek combination of melos and drama, and to medieval Christian iconography focused on the pathos of Christ as suffering human body, the volume highlights the importance to modernity of melodrama as a mode of emotional dramaturgy, the social and aesthetic conditions for which emerged long before the French Revolution. Contributors articulate new ways of thinking about melodrama that underscore its pervasiveness across national cultures and in a variety of genres. They examine how melodrama has traveled to and been transformed in India, China, Japan, and South America, whether through colonial circuits or later, globalization; how melodrama mixes with other modes such as romance, comedy, and realism; and finally how melodrama has modernized the dramatic functions of gender, class, and race by orchestrating vital aesthetic and emotional experiences for diverse audiences.

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For too long melodrama has been associated with outdated and morally simplistic stereotypes of the Victorian stage; for too long film studies has construed it as a singular domestic genre of familial and emotional crises, either subversively excessive or narrowly focused on the dilemmas of women. Drawing on new scholarship in transnational theatrical, film, and cultural histories, this collection demonstrates that melodrama is a transgeneric mode that has long spoken to fundamental aspects of modern life and feeling.Pointing to melodrama’s roots in the ancient Greek combination of melos and drama, and to medieval Christian iconography focused on the pathos of Christ as suffering human body, the volume highlights the importance to modernity of melodrama as a mode of emotional dramaturgy, the social and aesthetic conditions for which emerged long before the French Revolution. Contributors articulate new ways of thinking about melodrama that underscore its pervasiveness across national cultures and in a variety of genres. They examine how melodrama has traveled to and been transformed in India, China, Japan, and South America, whether through colonial circuits or later, globalization; how melodrama mixes with other modes such as romance, comedy, and realism; and finally how melodrama has modernized the dramatic functions of gender, class, and race by orchestrating vital aesthetic and emotional experiences for diverse audiences.

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This book engages critically with some of the major assumptions of prominent Transhumanists such as Nick Bostrom of Oxford University and Stefan Sorgner of John Cabot University at Rome. More broadly, questions concerning the complex relationships between society, technology, and ethics are widely explored. Major thinkers such as St. Augustine, Nietzsche, Bertrand Russell, and C. S. Lewis are enlisted to highlight and support the major arguments presented by the author. The book aims at a general readership interested in the current claims and possible outcomes of the Transhumanist and Posthumanist movement. It strikes a cautionary note about humanity's reliance on emerging technologies, particularly their potential to enhance and, eventually transform, human life span, cognition, and emotion.

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Looking at Atlanta, Georgia, one might conclude that the city’s notorious sprawl, degraded air quality, and tenuous water supply is a result of a lack of planning—particularly an absence of coordination at the regional level. In Atlanta Unbound, Carlton Wade Basmajian shows that Atlanta’s low-density urban form and its associated problems have been both highly coordinated and regionally planned. Basmajian’s shrewd analysis shows how regional policies spanned political boundaries and framed local debates over several decades. He examines the role of the Atlanta Regional Commission’s planning deliberations that appear to have contributed to the urban sprawl that they were designed to control. Basmajian explores four cases—regional land development plans, water supply strategies, growth management policies, and transportation infrastructure programs—to provide a detailed account of the interactions between citizens, planners, regional commissions, state government, and federal agencies. In the process, Atlanta Unbound answers the question: Toward what end and for whom is Atlanta’s regional planning process working? In the series Urban Life, Landscape, and Policy, edited by Zane L. Miller, David Stradling, and Larry Bennett

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Published more than twenty years ago, Stephen Eric Bronner's bold defense of socialism remains a seminal text for our time. Treating socialism as an ethic, reinterpreting its core categories, and critically confronting its early foundations, Bronner's work offers a reinvigorated "class ideal" and a new perspective for progressive politics in the twentieth century. Socialism Unbound is an extraordinary work of political history that revisits the pivotal figures of the labor movement: Karl Marx, Friedrich Engels, Karl Kautsky, Vladimir Lenin, and Rosa Luxemburg. Examining their contributions as well as their flaws, Bronner shows how critical innovation gave way to dogma. New practical problems have arisen, and this volume engages with the relationship between class and social movements, institutional accountability and democratic participation, economic justice and market imperatives, and internationalism and identity. With a foreword by Dick Howard and a new introduction by the author, Bronner's classic study remains indispensable for scholars and activists alike.

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Riots are extraordinary events that have been recurring with increasing frequency and occupy a highly controversial space in the political imagination. Despite their often negative portrayals, it is undeniable that riots have played a pivotal role in the confrontation between authority and dissent. Recently, with the deepening crises of capitalism, racial violence, and communal tension, an “age of riots” has powerfully begun. As master fictions of the sovereign nation-state implode, and the hegemonic silencing of the dispossessed reveals the cracks in governability, Nights of the Dispossessed: Riots Unbound brings together artistic works, political texts, critical urban analyses, and research projects from across the world in an endeavor to “sense,” chronicle, and think through recent riots and uprisings—evoking a phenomenology of the multitude and surplus population.With contributions from Asef Bayat, Joshua Clover, Vaginal Davis, Keller Easterling, Zena Edwards, Nadine El-Enany, Dilip Parameshwar Gaonkar, Gauri Gill, Natasha Ginwala, Natascha Sadr Haghighian, Louis Henderson, Satch Hoyt, Hamid Khan, Gal Kirn, Josh Kun, Léopold Lambert, Margit Mayer, Vivek Narayanan, Ai Ogawa, Oana Pârvan, Elizabeth A. Povinelli, SAHMAT, Thomas Seibert, Niloufar Tajeri, Chandraguptha Thenuwara, Dariouche Tehrani, and Ala Younis.

