Search results for ""Renard Press Ltd""

House clearances, charity shops, jumble sales and skipsThe significance of everyday possessions, heightened by absenceIf objects could talk of the dead, what would they say?Taking in its sights the significance of everyday possessions',All that Remainsis a powerful and poignant collection resulting from a collaboration between disciplines of art.Featuring ten beautiful full-page paintings, interwoven with poems, it forces us to consider what we leave behind in the everyday items we have amassed.

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If you want to get back to the beginningyou must fast forward to the end. I press play, drop into the solarsystem à la Holst, somewherebeyond the asteroid belt,rocketing ever further out. The poems in There's No Pluto in this Suite take the reader to the edges of ordinary experiences, places and narratives and ask them to leap from that ordinariness into the unexpected. The collection is broken into three parts, and the reader is taken on a ride through verse concerned with the experiences of immigration, travel and transience; then on to a gathering around the hearth, telling stories about what drives humans to live: vocations, love and journeys of discovery; and finally into a mythic realm, encountering holy fools, witchy saints and places of overlap between silly and sacred. There's No Pluto in this Suite is a playful collection that blends formal and free verse, lyric and narrative, and in which the profound rubs shoulders with the messy and the patently mysterious.

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These so-called Stupid Stories for Tough Times are a tonic for our times a search for sense in the strange and baffling times we live in, shot through, as all good stories should be, with humour and observational wit, with purpose, fate and dogs. 'Brilliant deadpan dystopia' (on Down to Earth)' Mike Leigh

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Women and Love is a thought-provoking collection of seventeen tightly woven tales about the power of love, all its trials and complications, and the shattered lives it can leave in its wake. The stories explore a huge variety of sorts of love surrounding women in wildly differing settings, and features an unforgettable cast including GPs, burglars, inmates, emigrant cleaners, carers, young professionals, and many more. Navigating heavy themes, with a particular focus on LGBTQ+ experiences, including gender dysphoria and searching for a sperm donor, the stories leave the reader burning with indignation, full of empathy and wonder. ‘I couldn’t sleep that night; our conversation was like a trapped bird flying around inside my head. The next morning, I texted to say I wouldn’t be coming back. I lied about having to return to my country to nurse a sick relative. I couldn’t bear to see my story mirrored in his eyes, and to see what we never had. I knew he’d understand.’

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In 2020, for the first time in centuries, heavy red curtains swept closed on stages across the West End; all theatres were closed. Two actors, keenly feeling the loss of their theatre homes, turned to a form of art that could still thrive over the following months, and set about photographing the stage doors of the deserted city. An extraordinary collaborative project almost two years in the making, Exeunt - The Stage Door Project collects together these moving images, alongside anecdotes from some of the world's leading luminaries who have trodden the boards of the pictured theatres. A tribute to the magical nature of the stage door and the tales lurking behind it, Exeunt is a celebration of the legendary theatres of the city, the extraordinary figures behind the curtain - and the faithful audiences who have flocked back after the storm. Proceeds from sales of this book go to the Actors' Benevolent Fund, ArtsMinds and Theatre Artists Fund Featuring the words of Dame Judi Dench, Emma Rice, Ned Seago, Simon Callow, John McCrea, Diane Page, Reece Shearsmith, Anita Dobson, Macy Nyman, David Bedella, Kwong Loke, Luke Giles, Stephanie Street, Dame Harriet Walter, Rebecca Frecknall, David Jonsson, Jackie Clune, Ben Cracknell, Richard Sutton, Adeyinka Akinrinade, Le Gateau Chocolat, Paule Constable, Lucian Msamati, Adrian Scarborough, David Acton, Natalie Law, Gordon Millar, Leanne Robinson, Thomas Aldridge, Katrina Lindsay, Eben Figueiredo, Andy Taylor, Aimie Atkinson, Jack Holden, Laura Donnelly, Laurie Kynaston, Abraham Popoola, Oengus MacNamara, Louis Maskell, Valda Aviks, Garry Cooper, Mark Dugdale, Lyn Paul, James Graham, Emma Sheppard, Paul Bazely, Preston Nyman, Lauren Ward, Jessica Hung Han Yun, Natalie McQueen, Gavin Spokes, Niamh Cusack, Paterson Joseph, Anna Fleischle, Daniel Monks, Michael Sheen, Lia Williams, Ruthie Henshall, Simon Lipkin, Tom Brooke, Ian Rickson, Rufus Hound, Zoe Tapper, Patsy Ferran, Joshua McGuire, Sharon D Clarke, Mark Gatiss, Taz Skylar, Marianne Benedict, Ferdinand Kingsley, Lez Brotherston, Tamsin Withers, Hadley Fraser, Karl Queensborough, Neil Salvage, Jessie Hart, Kathy Peacock, Howard Hudson, Jonathan Andrew Hume, Andy Nyman, Andrew McDonald, Claire Roberts, Michael Jibson, Jason Pennycooke, Christopher Tendai, Laura Baldwin, Matt Henry, Robert Lindsay, Simon Evans, Fisayo Akinade, Irvine Iqbal and Zoe Wanamaker.

