Search results for ""Scarecrow Press""

While there are many published works to guide users in the use of documents produced by the United States government, there are few designed to aid in the use of the official publications of other countries where the national language is not generally well known outside the country itself. Korea is one such area to which the library and academic communities have had little access. This guide explores official publishing in Korea from pre-modern times to 1948, the development of government publishing since 1948, publications of the executive, legislative and judicial branches of Korean government, and electronic information sources. Wilson's examination of Korean publications, consultation with experts in the field, and many research trips have come together in an exhaustive resource that helps librarians and researchers unravel the intricacies of official Korean publications, with primary emphasis on South Korea.

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Panton details London's growth from its foundation in Roman times to its modern place as one of the world's preeminent financial, commercial and cultural capitals. Entries cover general themes (such as immigration, housing, street markets, and health care) as well as specific topics (including individual historic buildings, financial institutions, museums, transport modes, major city center hotels and West End theaters). Significant contributors to the city's government, such as the legendary Dick Whittington, also receive attention, along with immigrant groups and major events such as the Great Fire, the Great Plague, the development of the subway system, and the growth of the Stock Exchange. In addition, a chronology details major events, there are lists of Lord Mayors and leading local government officials, and a table outlines population growth over the last two hundred years. Appendices contain borough council contact information and world wide web addresses which provide access to additional information through the Internet.

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Throughout recorded history the deaths of noble and heroic persons have inspired poets and musicians to create songs of lamentation. This unique bibliography simplifies access to approximately 2,150 such musical works composed between the late fourteenth century and the year 2000 to memorialize musicians. Arranged alphabetically by the name of the dedicatee, a typical entry includes the name, dates, and professional details of the musician being memorialized; name and dates of the composer; title, subtitle, and quote of the memorial dedication of the musical work; publication data; and additional descriptive notes when warranted to clarify the context of the work's creation. The bibliography is indexed by composer names as well as by birth and death dates of the dedicatees. A useful and unique resource for librarians, teachers, and musicians planning concerts, conferences, or exhibitions honoring musicians.

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In this study, feminist theories and insights from new discourses on female adolescence are employed in analyzing the discourses and cultural scripts used in telling stories about the relationship between teenage daughters and mothers in young adult novels and in short stories. The stories examined in this book were marketed for young adults and published between 1965 and 1998. Included are daughter-mother narratives, African-American young adult novels, and narratives set in other cultural contexts. The daughter-mother narratives are examined in relation to Freudian and feminist theories of female adolescent development and in relation to feminist theories pertinent to the mother-daughter relationship, including black feminist criticism. Topics include the fairy tale daughter-mother narrative in re-tellings of Rapunzel and Snow White and generational stories of daughters and mothers. Also discussed are the range of issues raised in daughter-mother narratives that are highly significant to the lives of today's daughters: debates about the responsibilities of mothering, choices made between career and raising families, abortion rights versus the right to life, and topics relating to sexuality, gender, and body image. The implications of this study for those who work with young people and their literature are also discussed.

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The Catholic Apostolic Church is an intriguing yet little studied movement of nineteenth-century England. Despite its intense privacy, worship in the Catholic Apostolic Church, particularly its Eurcharistic service, was a major influence on late nineteenth-century liturgical renewals. The book begins with a study of important early figures in the life of the Catholic Apostolic Church, including Edward Irving, Henry Drummond, and John Bate Cardale. Then, after detailing the important practices of the Catholic Apostolic Church and the sources of its Eucharistic service, it proceeds to evaluate historically and spiritually its crucial effect upon the German Reformed Church, the Reformed Protestant Dutch Church in North America, and the Church of Scotland. The final chapter, entitled "A Quest for Catholicity" includes discussion of the search for the roots of ecumenical worship and the centrality of the Eucharist to liturgy. Also included with the book is an appendix and a bibliography of sources that includes scholarly monographs, articles, and liturgies organized by subject.

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Paul Ben-Haim (1897-1984) is considered one of Israel's foremost composers. His music has been performed by some of the twentieth century's greatest musicians. The author gives a detailed description of selected compositions using the La Rue system of analysis, including 'timelines,' a graphic representation of musical events as they happen. There is also a chapter dealing with performance problems of selected works and their solutions. A biographical sketch traces Ben-Haim's career from his beginnings in Munich, Germany, through his development as a professional musician.

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Nothing changes faster in today's library than reference services. The purpose of this collection of 24 articles is to help both the beginner and the experienced librarian keep up with that change through the explanations and points of view of leaders in the field. This volume, like the first three (1978, 1982, and 1986), brings together in a single, convenient place a representative view of today's reference and information services for students, teachers, and librarians. It can be used alone, or in conjunction with the author's 6th edition of Introduction to Reference Work (McGraw-Hill, 1992, 2 vols.). Most of the pieces in this collection are found as "suggested reading" in the Introduction.

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This straightforward book provides librarians with step-by-step instructions for constructing eye-catching and inexpensive displays for all types of libraries. A full-page photograph, along with a complete description, enables librarians to duplicate or adapt the displays for their individual library needs. There are enough display ideas in this book to last several years without repetition.