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Born from a lab-enhanced clone mother and an Aedh father, Risa Jones can not only talk to the souls of the dying and the dead, but she can see reapers and walk the grey fields that divide this world from the next. They are skills she rarely uses, however. But when her mother asks her to help the parents of a little girl locked in a coma, she reluctantly agrees. What she discovers terrifies her: someone has ripped the girl's soul from her flesh.As it turns out, a creature consuming the souls of the innocent - and not so innocent - is the least of her problems. Because someone wants to rip open the gates that divide hell from earth, and Risa is a key component in their plans. And the only person standing between her and disaster is a reaper who isn't exactly on her side.

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Ulysses is one of the foundational texts of modern literature, yet has a reputation for complexity and controversy. In Ulysses Unbound, Joyce expert Terence Killeen untangles this seemingly knotty classic to reveal the wonders beneath, in a clear and comprehensive guide which will provide new and vital insights for everyone from students to specialists.In this new edition, published to celebrate the centenary of Ulysses' first publication in 1922, Killeen seamlessly combines close literary analysis with a broad account of the novel's fascinating history, from its writing and publication to its long contemporary afterlife. We get under the skin of the text to discover the joys of Joyce's remarkable range of themes, styles and voices, as Killeen reanimates the real people who inspired many of the characters. Ulysses Unbound is an indispensable, illuminating and entertaining companion to one of the twentieth century's great works of art.With a foreword by Colm Tóibín

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An acclaimed novel by Bosnian writer Mesa Selimovic. It recounts the story of Sheikh Nuruddin, a dervish residing in an Islamic monastery in Sarajevo in the eighteenth century during the Ottoman Turk hegemony over the Balkans. Hugely successful when published in the 1960s, Death and the Dervish is an enduring classic.

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Stop being a servant of the life you’re living and become a creator of the world you want. Electrifying lessons in power, influence and persuasion to equalise women in an unequal world.Why do so many women feel they're too much yet not enough? How can you feel ‘good and mad’ yet reluctant to speak up in a meeting or difficult conversation? What causes women to freeze at critical moments?Kasia Urbaniak spent 17 years studying to become a Taoist nun. To foot the bill for her studies, she worked as a high-paid (and extremely successful) dominatrix in dungeons around New York City. What she learned in these two wildly different settings has turned into her life’s work. UNBOUND brings Urbaniak’s unique teachings for women on speaking power, persuading others and navigating conflict to a mainstream audience for the first time. Part polemic, part practical, it opens women’s eyes to why they frequently find it so difficult – personally, professionally and socially – to raise their voices, why they freeze in challenging circumstances and what they can do to change this. Too often women find themselves in the role of ‘sub’ when they need to be more ‘dom’ – in short they are paralysed by their Good Girl Syndrome and a deep-seated need to please everyone and anyone except themselves. UNBOUND offers precise, practical instruction in how to stand in your power, find your voice and use it well. Part manual, part manifesto, it will help you cut through layers of self-censoring and self-doubt to go after what you truly want, and live your wildest, best and most satisfying life.

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What if what we think we know about ecology and environmental policy is just wrong? What if environmental laws often make things worse? What if the very idea of nature has been hijacked by politics? What if wilderness is something we create in our minds, as opposed to being an actual description of nature? Developing answers to these questions and developing implications of those answers are our purposes in this book. Two themes guide us—political ecology and political entrepreneurship. Combining these two concepts, which we develop in some detail, leads us to recognize that sometimes in their original design and certainly in their implementation, major U.S. environmental laws are more about opportunism and ideology than good management and environmental improvement.

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Though Achilles the character is bound by fate and by narrative tradition, Achilles’s poem, the Iliad, was never fixed and monolithic in antiquity—it was multiform. And the wider epic tradition, from which the Iliad emerged, was yet more multiform. In Achilles Unbound, Casey Dué, building on nearly twenty years of work as coeditor of the Homer Multitext (www.homermultitext.org), explores both the traditionality and multiformity of the Iliad in a way that gives us a greater appreciation of the epic that has been handed down to us.Dué argues that the attested multiforms of the Iliad—in ancient quotations, on papyrus, and in the scholia of medieval manuscripts—give us glimpses of the very long history of the text, access to even earlier Iliads, and a greater awareness of the mechanisms by which such a remarkable poem could be composed in performance. Using methodologies grounded in an understanding of Homeric poetry as a system, Achilles Unbound argues for nothing short of a paradigm shift in our approach to the Homeric epics, one that embraces their long evolution and the totality of the world of epic song, in which each performance was newly composed and received by its audience.

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