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A treasure trove of carefully selected letters written by great artists, providing unique insight into their characters and a glimpse into their lives. Artists’ Letters is a collection of intriguing, entertaining, moving, significant, surprising, witty and insightful correspondence from great artists. Arranged thematically, it includes writings and musings on love, work, daily life, money, travel and the creative process. On the theme of friendship, for example, letters provide evidence of a creative community between peers, with support and mutual appreciation that helps to dispel the myth of the artist as solitary genius. Letters between Vincent van Gogh and Paul Gauguin show an ongoing conversation and exchange of ideas. We see mutual admiration between Claude Monet and Berthe Morisot, and Picasso’s quick notes to Jean Cocteau illustrate their closeness. Letters, some of which includes sketches and drawings, are reproduced with the transcript and some background and contextual information alongside. Artists include: Salvador Dali, Goya, Lucian Freud, Vanessa Bell, Michelangelo, Mondrian, Gustav Klimt, Jasper Johns, Edward Burne-Jones, William Blake, Marcel Duchamp, Dorothea Tanning, Paul Gauguin, Vincent van Gogh, Picasso, Mark Rothko, David Hockney, Monet, Marina Abramovic, Cindy Sherman, Joseph Cornell, Leonora Carrington, Wang Zhideng, Yayoi Kusama, Yoko Ono, Renoir, Rubens, Eva Hesse, Cy Twombly, Roy Lichtenstein, Mary Cassatt, Jackson Pollock, Leonardo da Vinci, Joseph Beuys, Judy Chicago, Frida Kahlo, Alfred Stieglitz, Georgia O'Keeffe, Auguste Rodin, Camille Claudel, Henry Moore, Joshua Reynolds, Rembrandt, Whistler, Anni Albers, Naum Gabo, Kazimir Malevich, Francis Bacon, Ana Mendieta, Lee Krasner, Andy Warhol

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The complete, definitive and never-before-published catalogue of Hipgnosis, Vinyl • Album • Cover • Art finally does justice to the work of the most important design collective in music history, which, according to Roddy Bogawa, director of the documentary Taken by Storm (2011), ‘designed half your record collection’. Founded in 1967 by Storm Thorgerson, Aubrey ‘Po’ Powell and Peter Christopherson, Hipgnosis gained legendary status in graphic design, transforming the look of album art forever and winning five Grammy nominations for package design. Their revolutionary cover art moved away from the conventional group shots favoured by record companies of the day, resulting in the ground-breaking, often surreal designs which define the albums of many of the biggest names in the history of popular music: 10cc, AC/DC, Black Sabbath, Peter Gabriel, The Police, Genesis, Led Zeppelin, Pink Floyd, Paul McCartney, Robert Plant, Syd Barrett, Throbbing Gristle, T. Rex, Wings, Yes and XTC, to name but a few. Arranged chronologically, Vinyl • Album • Cover • Art features stunning reproductions of every single Hipgnosis cover – 372 in total – coupled with detailed information by Po and Storm Thorgerson on the artworks and the compelling stories behind their creation. Additional contributions by Peter Gabriel, Marcus Bradbury, and Pentagram’s Harry Pearce provide engrossing insights into the way these incredible artworks came into being; place the covers in context; and reflect on their enduring impact on album design. A highly accessible stand-alone volume, Vinyl • Album • Cover • Art will also make the perfect pop partner to the groundbreaking Hipgnosis | Portraits (2014) with its rare revelations and behind-the-scenes photography.

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Martin Stevens explores the extraordinary variety of senses in the animal kingdom, and discusses the cutting-edge science that is shedding light on these secret worlds. Our senses of vision, smell, taste, hearing, and touch are essential for us to respond to threats, communicate and interact with the world around us. This is true for all animals - their sensory systems are key to survival, and without them animals would be completely helpless. However, the sensory systems of other animals work very differently from ours. For example, many animals from spiders to birds can detect and respond to ultraviolet light, to which we are blind. Other animals, including many insects, rodents, and bats can hear high-frequency ultrasonic sounds well beyond our own hearing range. Many other species have sensory systems that we lack completely, such as the magnetic sense of birds, turtles, and other animals, or the electric sense of many fish. These differences in sensory ability have a major bearing on the ways that animals behave and live in different environments, and also affect their evolution and ecology. In this book, Martin Stevens explores the remarkable sensory systems that exist in nature, and what they are used for. Discussing how different animal senses work, he also considers how they evolve, how they are shaped by the environment in which an animal lives, and the pioneering science that has uncovered how animals use their senses. Throughout, he celebrates the remarkable diversity of life, and shows how the study of sensory systems has shed light on some of the most important issues in animal behaviour, physiology, and evolution.

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With the completion of Volume 3 of Canciones de España: Songs of Nineteenth-Century Spain, 83 songs by 50 19th-century Spanish composers are now available for performance and study, in both high and low voice editions. This final volume presents 31 newly published canciones by 18 composers such as José León, Antonio Mercé Fondevila, Lázaro Núñez Robres, Antonio Reparaz, Gabriel Rodríguez, and Joaquín Valverde. These songs represent the gems of the repertoire, providing examples of song types typical of the period, including the canción andaluza, the canción española, the balada Árabe, the bolero, the habanera, the canzoneta, and the seguidilla. A number of songs included had previously been available only in manuscript form and long forgotten in the depths of the world's greatest libraries. Here, they are made available and accessible through discussions of 19th-century politics and Spanish song style, a thorough pronunciation guide to Castilian Spanish, both word-for-word and idiomatic translations, and International Phonetic Alphabet transcriptions. Short biographies of each composer add insight to the compositions. Rounding out the anthology, this final volume includes appendixes that list all 83 songs by level of difficulty and by gender. This anthology allows singers and voice teachers to explore the poetry, culture, and history of Spain through its songs, demonstrating that the songs deserve their rightful place in the classical song repertoire of Europe and the Americas.

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Seeking Rights from the Left offers a unique comparative assessment of left-leaning Latin American governments by examining their engagement with feminist, women's, and LGBT movements and issues. Focusing on the “Pink Tide” in eight national cases—Argentina, Bolivia, Brazil, Chile, Ecuador, Nicaragua, Uruguay, and Venezuela—the contributors evaluate how the Left addressed gender- and sexuality-based rights through the state. Most of these governments improved the basic conditions of poor women and their families. Many significantly advanced women's representation in national legislatures. Some legalized same-sex relationships and enabled their citizens to claim their own gender identity. They also opened opportunities for feminist and LGBT movements to press forward their demands. But at the same time, these governments have largely relied on heteropatriarchal relations of power, ignoring or rejecting the more challenging elements of a social agenda and engaging in strategic trade-offs among gender and sexual rights. Moreover, the comparative examination of such rights arenas reveals that the Left's more general political and economic projects have been profoundly, if at times unintentionally, informed by traditional understandings of gender and sexuality. Contributors: Sonia E. Alvarez, María Constanza Diaz, Rachel Elfenbein, Elisabeth Jay Friedman, Niki Johnson, Victoria Keller, Edurne Larracoechea Bohigas, Amy Lind, Marlise Matos, Shawnna Mullenax, Ana Laura Rodríguez Gustá, Diego Sempol, Constanza Tabbush, Gwynn Thomas, Catalina Trebisacce, Annie Wilkinson

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Seeking Rights from the Left offers a unique comparative assessment of left-leaning Latin American governments by examining their engagement with feminist, women's, and LGBT movements and issues. Focusing on the “Pink Tide” in eight national cases—Argentina, Bolivia, Brazil, Chile, Ecuador, Nicaragua, Uruguay, and Venezuela—the contributors evaluate how the Left addressed gender- and sexuality-based rights through the state. Most of these governments improved the basic conditions of poor women and their families. Many significantly advanced women's representation in national legislatures. Some legalized same-sex relationships and enabled their citizens to claim their own gender identity. They also opened opportunities for feminist and LGBT movements to press forward their demands. But at the same time, these governments have largely relied on heteropatriarchal relations of power, ignoring or rejecting the more challenging elements of a social agenda and engaging in strategic trade-offs among gender and sexual rights. Moreover, the comparative examination of such rights arenas reveals that the Left's more general political and economic projects have been profoundly, if at times unintentionally, informed by traditional understandings of gender and sexuality. Contributors: Sonia E. Alvarez, María Constanza Diaz, Rachel Elfenbein, Elisabeth Jay Friedman, Niki Johnson, Victoria Keller, Edurne Larracoechea Bohigas, Amy Lind, Marlise Matos, Shawnna Mullenax, Ana Laura Rodríguez Gustá, Diego Sempol, Constanza Tabbush, Gwynn Thomas, Catalina Trebisacce, Annie Wilkinson