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A need exists for works of first reference that provide insights into both sides of Indian-white relations. This handbook is intended to help fill the need. The work will be divided regionally, with Vol. I relating events in the Southeastern Woodlands. Subsequent volumes will cover the Northeastern Woodlands, the Great Plains, and the Far West. The final volume will include a general index, bibliography, and chronology.

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This is the first in-depth look at Reginald LeBorg, the quintessential Hollywood contract director, who worked constantly during the 1940s and 50s at such studios as Universal, PRC, and Monogram, making a series of beautiful and resonant films under severe constraints of time and budget. Here, in a book-length interview recorded a year before his death in 1989, LeBorg looks back at all his work—Destiny, Calling Doctor Death, Weird Woman, The Flight That Disappeared, Jungle Woman, Diary of A Madman, San Diego I Love You, and many others, and discusses his impatience with "fans" who don't bother to screen his more interesting non-Gothic films, describes studio life during the 1940s, and gives the reader insights into his personal life. With stills and a thorough filmography.

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Fills a crying need in this inexplicably long-ignored area. Bountifully illustrated, the work is bound to become a standard reference work for anyone interested in cinema from Spain. An invaluable compendium of data not available before to Anglo audiences.

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Provides a cross-section of contemporary American film criticism from 1896-1960. The volumes reprint reviews in their entirety from periodicals such as Photoplay, Film Reports, The Moving Picture World, Variety, and The New York Times. Of immense value for gauging contemporary reaction_both popular and serious_to the best-known films of the past.

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Native North Americans have rich and diverse cultures and traditions. However, many misconceptions, prejudices, and stereotypes exist due to the lack of understanding and ignorance of these cultures. It is important that children and adolescents learn about and appreciate the invaluable contributions that North American Native groups have made to American society. Equally important is the availability of resources that accurately and objectively portray the historical events that occurred when European settlers displaced thousands of Native North Americans from their ancestral homelands. In Native North Americans in Literature for Youth, Alice Crosetto and Rajinder Garcha identify hundreds of appropriate and quality resources, including books, Internet sites, and media titles for K-12 students and educators. Entries are subdivided into chapters covering geographic regions, history, religions, social life, customs and traditions, nations, oral tradition, biographies, and fiction. Additionally, there are chapters for general reference resources, curricular resources for educators, media, and Internet sites. Annotations provide complete bibliographical descriptions of the entries, and each entry is identified with the grade level for which it is best suited. Reviews, awards, series, and URLs for supplemental online resources are also included. Anyone—especially students, teachers, librarians, and parents—interested in locating useful and accurate resources regarding Native North Americans will find this reference book a helpful and essential tool.

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Foreign aid, whose growth coincided with the years of the Cold War, is now an accepted part of international relations. This dictionary documents every aspect and phase of aid: the power and influence of the World Bank and IMF; the impact of OPEC; individual government departments responsible for aid; regional and political organizations; the United Nations; and the role of Non-Government Organizations (NGOs). In his wide-ranging introduction, Arnold illustrates the development of foreign aid as a policy tool beginning with the U.S. Marshall Plan and the subsequent development, with the Colombo Plan of 1950, of a new principle in international relations: that the rich, developed countries had a duty and a self-interest in providing economic assistance for poor, less developed countries. Includes bibliography and chronology.

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This book deals less with physical techniques of conducting and more with human relationships: how the conductor functions with his or her ensembles.

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Germans to America provides both genealogists and researchers of family history with the first extensive, indexed source of German surname immigrants. This entire project was planned to span the years 1850 through 1893, but now the series has been extended. The series reproduces information from the original passenger lists filed by all vessels entering U.S. ports from abroad. Ships that departed from German ports or carried passengers who declared themselves to be of German origin are included, with first and last names, age, sex, occupation, and province and village of origin (whenever available) provided for each emigrant. A complete index of names is included at the end of every volume. Germans to America may be ordered by individual volume. Standing orders, which receive a 10% discount, are also welcomed.

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In the history of the United States, few periods could more justly be regarded as the best and worst of times than the Kennedy-Johnson era. The arrival of John F. Kennedy in the White House in 1961 unleashed an unprecedented wave of hope and optimism in a large segment of the population; a wave that would come crashing down when he was assassinated only a few years later. His successor, Lyndon B. Johnson, enjoyed less popularity, but he was one of the most experienced and skilled presidents the country had ever seen, and he promised a Great Society to rival Kennedy's New Frontier. Both presidents were dogged by foreign policy disasters: Kennedy by the Bay of Pigs fiasco, although he came out ahead on the Cuban missile crisis, and Johnson from the backlash of the Vietnam War. The 1960s witnessed unprecedented progress toward racial and sexual equality, but it also played host to race and urban riots. And while impressive advances in the sciences and arts were fueling the American imagination, the counterculture rejected it all. The Historical Dictionary of the Kennedy-Johnson Era relates these events and provides extensive political, economic, and social background on this era through a detailed chronology, an introduction, appendixes, a bibliography, and several hundred cross-referenced dictionary entries on important persons, events, institutions, policies, and issues.

