Search results for ""McGill-Queen's University Press""

Paul the apostle is usually imagined as a man of prestige and power – comfortably conversing with philosophers, seeking an audience with the emperor, and composing compelling letters for Christians throughout the Mediterranean. Yet this portrait of a safe and conventional figure at the origins of Christianity airbrushes out many strange things about him. This volume repositions Paul as a man at the periphery of power. Recovering an Undomesticated Apostle explores the ways that Paul has been “domesticated” in both popular and scholarly imagination. By isolating selected crises of the apostle’s life and legacy and examining the social and material dimensions of his world, these essays collectively chip away at the received image of his strength and status. The result is a series of glimpses of Paul that frame the apostle as surprisingly marginal and weak within Roman society. Published in honour of New Testament scholar Leif E. Vaage, Recovering an Undomesticated Apostle presents Paul as a man operating from a position of desperation, making virtue out of necessity as he attempted to claw his way up in the dog-eat-dog world of the ancient Mediterranean.

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For centuries, English-language writers have borrowed words and phrases from other languages in their fictional works. Words in Collision explores this tradition of language-mixing and its consequences. Returning to Shakespeare’s Henry V, Michael Ross asks why writers employ “foreign” phrases in their English-language texts, why this practice continues, and what it means. He finds that the insertion of “foreign elements,” rather than random or arbitrary, occurs in literary works that display a self-conscious preoccupation with language in general as a dynamic determinant of social relations. Discussing nineteenth-century works by Sir Walter Scott, Charlotte Brontë, and Henry James, the book demonstrates how multilingualism connects with themes of cosmopolitanism, estrangement, and resistance to social convention. In the second half of the book, the multilingual practices of canonical Anglo-American literature are compared with postcolonial texts by Caribbean, Nigerian, and Indian authors, including Chimamanda Ngozi Adichie and Arundhati Roy, whose choice of language is fraught with complex moral and artistic implications. Ross’s readings reveal both crucial departures and surprising underlying continuities in linguistic traditions often thought to be deeply divided in time, space, and politics. The first extended treatment of language-mixing in English texts, Words in Collision is critical to understanding past practices and future prospects for multilingualism in fiction.

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With increasing urban population density, conflicts in cities erupt more frequently and violently. Cities have become hotspots for armed combat, highlighting the urgency of understanding the impact of local communities and urban factors on the development of violent conflict. Joldon Kutmanaliev presents a novel approach to analyzing communal violence and armed conflicts in urban zones. Drawing from fieldwork in cities of southern Kyrgyzstan, he explains local-level variations in violence across neighbourhoods during the most intense and violent episode of urban communal violence in Central Asia – the clashes between Kyrgyz and Uzbeks in June 2010. Kutmanaliev explains why armed violence affects some urban neighbourhoods but not others, why local communities react differently to the same existential threat, how they deal with a deteriorating security environment and interethnic fears, and how different types of urban planning and urban landscapes influence the spread of violence. Importantly, the book identifies key factors that help local communities and their leaders to negotiate non-aggression pacts and control local constituencies, and therefore successfully prevent violence.Intercommunal Warfare and Ethnic Peacemaking explains communal war and ethnic peacemaking on the level of neighbourhood communities – a perspective that is largely absent in previous studies.

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An estimated 25,000 Ukrainians served in the Fourteenth Waffen-SS “Galicia” Division. Conflicting accounts of their reasons for enlistment and continuing accusations of wartime criminality have fuelled controversial debate for decades.The first comprehensive study of the division to address both its wartime experience and its postwar fate, In the Maelstrom draws on archival research that includes interrogation records, interviews, memoirs, testimonies, and creative literature. The accounts of veterans often begin with being drafted into the force in their teenage years and continue into postwar life in Italian and British internment camps. These reminiscences are compared with wartime records and recent narratives. Myroslav Shkandrij discusses the commissions of inquiry into war crimes during the 1980s, recent debates over the issue of monuments and commemoration, and different ways in which veterans, the diaspora community, Western governments, and researchers have approached the division and its history.In the Maelstrom brings to light the underexplored Ukrainian experience in the “Galicia” Division during and after the war – an experience that resonates strongly today.

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It may certainly be said that nothing can be assumed about Shakespeare: on the one hand, the Elizabethan poet seems to be thriving, with more editions, productions, studies, and translations appearing every year; on the other hand, in a time of global crisis and decolonization, the question of why Shakespeare is relevant at all is now more pertinent than ever. Shakespeare in Succession approaches the question of relevance by positioning Shakespeare as a participant as well as an object of adaptive translation, a labour that has always mediated between the foreign and the domestic, between the past and the present, between the arcane and the urgent. The volume situates Shakespeare on a continuum of transfers that can be understood from cultural, spatial, temporal, or linguistic points of view by studying how the text of Shakespeare is transformed into other languages and examining Shakespeare himself as a kind of translator of previous times, older stories, and prior theatrical and linguistic systems. Contending with the poet’s contemporary fate, Shakespeare in Succession asks how Shakespeare’s work can be offered to the multicultural present in which we live, and how we might relate our position to that of the iconic writer.

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In recent decades, the economic framework of Canada’s Constitution has been a subject largely neglected by judges, scholars, and commentators. Trade and Commerce fills this gap by bringing to light a lost understanding of how the Constitution structures economic relations.As Malcolm Lavoie reveals, the Constitution includes foundational commitments to property rights, local government autonomy, and the principle of subsidiarity. At the same time, it creates a platform for integrated national markets with secure channels for interprovincial trade. This economic vision remains a vital part of Canada’s constitutional order and is relevant to a purposive interpretation of the Constitution. But contemporary legal discourse has begun to lose touch with this vision, with regrettable consequences in a number of different policy areas.Exploring the implications of the economic Constitution in the context of contemporary issues – including disputes over interprovincial trade and jurisdictional tensions between federal, provincial, and Indigenous governments with respect to the environment and the economy – Trade and Commerce restores economic ideas to the forefront of constitutional thinking in Canada.

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The ethos of poetry and its social efficacy cannot be underestimated in the quest for a fair society. The works of three contemporary Mexican poets – Abigael Bohórquez, Myriam Moscona, and Gloria Gervitz – offer models for examining important philosophical and literary questions that explore the relationship between art and the enactment of justice. Beyond Intimacy returns lyric poetry to the centre of struggles for justice within concrete historical frameworks, highlighting gender, ethnic, and cultural tensions. Through an analysis of works by these three poets, Christina Karageorgou-Bastea reveals the far-reaching social transcendence of poetry; she shows that lyric poetry invites a public dialogue where queer pariahs model citizenship, a dying language guards and transmits tradition, and the end of motherhood is the cusp in the struggle for woman’s freedom. The radicalization of intimacy, the relationship par excellence between self and other on which poetic interaction is based, has the power to dismantle deeply rooted hierarchies within art and society. Karageorgou-Bastea explores poetry’s potential for justice through different modes of intimacy including desire, filiation, and mourning.Meeting on the grounds of their aspiration to harmony, lyricism, and justice-making lead the way to social equity and fairness in Beyond Intimacy.