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In 1881, three writers and rights activists, Susan B. Anthony, Elizabeth Cady Stanton and Matilda Joslyn Gage, came together to publish the first volume in their groundbreaking History of Woman Suffrage series – a series that eventually went on to fill 5700 pages and lend weight to a movement that changed the course of history for ever. Taking its dedication from the first volume of the History – to the memory of pioneering women whose ‘earnest lives and fearless words… have been, in the preparation of these pages, a constant inspiration’ – this volume collects together four essays that give an insight into the work as a whole, and provide a rounded introduction to the history of women’s suffrage on both sides of the Atlantic.

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New Beginnings is a poetry collection with a difference – resulting from an international competition seeking to find those whose voices were silenced in 2020, the resulting anthology forms a celebration of the end of the toxic aspects of 2020 and the pandemic, a glimmer of hope for the future and a manifesto for change. Featuring poetry by: Sora Li Anders, Lucy Beckley, Heinrich Beindorf, Martin Bennett, Nisha Bhakoo, David Bottomley, Allie Bullivant, Priyanka Kelly Burns, Laura Chouette, Rose Cook, Anna Dallaire, Ella Dane-Liebesny, Ieva Dapkevicius, Catherine Edmunds, Molly J. Evans, Voirrey Faragher, William Foster, John Gallas, Rosie Gliddon, Martha Grogan, David Hensley, Ellie Herda-Grimwood, Peter Hill, Simon Jackson, J.L. James, Jessica Johnson, Jasmine Kaur, Kathryn Louise Knight, Lizzy Lister, Karin Molde, Charlotte Murray, Ngoi Hui Chien, Jenna Pashley Smith, Elisabeth-Rae Reynolds, Heather Rodgers, C.M. Rosier, Hannah Ross, Kay Saunders, Melissa Sia, Aly Lou Smith, Sophie Sparham, Lynne Taylor, Christian Ward and Oyinmiebi Youdeowei.

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Alice hasn’t been home for a while – for seven years, in fact. But when her little sister Lo tries to take her own life, she has to return to the life she left behind. The change of scenery from London to Norfolk proves quite the culture shock, however, and Alice has to confront what she left behind all those years ago. The sisters’ relationship hasn’t evolved in Alice’s absence, and when she steps through the door she’s plunged back into the same world she escaped from. Set against Norfolk’s bleak landscapes, but masquerading as childhood nostalgia, Fridge is an all-too-familiar exploration of the broken promises of youth, and a bitter exposition of a generation left behind.

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In this short essay, Hill sets out a clear, concise argument for public access to parks, and argues for the rights we now take for granted. Our Common Land is a forgotten part of our cultural history, and demonstrates exactly why the founders of the National Trust thought it was so important to preserve ancient buildings and estates for the public.

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One of the most famous novelists in the English literary canon, the likes of Middlemarch and Silas Marner are household names, but Eliot’s essays are often overlooked. This collection brings together some of her most important essays and seeks to celebrate her non-fiction writing. In ‘Silly Novels by Lady Novelists’ Eliot states a desire – some few years before her best-known works – to turn her hand to novel-writing, and decries the trivial nature of contemporary writers, setting out a manifesto for good writing. In ‘Woman in France’ she considers the history of women’s writing, and the complications women face in order to write – something Eliot knew much about herself, adopting a male name to publish the work she did not publish anonymously. Taken together, this collection gives a rare and valuable insight into the author’s writing, and shines a light on her pioneering subtle form of feminism.