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The modern international organization is a European invention. The fragmented nature of the continent, with national boundaries shifting over time, was always paralleled by interactions between states. In the twentieth century the historical format of treaties and military alliances was supplemented by organizations for economic collaboration and associations working for greater political cooperation and even unity. Despite, or perhaps because of, the bipolarization of Europe during the Cold War, the number of organizations mushroomed after 1945. Yet the picture has not just been one of constant increase: increasing complexity has occurred within an ongoing process of change. With the ending of the Cold War the rate of change has increased: long-established institutions have had to reconsider their purpose and reason for existence, new groupings of states have emerged. With several hundred entries this work offers an introduction to the complex and changing world of European international organizations. It outlines and disaggregates into their several different structures and activities the major institutional actors such as the European Community and the North Atlantic Treaty Organization, as well as providing information on numerous lesser-known bodies that rarely make the world's headlines. The institutional information is supplemented by accounts of major events and activities and descriptions of individuals who have been influential in shaping the international organizations. A chronology of events will aid the reader to fil the factual description into an overview of what happened when, a list of acronyms offers a guide to the complexity of organizations, and a thematically-structured bibliography provides a guide to further reading.

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Germans to America provides both genealogists and researchers of family history with the first extensive, indexed source of German surname immigrants. This entire project was planned to span the years 1850 through 1893, but now the series has been extended. The series reproduces information from the original passenger lists filed by all vessels entering U.S. ports from abroad. Ships that departed from German ports or carried passengers who declared themselves to be of German origin are included, with first and last names, age, sex, occupation, and province and village of origin (whenever available) provided for each emigrant. A complete index of names is included at the end of every volume. Germans to America may be ordered by individual volume. Standing orders, which receive a 10% discount, are also welcomed.

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Germans to America provides both genealogists and researchers of family history with the first extensive, indexed source of German surname immigrants. This entire project was planned to span the years 1850 through 1893, but now the series has been extended. The series reproduces information from the original passenger lists filed by all vessels entering U.S. ports from abroad. Ships that departed from German ports or carried passengers who declared themselves to be of German origin are included, with first and last names, age, sex, occupation, and province and village of origin (whenever available) provided for each emigrant. A complete index of names is included at the end of every volume. Germans to America may be ordered by individual volume. Standing orders, which receive a 10% discount, are also welcomed.

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On Saturday, November 14, 1944, radio listeners heard an enthusiastic broadcast announcer describe something they had never heard before: Women singing the "Marines' Hymn" instead of the traditional all-male United States Marine Band. The singers were actually members of its sister organization, The Marine Corps Women's Reserve Band of Camp Lejeune, North Carolina. Today, few remember these all-female military bands because only a small number of their performances were broadcast or pressed to vinyl. But, as Jill Sullivan argues in Bands of Sisters: U.S. Women's Military Bands during World War II, these gaps in the historical record can hardly be treated as the measure of their success. The novelty of these bands—initially employed by the U.S. military to support bond drives—drew enough spectators for the bands to be placed on tour, raising money for the war and boosting morale. The women, once discharged at the war's end, refused to fade into post-war domesticity. Instead, the strong bond fostered by youthful enthusiasm and the rare opportunity to serve in the military while making professional caliber music would come to last some 60 years. Based on interviews with over 70 surviving band members, Bands of Sisters tells the tale of this remarkable period in the history of American women. Sullivan covers the history of these ensembles, tracing accounts such as the female music teachers who would leave their positions to become professional musicians—no easy matter for female instrumentalists of the pre-war era. Sullivan further traces how some band members would later be among the first post-war music therapists based on their experience working with medical personnel in hospitals to treat injured soldiers. The opportunities presented by military service inevitably promoted new perspectives on what women could accomplish outside of the home, resulting in a lifetime of lasting relationships that would inspire future generations of musicians.

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Tokyo is Japan's largest city and its capital. It is also one of the largest cities in the world and a major center of global economic influence. The origins of human settlement in what is today Tokyo are lost in prehistory. The city started out quite modestly as a small castle town of Edo in 1457, then the center of the Tokugawa shogunate from 1603-1868, the rapidly modernizing and Westernizing capital of the nation during the Meiji Period (1868-1912), and the capital of a prosperous nation and growing empire thereafter. Tokyo was utterly devastated during World War II, but this was not the first time Tokyo had to start seemingly from new. Due to many fires and earthquakes, the city has constantly rebuilt itself and today it outdoes all its previous emanations by far. The second edition of the Historical Dictionary of Tokyo is a much-needed reference source on the city. This is done through a chronology, an introductory essay, an extensive bibliography, and over 600 cross-referenced dictionary entries on people, places, events, and other terminology about the city of Tokyo. This book is a must for anyone interested in Japan and Tokyo.

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Almost from the moment in 1940 that Otto Frisch and Rudofl Peierls suggested, from their small office in the University of Birmingham, that an atomic weapon could be miniaturized and delivered to its target by aircraft, the concept of atomic espionage can be said to have existed. No sooner had the famous Frisch-Peierls Memorandum been received by the British War Cabinet than a Soviet mole, John Cairncross, passed the details on to his Soviet contact. And 70 years later with the International Atomic Energy Authority (IAEA) estimating that up to 40 countries now have the capability of building nuclear weapons, the need to monitor this activity remains crucial. The Historical Dictionary of Atomic Espionage relates the history of atomic espionage through a chronology, an introductory essay, and cross-referenced dictionary entries on the agencies, agents, and operations. This book is an excellent access point for students, researchers, and anyone wanting to know more about atomic espionage.