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Longlist, 2023 Edwards Book Award, Rodel InstituteFrom nineteenth-century abolitionism to Black Lives Matter today, progressive social movements have been at the forefront of social change. Yet it is seldom recognized that such movements have not only engaged in political action but also posed crucial philosophical questions about the meaning of justice and about how the demands of justice can be met.Michele Moody-Adams argues that anyone who is concerned with the theory or the practice of justice—or both—must ask what can be learned from social movements. Drawing on a range of compelling examples, she explores what they have shown about the nature of justice as well as what it takes to create space for justice in the world. Moody-Adams considers progressive social movements as wellsprings of moral inquiry and as agents of social change, drawing out key philosophical and practical principles. Social justice demands humane regard for others, combining compassionate concern and robust respect. Successful movements have drawn on the transformative power of imagination, strengthening the motivation to pursue justice and to create the political institutions and social policies that can sustain it by inspiring political hope.Making Space for Justice contends that the insights arising from social movements are critical to bridging the gap between discerning theory and effective practice—and should be transformative for political thought as well as for political activism.

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Richard Rodgers, Oscar Hammerstein, Jerome Kern, Irving Berlin, and . . . Dorothy Fields. These are the giants of the golden age of musical theater. Although she may not be as well known as her male counterparts, Dorothy Fields was America's most brilliant and successful female lyricist, who for five decades kept up with the greats. As the only woman among the boys' club of popular song, Fields was welcomed by her fellow male artists, who considered her as both an equal and a beloved colleague. Working with thirteen different composers, Fields wrote the lyrics and/or librettos for unforgettable masterpieces, such as Annie Get Your Gun, Redhead, and Sweet Charity. Her more than four hundred songs include the standards "On the Sunny Side of the Street," "Pick Yourself Up," and "The Way You Look Tonight," among other classic tunes. This book introduces the trailblazing Fields to audiences who may not know her name but surely know her five decades worth of work. Beginning in the 1920s, Fields was one of the few women writing for commercial theater, and she did it so remarkably well that her work was recognized with a Tony Award, an Oscar, and the accolades of ASCAP president Stanley Adams, who referred to her as "the most important woman writer in the history of ASCAP."

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Longlist, 2023 Edwards Book Award, Rodel InstituteFrom nineteenth-century abolitionism to Black Lives Matter today, progressive social movements have been at the forefront of social change. Yet it is seldom recognized that such movements have not only engaged in political action but also posed crucial philosophical questions about the meaning of justice and about how the demands of justice can be met.Michele Moody-Adams argues that anyone who is concerned with the theory or the practice of justice—or both—must ask what can be learned from social movements. Drawing on a range of compelling examples, she explores what they have shown about the nature of justice as well as what it takes to create space for justice in the world. Moody-Adams considers progressive social movements as wellsprings of moral inquiry and as agents of social change, drawing out key philosophical and practical principles. Social justice demands humane regard for others, combining compassionate concern and robust respect. Successful movements have drawn on the transformative power of imagination, strengthening the motivation to pursue justice and to create the political institutions and social policies that can sustain it by inspiring political hope.Making Space for Justice contends that the insights arising from social movements are critical to bridging the gap between discerning theory and effective practice—and should be transformative for political thought as well as for political activism.

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As Angela Y. Davis has proposed, the “path to prison,” which so disproportionately affects communities of color, is most acutely guided by the conditions of daily life. Architecture, then, as fundamental to shaping these conditions of civil existence, must be interrogated for its involvement along this diffuse and mobile path. Paths to Prison: On the Architectures of Carcerality aims to expand the ways the built environment’s relationship to and participation in the carceral state is understood in architecture. The collected essays in this book implicate architecture in the more longstanding and pervasive legacies of racialized coercion in the United States—and follow the premise that to understand how the prison enacts its violence in the present one must shift the epistemological frame elsewhere: to places, discourses, and narratives assumed to be outside of the sphere of incarceration.Paths to Prison: On the Architectures of Carcerality offers not a fixed or inexorable account of how things are but rather a set of starting points and methodologies for reevaluating the architecture of carceral society and for undoing it altogether.With contributions by Adrienne Brown, Stephen Dillon, Jarrett M. Drake, Sable Elyse Smith, James Graham, Leslie Lodwick, Dylan Rodríguez, Anne Spice, Brett Story, Jasmine Syedullah, Mabel O. Wilson, and Wendy L. Wright.

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"Providing an unparalleled overview of Sephardi and Middle Eastern Jewish communities in world history, this authoritative, stimulating work, superbly edited and clearly written, also suggests new approaches to assessing their cultural practices and relation to the wider societies of which they formed, and in many cases continue to form, a part." —Dale F. Eickelman, Dartmouth CollegeHistorians, anthropologists, and linguists from Israel, the United Kingdom, France, and the United States provide a comprehensive picture of Sephardi and Middle Eastern Jewries in modern times. The volume touches on such themes as the impact of modernization upon Sephardi communities in North Africa, the Balkans, and other areas of the Ottoman Empire; responses to cultural change in Sephardi communities of Iraq and North Africa; issues relating to contemporary Jewish languages and literatures; and conceptions of ethnicity and gender in Sephardi communities.Contributors include Joelle Bahloul, Jacob Barnai, Esther Benbassa, Yoram Bilu, David M. Bunis, Joseph Chetrit, Harvey E. Goldberg, Isaac Guershon, André Levy, Laurence D. Loeb, Susan Gilson Miller, Amnon Netzer, Aron Rodrigue, Esther Schely-Newman, Daniel J. Schroeter, Norman A. Stillman, Yosef Tobi, Yaron Tsur, Zvi Yehuda, and Zvi Zohar.

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Hauntingly evocative of medieval Spain, a deeply compelling story of love, adventure, divided loyalties, and what happens when beliefs begin to remake – or destroy – a world. The ruling Asharites of Al-Rassan have come from the desert sands, but over centuries, seduced by the sensuous pleasures of their new land, their stern piety has eroded. The Asharite empire has splintered into decadent city-states led by warring petty kings. King Almalik of Cartada is on the ascendancy, aided always by his friend and advisor, the notorious Ammar ibn Khairan – poet, diplomat, soldier – until a summer afternoon of savage brutality changes their relationship forever. Meanwhile, in the north, the conquered Jaddites' most celebrated – and feared – military leader, Rodrigo Belmonte, driven into exile, leads his mercenary company south. In the dangerous lands of Al-Rassan, these two men from different worlds meet and serve – for a time – the same master. Tangled in their interwoven fate – and divided by her feelings – is Jehane, the accomplished court physician, whose skills may not be enough to heal the coming pain as Al-Rassan is swept to the brink of holy war, and beyond.

