Search results for ""Renard Press Ltd""

The countdown to the millennium has begun, and people are losing their heads. A so-called Y2K expert gives a presentation to Scotland's eccentric Tech Laird T.S. Mole's entourage in Edinburgh, and soon long hours, days, weeks and months fill with seemingly chaotic and frantic work on the 'bug problem'. Soon enough it'll be just minutes and seconds to go to midnight. Is the world about to end, or will everyone just wake up the next day with the same old New Year's Day hangover? A book about what we know and don't know, about how we communicate and fail to, My Book of Revelations moves from historical revelations to the personal, and climaxes in the bang and flare of fireworks, exploding myths and offering a glimpse of a scandal that will rock Scotland into the twenty-first century. As embers fall silently to earth, all that is left to say is: Are we working in the early days of a better nation?

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Exploring his colourful, rich and often dramatic life in London and summers spent in southern Italy among his large extended family, Do I Bark Like a Dog? considers the roots of Volpe's identity. Delving into family secrets and lies, he discovers how extraordinary events filtered through time to propel his unlikely but successful career in opera.

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First published in 1923, Exile and Other Poems is an important, poignant collection from one of the foremost Imagist war poets. Penned after witnessing the horrors of the frontline during the First World War, Aldington’s brutal, honest verse lays bare unimaginable experiences. The first part of the collection, ‘Exile’, explores the poet’s survivor’s guilt, post-traumatic stress and sense of alienation. The collection continues with a ‘Songs for Puritans’ and ‘Songs for Sensualists’, pastiches of seventeenth and eighteenth-century love poetry, and a series of more personal poems exploring the natural world, from which Aldington drew reassurance. Enriched with a fascinating introduction and explanatory notes by leading Aldington scholars Elizabeth Vandiver and Vivien Whelpton, this centenary edition seeks to place Exile firmly back on the map of war poetry, from which it has been missing for too long.

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First published in 1844, The Fir Tree is a moving short story about a tree that is so desperate to grow up that it cannot appreciate the present. Following the tree from its early years until it is big enough to be cut down and used as a Christmas tree, it highlights the importance of living in the moment, and offers a topical and bleak outlook on our use of nature. Part of Renard’s successful Christmas Card Classics series, 25% of the RRP of each book sold goes to the Three Peas, a small charity supporting refugees.

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When Maggie Byrne attends the retirement dinner of her old music teacher at the convent school she attended, she discovers she has more in common with the founding nun, Cornelia Connelly, than she previously realised. As events in Maggie’s world progress and relationships break down, Cornelia’s remarkable life waltzes and weaves through Maggie’s, bringing them together through their shared love for music. Inspired by true stories of the nineteenth-century educational pioneer and reverend mother Cornelia Connelly and an ex-student of one of the schools she founded, Waltz With Me paints a moving picture of the challenges of marriage and motherhood, the calling of vocation, the nature of personal sacrifice for a greater cause and the impact of faith, infusing live waltz, sacred and folk music through the unfolding drama.

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Stories surrounding the legendary King Arthur have been told since time immemorial, and every generation has a new take on the tale. The Fragile Land approaches the legend from a radical angle, setting it firmly in the post-Roman world of late fifth-century Europe, when the language of Britannia was still Brythonic and the Saxons had not yet superimposed their own place names. The Fragile Land chronicles the crucial years of Arthur’s life, from the age of fifteen into his early thirties, as he comes to the fore as elected Overlord, empowered to confront the Barbarian threat and to keep the factious leaders of the island’s kingdoms in some sort of political alliance. Enhanced by a beautifully illustrated map by the artist Kate Milsom, Simon Mundy’s cunningly woven tale of an island in unrest draws subtle parallels with contemporary cultural disputes and casts the legend in a whole new light.

