Search results for ""Cannibal/Hannibal Publishers""

“Moving from A to B with the ferry across the open water feels grandiose. Standing at the railing on the outer deck, the mainland disappearing behind you and the island slowly looming up in front of you, something strange happens. A tranquility came over me that I had never experienced before. A new world lay at my feet.” - Jeroen Hofman Photographer Jeroen Hofman worked for years in all weathers on this magnum opus, capturing the Dutch islands in monumental images like a contemporary painter. All the photos were taken from an aerial platform, which enabled him to capture the landscape and the horizon in a very special way. An island has a mythical appeal to man and the imagination. This book celebrates and depicts the longing for an island as a place of rest, nature and seclusion. With text contributions by journalist and writer Arnold van Bruggen, who lives on Texel and made the iconic book The Sochi Project together with Rob Hornstra, and by Willemijn van der Zwaan, curator at Fotomuseum Den Haag. Text in English, Dutch and German.

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The Lord's Resistance Army (LRA), led by the infamous Joseph Kony, is a rebel group that was active in Northern Uganda from the second half of the 1980s. The rebellion became notorious for the use of extreme violence, in particular its large-scale abductions of civilians, of which more than half were children. Rebel Lives is a visual story about life inside the rebel group: based on photographs taken by LRA commanders between 1994 and 2004, the book documents life inside the group, and depicts the rebels as they wanted to be seen among themselves and by the outside world. Kristof Titeca, senior lecturer in Development Studies and expert on the LRA, collected this material, and used it to trace the photographed (former) rebels. Together with Congolese photographer Georges Senga, he travelled back to photograph the former rebels in their current context, and give a voice to these actors. This visual story is not only about the LRA. It is a story about conflict in all times, and all places, where the limits of victim and perpetrator have become blurred, where people struggle to survive and find their place, and where children in particular bear the brunt of this tension.

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On July 21, 1969, the first man set foot on The Moon. When Neil Armstrong was asked if this made him feel big, he answered: "No, it made me feel really, really small." 50 years later, this publication celebrates that special moment that put life on earth into a totally different perspective. It collects pictures of the world's best photographers from the 1840s until today. Next to historical photographs and imagery printed in media, the publication features many artists that each in their own way reflect on this mystical celestial body, we call 'moon'. The book shows the diversity of meanings of The Moon, it's relation to mankind and to nature. The Moon has always both attracted and scared people around the world. It is our everyday connection to the unfathomable universe. Since time immemorial it is revered for its beauty, its stillness and mysterious appearance and yet also feared for its supernatural-seeming qualities. In mythology The Moon has always been given a central place. With its magnetic forces it changes the tides and has a direct and uncontrollable impact on mankind from above. In 1840, barely three years after the invention of photography, J.W. Draper makes the first picture ever made of The Moon and since that day photographers have never stopped following his example. The paradoxical aspects of the moon continue to fascinate and inspire. Like a photograph The Moon depends on sunlight to be visible. It has no light of its own and no apparent strength to resist our nightly city lights either. Photographers feel this close connection to The Moon's characteristics and find the perfect object in its aesthetics. The landing on The Moon was a culmination point of the1960's Space Race between the United States and the Soviet Union, which quickly became a symbol of the Cold War. The images of the landing became the bearer of values and symbols of the United States and were widely spread through various media. In 1973 NASA abolished its moon program. The Moon had been conquered and the public seemed to have had lost interest. However, today people still find The Moon fascinating, and humanity continues to dream about setting foot on the sun's shadow.

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The Ghent Altarpiece or the Adoration of the Mystic Lamb, by the Van Eyck brothers (1432), is recognised worldwide as a great work of art, and one of the most influential paintings ever made. It was the world's first major oil painting, and it is laced with religious mysticism. The work almost reads like an A to Z of Christianity - from the Annunciation to the symbolic sacrifice of Christ, with the 'Mystic Lamb' on an altar in a heavenly meadow, bleeding into the Holy Grail. For the first time, this book gathers together diverse insights on the Ghent Altarpiece, the monumental poliptych that the brothers Hubert and Jan van Eyck realised with the assistance of a large workshop and advisers on the painting's subject matters. This book has the same aim: to bring together experts from the most diverse disciplines. Only by combining the perspectives of (art) historians, philosophers, religious studies scholars, mathematicians and specialists in optics can one fully understand the riches and depth of this masterpiece. Lavishly illustrated, including details that have come to light using state-of-the-art techniques during the current conservation project and are not always visible to the naked eye.