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Daniel-François-Esprit Auber (1782–1871) was long considered one of the most typically French as well as one of the most successful of the opera composers of the 19th century. Although musically gifted, he initially chose commerce as a career, but soon realized that his future lay in music. He studied under Cherubini, and it was not long before his opéra-comique La Bergère Châteleine (1820), written at the age of 38, established him as an operatic composer. Perhaps the greatest turning point in Auber’s life was his meeting with the librettist Eugène Scribe (1791–1861), with whom he developed a long and illustrious working partnership that only ended with Scribe’s death. Success followed success; works such as Le Maçon (1825) and La Muette de Portici (1828) brought Auber public fame and official recognition. In 1829 he was appointed a member of the Institut, in 1839 Director of Concerts at Court, in 1842 Director of the Conservatoire, in 1852 Musical Director of the Imperial Chapel, and in 1861 Grand Officer of the Légion d’Honneur.Auber seems to have been fated to live in revolutionary times; during his long life no less than four revolutions took place in France (1789, 1830, 1848, 1870). Auber’s famous historical grand opera La Muette de Portici (also known by its hero’s name as Masaniello) is perhaps unsurprisingly based on revolution, depicting the 1647 Neapolitan uprising against Spanish rule. It is a key work in operatic history, and has a revolutionary history itself: it was a performance of this work in Brussels in 1830 that helped spark the revolution that led to the separation of Belgium from Holland. It was a revolution that hastened Auber’s death at the old age of 89. He died on 12 May 1871 as a result of a long illness aggravated by the privations and dangers of the Siege of Paris. He had refused to leave the city he had always loved, even after his house had been set on fire by the petroleurs et petroleuses. In a twist of fate, a mark had been placed on the house of the composer of Masaniello, the very voice of Romantic liberty!Auber’s overtures were once instantly recognizable, favourites of the light Classical repertoire. His gracious melodies and dance rhythms had a huge influence, both on piano and instrumental music, and on the genre of Romantic comic opera, especially in Germany. Musical tastes and fashions have changed, and contemporary audiences are more accustomed to the heavier fare of verismo, Wagnerian transcendentalism, and twentieth-century experimentalism. The operas themselves, apart from Fra Diavolo (1830), are seldom performed, yet Auber’s elegant, delicate and restrained art remains as appealing to the discerning listener as ever it was.Zerline, an opera in three acts with libretto by Eugène Scribe, was first performed at the Académie nationale de musique (Salle de la rue Le Peletier) on 16 May 1851. The scene is set in Palermo, during the Restoration. The Prince of Roccanera, married to the sister of the King, has a supposed niece, Gemma. She is really his daughter by Zerline, an orange-seller. The latter was abducted by pirates, and having returned to Palermo after many trials, now meets her daughter, assuming the role of her aunt. She learns that Gemma loves a young naval officer, Rodolphe, but that the Prince’s wife wishes Gemma to marry the King’s cousin, much against the girl’s wishes. In the third act, Zerline, already alerted to an intrigue compromising to the two young lovers, is able to safeguard their integrity and bring about their union.The action is better suited to a vaudeville than an opera, and the scenario has little innate interest. The role of Zerline was devised especially for the great contralto Marietta Alboni (1823–94), the first role she created. The B-flat major overture immediately establishes the family nature of the drama, with its parable of past sins, social disparity and all-conquering maternal love.There is allusion to the Sicilian setting in the two opening choruses of act 1 which are dominated by barcarolle rhythms in establishing the couleur locale. Alboni’s magnificent talent added great value to the light music written by Auber for this slight canvas. The work consequently contains many pieces of a purely virtuoso nature. Among them are the grand air d’entrée “Ô Palerme! ô Sicile!”, the thematically central canzonetta “Achetez mes belles oranges”, and the duet for soprano and contralto “Quel trouble en mon âme” in act 1. It is as though the Italian setting of the story and the Italian origins of the prima donna caused Auber to look to his early love for Rossini, and his enduring attachment to Italian musical forms and local colour (as in Fiorella, La Muette de Portici, Fra Diavolo, Actéon, La Sirène, Zanetta and Haydée).The vocal part of Zerline is a conscious re-creation of the old Rossini mode, and her various solos are written in the style of the virtuoso contralto of the opera seria, obviously with a contemporary Gallic fleetness all Auber’s own. The Grand Air demonstrates all the features.The original cast was: Merly (Roccanera); Mlle Marietta Alboni (Zerline); Mlle Maria-Dolorès-Bénédicta-Joséphine Nau (Gemma); Aimès (Rodolphe); Mlle Dameron (the Princess of Roccanera); and Lyons (the Marquis of Bettura). The work was only performed 14 times in Paris, with no reprise. It was translated into Italian, and produced in Brussels (in French) and London (in Italian).

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A USA TODAY BEST BOOK OF THE YEAR (★★★★)“Little and Often is a beautiful memoir of grief, love, the shattered bond between a father and son, and the resurrection of a broken heart. Trent Preszler tells his story with the same level of art and craftsmanship that he brings to his boat making, and he reminds us of creativity’s power to transform and heal our lives. This is a powerful and deeply moving book. I won’t soon forget it.” —Elizabeth GilbertTrent Preszler thought he was living the life he always wanted, with a job at a winery and a seaside Long Island home, when he was called back to the life he left behind. After years of estrangement, his cancer-stricken father had invited him to South Dakota for Thanksgiving. It would be the last time he saw his father alive.Preszler’s only inheritance was a beat-up wooden toolbox that had belonged to his father, who was a cattle rancher, rodeo champion, and Vietnam War Bronze Star Medal recipient. This family heirloom befuddled Preszler. He did not work with his hands—but maybe that was the point. In his grief, he wondered if there was still a way to understand his father, and with that came an epiphany: he would make something with his inheritance. Having no experience or training in woodcraft, driven only by blind will, he decided to build a wooden canoe, and he would aim to paddle it on the first anniversary of his father’s death.While Preszler taught himself how to use his father’s tools, he confronted unexpected revelations about his father’s secret history and his own struggle for self-respect. The grueling challenges of boatbuilding tested his limits, but the canoe became his sole consolation. Gradually, Preszler learned what working with his hands offered: a different per­spective on life, and the means to change it.Little and Often is an unflinching account of bereavement and a stirring reflection on the complexities of inheritance. Between his past and his present, and between America’s heartland and its coasts, Preszler shows how one can achieve reconciliation through the healing power of creativity.“Insightful, lyrical…Little and Often proves to be a rich tale of self-discovery and reconciliation. Resonating with Robert Pirsig’s classic Zen and the Art of Motorcycle Maintenance, it is a profound father-and-son odyssey that discovers the importance of the beauty of imperfection and small triumphs that make extraordinary happen.” —USA Today (★★★★)

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Sue Hubbell, bióloga de formación, trabajaba como bibliotecaria en una importante universidad americana y llevaba una vida normal, seguramente demasiado normal. Un buen día, definitivamente harta de la omnipresente sociedad de consumo norteamericana, tanto ella como su marido deciden que quieren otra vida, más rica, más plena, más cercana a sus verdaderos ideales y a la naturaleza salvaje que tanto añoran. Entonces, y con las lecturas de Henry David Thoreau en la cabeza, deciden dejarlo todo y marcharse a vivir a una solitaria y destartalada granja en los bosques de las montañas Ozarks, en el Medio Oeste de Estados Unidos.Sin embargo, al poco de llegar, el marido de Sue decide abandonarla. Ésta es, por tanto, la historia de una mujer enfrentada a las montañas, al invierno, a los coyotes, a las motosierras y, algunos días, a la soledad, pero sin perder jamás el sentido del humor y una mirada infinitamente curiosa y prendada por la belleza salvaje que la rodea. La historia de una muj

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In many ways the public sector and the private sector share concerns about how best to manage their employment functions: recruitment, evaluation, incentives, discipline, retention, compensation. There are also substantial differences between the two sectors. Not surprisingly, a period such as the Great Recession and its aftermath highlights those differences. Some state and local governments that had engaged in precarious fiscal practices were thrust into public attention as their tax revenues receded. But that is not the whole story. The reasons public sector workers and human resource practices are under scrutiny go beyond the impact of a recession putting the spotlight on already-strained budgets.Public Jobs and Political Agendas spotlights the important public/private differences that account for the special attention visited upon the public sector starting with the Great Recession. The first of these differences was the timing of the response to the recession and its aftermath on revenues. The second difference involves employee compensation and the contrasts between public and private practices in that area. Intertwined with these two factors is the role of politics: social welfare programs have been targeted in recent years, with repercussions for even the most efficient state and local government agencies and their employees.Contributors: Keith A. Bender, University of Wisconsin–Milwaukee; Ilana Boivie, National Institute on Retirement Security; Ellen Dannin, Pennsylvania State University; Gloria Davis-Cooper, University of West Indies; Sabina Dewan, Center for American Progress; John S. Heywood, University of Wisconsin–Milwaukee; David Lewin, UCLA Anderson School of Management; Daniel J.B. Mitchell, UCLA Anderson School of Management and the UCLA Luskin School of Public Affairs; Charlene M. L. Roach, The University of The West Indies; William M. Rodgers III, Rutgers University; Mildred E. Warner, Cornell University; Christian Weller, University of Massachusetts Boston and Center for American Progress