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Against the backdrop of brutal invasion, it is much easier for right-wing figures to target marginalised groups, and during wartime the queer community is exceedingly vulnerable to persecution, scapegoating and censorship. Being visibly queer in Ukraine is an act of rebellion in itself, but LGBTQI+ people find ways to express themselves against all odds, to create beyond all constraints. And what is queerness without defiance - the linking of arms, the echo of a hundred voices? Every voice tells a story, and this anthology is a platform for these voices, an archive of their existence. It is time for them to tell their stories on their own terms - and for the rest of the world to stand in solidarity with them. Proceeds from the sales of this book go to a selection of charities supporting LGBTQI+ people in Ukraine. The list is periodically reviewed so that funds go to where they're most sorely needed, but includes: TU Platform Mariupol (Supporting queer youth), Queers For Ukraine (Supporting people with HIV in Ukraine and delivering much-needed hormones for the trans community) and Insight NGO (Humanitarian Aid for the LGBTQI+ community in Ukraine).

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A mysterious suicide pandemic sweeps the world, leaving nations reeling, pointing fingers. Losing her parents to the tragedy as a child, Laura makes a failed attempt to take her own life, and suffers at the hands of those cast as her protectors. Fourteen years later, still trying to escape her pain, she meets a powerful entrepreneur whose groundbreaking technology offers the ultimate freedom - a soul-flight. Tempted by the promise, she strikes a deal that will change her life for ever. Laura soon discovers that the soul-flight is not quite what it seems, and she is no longer in control of her mind, the confines of her body and the outside world starting to blur. To regain control of herself, Laura must travel into dimensions previously inaccessible and uncover a past she never knew she had. A powerful, thought-provoking tale set in a world transformed by technology, Never Laura is a startling work in which the dance between humanity and artificial intelligence challenges the very essence of who we are.

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Revolution has torn through the land, leaving society teetering on a knife edge. A young artist finds himself holed up at the City Hotel with his mother, where he must sing for his supper. In the face of ruin, with a pile of unpaid hotel bills growing out of control, the artist has just three days to produce one hundred artworks before he and his mother are turned out onto the street. Forced to face his demons, the artist struggles to stay on course, and soon finds he has to consider the very nature of art and capitalism if he is to succeed in his task. 'A stunning debut… a profound examination of the value and meaning of being an artist… a series of hilarious tirades hide a deeper exploration of artistry and the ideal conditions for art to be made.' — Broadway World, 'Set in a disturbingly familiar future, this play makes us ponder the true value of art.' — London Pub Theatres Magazine

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For many years the victim of smear campaigns by notable male writers, and dismissed as being merely ‘the mother of Mary Shelley’, Mary Wollstonecraft has claimed her rightful title as one of the founders of feminist thought, a movement anchored in her Vindications. Outraged by Edmund Burke’s Reflections on the Revolution in France, its use of gendered language and defence of monarchy and hereditary privilege, A Vindication of the Rights of Men turned the tables on philosophy. A Vindication of the Rights of Woman swiftly followed, taking the conversation further, and arguing the case for women’s education. Together, these two seminal works went on to change the course of history, and her arguments continue to hold water today. This edition contains explanatory notes and an introduction by Bee Rowlatt, Chair of the Wollstonecraft Society.

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First delivered as a speech to schoolgirls in Kent in 1926, this enchanting short essay by the towering Modernist writer Virginia Woolf celebrates the importance of the written word. With a measured but ardent tone, Woolf weaves together thought and quote, verse and prose into a moving tract on the power literature can have over its reader, in a way which still resounds with truth today. 'I have sometimes dreamt, at least, that when the Day of Judgement dawns and the great conquerors and lawyers and statesmen come to receive their rewards – their crowns, their laurels, their names carved indelibly upon imperishable marble – the Almighty will turn to Peter and will say, not without a certain envy when he sees us coming with our books under our arms, “Look, these need no reward. We have nothing to give them here. They have loved reading.”'

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'We were ushered into this banqueting scene with the sound of minstrelsy, the old harper being seated on a stool beside the fireplace and twanging his instrument with a vast deal more power than melody. Never did Christmas board display a more goodly and gracious assemblage of countenances.' First published in 1820 in Irving’s masterpiece, The Sketch Book, The Christmas Dinner is a charming tale by the great American writer behind such timeless classics as The Legend of Sleepy Hollow and Rip Van Winkle. Painting the scene of a Christmas dinner spent at the table of Bracebridge Hall, a countryside manor, the merry songs and stories of the dinner table echo with jollity of Christmases long past. (Part of Renard’s Christmas Card Classics series, 25% of the RRP of each book sold goes to Three Peas, a small refugee charity. This year, instead of a Christmas card, why not send a book?)

