Search results for ""author rod"

When Ecuador's cut-flower industry took off in the mid-1980s, it rode a wave of international credit peddling and currency speculation that would lead countries of the Global South into successive debt crises and northern financial firms to fortune and dominion. By the start of the twenty-first century, as the Ecuadorian economy collapsed and its ties with international finance became strained, flower exporters rebuilt their businesses around the profitability of their indigenous labor force, drawing local communities deeply into new plantation systems taking over the highlands. In A Feast of Flowers, Christopher Krupa goes inside Ecuador's booming cut-flower industry to chronicle the ways its capitalist pioneers built a booming export industry around a racial ideology, turning indigenous people's purported differences into resources for industrial expansion. At the core of this racial system is a belief, central to postcolonial science and politics in Ecuador, in capitalism's unique capacity to change people's racial identity and to liberate oppressed populations from racial subordination. Krupa shows how such views not only guide how indigenous people are today incorporated into demanding labor systems in Ecuador's new export plantations, but also how indigenous minds and bodies became sites of study and intervention by scientists, politicians, and economic planners throughout the last century, all looking to change indigenous people in some way. Combining nearly two decades of ethnographic and historical research, A Feast of Flowers shows how aggressive capitalist expansion in postcolonial contexts may revive longstanding intersections between race and economy to facilitate new modes of dispossession under the guise of humanitarian intervention.

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‘I adored this book. It’s so Geena and so inspiring and such a wonderful read’ Emma Thompson A Times Film and Theatre Book of the Year 2022 From two-time Academy Award winner and screen icon Geena Davis, Dying of Politeness is the candid, surprising tale of her journey from her epically polite childhood to the roles that put her in the spotlight and gave her the strength to become a powerhouse in Hollywood. At three years old, Geena announced she was going to be in movies. Now, with a slew of iconic roles and awards under her belt, she has surpassed her childhood dream, but her journey has been one of fits and starts, with a pothole or two along the way. In this hilarious memoir, Geena regales us with tales of a career playing everything from an amnesiac assassin to the parent of a rodent in Stuart Little; a soap star in her underwear to a housewife turned road warrior in Thelma & Louise; a baseball phenomenon in A League of Their Own to the first female President of the United States in Commander in Chief, and more. She is frank about her eccentric childhood; her many relationships, including her spontaneous Las Vegas wedding to Jeff Goldblum; her archery exploits which led her to the Olympic trials; and how she became a tireless advocate for women and girls, founding her own institute which engages film and TV creators to better represent women and actors from diverse backgrounds. Dying of Politeness is a touching account of one woman’s journey to fight for herself, and ultimately fighting for women all around the globe.

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'The whole point of a race is to find a winner... I chose to race, so I chose to win.' For 14 years between 1965 and 1978, cyclist Edouard Louis Joseph Merckx simply devoured his rivals, their hopes and their careers. His legacy resides as much in the careers he ruined as the 445 victories - including five Tour de France wins and all the monument races - he amassed in his own right. So dominant had Merckx become by 1973 that he was ordered to stay away from the Tour for the good of the event.Stage 17 of the 1969 Tour de France perfectly illustrates his untouchable brilliance. Already wearing the yellow jersey on the col du Tourmalet, the Tour's most famous peak, Merckx powered clear and rode the last 140 kilometres to the finish-line in jaw-dropping solitude, eight minutes ahead of his nearest competitor.Merckx's era has been called cycling's Golden Age.It was full of memorable characters who, at any other time, would all have gone on to become legends. Yet Merckx's phenomenal career overshadowed them all. How did he achieve such incredible success? And how did his rivals really feel about him? Merckx failed drug tests three times in his career - were they really stitch ups as he claimed? And what of the crash at a track meet in Blois, France that killed Merckx's pacer Fernand Wambst, which Merckx claimed deeply affected him psychologically and physically? Or the attack by a spectator in 1975?Despite his unique achievements, we know little about the Cannibal beyond his victories. This will be the first comprehensive biography of Merckx in English, and will finally expose the truth behind this legendary man.

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One of The Guardian's Best Food Books 2023'I really love Joe Woodhouse's food' - Nigella Lawson'Joe just makes the most delicious food that happens to have no meat or fish in it.'- Rachel Roddy'When Joe Woodhouse cooks then you know that something very, very good will result from much happy time spent in the kitchen. For such a modern cook, the flavours are deep, rich and magical. That there is no meat is happily forgotten here, for this is about great cooking.' - Jeremy Lee'Joe's food always looks gorgeous and totally doable. A major plus is that the recipes in his books can often be made with ingredients you have at home.' - Diana HenrySwapping just one meat dish for a plant-based one saves greenhouse gas emissions that are equivalent to the energy used to charge your phone for two years. In this new collection of recipes, a companion to the highly acclaimed Your Daily Veg, long-time vegetarian Joe Woodhouse celebrates everyday, seasonal vegetables in a fresh, modern way with dishes that always deliver on flavour and satisfaction. Focusing either on one core vegetable or a group of similar vegetables - including celeriac, beetroot and squash, tomatoes and fennel, mushrooms, onions and leeks, and beans, pulses and seeds - the recipes follow a simple format of short ingredients lists and easy-to-follow instructions.Praise for Your Daily Veg:'One of those cookbooks that you can tell will go into heavy rotation in your kitchen. Each chapter is given over to a different, common vegetable and how you can turn it into a satisfying and straightforward meal.' - Tim Lewis, Observer Food Monthly

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Un mazo vibrante de Tarot con 78 cartas y un manual con flora, fauna y símbolos esotéricos• Incluye una interpretación de los arcanos mayores y menores del Tarot a través de imágenes simbólicas de plantas, aves, insectos, reptiles y piedras preciosas• Explica el significado tradicional del Tarot para cada carta y el significado simbólico de ciertas plantas y animales• Se basa en una investigación extensa del significado esotérico del Tarot y el simbolismo de los nativos americanos, los celtas y la filosofía oriental y occidental Entrelazando la sabiduría del Tarot con el vasto misterio del mundo natural, la artista Jean Marie Herzel ofrece este mazo de 78 cartas a color, pintadas a mano con acuarela, que presenta el lenguaje matizado de las flores e imágenes esotéricas de plantas, aves, insectos, reptiles y gemas preciosas. El simbolismo de cada carta proviene de varias tradiciones del mundo, incluyendo a los nativos americanos, los celtas y la filosofía oriental y occidental.En el libreto acompañante, la descripción comienza con el significado tradicional de esa carta en el Tarot, seguida por una explicación detallada de la simbología de cada planta o animal destacado. El libro detalla la conexión entre la especie y el arquetipo de Tarot presentado, iluminando la importancia de la carta y cómo se relaciona con el mundo, el crecimiento personal y el viaje del alma. Este mazo no solo refleja una visión nueva del mundo que nos rodea, sino que además examina el territorio no explorado dentro de cada persona.

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Since the demise of the Franco dictatorship in 1977 Spain has emerged as one of the worlds most successful new democracies. But what accounts for the remarkable process of democratization in Spain, a country infamous for its long history of civil wars, military coups and ethnic conflicts? In this book, Omar Encarnación shows how a post-transition settlement, anchored on inter-party consensus and collaboration, made possible Spain's smooth transition from authoritarian to democratic rule, a string of stable governments from the Center, Left and Right, a modern and competitive economy, and a new national multi-cultural identity. Each chapter in the book is devoted to a different aspect of the post-transition settlement, from its origins in the political traumas of Spanish history, to its implications for the evolution of the party system, the state, civil society and the economy, and finally, the consequences of its deterioration under the socialist administration of José Luis Rodríguez Zapatero. Controversial policies such as same-sex marriages, negotiations with the Basque terrorist organization ETA, expanded powers to regional governments, and accountability for human rights abuses committed during the Spanish Civil War and the Franco regime, explain the widespread claim that Zapatero has shattered the political status quo of the post-Franco era. This book will be essential reading for students and scholars of contemporary Spanish politics and comparative democratization.

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Ordinary people can perform acts of astonishing selflessness, sometimes even putting their lives on the line. A pregnant woman saw a dorsal fin and blood in the water—and dove right in to pull her wounded husband to safety. Remarkably, some even leap into action to save complete strangers: one New York man jumped onto the subway tracks to rescue a boy who had fallen into the path of an oncoming train. Such behavior is not uniquely human. Researchers have found that mother rodents are highly motivated to bring newborn pups—not just their own—back to safety. What do these stories have in common, and what do they reveal about the instinct to protect others?In The Altruistic Urge, Stephanie D. Preston explores how and why we developed a surprisingly powerful drive to help the vulnerable. She argues that the neural and psychological mechanisms that evolved to safeguard offspring also motivate people to save strangers in need of immediate aid. Eye-catching dramatic rescues bear a striking similarity to how other mammals retrieve their young and help explain more mundane forms of support like donating money. Merging extensive interdisciplinary research that spans psychology, neuroscience, neurobiology, and evolutionary biology, Preston develops a groundbreaking model of altruistic responses. Her theory accounts for extraordinary feats of bravery, all-too-common apathy, and everything in between—and it can also be deployed to craft more effective appeals to assist those in need.

