Search results for ""Kapon Editions""

The first systematic excavations in the sanctuary of Olympia lasted for six years, from 1975 to 1881. Dimitris Papageorgiou's book was published in 1890 and is the first guidebook in Greek for the antiquities of Olympia. It is remarkable that it was written before the completion of the German publication of the excavation (1897). This is a pioneering work in which the author did not confine himself to describing the monuments, but dealt with the history and the description of the contests, as well as with the organization in antiquity of the Olympic Games, which were to be revived six years later, in 1896. Greek language. 45 b&w illustrations, including fold-out map of Olympia.

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This brief guide to the collections of the National Archaeological Museum of Athens provides general information about all the collections, with an emphasis on the way they are presented in the Museum galleries. It illustrates representative works from each collection, demonstrating the artistic quality and value of the exhibits. The National Archaeological Museum of Athens is the largest archaeological museum in Greece and one of the most important museums in the world devoted to ancient Greek art. Large format paperback, lavishly illustrated in colour throughout

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The book deals with the issue of the approach to and treatment of Byzantine monuments during the first one hundred years of the Greek State (1833-1939). It examines representative restoration interventions in Byzantine monuments in Greece and critically analyses the theoretical principles and the practices adopted. It records the developmental course of actions taken to salvage the Byzantine heritage, both by the Greek State and by non-governmental agents. It also investigates their ideological and cultural framework, correlating this with European thought. It enhances the impact of the upgrading of Byzantium in Greece on activities for the protection, rescue and restoration of Byzantine ecclesiastical monuments. The study is based on ample archival material, which is published for the first time. This volume is an essential contribution to research into the history of Greek cultural heritage and of European restorations. Greek language text. 232 illustrations, some in colour

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This brief guide to the collections of the National Archaeological Museum of Athens provides general information about all the collections, with an emphasis on the way they are presented in the Museum galleries. It illustrates representative works from each collection, demonstrating the artistic quality and value of the exhibits. The National Archaeological Museum of Athens is the largest archaeological museum in Greece and one of the most important museums in the world devoted to ancient Greek art. Large format paperback, lavishly illustrated in colour throughout

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This new biography of Harilaos Trikoupis, seven times Prime Minister of Greece in the last quarter of the nineteenth century, is illustrated with photographs, paintings and prints, newspaper cuttings, maps and cartoons, and also includes numerous documents from his archives, mostly unpublished until now. It aims to throw light on many previously unknown elements in the life of this great political figure and to make him accessible to a wider public by providing the opportunity not only to follow his career but to gain an insight into his family and political environment. The book's wide variety of attractive illustrations, with their extensive and well-documented captions, bring events and people vividly to life and make it a publication of value not only to researchers but the ordinary reader. 600 col. Illus. Greek language text.

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A completely new account of the archaeological and historical evidence which relates to Delphi - the most important place in the ancient world. Each of the three sites at Delphi - the Sanctuary of Apollo, the Sanctuary of Athena and the Gymnasium - are described in detail, along with its architectural development and the Museum, where the works of art on display can be directly related to the place in which they were found. A separate chapter discussed the Pythian festival, the oracular procedure and an interpretation of the Delphic rituals, to explain the arcane phenomena of the oracle and the enduring influence that the sanctuary had throughout ancient Greek history. Written in an accessible style, the book incorporates the results of the latest research into the sanctuary of Delphi and uses photographs to demonstrate the conservation works carried out in recent years. This is the French language edition. The book is also available in English and Greek language editions.

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The History of Art as it developed after the Second World War, is an important chapter in world cultural heritage. During this period art developed rich and inventive in ways of expression, while being challenging and enigmatic. Both ‘old’ Europe and the United States of America, led in forging new paths, as well as movements and trends which contained elements of realistic and abstract art. The different artistic styles – Abstract Art, Expressionism, Realism and many other avant garde movements which developed up to the 21st Century, as well as their exponents are presented in five substantial chapters in this book in chronological order. This second edition has been enriched, on the one hand, with new information and commentary about the artists who were described in the first edition and on the other, has included the works of most Greek artists, both older ones, such as Georgos Zongolopoulos, and also the more recent. A separate chapter has been created for George Lappas, one of the most important innovators of the younger generation, who was universally considered by art historians and art critics in the ranks of great Modern Greek sculptors. In addition, mention is made of the crisis in Greece of recent years, largely through an analysis of works by very young artists, who each in their own way embody this modern reality. The text is easy to read, academically referenced, with rich illustration and is not only relevant to the student but also to the novice who wishes to gain a comprehensive picture of the artistic developments of the period, in which Greece is also present. 353 illus. Greek language text.