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George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In The Prevention of Literature, the third in the Orwell’s Essays series, Orwell considers the freedom of thought and expression. He discusses the effect of the ownership of the press on the accuracy of reports of events, and takes aim at political language, which ‘consists almost entirely of prefabricated phrases bolted together.’ The Prevention of Literature is a stirring cry for freedom from censorship, which Orwell says must start with the writer themselves: ‘To write in plain vigorous language one has to think fearlessly.’

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George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. Politics vs. Literature, the fourth in the Orwell’s Essays series, is, at heart, a review of Jonathan Swift’s Gulliver’s Travels. Having been given a copy of the book on his eighth birthday, Orwell knows it inside out, and thinks highly of it; it is ‘pessimistic’, though, he says – ‘it descends into political partisanship of a narrow kind,’ designed to ‘humiliate man by reminding him that he is weak and ridiculous.’ Using the book as an example of enjoying a book whose author one cannot stand, Orwell goes on to say that he considers Gulliver’s Travels a work of art, leaving the reader to reconsider the books on their own shelves.

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First published in 1921 as part of her ground-breaking short-story collection Monday or Tuesday, Kew Gardens follows the thoughts of a set of characters walking past a flower bed in the royal botanic garden on a hot July day. Interweaving the thoughts of the characters with depictions of the natural world surrounding them, the narrative flows from mind to mind, from the tranquil flower bed to the bustling city outside. Written in Woolf’s trademark style, brimming with keen observation and rich language, Kew Gardens is both a paean to the natural world and an empathetic exploration of human experience. 'The light fell either upon the smooth, grey back of a pebble or the shell of a snail with its brown, circular veins, or, falling into a raindrop, it expanded with such intensity of red, blue and yellow the thin walls of water that one expected them to burst and disappear… Then the breeze stirred rather more briskly overhead and the colour was flashed into the air above, into the eyes of the men and women who walk in Kew Gardens in July.'

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Written when Austen was just sixteen, these pages are stuffed with the wit and biting satire so associated with her name, and deserves to be as well known as her later novels. This edition also contains an introduction by G.K. Chesterton, with which it was first published.

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Penned in 1925 during the aftermath of a nervous breakdown, On Being Ill is a groundbreaking essay by the Modernist giant Virginia Woolf that seeks to establish illness as a topic for discussion in literature. Delving into considerations of the loneliness and vulnerability experienced by those suffering from illness, as well as aspects of privilege others might have, the essay resounds with an honesty and clarity that still rings true today. ‘Novels, one would have thought, would have been devoted to influenza, epic poems to typhoid, odes to pneumonia, lyrics to toothache. But no – with a few exceptions… literature does its best to maintain that its concern is with the mind; that the body is a sheet of plain glass through which the soul looks straight and clear, and, save for one or two passions such as desire and greed, is null, and negligible and non-existent.’

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First published in 1928, The Tower was Yeats's first collection published after receiving the Nobel Prize in 1923, and it is perhaps the major work that most cemented his reputation as one of the foremost literary figures of the twentieth century. The titular poem, 'The Tower', refers to Thoor Ballylee Castle, a Norman tower that Yeats purchased in 1917, and which formed the basis of the original cover design - evoked in the cover of this edition. The collection also includes some of his most inventive and profound work, and develops deep themes regarding life, love and myth. With explanatory notes, this edition seeks to bring the collection to a greater readership and to offer a more profound understanding of the great poet’s work.

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Working men of all countries, unite! First published in 1848, The Communist Manifesto is one of the most influential pieces of writing of all time. Written by two leading German philosophers whose names are now universally known, The Communist Manifesto is a documentation of class struggle and the plight of workers under capitalism, and a call for redress. In it, Marx and Engels lay out a searing account of the damage wrought by capitalism, and set out a route towards an alternative: a society without class, private property or a state. Beating a path for revolution and the overthrow of capitalism, The Communist Manifesto is a stirring call to arms that resounds with truth and power today.