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While almost all universal health coverage in Canada is provided under the Canada Health Act, there is Medicare coverage that is provided outside of the act. This is the first book to explain the nature of these boundary health services, why they exist, and how to navigate them in practice. The Boundaries of Medicare examines the complex range of public health care services and coverage arrangements that predate or have developed alongside the Canada Health Act. These provisions – including for workers’ compensation, military personnel and veterans, incarcerated persons, migrants, and Indigenous Peoples – are often not well understood, even by those working at policy and delivery levels. Katherine Fierlbeck and Gregory Marchildon aim to improve understanding of these boundary services: why they were established, who is eligible for them, how services are provided, how they are paid for, and how they are managed within a multilevel governance system. They also look at the dramatic increase in virtual health care services since the onset of the COVID-19 pandemic and their relationship to the Canada Health Act.Explaining the origins, operations, and tensions of government-funded health care outside the Canada Health Act, The Boundaries of Medicare is an essential resource for policymakers, providers, administrators, and patients seeking to navigate Medicare in Canada.

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At a time when too many of the world’s political leaders are consolidating power by playing on divisions and stoking fear, Unlikely Insider, a memoir by former federal cabinet minister and senator Jack Austin, comes as a welcome reminder of the value of public service as a force for economic progress, social justice, and nation-building.With both historical perspective and an eye to the future, Austin reflects on events and people whose impacts are still felt, and on the enduring challenges of Canadian life. Moving away from colonial domination of Indigenous Peoples, navigating our pivotal relationship with the United States and engagement with China, the nature and purpose of the Senate: these remain timely concerns, to which Austin has made significant contributions. Sharing insights into policy as well as into the personalities of colleagues and friends, Unlikely Insider paints vignettes of figures from Premier Zhou Enlai to Queen Elizabeth and recounts the author’s travels with Pierre Trudeau after the prime minister’s retirement. As a British Columbian, Austin worked to ensure that his province’s perspectives and interests mattered in Ottawa; as someone who came from a disadvantaged background, he is sensitive to the need to make the country a place of fairness and opportunity for all. Unlikely Insider reminds Canadians that inclusion – regional, social, and demographic – makes our nation both stronger and more just.

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The Religious Sense, the fruit of many years of dialogue with students, is an exploration of the search for meaning in life. Luigi Giussani shows that the nature of reason expresses itself in the ultimate need for truth, goodness, and beauty. These needs constitute the fabric of the religious sense, which is evident in every human being everywhere and in all times. So strong is this sense that it leads one to desire that the answer to life’s mystery might reveal itself in some way.Giussani challenges us to penetrate the deepest levels of experience to discover our essential selves, breaking through the layers of opinions and judgments that have obscured our true needs. Asserting that all the tools necessary for self-discovery are inherent within us, he focuses primarily on reason, not as narrowly defined by modern philosophers, but as an openness to existence, a capacity to comprehend and affirm reality in all of its dimensions.Part of the so-called new religious revival, The Religious Sense avoids any sentimental or irrational reduction of the religious experience. It is a forthright and refreshing call to reassess our lives. In this revised edition, John Zucchi offers a new translation of this seminal and best-selling work.

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The Religious Sense, the fruit of many years of dialogue with students, is an exploration of the search for meaning in life. Luigi Giussani shows that the nature of reason expresses itself in the ultimate need for truth, goodness, and beauty. These needs constitute the fabric of the religious sense, which is evident in every human being everywhere and in all times. So strong is this sense that it leads one to desire that the answer to life’s mystery might reveal itself in some way.Giussani challenges us to penetrate the deepest levels of experience to discover our essential selves, breaking through the layers of opinions and judgments that have obscured our true needs. Asserting that all the tools necessary for self-discovery are inherent within us, he focuses primarily on reason, not as narrowly defined by modern philosophers, but as an openness to existence, a capacity to comprehend and affirm reality in all of its dimensions.Part of the so-called new religious revival, The Religious Sense avoids any sentimental or irrational reduction of the religious experience. It is a forthright and refreshing call to reassess our lives. In this revised edition, John Zucchi offers a new translation of this seminal and best-selling work.

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The modern world was not created by the civilization of Renaissance Italy, the advent of the printing press, or the marriage restrictions imposed by the medieval church. Rather, it was widespread reading that brought about most of the cognitive, psychological, and social changes that we recognize as peculiarly modern.David Williams combines book and communications history with readings of major works by Petrarch, Bruni, Valla, Reuchlin, Erasmus, Foxe, and Milton to argue that expanding literacy in the Renaissance was the impetus for modern civilization, turning a culture of arid logic and religious ceremonialism into a world of individual readers who discovered a new form of communion in the act of reading. It was not the theologians Luther and Calvin who first taught readers to become what they read, but the biblical philologist Erasmus, who encountered the divine presence on every page of the gospels. From this sacramental form of reading came other modes of humanist reading, particularly in law, history, and classics, leading to the birth of the nation-state. As literacy rates rose, readers of all backgrounds gained and embodied the distinctly modern values of liberty, free speech, toleration, individualism, self-determination, and democratic institutions. Communion and community were linked, performed in novel ways through revolutionary forms of reading. In this conclusion to a quartet of books on media change, Williams makes a compelling case for readers and acts of reading as the true drivers of social, political, and cultural modernity – and for digital media as its looming nemesis.

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The last two decades have ushered in what has become known as a participatory revolution, with consultants, advisors, and non-profits called into communities, classrooms, and corporations alike to listen to ordinary people. With exclusively bureaucratic approaches no longer en vogue, authorities now opt for “open” forums for engagement. In The Participation Paradox Luke Sinwell argues that amplifying the voices of the poor and dispossessed is often a quick fix incapable of delivering concrete and lasting change. The ideology of public consultation and grassroots democracy can be a smokescreen for a cost-effective means by which to implement top-down decisions. As participation has become mainstreamed by governments around the world, so have its radical roots become tamed by neoliberal forces that reinforce existing relationships of power. Drawing from oral testimonies and ethnographic research, Sinwell presents a case study of one of the poorest and most defiant Black informal settlements in Johannesburg, South Africa – Thembelihle, which consists of more than twenty thousand residents – highlighting the promises and pitfalls of participatory approaches to development.Providing a critical lens for understanding grassroots democracy, The Participation Paradox foregrounds alternatives capable of reclaiming participation’s emancipatory potential.