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In the turbulent global context following the fall of the Russian Empire and the October Revolution, Georgia declared its independence in 1918. Between then and the beginning of Soviet rule in 1921, an Avant-Garde creative scene burgeoned. Artists met, mainly in the many taverns and cafés in Kutaisi and the capital Tbilisi, to organise multidisciplinary events. Their frequent collaborations and interactions, which bore the imprint of Georgian tradition and Western and Eastern influences, took various forms: paintings, drawings, films, photos, performances and typographical experiments. Divergent movements such as Symbolism/Neo-Symbolism, Futurism, Dadaism, Zaum, Expressionism, Cubism and Cubo-Futurism existed side by side in unprecedented creative turbulence. This book tells the unknown story of a vibrant Avant-Garde in the Caucasus, born in the taverns of Tbilisi – artistic laboratories where anything was possible, but where Soviet censorship lurked. Extensively illustrated with works by Elene Akhvlediani, Gigo Gabashvili, Irakli Gamrekeli, Lado Gudiashvili, David Kakabadze, Petre Otskheli, Niko Pirosmanashvili, Ilia and Kirile Zdanevich, and many others.

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Seventeeth-century Dutch art is famed throughout the world. Yet how ‘Dutch’ are those paintings in actual fact? Did the countless history pieces, landscapes, portraits, still lifes and scenes from everyday life truly originate in cities like Amsterdam, Haarlem, Delft and Leiden? Or might the cradle of these genres actually be located somewhere else? This book presents over 90 masterpieces by Flemish and Dutch artists to show how 17th century Dutch painting could never have flourished the way it did without the foundations laid in 16th century Antwerp. Thoroughly researched, it tells the story of the talented and accomplished artists and merchants who migrated north in search of religious liberty and new commercial opportunities after Antwerp fell to Spanish Catholic troops in 1585. With text contributions by Koenraad Jonckheere, professor of art history at Ghent University and author of the bestseller A New History of Western Art, Micha Leeflang, curator at the Museum Catharijneconvent, and Sven Van Dorst, head of the restoration studio at The Phoebus Foundation, and others.

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It was in 1970 that Philippe Herreweghe founded Collegium Vocale Gent, dedicated among other things to works by Johann Sebastian Bach and German Baroque music. The ensemble brought new insights on the performance of Baroque music to bear on vocal music, and attained world fame within just a few short years. In 2022, Philippe Herreweghe marks his 75th birthday with a splendid book in which he looks back at his life and his successful career as a conductor. Photographer Stephan Vanfleteren accompanied the ensemble to the Collegium Vocale Crete Senesi summer festival in Tuscany, and has produced a set of masterful images of the ensemble and its conductor. Religiosity plays a central role in his visual interpretation. With text contributions from Joep Stapel and Luc De Voogdt on the life and work of Philippe Herreweghe and the composers who have been his greatest inspiration, plus a personal contribution by Philippe Herreweghe on Bach and death. Text in English and Dutch.

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This is the first monograph on contemporary Belgian artist Stefaan De Croock (b.1982), alias Strook. He became well known for his ‘heads’ made of scrap wood. The key theme of his layered collages, sculptures and installations is, in a word, time, and is visible in every piece of the rough, patinated raw material he chooses to compose his works. Most frequently this is wood. “Old, weathered materials have something magical for me. They emanate a certain spontaneity that is impossible to recreate. The colours, the paint, the relief… they form an imprint of everything the material ever experienced. You can truly see time.” - Strook As part of the Mind the Artist project by Musea Brugge, work by Strook will be on show from 30 October 2021 to 6 March 2022 at various historic locations throughout the city. Text in English and Dutch.

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According to medieval theologians, faith is a deadly serious business. Humour and virtue are irreconcilable, because laughter is uncontrollable and escapes the control of reason. A modest smile is permitted. But laughing loudly, grinning and grimacing: these are the playing field of the devil – just as pernicious as other uncontrollable urges, such as physical love or the addiction of the gambler. That is the domain of the peasant or fool. In the late Middle Ages, every right-thinking town-dweller knew the difference between the peasant and the fool. Peasants are innocently gullible, primitive, throwing themselves into feasting, gorging, drinking and sex. The peasant is the antithesis of the cultivated urbanite, who fastidiously controls his urges – and who therefore above all must not laugh too loudly. Only during Innocents Day parties or Shrove Tuesday celebrations is it permitted for urban partygoers to play the fool and to show their ‘underbelly’. In contrast to the peasant, the fool escapes the existing order. He holds up a mirror to the self-declared wise citizens, because ‘the fool reveals the truth through laughter’, even though it may be hidden between piss and shit, sex and snot. It is for precisely this reason that Erasmus, in his In Praise of Folly writes not as himself but through the persona of Folly, a broad back behind which the wise person can hide when he denounces social problems. Laughter thus alters the world. In this context, the fool and irony became important motifs in medieval art, especially in the Low Countries. This original art book is illustrated with dozens of top-quality works by Flemish masters from worldwide collections.