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Edie finds the world around her increasingly difficult to comprehend. Words are no longer at her beck and call, old friends won't mind their own business and workmen have appeared in the neighbouring fields, preparing to obliterate the landscape she has known all her life. Rattling around in an old farmhouse on the cliffs, she's beginning to run out of excuses to stop do-gooders interfering when one day she finds an uninvited guest in the barn and is thrown back into the past. Jonah has finally made it to England - where everything, he's been told, will be better. But the journey was fraught with danger, and many of his fellow travellers didn't make it. Sights firmly set on London, but unsure which way to turn, he is unprepared for what happens when he breaks into Edie's barn. Haunted by the prospect of being locked away and unable to trust anyone else, the elderly woman stubbornly battling dementia and the traumatised illegal immigrant find solace in an unlikely companionship that helps them make sense of their worlds even as they struggle to understand each other. Crossing Over is a delicately spun tale that celebrates compassion and considers the transcendent language of humanity.

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In Stone Children Britain's love and usage of the Continent is laid bare. A couple eat their way through France and are overcome by greed; an ashes-scattering goes terribly wrong; a house is haunted by pain and abuse. Through each powerful tale we follow, mesmerised, moving through time and across continents, as the flaws and greed of humanity are exposed with extraordinary skill and wit.

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Set in the valleys of South Wales at the tail end of Thatcher's Britain, The Green Indian Problem is the story of Green, a seven year-old with intelligence beyond his years - an ordinary boy with an extraordinary problem: everyone thinks he's a girl. Green sets out to try and solve the mystery of his identity, but other issues keep cropping up - God, Father Christmas, cancer - and one day his best friend goes missing, leaving a rift in the community and even more unanswered questions. Dealing with deep themes of friendship, identity, child abuse and grief, The Green Indian Problem is, at heart, an all-too-real story of a young boy trying to find out why he's not like the other boys in his class. Longlisted for the Bridport Prize (in the Peggy Chapman-Andrews category)

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1999. Lucy is in labour. She's just been handed a document to sign and her sense of self is beginning to deteriorate. 2024. Claire is an art student. Her latest panic attack means her art course could be over. Oh, and she can't stop contemplating her own mortality. Claire and Lucy have OCD. But they don't know that yet. Misdiagnosis, mistreatment and misinformation around OCD were rife in 1999 And still are now.

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The concept of identity - be it class, gender, sexuality, national, institutional, or anything else we define ourselves by - has gone through radical change over the past half-century, and the idea of definition by binary oppositions is no longer as relevant as it once was. Spectrum is a poetry anthology that seeks to amplify marginalised voices, and to celebrate the great diversity and rich variation in the identities of people from around the world and from a huge cross-section of walks of life.

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Set between the Black Hills of South Dakota in 1973 and East Coast suburbia in 1968, Black Hills picks out a stark portrait of intricate familial relationships, and how dark events in the past must be addressed before they take root. Toying with heavy themes, and engaging with the notions of American identity and domestic violence, Black Hills is a thought-provoking tour of one family's past that leaves a lasting impression.

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As recounted by the Roman poet Ovid, a young nymph, Salmacis, one day spied Hermaphroditus bathing; consumed with passion, she entered the water and, begging the gods to allow them to stay together, the two became one - part man, part woman. An Eclectic Pagan, for Elizabeth Ovid's fables are more than fiction, and form a framework for exploring identity. Drawing on the rich mythological history associated with the tale of Salmacis and Hermaphroditus, and re-examining the tale through the lens of metaphor, Salmacis: Becoming Not Quite a Woman is a stirringly relatable and powerful exploration of gender, love and identity. this is my lake salmacis, and i am the wild nymph with a hollow in her belly and nothing between her legs