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¡La serie de libros para niños más exitosa de la editorial DK disponible ahora en formato bilingüe!Un educativo libro para bebés con hojas de cartón repleto de imágenes y vocabulario para que los bebés aprendan a identificar y nombrar sus juguetes y juegos favoritos. Ideal para estimular el bilingüismo desde la primera infancia y la capacidad de observación de los niños en edad preescolar. Los niños aprenden jugando desde que son bebés, durante los primeros años y a lo largo de toda la infancia. Sus primeros juguetes son objetos muy especiales que les ayudan a explorar el mundo y expresarse. Con 16 dobles páginas a todo color e increíbles fotografías de los juguetes y objetos favoritos de los niños en edad preescolar, My First Bilingual Playtime es el libro para niños perfecto para que tu pequeño se familiarice con sus juegos favoritos, a la vez que desarrolla su memoria y lenguaje.Hora de jugar y aprenderCamiones, bloques de construcción, peluches, disfraces, muñecas, plastilina, cometas… y ¡hasta trompetas y xilófonos! No falta ninguno. Anima a tu bebé a recorrer las páginas del libro e identificar los juguetes que más le gustan. Practicad juntos buscando y nombrando las imágenes en inglés y español. ¡Le encantará aprender el nombre de sus juguetes preferidos!My First Bilingual Playtime es un libro para bebés en español e inglés que ayuda a los niños a • Identificar y nombrar sus juguetes y lugares de juego preferidos • Aprender jugando • Fomentar el interés por la lectura • Aprender vocabulario en dos idiomas y familiarizarse con los sonidos y la grafía de las palabras. • Desarrollar habilidades de observación y ampliar el conocimiento del mundo que les rodea con la ayuda de fotografías e ilustraciones.My First Bilingual Playtime pertenece a la serie My First (primeras lecturas), una magnífica colección de libros infantiles ideal para niños en edad preescolar de 0 a 2 años. Estos libros para bebés abarcan una amplia variedad de temas y vocabulario e incluyen fotografías, ilustraciones y rótulos fáciles de entender en todas sus páginas. Como libros de aprendizaje, son el complemento perfecto para ayudar a los niños a adquirir vocabulario y desarrollar las habilidades lingüísticas que forman la base de la educación temprana. Además, ahora están disponibles en edición bilingüe inglés-español. ¡Ideal para aprender simultáneamente dos lenguas!

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A treasure trove of carefully selected letters written by great artists, providing unique insight into their characters and a glimpse into their lives. Artists’ Letters is a collection of intriguing, entertaining, moving, significant, surprising, witty and insightful correspondence from great artists. Arranged thematically, it includes writings and musings on love, work, daily life, money, travel and the creative process. On the theme of friendship, for example, letters provide evidence of a creative community between peers, with support and mutual appreciation that helps to dispel the myth of the artist as solitary genius. Letters between Vincent van Gogh and Paul Gauguin show an ongoing conversation and exchange of ideas. We see mutual admiration between Claude Monet and Berthe Morisot, and Picasso’s quick notes to Jean Cocteau illustrate their closeness. Letters, some of which includes sketches and drawings, are reproduced with the transcript and some background and contextual information alongside. Artists include: Salvador Dali, Goya, Lucian Freud, Vanessa Bell, Michelangelo, Mondrian, Gustav Klimt, Jasper Johns, Edward Burne-Jones, William Blake, Marcel Duchamp, Dorothea Tanning, Paul Gauguin, Vincent van Gogh, Picasso, Mark Rothko, David Hockney, Monet, Marina Abramovic, Cindy Sherman, Joseph Cornell, Leonora Carrington, Wang Zhideng, Yayoi Kusama, Yoko Ono, Renoir, Rubens, Eva Hesse, Cy Twombly, Roy Lichtenstein, Mary Cassatt, Jackson Pollock, Leonardo da Vinci, Joseph Beuys, Judy Chicago, Frida Kahlo, Alfred Stieglitz, Georgia O'Keeffe, Auguste Rodin, Camille Claudel, Henry Moore, Joshua Reynolds, Rembrandt, Whistler, Anni Albers, Naum Gabo, Kazimir Malevich, Francis Bacon, Ana Mendieta, Lee Krasner, Andy Warhol

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The complete, definitive and never-before-published catalogue of Hipgnosis, Vinyl • Album • Cover • Art finally does justice to the work of the most important design collective in music history, which, according to Roddy Bogawa, director of the documentary Taken by Storm (2011), ‘designed half your record collection’. Founded in 1967 by Storm Thorgerson, Aubrey ‘Po’ Powell and Peter Christopherson, Hipgnosis gained legendary status in graphic design, transforming the look of album art forever and winning five Grammy nominations for package design. Their revolutionary cover art moved away from the conventional group shots favoured by record companies of the day, resulting in the ground-breaking, often surreal designs which define the albums of many of the biggest names in the history of popular music: 10cc, AC/DC, Black Sabbath, Peter Gabriel, The Police, Genesis, Led Zeppelin, Pink Floyd, Paul McCartney, Robert Plant, Syd Barrett, Throbbing Gristle, T. Rex, Wings, Yes and XTC, to name but a few. Arranged chronologically, Vinyl • Album • Cover • Art features stunning reproductions of every single Hipgnosis cover – 372 in total – coupled with detailed information by Po and Storm Thorgerson on the artworks and the compelling stories behind their creation. Additional contributions by Peter Gabriel, Marcus Bradbury, and Pentagram’s Harry Pearce provide engrossing insights into the way these incredible artworks came into being; place the covers in context; and reflect on their enduring impact on album design. A highly accessible stand-alone volume, Vinyl • Album • Cover • Art will also make the perfect pop partner to the groundbreaking Hipgnosis | Portraits (2014) with its rare revelations and behind-the-scenes photography.

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Martin Stevens explores the extraordinary variety of senses in the animal kingdom, and discusses the cutting-edge science that is shedding light on these secret worlds. Our senses of vision, smell, taste, hearing, and touch are essential for us to respond to threats, communicate and interact with the world around us. This is true for all animals - their sensory systems are key to survival, and without them animals would be completely helpless. However, the sensory systems of other animals work very differently from ours. For example, many animals from spiders to birds can detect and respond to ultraviolet light, to which we are blind. Other animals, including many insects, rodents, and bats can hear high-frequency ultrasonic sounds well beyond our own hearing range. Many other species have sensory systems that we lack completely, such as the magnetic sense of birds, turtles, and other animals, or the electric sense of many fish. These differences in sensory ability have a major bearing on the ways that animals behave and live in different environments, and also affect their evolution and ecology. In this book, Martin Stevens explores the remarkable sensory systems that exist in nature, and what they are used for. Discussing how different animal senses work, he also considers how they evolve, how they are shaped by the environment in which an animal lives, and the pioneering science that has uncovered how animals use their senses. Throughout, he celebrates the remarkable diversity of life, and shows how the study of sensory systems has shed light on some of the most important issues in animal behaviour, physiology, and evolution.

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A sumptuously illustrated survey of the remarkable flowering of radical, visionary and experimental design for performance in Russia in the twenty years between 1913 and 1933. At the beginning of the twentieth century, Russian theatre produced an unprecedented period of creative radicalism and collaborative experimentation. Against the turbulent backdrop of the First World War and the Russian Revolution, the avant-garde movement transformed Russia’s cultural landscape as visionaries from several disciplines generated a vortex of innovative performance and design. The astounding body of work produced by Kazimir Malevich, Alexander Rodchenko, Vladimir Tatlin, Sergei Eisenstein and Liubov Popova, among others, overturned traditions in art, music, literature and theatre. This book explores the importance and influence of a seminal moment in twentieth-century culture – one that still resonates today. Published to accompany a major exhibition at London’s Victoria and Albert Museum in association with the Bakhrushin State Central Theatre Museum in Moscow, this book includes essays by experts from Russia, Britain and America illustrated with over 150 images from leading artists and designers, many of which are previously unpublished. Edited by John E. Bowlt, Professor of Slavic Languages and Literatures at the University of Southern California, the result is an astonishing record of a period of creative innovation that redefined not only what was possible in theatre and the avant-garde, but in wider artistic practices too. It will be of interest both to theatregoers and art historians, as well as current and future designers seeking inspiration for their own work.