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The Etruscans, a revenant and unusual people, had an Italian empire before the Greeks and Romans did. By the start of the Christian era their wooden temples and writings had vanished, the Romans and the early church had melted their bronze statues, and the people had assimilated. After the last Etruscan augur served the Romans as they fought back the Visigoths in 408 CE, the civilization disappeared but for ruins, tombs, art, and vases.No other lost culture disappeared as completely and then returned to the same extent as the Etruscans. Indeed, no other ancient Mediterranean people was as controversial both in its time and in posterity. Though the Greeks and Romans tarred them as superstitious and decadent, D.H. Lawrence praised their way of life as offering an alternative to modernity. In The Etruscans in the Modern Imagination Sam Solecki chronicles their unexpected return to intellectual and cultural history, beginning with eighteenth-century scholars, collectors, and archaeologists. The resurrection of this vanished kingdom occurred with remarkable vigour in philosophy, literature, music, history, mythology, and the plastic arts. From Wedgwood to Picasso, Proust to Lawrence, Emily Dickinson to Anne Carson, Solecki reads the disembodied traces of Etruscan culture for what they tell us about cultural knowledge and mindsets in different times and places, for the way that ideas about the Etruscans can serve as a reflection or foil to a particular cultural moment, and for the creative alchemy whereby artists turn to the past for the raw materials of contemporary creation. The Etruscans are a cultural curiosity because of their disputed origin, unique language, and distinctive religion and customs, but their destination is no less worthy of our curiosity. The Etruscans in the Modern Imagination provides a fascinating meditation on cultural transmission between ancient and modern civilizations.

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A film that transcends time, Sally Potter’s Orlando follows its titular character through nearly four hundred years of British history. Orlando starts life as a young man in the 1600s and then, mid-film, becomes a woman in the 1800s. Plot, production, and performance have all contributed to the film becoming a touchstone for Tilda Swinton’s ethereal and gender-bending mode.A Russian-French-Dutch-American-Italian-British co-production, Orlando was hailed as a monumental work of international art house cinema upon its release in 1992. Some understood Potter’s film, a work of ruthless and ingenious adaptation, as moving away from the lesbian content of Virginia Woolf’s novel. Russell Sheaffer uses a detailed analysis of screenplay drafts and more than three decades of reception to argue that while the film moves away from a direct investment in same-sex relationships, Orlando’s articulations of embodiment, desire, and time have made the film continually more queer in the years since its release.Taking cues from adaptation theory and gender studies, this book meticulously charts the distinct shift from lesbian feminist text to queer film classic, arguing that the film is as much an adaptation of Woolf’s A Room of One’s Own as it is of its eponymous novel.

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Leading architect E.J. Lennox designed Casa Loma for the flamboyant Sir Henry Pellatt and Mary, Lady Pellatt as an enormous castellated mansion that overlooked the booming metropolis of Toronto. The first scholarly book dedicated to this Canadian landmark, Casa Loma situates the famous “house on the hill” within Toronto’s architectural, urban, and cultural history.Casa Loma was not only an outsized home for the self-appointed “Lord Toronto” but a statement of Canada’s association with empire, an assertion of the country’s British legacy. During and after the Pellatts’ occupation, Casa Loma was a major landmark, and it has since infiltrated the iconography and collective memory of the metropolis. The reception of Casa Loma, variously loved and abhorred by Torontonians, reflects many of Toronto’s major aspirations and anxieties about itself as a modern city. Across ten chapters, this book charts the history of Casa Loma from the purchase of the estate atop Davenport Ridge in 1903 and its construction from 1906, through to its sale and the dispersal of its contents in 1924, its subsequent life as a hotel, and finally its transformation into one of the city’s major entertainment venues.Casa Loma brings to light a wealth of hitherto unpublished archival images and documentation of the house’s visual and material culture, weaving together a textured account of the design, use, and life of this unique building over the course of the twentieth century.

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Known today chiefly for his surrender to the American forces at Saratoga, New York, in 1777, General John Burgoyne was one of the most interesting – and extraordinary – figures of the eighteenth century.In From the Battlefield to the Stage Norman Poser provides a rounded biography, covering not only the Saratoga campaign but also elements of Burgoyne’s eventful life that have never been adequately explored. At the age of twenty-eight, Burgoyne eloped with Charlotte Stanley, the daughter of the immensely wealthy and influential Earl of Derby. Though initially furious, the earl, convinced of the young officer’s good character, eventually forgave the couple, and the Stanley family became a major influence in Burgoyne’s life and career. He was a socialite, welcome in London’s fashionable drawing rooms, a high-stakes gambler in its elite clubs, and a playwright whose social comedies were successfully performed on the London stage. As a member of Parliament for thirty years, Burgoyne supported the rule of law, fought the corruption of the East India Company, and advocated religious tolerance.From the Battlefield to the Stage paints a vivid portrait of General John Burgoyne, remembering him not only for his role in one of Britain’s worst military disasters but also as a brave, talented, humane man.

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The 1978 publication of Edward Said's Orientalism unsettled the world. Over two decades earlier Aimé Césaire had famously spoken of the boomerang effect of colonization, which dehumanized both the colonizer and the colonized. Over time, Said and his 1978 book took Césaire’s anti-imperial critique one step further by enabling the boomerang effect of decolonization.Inspired by that intellectual trajectory, The Boomerang Effect of Decolonization redefines post-Orientalism in a relational and integrative way. This volume draws on the reception and critique of Said’s ideas as well as his own attempts to appropriate the boomerang’s recursive nature and empower decolonial processes that aimed to transform everyone, regardless of differences both imagined and real, for the betterment of all. Reflecting upon Orientalism, its legacies, and the myriad conversations it has generated, scholars from various disciplines examine acts of anti-racism and liberation through the lens of critical race theory. Covering topics including Said’s anti-Orientalist world, Métis/Michif consciousness, writing by the French scholar Jacques Berque, the politics of allyship in the Israeli-Palestinian conflict, and the convergence between healthcare and settler-colonialism in Northwestern Ontario, contributors explore the different paths critiques of imperial cultures and their politics of difference have travelled in Canada and abroad. Said’s Orientalism reoriented both decolonization itself and his readers’ imaginations. By redefining post-Orientalism as a relational and inclusive mode of liberation, this volume offers tools to think about difference differently, centring its anti-racist framework on the relationship between misrepresented people and their rewritten histories. Contributors include Yasmeen Abu-Laban (Alberta), Rachad Antonius (UQAM), Sung Eun Choi (Bentley), Mary-Ellen Kelm (Simon Fraser), Allyson Stevenson (Saskatchewan), Mira Sucharov (Carleton), and Lorenzo Veracini (Swinborne).