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The life of fifteenth-century heroine Joan of Arc is the stuff of legend, and her cruel death (burnt at the stake aged just nineteen) led to her being declared a martyr, granting her an impressive legacy. Following her canonisation in 1920, and against a history of overly romanticised retellings of the story, Bernard Shaw put pen to paper to give a more accurate account, without resorting to demonising her persecutors; as he writes in his preface, 'there are no villains in the piece'. It was an immediate success, securing him the Nobel Prize for Literature, although critics were initially divided by this frank approach - T.S. Eliot was outraged, saying, 'instead of the saint or the strumpet of the legends... he has turned her into a great middle-class reformer.' Nonetheless - or perhaps even because of this controversy - Saint Joan is considered one of Bernard Shaw's finest and most important plays. This edition has an introduction by Simon Mundy, who has spent several years as Vice-President of PEN International's Writers for Peace Committee, and extensive explanatory notes.

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Engaged, W.S. Gilbert’s most popular stage work after the comic operas he produced in collaboration with Arthur Sullivan, is a farcical comedy that has long lived in the literary shadows – although wildly neglected today, the play influenced literary names as great as George Bernard Shaw, and directly inspired Wilde’s The Importance of Being Earnest. Centring on a rich young man’s search for a wife and his uncle and best friend’s attempts to hinder him, the play toys with conventional notions of love and sincerity. In this edition, which also contains notes and an essay by the undisputed authority on W.S. Gilbert, Andrew Crowther, Engaged deserves to step out into the spotlight once more.

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Nightmare Abbey is a novella by Thomas Love Peacock, first published in 1818, widely considered to be Peacock’s most enduringly popular work. The narrative centres on Christopher Glowry, a miserly widower, his son Scythrop and a host of dismal-sounding servants in his family pile, Nightmare Abbey. Recovering from an ill-fated love affair, Scythrop dreams up various schemes to reform and regenerate the human species, but misanthropy lurks around every corner, and everything changes when a mermaid is spotted and a strange woman appears in his chamber. Although fundamentally a Gothic novel, and rich in allusion – from Pope to Dante, Rossini to Mozart – Nightmare Abbey is, at heart, a satire, as Peacock makes clear in the preface to a later edition, in which he describes the characters – allusions to his friends – as ‘status-quo-ites’, ‘morbid visionaries’, ‘romantic enthusiasts’ and ‘lovers of good dinners’.

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Hannah Snell's story begins with tragedy. In 1744 she married James Summs, a Dutch seaman. Soon after their marriage she fell pregnant, and Summs abandoned her and the child, who died just a year later. At this juncture, Snell donned a suit, assumed her brother-in-law's identity and set off in search of her errant husband. Boarding the sloop of war the Swallow in Portsmouth, Snell set sail to capture Pondicherry. Along the way she fought in many battles, sustaining multiple injuries, some of which made it difficult to keep her sex concealed. In 1750, she returned to London and told her story, setting down in The Female Soldier one of the most captivating military legends of all time, which went on to inspire generations of men and women alike. 'One of the most exotic and mysterious legends of military history.' (The Sunday Times) 'The most famous of all female warriors.' (Dror Wahrman, The Making of the Modern Self)

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First published in 1923 but failing to gain the same fame as her groundbreaking collection Monday or Tuesday, Woolf's short story In the Orchard is perhaps her most experimental, painting the same picture in three very different ways.

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A listless aristocrat, Lord Jones, finds himself in London during the Blitz, attending to insurance matters. A zebra and her foal, having escaped from the London Zoo during a bombing, cross his path, and he decides to take them back to his estate in Pembrokeshire. Little loved by his fascist-sympathiser parents, something in Lord Jones softens, and he realises he is lost, just like these zebras. The arrival of the zebras sparks a new lease of life on the Pembrokeshire estate, and it is not only Lord Jones but the families his dynasty has displaced that benefit from the transformation. Full of heart and mischief, The Zebra and Lord Jones is a hopeful exploration of class, wealth and privilege, grief, colonialism, the landscape, the wars that men make, the families we find for ourselves, and why one lonely man stole a zebra in September 1940 - or perhaps why she stole him.

