Search results for ""author thomas"

What is the theological place of the Holy Spirit with respect to the forgiveness of sins in the sacrament of penance? This study examines the role of the Spirit in the theology of sacramental forgiveness of Thomas Aquinas (1224/5-1274), who is often blamed for the "Geistvergessenheit" of Western theology. In the first part of this study it is shown that in Thomas' theology notions like guilt and forgiveness function within the context of a relationship of friendship between God and human beings. Constitutive for this relationship is the indwelling of God, which is 'appropriated' to the Holy Spirit. It is explained that Thomas understands appropriation, i.e. the practice of ascribing to divine Persons individually what belongs to the divine essence in general, as a part of proper God-talk, which takes into account the limitations of our language vis-a-vis God. In the second part of this study, it is argued that the notion of the causality of the sacrament of penance, i.e. that it effects the forgiveness of sins that it signifies, can only be evaluated properly if the sacrament of penance is not only seen as prolongation of the incarnation, i.e. the visible mission of the Son, but also as accompanied by the continous invisible mission of the Holy Spirit. Eric Luijten (1964) has been a research-fellow of the Catholic Theological University at Utrecht, the Netherlands, and at present is rector of studies of the Arienskonvikt, the priest seminary of the archdiocese Utrecht and the diocese Groningen.

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The father of Minnesota ornithology, whose life story opens a window on a lost world of nature and conservation in the state’s early days Imagine a Minneapolis so small that, on calm days, the roar of St. Anthony Falls could be heard in town, a time when passenger pigeons roosted in neighborhood oak trees. Now picture a dapper professor conducting his ornithology class (the university’s first) by streetcar to Lake Harriet for a morning of bird-watching. The students were mostly young women—in sunhats, sailor tops, and long skirts, with binoculars strung around their necks. The professor was Thomas Sadler Roberts (1858–1946), a doctor for three decades, a bird lover virtually from birth, the father of Minnesota ornithology, and the man who, perhaps more than any other, promoted the study of the state’s natural history. A Love Affair with Birds is the first full biography of this key figure in Minnesota’s past.Roberts came to Minnesota as a boy and began keeping detailed accounts of Minneapolis’s birds. These journals, which became the basis for his landmark work The Birds of Minnesota, also inform this book, affording a view of the state’s rich avian life in its early days—and of a young man whose passion for birds and practice of medicine in a young Minneapolis eventually dovetailed in his launching of the beloved Bell Museum of Natural History.Bird enthusiast, doctor, author, curator, educator, conservationist: every chapter in Roberts’s life is also a chapter in the state’s history, and in his story acclaimed author Sue Leaf—an avid bird enthusiast and nature lover herself—captures a true Minnesota character and his time.

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For thirteenth-century preacher, exorcist, and hagiographer Thomas of Cantimpré, the Southern Low Countries were a harbinger of the New Jerusalem. The Holy Spirit, he believed, was manifesting itself in the lives of lay and religious people alike. Thomas avidly sought out these new kinds of saints, writing accounts of their lives so that these models of sanctity might astound, teach, and trouble the convictions of his day.In Excessive Saints, Rachel J. D. Smith combines historical, literary, and theological approaches to offer a new interpretation of Thomas’s hagiographies, showing how they employ vivid narrative portrayals of typically female bodies to perform theological work in a rhetorically specific way. Written in an era of great religious experimentation, Thomas’s texts think with and through the bodies of particular figures: the narrative of the holy person’s life becomes a site of theological invention in a variety of registers, particularly the devotional, the mystical, and the dogmatic. Smith examines how these texts represent the lives and bodies of holy women to render them desirable objects of devotion for readers and how Thomas passionately narrates these lives even as he works through his uncertainties about the opportunities and dangers that these emerging forms of holiness present. Excessive Saints is the first book to consider Thomas’s narrative craft in relation to his theological projects, offering new visions for the study of theology, medieval Christianity, and medieval women’s history.