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Winner, 2016 Best First Book Prize from the Immigration and Ethnic History Society Finalist, 2016 Sami Rohr Prize for Jewish Literature Winner, 2015 Book Prize from the Southern Jewish Historical Society Finalist, 2015 Jordan Schnitzer Book Award from the Association for Jewish Studies Winner, 2014 National Jewish Book Award in American Jewish Studies from the Jewish Book Council The majority of Jewish immigrants who made their way to the United States between 1820 and 1924 arrived nearly penniless; yet today their descendants stand out as exceptionally successful. How can we explain their dramatic economic ascent? Have Jews been successful because of cultural factors distinct to them as a group, or because of the particular circumstances that they encountered in America? The Rag Race argues that the Jews who flocked to the United States during the age of mass migration were aided appreciably by their association with a particular corner of the American economy: the rag trade. From humble beginnings, Jews rode the coattails of the clothing trade from the margins of economic life to a position of unusual promise and prominence, shaping both their societal status and the clothing industry as a whole. Comparing the history of Jewish participation within the clothing trade in the United States with that of Jews in the same business in England, The Rag Race demonstrates that differences within the garment industry on either side of the Atlantic contributed to a very real divergence in social and economic outcomes for Jews in each setting.

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Death beyond Disavowal utilizes “difference” as theorized by women of color feminists to analyze works of cultural production by people of color as expressing a powerful antidote to the erasures of contemporary neoliberalism.According to Grace Kyungwon Hong, neoliberalism is first and foremost a structure of disavowal enacted as a reaction to the successes of the movements for decolonization, desegregation, and liberation of the post–World War II era. It emphasizes the selective and uneven affirmation and incorporation of subjects and ideas that were formerly categorically marginalized, particularly through invitation into reproductive respectability. It does so in order to suggest that racial, gendered, and sexualized violence and inequity are conditions of the past, rather than the foundations of contemporary neoliberalism’s exacerbation of premature death. Neoliberal ideologies hold out the promise of protection from premature death in exchange for complicity with this pretense.In Audre Lorde’s Sister Outsider, Cherríe Moraga’s The Last Generation and Waiting in the Wings, Oscar Zeta Acosta’s The Revolt of the Cockroach People, Ana Castillo’s So Far from God, Gayl Jones’s Corregidora, Isaac Julien’s Looking for Langston, Inge Blackman’s B. D. Women, Rodney Evans’s Brother to Brother, and the work of the late Barbara Christian, Death beyond Disavowal finds the memories of death and precarity that neoliberal ideologies attempt to erase.Hong posits cultural production as a compelling rejoinder to neoliberalism’s violences. She situates women of color feminism, often dismissed as narrow or limited in its effect, as a potent diagnosis of and alternative to such violences. And she argues for the importance of women of color feminism to any critical engagement with contemporary neoliberalism.

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2020 Foreword INDIES Book of the Year Awards Winner, Silver (Political and Social Sciences) Winner of the Montaigne Medal, awarded to "the most thought-provoking books"The first book to explore a shocking yet all-too-common type of wrongful conviction—one that locks away innocent people for crimes that never actually happened. Rodricus Crawford was convicted and sentenced to die for the murder by suffocation of his beautiful baby boy. After years on death row, evidence confirmed what Crawford had claimed all along: he was innocent, and his son had died from an undiagnosed illness. Crawford is not alone. A full one-third of all known exonerations stem from no-crime wrongful convictions.The first book to explore this common but previously undocumented type of wrongful conviction, Smoke but No Fire tells the heartbreaking stories of innocent people convicted of crimes that simply never happened. A suicide is mislabeled a homicide. An accidental fire is mislabeled an arson. Corrupt police plant drugs on an innocent suspect. A false allegation of assault is invented to resolve a custody dispute. With this book, former New York City public defender Jessica S. Henry sheds essential light on a deeply flawed criminal justice system that allows—even encourages—these convictions to regularly occur. Smoke but No Fire promises to be eye-opening reading for legal professionals, students, activists, and the general public alike as it grapples with the chilling reality that far too many innocent people spend real years behind bars for fictional crimes.

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Austin, Texas, entered the aviation age on October 29, 1911, when Calbraith Perry Rodgers landed his Wright EX Flyer in a vacant field near the present-day intersection of Duval and 45th Streets. Some 3,000 excited people rushed out to see the pilot and his plane, much like the hundreds of thousands who mobbed Charles A. Lindbergh and The Spirit of St. Louis in Paris sixteen years later. Though no one that day in Austin could foresee all the changes that would result from manned flight, people here—as in cities and towns across the United States—realized that a new era was opening, and they greeted it with all-out enthusiasm.This popularly written history tells the story of aviation in Austin from 1911 to the opening of Austin-Bergstrom International Airport in 1999. Kenneth Ragsdale covers all the significant developments, beginning with military aviation activities during World War I and continuing through the barnstorming era of the 1920s, the inauguration of airmail service in 1928 and airline service in 1929, and the dedication of the first municipal airport in 1930. He also looks at the University of Texas's role in training pilots during World War II, the growth of commercial and military aviation in the postwar period, and the struggle over airport expansion that occupied the last decades of the twentieth century. Throughout, he shows how aviation and the city grew together and supported each other, which makes the Austin aviation experience a case study of the impact of aviation on urban communities nationwide.

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In recent years, millions of TV viewers have devoured images of the law. Amy Fisher, O.J. Simpson, Rodney King and JonBenet Ramsey have become household names. To meet popular demand we have a cable channel devoted to trials and police dramas 24 hours a day. Quick justice-dealing judges preside over TV courtrooms resolving real-life conflicts. What are the consequences when legal culture and popular culture dissolve into eath other? What happens, asks Richard K. Sherwin, when law goes pop? Sherwin, a law professor and former New York prosecutor, offers a pathbreaking interdisciplinary study of law and popular culture. He argues that in the welter of communication technologies, an unrestrained marketplace and postmodern ideas, law is increasingly becoming a spectacle, mimicking the style, techniques and visual logic of advertising and public relations. How will law continue to function when truth becomes interpretation and reality and fiction can no longer be separated? To answer these questions, Sherwin draws on a wealth of fascinating material: the contemporary storytelling strategies of lawyers; notoriously popular criminal cases in American legal history; representations of the law such as Errol Morris's "The Thin Blue Line"; and examples of how lawyers and judges have used the media to legitimize the judicial process. The law can be a powerful and affirmative tool for realizing meaning in postmodern life, but not when it is buffeted by corrosive cultural practices. "When Law Goes Pop" is an examination of legal practice in today's world, one that should be needed by everyone concerned with the future of our legal system and the meaning we invest in it.

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En esta biografía impactante y vibrante, el galardonado creador Duncan Tonatiuh echa luz sobre el legado de un legendario capoeirista, Mestre Bimba, quien se resistió a la opresión racial a través del arte y convirtió una práctica marginada en un fenómeno globalUna meia lua silbó a través del aire. El golpe fue evadido y le siguió un aú.Dos jóvenes estaban jugando a la capoeira en medio de la roda. Bimba también quería jugar.Aunque se debate cuándo y dónde se originó exactamente la capoeira, una forma de arte que combina las artes marciales, la danza, las acrobacias, la música y la espiritualidad, una cosa es segura: a principios del siglo XX Brasil era el único país en el mundo en el que se jugaba a la capoeira, y era practicada principalmente por personas de ascendencia africana. En 1890, dos años después de que Brasil aboliera oficialmente la esclavitud, el juego fue prohibido. La sociedad rica y de piel más clara temía y menospreciaba la capoeira, viéndola como un juego de “malandros”, como llamaban las personas en el poder a las comunidades negras y pobres a las que despreciaban. Pero, a principios de la década de 1920 en la ciudad de Salvador, un hombre llamado Bimba abogaría por que la capoeira, y quienes la practicaban, fueran tratados con la dignidad y el respeto que se merecían.La prosa lírica y el adorado estilo de ilustración de Duncan Tonatiuh, inspirado en los códices precolombinos, cuentan la historia de quien se podría decir fue el mejor capoeirista de todos los tiempos, quien luchó para convertir una actividad afrobrasileña perseguida e incomprendida en un arte célebre y practicado por millones de personas en todo el mundo. En 2014, la Organización de las Naciones Unidas para la Educación, la Ciencia y la Cultura (UNESCO) designó a la capoeira como un Patrimonio Cultural Inmaterial de la Humanidad, una distinción otorgada por su promoción de la integración social y la memoria que guarda de la lucha contra la opresión histórica.En Juego de libertad, el galardonado Tonatiuh nos brinda una conmovedora celebración de la solidaridad y la resistencia a través del arte.