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Not long ago it seemed flood control experts were close to mastering the unruly flows funnelling toward Hudson Bay and the Prairie city of Winnipeg. But as more intense and out-of-synch flood events occur, wary cities like Winnipeg continue to depend on systems and specifications that will soon be out of date. Rivers have impulses that defy many of the basic human assumptions underpinning otherwise sophisticated technologies. This is the river-city expression of climate change.In Just One Rain Away Stephanie Kane shows how geoscience, engineering, and law converge to affect flood control in Winnipeg. She questions technicalities produced and maintained in tandem with settler folkways at the expense of the plural legal cultures of Indigenous nations. The dynamics of this experimental ethnography feel familiar yet strange: here, many of the starring actors are not human. Ice and water – materializing as bodies, elements, and digital signals – act with diatoms, diversions, sensors, sandbags, and satellites, looping theories about glacial erratics and feminist science studies into scenes from neighbourhood parks, conferences, survey maps, plays, archival photos, a novel, an emergency press conference, LiDAR images, and a lab experiment in a bathtub. Through storytelling and environmental analytics, Just One Rain Away provides a starting point for cross-cultural discussions about how expert knowledge and practice should inform egalitarian decision-making about flood control and, more broadly, decolonize current ways of thinking, being, and becoming with rivers.

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Not long ago it seemed flood control experts were close to mastering the unruly flows funnelling toward Hudson Bay and the Prairie city of Winnipeg. But as more intense and out-of-synch flood events occur, wary cities like Winnipeg continue to depend on systems and specifications that will soon be out of date. Rivers have impulses that defy many of the basic human assumptions underpinning otherwise sophisticated technologies. This is the river-city expression of climate change.In Just One Rain Away Stephanie Kane shows how geoscience, engineering, and law converge to affect flood control in Winnipeg. She questions technicalities produced and maintained in tandem with settler folkways at the expense of the plural legal cultures of Indigenous nations. The dynamics of this experimental ethnography feel familiar yet strange: here, many of the starring actors are not human. Ice and water – materializing as bodies, elements, and digital signals – act with diatoms, diversions, sensors, sandbags, and satellites, looping theories about glacial erratics and feminist science studies into scenes from neighbourhood parks, conferences, survey maps, plays, archival photos, a novel, an emergency press conference, LiDAR images, and a lab experiment in a bathtub. Through storytelling and environmental analytics, Just One Rain Away provides a starting point for cross-cultural discussions about how expert knowledge and practice should inform egalitarian decision-making about flood control and, more broadly, decolonize current ways of thinking, being, and becoming with rivers.

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The “Middle East” has long been an indispensable and ubiquitous term in discussing world affairs, yet its history remains curiously underexplored. Few question the origin of the term or the boundaries of the region, commonly understood to have emerged in the twentieth century after World War I.Guillemette Crouzet offers a new account in Inventing the Middle East. The book traces the idea of the Middle East to a century-long British imperial zenith in the Indian subcontinent and its violent overspill into the Persian Gulf and its hinterlands. Encroachment into the Gulf region began under the expansionist East India Company. It was catalyzed by Napoleon’s invasion of Egypt and heightened by gunboat attacks conducted in the name of pacifying Arab “pirates.” Throughout the 1800s the British secured this crucial geopolitical arena, transforming it into both a crossroads of land and sea and a borderland guarding British India’s western flank. Establishing this informal imperial system involved a triangle of actors in London, the subcontinent, and the Gulf region itself. By the nineteenth century’s end, amid renewed waves of inter-imperial competition, this nexus of British interests and narratives in the Gulf region would occasion the appearance of a new name: the Middle East.Charting the spatial, political, and cultural emergence of the Middle East, Inventing the Middle East reveals the deep roots of the twentieth century’s geographic upheavals.

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In the late nineteenth and early twentieth centuries, European settlers from diverse backgrounds transformed Ontario. By 1881, German speakers made up almost ten per cent of the province’s population and the German language was spoken in businesses, public schools, churches, and homes. German speakers in Ontario – children, parents, teachers, and religious groups – used their everyday practices and community institutions to claim a space for bilingualism and religious diversity within Canadian society. In The Boundaries of Ethnicity Benjamin Bryce considers what it meant to be German in Ontario between 1880 and 1930. He explores how the children of immigrants acquired and negotiated the German language and how religious communities relied on language to reinforce social networks. For the Germans who make up the core of this study, the distinction between insiders and outsiders was often unclear. Boundaries were crossed as often as they were respected. German ethnicity in this period was fluid, and increasingly interventionist government policies and the dynamics of generational change also shaped the boundaries of ethnicity.German speakers, together with immigrants from other countries and Canadians of different ethnic backgrounds, created a framework that defined relationships between the state, the public sphere, ethnic spaces, family, and religion in Canada that would persist through the twentieth century. The Boundaries of Ethnicity uncovers some of the origins of Canadian multiculturalism and government attempts to manage this diversity.

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When cannabis tincture was withdrawn from the medical establishment in the UK in 1973, cannabis became regulated solely as an illicit drug. Within a decade cannabis-based drugs were back in the clinic. The UK is one of the biggest producers of medicinal cannabis, but few patients have access to these medicines. High-profile cases of parents campaigning for access to cannabis oil for severe and rare forms of epilepsy in their children are the most recent in a long line of controversies over cannabis and cannabis-based medicines.With mounting questions about patient access, the effectiveness of international drug control systems, and the role of expert advice, it is crucial to understand how we have arrived at this situation. While the historical literature has focused on cannabis as an illicit substance, Remedicalizing Cannabis considers the botanical product and its potential to yield medical applications. Investigating the remedicalization of cannabis, Taylor explores the process whereby boundaries shift between illicit drug and licit medicine. Basing her arguments on archival material from expert committees, researchers, and activists and in-depth interviews with key players, Suzanne Taylor traces the issues and interests involved in this process, demonstrating the important roles of changing scientific knowledge, expert advice, industry, clinical trials, and patient activism.Remedicalizing Cannabis investigates the evolving tensions that have brought us to the current situation and demonstrates the role of history in understanding today’s debates about cannabis.

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By the late nineteenth century, Canadian women had begun forging careers as professional actresses, appearing not just in Canada, but in the United States, Britain, Australia, and New Zealand. They played an integral role in theatrical networks and helped shape transnational middle-class culture.Taking the approach of feminist collective biography, Sweet Canadian Girls Abroad writes the lives of women who, despite their renown during their lifetimes, have been all too easily forgotten. Cecilia Morgan examines these “sweet girls’” childhoods, their experiences of work, touring, and company management, the plays in which they appeared, and the celebrity they enjoyed. In so doing she shows how women helped convey messages about race, empire, and white identity in popular culture. Investigating a period from the 1870s to the 1940s, Morgan demonstrates how actresses evolved within a period of change in theatre, how they coped with new challenges, and how they brought their craft to new media. Paying particular attention to the careers of Margaret Bannerman, Tony Award-winner Beatrice Lillie, Margaret Anglin, Julia Arthur, and Frances Doble, among many others, this book explores how being an actress abroad became work as well as profession for Canadian women.Extensively researched and generously illustrated, Sweet Canadian Girls Abroad argues for the importance of theatre, both to Canadian women’s history and to our understanding of Canada in a transnational world.