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A retrospective portfolio of the work of Greek Cypriot interior designer Georges Petrides. Design projects spanning the period 1991 to 2015 are illustrated in this album dedicated to Petrides’ work. Nearly 400 pages, almost all illustrated in full colour. George Petrides is now based in Athens, where he maintains his interior design practice, with commissions spanning Europe, America and the Middle East. Includes illustrations from 20 of his commissions across the world and includes rarely seen illustrations of interiors of private houses designed by Petrides. Parallel text Greek and English

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This Greek-language monograph on the castle of Modon (Peloponnese, Greece) leads us on a journey from Homer to the 20th century, and concentrates particularly on the Venetian presence, which lasted for 300 years beginning at the fall of Constantinople in 1204. The book explores the correct name of Modon; its ancient walls and coins; the written and pictorial evidence for the castle; the structure of its Venetian administration; the deciphering and identification of the 27 coats of arms of Modon; the history of the lion of Venice; the study of the 18 lions, embedded in the walls; the discovery of the real attribution of the wrongly named Morosini column; the restoration of the name of the so-called Villehardouin tower; the examination and reading of the mason’s mark of the central gate; the finding of the correct original name of the eight-sided tower of the mole which is still called by its Turkish name Bourtzi; and the identification of the Mediaeval form of the old harbour

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Prompted by a visit to the Acropolis and its Museum, an amazing journey to the ancient world and its secrets begins. A curious student overwhelms a veteran archaeologist with his questions and, together, they try to discover the hidden secrets of the monuments. Their walk among the ancient buildings of the site and the Museum’s exhibits gives them the opportunity to discuss about the relationship between the ancient and the modern city, the historical phases and the adventures of the Acropolis, the emergence of Democracy, and the glorious battles fought during the Persian Wars. In addition, they attempt to interpret the building programme of Pericles, converse with great historical figures, and meet known and unknown protagonists who conceived, designed and built the great monuments: From the inspired politicians, the ingenious architects and the pioneering artists, to the extraordinary craftsmen and indefatigable slaves. The student and his teacher, aided by colourful images and reconstructions, enjoy a stroll through space and time, reviving the monuments and values of this glorious era, and connecting them with the challenges of our time.

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This volume fills a major gap: there are no modern publications describing the mosaics of the major Byzantine monuments of Thessaloniki aimed at the contemporary reader, both specialist and layman. The preserved mosaic decorations of the Rotonda, Hosios David, Ayia Sophia, Ayioi Apostoloi and the basilicas of Ayios Dimitrios and the Acheiropoietos are presented with lavish, high-quality illustrations and an elegant text that highlights the aesthetic values of the monuments. Th e mural mosaics of Thessaloniki are masterpieces of Byzantine art, of major historical and artistic importance. Nonetheless, they have not received the attention and enhancement that they deserve to make them accessible to the general public and to scholars. The authors of this important book served for over 40 years as Ephors of Byzantine Antiquities of Thessaloniki. After the 1978 earthquakes, they directed works on the consolidation and conservation of the mosaics, alongside their colleagues, archaeologists, architects and conservators from the Ephorate of Byzantine Antiquities of Thessaloniki. Their work has resulted in much new information on the mosaics becoming available, which is recorded in this volume. Illustrated with high quality photographs and drawings. 358 colour illustrations and 38 b&w drawings.