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Monica Minott’s poems grasp the reader’s attention with a voice that is distinctively personal, both taut and musical – and tender and muscular when the occasion demands. Her language moves seamlessly and always appropriately between standard and Jamaican patwa, a reflection of a vision that encompasses a Black modernity still very much in touch with its aphoristic folk roots, where the ancestral meets Skype or a Jonkonnu band is stuck in a Kingston traffic jam. It is possible to see Minott’s poems as being in a constant dialogue between four quadrants of engagement: with history, with landscape, with personal and family experience and with the worlds of literature, music and art. Minott’s sense of history is deeply informed by a knowledge of the brutalities of commercial empire and of slavery and Black people’s struggles against injustice and for selfhood. There is scarcely a poem that does not have some precisely described sense of the materiality of its circumstance and the interactions between the physical world and human feelings. You sense that what sustains a certain bravery of self-exposure and of risk is a sense of belonging to family histories that have taught endurance, of knowing that loss can be gain (and this is certainly a world into which tragedy intrudes) and the experience of “running from extremity to extremity, to glory”. In literature and the arts, books are “bright lamps to light away dark hours”, and the examples of musicians like Don Drummond and Rico Rodriquez, artists such as Jean-Michel Basquiat and dancer Barry Moncrieffe point to the possibilities of the transcendent arising out of the everyday. Literature is a way of seeing that connects “Telemachus,/ original rasta and broomseller” of the Kingston streets to the Ulyssean world of voyaging and of seeking a home.

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This Handbook offers an insightful and comprehensive overview from a geographic perspective of the numerous and varied technologies that are shaping the contemporary world. It shows how geography and technology are intimately linked by examining the origins, growth, and impacts of 27 different technologies and highlighting how they influence the structure and spatiality of society. Following summaries of important conceptual issues such as diffusion, gender and science studies, the book explores various technologies, which are grouped into six main categories: Computational: code, location-based services and virtual reality Communications: fiber optics, satellites, the internet, radio, cell phones and television Transportation: automobiles, aviation, drones, railroads, and shipping and ports Energy: biofuels, dams, fracking, geothermal energy, pipelines, solar energy and LEED buildings Manufacturing: robotics, just-in-time systems and nanotechnology Life sciences: new technologies of health care, biotechnology and biometrics. Significantly, the book includes in-depth explorations of new technologies that have so far received very little attention from geographers. This much-needed Handbook offers a comprehensive and state-of-the-art summary of the geographies of major technologies and how they affect society, economies, geographies and everyday life. It will appeal to academics and advanced students interested in geography, planning and the social sciences in general.Contributors include: R. Baghel, M. Batty, R.E. Baxter, T. Birtchnell, M.J. Blair, L. Cabral, K.E. Calvert, M. Chen, J. Cidell, J.C. Comer, D. Comfort, S.W. Cunningham, M. Dodge, A.R. Goetz, A. Golub, A. Grech, D. Hillier, A. Holl, J.P. Howell, A. Johnson, P. Jones, A. Kellerman, L. Kurdgelashvili, L. Li, H. Lin, R. Lobato, B.P.Y. Loo, A. López Peláez, E. Louie, S. Maalsen, W.E. Mabee, J.D. Makholm, J. McLean, M. Nüsser, G. Popescu, R. Rama, P.L. Robertson, J.-P. Rodrigue, M.W. Rosenberg, B. Solomon, J.D. Stephen, D. Sui, G. Timilsina, N. Waldbrook, B. Warf, T.A. Wikle, C. Wilkinson

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In a year when the Southern Foodways Alliance asks, “Where is the South?”, the Fall 2023 issue of Gravy examines Southern food inside and outside the region. Readers will follow traditional Southern foods as they transcend the region’s historic geographic borders. Meanwhile, newcomers to the South adapt to regional tastes and introduce new flavors to the canon. Mackenzie Martin tells of culinary entrepreneur Annie Fisher, who built a booming catering business at the turn of the twentieth century with her signature beaten biscuits—all without investors or access to a bank loan, as a Black woman in Jim Crow Missouri. In a story by Mikeie Reiland, two professional soccer players of African Muslim ancestry find a taste of home in Nashville, at iftar, the fast-breaking meal of Ramadan. Chris Jay serves up Shreveport stuffed shrimp, a dish perfected by a network of Black chefs in Shreveport, Louisiana, through five generations of restaurant ownership. Gravy columnist Hanna Raskin tracks Bojangles’ expansion into the Midwest, asking: does a fast food biscuit lose its fluff outside the South? Adrian Miller digs into the menu archives at the Carter Center to find out exactly how “Southern” the First Family ate in the White House. SFA oral historian Sarah Rodriguez shares excerpts from the new oral history project, Tapping into Richmond Beer, which chronicles craft brewing in Richmond, Virginia, through the city’s vibrant and diverse beer scene. Poet Reyes Ramirez explores Latino foodways in Texas in verse from his debut collection El Rey of Gold Teeth, forthcoming from Hub City Press. Erika Council talks biscuits and business in a Q&A about her new book, Still We Rise: A Love Letter to the Southern Biscuit with Over 70 Sweet and Savory Recipes.

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LONGLISTED FOR THE WOMEN'S PRIZE FOR NON-FICTION ONE OF THE NEW YORK TIMES' BEST BOOKS OF 2023ONE OF THE ECONOMIST'S BEST BOOKS OF 2023ONE OF THE NEW YORKER'S BEST BOOKS OF 2023ONE OF BARACK OBAMA'S BEST BOOKS OF 2023TIME MAGAZINE'S #1 NONFICTION BOOK OF THE YEAR'A journalistic masterpiece' David Remnick, New YorkerMy job is to go to places where people die. I pack my bags, talk to the survivors, write my stories, then go home to wait for the next catastrophe. I don't wait very long.Journalist Patricia Evangelista came of age in the aftermath of a street revolution that forged a new future for the Philippines. Three decades later, in the face of mounting inequality, the nation discovered the fragility of its democratic institutions under the regime of strongman Rodrigo Duterte.Some People Need Killing is Evangelista's meticulously reported and deeply human chronicle of the Philippines' drug war. For six years, Evangelista chronicled the killings carried out by police and vigilantes in the name of Duterte's war on drugs - a war that has led to the slaughter of thousands - immersing herself in the world of killers and survivors and capturing the atmosphere of fear created when an elected president decides that some lives are worth less than others.The book takes its title from a vigilante whose words seemed to reflect the psychological accommodation that most of the country had made: 'I'm really not a bad guy,' he said. 'I'm not all bad. Some people need killing.'A profound act of witness and a tour de force of literary journalism, Some People Need Killing is also a brilliant dissection of the grammar of violence and an important investigation of the human impulses to dominate and resist.

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Martin Stevens explores the extraordinary variety of senses in the animal kingdom, and discusses the cutting-edge science that is shedding light on these secret worlds. Our senses of vision, smell, taste, hearing, and touch are essential for us to respond to threats, communicate and interact with the world around us. This is true for all animals - their sensory systems are key to survival, and without them animals would be completely helpless. However, the sensory systems of other animals work very differently from ours. For example, many animals from spiders to birds can detect and respond to ultraviolet light, to which we are blind. Other animals, including many insects, rodents, and bats can hear high-frequency ultrasonic sounds well beyond our own hearing range. Many other species have sensory systems that we lack completely, such as the magnetic sense of birds, turtles, and other animals, or the electric sense of many fish. These differences in sensory ability have a major bearing on the ways that animals behave and live in different environments, and also affect their evolution and ecology. In this book, Martin Stevens explores the remarkable sensory systems that exist in nature, and what they are used for. Discussing how different animal senses work, he also considers how they evolve, how they are shaped by the environment in which an animal lives, and the pioneering science that has uncovered how animals use their senses. Throughout, he celebrates the remarkable diversity of life, and shows how the study of sensory systems has shed light on some of the most important issues in animal behaviour, physiology, and evolution. He also describes evidence of the disruptive effects of human activities on the way other animals navigate the world.