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In her masterpiece of 2,75 x 21 metre, Ellen Harvey painted the region of Bruges as a contemporary, impressive interpretation of a Google Earth map, and in this publication she restores the ties between the city of Bruges and the harbour. In the new installation, behind a mirrored wall punctuated with peepholes, Harvey has hung a selection of paintings dating from the seventeenth to the early twentieth century, all of which belong to the reserve collection. Her work is an invitation to rediscover these rarely seen artworks. The paintings of the city, the canals, and the sea are reflected in the panorama on the opposite wall: Harvey's painted maps (2.75 x 21 meter) based on satellite images. The elaborate waterways, executed in mirrored glass, demonstrate the importance of the rivers and canals for the city. The British artist Ellen Harvey (b1967) lives and works in New York. Her work includes video art, installations and paintings. She has exhibited throughout the world, from Warsaw to Berlin, Los Angeles to Prague etc. Between 1999 and 2001 she brightened up the streets of New York with her 'NY Beautification Project': 40 small tondos and oval landscape scenes were applied between graffiti and tags on places and carriers in the city, such as containers, garage doors, walls...

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“Ballet inspires me. Human beings have the capacity to express themselves through many art forms, but when it comes to dance – and especially classical modern ballet – I am always amazed by that unbelievably elevated form of expression. It’s so precise and so incredibly skilled; I admire that enormously.” — Photographer and filmmaker Erwin Olaf “The fact that the photographer is looking through the camera lens means they have a different perspective from looking directly at the figure. That is voyeuristic. The camera can do something that the audience member can’t: zooming in for a close-up.” — Choreographer Hans van Manen The grand master of Dutch dance, Hans van Manen, celebrates his 90th birthday this year. That has given rise to international celebrations by leading ballet companies with the Hans van Manen festival from 8 to 29 June 2022, the exclusive publication Dance in Close-Up and the exhibition of the same name in Galerie Ron Mandos in Amsterdam from 19 June to 17 July 2022. From the 1970s to the 1990s, Hans van Manen was not only one of the world’s leading choreographers, but also an internationally acclaimed photographer. It was during this period that the then very young photographer Erwin Olaf met the famed artist, who immediately took him under his wing and introduced him to the world of the visual arts and studio photography. This book celebrates their 40 years of friendship, with a photo series in which Van Manen directs moments from his choreographic career, recorded with the utmost precision by Erwin Olaf. With text contributions from the authors Nina Siegal and Michael James Gardner.

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Since the birth of photography, the photobook has always been an essential medium for photographers wanting to display and distribute their work. But the photobook is more than just a display case: it's a means of expression, an art object, a historical record, a propaganda tool, a multi-sensory experience. Photobook Belge is the first ever overview of photobooks created by Belgian photographers. Covering a period of more than 150 years, from the mid 19th century to the present, it features almost 250 photobooks, all carefully described and illustrated. It's the first time that research into the production and context of Belgian photobooks has been carried out on this scale. In so doing, it sheds light on a hitherto neglected part of Belgium's long and fascinating photo history. Over time, the Belgian photobook has become well established. With Photobook Belge, it finally gets the recognition it deserves. Featuring works by famous names such as Dirk Braeckman, Marcel Broodthaers, Bieke Depoorter, Gilbert Fastenaekens, Edmond Fierlants, Geert Goiris, Harry Gruyaert, Max Pinckers, Marie-Françoise Plissart, Marc Trivier and Stephan Vanfleteren, as well as many undiscovered gems from Belgium's rich photographic history. Compiled by Tamara Berghmans (curator FOMU - Fotomuseum Antwerp), with contributions from Pool Andries, Jan Baetens, Sandrine Colard, Emmanuel d'Autreppe, Johan De Vos, Steven F. Joseph, Johan Pas and Stefan Vanthuyne.

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This publication combines the works of Belgian artist Philippe Vandenberg (1952-2009) and American artist Bruce Nauman (b. 1941). At first, it may seem startling to see Nauman's small but dense selection of works alongside those by Vandenberg. The artists never met one another and they could not be more different in their choice of artistic media. And yet there's something that links the oeuvre of these apparently divergent artists. This publication examines that extraordinary link. The art of both Vandenberg and Nauman is direct, uncompromising and distressing. They share a common attitude towards their artistic practices. Their works are raw and uncouth, finished just to the point where they enter the onlooker's conscience as a kind of prelude or genesis to something. The work of Vandenberg and Nauman originates form the same source: frustration. They cry out in despair at the dark side of humanity, mourning our propensity for hatred and violence, coldness and vilification. They explore the impossibility of genuine, uncompromised communication between individual people. Both artists succeed in creating images that capture the abyss within ourselves, our failings and our cruelty. Lust and pain, violence and horror are all too close to each other. "It is said that art is about life and death. That may be melodramatic, but it's also true," Nauman said. "LIVE OR DIE! Nothing more, nothing less." The book is edited by Wouter Davidts, with texts by Dr. Brigitte Kolle (Head of Contemporary Art, Hamburger Kunsthalle), John C. Welchman (Professor of Art History, University of California, San Diego) and Anna Dezeuze (Lecturer in Art History, Ecole Superieure d Art et de Design Marseille Mediterranee). It accompanies an exhibition at Gallery Sofie Van de Velde in Antwerp: 30.03.2017 - 21.05.2017.