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This luxuriously illustrated book surveys Greek archaeology from the collapse of the Mycenaean palaces to the subordination of the last Hellenistic kingdoms to Rome. Its aim is to study Greek art through the material record, and against its cultural and social backdrop. It takes the reader on a tour of ancient Greece along the most important period in its history, the 1st millennium BC. Architecture, city planning, sculpture, painting, pottery, metallurgy, jewellery, and numismatics are some of the areas covered. With concise, systematic coverage of the main categories of classical monuments, the book caters for the non-specialist looking for the essential in ancient Greece, students of Greek archaeology and art, as well as anyone interested in Greek art and culture. The text is divided into accessible, user-friendly sections including case studies, terminology, charts, maps, a timeline and full index. This is the first English language edition of the original Greek edition and was thoroughly revised and expanded by Dimitris Plantzos before translation by the British archaeologist Nicola Wardle. 592 colour illustrations.

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The relation between tragedy and opera is as old as opera itself. Opera was born out of experiments by Italian scholars of the Renaissance relating to the nature of ancient tragedy and ways in which it could be performed. And many works in the operatic repertoire derive their subject matter from ancient legends. This relationship is described briefly, though with full documentation, in this little volume. English and Italian bilingual text. 109 colour illustrations.

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Besides the practical and functional needs of the body which must be addressed in buildings and in the wider built environment, human communities have always wished to shelter, not only themselves but also the incomprehensible, the superior and the mysterious. In this way they can, by specifying them, exorcise the danger posed by the invisible forces which define both the world outside and their inner psyche. Whether conceived as magic or as a religious system, the consciousness of a spiritual realm is not just a primitive stage of the intellectual development of humanity which then was replaced by a scientific approach which aims to create order from chaos, but is an ever-present internal need which is not satisfied by rational experience and knowledge. Since therefore, recourse to the metaphysical is a given, the door opens for the transcendental to enter, which itself is the foundation of metaphysics. In consequence the transcendental and the feeling of respect and sacredness which it causes are an integral part of human nature and, so too, architecture finds ways not only to accommodate it, but as far as possible, to invite it in. Modern architecture, while avowedly rejecting its relationship with the past, continues to be an art and with steady pace undertakes to accommodate the experience of the transcendental. The two authors, both architects, find that in the modern day the concepts of the sacred and the transcendental are included in the aesthetic category of 'the Sublime', which is not associated now so much with God, as with the concept of Being. The concepts thus slip into many areas of public as much as of private life. Here they dare to borrow the five principles of Longinus for successful composition and the requirement for a 'megalophrosnes apechema' (the echo of a great soul). They then parallel these principles with the creative inspiration of the architects of the 20th and 21st centuries, in their attempt to organize a vocabulary and syntax for the achievement of the sought-after 'sanctity', and as a path towards an imposing and exalted composition of space and materials. Text in Greek

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In this collective work scholars from different disciplines discuss the staging of ancient drama in Greece and abroad, as well as the architecture, restoration and use of ancient theatres, in which ancient Greek drama now finds its true "space". 80 color and 83 b/w illus. English and Greek bilingual text.

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This innovative look at ancient Greek painting combines the most complete survey to date of the painted monuments of classical antiquity with an in-depth exploration of the ways in which the people of Ancient Greece appreciated this demanding art. Plantzos looks at techniques, styles, themes and masters as well as their admirers, clients, and critics. At the same time, he discusses recent breakthroughs in archaeology, cultural studies, and art history. The book is unique in its reflections of new, multidisciplinary approaches to the material record which it combines with a more traditional, art-historical exploration; it draws on a wide range of ancient authorities – from Plato and Xenophon to Cicero, Pliny, Lucian, and Philostratus. The book covers painting in Bronze-Age Greece (Cyclades, Crete, Santorini, Mycenaean Greece); painting of the Archaic, the Classical, and the Hellenistic periods, and ends with a study of Graeco-Roman painting in the 2nd-3rd c. AD. Dimitris Plantzos is the author of Greek Art and Archaeology, 1200-30 BC (Kapon Editions, 2016).

