Search results for ""Cannibal/Hannibal Publishers""

The expressive paintings by the Armenian artist Armen Eloyan (b. 1966) are as beguiling and seductive as they are repulsive. According to Eloyan, a fine painting is like a good joke, the pieces must fit together. With his characteristic dark humour, colourful paint and thick black contours he reveals a dark universe, in which things are thrown out of kilter and the viewer is confronted with existential questions. Cartoon-like figures emerge from mysterious landscapes, as though they have stepped out of a comic strip. They find themselves at the mercy of a harsh, dystopian reality. Eloyan's characters seem disturbed, melancholic and alcoholic, and appear to be in a state of existential meltdown. Almost masochistically they seem to passively accept their destiny. Eloyan combines influences from street art and cartoons with references to the great pioneers of painting, such as Willem De Kooning, Caspar David Friedrich and Philip Guston. He presents a world in which familiar figures, whom we often associate with our own youth, have lost their innocence. The publication is realised in collaboration with the FRAC des Pays de la Loire and the Tim Van Laere Gallery, Antwerp.

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Jan De Maesschalck's paintings represent a sharp view on topical subjects and the news. However, his clear observation of current events is depicted within an atmosphere of muse and memory. As such, his work represents an impression of melancholy and mockery, yet both in a mild form. According to De Maesschalck, melancholy leads to beauty. The tone set in the depiction of shadowy interiors and forlorn women is relativising and even humorous. All works speak of a strong but indefinable desire. De Maesschalck's metier reveals an extreme attention for detail. With technical precision, he prepares his paper and draws with paint. Utilising acrylic paint that dries immediately, De Maesschalck has to work fast. He is drawer and painter at once. Brushstrokes are visible, and hence his secure draughtsmanship contributes to the vibrant quality of the works.

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*Intensive and innovative series on sexuality in Flanders*Includes an essay This is no dawn | Dit is geen dageraad by author David Van Reybrouck*Gert Jochems has been selected as one of British Journal of Photography's twenty photographers to watch in 2013 How should we look at these pictures of photographer Gert Jochems? With lust or disgust? With dismay or emotion? With nostalgia or yearning? S is a major series of photographs, taken by Belgian photographer Gert Jochems. They look at the 'regular' lives of 'regular' Belgian people, all of whom lead unconventional lives in private. In these photos, Jochems is an invisible observer in private sitting rooms, bedrooms and basements. Text in English & Dutch.

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*A moving souvenir of Ypres in Belgium, where so many British soldiers died and were lost in Flanders Fields After the First World War, the town of Ypres was reduced to ruins. It was literally rebuilt from the ground up. The Menin Gate, was also restored; the place where tens of thousands of soldiers left for the Front, never to return. Today the Menin Gate is inscribed with the names of 55,000 soldiers from across the British Empire. It is a monument for those who fell and were forever lost, those who could not be buried. Their names are ordered hierarchically by unit and rank, but many of these men were conscripted civilians, not professional soldiers, serving their country only for the duration of the war. The Menin Gate is recent, living history and still an extremely evocative and haunting place. Thousands of men, fathers, sons, brothers...a whole generation lost, but not forgotten. Every day at 20.00 hrs, a lone bugler at the Menin Gate sounds the Last Post and the fallen are remembered. Text in English, Dutch and French

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Award-winning German photographer Michael Wolf (19542019) grew up in Canada, Europe and the United States. In 1994, Wolf moved to Hong Kong, where he worked for eight years as a contract photographer for Stern Magazine. The core of Wolf's work consisted of capturing life in megacities. Many of his projects depict the architecture and popular culture of metropolises, and Hong Kong Whispers is no exception.This book contains a stunning series of photos showing the vibrant global city of Hong Kong. Wolf's photographs are displayed in dialogue with the acerbic and ambiguous drawings of Arpaïs Du Bois (1973). Based on intense engagement with Wolf's series of images, she reflects on unnoticed moments and events that characterise life in the metropolis. The visual exchange between photographs and drawings took shape during Du Bois' stay of several weeks in Hong Kong (2004), during which the two artists observed the city both together and individually.