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Belgicum is a photo project about Belgium. It is not an objective representation of a country but rather a subjective photographical document in black and white. It's a journey of exploration into a small country in the heart of Europe, at the turn of the centuries. More than fifteen years Vanfleteren has wandered through and hunted in the 'Belgicum' territories, guided by emotion and by the love for his homeland. He made a journey through a scarred land, in search of the irretrievable identity of a country with the melancholic soul of an old nation. Over the past ten years, over 11,000 copies were sold of this international bestseller. Belgicum grew out to be a reference work in the Belgian history of photography. On the occasion of the tenth birthday of this cult book, it was reprinted. With text by David Van Reybrouck. Text in English, French and Dutch.

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During World War II, Adolf Hitler gave the order for a line of defence to be constructed along the coasts of the western front. Ranging from the French-Spanish border to the north of Norway, this Atlantic Wall is a series of bunkers, barricades and coastal batteries. Over the past year, Stephan Vanfleteren has photographed this 'wall' of more than 2600 kilometres in his trademark black-and-white style. He planted his tripod on various beaches in Belgium, the Netherlands and Germany, climbed cliff faces in France, sailed between the fjords of Norway and stood in the surf in Denmark to photograph the ruins of the largest military structure of the previous century. Vanfleteren shows his wonder for the untamed architectural beauty of these concrete structures, and the power of nature as it slowly reclaims a wall that was once considered impenetrable.

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Of the more than 40,000 pieces that make up the Collection Flemish Community, only a small portion hangs in the halls of major museums. Most of the collection is out of sight of the general public.Reflections Views on the Collection Flemish Community reveals for the first time the result of years of collecting and unveils the diversity of art in Flanders. Masterpieces are placed alongside unknown treasures. Present and past are interwoven in marvellous combinations. The result is not only a feast for the eyes, but also offers a surprising insight into the multitude of ways in which one can look at art and demonstrates how unique the collection is.

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From De Panne to Knokke, nothing beats a holiday by the North Sea. People have been flocking to the coast for more than a century, and this richly illustrated book is a true nostalgia trip. Two hundred original posters from the exceptional collection of Roland Florizoone illustrate, in all their visual power, the golden age of Belgian coastal tourism, from 1886 to 1965. Art historian Karl Scheerlinck brings these gems of graphic design to life with his clear insight. Publication accompanying the exhibition in the town hall of De Panne from June 10 to September 24, 2023. Text in English, French and Dutch.

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For the past twelve years, Stephan Vanfleteren (b. 1969) has been working intense hours in his daylight studio at home. Atelier is a collection of that work. Vanfleteren is searching for beauty and meaning, both in daylight and under artificial light. Grey stage curtains are everywhere as a constantly repeating background. The photographer embraces well-known personalities and anonymous people. He inspects and captures the grooves in the face of an old fisherman and the hand of Nick Cave on the same terms as he does a beachcombed bottle. He focuses an adoring gaze on his own children coming of age as well as on impassioned artists in their old age. He sees the frozen corpse of a kingfisher and the body of a twisting dancer, and watches as the sunlight slowly shifts across his stage curtain. Vanfleteren connects to the traditions of old and contemporary masters but remains faithful to his characteristic style. His craftsmanship and artistic nature make us both witness and party to the splash of incoming light. With a text contribution by Ilja Leonard Pfeijffer.

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“Dennis Tyfus appears like a punk-blasted sprite bursting from his pantaloons, a charmed creature’s tongue lolloping the golden inspirations both fresh and world-weary amid the gallery of noise freaks and intellectual elites.” – Thurston Moore, Sonic Youth The practice of Antwerp-based artist Dennis Tyfus (b. 1979) encompasses a wide range of artistic media, including drawings, sculptures, installations, videos, magazines, books, music, vinyl records, tattoos, his own radio show, concerts and performances. In his oeuvre, everything flows into everything else, without a fixed definition, beginning or end. In doing so, he draws heavily on the work of artists such as Dieter Roth, Mike Kelley, Jim Shaw and Wim T. Schippers. By combining elements from his personal psyche with various aspects of high and low culture and approaching them on an equal footing, Tyfus creates a universe in which the personal, the everyday and the uncanny come together. This book brings together a wide selection from his oeuvre. This publication accompanies the exhibition Don't Tell Me Not to Tell You What to Do at de Warande, Turnhout, Belgium from 30 April to 13 August 2023. With text contributions by Helena Kritis, curator at WIELS contemporary art centre in Brussels, Thurston Moore of Sonic Youth, and artist Steven Warwick. Text in English and Dutch.