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For more than forty years the late architect, professor at the School of Fine Arts of Athens and academician, Paul Mylonas (1915-2005) systematically photographed and drew both neoclassical as well as more humble domestic buildings of Athens. This bilingual edition, edited by Maro Kardamitsi-Adami, Professor Emerita at the National Technical University, and Alexandra Karageorgou, a close collaborator of the late professor Mylonas, highlights the drawings, photographs and texts of the distinguished architect, enhanced through the results of resent research. Together they convey an image of what was then a new capital city, a place humming with a vast range of activities, one which had thrown itself with unusual zeal and notable good taste into the stimulation of authentic architecture. Published jointly by the Academy of Athens and Kapon Editions The text is presented in both Greek and English

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The core of this volume is the collection of Chian pithoi and pithos lids belonging to Angelos Vlastaris. The book also contains important ceramics from other collections, as well as a wealth of archive material. Its scope is not limited to the study of the pottery alone; it also aims to present a tangible picture of the great cultural and social flowering of Chios before the Massacre of 1822. The ceramics presented here were crafted in recent centuries but touch upon a medieval past. Their crude construction, their shape and their decoration are all features of Byzantine pithoi, attesting to an unbroken ceramic tradition. Their technical and morphological features indicate a standardised technological chaîne opératoire and a specific way of learning the craft. What is striking is the plethora of inscriptions, dates, Christian symbols and decorative motifs found on them. These ceramics express the general outward-looking spirit, the cultural and religious freedom of the period. Proceeds from the sale of the book will be donated to a non-profit institution for the study and promotion of modern Greek ceramics. Published jointly by the John S. Fafalios Foundation and Kapon Editions. Substantially illustrated in colour and black & white. The text is presented in both Greek and English.

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This book explores the social construction of relationship between commuting (everyday mobility) and urban landscape, from ecological, social and psychological perspectives. It combines different concepts like: "urban eco-landscape", "soundscape" (urban geography, social anthropology, cultural studies, landscape and soundscape ecology, remote sensing) and "identity of mobility" (sociology, environmental and social psychology). The research took place in different cities and peripheries in Greece, France, Mexico and India. The book offers a methodology for landscape research and not another theory about landscape studies. It is aimed at a wide readership and especially for students and researchers in the social sciences (geography, sociology, anthropology and cultural studies), in architecture and in urban and regional planning. In a world which proclaims the protection of landscape, it required us to ponder the question: what is it we wish to protect: the history, the memory, the culture, the ecosystem, the landscape as common or as commodity? In a world which also declares the idea of increasing commuting as a characteristic of social improvement another question arises: how was this idea constructed, whom does it really benefit? How were the places of exclusion constructed by means of isolation from auto-mobility and through the construction of a controversial model of equating a slow pace of movement with so-called 'underdevelopment'? Finally, the definitions of the landscape (whether they come from a common everyday use of the term or from a model derived from the social or natural sciences, which are perceived as objective representations) demonstrate on a daily basis a reconstruction related to socially and culturally constructed positions and perceptions one already has about several concepts in everyday life. 112 illus, 100+ colour. Text in Greek

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This volume presents architectural syntheses distinctive of the oeuvre of architect Ioannis Vikelas. The selection is based on chronological rather than thematic criteria, so giving a diachronic picture of Vikelas' work and enabling the reader to follow the changes occurring in the design and the construction of architectural projects over time. In the course of his fifty-year career (1959-2009) Vikelas has prepared studies for a large number of buildings of various architectural types and supervised their construction. The book presents urban ensembles, residential complexes, villas, office blocks, high-rise buildings, government ministries, town halls, libraries, museums, educational foundations, hospitals, industrial buildings, churches, exhibition pavilions, shops and department stores, banks, malls, cinemas, sports facilities, hotels, marinas, airports, churches, monumental tombs, public parks and squares. The concise description of each building, accompanied by plans and certain details regarding its function, is complemented by abundant photographs. Greek and English bilingual. 600 illus., mainly colour.

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Distributed by University of Exeter Press. The subjects dealt with in this book are closely bound both with the development of archaeology and with the history of modern Greece. In six main chapters, the author covers the long period from the fifteenth century until the mid-1970s. The first chapter deals with the state of ancient monuments under Turkish rule and the Europeans who visited Greece during that period. The remaining chapters describe the steps taken by the newly-founded Greek state to preserve existing monuments, uncover others, set up collections of antiquities and build museums in Athens and the provinces. For the first time, a detailed search of archives, archaeological journals, newspapers and other publications provides us with a fully-rounded picture of the subject, presenting the work of archaeologists, architects and other specialists and public figures who worked to discover, preserve and display the monuments of Greece from ancient times, through the Byzantine and post-Byzantine periods and onwards into our own era. Greek language text. 142 b&w illustrations and diagrams.