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In the autumn of 2023, Museum Mayer van den Bergh invited 15 contemporary artists to enter into a dialogue with its impressive collection. The works of Bram Demunter, Marcel Dzama, Adrian Ghenie, Kati Heck, Leiko Ikemura, Edward Lipski, Jonathan Meese, Ryan Mosley, Muller Van Severen, Tobias Pils, Tal R, Ben Sledsens, Dennis Tyfus, Inès van den Kieboom and Rinus Van de Velde are placed alongside Pieter Bruegel's world-famous Dulle Griet (Mad Meg'), but also next to the portraits of Cornelis De Vos and Alessandro Allori, still lifes by Antwerp masters such as Daniël Seghers and works by Jacob Jordaens, Joachim Patinir and Gerard de Lairesse. A number of artists have also been directly inspired to create new work, including Jonathan Meese, Tal R, Ben Sledsens, Bram Demunter, Rinus Van de Velde and Dennis Tyfus.Text in English and Dutch.

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“Broek’s work’s got attitude.” – ­Marlene Dumas “In combining extremes, Broek homes in on our zeitgeist." – Wilma Sütö The central theme in the oeuvre of Dutch artist Hans Broek (b. 1965) is landscape. He often paints locations where history has left an indelible mark, manifesting his belief that art should jolt you awake. He finds inspiration all around the world: a telegraph pole under a dark, cloudy Spanish sky; modern bungalows on the outskirts of LA; melting ice caps in Greenland; and wind-blown, rainy landscapes on the Atlantic seaboard in the wake of Hurricane Sandy. His series of paintings that depict prisons, dungeons, cell doors, plantations, and seats of colonial power funded by slavery - ‘guilty architecture’ where injustice was witnessed without intervention - serve as moving, silent witnesses to the ugly history of the Dutch slave trade. With contributions by Edo Dijksterhuis, Dominic van den Boogerd, Wilma Sütö and the artist himself. This book is published on the occasion of the exhibition. Text in English and Dutch

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“Janssens’s new photo series 'Lightness' is teeming with contradictions, dualities and ambiguities. Her photos are both unbearably light and unbearably heavy. It opens the door to a series of new ideas on our desire to escape, our lack of a sense of reality, and our superficiality.” – Thijs Demeulemeester With Lightness Frieke Janssens has created a cathartic photo series, tapping into our urge to escape and our individual quest for a sense of purpose and meaning. Her compositions explore the visual dichotomy between weightlessness and gravity, water and air, aesthetics and imperfection. Using the sea and its eternal ebb and flow as a backdrop, the photographer contemplates the universally human. To what extent can we ever know or understand each other? This exclusive numbered and signed leporello is published on the occasion of the exhibition Lightness, which runs at Cultural Centre Scharpoord, Knokke-Heist from 26 March to 12 June 2022. Its publication coincides with ‘Foto Knokke-Heist’. With contributions by Sofie Crabbé, Lize Spit and Thijs Demeulemeester.

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The Royal Museum of Fine Arts Antwerp (KMSKA) has undergone an 11-year renovation period resulting in a total makeover. The museum as it stands today is in all respects new: there is an entirely new museum volume, the monumental museum building has been restored to its historic magnificence, the exterior has been conserved and the garden newly landscaped. KMSKA – The Finest Museum showcases this enormous renovation and also highlights a second innovation of equally massive scale: the entire operation of the museum has been brought up to date. In this book you can find the answers to questions such as, how did the collection reach its current incarnation? And, how does the KMSKA make its decisions about what to display? How do you appeal to as diverse an audience as possible? How does the museum present itself to the world? What expectations are museums faced with in our 21st century? Discover the vibrant history of this modern and perpetually evolving museum. With images by photographer Karin Borghouts. This publication is issued on the occasion of the reopening of the KMSKA in September 2022.

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Stunning monograph on the colourful universe of artist Ben Sledsens. Artist Ben Sledsens (b. 1991) combines an in depth knowledge of the visual tradition with his own mythology. With his large-scale canvases, he shows us fragments from his imaginary world, a Utopia in which he himself wants to live. His colours and reinterpretations of the landscape are reminiscent of artists such as Henri Matisse, Pierre Bonnard, Claude Monet, Henri Rousseau and Pieter Bruegel the Elder. Although his landscapes, portraits, and historical and daily scenes have an idyllic appearance, there is also a certain tension and mystery in his scenes. He always builds up his compositions around a moment of climax with an open beginning and end. By reusing motifs, themes, objects and poses, Sledsens creates an intriguing puzzle of references and builds a recognisable, coherent, romantic and utopian oeuvre. This publication bundles Sledsens’ most recent work, from 2018 to the present. With text contributions by Herwig Todts (curator modern art KMSKA, Antwerp) and Stefan Weppelmann (director Museum der bildenden Künste, Leipzig). Text in English, French, Dutch, and German.