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There are a host of books on dieting, nutrition, cooking, and all other areas related to food, yet books targeted to teens tend to emphasize weight and the dangers of unhealthy eating. Food Choices: The Ultimate Teen Guide provides teens with a new look at food and eating. In this book, author Robin Brancato chooses not to dwell on food-related pathologies like anorexia, bulimia, or obesity. Instead, she guides teens into a greater knowledge and enjoyment of food and healthy eating. This book discusses numerous topics related to food and eating, including the biological and chemical reasons we prefer certain foods and the eating habits that are unique to teens today. This book also covers the latest medical research, the vast amount of literature on weight loss and dieting, and the cultural influences that affect what food we eat. Throughout, teens are presented with the best tips on how to develop healthy eating habits for a lifetime of enjoying food.

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George Wilhelm Friedrich Hegel evoked passionate discipleship, as well as equally passionate opposition. He was praised by the likes of Karl Marx and John Dewey but scorned by Karl Popper and Bertrand Russell. He has been charged with being a proponent of an authoritarian state by some, and he has been accused of instigating the dissolution of the state by others. Notoriously difficult to understand, Hegel's keen insights continue his legacy today. The second edition of the Historical Dictionary of Hegelian Philosophy covers all aspects of Hegel's thought. It discusses his students and colleagues, as well as key figures who either adopted (and adapted) his thought or attempted to explicate it for later generations. This is done through a chronology, an introductory essay, a glossary of German terms, a bibliography, and over 500 cross-referenced dictionary entries.

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Joan Peyser offers a history of twentieth century music through the lives and works of its greatest composers in To Boulez and Beyond. Peyser provides historical context and suggests psychological insight for these masters, including Schoenberg, Berg, and Webern of the Second Viennese School; their immediate ancestors Wagner and Mahler; Rimsky-Korsakov and his pupil Stravinsky; and Hindemith, Bartók, Cowell, and Varèse. Discussing proponents of serialism and twelve-tone technique, as well as those who worked against these styles, the book also considers Berio, Stockhausen, Shostakovich, Babbitt, Copland, Wuorinen, and Cage, among others, describing how and why music moved throughout the 20th century. The largest section of the book is devoted to the life and works of Pierre Boulez. A new preface and a bibliography help to round out this revised and updated edition.

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This book shows how authors of young adult literature use the creation of names for people, places, events, inventions, animals, and imaginary concepts as one of their most important literary techniques. Chapters address how authors use names to stretch readers' emotions, to reveal ethnic values and differences, to create "other worlds," and to establish tone. Other chapters focus on how authors use names to help readers remember who is who, such as J. K. Rowling in the Harry Potter books, or to communicate separate messages to adults and to young readers, as exemplified by Richard Handler in the Lemony Snicket books. Names and Naming in Young Adult Literature equips readers with the interest and the skill to make similar observations about names and naming when they read other books. Looking at the names an author has chosen to use is a wonderful first step in introducing readers to the concept of literary criticism as something to help readers get more pleasure and information from their reading. Public and school librarians, college instructors of young adult literature, teachers of creative writing, high school English teachers, and anyone else who is interested in young adult literature will find this book extremely interesting.

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Ever since the end of World War II, and even more so since 1960, when seventeen African colonies became independent of colonial rule, the African continent has been ravaged by a series of wars. These wars have ranged from liberation struggles against former colonial powers to power struggles between different factions in the aftermath of independence. They have ranged from border wars between newly independent states to civil wars between ethnic groups. As with many conflicts, outside forces were drawn into these wars, and major powers outside the continent intervened on one side or the other for a variety of reasons: political ideology, Cold War considerations, ethnic alignments, and stemming the flow of violence. Whether referring to Algeria's struggle for independence from French colonial rule, Nigeria's internal struggles to achieve a balanced state after the British departure, the Rwandan genocide of 1994, or the current ethnic cleansing in Darfur, the second edition of the Historical Dictionary of Civil Wars in Africa covers all of the wars that have occurred in Africa since independence. This is done through a chronology broken down by country, a list of acronyms and abbreviations, an introductory essay, a bibliography, and cross-referenced dictionary entries covering the wars, conflicts, major political and military figures, child soldiers, mercenaries, and blood diamonds.

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The Brooklyn Philharmonic is one of the most innovative and respected symphony orchestras of modern times. It is well known for its community outreach and children's concerts, innovative "Meet the Moderns," and its famous and unparalleled "Marathon" programs. While it can trace its roots back to the 19th century, the modern Brooklyn Philharmonic had its start in 1954. In How Music Grew in Brooklyn, author Maurice Edwards provides a fascinating, personal, and comprehensive history of this great institution. While this "biography" centers on the Brooklyn Philharmonic, it also encompasses the greater subject of the vibrant world of music and culture in New York during the second half of the 20th century and the opening decade of the 21st. Edwards begins with a look at the orchestra's 19th-century forerunner and traces the current orchestra's beginnings under its founder and first music director Siegfried Landau. The eras of succeeding music directors Lukas Foss, Dennis Russell Davies, and Robert Spano are examined in detail, as is the evolution of the Brooklyn Philharmonic into the official house orchestra of the equally innovative and influential Brooklyn Academy of Music (BAM). More than two dozen historical photographs and illustrations are included and an 80-page appendix provides a detailed listing of the orchestra's extraordinary programs, including the famous Marathons.