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In celebration of the incredible life of HM Queen Elizabeth II, here is the history of her reign, told through the enthralling life stories of The Queen and 25 amazing people who have called Britain home.The reign of HM Queen Elizabeth II has been long and eventful. Over the past 70 years, Great Britain has seen incredible changes in the ways we live, think and feel, shaped by the inspiring people who were born in Britain or arrived on its shores. As we commemorate the Queen's life and reign, learn about her extraordinary life and 25 other amazing history-makers - from modern pioneers, leaders and scientists to writers, athletes and activists - in this fully updated new special edition paperback. Each beautifully illustrated page spread is devoted to a tale of an incredible Briton, told by talented writer and children's book critic Imogen Russell Williams and brought to life by Sara Mulvanny's vivid colour illustration. The book also features a gloriously illustrated timeline, showing key events from Queen Elizabeth's long reign.Discover the life-changing events of the last 70 years, from the foundation of the NHS by Aneurin Bevan to the creation of the AstraZeneca COVID-19 vaccine by Sarah Gilbert. Learn about how amazing activists like Paul Stephenson and Malala Yousafzai fought hard for equal rights for all, and scientists like Stephen Hawking and Tim Berners-Lee made incredible advances that allowed us to know more about the universe, or communicate in a whole new way via the Internet. Find out about the fantastic achievements of athletes like Mo Farah and Tanni Grey-Thompson and writers like Judith Kerr and Lemn Sissay, despite the challenges they faced. The tales include key figures from all areas of British life - science, medicine, entertainment, sports, activism and more.Featuring the inspirational lives and achievements of amazing people such as Alan Turing, Kelly Holmes, Stormzy and Anita Roddick, this book is not only a glorious celebration of Queen Elizabeth's life and reign, but also the citizens who have contributed to such an incredible 70 years on the throne.

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Imagine a world where dinosaurs survived...Bea and Carter Kingsley have been struggling to fit in at school in England after their adventures and the tragic loss of their grandmother, Bunty. Despite his misgivings about further travel, their godfather Theodore decides to take them to America, to visit their Uncle Cash Kingsley's ranch in California. Unexpectedly reunited with Viscount Lambert Von Knutr, and introduced to his wife, Anya Sitz, Bea and Carter find themselves temporarily separated when Bea accompanies the glamorous Viscount's wife to San Francisco. Theodore, still determined to unlock the mysteries of the journals the childrens' father left behind, takes off on a quest of his own. Will the rifts growing be healed - or widen? The adventure concludes in Wild West style with a dramatic showdown at the rodeo...In a world where dinosaurs have survived and evolved alongside humans, Bea and Carter Kingsley are searching for answers to the disappearance of their parents. But the answers our heroes seek are surrounded in mystery. What is the secret of the Saurmen? And who else is interested in discovering it - can everyone they meet be trusted?The world of SUPERSAURS is wonderfully realized, grounded in historical events and a classic storytelling adventure beautifully illustrated throughout.

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The editors and contributors to Wildlife Crime examine topical issues from extinction to trafficking in order to understand the ecological, economic, political, and social costs and consequences of these crimes. Drawing from diverse theoretical perspectives, empirical and methodological developments, and on-the-ground experiences of practitioners, this comprehensive volume looks at how conservationists and law enforcement grapple with and combat environmental crimes and the profitable market for illegal trade. Chapters cover criminological perspectives on species poaching, unregulated fishing, the trading of ivory and rhino horns, the adoption of conservation technologies, and ranger workplaces and conditions. The book includes firsthand experiences and research from China, Indonesia, Kenya, Madagascar, Morocco, Peru, Russia, South Africa, Tanzania, and the United States. The result is a significant book about the causes of and response to wildlife crime. Contributors include: Johan Bergenas, Avi Brisman, Craig Forsyth, Meredith Gore, Georg Jaster, Alex Killion, Kasey Kinnard, Antony C. Leberatto, Barney Long, Nerea Marteache, Gohar Petrossian, Jonah Ratsimbazafy, Gary Roloff, Viviane Seyranian, Louise Shelley, Rohit Singh, Nicole Sintov, Nigel South, Milind Tambe, Daan van Uhm, Greg Warchol, Rodger Watson, Rob White, Madelon Willemsen, and the editor.

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Imagine a world where dinosaurs survived...Bea and Carter Kingsley have been struggling to fit in at school in England after their adventures and the tragic loss of their grandmother, Bunty. Despite his misgivings about further travel, their godfather Theodore decides to take them to America, to visit their Uncle Cash Kingsley's ranch in California. Unexpectedly reunited with Viscount Lambert Von Knutr, and introduced to his wife, Anya Sitz, Bea and Carter find themselves temporarily separated when Bea accompanies the glamorous Viscount's wife to San Francisco. Theodore, still determined to unlock the mysteries of the journals the childrens' father left behind, takes off on a quest of his own. Will the rifts growing be healed - or widen? The adventure concludes in Wild West style with a dramatic showdown at the rodeo...In a world where dinosaurs have survived and evolved alongside humans, Bea and Carter Kingsley are searching for answers to the disappearance of their parents. But the answers our heroes seek are surrounded in mystery. What is the secret of the Saurmen? And who else is interested in discovering it - can everyone they meet be trusted?The world of SUPERSAURS is wonderfully realized, grounded in historical events and a classic storytelling adventure beautifully illustrated throughout.

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En este libro tan útil y necesario, que ofrece a los lectores herramientas de autoayuda a través de su autobiografía, la premiada periodista Mariana Atencio profundiza en lo que hace especial a cada persona y la forma en que podemos convertirnos en una fuerza positiva en un mundo quebrantado.En su experiencia como corresponsal bilingüe para NBC News, Fusion y Univision, Mariana desarrolló una perspectiva extraordinaria, forjada además por el hecho de haber emigrado de Venezuela a Estados Unidos para estudiar periodismo en la prestigiosa Universidad de Columbia, superando grandes obstáculos hasta convertirse en corresponsal de prensa nacional. Esas vivencias la llevaron a descubrir que en medio de la adversidad y la oportunidad siempre aflora la más pura humanidad.La historia de Mariana es un relato inspirador y conmovedor acerca de su vida como inmigrante en Estados Unidos. Sin embargo, en esencia, es la continuación del invisible hilo narrativo que nos conecta como seres humanos sin importar edad, credo, raza, ideas políticas o geografía. Es un llamado directo al corazón que nos invita a buscar el potencial que llevamos dentro para ser la mejor versión de nosotros mismos y compartir esa magia, mejorando cada día nuestras vidas y las de quienes nos rodean.Los medios perpetúan estereotipos, pero ¿qué pasaría si en vez de compararnos de forma negativa lo hiciéramos para celebrar nuestros méritos, esas singularidades que nos hacen únicos? ¿qué sucedería si creyéramos en nuestro valor, tanto el que proviene de Dios como el que vemos en las personas que se cruzan en nuestro camino? ¿y si realmente viéramos a todos como el prójimo, en lugar de ponerles etiquetas por las diferencias que percibimos en ellos?Mariana nos trae una fórmula sencilla para terminar con las divisiones y las dudas que nos agobian. Comencemos por entender lo que nos hace especiales, en dos palabras: Perfectamente Tú.

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The Great Lakes are a remarkable repository of millions of years of complex geological transformations and of a considerably shorter, crowded span of human history. Over the course of four summers, Thomas Shevory rode a bicycle along their shores, taking in the stories the lakes tell—of nature’s grandeur and decay, of economic might and squandered promise, of exploration, colonization, migration, and military adventure. This book is Shevory’s account of his travels, shored up by his exploration of the geological, environmental, historical, and cultural riches harbored by North America’s great inland seas.For Shevory, and his readers, his ride is an enlightening, unfailingly engaging course in the Great Lakes’ place in geological time and the nation’s history. Along the northern shore of Lake Huron, one encounters the scrubbed surfaces of the Canadian Shield, the oldest exposed rock in North America. Growing out of the crags of the Niagara Escarpment, which stretches from the western reaches of Lake Michigan to the spectacular waterfalls between Erie and Ontario, are the white cedars that are among the oldest trees east of the Mississippi. The lakes offer reminders of the fur trade that drew voyageurs to the interior, the disruption of Native American cultures, major battles of the War of 1812, the shipping and logging industries that built the Midwest, the natural splendors preserved and exploited, and the urban communities buoyed or buried by economic changes over time. Throughout The Great Lakes at Ten Miles an Hour, Shevory describes the engaging characters he encounters along the way and the surprising range of country and city landscapes, bustling and serene locales that he experiences, making us true companions on his ride.