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'If you want to tell people the truth, make them laugh, otherwise they'll kill you.' One of the most prolific and respected playwrights of the twentieth century, Bernard Shaw's legacy shows no signs of waning, and his beautifully written plays, laced with wry wit and invective alike, have seen countless performances over the years, their finest lines paraded in literary conversation and review. Meticulously selected by Simon Mundy, the Wit and Acid series collects the sharpest lines from Shaw’s oeuvre in small neat volumes, allowing the reader to sample some of the very best barbs and one-liners the twentieth century has to offer, and this, the first volume, covers lines from the great writer’s works published before 1911.

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Alice is becoming more and more forgetful. Her daughter Mandy is always on hand to help out, but is starting to feel the strain. One day a long-forgotten photograph stirs a memory and lures Alice back to the Crown Hotel in Blackpool, where she hopes for the chance to dance in the tower ballroom one last time. But when mother and daughter reach Blackpool, nothing is quite how Alice remembers, and she finds herself getting lost in the past. One Last Waltz is a beautifully written portrayal of a family coming to terms with complications caused by Alzheimer's disease. By turns sparkling with wit and heart-wrenching in its honesty, it's filled with vital and compassionate insight into the sufferings accompanying a disease that has blighted the landscape for so many.

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'Eventually, she spoke. If you don't laugh, you'll cry, she said, as she did neither.' The fifth poetry collection from an award-winning poet, As if it Meant Something is a startlingly beautiful, wide-ranging selection that lays the tapestry of life beautifully bare. Dealing with the mundane and profound, everyday experiences sit alongside the devastating decay caused by domestic violence and terminal illness, the soaring beauty of the Irish coastline and love, art, thought.

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A café in Brussels that puts people at their ease – artists with European politicians, their assistants and tousled intellectuals with bar staff, twenty-somethings in need of a job with thirty-somethings who have one. Flagey is a comedy of manners that smiles refreshingly at Europe’s capital, relaxed and true to its context. Love and politics raise their heads and generally get smacked for the trouble. The Place Flagey is really there. So perhaps are some of those you will meet inside.

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François the Waif, considered by many to be Sand's masterpiece, tells the tale of a young orphan who is placed in rural foster care. Presented in a fresh edit of the original English translation, and with helpful annotations, this edition presents the text for a new generation of readers.

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When Lia lays an egg she doesn't know what to do. At her age, it's impossible to escape the baby question. She feels her heart's not in it but the egg is impossible to ignore Fledging is a riveting tale and resounding call for a woman's right to make her own choices, whether that means embracing motherhood or living child-free.

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Simon Mundy's Selected Poems is a monumental collection that brings together work published in five collections, across five decades, including the critically acclaimed By Fax to Alice Springs and More for Helen of Troy, as well as the more recent Waiting for Music, which included many of his collaborations with composers.

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What was it that got you through the Covid-19 pandemic? For some it was long walks; others turned to home baking. For millions it was video games, a booming industry which exploded in popularity over the pandemic years. Confined to our homes and with the lines of reality becoming blurred as everyday life shifted to screens, perhaps it was no wonder that so many of us were desperate to be transported to different worlds. In Playing with Reality: Gaming in a Pandemic, journalist and presenter Alex Humphreys, a passionate gamer herself, investigates this extraordinary boom in the gaming industry. Charting its rise, Alex interviews players and developers, sharing a glimpse of what was going on behind closed doors as studios closed and games were finished from home. Playing with Reality explores exactly what it was that made gaming a lifeline for so many, and what the future holds as we look to the metaverse.

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First published in 1925, set 'one Wednesday in mid-June', Mrs Dalloway charts the lives of several characters across a day in London. While Clarissa Dalloway goes about preparing for a high-society party she is to host that evening, pondering on her childhood and marriage, nearby Septimus Warren Smith, a First World War veteran, is plagued with memories of the war and of his friend who never returned. Weaving a multitude of voices and eras into one, dressed in the most beautiful of language, Mrs Dalloway has earned its reputation as one of the most iconic novels of the twentieth century and great successes of Modernist fiction. This edition also contains ‘Mrs Dalloway in Bond Street’, the short story upon which the novel is modelled.