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The life's work of the architect John Travlos, first published in 1960, is the standard work on the urban development of Athens from ancient times to the modern day. Still an indispensable handbook for those studying Athens. Greek language text. 189 b&w illustrations, 12 plates. Greek language text.

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In the depths of the Kara Kum desert in Turkmenistan, one of the largest deserts in the world, Victor Sarianidi has excavated the country of Margush (Margiana). Its capital was the city of Gonur, which consisted of a unique ensemble of temples and palaces dating from the end of the third to the beginning of the second millennia BC. In addition to the capital city, Sarianidi excavated the Gonur necropolis, with almost 3000 tombs. This is the largest necropolis of the period to have been excavated in the Near East. Th e funeral gifts and personal adornments from the Gonur tombs have an amazing, unique beauty and are worthy of comparison with the fi nest examples of ancient oriental art from Mesopotamia, Asia Minor and the Aegean world. Research in this area has made it possible to conclude that the first monotheistic religion in the world, Zoroastrianism, originated in Margiana. Th is statement is supported by the finds that related to the funeral rituals and procedures observed in the Gonur necropolis. The Margiana culture proved to be so highly advanced that scholars increasingly hold the view that Bronze Age Central Asia was one of the main civilizations of ancient times, alongside Mesopotamia, Egypt, India and China. Th is book contains the results of the excavations, anthropological observations based on the skeletons found, and a large number and wide variety of finds.

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The mosaics in the Rotunda in Thessaloniki are the most significant decorations that remain from the early Byzantine period. Th is richly illustrated book invites the reader to enter the building and experience the splendid golden and silver mosaics that cover the cupola and vaults. It includes a timeline and a list of recent publications. Colour photographs, many specially taken for this publication, document the spectacular qualities of these magnificent mosaics. After an introduction to the architecture of the Rotunda, the authors focus on the mosaics, discussing such issues as imperial patronage, the martyr portraits, the pictorial programme, as well as mosaic technique and the aesthetic qualities of the multi-coloured images. The succinct text provides an up-to-date introduction to the mosaics.

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The Archaeological Society of Athens is celebrating its 180th anniversary in December 2017 with the publication of a collection of photographs taken in the 1950s of major Greek Archaeological sites, most of which the Society has had a role in excavating and studying. The photographs were taken by the American photographer Robert McCabe primarily during his first two visits to Greece in 1954 and 1955. The sites represented include Athens, Delphi, Rhodes, Mycenae, Ancient Thera, Corinth, and Methoni. Many things that interested McCabe were things that the Greeks took for granted but he was seeing for the first time and wanted to record: the light and shadow revealing the shapes and masses of the ruins, the guard taking refuge from the noon-day sun, the lone figure of a woman on a deserted dirt road under the Acropolis–all take on symbolic meaning. a floor worn by water and millenniums of footsteps presents a play of shadows that dance to the whims of the sun. Everything interests him: the peaceful railroad station at Mycenae, the photographer at Delphi, the marble workers with their chisels–all bear witness to a lost world that few remember. Introduction by Vasileios Petrakos, the President of the Archaeological Society of Athens. 196 original b&w photographs, printed in tritone.

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What follows the Fall of Constantinople? How does the Ottoman capital develop? How do its residents survive and how do the Greek-Orthodox people organize their life? How deep is the effect of the Fall? Is there continuity from the pre-fall period? The book draws information from Constantinople chronicles, travellers’ narratives, diaries of Westerners who lived among the Greek-Orthodox people, preacher sermons revealing the existing social problems, from the heroic new martyrs commemorated in the Synaxaria, as well as from older texts of Greek historians and articles of contemporary Ottomanists. The reader follows the travellers in their exploration of Constantinople at the time –in its historic centre and its outskirts. Eventually, the city’s ancient and byzantine monuments cease to exist; the Byzantine Poli (City) becomes “blurry.” A new, Ottoman capital arises and begins to flourish, though its heyday is besmirched by chronic scourges: fires, earthquakes, epidemics, famine, and sufferings, against which everyone is powerless. The life of the Greek-Orthodox people, and others, develops around their “mahallah” (neighbourhood), their parish, their guilds, the market. This is also the period when Greek Orthodox begin their first contacts with both the West, mostly with Protestants, and the orthodox Russia.