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When Ecuador's cut-flower industry took off in the mid-1980s, it rode a wave of international credit peddling and currency speculation that would lead countries of the Global South into successive debt crises and northern financial firms to fortune and dominion. By the start of the twenty-first century, as the Ecuadorian economy collapsed and its ties with international finance became strained, flower exporters rebuilt their businesses around the profitability of their indigenous labor force, drawing local communities deeply into new plantation systems taking over the highlands. In A Feast of Flowers, Christopher Krupa goes inside Ecuador's booming cut-flower industry to chronicle the ways its capitalist pioneers built a booming export industry around a racial ideology, turning indigenous people's purported differences into resources for industrial expansion. At the core of this racial system is a belief, central to postcolonial science and politics in Ecuador, in capitalism's unique capacity to change people's racial identity and to liberate oppressed populations from racial subordination. Krupa shows how such views not only guide how indigenous people are today incorporated into demanding labor systems in Ecuador's new export plantations, but also how indigenous minds and bodies became sites of study and intervention by scientists, politicians, and economic planners throughout the last century, all looking to change indigenous people in some way. Combining nearly two decades of ethnographic and historical research, A Feast of Flowers shows how aggressive capitalist expansion in postcolonial contexts may revive longstanding intersections between race and economy to facilitate new modes of dispossession under the guise of humanitarian intervention.

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‘I adored this book. It’s so Geena and so inspiring and such a wonderful read’ Emma Thompson A Times Film and Theatre Book of the Year 2022 From two-time Academy Award winner and screen icon Geena Davis, Dying of Politeness is the candid, surprising tale of her journey from her epically polite childhood to the roles that put her in the spotlight and gave her the strength to become a powerhouse in Hollywood. At three years old, Geena announced she was going to be in movies. Now, with a slew of iconic roles and awards under her belt, she has surpassed her childhood dream, but her journey has been one of fits and starts, with a pothole or two along the way. In this hilarious memoir, Geena regales us with tales of a career playing everything from an amnesiac assassin to the parent of a rodent in Stuart Little; a soap star in her underwear to a housewife turned road warrior in Thelma & Louise; a baseball phenomenon in A League of Their Own to the first female President of the United States in Commander in Chief, and more. She is frank about her eccentric childhood; her many relationships, including her spontaneous Las Vegas wedding to Jeff Goldblum; her archery exploits which led her to the Olympic trials; and how she became a tireless advocate for women and girls, founding her own institute which engages film and TV creators to better represent women and actors from diverse backgrounds. Dying of Politeness is a touching account of one woman’s journey to fight for herself, and ultimately fighting for women all around the globe.

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'The whole point of a race is to find a winner... I chose to race, so I chose to win.' For 14 years between 1965 and 1978, cyclist Edouard Louis Joseph Merckx simply devoured his rivals, their hopes and their careers. His legacy resides as much in the careers he ruined as the 445 victories - including five Tour de France wins and all the monument races - he amassed in his own right. So dominant had Merckx become by 1973 that he was ordered to stay away from the Tour for the good of the event.Stage 17 of the 1969 Tour de France perfectly illustrates his untouchable brilliance. Already wearing the yellow jersey on the col du Tourmalet, the Tour's most famous peak, Merckx powered clear and rode the last 140 kilometres to the finish-line in jaw-dropping solitude, eight minutes ahead of his nearest competitor.Merckx's era has been called cycling's Golden Age.It was full of memorable characters who, at any other time, would all have gone on to become legends. Yet Merckx's phenomenal career overshadowed them all. How did he achieve such incredible success? And how did his rivals really feel about him? Merckx failed drug tests three times in his career - were they really stitch ups as he claimed? And what of the crash at a track meet in Blois, France that killed Merckx's pacer Fernand Wambst, which Merckx claimed deeply affected him psychologically and physically? Or the attack by a spectator in 1975?Despite his unique achievements, we know little about the Cannibal beyond his victories. This will be the first comprehensive biography of Merckx in English, and will finally expose the truth behind this legendary man.

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One of The Guardian's Best Food Books 2023'I really love Joe Woodhouse's food' - Nigella Lawson'Joe just makes the most delicious food that happens to have no meat or fish in it.'- Rachel Roddy'When Joe Woodhouse cooks then you know that something very, very good will result from much happy time spent in the kitchen. For such a modern cook, the flavours are deep, rich and magical. That there is no meat is happily forgotten here, for this is about great cooking.' - Jeremy Lee'Joe's food always looks gorgeous and totally doable. A major plus is that the recipes in his books can often be made with ingredients you have at home.' - Diana HenrySwapping just one meat dish for a plant-based one saves greenhouse gas emissions that are equivalent to the energy used to charge your phone for two years. In this new collection of recipes, a companion to the highly acclaimed Your Daily Veg, long-time vegetarian Joe Woodhouse celebrates everyday, seasonal vegetables in a fresh, modern way with dishes that always deliver on flavour and satisfaction. Focusing either on one core vegetable or a group of similar vegetables - including celeriac, beetroot and squash, tomatoes and fennel, mushrooms, onions and leeks, and beans, pulses and seeds - the recipes follow a simple format of short ingredients lists and easy-to-follow instructions.Praise for Your Daily Veg:'One of those cookbooks that you can tell will go into heavy rotation in your kitchen. Each chapter is given over to a different, common vegetable and how you can turn it into a satisfying and straightforward meal.' - Tim Lewis, Observer Food Monthly

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En la noche del 15 de mayo de 1570, coincidiendo con la visita a Sevilla del rey Felipe II, las campanas de la iglesia de la O, en Triana, comienzan a doblar misteriosamente a muerto, con el toque específico que proclama el fallecimiento del rey.El notario apostólico, don Pedro de Cifuentes, encarga una nueva cerradura cuya llave deberá colgársela el párroco al cuello y no quitársela ni para dormir. Pero en las noches siguientes se repite el mismo toque fúnebre, incluso a pesar del retén de vigilancia apostado en la iglesia. La clave de tan singular suceso parece residir en Antón González, campanero de la parroquia, a quien la malicia y las mentiras habrían conducido a la hoguera de la Inquisición casi setenta años antes.Don Lope de Céspedes y el caballero Rodrigo de Alvarado se harán cargo de revisar el proceso inquisitorial contra el desventurado campanero. Y a partir de ese momento, como si se hubieran abierto las puertas del infierno, una serie de extraños sucesos sacudirá

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The Merck Veterinary Manual (MVM) covers all domesticated species and diseases in veterinary medicine worldwide. This completely revised and redesigned new edition of the veterinary classic uses a two-column format and color throughout for easy-to-read text and tables. Hundreds of color images enhance and illustrate the text. In addition to extensive revisions and updates, this edition includes a new section on public health and zoonoses, expanded coverage of fish and aquaculture, new chapters on backyard poultry, toxicologic workplace hazards, smoke inhalation, and additional coverage of numerous new and emerging topics in veterinary medicine. . Completely revised and redesigned in a two-column, easy-to-read format with color throughout . New section on Public Health which includes a new public health primer that covers One Health, public health functions and agencies, epidemiologic principles and study types, disease outbreak investigations, food safety, and a brief discussion of public health law . Revised and expanded information on fish, aquatic systems, and aquaculture as well as poultry, pet birds, rabbits, rodents, reptiles, and amphibians . New chapters on backyard poultry and Tasmanian devils, toxicologic hazards in the workplace for veterinarians, smoke inhalation, scorpion bites, spider flies, and xylitol toxicity . Extensively revised chapters on heart disease, diagnostic imaging, pharmacology and drug resistance, wound management, equine emergency medicine, management of the neonate and neonatal encephalopathy, wound management, equine arboviral encephalomyelitis, skeletal disorders and myopathies of poultry, and chlamydiosis . Important changes to the Behavior section such as inclusion of the most recent diagnostic techniques, methods and treatment of behavioral disorders in dogs, cats, and other domesticated animals, expanded coverage of the human-animal bond, service and assistance animals, and new material on self-care for veterinarians

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The past was over, the future was not there yet and the present was a future past. Throughout the long nineteenth century, past and present had become traces and layers, burdened with an inescapable dimension of absence. Writers, scholars and architects, political theorists, artists, visitors of museums and exhibitions, the miller in Provence and the shepherd in the Landes, were facing a rapidly changing world. The present had become elusive and fragile. The past was irrevocably gone and other. In an initial context of loss, of dispersion and disconnection of lands, people, professions and things, new frameworks of meaning and imagination, of `presentification’, had to be found, tools of preservation, of restoration, of (re)establishment and vivification. Place and text become such tools. Against a concise background of comparative literature and contemporary philosophy on absence and presentification, this essay explores spatial images in French and Belgian nineteenth-century literature, especially in the work of Chateaubriand, Balzac, Rodenbach and Mistral. It is argued that the spatial image, as textual space and spatial text, and in the built environment, operates as a cultural subtext of presentification. Its disruptive nature, its own fragility and eventual self-fragmentation reveal the cultural ambiguities of the century’s tragic and grand strife to make the elusive present eternal, timeless, fixed, absenceless and complete in the age of traces.