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What do famous people love to do during their free time in the Big Apple? Like all New Yorkers, even the well-known among them have cherished rituals that connect them to their city in a unique way—favorite restaurants, delis, museums, parks, galleries, landmarks, haunts, and hideaways. For one resident, it may be watching tango dancers on Saturday nights in Central Park; for another, it's riding a bike over the Brooklyn Bridge to get a slice of Grimaldi's pepperoni pizza and a view of the Manhattan skyline from across the East River. Perhaps it entails choosing from the many varieties of bread at Rock Hill Bake House in the Union Square Greenmarket or simply walking across 46th Street and ending up at the great Broadway hangout, Angus McIndoe. In a refreshing step beyond the usual travel guides and tourist listings, My City, My New York quotes VIPs and gives readers something truly unique: a chance to experience Manhattan the way its most notable luminary residents do. The activities and establishments included are diverse, often eclectic, and, most-importantly, nonexclusive––you don't need to be a celebrity to enjoy them. While offering new and creative possibilities for exploration, My City, New York is also a love letter to the Big Apple and will touch even the most jaded New Yorkers. Celebrities include: - Matthew Broderick- Woody Allen- Bette Midler- Joan Rivers- Donald Trump- Chris Noth- Mayor Michael Bloomberg- Alex Rodriguez

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While Americans prize the ability to get behind the wheel and hit the open road, they have not always agreed on what constitutes safe, decorous driving or who is capable of it. Mobility without Mayhem is a lively cultural history of America’s fear of and fascination with driving, from the mid-twentieth century to the present. Jeremy Packer analyzes how driving has been understood by experts, imagined by citizens, regulated by traffic laws, governed through education and propaganda, and represented in films, television, magazines, and newspapers. Whether considering motorcycles as symbols of rebellion and angst, or the role of CB radio in regulating driving and in truckers’ evasions of those regulations, Packer shows that ideas about safe versus risky driving often have had less to do with real dangers than with drivers’ identities.Packer focuses on cultural figures that have been singled out as particularly dangerous. Women drivers, hot-rodders, bikers, hitchhikers, truckers, those who “drive while black,” and road ragers have all been targets of fear. As Packer debunks claims about the dangers posed by each figure, he exposes biases against marginalized populations, anxieties about social change, and commercial and political desires to profit by fomenting fear. Certain populations have been labeled as dangerous or deviant, he argues, to legitimize monitoring and regulation and, ultimately, to curtail access to automotive mobility. Packer reveals how the boundary between personal freedom and social constraint is continually renegotiated in discussions about safe, proper driving.

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Conceptualism played a different role in Latin American art during the 1960s and 1970s than in Europe and the United States, where conceptualist artists predominantly sought to challenge the primacy of the art object and art institutions, as well as the commercialization of art. Latin American artists turned to conceptualism as a vehicle for radically questioning the very nature of art itself, as well as art's role in responding to societal needs and crises in conjunction with politics, poetry, and pedagogy. Because of this distinctive agenda, Latin American conceptualism must be viewed and understood in its own right, not as a derivative of Euroamerican models.In this book, one of Latin America's foremost conceptualist artists, Luis Camnitzer, offers a firsthand account of conceptualism in Latin American art. Placing the evolution of conceptualism within the history Latin America, he explores conceptualism as a strategy, rather than a style, in Latin American culture. He shows how the roots of conceptualism reach back to the early nineteenth century in the work of Símon Rodríguez, Símon Bolívar's tutor. Camnitzer then follows conceptualism to the point where art crossed into politics, as with the Argentinian group Tucumán arde in 1968, and where politics crossed into art, as with the Tupamaro movement in Uruguay during the 1960s and early 1970s. Camnitzer concludes by investigating how, after 1970, conceptualist manifestations returned to the fold of more conventional art and describes some of the consequences that followed when art evolved from being a political tool to become what is known as "political art."

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'Terrific. So funny' Zadie Smith 'Monstrously depressing but so comic and well observed that I didn't really mind .... It is great' Dolly Alderton'A dark comedy of female rage' Catherine Lacey 'Brilliant. For fans of Ottessa Moshfegh's My Year of Rest and Relaxation' Pandora Sykes 'Funny, shocking, clever, and hugely entertaining' Roddy Doyle 'A definitive work of milennial literature' Jia Tolentino 'The best thing I've read in years' Emma Jane Unsworth'Vicious ... hilariously spot on' Guardian In a windowless office, a woman explains something from her real, nonwork life - about the frustration and indignity of returning her online shopping - to her colleagues. One wears a topknot. Another checks her pedometer. Watching them all is Millie. Thirty-years-old and an eternal temp, she says almost nothing, almost all of the time. But then the possibility of a permanent job arises. Will it bring the new life Millie is envisioning - one involving a gym membership, a book club, and a lot less beer and TV - finally within reach? Or will it reveal just how hollow that vision has become? 'Made me laugh and cry enough times to feel completely reborn' The Paris Review 'A definite work of millennial literature. Wretchedly riveting, with the sick, obsessive pleasure of looking under a bandage at a wound' The New Yorker 'So darkly funny and acutely observed that it feels like a documentary' Andrew McMillan 'Anyone who has ever felt like their life is going nowhere - and to make it worse, going nowhere in an achingly slow manner - will recognize themselves' Nylon

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This fun and photo-filled biography celebrates the life, films, and fans of the director responsible for such indie cult classics as Clerks, Mallrats, Chasing Amy, and Jay and Silent Bob Strike Back. Movie-industry veteran David Gati has compiled and edited a humorous and insightful look at Smith’s nearly 30-year filmmaking journey. Through Smith’s own funny, honest, and uncensored stories—taken from podcasts, Q&As, and documentaries—readers get to know him as a person, the struggles he’s been through, and the people he’s worked with, as well as his process for writing, directing, casting, shooting, editing, and showing his films to the public. The book is arranged chronologically with each chapter exploring how an aspect of Kevin’s life is reflected in one of his 14 films. Not to be overlooked is Smith’s outsized fan base, who relate to the director’s down-to-earth persona and his geeky, sometimes juvenile, often-nostalgic regular-person characters. Gati uses their fan art to add a visual facet to the book’s colorful narrative gems. Rounding out this scrapbook presentation are on-set stills, candid personal photos, and memorabilia. The result is an exploration of how films affect and reflect the popular culture of their time, with a light-hearted analysis of the phenomenon of fandom. This unusual biography is a must-have collectible dedicated to a member of the ’90s independent filmmakers—which includes Quentin Tarantino, Allison Anders, Robert Rodriguez, Hal Hartley, and Spike Lee—whose relevance and popularity will only continue to grow.

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This handsome, unique package -- containing a stereoscopic viewer, 34 3D photographic cards, and a photo-packed paperback book -- offers a rare view of Paris, the world's most beautiful city, during an era when art, literature, poetry, and music blossomed and reigned.Paris during the Belle Époque (1880-1914) was a time when peace and prosperity allowed for towering innovation in art, fashion, architecture, and gastronomy. The city at this time was the epicenter of art and music. Fauré, Saint Saëns, Debussy, and Ravel were composing; Rodin was working on The Thinker; Renoir, Monet, Cézanne, Pissarro, and Degas painted scenes depicting everyday life; and Pablo Picasso embarked on his Blue Period. As Art Nouveau came into fashion, new buildings followed suit. Opéra Garnier, Castel Beranger, Moulin Rouge, and the Paris Metro entrances were all built during this time. Galeries Lafayette unveiled its gilded department store, which sold couture to the aspiring middle class.This burgeoning creativity and prosperity, as well as the city and the inhabitants who embraced it, are all captured here, with stunning clarity and realism. Paris in 3D's innovative and inimitable package includes a sturdy metal stereoscopic viewer, 34 rarely seen stereoscopic photographs of the city at the turn of the century, and an accompanying 128-page paperback, which provides a brief history of the stereograph craze and an overview of the city's evolution during that time.

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Photographs Not Taken is a collection of photographers’ essays about failed attempts to make a picture. Editor Will Steacy asked each photographer to abandon the conventional tools needed to make a photograph—camera, lens, film—and instead make a photograph using words, to capture the image (and its attendant memories) that never made it through the lens. In each essay, the photograph has been stripped down to its barest and most primitive form: the idea behind it. This collection provides a unique and original interpretation of the experience of photographing, and allows the reader into a world rarely seen: the image making process itself. Photographs Not Taken features contributions by: Peter Van Agtmael, Dave Anderson, Timothy Archibald, Roger Ballen, Thomas Bangsted, Juliana Beasley, Nina Berman, Elinor Carucci, Kelli Connell, Paul D’Amato, Tim Davis, KayLynn Deveney, Doug Dubois, Rian Dundon, Amy Elkins, Jim Goldberg, Emmet Gowin, Gregory Halpern, Tim Hetherington, Todd Hido, Rob Hornstra, Eirik Johnson, Chris Jordan, Nadav Kander, Ed Kashi, Misty Keasler, Lisa Kereszi, Erika Larsen, Shane Lavalette, Deana Lawson, Joshua Lutz, David Maisel, Mary Ellen Mark, Laura McPhee, Michael Meads, Andrew Moore, Richard Mosse, Zwelethu Mthethwa, Laurel Nakadate, Ed Panar, Christian Patterson, Andrew Phelps, Sylvia Plachy, Mark Power, Peter Riesett, Simon Roberts, Joseph Rodriguez, Stefan Ruiz, Matt Salacuse, Alessandra Sanguinetti, Aaron Schuman, Jamel Shabazz, Alec Soth, Amy Stein, and others.