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The 1930s were dominated by economic collapse, stagnation, and mass unemployment. This crisis enabled the Democrats to recapture the White House and embark upon a period of reform unsurpassed until the 1960s. Roosevelt's New Deal laid the foundations of a welfare system that was further consolidated during and after the Second World War. American involvement in World War II helped to secure victory in Europe and in Asia. American participation in the war led to economic recovery but also brought with it enormous demographic and social changes. Some of these changes continued after the war had ended, but further political reform was to be limited due to the impact of the Cold War and the effects of America's new role as the world's leading superpower in the atomic age. The Historical Dictionary of the Roosevelt-Truman Era examines significant individuals, organizations, and events in American political, economic, social, and cultural history between 1933 and 1953. This was a period of enormous significance in the United States due to the impact of the Great Depression, World War II, and the onset of the Cold War. The presidencies of Franklin D. Roosevelt and Harry S. Truman witnessed the origins of the modern American welfare system and the rise of the United States as a world power, as well as its involvement in the confrontation with communism that dominated the latter half of the 20th century.

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Through her compelling and well-crafted body of work over almost five decades, Joan Tower has become one of the world's most admired and celebrated composers. Joan Tower: The Comprehensive Bio-Bibliography celebrates her achievements and compositions, whether works for orchestra, symphonic band, chamber ensemble, or solo instrument. Author Ellen Grolman gives a full biography of the composer, supported by extensive personal interviews and family history dating back to 1637. She explores the experiences and influences that have shaped Tower's musical voice, from her upbringing in South America to her establishment of the Da Capo Chamber Players, and from her flight from serialism to her maturation into one of the most sought-after composers at work today. The book also gives extensive analysis of the composer's style, composing process, musical influences, and passionate advocacy of contemporary music. Many of the talented and esteemed soloists, chamber ensembles, and symphonic organizations with whom Tower has worked, including Leonard Slatkin, Zubin Mehta, the Emerson String Quartet, David Shifrin, Tania León, and Jennifer Higdon, speak candidly about their experiences with Joan Tower in the Peer Reflections section of the book. The bibliography of works lists each composition with date of publication, duration, dedication and commissioning data, and when available, premiers and selected performances. The discography entries include both commercial and non-commercial recordings, and an annotated bibliography precedes a comprehensive index.

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From the assertion of the Monroe Doctrine in 1823 to the Reagan Doctrine of the 1980s, the United States has presumed a position of political leadership and pre-eminence in the Western Hemisphere. This has been made possible by two main factors: America's huge economy, which has made the U.S. the largest single commercial market and the biggest investor in Latin America, and America's military prowess, which has been convincingly demonstrated in victories in the Mexican-American War (1846-1848) and the Spanish-American War (1898). This volume concentrates on the history of diplomatic relations between the U.S. and the nations of Latin America from the creation of the independent United States in the late eighteenth century up to the present. This is accomplished through a chronology, an introduction, a bibliography, appendixes, and hundreds of cross-referenced dictionary entries on the countries involved, significant events, major crises, important figures, controversial issues, and doctrines and policies that have evolved. For scholars, historians, and students interested in the diplomacy of these two regions, the Historical Dictionary of United States-Latin American Relations is an essential reference.

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The second edition of the Historical Dictionary of the Gulf Arab States comes at a time when the world's attention is riveted on the Middle East. The small states covered in this volume—Bahrain, Kuwait, Oman, Qatar, and the United Arab Emirates (UAE)—possess about 20 percent of the world's total oil reserves. Beyond the strategic and economic importance conferred upon them by their vast oil reserves, the Gulf Arab states are worthy of attention for the inherent interest of their history and culture. No area of the world has yielded more revealing and exciting archaeological finds in the past few decades than these states. Investigations have brought to light extensive evidence of an important culture as old as Egypt of the Pharaohs or ancient Babylon, which was virtually unknown previously except through rare references in the records of other civilizations. This expanded second edition covers the history of the five countries through a chronology broken down by country, a list of acronyms and abbreviations, an introductory essay, a bibliography, and several hundred cross-referenced dictionary entries on important persons, places, and events of each country. Everything from the Abbasids to Zubarah is covered in this essential reference on this increasingly important region of the world.