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A unique take on fashion in 2022. In Mirror Mirror – Fashion & the Psyche, MoMu – Fashion Museum Antwerp and Dr. Guislain Museum examine how fashion, psychology, self-image and identity are connected. The personal experience of the body is the main theme of this unexpected dialogue between visual art and avant-garde fashion. Featuring work by Ed Atkins, Walter Van Beirendonck, Noir Kei Ninomiya, Genieve Figgis, Genesis Belanger, Hussein Chalayan, Comme des Garçons, Joseph Schneller, Ezekiel Messou, Giovanni Battista Podestà, Helga Goetze and Yumiko Kawai, among others. Publication accompanies the exhibition Mirror Mirror – Fashion & the Psyche at MoMu – Fashion Museum Antwerp and Dr. Guislain Museum, Ghent from 8 October 2022 to 26 February 2023. With textual contributions by curators Yoon Hee Lamot and Elisa De Wyngaert, Mara Johanna Kölmel, Lucy Moyse Ferreira, Monika Ankele and Renate Stauss, who also wrote a text contribution.

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Intriguing self-portraits, desolate landscapes and vibrant colours: the Dutch-Croatian artist Sanja Marušić (b. 1991) creates new worlds with her images. She travels to the four corners of the globe, but just as easily she uses her own living room as a backdrop. Recurring themes are escapism, the relationship between man and nature, motherhood, and finding the balance in human relationships. Marušić’s artistic practice is guided by her love of experimenting with shapes, colours and layers. Photography is the starting point for each work, but she then uses a variety of analogue and digital techniques, sometimes changing the image in such a way that it seems as if we are looking at a painting. The performances (staged by the artist herself), the creation of a set using handmade props, and the manual post-processing are just as important as the photo itself. The stories she tells through her photography and films touch on her personal life; for example, the series Eutierria (2019) depicts her honeymoon, Before You (2020) documents her pregnancy, and Sasha and Sanja (ongoing) deals with her motherhood. With a text contribution by author Selin Kuşçu.

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Philippe Van Cauteren, director of the Municipal Museum of Contemporary Art (S.M.A.K.) in Ghent, has for many years written letters to artists all over the world. He directs his thoughts in a very personal manner to artists who inspire him. Van Cauteren's letters are written in a straightforward and accessible way; at times, they even verge on the poetic. They offer an insight into how a curator experiences and interprets art, and provide a clear and succinct introduction to the work of each artist to whom he writes. This richly illustrated book contains more than 100 letters. In an introductory manifesto - a final letter to Jan Hoet, his predecessor and the founder of S.M.A.K. - Van Cauteren also describes the 'ideal museum of the future'. This book is a reflection of the contemporary cultural arena, the roles of a museum and an artist within this arena and the way in which diverse parties can collaborate constructively. It features letters to, among others, Michaël Borremans, Berlinde De Bruyckere, Jan Fabre, Adrian Ghenie, Jan Hoet, Mark Manders, Thomas Ruff, Pascale Marthine Tayou, Ed Templeton, Rinus Van de Velde and Vincent van Gogh.

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With its aesthetically powerful interior architecture, the Kunsthistorisches Museum Vienna on Maria-Theresien-Platz is completely unique in terms of architecture and interior design. Showcasing the museum in all its glory, this luxurious volume is the definitive reference to the museum and a sumptuous showcase of the permanent collection. The book creates a fascinating dialogue between the greatest artists and their works from antiquity to the 19th century. This book tells the story of the building and the interior splendour and presents the museums most seminal works, including the Bruegel collection and the outstanding masterpieces by Velázquez, Vermeer, Rembrandt, Caravaggio, Rubens, Van Eyck, and many others. An indispensable resource for anyone who loves art history, this is a richly illustrated record of one of the world’s greatest collections of European art.