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Celebrate 40 years of WHAM! with the Sunday Times bestseller from one half of the world's most famous bands 'I couldn't put it down. Such a fantastic book' Chris Evans, Virgin Radio ________ School mates. Band mates. Soul mates . . . When Andrew Ridgley took George Michael, the new boy at school, under his wing, he discovered a soul mate. In Wham! George and Me, Andrew tells the story of how they rode a rollercoaster of success around the world while making iconic records and surviving superstardom with their friendship intact. It is a memoir of love, music, the flamboyant 1980s and living in a pop hurricane. No one else can ever tell their story - because no one else was there . . .Forty years on from their explosion into pop music, Andrew Ridgeley tells the inside story of Wham!, his life-long friendship with George Michael and the formation of a band that changed music. ________ 'A joyous celebration of the Wham! years. For anyone who was a teenager in the early 1980s, it will take you on a nostalgia trip. It's an honest but affectionate account of a remarkable duo who remained true to their origins and their friendship throughout it all' Daily Express 'As infectious as their music' Daily Mirror 'A remarkably generous memoir. In more than one sense, the biography of a friend' Spectator 'A great story' Saturday Live, Radio 4 'A lovely book. A love letter to George' Graham Norton, BBC One 'Charming, heartfelt . . . there's a real poignancy to Ridgeley's description of Wham!'s glory days' Sunday Times

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A former SAS soldier is entangled in a gripping tale of murder, betrayal and revenge in this action-packed stand-alone from the world's bestselling thriller writer.________________________________________MURDERFormer SAS soldier David Shelley has plans for a safer, more stable existence when he settles down to civilian life in London. But the shocking death of a young woman he used to protect puts those plans on hold.BETRAYALThe police rule the death a suicide, but the grieving parents can't accept their beloved Emma would take her own life. They need to find out what really happened, and they turn to their former bodyguard, Shelley, for help.REVENGEWhen they discover that Emma had fallen into a dark and dangerous world of drugs and online pornography, the father's need for retribution will take them into a war from which there may be no escape.________________________________________'No one gets this big without amazing natural storytelling talent - which is what Jim has, in spades.' LEE CHILD'The master storyteller of our times' HILLARY RODHAM CLINTON'It's no mystery why James Patterson is the world's most popular thriller writer . . . Simply put: nobody does it better.' JEFFERY DEAVER'Patterson boils a scene down to the single, telling detail, the element that defines a character or moves a plot along. It's what fires off the movie projector in the reader's mind.' MICHAEL CONNELLY'One of the greatest storytellers of all time' PATRICIA CORNWELL'A writer with an unusual skill at thriller plotting.' MARK LAWSON, GUARDIAN'James Patterson is The Boss. End of.' IAN RANKIN

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The Ducati Story is brought right up to date in this new edition of Ian Falloon's authoritative book, covering the complete history of the marque. Initially under government control, Ducati went through several decades of ups and downs, characterised by dubious managerial decisions. Held together by the great engineer Fabio Taglioni, the father of desmodromic valve gear, Ducati produced some of the finest motorcycles of the 1950s, 1960s and 1970s: the Marianna, desmo 125 single, Mach 1, 750 and Pantah. Taglioni also instigated Ducati's return to racing, and victory in the 1972 Imola 200 was the turning point. Mike Hailwood rode the 900 Ducati to victory in the 1978 Isle of Man Formula One race and Tony Rutter took four World TT2 Championships. Cagiva purchased Ducati in 1985, bringing a new engineer, Massimo Bordi, and new designs - most famously the Desmoquattro. In various guises this model dominated the World Superbike Championship during the 1990s, particularly in the hands of Carl Fogarty. Landmark models included the 916 and Monster, and, with the sale of Ducati to the Texas Pacific Group in 1996, the company continued to grow. The racing programme expanded to MotoGP and new model families were introduced. With control taken by the Italian company InvestIndustrial in 2006, Ducati embarked on the next era of development, Casey Stoner winning the MotoGP World Championship in 2007. Now under the Audi umbrella Ducati continues to thrive. This new edition includes a brand new chapter featuring all the models from 2012 up to 2018.

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'One of the most powerful books of the year' Daily Mail'Nobody can make the serious funny and the funny serious quite like Ruby.' - Alastair CampbellDear Reader,Checking into a mental clinic wasn't exactly on my radar in 2022. Writing about it wasn't either. But here we are.I spent a lifetime trying to create a 'front' to give everyone the illusion that all is well. It wasn't, and it isn't. Now I look back and I think, 'what the f*ck was that all about?'I began the book trying to find meaning by going on various, life-changing journeys, I ended up in a mental clinic; obviously things didn't work out the way I expected. This is the story of what happened after the mental car crash . . . From then on, the journey had to turn inward. It turns out I wasn't looking for meaning, I was looking for home.I'm not a fiction writer. I can't fake it. I could say I rode into the sunset, but life isn't like that unless you're a cowboy. Truth is I'm not as well as I thought I was.These days, trying to stay sane in a completely chaotic world makes life incredibly difficult. For those readers who are deep in the darkness of mental illness, I hope my book makes you feel less alone.Take care, love,Ruby x---------------------------------------------------------------------'If you buy only one book this year, make it this one.' - Joanna Lumley'A true tour de force. We're all a little messed up in our own ways, but we should all strive to be as fabulously fearless as Ruby.' - Fearne CottonAs seen on Channel 5 CastawaySunday Times Bestseller, May 2021

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Grandes ideas, explicaciones sencillasMediante amenos relatos, gráficos ilustrativos y atractivas imágenes, El libro de la mitología aporta una nueva mirada sobre los mitos y su significado para las culturas que los crearon.¿Quién era el dios embaucador Maui? ¿Qué era el hidromiel de la poesía y qué don otorgaba a quienes lo bebían? ¿Cómo era el paso a la vida de ultratumba según la mitología egipcia? ¿Cuál fue el papel de Loki y de Thor en la mitología nórdica, de Gilgamesh en la sumeria o de Viracocha en la inca? Este libro responde a estas y otras preguntas con la exposición de más de ochenta mitos e historia antiguas de todo el mundo.Tanto el profano en la materia como el estudiante de las culturas antiguas, o simplemente el amante de los relatos apasionantes, encontrarán en las páginas de este documentado libro en español de mitología toda la información y la emoción que buscan.La mitología como nunca antes te la habían contadoEste libro de mitología explica de forma totalmente sencilla todo lo que rodeaba a los mitos y criaturas de las diferentes culturas a lo largo de los siglos.Repaso a las culturas del mundo, desde los mitos del Antiguo Egipto, pasando por la mitología griega hasta la nórdica, este magnífico libro cuenta toda la historia y secretos acerca de estas fascinantes civilizaciones con más de 80 mitos de todo el mundo. Ideal para que cualquier apasionado de la mitología descubra los grandes secretos que esta esconde.El libro de la mitología nos adentra en una fascinante aventura mitológica través de los siglos y a lo largo de siete increíbles capítulos: • Antigua Grecia • Antigua Roma • Europa del Norte • Asia • América • Antiguo Egipto y África • Oceanía El libro de la mitología pertenece a la galardonada serie Grandes Ideas explica temas complejos de un modo fácil de entender mediante explicaciones claras y alejándose del academicismo tradicional. Su creativo diseño y los gráficos innovadores que acompañan al texto hacen de esta serie una introducción perfecta a una gran diversidad de materias para toda la familia.

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Coming out of the innovative Book-in-a-Day event facilitated by the Global Afrikan Congress – Nova Scotia Chapter, R Is for Reparations invites readers to listen to the voices of young activists as they share their hopes and dreams about the global demand for redress, compensation and restitution for the horrors of the Atlantic Slave Trade.This book is drawn from the voices of the children who participated in the Book-in-a-Day event and rode on an imaginary Underground Railroad Freedom ride, equipped with Elders who served as "conductors" and "station" stops. Their words address the tragedy and resulting political, social, and economic damage caused to African People by the slave trade, slavery, colonialism, poverty and anti-Black racism. Their reactions and reflections lead the contributions for this compelling, one-of-a-kind Alphabet Book suitable for all ages.