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When it began, modern Spanish cinema was under strict censorship, forced to conform to the ideological demands of the Nationalist regime. In 1950, the New Spanish Cinema was born as a protest over General Francisco Franco's policies: a new series of directors and films began to move away from the conformist line to offer a bold brand of Spanish realism. In the 1950s and early 1960s, filmmakers such as Juan Antonio Bardem, Luis García Berlanga, and Luis Buñuel expressed a liberal image of Spain to the world in such films as Muerte de un ciclista (Death of a Cyclist), Bienvenido Señor Marshall (Welcome Mr. Marshall), and Viridiana. The emergence of new directors continued into the sixties and seventies with Carlos Saura, José Luis Borau, Víctor Erice, and others. After Franco's death in 1975, censorship was abolished and films openly explored such formerly taboo subjects as sexuality, drugs, the church, the army, and the Civil War. The Spanish cinema was no longer escapist and entertaining but, at long last, mirrored the society it depicted. While established directors like Saura, Bardem, and Berlanga continued to produce distinguished work, the "new wave" of Spanish cinema included brilliant films by the likes of Montxo Armendáriz (Tasio), Fernando Trueba (First Work), Imanol Uribe (The Death of Mikel), and Pedro Almodóvar (Women on the Verge of a Nervous Breakdown). In the last couple of decades, exciting works by established filmmakers and newcomers alike continue to be produced, including Alejandro Amenábar's Thesis, José Luis Garcí's The Grandfather, and Almodóvar's Talk to Her and Volver. In Great Spanish Films Since 1950, Ronald Schwartz presents a compendium of outstanding Spanish films from the pre-Francoist era through the Spanish New Wave of the 80's and 90's and into the present day. Schwartz provides background, plot, and commentaries of key films from six decades of Spanish cinema. In addition to identifying

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The Etruscans were the creators of one of the most highly developed cultures of the pre-Roman Era. Having, at one time, control over a significant part of the Mediterranean, the Etruscans laid the foundation of the city of Rome. They had their own language, which has never been totally decoded, and their art influenced such artists as Michelangelo. While the Etruscans were eventually conquered by the Romans, they left a rich culture behind. The Historical Dictionary of the Etruscans relates the history of this culture, focusing on aspects of their material culture and art history. A chronology, introductory essay, bibliography, appendix of museums and research institutes, and hundreds of cross-referenced dictionary entries on important persons, places, events, and institutions provide an entry into a comparative study of the Etruscans.

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More than fourteen years have passed since the second edition of the Map and Geography Round Table's Guide to U.S. Map Resources appeared in 1990. The third edition offers users a detailed snapshot of and guide to hundreds of map collections and cartographic resources in libraries and repositories throughout the nation. Substantial changes have occurred within library map collections over the past decade and a half, and not surprisingly, the computer has been at the core of most of these innovations. Geographic information systems (GIS), the World Wide Web, email, Portable Document Format, data sets, the Internet and digitization have all played revolutionary roles in transforming libraries—and map collections in particular—over the past fifteen years. Today's librarian who works with maps is no longer limited by the contents of his or her own map and atlas collection. In many cases the librarian can turn to the Internet and locate a map or data set physically located in a library hundreds of miles away. However, this is not always the case. But knowing which collection may contain a needed cartographic item can be a valuable first step in locating the item in question. As map collections everywhere continue to grow, new maps, digital files, aerial photos, and atlases become available to users every day. This detailed, timely, and reliable guide to these varied and still somewhat "hidden" cartographic collections—and their personnel—serves as a useful reference tool, especially in this digital age, when library online catalogues are immediately and readily accessible.

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Ma'lûf is an Arabic word meaning 'familiar' or 'customary'. In Tunisia, it is the term used for the indigenous Arab Andalusian musical tradition. Like the related musical traditions of Morocco, Algeria, and Libya, the ma'lûf originated in the Islamic courts and cities of medieval Iberia (Al-Andalus) and is associated with the migrations of Muslim and Jewish refugees into North Africa in the wake of the Christian reconquest. This is the first English-language book on Tunisian music or any national tradition of Arab Andalusian music, and it is the only book in any language to survey the recent history of the ma'lûf since its modern revival in the early 20th century. Drawing from and expanding upon her extensive body of published writings, this book presents key aspects of Davis's original research on the ma'lûf, including its musical aesthetics, personalities, institutions and myths, through a century of modernization and change from the early twentieth century to the present day. The text is enriched by original photographs, musical examples, and song texts in Arabic and English translation, including a complete transcription of a twenty-minute performance of a nuba - the principal genre of Arab Andalusian music.

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Mercé Rodoreda is one of the best-known Catalan authors. Her works have enjoyed great success in academic circles, as well as in the general public. In the last 15 years, more than 150 articles and books about her work have been published, mainly in the United States and Spain. This annotated bibliography selects and comments on 198 critical narrative works, including nine biographical studies. It provides a detailed analysis of the critical perspectives which have been used to analyze Rodoreda's works, referring the reader to the bibliographical entries which best illustrate certain theoretical approaches or themes. This work will facilitate the work of researchers and students by summarizing the existing criticism and referring readers to appropriate sources of information, allowing them to identify themes and aspects of Rodoreda's works that have yet to receive the critical attention they deserve. This work is cosponsored by the Mercé Rodoreda Foundation.

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The largest and most comprehensive annotated bibliography of works published in English about Greece, its people, and modern times. Greece in Modern Times indexes nearly 4,000 books and articles in 22 disciplines published during the twentieth century. The covered texts illustrate the involvement of the broad areas of arts & humanities and behavioral & social sciences in Greece's modern development, from roughly the turn of the eighteenth century to the turn of the twenty-first century. The individual disciplines covered include art, drama, philosophy, theology & religion, anthropology, economics, education, and public policy & management. Disciplinary categories are subdivided into smaller thematic subsections. Entries are cross-referenced, and when appropriate they point to other texts not included in this particular volume. Greece in Modern Times offers a research path to students exploring any aspect of Modern Greece and a great reference for librarians looking to update any library's Greek studies collection. Also useful for scholars in Greek studies, classica, and modern European history.