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Ioannina constitutes a world intertwined with its legends and the elements of nature. A city in which the lake plays a leading role, acting as a scenic artist, but also a narrator. Simultaneously, it is a city which, like the mountains surrounding it, is firmly set on the ground and, at the same time, immersed in the charm of its age-old history. Heroes, religions, myths and memories, all of which are possessions and spoils of this unique Siren, who for thousands of years now has been enticing us into listening to the song of this land.This book attempts to set out on a journey through space and time. With intermediate “stops” at the ages before and after the invention of script, the Byzantine and post-Byzantine times, the city’s conquest by the Ottomans, the reign of Ali Pasha and the Reform period to his demise and the Liberation. With “stops” at the caves of Perama and Kastritsa, Dodona —the Oracle of earth and sky, with the “high-crested” oak tree and the will of Zeus—, the Nissi (Island) —with the significant monastic state and the figures of the ancient Greek philosophers depicted on its wall paintings—, the Castle, the city of the past and the present.Man has always been at the centre of this swirl of events through space and time. It seems that his anxieties, as these were expressed in Dodona’s oracular tablets when he desperately sought prophecies, or when he silently visited a church, a mosque or a synagogue to pray, have barely changed. To him, time is no different than Plato’s perception of it: a moving image of eternity.

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The Archaeological Museum of Thessaloniki, one of the most important in Greece, houses masterpieces of Greek art associated with the history of Ancient Macedonia, from the 2nd millennium BC to the 4th century BC and the reigns of Philip II and Alexander the Great. The Guide to the Museum presents the rich, varied finds from Vergina, Sindos and Derveni and many other important Macedonian sites. Detailed illustrations accompany the descriptions of the objects on display. The introduction to Ancient Macedonia and the informative texts prefacing the descriptions of individual sections are designed to set the objects on display in their historical context, to help visitors to the Museum to enjoy the beauty of ancient art and follow the history of Macedonia. 240 colour illustrations. Italian language text.

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The Archaeological Museum of Thessaloniki, one of the most important in Greece, houses masterpieces of Greek art associated with the history of Ancient Macedonia, from the 2nd millennium BC to the 4th century BC and the reigns of Philip II and Alexander the Great. The Guide to the Museum presents the rich, varied finds from Vergina, Sindos and Derveni and many other important Macedonian sites. Detailed illustrations accompany the descriptions of the objects on display. The introduction to Ancient Macedonia and the informative texts prefacing the descriptions of individual sections are designed to set the objects on display in their historical context, to help visitors to the Museum to enjoy the beauty of ancient art and follow the history of Macedonia. 240 colour illustrations. French language text. Also available in English, German and Italian editions.

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English text. 361 illustrations, most in colour. The most important phases of Greek civilization are connected with the sea, through voyages of discovery, naval campaigns and ocean trading. Over the years, and because of its key role as a means of communication, the ship also became a subject for artistic creations. Th e history and the evolution of the Greek ship from prehistoric times to the present day are presented through the work of known artists and anonymous craftsmen, executed in a variety of different materials. Ships were carved in stone and marble, incised on bronze, painted on clay or wood, depicted in paintings and murals, embroidered on cloth, printed on paper, offered as votives or worn as amulets. The material included in this book has been selected from museums and collections both in Greece and abroad.

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The subject of this book is the domestic and foreign policy of Charilaos Trikoupis, the great 19th-century Greek politician. It deals in particular with a basic aspect of his economic development programme: the construction of public works. The development of Greece is considered in detail through the construction of the rail and road networks, the cutting of the Corinthian canal, and the draining of Lake Kopaïs. All these projects bear the stamp of Trikoupis and have set their seal on the development of the Greek state to the present day. 122 illustrations, many in colour. Text in Greek and French

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This book attempts a concise yet systematic presentation of the history and cultural identity of the Vlachs, using rare photographs that capture a variety of manifestations of the life of these non-Greek speaking communities at the beginning of the 20th century. The work enriches the bibliography on ethnography and makes an important contribution to the interpretation and understanding of the modern identity of the Vlachs of Greece.The book was published in collaboration with the Egnatia Epirus Foundation. An album of rare photographs highlighting the multiple dimensions of the Vlach populations living in both Greek and Ottoman lands in the Balkans in 1900. English language text.