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Van Jennings, a sociology student, and his two friends, Terry Nicholson and Jeff Margrave, set out one day to explore an uncharted area said to be home to a colony consisting entirely of women. Their biplane suitably hidden in the surrounding forest, the men begin their search for civilisation. But it is not long before they are discovered, and they are captured and taken in by the society they set out to study. As boundaries are broken down and the web of mystery is brushed aside, the men soon begin to realise that there is much to be envied about this society, and perhaps it is they that have some reckoning to do. Dealing with the powerful themes of consent, consumerism and colonialism, Herland is a thought-provoking tale that trains a lens on our own concepts of society.

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George Orwell set out 'to make political writing into an art', and to a wide extent this aim shaped the future of English literature - his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell's essays seeks to bring a wider selection of his writing on politics and literature to a new readership. Fearing that England was about to be wiped from the face of the earth by the Nazi bombers flying overhead, Orwell put pen to paper and set out to make a record of English culture. England Your England, the sixth in the Orwell's Essays series, is this record, and is an important tableau of the nation's history, and demonstrates a resolute refusal to bow to the threatening forces of Fascism.

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In 1940 the Second World War continued to rage, and atrocities wreaked around the globe made international waves. Wells, a socialist and prominent political thinker as well as a first-rate novelist, set down in The Rights of Man a stirring manifesto, designed to instruct the international community on how best to safeguard human rights. The work gained traction, and was soon under discussion for becoming actual legislation. Although Wells didn't live to see it enacted, his words laid the groundwork for the Universal Declaration of Human Rights, which enshrined human rights in law for the first time, and was adopted by the United Nations in 1948, changing the course of history for ever and granting fundamental rights to billions.

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One of the earliest known published works written by an African author, The Interesting Narrative was a groundbreaking memoir that helped pave the way for the abolition of slavery. In it, Equiano describes his early life in Africa, his abduction and his gruelling journey across the world on a slave ship. Published in London once Equiano had secured his freedom, the runaway success of the book led to his financial independence, and he toured England, Scotland and Ireland lecturing on the horrors described in the book, and he dedicated his life to advocating for the abolition of slavery. Forgotten until the 1960s, The Interesting Narrative has again shot to fame, and is now considered the most detailed account of a slave's life, exposing the trials of the long road to freedom.

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In 1892 a furious Charlotte Perkins Gilman put pen to paper and created the avant-garde feminist work The Yellow Wallpaper as a warning – in this haunting Gothic tale, a woman is confined to a room and forbidden to do anything interesting – and she loses her mind. In 1887, following a severe nervous breakdown, Gilman had been sent to a leading neurologist, she explains in ‘Why I Wrote The Yellow Wallpaper’, also included in this volume. He was a ‘wise man’ who ‘put me to bed and applied the rest cure… and sent me home with solemn advice to “live as domestic a life as far as possible”… and “never to touch pen, brush or pencil again” as long as I lived. I went home and obeyed those directions for some three months, and came so near the borderline of utter mental ruin that I could see over.’ The Yellow Wallpaper is both a haunting illustration of the treatment of mental health and a chilling Gothic tale, and this new edition makes it ready to enchant another generation of readers.

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The poetry of Dylan Thomas has long been heralded as amongst the greatest of the Modern period, and along with his play, Under Milk Wood, his books are amongst the best-loved works in the literary canon. This new selection of his poetry contains all of his best-loved verse - including 'I See the Boys of Summer', 'And Death Shall Have No Dominion', 'The Hand that Signed the Paper' and, of course, 'Do Not Go Gentle into that Good Night' - as well as some of his lesser-known lyrical pieces, and aims to show the great poet in a new light.

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Fifteen-year-old Ashleigh is clever and charming, and she soon becomes the neighbourhood's favourite babysitter. But she has an appetite for secrets. Fast-paced, witty and scalpel-sharp, One Woman Crime Wave examines the limits of what money can buy, and how easily the fragile web of middle-class privilege can be torn.