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The period of post-World War II American printmaking is unique in the history of printmaking, as the volume and variety of prints proliferated and printmakers experimented with modern motifs and abstract forms. The printmaking explosion in America that began in the late 40s and early 50s carried the medium to prominence and acceptance. As a result of this rapid and fantastic growth, printmaking has come into its own as a respected art medium. Alongside printmaking's growing prestige, the print market flourished. Interest in printmaking grew quickly, and with new techniques emerging and evolving, the atmosphere in the nation encouraged creativity and experimentation. This period of American art was an innovative and productive era in the history of printmaking. Until now, there has been no comprehensive index of prints to bring biographical and critical material together with the published reproductions of works. The earlier indexes have been too general to be of value for scholarly research on prints. This index provides a one stop reference for this important period in printmaking history. In a single work, it provides all the information on published visual images of American prints from 1946 to 1996 as well as biocritical information on printmakers working in this time period.

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The years 1930-1933 were a time of experimentation and change. Sound (in English, French, German, Italian, and Spanish) was being added to image by the world's film studios. Motion Picture News warned that foreign-version "talkers" were "the only means of breaking into film markets abroad." Fans around the world made it clear that they were eager to hear movies in their own languages and had little tolerance for sound films in languages other than their own. In an ambitious and risky attempt to dominate the international sound film market, Paramount invested money abroad where great filmmaking talent was at hand. In the process, Paramount rendered an important service to film history: it put together one of the most complete film records of the talent of an era ever assembled by an institution in the industry. The company set up a huge studio complex in Joinville, near Paris. Robert T. Kane, an experienced Paramount executive, filled the Paris studios with an unprecedented collection of talent and captured on film an era that is now long gone. Waldman offers a look at the 300 films Paramount produced in Paris and the filmmakers who loaned their genius to an effort that has been unjustly overlooked by film historians.

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It was the " American Menace" according to the Scottish and English newspapers of the 1920s. The best players in the Scottish leagues were being drawn to American companies that offered good jobs in return for playing on the company soccer team. The resulting squads, many of them ethnic, beat the best teams in the world at that time. This period from 1921 to 1931 were the "Golden Years of American Soccer." With the skyrocketing economic prosperity of the United States and its corollary flood of new immigrants to America's shores, came interest in soccer as a new form of sports entertainment. It grew rapidly around Northeastern industrial towns like Fall River, Massachusetts, and Bethlehem, Pennsylvania. As with the popular North American Soccer League of the 1970s and 80s and its imported stars like Pele, the American Soccer League of the 1920s bid for the best soccer players in the world, creating a competitive, fertile environment for the growth of soccer. Unfortunately, few detailed records remain about these great teams and players. League records were lost after W.W. II and newspaper coverage was concentrated in smaller cities. Many of the League's heretofore unknown players possess no first name in print, and the unfortunate losers of matches and league championship games often went unreported altogether. During the later, tougher years of the Depression, many of the foreign players hunkered down in jobs or returned to their native countries. The disbanded American Soccer League was revived under the same name but very different circumstances in 1933, but never reached the same level of skill as during the 1920s. American Soccer League 1921-1931 is the result of Colin Jose's tireless determination to provide accurate history of soccer's evolution in the United States. Soccer was one of the most popular sports in the United States during the 1920s, often drawing huge crowds in relatively small towns to see the world's best players compete. Documented through thousands of newspaper clipp

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Marihuana, Motherhood & Madness features the complete shooting scripts of three Depression-era films directed by independent filmmaker Dwain Esper. A topic of growing interest among cinema aficionados and scholars, the lowbrow exploitation genre was the means by which small-scale entrepreneurs could compete with the major studios. Exploitation films addressed such controversial topics as drug use, prostitution, abortion, child marriage, and even bestiality—topics the major studios were forbidden to address by the Production Code Administration—salaciously exploiting the profitability of such taboo issues, while justifying their prurience by posing as educational tracts. Dwain Esper (1894-1982) was the exploitation industry's most audacious figure. Without any formal training in filmmaking, he operated his own film lab and studio (which he acquired when a debtor defaulted on a loan) and in 1932 began tapping into Depression America's appetites for iniquity. As technically crude as his films are, they possess a savage beauty and are highlighted by moments of sublime tenderness and startling horror, proving that Esper had a natural gift for the medium, even if he was only involved for the money. The screenplays included are: Modern Motherhood (1934), a social commentary on liberal marriages, abortion, and face-lifts; Maniac (1934), a treatise on mental illness delivered in the low-budget horror-movie format; and Marihuana: Weed with Roots in Hell (1936), a "drug scare" film in which a few puffs set an innocent high-school girl on a downward spiral to become a heroin-addicted, drug-pushing kidnapper.