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From the Cambridge Analytica scandal to overloaded internet voting servers to faulty voting machines, the growing relationship between democracy and technology has brought to light the challenges associated with integrating new digital tools into the electoral system. Canadian politics has also felt the impact of this migration online.This timely book presents the first comprehensive study of the various cyber-threats to election integrity across Canadian jurisdictions. Scrutinizing the events of the 2019 federal election, Cyber-Threats to Canadian Democracy examines how new technologies have affected the practice of electoral politics and what we can do to strengthen future Canadian elections. Through the disciplines of political science, law, computer science, engineering, communications, and others, chapters shed light on some of the most contentious issues around technology and electoral integrity. The contributors address current domestic and foreign threats to Canadian elections, evaluate the behaviour of actors ranging from political parties and interest groups to policymakers and election administrators, and assess emerging legal and regulatory responses while anticipating future challenges to the quality of elections in Canada and around the globe.Cyber-Threats to Canadian Democracy helps seed the study of digital technology’s security risks, providing insight into what reforms are needed and evaluating existing legal and policy frameworks in light of these threats.

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From the expansionist fervour of the late nineteenth century through both world wars and the Cold War, a varied and ever-changing group of dreamers campaigned for Canada’s union with the British Caribbean colonies. They hoped to diversify Canada’s climate and agricultural capabilities, spur economic development, boost the nation’s autonomy and stature in the Empire-Commonwealth and the world, temper American power, and secure a tourist paradise. Dominion over Palm and Pine traces the transnational ebb and flow of these union campaigns, situating them in the global history of colonialism and white supremacy, Black activism, and decolonization. Paula Hastings centres the British Caribbean in historical narratives that rarely take account of the region, challenging us to rethink the history of Canadian expansionism and its entangled relationship with nation building, the struggle for sovereignty at home and abroad, and Canada’s evolving role and reputation on the world stage. Widely conceived, the brokers of Canada’s international histories included a multiplicity of actors who shaped the evolving contours and outcomes of the debate: Canadian legislators, civil servants, businessmen, and social justice activists; Caribbean migrants, intellectuals, and anti-colonial nationalists; and British colonial officials, absentee planters, and politicians.Canada’s lack of an overseas empire is often vaunted as a national characteristic that sets Canada apart from the United States and the old European powers. In excavating the dogged resilience of Canadian designs on the Caribbean, Dominion over Palm and Pine unsettles notions of Canadian goodness that rest on this self-righteous observation.

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In 1967, Montreal hosted Man and His World/Terre des hommes. By far the most successful cultural event ever produced in Canada, it was embraced by the public at the same time as intellectuals from Marshall McLuhan to Umberto Eco hailed it as a new type of exhibition for a new global age.Because it was held where and when it was – on a man-made archipelago in the St Lawrence River seven years into Quebec’s Quiet Revolution – Expo 67 also provided a prism through which the idea of the nation could be refracted and recast in original ways. Misunderstood by some scholars as an expensive exercise in official patriotism, while maligned by Quebec intellectuals as a crypto-federalist distraction from the real business of national independence, the fair nevertheless showcased Montreal as the de facto capital of a suddenly modern Quebec engaging with a late-modern world.Expo 67 and Its World proposes a reappraisal of the 1967 Montreal International and Universal Exhibition across a range of political, social, and cultural spaces: from the dispossession of Indigenous Peoples and what was then known as the Third World, through the aspirations of Montreal, Quebec, and Canada, to the increasingly global ambit of youth culture, medicine, film, and finance. A new approach to understanding Expo 67, the collection challenges assumptions about the significance of the event to Canadian, Québécois, and First Nations history.

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Born in Winnipeg in 1927, Lois Wilson was the first female moderator of the United Church of Canada, the first female president of the Canadian Council of Churches, and the first woman and first Canadian president of the North American region of the World Council of Churches. A respected human rights defender and activist for peace and social justice around the world, she was appointed by successive Canadian governments to head missions in Korea, El Salvador, Guatemala, and Sudan, among others, over her long and distinguished career.For the Sake of the Common Good is a tribute to the life and work of this remarkable Canadian. It brings together contributions from internationally recognized figures such as Louise Arbour, Lloyd Axworthy, and Irwin Cotler; national leaders such as Bill Blaikie, Alia Hogben, Mary Jo Leddy, Stan McKay, and Michael Blair; and local heroes such as Alexa Gilmour and Brent Hawkes, who have been influenced by Lois Wilson’s practical Christianity, progressive values, and commitment to ending oppression in all forms. Their essays urge us to think about the many ways we can work toward the common good: by welcoming refugees, developing ecologically sustainable ways of life, repairing relations with Indigenous Peoples, protecting the rights of LGBTQ+ people and all who are oppressed, defending political prisoners, and respecting religious rights and the place of faith in public life. In such ways, we can restore right relations with the Earth and with each other.For the Sake of the Common Good gratefully acknowledges Lois Wilson’s inspiring legacy while taking on the important task of continuing her work.

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Hailed as groundbreaking upon its original release, the Oscar-winning film Boys Don’t Cry offered the first mainstream access to transmasculine embodiment in North America, one that many simultaneously celebrated and rejected. More than two decades after its original release, the film has become a lightning rod for contemporary debates about the representation of trans lives and deaths on screen.Representational possibilities for trans people have changed dramatically since 1999. Morgan Page and Chase Joynt approach the accumulated tension with a spirit of curiosity about the limits of these historical returns. They argue that new visibilities of transness on screen require us to re-engage earlier portrayals: Boys Don’t Cry is central to conversations about casting, violence against gender non-conforming people, and the borders between butch and trans identities. Acknowledging a younger generation of queer and trans people who are straining against the images foisted upon them, including this film’s egregious violence, and an older cohort for whom it remains a formative, if complicated, touchstone, Joynt and Page revisit the original contexts of production and distribution to unsettle the overdetermined ways the work has been understood and interpreted.Boys Don’t Cry ultimately relocates the film in a way that attends to the story’s violence and values, both on and off screen.

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For generations eastern Nova Scotia was one of the most celebrated Roman Catholic constituencies in Canada. Occupying a corner of a small province in a politically marginalized region of the country, the Diocese of Antigonish nevertheless had tremendous influence over the development of Canadian Catholicism. It produced the first Roman Catholic prime minister of Canada, supplied the nation with clergy and women- religious, and organized one of North America’s most successful social movements.Disciples of Antigonish recounts the history of this unique multi-ethnic community as it shifted from the firm ultramontanism of the nineteenth century to a more socially conscious Catholicism after the First World War. Peter Ludlow chronicles the faithful as they built a strong Catholic sub-state, dealing with economic uncertainty, generational outmigration, and labour unrest. As the home of the Antigonish Movement – a network of adult study clubs, cooperatives, and credit unions – the diocese became famous throughout the Catholic world.The influence of “mighty big and strong Antigonish,” as one national figure described the community, reached its zenith in the 1950s. Disciples of Antigonish traces the monumental changes that occurred within the region and the wider church over nearly a century and demonstrates that the Catholic faith in Canada went well beyond Sunday Mass.