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Werner Mantz (1901-1983) was a prominent architectural and industrial photographer who began his career in the 1920s. His work occupies a unique historical position thanks to his visual language, technical prowess and use of natural light. As one of the most important photographers of the New Building movement, Mantz’s oeuvre bridges the gap between the often-anonymous nature of commissioned photography and the modernist­, artistic avant-garde movements of the interwar years, such as the Bauhaus. In the ­1970s, Mantz was even hailed as the ‘missing link’ in the history of international photography. To date, only thematic selections from Mantz’s wide-ranging oeuvre have been exhibited. This monograph sets the record straight by showcasing, for the very first time, his immense versatility. Werner Mantz – The Perfect Eye contains over 300 predominantly vintage images, ranging from architectural photography, advertising shots and portraits of adults and children, to views of industry and mines, religious subjects, shops, restaurants and interiors, as well as roads, public spaces, landscapes and travel photographs. That Mantz’s oeuvre belongs to the canon of international photography is indisputable. With text contributions by Frits Gierstberg, Stijn Huijts, Huub Smeets, Charlotte Mantz and Clément Mantz. Werner Mantz – The Perfect Eye is the publication accompanying the retrospective exhibition of Werner Mantz at the Bonnefanten in Maastricht from 25 September 2022 to 26 February 2023.

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Its dry climate means that Egypt boasts an exceptionally rich heritage of preserved ancient textiles. Since 1996, the international research group Textiles from the Nile Valley has been studying these Roman, Byzantine and early-Islamic textile artefacts, many of which have found their way into European and North American museum collections. The research group, consisting of curators, archaeologists, textile conservators and scientists, organises a biennial conference at Katoen Natie HeadquARTers in Antwerp, and publishes a series of unique books on the importance of Egyptian textiles. This latest volume brings together the findings from the 11th conference, which was held from 25 to 27 October 2019. The focus is on the history of textile excavating and collecting, which goes back to the late 19th century. The book contains 18 text contributions describing recent fieldwork, conservation treatments and scientific research worldwide, in collaboration with major universities and museums such as the Victoria & Albert Museum in London and the Hermitage in St. Petersburg. The book is being published to mark the 12th international scientific Textiles from the Nile Valley Conference, which is taking place from 12 to 14 November 2021 in Antwerp. Text in English and German.

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With French as its working language, Cobra was pretty much the last truly European movement within Modernism. The group’s anarchic story is not just an important strand in art history — it remains as lively as ever and has inspired all sorts of artists who were never directly involved with Cobra. The work bequeathed to us by Karel Appel, Pierre Alechinsky, Constant, Corneille and other kindred spirits is as fascinating as ever, both raw and confronting, poetic and moving. It is with the same spirit of artistic joyfulness and freedom that this book showcases the masterpieces of Cobra art belonging to The Phoebus Foundation. With text contributions by Paul Huvenne, Johan Pas, Hilde de Bruijn, Laura Stamps, Piet Thomas, Piet Boyens and Naomi Meulemans. The preface was written by Karine Huts-Van den Heuvel.

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The Royal Museum of Fine Arts Antwerp (KMSKA) has reopened after several years of major renovation. It is home to an especially varied collection of art that runs to more than 9,000 items: paintings, sculptures, assemblages, drawings and prints from the 14th to the 21st century. Old Flemish masters like Jan van Eyck, Quinten Massys and Peter Paul Rubens feature alongside internationally renowned artists such as Jean Fouquet, Titian, Auguste Rodin and Amedeo Modigliani. The KMSKA also has the world’s largest collections of work by James Ensor and Rik Wouters. This richly illustrated book highlights seven centuries of art, from the Flemish Primitives to conceptual artists. A hundred masterpieces from the permanent collection are presented in detail and discussed in lucid articles that draw on the very latest research by KMSKA’s own in-house scholars.

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The long-awaited monumental monograph on the work of David Claerbout. In a conversation with Jonathan Pouthier, curator of the cinema programme of the Musée National d’Art Moderne, Centre Pompidou (Paris, France), video artist David Claerbout reflects for the first time in depth on his work of the past decade in relation to current discussions about photography, film and the virtual. The Silence of the Lens offers a unique insight into the creative process behind such recent video works as The Close, Aircraft (F.A.L.), Wildfire (meditation on fire), The Confetti Piece and The Pure Necessity. The publication coincides with the Venice Biennale 2022 and solo exhibitions in various cities including Munich, Berlin, Budapest and New York. Text in English and French.

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Pedro de Mena y Medrano (1628-1688) is the most highly regarded master of Spanish Baroque sculpture, on a par with his contemporaries, the great seventeenth-century painters Velázquez, Zurbarán and Murillo. Mena's contributions to Spanish Baroque sculpture are unsurpassed in both technical skill and expressiveness of his religious subjects. His ability to sculpt the human body was remarkable, and he excelled in creating figures and scenes for contemplation. This first monograph of Pedro de Mena shows incredible details and remarkable images of his hyper-realistic sculptures, full of passion. In addition to text by curator Xavier Bray, Pedro de Mena also features important contributions by José Luis Romeo Torres, curator of the exhibition Pedro de Mena, to be held in Málaga in 2019.