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Meister Eckhart and Thomas of Erfurt lived streets away from one another. Thomas was the last great figure of the Modistae, the speculative grammarians who were concerned with the relationship between grammar and ontology, the structure of the sentence mirroring the structure of the world. Thomas’ major work – the Grammatica speculativa – was deeply influential in the medieval period. But does Thomas’ geographical proximity to Eckhart suggest a concomitant influence of modism on his thought? What of modism’s legacy after the rapid demise of the grammatical theory in the early-mid fourteenth century? The contributions to this volume deal with these matters, and were originally presented at the ‘Meister Eckhart and Thomas of Erfurt’ conference at the Max-Weber-Center at the University of Erfurt, 14-15 November 2013.

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A must-read follow-up to The Structure of Scientific Revolutions, one of the most important books of the twentieth century. This book contains the text of Thomas S. Kuhn’s unfinished book, The Plurality of Worlds: An Evolutionary Theory of Scientific Development, which Kuhn himself described as a return to the central claims of The Structure of Scientific Revolutions and the problems that it raised but did not resolve. The Plurality of Worlds is preceded by two related texts that Kuhn publicly delivered but never published in English: his paper “Scientific Knowledge as Historical Product” and his Shearman Memorial Lectures, “The Presence of Past Science.” An introduction by the editor describes the origins and structure of The Plurality of Worlds and sheds light on its central philosophical problems. Kuhn’s aims in his last writings are bold. He sets out to develop an empirically grounded theory of meaning that would allow him to make sense of both the possibility of historical understanding and the inevitability of incommensurability between past and present science. In his view, incommensurability is fully compatible with a robust notion of the real world that science investigates, the rationality of scientific change, and the idea that scientific development is progressive.

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Carrying On presents the complete story of the Carry Ons which have made Britain laugh for generations on film, television, and stage, and of the unique British filmmaking partnership of producer Peter Rogers and director Gerald Thomas. Writer and film historian Ian Fryer takes us on a journey into the glorious days of classic British humour, bringing to life the Carry On films and the vibrant, fascinating world of comedy from which they sprang. This lively and entertaining book presents detailed histories of the thirty Carry On films, revealing a cinematic legacy which is often more clever and complex than expected; from the post-war optimism of Carry On Sergeant and Carry On Nurse, via mini-epics such as Carry On Cleo, all the way to the smut-tinged seventies. Carrying On also turns the spotlight onto the host of other productions the Rogers and Thomas partnership brought to the screen along with detailed biographies of legendary Carry On stars such as Sid James, Kenneth Williams, Charles Hawtrey, Joan Sims, and Barbara Windsor who have brought fun and laughter to millions for decades.

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This book explores the work of the late-medieval English writer Thomas Hoccleve. It highlights Hoccleve’s role, throughout his works, as a religious writer: an individual who engages seriously with the dynamics of heresy and ecclesiastical reform, who contributes to traditions of vernacular devotional writing, and who raises the question of how Christianity manifests on personal as well as political levels. It suggests a role for Hoccleve as a poetic mediator, capable of mediating between the increasingly militant English church and an incipient English literary tradition, and it highlights Hoccleve’s role in transforming the figure of Chaucer in the first decades of the fifteenth century. It argues that the version of Chaucer presented in Hoccleve’s Regiment of Princes – august, devout, and conspicuously religious – is not a pre-formed artifact, but rather a Hocclevian invention; and it indicates the ecclesiastical, political, and literary contexts that make this version of Chaucer both possible and necessary. This study also situates Hoccleve’s accomplishments in a transnational poetic context – offering French and Italian precedents for Hoccleve’s moralization of Chaucer, while examining the influence of contemporary French poetry on Hoccleve’s work. It positions us to reconsider Hoccleve’s role within English literary tradition, and to better understand the way heresy and religious reform surface in late medieval poetry; and it affords us a more nuanced context for Chaucer’s positioning as a literary 'father' figure in this period.