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A Canadian-built mission house in the heart of Seoul became the heart of the emerging South Korean democratization movement, while a Korean minister rose to serve as the spiritual leader of Canada’s largest Protestant denomination. The century-long Korean-Canadian church relationship has had a lasting influence on Korean society and on the culture and mission of the United Church of Canada, helping to crack the colonial foundations of Canadian Protestantism.Water from Dragon’s Well explores the connection between the Korean Christian community and the Canadian church and its missionaries from the 1890s to the present. Upon the arrival of Canadian missionaries, Korean Christian churches were already voicing nationalist aspirations; by the mid-twentieth century, they were demanding independence from Canadian missionary oversight and were participating in a wider democratic movement within South Korea. David Kim-Cragg traces indigenous churches’ resistance to decades of missionary paternalism and the ways they channelled their religious and political energies. Accepting the criticism of its hosts, the United Church of Canada helped build an independent Korean Christian church and, in 1974, ended its Korean mission. This shift in the Canadian missionaries’ colonial attitudes also contributed to the transformation of the United Church of Canada back home. With the help of Korean leadership in Canada, the church reconstructed its vision of non-Western Christianity and, in a watershed moment, established an ethnic ministry council.Situated within ongoing conversations about the legacies of colonization and racism, Water from Dragon’s Well shows how wellsprings of religion and politics from Korea challenged and transformed white Canadian attitudes and institutions.

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Through the ages natural historians have puzzled over how animals work, wavering between a vitalist belief in a soul animating bodily functions and a mechanistic outlook in which animal body parts are seen as pieces of organic machinery.Animal as Machine explores the life, work, and ideas of scientists who, branding themselves as physiologists, subscribed to mechanistic concepts to explain how animals acquire and process food, breathe, circulate their blood, and sense their environment. As medical physiology thrived in the nineteenth century, zoologists struggled to forge their own distinctive physiology predicated on understanding animal functions in a context of environmental adaptation and evolutionary forces. Physiological schools with distinct emphases that shaped their outlook sprang up around the world. Dividing their time between fieldwork in marine stations and laboratory experimentation, animal physiologists stood in awe of the diversity and ingenuity of the functional strategies by which animals survived.Animal as Machine tells a remarkable and insightful story of the larger-than-life personalities and gripping historical episodes that marked the emergence and blossoming of animal physiology.

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Whether as sources of joy and pleasure to be fed, counted, and watched, as objects of sport to be hunted and killed, or as food to be harvested, wild birds evoke strong feelings.Sean Nixon traces the transformation of these human passions for wild birds from the early twentieth century through the 1970s, detailing humans’ close encounters with wild birds in Britain and the wider North Atlantic world. Drawing on a rich range of written sources, Passions for Birds reveals how emotional, subjective, and material attachments to wild birds were forged through a period of pronounced social and cultural change. Nixon demonstrates how, for all their differences, new traditions in birdwatching and conservation, field sports, and bird harvesting mobilized remarkably similar feelings towards birds. Striking similarities also emerged in the material forms that each of these practices used to bring birds closer to people – hides and traps, nets and ropes, and binoculars.Wide ranging in scope, Passions for Birds sheds new light on the ways in which wild birds helped shape humans throughout the twentieth century, as well as how birds themselves became burdened with multiple cultural meanings and social anxieties over time.

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Cultural and linguistic diversity and plurality are seen as markers of our time, linked to discourses about citizenship and cosmopolitanism in the context of economic globalization in the late twentieth century. It is often monolingualism, however, that informs understanding and policies regulating the relationship between languages, nations, and communities.Grounded by the idea of language as lived experience, Negotiating Linguistic Plurality assumes linguistic plurality to be a continuing human condition and offers a novel transnational and comparative perspective on it. The essays featured cover concepts and praxis in which linguistic plurality surfaces in the public sphere through institutional and individual practices. The collection adopts a critical view of language policies and foregrounds distances and dissonances between policy and language practices by presenting lived experiences of multilingualism. Translation, seen as constitutive to the relations inherent to linguistic plurality, is at the core of the volume. Contributors explore a range of social and institutional aspects of the relationship between translation and linguistic plurality, foregrounding less documented experiences and minoritized practices.Presenting knowledge that spans regions, languages, and territories, Negotiating Linguistic Plurality is a thoughtful consideration of what constitutes language plurality: what its limits are, as well as its possibilities.

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Responsibility is political. As the international community has called for more responsible environmental, social, and governance performance, the politics of commodities has become more fraught. Commodity Politics cuts through the new rhetoric of responsibility and presents innovative research from Cameroon to provide a better understanding of the political complexity surrounding commodity production and trade in the twenty-first century.Assessing the perspectives of businesses, international organizations, governments, and civil society groups, the authors offer insights gleaned from years of field research in a commodity-dependent country. Commodity Politics presents case studies of sugar, palm oil, cocoa, and the Chad-Cameroon pipeline project. These cases uncover a problematic politics that is much broader than the implications of corporate social responsibility codes for people and the planet, delivering solid rationales for policy-makers and commodity stakeholders to think more deeply about investor-driven approaches to improving environmental, social, and governance conduct. This book trains students and scholars to better recognize political intricacies and consequential flash points.Immersing its readers in timely debates over the meaning and intent of responsibility, Commodity Politics breaks new ground in the political analysis of development.

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Most Canadians assume they live under some form of democracy. Yet confusion about the meaning of the word and the limits of the people’s power obscures a deeper understanding. Constant Struggle looks for the democratic impulse in Canada’s past to deconstruct how the country became a democracy, if in fact it ever did.This volume asks what limits and contradictions have framed the nation’s democratization process, examining how democracy has been understood by those who have advocated for or resisted it and exploring key historical realities that have shaped it. Scholars from a range of disciplines tackle this elusive concept, suggesting that instead of looking for a simple narrative, we must be alert to the slower, untidier, and incomplete processes of democratization in Canada. Constant Struggle offers a renewed, sometimes unsettling depiction, stretching from studies of early Indigenous societies, through colonial North America and Confederation, into the twentieth century. Contributors reassess democracy in light of settler colonialism and white supremacy, investigate connections between capitalism and democracy, consider alternative conceptions of democracy from Canada’s past, and highlight the various ways in which the democratic ideal has been mobilized to advance particular visions of Canadian society.Demonstrating that Canada’s democratization process has not always been one that empowered the people, Constant Struggle questions traditional views of the relationship between democracy and liberalism in Canada and around the world.