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In Setting the Stage: North Korea photographer Eddo Hartmann shows the North Korean regime's ambitions to build the ultimate socialist city and to mould the people living in that city to their ideals. Hartmann is one of very few Western photographers who has been allowed almost full access to the country. This publication is the result of many years of research and four visits to Pyongyang. After the total destruction of Pyongyang during the Korean War (1950-53), the government took its chance to rebuild the capital from scratch and to turn it into the perfect setting for their propaganda. Pyongyang was to become the city in which every North Korean could experience true modern socialism. The buildings were to be the utopian background against which the inhabitants could live their daily lives. Pyongyang was to immortalise the socialist revolution. Eddo Hartmann had the exceptional opportunity to photograph this architecture of artificiality. In a series of evocative images, he captures the forced and almost surreal character of North Korean ambition. In a very personal and original style, Hartmann focuses on the individual.

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This stylish rock'n'roll book is published on the occasion of the 20th anniversary of dEUS. It sums up the aura and the specific character of the successful Antwerp-based band by means of the best photographs and private pictures. Included are the highlights of dEUS; tour photos and a view behind the scenes by, among others, Federica Agamennoni, Behnam Bornak, Stefan De Batselier, Charlie De Keersmaeker, Bert Dentant, Kris Dewitte, Kristien Dirkx, Steve Gullick, Bache Jespers, Alex Salinas, Cassandre Sturbois, Senne Van der Ven, Maarten Vanden Abeele and Stephan Vanfleteren. With a foreword by Brian Molko, Placebo frontman.

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Eddo Hartmann’s new photographic project focuses on one of the first ‘sacrifice zones’ created by governments in the late modern era for the secret production, testing and maintenance of nuclear and chemical weapons of all kinds. The residents of these locations unknowingly became guinea pigs in the experiment. Today, these areas have become examples of ecocide: the irreversible destruction of nature on a large scale. A remote area of Kazakhstan was once home to the Soviet Union’s main nuclear testing facilities. It became known as ‘The Polygon’. On this site more than 450 nuclear tests took place from 1949 to 1989, without regard for their effect on the local population and the environment. The full impact of the radiation only became apparent after the test site closed in the early 1990s. Today, this corner of the Kazakh steppe is a place of desolation and decay. The landscape is dotted with strange lakes formed by nuclear explosions and the remains of giant concrete structures. It seems uninhabitable, and yet people live there, demonstrating incredible resilience. Eddo Hartmann (b. 1973) studied photographic design at the Royal Academy of Art (KABK) in The Hague. He mainly focuses on long-running documentary projects and is the author of Setting the Stage – North Korea, published by Hannibal Books. He currently also works as a lecturer in photography and visual grammar at KABK in The Hague. Publication to coincide with the exhibition of the same name at Huis Marseille in Amsterdam from 28 October 2023 to 25 February 2024.

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Rinus Van de Velde is one of the most talked-about contemporary artists. In his early period he was mainly known for his monumental charcoal drawings, but he soon developed into an all-round artist through his use of different media. Using installations, film, charcoal, ceramics and pencil drawings, Van de Velde explores his fictional biography. This book offers an overview of his more recent charcoal, pencil and oil pastel drawings. A Fictional Autobiograhy is published in conjunction with Frac des Pays de la Loire, Nantes. With text contributions by Jan Postma, editor at De Groene Amsterdammer, and Laura Stamps, curator of modern and contemporary art at Kunstmuseum Den Haag. Text in English, French and Dutch.

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In MOOD/MODE, leading international photographer and filmmaker Anton Corbijn presents images from his extensive body of work in which he explores the crossover between photography and the world of fashion - in the broadest sense of the word. Corbijn's portraits of figures such as Alexander McQueen, Tom Waits and Naomi Campbell have now achieved iconic status. As visual director behind Depeche Mode and through his decades-long collaboration with U2 and others, he has made his mark on the way we look at an important aspect of contemporary culture. With MOOD/MODE, Anton Corbijn shows that fashion is everywhere. The book contains some 150 photographs, many of them published for the first time, and its world première will be in Knokke-Heist, summer 2020.