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Many actors treat their profession as a purely artistic endeavor, rarely conceding that there is more to making a living than simply showing up on stage or in front of a camera. By refusing to seriously acknowledge that self-promotion is vital to their livelihoods, many performers can get quickly discouraged by the vicious circle of audition and rejection. However, with a little foresight and planning, actors can learn how to become their own best advocates for a career in the business of show. In Act Like It’s Your Business: Branding and Marketing Strategies for Actors, Jonathan Flom helps actors and others in the arts understand the power of branding. This guide walks the reader through the process of creating a personal brand for a small business and then marketing that brand and broadcasting it through every step of the process—from choosing clothing, arranging headshots, and designing resumes to selecting a repertoire, building a website, obtaining business cards, and networking. Flom also offers advice on such real-world issues as goal-setting, finances, contracts, and day jobs and provides insight and guidance on how to approach agents, auditions, and casting directors. A book of empowerment meant to shift the balance of control to actors themselves, Act Like It’s Your Business is aimed at professional performers as well as students who are getting ready to transition from college to career. Structured logically and step by step, this accessible guide will become the standard for nearly anyone hoping to build an enduring career in the performing arts.

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Hans von Bülow (1830-1894) is a towering figure of late 19th-century music. In his early years, he was crucial to championing Franz Liszt's instrumental works. He would also conduct the premières of Richard Wagner's musical dramas Tristan and Isolde and The Mastersingers and become the first to perform all five of Ludwig van Beethoven's late piano sonatas in one recital. In 1869, after breaking away from Wagner, Bülow became one of the most important proponents of orchestral works by Johannes Brahms, whom he had known personally for decades. Hans-Joachim Hinrichsen's Hans von Bülow's Letters to Johannes Brahms, originally published in German in 1994, covers the correspondence between Hans von Bülow and Brahms from 1877 to 1892, with Brahms's replies, where obtainable, included in the commentary. In addition to selected facsimiles of letters, postcards, and concert programs, this research edition of the correspondence of these two giants of classical music includes a thorough commentary explaining individuals, events, and issues discussed in the letters. Authoritatively researched, Hinrichsen's edition of these letters, artfully translated by Cynthia Klohr, brings to life the world of music that Brahms and Bülow inhabited. As the first complete English rendition of all extant letters written by Bülow to Brahms, Hans von Bülow's Letters to Johannes Brahms is a formidable collection of primary sources, offering critical insights into one of the key relationships in the history of 19th-century classical music. Musicians, musicologists, and historians will all find this book to be a fascinating read.

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Timme Rosenkrantz (1911–1969) was a Danish journalist, author, concert and record producer, radio show host, and entrepreneur with a consuming passion for jazz and little head for business. Known in Denmark and New York as the “Jazz Baron” because of his noble lineage, he was the first European journalist to cover the jazz scene in Harlem. Harlem Jazz Adventures: A European Baron’s Memoir, 1934–1969 recounts Rosenkrantz’s happy years in New York City, where he would produce jazz concerts, record top musicians and bands in his midtown apartment, organize a “dream band” for Timme Rosenkrantz and His Barrelhouse Barons, a 1938 RCA Victor recording, (DL) live in Harlem and run a record shop with his life companion, journalist and singer Inez Cavanaugh. A good friend of jazz impresario John Hammond, Rosenkrantz would become the James Boswell of the Harlem jazz scene. Duke Ellington, Art Tatum, Coleman Hawkins, Billie Holiday—there wasn’t a New York jazz musician unknown to “Honeysuckle Rosenkrantz,” as christened by Fats Waller. Drawing on the published Danish-language original Dus med Jazzen, and an unpublished English free translation (DL) by Rosenkrantz and Cavanaugh, translator-adapter Fradley Hamilton Garner gives polish and context to Rosenkrantz’s stories of meetings with Cecile and Louis Armstrong, Benny Carter, Willie “The Lion” Smith, Eddie Condon, Erroll Garner—whom Rosenkrantz discovered and was first to record—and many others. This book is a must-have for jazz lovers. Social historians interested in the intersection of race and the music business will find in Rosenkrantz’s memoir an invaluable primary source on Harlem’s social scene and its musical legacy.

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There have been two common assumptions about Stanley Kubrick: that his films portray human beings who are driven exclusively by aggression and greed, and that he pessimistically rejected meaning in a contingent, postmodern world. However, as Kubrick himself remarked, "A work of art should be always exhilarating and never depressing, whatever its subject matter may be." In this new interpretation of Kubrick's films, Julian Rice suggests that the director's work had a more positive outlook than most people credit him. And while other studies have recounted Kubrick's life and production histories, few have offered lucid explanations of specific sources and their influence on his films. In Kubrick's Hope, Rice explains how the theories of Freud and Jung took cinematic form, and also considers the significant impression left on the director's last six films by Robert Ardrey, Bruno Bettelheim, and Joseph Campbell. In addition to providing useful contexts, Rice offers close readings of the films, inviting readers to note details they may have missed and to interpret them in their own way. By refreshing their experience of the films and discarding postmodern clichés, viewers may discover more optimistic themes in the director's works. Beginning with 2001: A Space Odyssey and continuing through A Clockwork Orange, Barry Lyndon, The Shining, Full Metal Jacket, and Eyes Wide Shut, Rice illuminates Kubrick's thinking at the time he made each film. Throughout, Rice examines the compelling political, psychological, and spiritual issues the director raises. As this book contends, if these works are considered together and repeatedly re-viewed, Kubrick's films may help viewers to personally grow and collectively endure.

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