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Exponentially increasing levels of unemployment and simmering racial tension in Moss Side, inner Manchester, exploded into mass riots on the 8th of July 1981, following the siege of a police station. In the Moss frames the events from the perspectives of Janet, a student nurse working in A&E, and Nav, a Sikh police officer on the streets. Both crave a return to normality and just want to fit in, but when violence breaks out and a teenage boy is stabbed, they are thrust together and forced to confront questions that arise about what really happened in the Moss.

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Bars Fight, a ballad telling the tale of an ambush by Native Americans on two families in 1746 in a Massachusetts meadow, is the oldest known work by an African-American author. Passed on orally until it was recorded in Josiah Gilbert Holland’s History of Western Massachusetts in 1855, the ballad is a landmark in the history of literature that should be on every book lover’s shelves.

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In 1773, Poems on Various Subjects, Religious and Moral became the first book of poetry by an African-American author to be published. At the tender age of seven, Phillis had been brought to Massachusetts as a slave and sold to the well-to-do Wheatley family. There, she threw herself into education, and soon she was devouring the classics and writing verse with whatever she had to hand – odes in chalk on the walls of the house. Once her talent became known, there was uproar, and in 1772 she was interrogated by a panel of ‘the most respectable characters in Boston’ and forced to defend the ownership of her own words, since many believed that it was an impossible that she, an African-American slave, could write poetry of such high quality. As related in the 1834 memoir by an outspoken proponent of antislavery, B.B. Thatcher, also included in this volume, the road to publication was not straight, and while it became clear that such a volume could not be published in America at the time, Phillis was recommended to a London publisher, who brought out the book – albeit with an attestation as to her authorship, as well as a ‘letter from her master’ and a short preface asking the reader’s indulgence. This edition includes the attestation, the ‘letter from her master’ and notes from the original publishers as an appendix, so that the twenty-first-century reader can discover Phillis Wheatley as she should have been read – as a poet, not property.

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The Rover, or, The Banished Cavaliers is the most popular play by the Restoration playwright (and spy) Aphra Behn, first performed in 1677. Although Behn’s work as a spy for Charles II came to a sudden end with a spell in debtor’s prison, she was a stout Royalist, and the title refers to Charles’ supporters, who were living in exile on the Continent. In the tradition of Restoration comedy, the play follows the wild exploits of a group of English gentlemen in Naples at Carnival time, although many of the tropes of the genre are subverted to an extent which sent shockwaves through the theatre world. Behn’s infamous libertine Willmore was an instant hit, and The Rover catapulted her to overnight fame, and brought her an income from the box office, making her one of the first women to earn a living by their pen.

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‘So let’s build the tension – everybody put your hands on your legs and give us a drum roll please! Stamp your feet! Here we go!’ It’s the final performance of a Cinderella panto in a moth-eaten, regional theatre, and backstage tensions between the ugly sisters are threatening to boil over on to the stage. Will the egotism, one-upmanship and sexual politics remain confined to the dressing room, or will the bitter rivalry and jealousy between the two actors steal the show? Oh No It Isn’t! is a brilliantly observed, raucous yet moving new play exploring the highs and lows of life in the theatre.

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Long before Shakespeare's name was synonymous with the stage he built a name as a poet, and Venus and Adonis was likely the first work to be published by the same quill that gave the world Macbeth, Romeo and Juliet and the rest of the canon.

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A trail-blazing writer of great repute in her day, but now unjustly neglected, Baroness Emmuska Orczy’s name was synonymous with the mystery genre in the early twentieth century, particularly for her Scarlet Pimpernel books, set during the French Revolution. But perhaps the most revolutionary of her works is the lesser-known Lady Molly of Scotland Yard, a short-story collection revolving around Molly Robertson-Kirk, a fictional London detective – indeed, published in 1910, Molly was one of the first fictional female detectives, and served as a prototype for many that followed. Beautifully presented and with helpful explanatory notes, this edition celebrates Orczy’s heroine and aims to reintroduce her for a new generation of readers.