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At the beginning of the war, not a single European army was prepared in any sense, to deal with the large numbers of victims in a humanitarian way. The firepower of the armies was increased, the defense reinforced, but victim care continued to lag seriously behind. Philanthropy, private initiative and the courageous efforts of many individuals had to make up for the failing medical care during the war. As the war progressed, medical care also developed and organization and relief improved. The greatest breakthrough was, however, the recognition - albeit reluctantly - of mental trauma caused by the war. During World War I, many soldiers fell victim to bizarre, anxious and disturbed behavior, which was sometimes referred to as "shell shock". The army commanders seemed reluctant to recognize a formal diagnosis, questioning whether men were really traumatized or simply cowards who were trying to stay away from the horrific and terrifying reality of the Front. Whereas in the early 20th century, the focus was mainly on the shock itself and the outward physical symptoms, today there is a far more in-depth exploration of the complex nature of the human reaction to extreme stress as a result of traumatic events, like war. There is a recognition of a deep, life-affecting condition termed as Post-traumatic Stress Disorder. This book is an emotive study of the suffering of war, which can be overwhelming. Offering both analysis and reflection, this intensely moving book looks at the way in which psychiatrists, reporters, artists and war photographers currently perceive and treat the psychological suffering, the often invisible legacy of those involved in war and human conflict.

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The fall of the Berlin Wall motivated photographer and journalist Lieve Blancquaert to set off on an epic tour of Europe in her campervan. She visited all 27 member states of the European Union in search of the origins of this identity. She wanted to hear and feel what holds us together and what divides us.Her many personal encounters reveal time and again that our own language, history, concerns, desires and dreams are far more universal than we might at first think. Europeans as such don't exist, and yet we are connected in many different ways, whether we like it or not.Through hundreds of penetrating images and dozens of colourful stories, Lieve Blancquaert shows, as in a travel diary, the complexity, diversity and beauty of this vulnerable continent.With a foreword by Hendrik Vos. At the same time as the book, VRT Canvas is also launching a series of the same name, and the accompanying exhibition at Mechelen Cultural Centre runs from 14 March to 30

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Bram Demunter is a visual artist and a master of allusion. Visual intertextuality is one of the key elements of his pictures and one that is impossible to control. Till-Holger BorchertThe work of Bram Demunter (b. 1993) is intentionally associative in character. Drawing inspiration from the work of Flemish Primitives and contemporary artists, as well as from legends and myths, Demunter effortlessly combines a panoply of people, animals, flowers, rivers, hills and mountains in detailed compositions for his colourful paintings and drawings. This book offers an insight into Demunter's vibrant oeuvre and his innovative visual language of colour, shape and meaning. With text contributions by Till-Holger Borchert, Bram Demunter and Tom Van Laere.Text in English and Dutch.

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“The wealth of facts and erudition bring magic to Dirk Velghe’s Paris. A place where even tragedy seems less sombre. Anyone who does not already love Paris will fall for it after reading this book. ‘Ich bin ein Pariser’, as Kennedy might have said.” — Herman Van Rompuy, former president of the European Council In this book, reality always trumps fiction, truth always trumps myth. Get ready for a personal encounter with police inspectors and filles à la cuisse légère, Impressionists and art thieves, collaborators and résistants, Cubists and anarchists, artists’ models and terrorists, criminals and executioners. In fascinating and often unknown stories, such as ‘The Chanel-Wertheimer Case’, ‘Lenin’s Yellow Jersey’ and ‘Selling the Eiffel Tower’, hundreds of Parisian souls are brought back to life behind the façades, in the passages, and along the avenues and boulevards of the City of Light. In Paris Souls, readers taste the idiosyncratic harvest of someone who, after many seasons in his favourite city, is still enraptured by its fruits. Dirk Velghe recounts facts and stories about the extraordinary people and events that coloured Paris, sometimes with paint, sometimes with blood. Histories as only a true Parisian can tell them. Light-hearted but always deeply reasoned, Velghe gives an entirely new twist to the history of Paris. His no-nonsense prose and narrative flair guarantee compelling reading.

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Thanks to its location between two continents, Georgia has traditionally formed a bridge between East and West. A Story of Encounters reflects the exceptional art, culture, and history of the country from the Neolithic to the 18th century. Especially in the golden age of united Georgia, between the 11th and 13th centuries, the country experienced an unprecedented cultural and economic boom.This book shows how the turbulent history and the many exchanges along the major trade and silk routes at this crossroads of Europe and Asia resulted in an unimaginably rich heritage, which has remained largely unexposed until now. Refined goldsmith's art from the Bronze Age, wine the country's oldest cultural asset and original visual arts: Georgia offers many unexpected treasures, which are shown in detail for the first time.

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An 'atypical' Flemish primitive unravelled: Hugo van der Goes In this fascinating introduction to the work and life of Flemish Primitive Hugo van der Goes (c. 1440–1482/1483), several experts and researchers shed light on the virtuosity of the master himself. The Death of the Virgin is one of the most important works in Musea Brugge’s world-renowned collection of Early Netherlandish painting. After an intensive five-year restoration, the masterpiece has come into its own again, with many brilliant elements, a bright colour palette and newly uncovered details. Face to Face with Hugo van der Goes – Old Master, New Interpretation offers an insight into the timeless yet contemporary character of the masterpiece and pays attention to the iconic value of a work waiting to be discovered. With text contributions by Matthias Depoorter, Lieven De Visch, Marijn Everaarts, Sibylla Goegebuer, Griet Steyaert and Anne van Oosterwijk.