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This is a visual encyclopedia of amphibians, reptiles and mammals in the United States, Canada and South America, with over 350 illustrations. It is a fascinating encyclopedia for all the family about the astonishing animal kingdom of North and South America. A natural history guide section focuses on anatomy, senses and survival skills, and includes information about ecology and wildlife conservation. It includes many record-breaking animals and some of the largest animals in the world: the land carnivore, the Kodiak bear; the world's biggest rodent, the capybara; and one of the longest snakes, and the green anaconda. Over 350 illustrations and photographs, including maps showing the distribution of animals throughout America, make this book perfect for schools or as a home study aid. This wonderful book is a fully illustrated guide to over 200 species of the amphibians, reptiles and mammals of America. The natural history section covers evolution, anatomy, survival and reproduction, plus endangered species and conservation. The main section describes the animals of the American continent and their habitats: the Arctic coasts have hooded seals, walruses and orcas; North America has black bears and moose; and the Amazon jungle is home to four-eyed frogs, giant anteaters and capuchin monkeys. With information on distribution, habitat, food, size, maturity, breeding, life span and status, this is an essential family reference book.

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'A wildly entertaining but uncomfortable read... Pitilessly brilliant' JONATHAN COE. 'There will not be much political writing in this or any other year that is carried off with such style' The Times. A TIMES BOOK OF THE YEAR. 'A quite brilliant dissection of the cultural roots of the Brexit narrative' David Miliband. 'Hugely entertaining and engrossing' Roddy Doyle. 'Best book about the English that I've read for ages' Billy Bragg. A fierce, mordantly funny and perceptive book about the act of national self-harm known as Brexit. A great democratic country tears itself apart, and engages in the dangerous pleasures of national masochism. Trivial journalistic lies became far from trivial national obsessions; the pose of indifference to truth and historical fact came to define the style of an entire political elite; a country that once had colonies redefined itself as an oppressed nation requiring liberation. Fintan O'Toole also discusses the fatal attraction of heroic failure, once a self-deprecating cult in a hugely successful empire that could well afford the occasional disaster. Now failure is no longer heroic – it is just failure, and its terrible costs will be paid by the most vulnerable of Brexit's supporters. A new afterword lays out the essential reforms that are urgently needed if England is to have a truly democratic future and stable relations with its nearest neighbours.

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'You can sit back and have the time of your life reading A Gate at the Stairs.' Observer'One of the funniest writers alive' Dave Eggers'Hilarious and distressing, entertaining and wise' Roddy Doyle'Moore's a writer you don't quit.' Guardian***SHORTLISTED FOR THE ORANGE PRIZE FOR FICTION***A startlingly funny, inventive novel from one of America's most brilliant writers. With America quietly gearing up for war in the Middle East, twenty-year-old Tassie Keltjin, a 'half-Jewish' farmer's daughter from the plains of the Midwest, has come to university - escaping her provincial home to encounter the complex world of culture and politics.When she takes a job as a part-time nanny to a couple who seem at once mysterious and glamorous, Tassie is drawn into the life of their newly-adopted child and increasingly complicated household. As her past becomes increasingly alien to her - her parents seem older when she visits; her disillusioned brother ever more fixed on joining the military - Tassie finds herself becoming a stranger to herself. As the year unfolds, love leads her to new and formative experiences - but it is then that the past and the future burst forth in dramatic and shocking ways.Refracted through the eyes of this memorable narrator, A Gate at the Stairs is a lyrical, beguiling and wise novel of our times.

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Friday Night Fighter relives a lost moment in American postwar history, when boxing ruled as one of the nation's most widely televised sports. During the 1950s and 1960s, viewers tuned in weekly, sometimes even daily, to watch widely recognized fighters engage in primordial battle; the Gillette Cavalcade of Sports Friday Night Fights was the most popular fight show. Troy Rondinone follows the dual narratives of the Friday Night Fights show and the individual story of Gaspar "Indio" Ortega, a boxer who appeared on prime-time network television more than almost any other boxer in history. From humble beginnings growing up poor in Tijuana, Mexico, Ortega personified the phenomenon of postwar boxing at its greatest, appearing before audiences of millions to battle the biggest names of the time, such as Carmen Basilio, Tony DeMarco, Chico Vejar, Benny "Kid" Paret, Emile Griffith, Kid Gavilan, Florentino Fernández, and Luis Manuel Rodriguez. Rondinone explores the factors contributing to the success of televised boxing, including the rise of television entertainment, the role of a "reality" blood sport, Cold War masculinity, changing attitudes toward race in America, and the influence of organized crime. At times evoking the drama and spectacle of the Friday Night Fights themselves, this volume is a lively examination of a time in history when Americans crowded around their sets to watch the main event.

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A collection of essays by American art critic Dave Hickey, nicknamed “The Bad Boy of Art Criticism.” When Dave Hickey was twelve, he rode the surfer’s dream: the perfect wave. And, like so many things in life we long for, it didn’t quite turn out—he shot the pier and dashed himself against the rocks of Sunset Cliffs in Ocean Beach, which nearly killed him. Hickey went on to develop a career as one of America’s foremost critical iconoclasts, a trusted no-nonsense voice commenting on the worlds of art and culture. Perfect Wave brings together essays on a wide range of subjects from throughout Hickey’s career, displaying his breadth of interest and powerful insight into what makes art work, or not, and why we care. With Hickey as our guide, we travel to Disneyland and Vegas, London and Venice. We discover the genius of Karen Carpenter and Waylon Jennings, learn why Robert Mitchum matters more than Jimmy Stewart, and see how the stillness of Antonioni speaks to us today. Never slow to judge—or to surprise us in doing so—Hickey relates his wincing disappointment in the later career of his early hero Susan Sontag and shows us the appeal to our commonality that we’ve been missing in Norman Rockwell. Bookended by previously unpublished personal essays that offer a new glimpse into Hickey’s own life—including the aforementioned conclusion to his surfing career—Perfect Wave is a welcome addition to the Hickey canon.

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Queen are unique among the great rock bands. It is nearly twenty years since frontman Freddie Mercury’ s death brought the band to an end – yet their fanbase remains massive. They appeal equally to men and women. Their fans are just as likely to be teenagers too young to have been born when the band were still touring and making records (thanks not least to the huge success of the musical We Will Rock You). And their musical history is one of constant reinvention – from heavy metal and prog rock to disco pop, stadium anthems and even jazz influences. Now, Mark Blake, the experienced Mojo journalist who wrote Aurum’ s bestselling book on Pink Floyd, has written the definitive history. Having already interviewed the surviving band members over the years, he has now tracked down dozens and dozens of new interviewees, from Queen’ s first long-forgotten bass players to Freddie Mercury’ s schoolmates in Isleworth, Middlesex, to trace Queen’ s long career from their very first gawky performances in St Helens through their sensational stage-stealing appearance on Live Aid to the band’ s collaboration with Paul Rodgers at the beginning of the century. Full of fascinating new revelations – especially about the improbable transformation of a shy Asian schoolboy called Bulsara into the outrageous-living hedonist that was Freddie Mercury - this is a book every Queen fan will want to have.