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There are around 7 million carers in the UK alone - unpaid people who look after someone who needs help because of their illness, frailty, disability, mental health problem or addiction and cannot cope without support. The Curae Prize was established in 2022 to offer a platform to these writer-carers, offering creative focus and access to the publishing industry. Attracting a wealth of extraordinary submissions, the inaugural prize has been widely praised for its inclusivity and spotlighting of neglected talent, and this anthology celebrates the works that made it on to the shortlist.

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In Truth or Dare we follow, spell-bound, as chance encounters bring violent pasts roaring into the present; we wait on tenterhooks as a woman sits by her husband's hospital bed as both their lives hang in the balance; we watch anxiously as a homeless man begs a woman with her life and career stretching ahead of her not to jump to her death. By turns comedic, heart-wrenching and moving, these stories paint powerful pictures of pain, love and empathy, and celebrate the power we have over one another. From the rain-soaked waterways of London to the bustling streets of Dhaka, Truth or Dare is a stunning collection that spans two continents and sees the best and worst in both.

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By Fax to Alice Springs was Simon Mundy’s second book of poems, including work from 1987 to 1995. As the title implies, the poems were written all over the world – North Carolina to Italy, Moravia to Australia – as well as in Mundy’s home territory on the borders of Wales. They reflect his intense sense of the spirit of place as well as his wry approach to politics and bittersweet relationship with women.

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George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In The Prevention of Literature, the third in the Orwell’s Essays series, Orwell considers the freedom of thought and expression. He discusses the effect of the ownership of the press on the accuracy of reports of events, and takes aim at political language, which ‘consists almost entirely of prefabricated phrases bolted together.’ The Prevention of Literature is a stirring cry for freedom from censorship, which Orwell says must start with the writer themselves: ‘To write in plain vigorous language one has to think fearlessly.’

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The Busybody is the most popular comedy by the eighteenth-century playwright Susanna Centlivre. The play centres on two couples trying to form a relationship against the wills of their guardians, and in a battle of wits, playing with many conventions from theatre traditions across the continent, a conclusion is eventually reached. Like her predecessor Aphra Behn, Centlivre was immensely successful in her day, drawing huge crowds to extended runs of her numerous plays, but the stabbing male pens of the nineteenth and twentieth centuries decried her work as being louche and dangerous, and her name slowly sunk into obscurity. This edition, published with William Hazlitt’s prefatory note and extra material on Centlivre’s life and writing, seeks to highlight the dexterity with which she took on the stage.

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George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. A Hanging, the ninth in the Orwell’s Essays series, tells the story of the execution of an unnamed convict in Burma. With the veracity of the story unknown, but thought to be loosely based on Orwell’s own experiences in Burma, the haunting tale leaves the reader contemplating the heavy topic of colonialism, and the right of one to take the life of another.

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Set in 2013, Flagey in Winter is a comedy of manners that takes place in the European Parliament itself, in bars where love and politics rub shoulders, and in the Italian Dolomites.

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Poets have grappled with the vexed question of what constitutes Englishness since time immemorial, and the poetry of the past century has seen perhaps some of the biggest evolutions in national identity. Contraflow takes a completely new approach to the subject of Englishness, and in this stimulating and entertaining anthology two poetic currents flow against each other, so that different decades merge, well-known stanzas brushing shoulders with more neglected verse. What emerges is an extraordinary mosaic of poetic responses to English history, culture and landscape - satirical, visionary, lyrical, comic, political, meditative - yet one which offers a recognisable picture of a land both united and divided through a hundred years. A Guardian and Sunday Times poetry book of the year.

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Way to the West is a glorious collection resulting from a collaboration between disciplines of art. Featuring twenty-five beautiful full-page watercolours alongside accompanying poems, its focus is on the western tip of Cornwall. For Andy and Vally Cornwall’s geographical remoteness, its abiding attraction as a holiday location, its proud fishing and mining history and the varying and often dramatic moods of its weather and sea are an inspiration and cause for celebration. The profound emotional and psychological effects on visitors to Cornwall is not lost on the authors, who have a long association with the area, having walked its entire coastline and holidayed there for over a half a century. Way to the West is a celebration of the natural world and the home, the past and the present, and of the fierce interconnectedness of people with their landscape.