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A Russian Defector—A Worldwide Dragnet—A Looming Assassination—Max Geller is back in Moscow Former CIA Russia expert Max Geller is recovering from an intense mission while lying low in Australia, enjoying his sudden wealth in the company of his new girlfriend. But his beachy bliss is short-lived when Max, while relaxing by the ocean, is ambushed by the CIA. He soon learns that his girlfriend, Vanessa, is being used as blackmail by his former CIA boss, Rodney, to convince Max to go to Moscow. His mission? Smuggle out a defector with knowledge of a secret Kremlin war plan. Max is wanted by the Russians, so the defector could be bait to lure him into the hands of his old enemy, FSB Colonel Zabluda. But it’s either Max or Vanessa who must go, so Max takes the bait and heads off. When Max is spotted in Moscow, Zabluda launches a manhunt, pursuing him and the defector across country lines. Max and the defector race to evade countless attacks and attempts at capture as they escape to the United States. Will they make it in time? And what happens when the defector reveals crucial information that indicates U.S. democracy could be in peril? Max must figure out a way to avoid capture and halt imminent attacks—before it’s too late.Perfect for fans of Daniel Silva and Nelson DeMille While the novels in the Max Geller Spy Thriller Series stand on their own and can be read in any order, the publication sequence is:The President’s Dossier The Blood of Patriots and Traitors

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Winner of the 2009 Lora Romero First Book Prize from the American Studies Association 2009 Choice Outstanding Academic Title Explores the transnational movements of Mexican migrants, including their expressive culture and social movement practices Migrant Imaginaries explores the transnational movements of Mexican migrants in pursuit of labor and civil rights in the United States from the 1920s onward. Working through key historical moments such as the 1930s, the Chicano Movement, and contemporary globalization and neoliberalism, Alicia Schmidt Camacho examines the relationship between ethnic Mexican expressive culture and the practices sustaining migrant social movements. Combining sustained historical engagement with theoretical inquiries, she addresses how struggles for racial and gender equity, cross-border unity, and economic justice have defined the Mexican presence in the United States since 1910. Schmidt Camacho covers a range of archives and sources, including migrant testimonials and songs, Amrico Parede’s last published novel, The Shadow, the film Salt of the Earth, the foundational manifestos of El Movimiento, Richard Rodriguez’s memoirs, narratives by Marisela Norte and Rosario Sanmiguel, and testimonios of Mexican women workers and human rights activists, as well as significant ethnographic research. Throughout, she demonstrates how Mexicans and Mexican Americans imagined their communal ties across the border, and used those bonds to contest their noncitizen status. Migrant Imaginaries places migrants at the center of the hemisphere’s most pressing concerns, contending that border crossers have long been vital to social change.

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In a little more than a decade, economist Michael A. Lebowitz has written several major works about the transition from socialism to capitalism: Beyond Capital (winner of the Deutscher Prize), Build It Now, The Socialist Alternative, and The Contradictions of "Real Socialism." Here, he develops and deepens the analysis contained in those pathbreaking works by tracing major issues in socialist thought from the nineteenth century through the twenty‐first. Lebowitz explores the obvious but almost universally ignored fact that as human beings work together to produce society's goods and services, we also "produce" something else: namely, ourselves. Human beings are shaped by circumstances, and any vision of socialism that ignores this fact is bound to fail, or, at best, reproduce the alienation of labor that is endemic to capitalism. But how can people transform their circumstances in a way that allows them to re‐organize roduction and, at the same time, fulfil their human potential? Lebowitz sets out to answer this question first by examining Marx's Critique of the Gotha Programme, and from there investigates the experiences of the Soviet Union and more recent efforts to build socialism in Venezuela. He argues that socialism in the twenty‐first century must be animated by a central vision, in three parts: social ownership of the means of production, social production organized by workers, and the satisfaction of communal needs and communal purposes. These essays repay careful reading and reflection, and prove Lebowitz to be one of the foremost Marxist thinkers of this era.

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Vladimir Lucien is a young poet with so many gifts. His poetry is intelligent, musical, gritty in observation, graceful in method. You can see a young man building his house of poetry, just as his poems reflect on building a marriage and making his home, and all the accommodations that this demands. The world where he builds his house is St Lucia, itself an island that reflects the intra-regional migrancy of Caribbean people, with ancestral connections to Barbados, Antigua and Trinidad. He builds his house with stories of ancestors, immediate family, the history embedded in his language choices as a St Lucian writer, and heroes such as Walter Rodney, CLR James, Kamau Brathwaite and a local steelbandsman. His poems are never overtly political, but there's an oblique and often witty politics embedded in the poems, as where observing the rise of a grandfather out of rural poverty into the style of colonial respectability, he writes of the man "who eat his farine and fish/and avocado in a civilize fight between/knife and fork and etiquette on his plate". His poems tell truths, creating and questioning their own mythologies, as in a poem about his mother who "liked to look for relatives/ to find blood where there was only water." This is a collection that is alive with its conscious tensions both in subject matter and form. There's a tension between the vision of ancestors, family and of the poet himself as being engaged in the business of acting in the world and building on the past, and a sharp awareness of the inescapability of age's frailty, the decay of memory and of death. In the music of the poems themselves, there's an enlivening counterpoint between the natural rhythms of creole speech and the metric organisation of the line and its patterns of sound.

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_______________ 'An autobiographical meditation on feminism, power and womanhood … Full of Isabel's wisdom and warm words' - Grazia 'In her small, potent polemic . . . Isabel Allende writes about the toxic effects of “machismo”, combining wit with anger as she picks apart the patriarchy' - Independent 'Allende has everything it takes: the ear, the eye, the mind, the heart, the all-encompassing humanity' - New York Times An Independent, Guardian and Grazia Highlight for 2021 _______________ The wise, warm, defiant new book from literary legend Isabel Allende – a meditation on power, feminism and what it means to be a woman When I say that I was a feminist in kindergarten, I am not exaggerating. As a child, Isabel Allende watched her mother, abandoned by her husband, provide for her three small children. As a young woman coming of age in the late 1960s, she rode the first wave of feminism. She has seen what has been accomplished by the movement in the course of her lifetime. And over the course of three marriages, she has learned how to grow as a woman while having a partner, when to step away, and the rewards of embracing one's sexuality. So what do women want? To be safe, to be valued, to live in peace, to have their own resources, to be connected, to have control over their bodies and lives, and above all, to be loved. On all these fronts, there is much work to be done, and this book, Allende hopes, will ‘light the torch of our daughters and granddaughters with mine. They will have to live for us, as we lived for our mothers, and carry on with the work still left to be finished.’ _______________ 'Her thoughts, language and ideas traverse fluidly through ideas of gender, historic injustices, her marriages and bodily experiences and literary references . . . Allende’s love for women is palpable' - Sydney Morning Herald

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The contents of this book include: Introduction (L. Renneboog) - Part 1: Corporate restructuring; mergers and acquisitions in Europe (M. Martynova, L. Renneboog); the performance of acquisitive companies in the US (K. Cools, M. V. D. Laar); The announcement effects and long-run stock market performance of corporate spin-offs: The international evidence (C. veld, Y. Veld-Merkoulova); the competitive challenge in banking (A. Boot, A. Schmeits); Consolidation of the European banking sector: Impact on innovation (H. Degryse, S. Ongena, M.F. Penas) - Part II: Corporate governance; transatlantic corporate governance reform (J. McCahery, A. Khachaturyan); The role of self-regulation in corporate governance: evidence and implications from the Netherlands (A. De Jong, D. Dejong, G. Mertens, C. Wasley); and Shareholder lock-in contracts: Share price and trading volume effects at the lock-in expiry (P. P. Angenendt, M. Goergen, L. Renneboog). It also features: The grant and exercise of stock options in IPO firms: Evidence from the Netherlands (T. V. D. Groot, G. Mertens, P. Roosenboom); Institutions, corporate governance and firm performance (J. Grazell) - Part III: Capital structure and valuation; Why do companies issue convertible bonds? A review of the theory and empirical evidence (I. Loncarski, J. Ter Horst, C. Veld); The financing of Dutch firms: a historical perspective (A. De Jong, A. Roell); Corporate financing in the Netherlands (R. Kabir); Syndicated loans: Developments, characteristics and benefits (G. Van Roij); The bank's choice of financing and the correlation structure of loan returns: loans sales versus equity (V. Ioannidou, Y. Pierides); and shareholder value and growth in sales and earnings (L. Soenen) - Part IV: Asset pricing and monetary economics. This book includes: The term structure of interest rates: An overview (P. De Goeii); incorporating estimation risk in portfolio choice (F. De Roon, J. Ter Horst, B. Werker); a risk measure for retail investment products (T. Nijman, B. Werker); understanding and exploiting momentum in stock returns (J. C. Rodriguez, A. Sbuelz); and Relating risks to asset types: A new challenge for central banks (J. Sijben).