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DARKLY HILARIOUS AND SEARINGLY RELEVANT, THE RABBIT HUTCH IS A POWERFUL PORTRAIT OF 21st CENTURY AMERICA, SEEN THROUGH THE EYES OF THE UNFORGETTABLE BLANDINE Winner of the Waterstones Debut Fiction Prize 2022 * Winner of the National Book Award for Fiction 2022 'Inventive, heartbreaking and acutely funny' Observer Vacca Vale, Indiana: recently voted number 1 on Newsweek's list of dying American cities. According to the developers, however, it's a city with a whole history of reinvention, one that 'buzzes with the American spirit.' Not everyone agrees though - certainly not the residents of the Rabbit Hutch, a low-cost housing complex in the once bustling industrial centre, populated by a cast of unforgettable, disenfranchised characters. There's an online obituary writer, a woman waging a solo campaign against rodents and, most notably, eighteen-year-old Blandine, recently released from foster care and determined to stop the developers whatever the cost. Set over one sweltering week in July, The Rabbit Hutch is a savagely beautiful and bitingly funny snapshot of contemporary America. Bold, experimental and brilliantly written, it will live in the memory long after the final page. A Waterstones Book of the Year for 2022 'The Rabbit Hutch is 2022's The Secret History' The Big Issue A Finalist for the National Book Critics Circle Award * Winner of the Barnes & Noble Discover Prize * An Oprah Daily Book of the Year, 2022 A New York Times bestseller, Sept 3 2023

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Fantasy art, that colorful blend of myth, muscle and sexy maidens, took off in 1923 with the launch of Weird Tales magazine, was reinvigorated in the 1960s with The Lord of the Rings, Conan the Barbarian paperbacks with Frank Frazetta covers, and the late ’60s emergence of fantasy psychedelia. It went big in the ’70s with the role-playing game Dungeons & Dragons, the brilliant French magazine Métal Hurlant, and the first Star Wars film. The number of active artists peaked in that decade, but a new generation of fans discovered the genre through fantasy trading card games in the ’90s, leading to a massive interest in the art form today. Frank Frazetta’s oil paintings—when they infrequently come to market—have sold for more than $ 5 million in recent years. Fans line up at Comic-Cons to meet Boris Vallejo, Rodney Matthews, Greg Hildebrandt, Michael Whelan, and Philippe Druillet, and memorialize dead icons HR Giger, Jeffrey Catherine Jones, and Frazetta. Imagine how eagerly they’ll welcome TASCHEN’s History of Fantasy Art, including all the artists listed above and more. This monster-sized tome features original paintings, contextualized by preparatory sketches, sculptures, calendars, magazines, and paperback books for an immersive dive into this dynamic, fanciful genre. Insightful bios go beyond Wikipedia to give a more accurate and eye-opening look into the life of each artist. Complete with tipped-in chapter openers, this collection will reign as the most exquisite and informative guide to this popular subject for years to come.

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This is one boy's tale of growing up in Oxford in the forties and fifties. It is a foreign land of being caned on hand and bottom, of teachers washing out a child's mouth with soap as punishment for swearing. It was a time of conkers, fag cards and prozzie watching, when children asked strangers to take them in to the "flicks", of collecting autographs in the Parks where that nice man asked the way to the gents. . . . For this boy a scandalous act opened the door to everything important in the life that followed. His mother, who looked up to the "proper gentry", was from a large Oxfordshire family in which several of her apparent siblings were her nephews and nieces. There was Aunty Daisy with her missing finger, who liked the American servicemen, and Uncle Stan, who took cash to buy his Jaguar while his brother rode passenger with loaded shotgun. The boy's father, wary of those who "talked poundnoteish", came from an even larger, East Oxford family in which the boys were bricklayers whose hobby was diddling bookmakers and some of the girls provided R and R for undergrads. It is a picture of parents providing a rock steady home as they improved their position in life and encouraged their son to catch his "golden ball". He was fortunate in being guided by gifted teachers through the teenage years of discovering music, grappling with frothy petticoats, untold hours of sport and wasting time trying to imitate Harold Pinter. Oxford Boy provides a vivid picture of a long-lost city and of a childhood transformed by an unexpected event.

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The cowboy is a mythic figure in American life. From his emergence in the west in the late 1800s, he has caught the imagination of young and old alike. His adventures have been the stuff of countless stories, in print and on film. The legends surrounding the old west are told and retold, growing more exciting with each telling, so that it is, at times, hard to separate the myth from the reality. A growing and enthusiastic group of collectors is finding the cowboy and the wild west an exciting area of concentration. In Cowboy Collectibles and Western Memorabilia, Bob Ball and Edward Vebell, focus on the reality of the cowboy's life. While not immune to the myth, here you will find the artifacts that were essential to life in the west. They include rifles, pistols, saddles, clothing, boots, hats, blankets, gun rigs, and even barbed wire. This is the gear that the ordinary cowpoke used, wore, rode upon, ate from, and slept under. And while these items are becoming increasingly scarce, much of the equipment and clothing shown here can still be found at reasonable prices, if one is willing to search the antique shops, the flea markets, and tag sales. Surprisingly, collectors are almost as likely to find it in the east as in the west. For the lover of old west and the collector of its artifacts, this is a wonderful book that helps make an era come alive. A price guide is included.

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'John Keay is the master storyteller and historian. This grand narrative of Himalaya is as epic as the mountains and peoples he describes' Dan Snow 'Adds the human element to the hard rock. And what a rich vein it is' Michael Palin History has not been kind to Himalaya. Empires have collided here, cultures have clashed. Buddhist India claimed it from the south, Islam put down roots in its western approaches, Mongols and Manchus rode in from the north, and, from the east, China continues to absorb what it prefers not to call Tibet. Hunters have decimated its wildlife and mountaineers have bagged its peaks. Today, machinery gouges minerals out of its rock. Roughly the size of Europe, the region is one of the most seismically active on the planet. Summers bring avalanches, rainfall triggers landslides and winters obliterate trails. Glaciers retreat, rivers change course and whole lakes quietly evaporate. To some, Himalaya is an otherworldly realm, profoundly life-changing, yet forbidding and forbidden. It has mesmerised scholars and mystics, sportsmen and spies, pilgrims and mapmakers who have mingled with the farmers and traders on the ‘Roof of the World’. Himalaya is the story of one of the last great wildernesses and, in particular, of the bizarre discoveries and improbable achievements of its pioneers. Ranging from botany to trade, from the Great Game to today’s geopolitics, John Keay draws on a lifetime of exploration and study to enlighten and delight with this lively biography of a region in crisis.

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Provides a detailed picture of the lives of the commanders and those around them, both at home and at sea. An original and evocative window onto the lives of men who bridged the two worlds of eighteenth century Europe and the Far East.' Professor Nicholas Rodger. This book represents a major contribution to our knowledge and understanding of the East Indian maritime world of the European trading companies. The Dutch East India Company, which ruled large and important parts of what is now Indonesia, and which controlled the highly lucrative trade from the Dutch East Indies to Europe, much of it a monopoly trade in pepper and other spices, was in this period larger and better established than its British counterpart. The book reconstructs and explores the careers of the highlyimportant and influential commanders of the Dutch East Indiamen, the ships which plied the trade routes between the East Indies and the Netherlands. It covers the company's system of examinations, how mates and masters acquired their navigational knowledge, how they lived their lives at sea and on land, and how, making use of the enormous opportunities for private trade, they were able to make substantial fortunes and climb the social ladder. The book contains a wealth of material on the social history of the commanders and those around them, both at home and at sea. JAAP R. BRUIJN is Professor Emeritus of Maritime History at Leiden University. He is one of the leadingmaritime historians in the Netherlands.

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Margareta Ingrid Christian unpacks the ways in which, around 1900, art scholars, critics, and choreographers wrote about the artwork as an actual object in real time and space, surrounded and fluently connected to the viewer through the very air we breathe. Theorists such as Aby Warburg, Alois Riegl, Rainer Maria Rilke, and the choreographer Rudolf Laban drew on the science of their time to examine air as the material space surrounding an artwork, establishing its “milieu,” “atmosphere,” or “environment.” Christian explores how the artwork’s external space was seen to work as an aesthetic category in its own right, beginning with Rainer Maria Rilke’s observation that Rodin’s sculpture “exhales an atmosphere” and that Cezanne’s colors create “a calm, silken air” that pervades the empty rooms where the paintings are exhibited. Writers created an early theory of unbounded form that described what Christian calls an artwork’s ecstasis or its ability to stray outside its limits and engender its own space. Objects viewed in this perspective complicate the now-fashionable discourse of empathy aesthetics, the attention to self-projecting subjects, and the idea of the modernist self-contained artwork. For example, Christian invites us to historicize the immersive spatial installations and “environments” that have arisen since the 1960s and to consider their origins in turn-of-the-twentieth-century aesthetics. Throughout this beautifully written work, Christian offers ways for us to rethink entrenched narratives of aesthetics and modernism and to revisit alternatives.

