Search results for ""Unbound""

AAA videogames often offer expansive experiences to the millions who engage with the medium, but they are vulnerable to disruption from neoliberal structures. The Corruption of Play explores how neoliberal ideology corrupts play in AAA videogames by creating conditions in which play becomes unbound from leisure, allowing play to be understood, undertaken, and assessed in economic terms, and fundamentally undermining the nature of play. Providing a cutting-edge and innovative approach to this problem, McMahon uses cognitive mapping to make neoliberalism visible in play-space, showcasing a new way of seeing and understanding how play is enabled and how the player forms an understanding of themselves by it. How does the player form their sense of self in the videogame? What level of agency does the player have? How are AAA videogames consumed and what is the extent of the corruption of play? Offering a timely level-up to the existing critical work on videogames, McMahon’s revelations that play in AAA videogames does not often occur under ideal conditions due to the influence of neoliberal ideology are a captivating read for communication and media scholars interested in videogames. Understanding that play should be a core activity, and a natural barrier to market and economic logics, McMahon sets the scene for equipping us to understand how the process of neo liberalisation can be resisted.

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Max Weber famously argued that the rise of capitalism in early modern Europe was premised on the emergence of a distinctive set of attitudes - including the pursuit of profit for its own sake - which he called ‘the spirit of capitalism’. Today, when capitalism has spread across the globe, the spirit of capitalism would appear to reign supreme. In this important book Bernard Stiegler takes a very different view: what we are witnessing today is not the triumph of the spirit of capitalism but rather its demise, as our contemporary ‘hyper-industrial’ societies become increasingly uncontrollable, profoundly irrational and incapable of inspiring hope. Disenchantment and despair have become the everyday lived experiences of countless individuals. Far from being a moment of liberation, May '68 was just the first symptom of our increasing disenchantment and 'spiritual misery'. The libidinal energy that originally underpinned capitalism has become an unbound force, unleashing drives that can no longer be contained. Is there an alternative? Stiegler argues that the development of alternatives must begin with a new industrial policy, designed to recognize that technologies are what Plato called pharmaka, meaning both poison and cure. Industrial society has a future only if we can create technologies that foster relations of care (otium) for people whose spirit has been exhausted by contemporary consumerism. We must develop an ecology not only to protect the planet but also to renew the exploited energies of human desire. This volume - the third in a trilogy that includes The Decadence of Industrial Democracies and Uncontrollable Societies of Disaffected Individuals - will consolidate Stiegler's reputation as one of the most original philosophers and cultural theorists of our time.

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2019 Choice Outstanding Academic Title​Transgender Cinema gives readers the big picture of how trans people have been depicted on screen. Beginning with a history of trans tropes in classic Hollywood cinema, from comic drag scenes in Chaplin’s The Masquerader to Garbo’s androgynous Queen Christina, and from psycho killer queers to The Rocky Horror Picture Show’s outrageous queen, it examines a plethora of trans portrayals that subsequently emerged from varied media outlets, including documentary films, television serials, and world cinema. Along the way, it analyzes milestones in trans representation, like The Crying Game, Boys Don’t Cry, Hedwig and the Angry Inch,and A Fantastic Woman. As it traces the evolution of trans people onscreen, Transgender Cinema also considers the ongoing controversies sparked by these movies and series both within LGBTQ communities and beyond. Ultimately it reveals how film and television have shaped not only how the general public sees trans people, but also how trans people see themselves. Selected Filmography: Adventures of Priscilla, Queen of the Desert, All about My Mother, Anak, Austin Unbound, Becoming Chaz, The Blossoming of Maximo Oliveros, Boy I Am, Boy Meets Girl, Boys Don’t Cry, The Brandon Teena Story, A Busy Day, Call Me Malcolm, Carlotta, Change over Time, The Crying Game, Dallas Buyers Club, The Danish Gir, The Devil Is a Woman, Drunktown’s Finest, Facing Mirrors, A Fantastic Woman, 52 Tuesdays, Flesh, Girl Inside, A Girl like Me: The Gwen Araujo Story, Hedwig and the Angry Inch, I Was a Male War Bride,Kate Bornstein Is a Queer and Pleasant Danger, Kumu Hina, La Cage aux Folles, Ma Vie en Rose (My Life in Pink) The Masquerader, Myra Breckinridge, Orlando, Paris Is Burning, Playing with Gender, Psycho, Queen Christina, The Rocky Horror Picture Show, The Saga of Anatahan, She’s a Boy I Knew, Silence of the Lambs, Some Like It Hot, Southern Comfort, Still Black: A Portrait of Black Transmen, Stonewall, The Tenant, Three Generations. Tomboy, Tootsie, Transamerica, Transparent, Trash, Whatever Suits You, A Woman.

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