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The Alchemy is a robust, frank and loving guide to an often opaque industry. As well as offering tips on working in gentle increments and re-imagining what productivity and the work of writing look like, there is advice on sending out work and navigating the industry, looking after your mental health as you go. Full of practical advice, strategies, comfort and the occasional entertaining essay, The Alchemyy is about writing a book when you thought you could not. It is for all writers, but with a particular eye on those who are tired and lacking in confidence, and those who face significant challenges – perhaps you are chronically ill or care for a loved one. It is a book for beginners, but it is also for those of you who are stuck in your habits and practice – perhaps you just need a pal to guide you through the day to day with the book you wanted to write. That’s what The Alchemy is. Let’s do this together.

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Jane Austen, one of the nation's most beloved authors, whose face adorns our currency, surely needs no introduction, but while many are familiar with her groundbreaking novels, few have come across her short burlesque work The History of England. Billed a history 'from the reign of Henry IV to Charles I by a partial, prejudiced and ignorant historian', The History of England pokes fun at the overly verbose and grand histories of Austen's day. Written when she was just fifteen, this is a comic tour de force that shows Austen's wit developing into the satirical prowess she is remembered for.

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British South Asian poetry is flourishing throughout the UK, but it is still not being amply reflected in mainstream publishing. The Third Space project was conceived by award winning artist and poet, Suman Gujral, and has its eye on filling this gap and celebrating the best of the South Asian poetry scene.

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The debut poetry collection from a talented, fresh-voiced poet, People: Unfinished Poems is a lyrical, thought-provoking and moving selection that observes and enjoys the beauty and strangeness of people, exploring their connections to themselves, each other and the places in which they live. With particular attention paid to family, friendship, love, belonging and acceptance, the collection is a real celebration of human individuality and connection. Following a late diagnosis of ADHD, one strand of Ruth’s poetry explores and foregrounds the condition; the reader is invited into a mind that is endlessly thinking and never truly at rest. For Ruth, one result of this is intricate patterns and fragments of poetry sprawled across endless notebooks. This collection includes several poems presented in the poet’s own handwriting, decorated in much the same way as her notebooks, giving the reader an intimate insight into some of the artistic and creative aspects of neurodiversity.

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‘You see that Anna led an arduous and troubled life… Her face was worn, her cheeks were thin, her mouth drawn and firm, and her light blue eyes were very bright. Sometimes they were full of lightning and sometimes full of humour, but they were always sharp and clear.’ Under the grey, industrial skies of Bridgepoint (modelled on Baltimore), three women – Anna, Melanctha and Lena – live, work and love. Painting a powerful portrait of women trapped in drudgery, Stein’s Three Lives is a ground-breaking portrayal of abuse and non-heteronormative sexuality, and is a searing indictment of the struggles of the working class in turn-of-the-century America. An astonishing work that toys with style and conventions, Three Lives stands as a monument in Modernism and experimental literature, and comes from the pen of a writer whose intelligence and understanding bleeds from every page.

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Salomé, the haunting one-act tragedy that marks Wilde’s first great success in the theatre, retells the Biblical story in which the stepdaughter of the tetrarch Herod Antipas demands the head of John the Baptist on a silver platter as a reward for her dancing for her stepfather’s amusement. Written in 1891, and prepared for its first run in 1892, rehearsals of Salomé had to be cancelled when the play was banned by the Lord Chamberlain due to its depiction of religious characters. Undaunted, Wilde moved on to the drawing-room and society comedies he is today best known for, wowing London audiences with Lady Windermere’s Fan and A Woman of No Importance, and it was only in 1894 that Salomé saw the light of day in an English translation, with a series of specially commissioned illustrations by the up-and-coming Aubrey Beardsley.

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Waiting for Music is the fifth collection of poetry from the acclaimed writer Simon Mundy. A great champion of the arts, his relationships with musicians, visual artists and dancers are the main driving force behind his poetry, and this book sets out a playlist that stems from music, visual art and dance – from Brahms’ late piano works to a scene for soprano and dancers, written to be set by Roxanna Panufnik, that was inspired by a 16th century picture in the National Gallery. Published after a year spent waiting for music to appear on our landscape once more, Waiting for Music collects the voices of an array of composers, cultures and forms, set against backdrops ranging from Valparaiso to the Veneto, and celebrates the sounds and stages that have been missing from our lives this silent year.

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