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In a little more than a decade, economist Michael A. Lebowitz has written several major works about the transition from socialism to capitalism: Beyond Capital (winner of the Deutscher Prize), Build It Now, The Socialist Alternative, and The Contradictions of "Real Socialism." Here, he develops and deepens the analysis contained in those pathbreaking works by tracing major issues in socialist thought from the nineteenth century through the twenty‐first. Lebowitz explores the obvious but almost universally ignored fact that as human beings work together to produce society's goods and services, we also "produce" something else: namely, ourselves. Human beings are shaped by circumstances, and any vision of socialism that ignores this fact is bound to fail, or, at best, reproduce the alienation of labor that is endemic to capitalism. But how can people transform their circumstances in a way that allows them to re‐organize roduction and, at the same time, fulfil their human potential? Lebowitz sets out to answer this question first by examining Marx's Critique of the Gotha Programme, and from there investigates the experiences of the Soviet Union and more recent efforts to build socialism in Venezuela. He argues that socialism in the twenty‐first century must be animated by a central vision, in three parts: social ownership of the means of production, social production organized by workers, and the satisfaction of communal needs and communal purposes. These essays repay careful reading and reflection, and prove Lebowitz to be one of the foremost Marxist thinkers of this era.

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Benvinguts a l?espectacle més gran del món. El motor és passió, és tècnica, és emoció, i Josep Lluís Merlos t?ho explica millor que ningú. De Montjuïc a Montmeló, de Pérez Sala a Alonso, dels karts a les motos, l?especialista en esports de motor de TV3 fa un repàs de tot el que es mou sobre rodes: els inicis dels cracks, les anècdotes, l?emoció de les curses, els negocis, la política i tot allò que hi ha més enllà de la pantalla de televisió. Amb tres dècades d?experiència a peu de pista, Josep Lluís Merlos encapçala l?equip líder en les retransmissions televisives de Fórmula 1. Aquest llibre, que recull tot el seu coneixement i bagatge professional i personal, inclou nombroses sorpreses i secrets mai revelats fins ara: tot un luxe per a qualsevol amant de l?esport.Josep Lluís Merlos fa actualment les retransmissions del campionat del món de Fórmula 1 a TV3, guanyadores del premi Ondas el 2010. També dirigeix el programa Fórmula Marca a Radio Marca Barcelona i collabora amb el progr

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La España Sagrada: Historia y Viajes por las reliquias Cristianas es la nueva obra de Javier Ramos. Como bien apunta Miguel Zorita en el prólogo del libro, el estudio de Ramos se adentra en todas las implicaciones que rodean a las reliquias, puesto que éstas son de todo tiempo y de todo lugar. Reliquias... manifestaciones tangibles de los santos que fueron y que hoy permanecen en el imaginario colectivo de muchos. En qué punto se encuentra la regulación del culto a las reliquias? Son signo de debilidad o de fortaleza de la fe? A éstas y otras preguntas responde Javier Ramos en el libro. El culto a las reliquias ha sido parte fundamental del cristianismo casi desde sus orígenes. Éste es el punto de partida de La España Sagrada. Historia y viajes por las reliquias cristianas. Con esta obra recorremos una España mágica, un país repleto de objetos venerados por una amplia comunidad de fieles cristianos cuya fe otorga a estas reliquias un aura divina, en ocasiones capaces de sanar enfermeda

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Seguramente alguna vez se te cruzaron por la mente preguntas “existenciales”: ¿quÉ es la vida?, ¿por quÉ morimos?, ¿quÉ es el amor?, ¿la felicidad es una ilusiÓn?, ¿hay realidades paralelas?, ¿los sentimientos son mentales?, ¿quÉ nos define como personas?, ¿existe dios?... De estas preguntas nace #PIÉNSALO, un recorrido por los 10 hits de la FilosofÍa desde sus orÍgenes hasta hoy. Hits que permanecen vivos desde hace siglos y respecto de los que aÚn no tenemos respuestas Únicas y definitivas. Vamos a cuestionar la existencia de la realidad, ingresaremos en nuestra mente para indagar si es lo mismo que cerebro, interceptaremos a las palabras que se articulan en lenguaje que abre cientos de enigmas, sentiremos ganas de encontrarle sentido a la vida y pensaremos acerca del amor que nos llevarÁ a pensar en la felicidad: ¿vale la pena el esfuerzo de ser felices? De allÍ veremos que la belleza y el arte nos rodean, y nos concentraremos en debatir sobre lo bello, nos detendremos en el clÁsico de la libertad, para preguntarnos si realmente hacemos lo que queremos o estamos cumpliendo un destino predeterminado para rematar en los tres casos del final que reflejarÁn con suerte algunas dudas que te inquietan, y te despertarÁn nuevas: la muerte, la existencia de dios y la definiciÓn de quÉ es ser persona. Todo esto amenizado por la obra de filÓsofos famosos de todos los tiempos y muchas referencias a pelÍculas, canciones, cÓmics y novelas. Eso sÍ, procurÉ no revelar muchos spoilers, pero te pido dis-culpas de antemano si en alguna ocasiÓn escribÍ de mÁs. ¿Empezamos? Mi nombre es TomÁs, estudiÉ FilosofÍa, doy clases de FilosofÍa y me encanta leer y escribir FilosofÍa. ¡Bienvenidas y bienvenidos a #PIÉNSALO!Everyone thinks about existential questions from time to time, questions like, What is life? Why do we die? What is love? Is happiness an illusion? This book is a journey through 10 major questions from the history of philosophy and also includes references to movies, songs, comics, and novels.

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The fame, talent, and success of the Beatles need no introduction. Nor does the world need another book exploring the band's skill and its influence on music and society in the United States, Britain, and the rest of the world. Andre Millard instead studies the Beatlemania phenomenon from an original perspective - the relationship among the music business, recording technologies, and teens and young adult culture of the era. Millard argues that, despite the Beatles' indisputable skill, they would not have attained the global recognition and been as influential without the convergence of significant developments in the way music was produced, recorded, sold, and consumed. As the Second Industrial Revolution hit full swing and baby boomers came of age, the reel-to-reel recorder and other technological advances sped the evolution of the music business. Musicians, recording studios and record labels, and music fans used and interacted with music-making and -playing technology in new ways. Higher quality machines made listening to records and the radio an experience that one could easily share with others, even if they weren't in the same physical space. At the same time, an increase in cross-Atlantic commerce - especially of entertainment products - led to a freer exchange of ideas and styles of expression, notably among the middle and lower classes in the U.S. and the UK. At that point, Millard argues, the Beatles rode their remarkable musicianship and cultural savvy to an unprecedented bond with their fans-and spawned Beatlemania. Refreshing and insightful, "Beatlemania" offers a deeper understanding the days of the Fab Four and the band's long-term effects on the business and culture of pop music.

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Jan Le Witt and George Him were a comparative rarity, a graphic design duo; signing their work as 'Lewitt-Him' they brought an innovative use of colour, imaginative abstraction and symbolism to commercial design. Both Polish by birth, they arrived in London in 1937, sponsored by the Victoria and Albert Museum and Lund Humphries. They established their reputation for fine poster work in World War II, and for their exhibition work with their much loved Guinness Clock at the Festival of Britain. In Poland their illustrations for Lokomotywa helped make it a children's classic and they continued with book illustration throughout their partnership. Of very different temperaments and artistic interests the partnership lasted some twenty years, to January 1955, when Le Witt left to develop his career as an artist. Him continued his commitment to graphic design - illustration, exhibitions and general commercial work - most remarkable of which were his witty illustrations marrying Stephen Potter's texts for Schweppes - 'Schweppshire', one of the longest lasting advertisement campaigns. The Design series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: "A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb." Also available: Claud Lovat Fraser ISBN: 9781851496631 GPO ISBN: 9781851495962 Peter Blake ISBN: 9781851496181 FHK Henrion ISBN: 9781851496327 David Gentleman ISBN: 9781851495955 David Mellor ISBN: 9781851496037 E.McKnight Kauffer ISBN: 9781851495207 Edward Bawden and Eric Ravilious ISBN: 9781851495009 El Lissitzky ISBN: 9781851496198 Festival of Britain 1951 ISBN: 9781851495337 Harold Curwen & Oliver Simon: Curwen Press ISBN: 9781851495719 Paul Nash and John Nash ISBN: 9781851495191 Rodchenko ISBN: 9781851495917 Abram Games ISBN: 9781851496778

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