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The Bijlmer Spinoza-Festival is an artwork, a sculpture, created by Swiss artist Thomas Hirschhorn in a peripheral borough of Amsterdam’s south-east known as the Bijlmer in 2009. This book recounts the event through the eyes of its “Ambassador”, art historian Vittoria Martini, who was invited by the artist to be an eyewitness to the existence of this “precarious” work. A term Hirschhorn sees as positive and creative: a means of asserting the importance of the moment and of the place, of asserting the Here and Now to touch eternity and universality. Appreciating the art historian’s presence as a central element of his sculpture, Hirschhorn consciously challenged the certainties of the profession by empowering and activating the role, thus leading Martini to find a new working methodology that she calls “precarious art history”. Accompanying the readers through her experience of the physical existence of The Bijlmer Spinoza-Festival, Martini’s commentary leads to the profound understanding of how a work that no longer exists physically, can live on in the mind— elsewhere, at some other time—because in the meantime it has become universal.

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Keep the page in your book with this gorgeous pack of 10 foiled bookmarks, printed on both sides, with a silky ribbon and featuring art by Thomas Kinkade Studios. Thomas Kinkade, the Painter of LightTM, emphasized simple pleasures and inspirational messages through his art – and the branded products created from that art. From textiles, to collectibles, to music and books, Thom believed that both the ability and the inspiration to create his paintings had been given to him as a gift. His goal as an artist was to touch people of all faiths and to bring peace and joy into their lives through the images he had created.

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Menschsein in Weisheit und Freiheit - der Titel der Festschrift für Thomas Krüger benennt ein zentrales Reflexionsfeld im theologischen und exegetischen Schaffen des Geehrten. In seinen Forschungsbeiträgen, die sich über Exegese und Theologie hinaus auch in die Bereiche altorientalische Religionsgeschichte, Literatur- und Sprachwissenschaften erstrecken, untersucht Krüger diesen Themenkomplex in vielfältiger Art. Der vorliegende Band beinhaltet Beiträge von 39 Kolleginnen und Kollegen aus der Schweiz, aus Deutschland, Österreich, Israel, den Niederlanden und den USA und spiegelt so die gedanklich und geographisch weite Vernetzung des Geehrten. Inhaltlich machen Arbeiten zum Tanach den Auftakt, sortiert nach den drei Kanonteilen Tora, Propheten und Schriften. Es folgen Beiträge, die sich altorientalischen und biblischen Sprach- und Vorstellungswelten widmen, sowie zuletzt Arbeiten, die mit der Bibel über die Bibel hinaus denken.

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Provides a comprehensive criticism of Hardy’s entire output of short stories This critical study of Hardy’s short stories provides a thorough account of the ruling preoccupations and recurrent writing strategies of his entire corpus as well as providing detailed readings of several individual texts. It relates the formal choices imposed on Hardy as contributor to Blackwood’s Magazine and other periodicals to the methods he employed to encode in fiction his troubled attitude towards the social politics of the West Country, where most of the stories are set. No previous criticism has shown how the powerful challenges to the reader mounted in Hardy’s later stories reveal the complexity of his motivations during a period when he was moving progressively in the direction of exchanging fiction for poetry. Key Features The only book to provide comprehensive criticism of Hardy’s entire output of short stories The provision of extremely full, extremely detailed, close readings of a number of key stories enhances the book’s attractiveness as a potential teaching resource Draws on the work of social historians to make clear the background of social and political unrest in Dorset that is partly uncovered and partly hidden in Hardy’s portrayals of his fictional Wessex Offers fascinating insights into Hardy’s near-obsession in his mature phase with the marriage contract, and with its legal binding of erratic men and women

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The far reaching changes in man's social and personal life taking place in our lifetime underline the need for a sound ethical evaluation of our rights and duties and of human behaviour both on the individual level and in the political society. On many issues judgments of value vary widely and a consultation of the thought of Thomas Aquinas on the basic questions will be helpful, the more since he is not only one of the greatest philosophers but also succeeded in integrating in his moral philosophy the wisdom of the ancients, in particular of Aristotle and the Stoa. This book presents Aquinas's thought on such central questions as man's happiness, how to determine the morality of our actions, the natural law and the main virtues, as well as on the common good, war, human labour, love and friendship. Throughout the book the intellectual character of this moral philosophy is pointed out and problems are set in a historical perspective.