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Although the Belgian artist Constant Permeke (18861952) is considered to be an expressionist, he explored numerous different styles. In a quintessentially modernist fashion, he sought ways of upending or exploding academicism, and of repeatedly reinventing painting. Right from the start of his career, Permeke achieved wide international recognition with his recurring subjects such as domestic scenes and people going about their everyday activities. He participated in numerous major exhibitions at home and abroad, alongside great names in art history such as Georges Braque, Amadeo Modigliani, Ossip Zadkine and Pablo Picasso.With text contributions by Anneleen Cassiman, Jan Ceuleers, Inne Gheeraert, Franz W. Kaiser, Felipe Sevilhano Martinez, Daniël Rovers, Inneke Schwickert, Lise Vandewal, Wendy Van Hoorde and David Van Reybrouck.This publication coincides with the festive reopening of the Permeke Museum at the artist's former home in Jabbeke on 29 March 2024. Constant

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“Inès van den Kieboom paints in a remarkably anticyclical manner. Through the calm, unassuming conviction with which she pursues her artistic goals, as well as through her archaic, supratemporal pictorial in­ventions, she shows the present what art really is – and what it has the potential to be.” — Markus Stegmann Inès van den Kieboom (b. 1930 in Ostend; lives and works in Antwerp) has been painting since the 1960s, yet she only decided to exhibit her paintings in the last two years. Van den Kieboom mainly finds inspiration for her works in her everyday surroundings, but also in art history, popular culture and current affairs. She paints or draws her subjects through the filter of her memories or impressions, which she depicts figuratively, abstracted to their essence. Van den Kieboom’s self-assured, lively and energetic paintings offer new perspectives on the way we observe the world. In collaboration with Tim Van Laere Gallery in Antwerp, where the artist's retrospective runs from 23 March to 20 May 2023. With text contributions by Petra Maclot and Markus Stegmann. Text in English, French and Dutch.

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Master photographer and director/filmmaker Anton Corbijn presents in his latest publication a series of striking images focusing on icons and how they are commemorated. IKONEN contains three series: Cemeteries, a.somebody and Lenin, USSR. Cemeteries is an intriguing collection of black-and-white photos of gravestones. In a.somebody, we can see dozens of self-portraits after past legends from the world of music, photographed in Strijen, the village of Corbijn’s birth – outdoors and in his studio. The book also shows previously unpublished series on Lenin’s visual presence in the former USSR from the early 1980s. Publication accompanies the eponymous exhibition, from 30 September 2022 to 26 February 2023 in Landgoed Het Hof in Bergen, The Netherlands. With a preface by Anton Corbijn and a text contribution by art writer Dominic Eichler.

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For this unique book, photographer Servaas Van Belle scouted every corner of Belgium to find just the right kind of shed, always photographing them in the same perfect lighting conditions. And for Van Belle ‘perfect’ means in a haze of fog. Livestock shelters in meadows and fields are so common in the Belgian landscape and culture that nobody ever pays them any attention. Nonetheless, the countryside offers quite a range of architectural gems. These sheds and barns are the product of man and nature, quietly radiating a poignant if decaying beauty. They come in many shapes and sizes, are constructed from motley materials (often recycled) and exhibit a varied colour palette. Clearly showing the ravages of time, they tell wordless stories that Servaas Van Belle can capture like no other. Features an introduction by Stephan Vanfleteren. Text in English and Dutch.

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What happens when new masters pick up where old masters left off? On the occasion of the bicentenary of the Mauritshuis in The Hague, the museum asked contemporary photographers to reflect on the permanent collection. Which masters capture their imagination? How do they interpret 17th-century art? The result: 16 new works by 16 contemporary photographs, including Erwin Olaf, Rineke Dijkstra, Anton Corbijn and Stephan Vanfleteren, one for each room in the Mauritshuis. The new works will be displayed alongside the 17th-century works that inspired them and will be put equally next to each other in this luxury book. The photographers were entirely free to select what they wanted to work with. For some it was a painting, for another a detail from a painting, or even an entire room in the museum. Expect to see original and surprising reflections on 17th-century art: counterparts, commentaries, alternatives. None of the photographs is a remake of the original painting. One thing is certain: you will never look at Rembrandt, Vermeer or Steen in the same way. Text in English and Dutch.