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This album of recent work by the talented Greek silversmith Thaleia-Maria Georgoulis marks her contribution to the COLLECT exhibition at London' s Victoria and Albert Museum. The small objects for daily use she has created are the expressions of an art that is abstract and minimalist to the point of asceticism. Using in most cases no other means than cracks, breaks and gashes she gives apparently simple objects new dimensions and significance, shaping small poems in silver in homage to the beauty that we fail to notice in our everyday existence. Bilingual Greek and English. 50 photographs, b&w and col.

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The Itinerary of a Collector: The Vasilis Korkolopoulos Collection Greek language text, c. 100 colour illustrations. Vasilis Korkolopoulos seeks to rescue from oblivion rare items of folk art covering the entire spectrum of human activity in the recent past (weapons, cartridge pouches, amulets, watches, etc.). Leaving no stone unturned, he searches for the thread that will lead him back to forgotten layers of Greek culture and the Greek psyche. Consequently, simply to browse through the pages of the catalogue of his collection is rather more than just a lesson in good taste: it familiarises the reader with the symbolical vocabulary that created and gave expression to the fantasy world of Modern Greeks. The collection is given a special character and a wider significance precisely by the care shown by its creator for Greek cultural self-awareness, to which the present volume also aspires to give prominence. Prologue by Professor Angelos Delivorrias, Director of the Benaki Museum. Greek language text

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Watermark, by the Dutch artist Gisèle Aphroditi Lubsen, contains 50 underwater colour photographs on the subject of the woman. Inspired by the most important female members of the ancient Greek pantheon, these photographs suggest a new approach, with emphasis on femininity. This is a beautiful, pioneering book, not only in terms of its content, but also from an aesthetic and technical point of view. Bilingual text Greek and English

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In the 21st century, more and more people ‘go out to the movie’s at home. Theo Kalomirakis reigns supreme the world over as the leading creator of custom-designed theatres and one-of-a-kind entertainment environments. This book presents fifteen of these incredible spaces with superb colour photographs and descriptions of the technology that make this revolution in entertainment and design possible. While Kalomirakis' extravagant creations are for wealthy clients, they also serve as inspiration for home owners who want to integrate cinema quality with home comfort on a more modest budget. Greek language text. 200+ colour illustrations.

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The Enlightenment in modern Greece is, without exception, characterised in our recent literature as a period of outstanding significance for the cultural history of modern Hellenism. For those who research the character of contemporary Hellenism it is, moreover, a composite field of study which can only be approached with great difficulty. First and foremost, the period is, without doubt, one of great importance for our literature and for the history of the ideas underpinning our cultural life. In its entirety, however, it influenced the whole history of modern Greece and, in many respects, still today defines our thoughts and actions. The adoption of the ideas of the Enlightenment depended on the gigantic efforts of towering intellectuals, whose genius shone out from the fall of Constantinople right up to the middle of the 19th century. In respect of our cultural history, it continued and brought to a peak the endeavours of men of letters to assimilate Western philosophy during the last two centuries of the expiring Byzantine empire. Greek language text. 8 b&w illustrations.

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Gerald Cadogan’s contributions to the archaeology of the East Mediterranean are directly related to the two Great Islands, Crete and Cyprus, where he has directed excavations at Myrtos-Pyrgos and Maroni-Vournes respectively. This volume, comprising mostly Cretan and Cypriot studies, contains papers offered by an array of scholars who have been taught or examined by Cadogan or who have collaborated with him in the field or excavation workrooms over the last fifty years. More than thirty short papers reflect Cadogan’s wide range of interests from interpreting excavation data—architecture, stratigraphy, pottery and small finds—to matters of prehistoric chronology, ethnography and gender, technology, environment and osteology, mythology and iconography, religion and death. The collection is a fascinating testament to the continuing achievements of one of the fi nest archaeologists of the region.