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Scholars and enthusiasts alike will revel in this ambitious two-volume catalogue raisonné of Thomas Gainsborough’s portraits and copies of Old Master works. The catalogue contains approximately 1,100 paintings, including nearly 200 works newly attributed to the British master, as well as updated information about his subjects and specially commissioned photography. Each portrait entry includes the biography of the sitter—including several newly identified—the painting’s provenance, and exhibitions in which each work was shown. Gainsborough’s copies after Old Masters, painted in admiration and used to assimilate their style of painting into his own work, are documented here as well. Research includes in-depth analysis of newspaper archives and other printed material to establish the date of a painting’s production, chart the development of the artist’s style, and assess the impression the work made within the context of its time.Published in association with the Paul Mellon Centre for Studies in British Art

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This book provides a fundamental introduction to Aquinas's theology of the One Creator God. Aimed at making that thought accessible to contemporary audiences, it gives a basic explanation of his theology while showing its compatibility with contemporary science and its relevance to current theological issues. Opening with a brief account of Aquinas’s life, it then describes the purpose and nature of the Summa Theologica and gives a short review of current varieties of Thomism. Without neglecting other works, it then focuses primarily on the discussion of the One God in the first part of the Summa Theologica. God's transcendence and immanence is a recurrent theme in that discussion. Evidence of God's immanent causality in the natural world grounds Aquinas's five arguments for the existence of God (the Five Ways) which then open onto God's transcendence. The subsequent discussion of the divine attributes builds on the modes of God's causality established in the Five Ways. It also shows the need for a language of analogy to preserve God's transcendence and prevent us from reducing God to the level of creatures, even as qualities such as ""goodness"" and ""love,"" which we first know from creatures, are applied to God. The discussion of God's providence and governance establishes that the transcendent Creator God is most intimately present in creation. God acts in all creatures in a way that does not diminish their proper causality, but is rather its source. As there is no contradiction between God's transcendence and immanence, so there is no competition between the primary causality of God and the secondary causality of creatures. Empirical science, which is limited by its method to the secondary causality of creatures, is shown to be compatible with the broader discipline of theology which also embraces the primary causality of the Creator.

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'In front of Nature' is the first monograph to feature the work of Thomas Fearnley (1802-1842), a major artist in the tradition of the great romantics like Caspar David Friedrich, J.C. Dahl and J.M.W.Turner. This volume reveals the full range of Fearnley's landscape paintings, from large oils to spontaneous sketches, which he produced 'en plein air' during his summer travels. Fearnley's entire career is considered: Frode Ernst Haverkamp studies his Norwegian upbringing and influence, David Jackson looks at his extensive travels to artistic centres in Italy and Germany, including Dresden where he studied under J. C. Dahl, and his return to Norway via the Swiss Alps and Britain. Ann Sumner studies the artist's little-known British paintings, including his tour of the Lake District and involvement with the Etching Society. Greg Smith focuses on how Fearnley appears in his own landscape studies and in a new type of contemporary painting: gatherings of artists in social settings.

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Published by Boydell & Brewer Inc.

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Published by Boydell & Brewer Inc.

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A definitive scholarly edition of the correspondence and papers of Thomas JeffersonCongress adjourns early in March, and Jefferson goes home to Monticello for a month. After his return to Washington, he corresponds with territorial governors concerning appointments to legislative councils. He peruses information about Native American tribes, Spanish and French colonial settlements, and the geography of the Louisiana Territory. He seeks the consent of Spanish authorities to a U.S. exploration along the Red River while asserting privately that Spain “has met our advances with jealousy, secret malice, and ill faith.” A new law extends civil authority over foreign warships in U.S. harbors, and he considers using it also to constrain privateers. Federalist opponents bring up “antient slanders” to question his past private and official actions. His personal finances are increasingly reliant on bank loans. He starts a search for a new farm manager at Monticello. Meriwether Lewis and William Clark write from Fort Mandan in April before setting out up the Missouri River. Jefferson will not receive their reports until mid-July. In the Mediterranean, William Eaton coordinates the capture of the port of Derna and Tobias Lear negotiates terms of peace with Pasha Yusuf Qaramanli to end the conflict with Tripoli. News of those events will not reach the United States until September.