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Impressive monograph of artist Nick Ervinck Nick Ervinck (b.1981) is an artist primarily interested in the field of tension between nature and culture, between tradition and innovation. In his work, he strives to push the boundaries of digital possibilities, always with respect for (art) historical heritage. Nick Ervinck - Works, GNI_RI_2022 brings together Ervinck's well-known monumental sculptures and 3D prints, as well as drawings, ceramics and new work in brick and bronze. Publication accompanying the exhibition Nick Ervinck - GNI_RI_may2022 in St James' Church in Ghent from 23 May to 24 July 2022. Includes a text contributed by writer and curator Jon Wood, a specialist in modern and contemporary sculpture, who led the Henry Moore Institute's research programme for many years. Freddy Decreus, Professor Emeritus at Ghent University, and Michael Hübl also contributed texts. Text in English and Dutch.

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Fred Bervoets (b. 1942) is a legend in the Belgian art world and revered by the younger generation of artists. For years he has made both expansive, teeming artworks and extremely traditional prints, the latter of which has seen him develop his own unique technique. Although his spontaneous and gestural style seems to accord with Expressionism, Fauvism or Cobra art, Bervoets is above all an idiosyncratic artist who uncompromisingly treads his own path and gives free reign to his imagination. A simple anecdote from a friend in a café might provide the catalyst for a work in which the story assumes new proportions and adopts its own twists. His personal life also engenders self-portraits or other types of artworks, all crowned with an essential degree of self-mockery and irony. Bervoets allows everyday events to expand into miniature universes governed by their own rules and laws. The horror vacui of his large paintings conceals countless details, all of which contribute to the narrative. Bervoets' works might seem playful but they are tinged with melancholy. His caricatural figures are compelled to stand their ground in a denuded world. They achieve this by completely surrendering, with the necessary humour, to the inevitability of life. In recent years, Bervoets has increasingly presented himself as a peintre-graveur. This means he does not use the etching technique as a method of reproduction but as a means of expression. Each and every one of his chaotic and colourful works testifies to his pictorial passions, consummate skill and unbridled energy. This book presents the evocative work produced by Fred Bervoets between 2015 and 2019, including his most recent Night Drawings series, the masterful embodiment of the nocturnal reveries and memories that persistently haunt his mind.

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In what ways did the Jesuits deploy the Baroque visual language of the time to persuade the public of their vision on humankind, religion and society? In this beautifully illustrated book, which includes numerous artworks by Peter Paul Rubens and others, diverse authors rise to the challenge of finding answers to this complex question. The setting is Antwerp in the 17th century. At that time, the city was the Jesuit Order’s headquarters in the Netherlands and a bastion against the Calvinism in the Northern Netherlands Republic. The fine arts were flourishing there like never before. Painters such as Peter Paul Rubens and Anthony van Dyck produced works for the Jesuits and participated in the Catholic community life organised by the order, with large groups of fellow believers. This publication takes a close look at the Baroque Saint Ignatius Church, now the Saint Charles Borromeo Church on Hendrik Conscienceplein, for which Rubens created magnificent ceiling paintings. The authors also show how more modest forms of art, such as religious folk prints, illustrated lives of the saints, schoolbooks, emblemata books and prayer books, were used to kindle the enthusiasm of as many believers as possible, both in their own country and in distant overseas territories. Baroque Influencers – Jesuits, Rubens and the Arts of Persuasion presents written contributions from researchers affiliated with the Universities of Antwerp, Louvain and Stuttgart and various heritage institutes.

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“Eating less meat, but better quality: that is the future of traditional craft butchery. Dierendonck today stands for craft, terroir and passion. With this book I want to pay tribute to all farmers who raise their animals with respect for nature, and to everyone working in the butchery trade, working day and night in cold rooms, surrounding by four walls.” - Hendrik Dierendonck Hendrik and his father Raymond Dierendonck have grown in recent years into the benchmark for everything to do with meat. They supply only the highest quality and are followed by any number of top chefs. Dierendonck is one of the pioneers of the international ‘nose-to-tail’ philosophy, in which literally every part of the slaughtered animal is utilised. He has specialised particularly in the processing and maturing of exceptional meat, including from the Belgian Red cattle breed from West Flanders. Enjoy the most delicious classic cuts from the butcher’s counter; wonder at the craft and skill of the butcher; and learn to process and prepare meat in the Dierendonck style from the dozens of adventurous and timeless recipes in this book. The Butcher’s Book has grown into a true cult publication in recent years and has now been supplemented with more than 20 achievable, refined recipes from his starred restaurant Carcasse. With text contributions from Hendrik Dierendonck, René Sépul, Marijke Libert and Stijn Vanderhaeghe, and high-class photographs by Thomas Sweertvaegher, Piet De Kersgieter and Stephan Vanfleteren.

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