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For perhaps the first time, a holistic account of the institution of the monarchy in modern Greece looks at the political behaviour of the Greek people and their relationship with authority in every form, to explore why this specific type of constitution was chosen in 1832 at the end of the Greek ‘Struggle for Independence’. The development of the monarchy is explored in parallel with the quest for popular legitimization and the constitutional dimension, including the contradictions in the constitutional legislation and the fragility of a democratic constitutional monarchy. In a second section, three individual members of the Dynasty are discussed in detail. In the cases of Constantine the First and Queen consort Frederika, an attempt is made to separate myth from historical reality. Finally, in a third section, the philanthropic attitude of members of the two dynasties is discussed together with the socio-political dimension of the monarchy. In an Epilogue, the author examines the causes of the unravelling of the strong, but uneasy bond between people and monarchy. 107 black and white photographs. Greek language text.

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Designed to be a useful travel companion, this book’s descriptions and interpretative analyses help show the monuments in a new way, through an understanding of the historical, artistic and political events that contributed to their creation. Through the text and the illustrations we get to know the gods and heroes who were worshipped on the Acropolis, the leaders who envisaged the major projects, the artists who brought them to fruition, as well as the innovative ideas they applied, and the Athenian citizens who admired and enjoyed these achievements. 95 colour illustrations.

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The Museum of the Royal Tombs of Aigai was built especially to protect the monuments in the burial complex of King Philip II and to facilitate the public's access to their splendid murals, original large-scale paintings of the Classical period. In the form of an ancient tumulus and encasing the monuments, this Museum-Mausoleum is dedicated to the memory of illustrious historical figures familiar to all. This guide to the Museum of the Royal Tombs takes the reader step by step on the tour of this particularly spare and austere, yet simultaneously atmospheric, exhibition of the treasures from these tombs, which are displayed in units. Impressive photographs accompany historical information and the presentation of the exhibits, transporting the visitor through space and time, in the footsteps of the remarkable flowering of culture in the land of Macedonia during Classical Antiquity. 154 colour illustrations. Greek language text.

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This book offers a visual-poetic journey with images that speak to the mind and the soul. Each page holds a surprise, a feast of pictures and poetry in which you want to lose yourself. A world of dreams, yet profoundly real. The photographs are not the work of a photographer but of the poet George Douatzis, whose photographic viewpoint reminds us that reality has very beautiful aspects, provided we are able to see them. Through the poet's eye images of the everyday acquire another dimension. And his verses which accompany them create a lovely, human and, primarily, poetic result. English and Greek bilingual text. 226 colour photographs.

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The scholarly interest in the Battle of Marathon remains undiminished. This book presents all the ancient sources and all the scientific theories concerning the battle of Marathon. It provides a full bibliography (from the 17th century to the present day), richly illustrated with old maps. It proposes exciting and original solutions to all the historical issues surrounding this battle of cosmic importance, fought in 490 BC. Historian Christos Dionysopoulos goes head-to-head with 669 authors and 913 articles and books, emerging triumphant with a detailed study which casts light on the events, discovers unseen aspects and proposes interesting and original solutions to the questions surrounding this historic battle. The Academy of Athens awarded a prize for this study, judging it ‘to constitute the fullest, most comprehensive and most scholarly approach to the Battle of Marathon’, and that the author, with his talent for analysis and synthesis, has ‘contributed an archaeological and historical monograph of great significance for the subject of the battle which will underpin scholarship for many years to come’.

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Dimitris Manikas was born in 1938 on the island of Syros, in the Cyclades. He studied architecture at the Technischen Universität Wien, graduating in 1967. He worked as a freelance architect based in Vienna, frequently collaborating with architects both in Greece and internationally. Throughout his career he participated in architectural competitions in Greece, a mark of his attachment and constant bond with his birthplace: competitions included those for the Αcropolis Museum, for Syntagma Square, and Aristotelous Square in Thessaloniki. To mark his 80th birthday, Manakis gifted his complete archive to the Modern Greek Architecture collection of the Benaki Museum in Athens. Text in English, German and Greek.

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