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The gifted artist Gideon Kiefer makes his debut with painterly work in this book. Kiefer's inspiration comes from his grandfather's art books that he read as a child, with prints of work by masters such as Rubens, Caravaggio and Repin. He selects and reinterprets details that intrigue him. Small additions, such as handwritten text or small anecdotes, betray a piece of the personal content hidden in each work, just as they expose the artists' growing concerns about the current climate crisis. The text is by cultural journalist Eric Rinckhout. "Gideon Kiefer’s work balances on the cusp between beauty and horror, tradition and trash, sweet memories and apocalyptic visions, encapsulating his unwavering belief in the power of art and the solace of beauty. He wields his brush, waging war against darkness." - Eric Rinckhout Published to accompany an exhibition in Cultuurcentrum de Werft in Geel (Belgium) from 15 January to 17 March 2022. Text in English and Dutch.

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An ode to Alberic 'Briek' Schotte, the godfather of all flandriens. The heroes of the Tour of Flanders and the Paris-Roubaix are tough and determined. The Flemings specialise in riding on bad roads and in bad weather. This set of photos provides an intimate and emotional portrait of these legendary athletes, landscapes and the Flemish culture. Stephan Vanfleteren has been photographing cycling races in Belgium and its surrounding areas for more than 15 years already. With more than 100 images, carefully selected by photographer Stephan Vanfleteren.

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Medieval towns, dreamy landscapes with picturesque villages, mysterious stone circles, mighty fortresses, magnificent cathedrals and modern urbanity – these are some of the contrasts that characterise England and Wales. From the chalk cliffs and nostalgic seaside resorts in the South via the world city of London to the tranquil waters of the Lake District in the North, this amazing part of the world boasts a surprisingly grand diversity. All this and the charming eccentricity of its inhabitants are what make the country of William Shakespeare and King Arthur so unique. This detailed travel atlas features stunning photographs, accompanied by practical travel tips.

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During the day, painter and graphic artist Fred Bervoets (1942) works almost routinely at his large format etchings. At night, he lets his imagination run wild. The hundreds of drawings, sketches, doodles and paintings done in the margin today fill almost the entire ground floor of his studio home. The one thing they have in common, apart from their maker, is their modest A4 format. The spontaneity of these small works on paper forms the heart of this book, which also includes Bervoets' more monumental etchings since 2013. This one-of-its kind "print room" offers an impressive kaleidoscopic self-portrait of an absolutely unique artist.

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The Flemish Primitive artist Hans Memling (c. 14351494), who played a crucial role in early Netherlandish painting, is inextricably associated with Bruges. Among his most impressive creations are the St John Altarpiece and the St Ursula Shrine, which he created for St John's Hospital in the city. Seven more of this 15th-century master's finest works can also be seen in Bruges, at what is now the St John's Hospital Museum and at the Groeninge Museum.This book describes Memling's breathtaking paintings in close detail, while offering readers the opportunity to (re)discover his oeuvre as a whole.Text in English and Dutch.

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In Instanton, photographer and filmmaker Anton Corbijn presents a series of images, most of which have never been published previously. Corbijn gained his fame and reputation with his portraits of famous figures including Nick Cave, Tom Waits, The Rolling Stones, Marlene Dumas, Gerhard Richter, Clint Eastwood, Kate Moss and a host of other influential musicians, artists, filmmakers, models and designers. But over the years, Corbijn has also captured a wealth of intriguing images on his mobile phone. Instanton brings together a wide selection of these snapshots from his private life, as well as shots taken whilst travelling, recording ‘the profane and the profound’.

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Dutch artist Theo Jansen (b. 1948, The Hague) has achieved worldwide recognition for his imposing and ingenious strandbeests, which are much more than art objects. They actually try to create dunes themselves. Taking his inspiration from the theory of evolution, Jansen has taught his strandbeests to float on the sea breeze and to walk independently along the beach. Using PVC tubing, adhesive tape and PET bottles, he has brought a completely new life form into existence. In so doing, he seeks insight into the origins of life itself. His ultimate aim is to have herds of his creations roam the beach all on their own. ‘Give me another couple of million years, and my strandbeests will live completely independently.’ Text in English and Dutch.

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