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In 1953 a man wrote a play about waiting. In 1988 he sued five women for trying to perform it. It’s 2022 and we’re still waiting. Since Samuel Beckett’s ground-breaking Waiting for Godot first hit the stage in 1953, countless men across the world have donned the boots of Didi and Gogo and trodden the boards – but those boots can only be filled by men, and the bar against casting anyone else is upheld to this day, almost seventy years on. Hot on the heels of Ariana Grande’s insistence that ‘God is a Woman’, Silent Faces Theatre have decided they’re done waiting. Penned with their trademark playful, political style, Godot is a Woman is a tour de force that explores permission, the patriarchy and pop music.

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We inherit the lineage we're all born into, with its history and its contradictions, with the very beautiful and the very ugly, neither of which we can have a hand in being able to change.'The family of Nisar Chowdhury moves from Dhaka to Chicago when he is just thirteen, and he grows up feeling estranged from both lands. Thirty years on, he returns to the city of his birth, only to find it changed beyond recognition. Rekindling old relationships and trying to get to grips with his father's decision to sell off their remaining properties in the city, Nisar must navigate the labyrinth of a society that has moved on without him. The Inheritors is a vivid portrait of a city giddy with the march of change.

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First published in 1923, The Prophet is a collection of twenty-six poetic fables that centre around the prophet Al Mustafa, who, boarding a boat in the city of Orphalese, where he has lived for many years, prepares to sail home. On the voyage Al Mustafa is approached by a group of travellers, with whom he discusses deep topics - love, friendship, passion, pain, religion - and The Prophet becomes a manual and spiritual guide. This edition features the original illustrations prepared by the author, as well as an introduction by Dr Daniele Nunziata, which introduces the great work for a new generation.

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'There's only control, control of ourselves and others. And you have to decide what part you play in that control.' Cast your eye over the comfortable north London home of a family of high ideals, radical politics and compassionate feelings. Julia, Paul and their two daughters, Olivia and Sophie, look to a better society, one they can effect through ORGAN:EYES, the campaigning group they fundraise for and march with, supporting various good causes. But is it all too good to be true? When the surface has been scratched and Paul's identity comes under the scrutiny of the press, a journey into the heart of the family begins. Who are these characters really? Are any of them the 'real' them at all? Every Trick in the Book is a genre-deconstructing novel that explodes the police procedural and undercover-cop story with nouveau romanish glee. Hood overturns the stone of our surveillance society to show what really lies beneath.

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‘Take care. The consequences of an act are often much more numerous and important than people have any idea of.’ Today W.S. Gilbert is best known for the comic operas he produced in collaboration with Arthur Sullivan, a creative partnership that diverged over the supernatural. Unlike Sullivan, Gilbert was a great fan of fairy tales, and Foggerty’s Fairy, one of his most unjustly neglected plays, is a brilliant farcical comedy that hinges on the wish-granting of a fairy. Loosely based on his short story ‘The Story of a Twelfth Cake’, Foggerty’s Fairy considers the dangers of playing with the past. Trying to shore up his relationship, a man enlists a fairy’s help to make a few tweaks in his past – he soon realises, however, these small changes have made great waves through time, and his present becomes unbearable.

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The undisputed master of the short story, Saki's name is synonymous with brilliant writing that satirises Edwardian Society, and his plays were no exception. In his only full-length play, 'The Watched Pot', Trevor Bavvel, sole heir to a country estate, is in want of a wife, but must operate under the strict attention of his miserly mother Hortensia. Although wildly neglected today, Saki's plays met with widespread acclaim in his day, and he was even compared favourably with the great Oscar Wilde. This complete edition of Saki's plays - the first complete edition ever published - demonstrates the great writer's prowess as a playwright, and sparkles with the same wit as the short stories that have enchanted generations of readers.