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Carol Shields, best known for her fiction writing, received both the Pulitzer Prize and the Governor General’s Award for Fiction for her novel The Stone Diaries. But she also wrote hundreds of poems over the span of her career.The Collected Poetry of Carol Shields includes three previously published collections and over eighty unpublished poems, ranging from the early 1970s to Shields’s death in 2003. In a detailed introduction and commentary, Nora Foster Stovel contextualizes these poems against the background of Shields’s life and oeuvre and the traditions of twentieth-century poetry. She demonstrates how poetry influenced and informed Shields’s novels; many of the poems, which constitute miniature narratives, illuminate Shields’s fiction and serve as the testing ground for metaphors she later employed in her prose works. Stovel delineates Shields’s career-long interest in character and setting, gender and class, self and other, actuality and numinousness, as well as revealing her subversive feminism, which became explicit in Reta Winter’s angry (unsent) letters in Unless and in the stories of poet Mary Swann and Daisy Goodwill in Swann and The Stone Diaries.The first complete collection of her poetry, this volume is essential for all readers of Carol Shields. Stovel’s detailed annotations, based on research in the Carol Shields fonds at Library and Archives Canada, reveal the poems in all their depth and resonance, and the dignity and consequence they afford to ordinary people.

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The terrorist attacks of 11 September 2001 were a local event that nevertheless elicited strong reactions throughout the world. The unprecedented strike on the continental United States, its instantaneous broadcast, and its global stakes placed 9/11 at the centre of ideological debates that still rage today. The impact was especially felt in France.Chronic Aftershock looks at the significance of 9/11 in France as documented by prominent politicians, public intellectuals, journalists, sociologists, political scientists, philosophers, novelists, and conspiracy theorists. In his comprehensive account Jean-Philippe Mathy addresses the rise of a small but influential group of self-described “anti-anti-Americans” who shared the views of American neoconservatives in support of regime change in Iraq; the media controversy involving French Evangelical churches’ response to the religious views of George W. Bush; the widespread “I am Charlie” movement following the attacks against the offices of Charlie Hebdo; and the unending French national debate on the place of the Muslim community in a secular, universalist republic. The book also considers the November 2015 Islamist attacks in Paris, often described as “the French September 11.”Combining approaches from intellectual history, cultural studies, and literary criticism, Chronic Aftershock explores the legacy of 9/11 and recent instances of transatlantic divide to provide an innovative and timely assessment of the radicalized violence that remains a major threat in today’s world.

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The concept of vocation in an early modern setting calls to mind the priesthood or religious life in a monastery or cloister; to be “called” by God meant to leave the concerns of the world behind. Beginning in the mid-seventeenth century, French Catholic clergy began to promote the innovative idea that everyone, even an ordinary layperson, was called to a vocation or “state of life” and that discerning this call correctly had implications for one’s happiness and salvation, and for the social good.In Callings and Consequences Christopher Lane analyzes the origins, growth, and influence of a culture of vocation that became a central component of the Catholic Reformation and its legacy in France. The reformers’ new vision of the choice of a state of life was marked by four characteristics: urgency (the realization that one’s soul was at stake), inclusiveness (the belief that everyone, including lay people, was called by God), method (the use of proven discernment practices), and liberty (the belief that this choice must be free from coercion, especially by parents). No mere passing phenomena, these vocational reforms engendered enduring beliefs and practices within the repertoire of global Catholic modernity, even to the present day.An illuminating and sometimes surprising history of pastoral reform, Callings and Consequences helps us to understand the history of Catholic vocational culture and its role in the modernizing process, within Christianity and beyond.

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The attack on the US Capitol on 6 January 2021 was a tragic illustration of the existential threat that the viral spread of disinformation poses in the age of social media and twenty-four-hour news. From climate change denialism to the frenzied conspiracy theories and racist mythologies that fuel antidemocratic white nationalist movements in the United States and abroad, What Would Cervantes Do? is a lucid meditation on the key role the humanities must play in dissecting and combatting all forms of disinformation.David Castillo and William Egginton travel back to the early modern period, the first age of inflationary media, in search of historically tested strategies to overcome disinformation and shed light on our post-truth market. Through a series of critical conversations between cultural icons of the twenty-first century and those of the Spanish Golden Age, What Would Cervantes Do? provides a tour-de-force commentary on current politics and popular culture. Offering a diverse range of Cervantist comparative readings of contemporary cultural texts –movies, television shows, and infotainment – alongside ideas and issues from literary and cultural texts of early modern Spain, Castillo and Egginton present a new way of unpacking the logic of contemporary media.What Would Cervantes Do? is an urgent and timely self-help manual for literary scholars and humanists of all stripes, and a powerful toolkit for reality literacy.

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In the decade before and after independence, Nigerians not only adopted the novel but reinvented the genre. Nigerian novels imagined the new state, with its ideals of the rule of law, state sovereignty, and a centralized administration.Debt, Law, Realism argues that Nigerian novels were not written for a Western audience, as often stated, but to teach fellow citizens how to envision the state. The first Nigerian novels were overwhelmingly realist because realism was a way to convey the understanding shared by all subject to the rule of law. Debt was an important theme used to illustrate the social trust needed to live with strangers. But the novelists felt an ambivalence towards the state, which had been imposed by colonial military might. Even as they embraced the ideal of the rule of law, they kept alive a memory of other ways of governing themselves. Many of the first novelists – including Chinua Achebe – were Igbos, a people who had been historically stateless, and for whom justice had been a matter of interpersonal relations, consensus, and reciprocity, rather than a citizen’s subordination to a higher authority.Debt, Law, Realism reads African novels as political philosophy, offering important lessons about the foundations of social trust, the principle of succession, and the nature of sovereignty, authority, and law.

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The nineteenth-century study of hysteria at the Salpêtrière hospital was a medical project, but also a theatrical one. The hysteric's public appearance was a continual ethical provocation, pointing not only to the vulnerability of her person but to the unstable position of her spectator. Hysteria in Performance sets out to uncover what kind of performance the hysterical attack is, as well as the nature of hysteria in and as performance as it occurred at Salpêtrière.The Salpêtrière documents undeniably show the gravity of the institutional violence committed against its female patients. Using the lenses of performance studies and performance theory, Jenn Cole expresses the overt and subtle damages done to hysterical women in Jean-Martin Charcot's hospital, drawing attention to the hysteric's resistance to these experiences: it is often simply by being herself that the hysteric points to the inherent weaknesses in these systemic modes of violence. In Hysteria in Performance, the hysteric becomes a figure who represents possibilities for ethical encounters within performance and everyday living.Revealing the fraught and exciting nature of theatrical representation, and continually drawing out the dilemmas and unexpected dynamics of witnessing the suffering of others, this groundbreaking study explores how Charcot's findings on hysteria produced a unique mixture of theatre and science that still has unexpected things to teach us.