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When Dave Hickey was twelve, he rode the surfer's dream: the perfect wave. And, like so many things in life we long for, it didn't quite turn out----he shot the pier and dashed himself against the rocks of Sunset Cliffs in Ocean Beach, which just about killed him. Fortunately, for Hickey and for us, he survived, and continues to battle, decades into a career as one of America's foremost critical iconoclasts, a trusted, even cherished no-nonsense voice commenting on the all-too-often nonsensical worlds of art and culture. Perfect Wave brings together essays on a wide range of subjects from throughout Hickey's career, displaying his usual breadth of interest and powerful insight into what makes art work, or not, and why we care. With Hickey as our guide, we travel to Disneyland and Vegas, London and Venice. We discover the genius of Karen Carpenter and Waylon Jennings, learn why Robert Mitchum matters more than Jimmy Stewart, and see how the stillness of Antonioni speaks to us today. Never slow to judge or to surprise us in doing so Hickey powerfully relates his wincing disappointment in the later career of his early hero Susan Sontag, and shows us the appeal to our commonality that we've been missing in Norman Rockwell. With each essay, the doing is as important as what's done; the pleasure of reading Dave Hickey lies nearly as much in spending time in his company as in being surprised to find yourself agreeing with his conclusions. Bookended by previously unpublished personal essays that offer a new glimpse into Hickey's own life including the aforementioned slam-bang conclusion to his youthful surfing career Perfect Wave is not a perfect book. But it's a damn good one, and a welcome addition to the Hickey canon.

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In this jarring look at contemporary warfare and political visuality, renowned anthropologist of violence Allen Feldman provocatively argues that contemporary sovereign power mobilizes asymmetric, clandestine, and ultimately unending war as a will to truth. Whether responding to the fantasy of weapons of mass destruction or an existential threat to civilization, Western political sovereignty seeks to align justice, humanitarian right, and democracy with technocratic violence and visual dominance. Connecting Guantanamo tribunals to the South African Truth and Reconciliation Commission, American counterfeit killings in Afghanistan to the Baader-Meinhof paintings of Gerhard Richter, and the video erasure of Rodney King to lynching photography and political animality, among other scenes of terror, Feldman contests sovereignty's claims to transcendental right -whether humanitarian, neoliberal, or democratic-by showing how dogmatic truth is crafted and terror indemnified by the prosecutorial media and materiality of war. Excavating a scenography of trials-formal or covert, orchestrated or improvised, criminalizing or criminal-Feldman shows how the will to truth disappears into the very violence it interrogates. He maps the sensory inscriptions and erasures of war, highlighting war as a media that severs factuality from actuality to render violence just. He proposes that war promotes an anesthesiology that interdicts the witness of a sensory and affective commons that has the capacity to speak truth to war. Feldman uses layered deconstructive description to decelerate the ballistical tempo of war to salvage the embodied actualities and material histories that war reduces to the ashes of collateral damage, the automatism of drones, and the opacities of black sites. The result is a penetrating work that marries critical visual theory, political philosophy, anthropology, and media archeology into a trenchant dissection of emerging forms of sovereignty and state power that war now makes possible.

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Monty Newton and Rodolphe Lemoine must be two of the most outrageous conmen in history. When the Rajah Sir Hari Singh of Kashmir came to London in 1919, his first time in Europe, between visits to the King and Queen and the Prince of Wales he was introduced by his aide de camp to Mrs Maud (Maudie) Robinson. They became lovers and went to Paris for Christmas where they were ‘discovered’ in bed together. The Mayfair Mob had set the whole thing up. The Rajah’s aide de camp masterminded the scam and Sir Hari paid up to avoid citation in a divorce case. What happened next was sensational: a court case that gripped the world for eight days in 1924. The British government imposed the greatest secrecy on the scandal and kept files closed for a hundred years rather than the usual thirty. Monty was saved by the intervention of his partner in crime Lemoine, a German working for French intelligence, who - in 1931 - bought the working manuals of the new German Enigma encoding machine from a clerk, so that - in 1932 - a young Polish mathematician could crack the code. This is five years before Alan Turing even thought of studying cryptology. In between the greatest blackmail pay-out in history and buying the code, Chancers follows Newton and Lemoine around the world, from Monte Carlo to Mexico - always staying in the best hotels - as they con the rich and gullible out of their millions. During Barbara Jeffery’s research at the India Office Library and the National Archives she has unearthed an extraordinary story: one document was opened specially for her and she was obliged to read it in a locked room.

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An ode to friendship delivered by the capybara and their many animal friends! Whether they're sharing their favorite snacks, laughing along with your best jokes, or cheering you on through thick and thin, capybaras know what it means to be a good friend! This lighthearted ode to friendship is delivered by capybaras, gentle giants who are known for their calm demeanor and social friendships with other animals, from dogs and monkeys to turtles and birds. This gift book features charming photography of these cuddly creatures and their assorted animal companions, paired with sweet advice and odes to friendship, straight from nature's experts. This celebration of the capybara's community, love, and kindness towards everyone—regardless of whether they have hooves, claws, or shells—is a must-have gift for friends of all sizes. ANIMAL FRIENDSHIPS: Whether it's playing with puppies, basking with caimans, getting into mischief with monkeys, sharing a bite to eat with bunnies, or giving a ride to a butterfly, You're A Good Friend, Capybara is full of unexpectedly delightful real life photos of animals being friends. FRIENDS AROUND THE WORLD: Although they are native to South America, these lovable giant rodents have gained huge followings around the world for their photogenic friendships and chill demeanor, and can be found at many zoos and refuges globally. A GIFT FOR FRIENDS: This book is the perfect feel good present for any friend. Whether it's someone you see every day or your far away bestie, this little book is full of sweet, funny, and heartfelt reminders of what makes a good friend. Perfect for birthdays, Galentine's Day, wedding party gifts, and any occasion to say, "You're a good friend!"

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'An engrossing, urgent, and entertaining read. I couldn't put it down' Roddy Doyle______Marguerite Penrose's is an extraordinary story of making a great life from complicated beginnings. Marguerite was born in a Dublin mother-and-baby home in 1974, the daughter of an Irish mother and a Zambian father. Severe scoliosis indicated a future of difficult medical procedures. She was a little girl who needed a break. And she got it at three when she was fostered - and later adopted - by a young couple, Mick and Noeline, and acquired a mam, dad, sister, Ciara, and loving extended family. Growing up, Marguerite's appearance was occasionally remarked on by strangers, but it wasn't until her teens that she understood that her skin colour was a provocation for some. The progressive city that she knew was revealed to have an unpleasant undercurrent. So, she became an expert in shaping her life around anything that marked her out as 'different'.Marguerite's story is one of facing some big questions - Who am I? How do I live in world made for people with bodies different to mine? Why does anyone care about my skin colour? - with intelligence, humour, courage and common-sense. She writes about coming to terms with the circumstances of her birth and, like so many in her position, looking for answers. About navigating the world as an active woman with a disability. About what it means to be both Irish and Black, particularly at a moment when the conversation is becoming mainstream in Ireland and she is thinking about it in new ways herself. Mostly, she writes about embracing life in a spirit of openness and positivity.Yeah, But Where Are You Really From? is a captivating, wise and inspiring memoir by a truly remarkable woman.___________'Beautiful, moving, tender and informative' SINÉAD MORIARTY'Wonderful' MIRIAM O'CALLAGHAN

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When a ruthless killer seeks to overturn the world order, our only hope is vigilante justice.Since Lamont Cranston - known to a select few as the Shadow - defeated Shiwan Khan and ended his reign of terror over New York one year ago, the city has started to regenerate.But there is evil brewing elsewhere. And this time the entire world is under threat.Which is why Lamont has scoured the globe to assemble a team with unmatched talent.Only their combined powers can foil an enemy with ambitions and abilities beyond anyone's deepest fears.As their mission takes them across the globe and into the highest corridors of power - pushing them beyond their limits - can justice prevail?________________________________PRAISE FOR JAMES PATTERSON'Patterson boils a scene down to the single, telling detail, the element that defines a character or moves a plot along. It's what fires off the movie projector in the reader's mind' Michael Connelly'Patterson knows where our deepest fears are buried... there's no stopping his imagination' New York Times Book Review'A writer with an unusual skill at thriller plotting' The Guardian'The master storyteller of our times' Hillary Rodham Clinton'No one gets this big without amazing natural storytelling talent - which is what Jim has, in spades' Lee Child'Patterson boils a scene down to the single, telling detail, the element that defines a character or moves a plot along. It's what fires off the movie projector in the reader's mind' Michael Connelly'James Patterson is The Boss. End of.' Ian Rankin'It's no mystery why James Patterson is the world's most popular thriller writer ... Simply put: nobody does it better' Jeffrey Deaver

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