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'The glow of my cigarette picks out a dark shape lying on the ground. I bend down to take a closer look. It's a dead sparrow. I wondered if I had become that bird, disoriented and lost.' Young, handsome and contemptuous of his father's traditional ways, PK Malik leaves Bombay to start a new life in America. Stopping in Manchester to visit an old friend, he thinks he sees a business opportunity, and decides to stay on. Now fifty-five, PK has fallen out of love with life. His business is struggling and his wife Geeta is lonely, pining for the India she's left behind. One day PK crosses the path of Esther, the wife of his business competitor, and they launch into an affair conducted in shabby hotel rooms, with the fear of discovery forever hanging in the air. Still Lives is a tightly woven, haunting work that pulls apart the threads of a family and plays with notions of identity. Shortlisted for the SI Leeds Literary Prize, Winner of the Reader's Choice Award at the Diverse Book Awards 2023

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In 1878 Gustave Flaubert looked on in horror as his publisher picked up a manuscript from the mysterious stage actress Sarah Bernhardt and published it in place of a new edition of his latest work, and watched it go on to become an instant bestseller, achieving international fame. Narrated by a chair in a hot-air balloon, In the Clouds is a light-hearted, humorous tale that follows a character reminiscent of Bernhardt through the skies above Paris. Sadly the story sunk into obscurity, lying out of print in the English language for much of the twentieth century. Featuring the original illustrations by Georges Clairin, and in a fresh edit of the first English translation, this edition seeks to bring the tale to a new generation of readers.

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'He drew a long sigh of rich content. The old life, with all its bitterness and useless antagonism and flimsy sophistries, its brief delights that were always tinged with fear and distrust and unfaith, that whole miserable, futile, swindled world of Bohemia seemed immeasurably distant and far away, like a dream that is over and done.' First published in 1896, The Burglar’s Christmas is a short story by the great American writer Willa Cather. Set in Chicago on a cold Christmas Eve, the down-and-out Crawford learns the value of forgiveness. (Part of Renard’s Christmas Card Classics series, 25% of the RRP of each book sold goes to Three Peas, a small refugee charity. This year, instead of a Christmas card, why not send a book?)

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Saki’s Cats rounds up the tales about cats, big and small, by the undisputed master of the short story. ‘Tobermory’, one of Saki’s most famous pieces, demonstrates the danger that would ensue from granting cats the power of speech – animals have long lurked unseen, eavesdropping, in the background. The tom in ‘The Philanthropist and the Happy Cat’ is the only one to enjoy his meal, as is the leopard in ‘The Guests’. In ‘The Penance’ and ‘Mrs Packletide’s Tiger’, hunters who put cats in their sights are humiliated and blackmailed. ‘The Achievement of the Cat’ considers how cats have come to be served by the human race. In addition to the short stories about cats, Saki’s Cats also collects Saki’s juvenile letters to his sister Ethel about the tiger cub he adopted while living in Burma. The feisty felines of these tales are the only clear winners, and, with a characteristic smirk and dash of his pen, it is Edwardian Society that Saki sends slinking off, tail between its legs.

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Dated the 14th of December 1908, A Letter to a Hindu was a letter written by Leo Tolstoy to Tarak Nath Das, a Bengali revolutionary and scholar, in response to a request for support for India’s separation from British rule, which argued that the Indian people should seek to free themselves from British rule through non-violent protests and strikes, and other forms of peaceful resistance. The letter soon gained international attention after it was published in the Free Hindustan, and it came to the attention of the young Mahatma Gandhi. Drawing on a variety of sources, cultures and teachings, Tolstoy’s letter was instrumental in forming Gandhi’s views on non-violent resistance – as Gandhi himself acknowledges in his introduction: ‘To me, as a humble follower of that great teacher whom I have long looked upon as one of my guides, it is a matter of honour to be connected with the publication of his letter’.

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In October 1928 Virginia Woolf was asked to deliver speeches at Newnham and Girton Colleges on the subject of 'Women and Fiction'; she spoke about her conviction that 'a woman must have money and a room of her own if she is to write fiction'. The following year, the two speeches were published as A Room of One's Own, and became one of the foremost feminist texts. Knitted into a polished argument are several threads of great importance - women and learning, writing and poverty - which helped to establish much of feminist thought on the importance of education and money for women's independence. In the same breath, Woolf brushes aside critics and sends out a call for solidarity and independence - a call which sent ripples well into the next century.

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