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Published fifty years ago under the title Harpoon of the Hunter, Markoosie Patsauq's novel helped establish the genre of Indigenous fiction in Canada. This new English translation unfolds the story of Kamik, a young hero who comes to manhood while on a perilous hunt for a wounded polar bear. In this astonishing tale of a people struggling for survival in a brutal environment, Patsauq describes a life in the Canadian Arctic as one that is reliant on cooperation and vigilance.In collaboration with the author, Valerie Henitiuk and Marc-Antoine Mahieu return to the original Inuktitut text to provide English readers with a more accurate translation. With a preface by Patsauq and an afterword from the translators, this edition offers a fresh and contextualized interpretation of a cultural milestone.Whether revisiting this classic or discovering it for the first time, readers will find in Hunter with Harpoon a sophisticated coming-of-age tale illustrating a way of life not as it appeared to southerners, but as it has survived in the memory of the Inuit themselves.

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When the CBC organized a national contest to identify the greatest Canadian of all time, few were surprised when the father of Medicare, Tommy Douglas, won by a large margin: Medicare is central to Canadian identity. Yet focusing on Douglas and his fight for social justice obscures other important aspects of the construction of Canada's national health insurance - especially its longstanding dependence on immigrant doctors.Foreign Practices reconsiders the early history of Medicare through the stories of foreign-trained doctors who entered the country in the three decades after the Second World War. By making strategic use of oral history, analyzing contemporary medical debates, and reconstructing doctors' life histories, Sasha Mullally and David Wright demonstrate that foreign doctors arrived by the hundreds at a pivotal moment for health care services. Just as Medicare was launched, Canada began to prioritize "highly skilled manpower" when admitting newcomers, a novel policy that drew thousands of professionals from around the world. Doctors from India and Iran, Haiti and Hong Kong, and Romania and the Republic of South Africa would fundamentally transform the medical landscape of the country.Charting the fascinating history of physician immigration to Canada, and the ethical debates it provoked, Foreign Practices places the Canadian experience within a wider context of global migration after the Second World War.

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What was it like to be a soldier's wife in Canada during the First World War? More than 80,000 Canadian women were married to men who left home to fight in the war, and its effects on their lives were transformative and often traumatic. Yet the everyday struggles of Canadian war wives, lived far from the battlefields of France, have remained in the shadows of historical memory. Anxious Days and Tearful Nights highlights how Canadian women's experiences of wartime marital separation resembled and differed from those of their European counterparts. Drawing on the letters of married couples separated by wartime service and the military service records of hundreds of Canadian soldiers, Martha Hanna reveals how couples used correspondence to maintain the routine and the affection of domestic life. She explores how women managed households and budgets, how those with children coped with the challenges of what we today would call single parenthood, and when and why some war wives chose to relocate to Britain to be nearer to their husbands. More than anything else, the life of a war wife - especially a war wife separated from her husband for years on end - was marked and marred by unrelieved psychological stress. Through this close personal lens Hanna reveals a broader picture of how war's effects persist across time and space.

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In 1949, the Communist Party of China pledged that its approach to health care would differ markedly from that of the former Nationalist government and the 'imperialist' West. For the next thirty years under Mao's leadership, the People's Republic of China made improving the health of the entire population a central pillar of its policy. International health stakeholders came to view it as a statistical outlier in its ability to achieve better health outcomes with limited resources.The People's Health is the first systematic study of health care and medicine in Maoist China. Drawing on hundreds of files from rarely seen party archives and oral testimonies from experts, local cadres, and villagers across China, Zhou Xun shifts her historian's gaze away from official statistics towards the records of local institutions and personal memories that reflect and give voice to lived experiences. Through the everyday interactions of policy makers, national and local administration, and communities, Zhou illustrates the dynamic relationship between politics and health, and between individual lives and the political system. Presenting case studies of the two internationally acclaimed public health initiatives in the PRC – the anti-schistosomiasis campaign and the Barefoot Doctor program – this book offers the first thorough, politically neutral analysis of their background, execution, and national and international repercussions.Opening a unique window into the lives – and health care – of individuals living under communism, The People's Health examines the links between local interest, cultural sensibilities, resources, and abilities, exploring the often unforeseeable consequences of political planning and social engineering.

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From history and politics to fantasy and farce, the first flourish of women's theatre in Canada questioned the discourses that formed and informed ideas of gender, sex, and sexuality. While still seduced by an abiding belief in the truth of separate spheres that mark out the hierarchies of men's and women's roles, these plays, in a variety of genres, challenged conventional notions of the private and public in the service of women's rights and social reform. Blowing up the Skirt of History revives ten theatrical comedies that staged the promise of social change, empowered a counterpublic of politically vocal and socially powerful women's voices, and put women's artistic work and lives in the spotlight. When middle- and upper-class women participated in the theatre - as audience members, as playwrights, and as producers - they in turn signalled its authenticity and acceptability. Informed by feminist materialism and public sphere theory as categories of reclamation and analysis, the book's general introduction situates the plays in Canadian women's history, politics, ideologies of gender, theatrical modernism, colonialism, and a newly industrializing nation. Introductions to each work explore the playwrights' biographies, their political activity, and their literary output. Additionally they recount each play's production history and historicize the ways in which it intervenes in the ideologies of the age. Blowing up the Skirt of History reconstructs a long-overlooked corpus of early dramatic writing and restores it to Canadian theatrical history. These plays, and others like them, are exemplars of the types of theatre that became increasingly appropriate to and supportive of middle- and upper-class Anglo-Canadian women's culture over the turn of the twentieth century.

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In Canada, adaptation is a national mode of survival, but it is also a way to create radical change. Throughout history, Canadians have been inheritors and adaptors: of political systems, stories, and customs from the old world and the new. More than updating popular narratives, adaptation informs understandings of culture, race, gender, and sexuality, as well as individual experiences. In Political Adaptation in Canadian Theatre Kailin Wright investigates adaptations that retell popular stories with a political purpose and examines how they acknowledge diverse realities and transform our past. Political Adaptation in Canadian Theatre explores adaptations of Canadian history, Shakespeare, Greek mythologies, and Indigenous history by playwrights who identify as English-Canadian, African-Canadian, French-Canadian, French, Kuna Rappahannock, and Delaware from the Six Nations. Along with new considerations of the activist potential of popular Canadian theatre, this book outlines eight strategies that adaptors employ to challenge conceptions of what it means to be Indigenous, Black, queer, or female. Recent cancellations of theatre productions whose creators borrowed elements from minority cultures demonstrate the need for a distinction between political adaptation and cultural appropriation. Wright builds on Linda Hutcheon's definition of adaptation as repetition with difference and applies identification theory to illustrate how political adaptation at once underlines and undermines its canonical source. An exciting intervention in adaptation studies, Political Adaptation in Canadian Theatre unsettles the dynamics of popular and political theatre and rethinks the ways performance can contribute to how one country defines itself.

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