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Study of the critical reception of one of the most famous and widely read works of modern literature. Thomas Mann's 1912 novella Death in Venice is one of the most famous and widely read texts in all of modern literature, raising such issues as beauty and decadence, eros and irony, and aesthetics and morality. The amount and variety of criticism on the work is enormous, and ranges from psychoanalytic criticism and readings inspired by Mann's own homosexuality to inquiries into the place of the novella in Mann's oeuvre, its structure and style, and its symbolism and politics. Critics have also drawn connections between the novella and works of Plato, Euripides, Goethe, Schopenhauer, Platen, Wagner, Nietzsche, Gide, and Conrad. Ellis Shookman surveys the reception of Deathin Venice, analyzing several hundred books, articles, and other reactions to the novella, proceeding in a chronological manner that allows a historical perspective. Critics cited include Heinrich Mann, Hermann Broch, D. H. Lawrence, Karl Kraus, Kenneth Burke, Georg Lukàcs, Wolfgang Koeppen, Mario Vargas Llosa, and Thomas Mann himself. Particular attention is paid to Luchino Visconti's film, Benjamin Britten's opera, and to other more recent creative adaptations, both in Germany and throughout the world. Ellis Shookman is associate professor of German at Dartmouth College.

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This new edition of the Christian classic includes an introduction from Sinclair Ferguson From the introduction: Thomas Boston never sought a prominent congregation or pulpit. He knew that, at the end of the day, the only thing that makes a pulpit lastingly prominent is the manner in which God’s word is preached from it in the power and presence of the Holy Spirit. The Beauties of Boston is a book that has been treasured by many Christians in past generations. It is full of rich gospel truth and health–giving spiritual prescriptions. Part of its ‘beauty’ is that while a big book it is not really a long book, but a series of smaller and manageable passages that will – as The Marrow of Modern Divinity did for Boston himself – stimulate thought, enhance understanding of the gospel, point us to Christ, and strengthen both mind and spirit in the knowledge and service of God. Thomas Boston was born at Duns in Berwickshire in 1676. After studying in Edinburgh, he was licensed to preach by the Presbytery of Duns and Chirnside in 1697. Shortly afterwards, he published his first book, A Soliloquy on The Art of Man–fishing, based on the words of Jesus in Matthew 4:19, ‘Follow me and I will make you fishers of men.’ In 1699, he became the minister of the small congregation in a village called Simprin, located quite close to his birthplace. He was there until 1707 when he became minister in Ettrick, and he would serve there until his death in 1732. The collected writings of Boston are found in twelve volumes, and from them the selections in The Beauties of Boston were selected by the editor. Boston’s best–known book is Human Nature in Its Fourfold State. It was published in his lifetime, as were two others books by him: a Collection of Sermons and an edition of the Marrow of Modern Divinity which he annotated. After his death, several volumes of his writings were published, including his View of the Covenant of Works and of Grace, The Christian Life, A Body of Divinity, and The Crook in The Lot.

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“The Analytic Thomist,” Rob Koons, delivered the 2021 Aquinas Lecture at the University of Dallas. Here he engages the possibility of a bridge between philosophy and metaphysics proper. Koons boldly lays out his position: without Aristotelian metaphysics, there is no Aristotelian philosophy of nature, and there is no philosophy of nature in Aristotle without acknowledging his natural science. His lecture thus challenges Thomists and their respective approaches to hylomorphism and their all too frequent quickness to discard it. (Koons lays down the gauntlet. if one denies hylomorphism there can be no transubstantiation!) A bonus addition to this volume in the Dallas lecture series is Koon's “Aristotle, god and the Quantum.”

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This volume aims to restore the reputation of Thomas White, who in his time was as well respected as his fellow landscape designers Lancelot 'Capability' Brown and Humphry Repton. By the end of his career, he had produced designs for at least 32 sites across northern England and over 60 in Scotland. These include nationally important designed landscapes in Yorkshire such as Harewood House, Sledmere Hall, Burton Constable Hall, Newby Hall, Mulgrave Castle as well as Raby Castle in Durham, Belle Isle in Cumbria and Brocklesby Hall in Lincolnshire. He has a vital role in the story of how northern English designed landscapes evolved in the 18th century.The book focuses on White's known commissions in England and sheds further light on the work of other designers such as Brown and Repton, who worked on many of the same sites. White set up as an independent designer in 1765, having worked for Brown from 1759, and his style developed over the next thirty years. Never merely a 'follower of Brown', as he is often erroneously described, his designs for plantations in particular were much admired and influenced the later, more informal styles of the picturesque movement.The improvement plans he produced for his clients demonstrate his surveying and artistic skills. These plans were working documents but at the same time works of art in their own right. Over 60 of his beautifully-executed coloured plans survive, which is a testament to the value his clients placed on them. This book makes available for the first time over 90% of the known plans and surveys by White for England. Also included are plans by White's contemporaries, together with later maps, estate surveys and contemporary illustrations to understand which parts of improvement plans were implemented.

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The reality of suffering in today's world, in our personal lives, is for many especially Western Christians an obstacle for entering into a relationship of faith with the One who bears the name "Almighty". Touched by this crisis the author inquires whether the theology of Thomas Aquinas (1224/5 - 1274) can help us find a way out. In this book some distance is taken from the crisis itself, in order to take a closer look at our faith regarding Christ's sufferings and how God almighty is related to these "nexus mysteriorum". For what is more obvious for a Christian thinking about suffering and God's relation to it, to start with the consideration of the sufferings of Christ and how God is related to them? Questions like "Did and/or does God suffer too?", "How are we to understand 'God is love' (1 Jn 4,8, 16) in view of this?" and "What do Christians actually mean by the word 'almighty'?" are dealt with.Thomas' questions and associations may often not be ours. And yet it turns out that his approach opens up new, or rather (almost) forgotten and therefore to us surprising, and hopeful perspectives.Mark-Robin Hoogland C.P. (1969) is a Passionist priest. At the time of preparation for this dissertation he lived and worked in the Passionist Inner City Mission at East End London (U.K.) and he was active in youth work there and in The Hague (the Netherlands). While he was a resaerch-fellow at the Catholic Theological University (KTU) at Utrecht, he also worked for three years at Mesos Medical Centre at Utrecht as a hospital chaplain and after that in several parishes where for a shorter or longer time no priest was available.At present he is preparing a study on Thomas Aquinas regarding God and human suffering, in the context of Stauros International, a Passionist Institute.

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Details Thomas Trotter's important contributions, as a naval surgeon and after, to the eradication of scurvy and typhus, to the study of addiction, and to improved health and safety in mines. Thomas Trotter, after studying medicine at Edinburgh, began his naval career as a surgeon's mate in 1779 and saw continuous service up to the peace of 1802, rising as a result of great abilities and the right patronage to become Physician to the Channel Fleet, and being present at the great battles of Dogger Bank in 1781 and the Glorious First of June in 1794. As Physician to the Channel Fleet, he was a major player in the conquest of scurvy and the control of typhus and smallpox in the navy. After the peace he settled in Newcastle where he produced pioneering work on alcoholism and neurosis, as a result of which he is regarded as one of the founders of the field of addiction studies. This book provides an intimate account of naval life in the great age of sail from the perspective of a surgeon, describing the impact of Enlightenment ideas and new medical techniques, and showing how improved health was a crucial factor in making possible the British fleet's great victories in this period. BRIAN VALE is a maritime historian, whose books include Independence or Death: British sailors and Brazilian Independence (Tauris 1996), A Frigate of King George, Life and Duty on a British Man-of-War (Tauris 2001) and The Audacious Admiral Cochrane (Conway 2004). GRIFFITH EDWARDS, Emeritus Professor at King's College, London, is one of the country's leading experts on addiction. His publications include Alchohol: the Ambiguous Molecule (Penguin 2000) and Matters of Substance (Penguin 2005).

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Thomas F. Torrance ist einer der meistrezipierten englischsprachigen Theologen des 20. Jahrhunderts. Zum ersten Mal wird seine frühe Christologie nun kritisch und historisch sensibel rekonstruiert. Hat sie das Potential, realistisch von Gottes Neuschöpfung unserer Wirklichkeit zu sprechen? Philip Geck rekonstruiert diesen Zusammenhang in einer historisch sensiblen Werkinterpretation.

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Thomas Kinkade Studios carries on the artist''s legacy of creating and sharing beautiful images that evoke a sense of peace, inspiration, and gratitude. This year''s theme for the 12-month wall calendar is Celebration of Seasons. Each monthly spread features an image such as Winter Chapel, Gardens Beyond Spring Gate, or Autumn on Mackinac Island, and includes information about the paintings or encouraging words from the artist. A ready-to-frame print of New England Harboris also included. Features include: Matchingenvelope 13.5 x 12 (13.5 x 24 open) Printed on FSC certified paper 8.5 x 11 print entitled New England Harbor, ready for framing Hand-numbered certificate of authenticity in a vellum-style envelope Planning spread for SeptemberDecember 2024 Spans JanuaryDecember 2025 Generous grid space to add events, appointments, and reminders Official major world

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This is a fascinating combination of biographical material about the great Scottish engineer Thomas Telford (1757-1834), and a modern travelogue that revisits the places in the Highlands and Islands where he worked over a period of 20 years. Scotland was provided with desperately-needed civil infrastructure - nearly 1000 miles of roads, 1200 bridges, many harbours, and the monumental Caledonian Canal. Telford's programme of work was one of the greatest sustained efforts by any individual in the years of Britain's industrial revolution. And yet it is little celebrated in Scotland, let alone the rest of Britain and the wider world. After working in England and Wales for nearly 20 years, Telford was called back to his native land to address huge problems in the Highlands and Islands. These included unemployment, depopulation, Highlanders dispirited by poverty and suppression following the two Jacobite uprisings, compounded by living in mountainous regions almost totally isolated from the rest of Scotland. Thomas Telford has been widely painted as a brilliant engineer totally devoted to his work, a somewhat one-dimensional character. However, the author shows him differently, as a man of the Scottish Enlightenment, a rounded character with a love of poetry and the natural world, a good companion and a generous friend. A Scotsman Returns reveals him as a person who, in spite of the humblest start in life, displayed great social skills in his dealings with Scots both haughty and humble during his 20-year commitment to the Highlands and Islands. The author retraces an extensive Highland Tour made by Telford and the Poet Laureate, Robert Southey, in 1819. The two men were drawn together by Telford's love of poetry and Southey's admiration of the engineer's remarkable work in the Highlands. Southey kept a journal of the tour, which remained unpublished for a century and is still not widely known. Comments on the places they visited, the sights they saw, their social interactions, and Southey's intelligent interest in Telford's roadmaking, bridgebuilding and, above all, the Caledonian Canal are featured. Telford's work in other areas of the Highlands and Islands is also covered, principally in Caithness, Sutherland, and the Hebridean Islands. There are further discussions of the social and political environment in which Telford operated, including the Highland Clearances. This travelogue, beautifully illustrated in full colour with over 100 photographs of Telford's surviving infrastructure, is complemented with modern views of the places where he worked. A Scotsman Returns is a wonderful collection of Telford's remarkable achievements and will encourage readers worldwide to explore the routes followed by Telford as he developed Highland infrastructure.

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