Search results for ""author thomas"

Turner's strikingly original and penetrating account of Hardy's extraordinarily creative life and longevity offers a series of thirty-two chapters, each of which relates the biographical and literary background of a single work.

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Jack Ward Thomas, an eminent wildlife biologist and U.S. Forest Service career scientist, was drafted in the late 1980s to head teams of scientists developingstrategies for managing the habitat of the northern spotted owl. That assignment led to his selection as Forest Service chief during the early years of the Clinton administration. It is history’s good fortune that Thomas kept journals of his thoughts and daily experiences, and that he is a superb writer able to capture the moment with clarity and grace. The issues Thomas dealt with in office and noted in his journals lie at the heart of recent Forest Service policy and controversy, starting with President Clinton’s Timber Summit in Portland, Oregon, dealing with the spotted owl issue, and the 1994 loss of fourteen firefighters in the Storm King Mountain fire in Colorado. Against a constant backdrop of partisan politics in the White House and Congress, Thomas discusses issues ranging from grazing in the national forests, long-term pulp timber sales in Alaska, and the Forest Service Law Enforcement Division to the New World Mine near Yellowstone National Park. He considers the timber salvage rider and its linkage to forest health, the Department of Justice and Counsel on Environmental Quality influence on Forest Service policies, and interagency management for the Columbia River Basin. Woven throughout these excerpts from his diary is Thomas’s conviction that the effective, ethical management of wildlife depends on how the management effort is situated within the broader human context, with all its intransigence and unpredictability. Writing in 1995, Thomas says, "Things simply don’t work the way that students are taught in natural resources policy classes--not even close. . . .There is simply no way that scholars of the subject can understand the ad hoc processes that go on within only loosely defined boundaries.” Wildlife management, he says, is "90 percent about people and 10 percent about animals," and when it comes to learning about people, wildlife managers are on their own. This book is the record of how one man met that challenge.

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Pairing a selection of recent watercolours from 2011 and 2012 by Thomas Schutte with a selection of previously unpublished poems by Robert Walser, written between 1924 and 1933, this book is a deeply personal exploration of our everyday selves, choreographed by one of the greatest living artists. This book is dedicated by the artist to the gallerist Donald Young, who invited the artist to participate in an exhibition dedicated to Walser in Chicago in 2012. Published in original German with new English translations of each poem and with an introduction by Dr. Reto Sorg, director of the Robert Walser Archives.

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The forgotten story of the nineteenth-century freethinkers and twentieth-century humanists who tried to build their own secular religionIn The Church of Saint Thomas Paine, Leigh Eric Schmidt tells the surprising story of how freethinking liberals in nineteenth-century America promoted a secular religion of humanity centered on the deistic revolutionary Thomas Paine (1737–1809) and how their descendants eventually became embroiled in the culture wars of the late twentieth century.After Paine’s remains were stolen from his grave in New Rochelle, New York, and shipped to England in 1819, the reverence of his American disciples took a material turn in a long search for his relics. Paine’s birthday was always a red-letter day for these believers in democratic cosmopolitanism and philanthropic benevolence, but they expanded their program to include a broader array of rites and ceremonies, particularly funerals free of Christian supervision. They also worked to establish their own churches and congregations in which to practice their religion of secularism.All of these activities raised serious questions about the very definition of religion and whether it included nontheistic fellowships and humanistic associations—a dispute that erupted again in the second half of the twentieth century. As right-wing Christians came to see secular humanism as the most dangerous religion imaginable, small communities of religious humanists, the heirs of Paine’s followers, were swept up in new battles about religion’s public contours and secularism’s moral perils.An engrossing account of an important but little-known chapter in American history, The Church of Saint Thomas Paine reveals why the lines between religion and secularism are often much blurrier than we imagine.

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Woman Much Missed is the first book-length study of the many poems (over 150) that Thomas Hardy composed in the wake of the death of his first wife Emma in November of 1912. Mark Ford uses these poems to develop a narrative of their four-year courtship on the remote and romantic coast of Cornwall where they met, and then follows Thomas's poetic recreation of the slow degeneration of their marriage and their embittered final decade. Ford shows how Emma's writings and experiences during this time were fundamental to Thomas's evolution into both a best-selling novelist and into one of the greatest poets of the twentieth century. Although for over a decade the marriage between Thomas and Emma had been troubled, and indeed Emma spent much time during her final years secluded in her attic rooms above his study, her death stimulated him to write some of the greatest elegies in English. Twenty-one of these, including masterpieces such as 'The Voice' (which opens 'Woman much missed, how you call to me, call to me') and 'After a Journey' were collected in 'Poems of 1912-13'. While these have received much attention and are often read by school pupils and university students alike, his numerous other poems about Emma have only rarely been discussed. Ford corrects this oversight, providing accessible and insightful readings from a poet's perspective.

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Thomas May's The Tragedy of Antigone (1631), edited by Matteo Pangallo, is the first English treatment of the story made famous by Sophocles. This edition contains a facsimile of the copy held at the Beinecke Library of Yale University, making the play commercially available for the first time since its original publication. The extensive introduction discusses, among other things, the ownership history of existing copies and their marginal annotations, and of the play's topical political implications in the light of May's wavering between royalist and republican sympathies. Writing during the contentious early years of Charles I's reign, May used Sophocles' Antigone to explore the problems of just rule and justified rebellion. He also went beyond the scope of the original, adding content from a wide range of other classical and contemporary plays, poems and other sources, including Shakespeare's Romeo and Juliet and Macbeth. This volume will be essential reading for advanced students, researchers and teachers of early English drama and seventeenth-century political history.

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WINNER OF THE CWA HISTORICAL DAGGER AWARD 2014.Longlisted for the John Creasey Dagger Award for best debut crime novel of 2014.London, 1727 - and Tom Hawkins is about to fall from his heaven of card games, brothels and coffee-houses into the hell of a debtors' prison.The Marshalsea is a savage world of its own, with simple rules: those with family or friends who can lend them a little money may survive in relative comfort. Those with none will starve in squalor and disease. And those who try to escape will suffer a gruesome fate at the hands of the gaol's rutheless governor and his cronies.The trouble is, Tom Hawkins has never been good at following rules - even simple ones. And the recent grisly murder of a debtor, Captain Roberts, has brought further terror to the gaol. While the Captain's beautiful widow cries for justice, the finger of suspicion points only one way: to the sly, enigmatic figure of Samuel Fleet.Some call Fleet a devil, a man to avoid at all costs. But Tom Hawkins is sharing his cell. Soon, Tom's choice is clear: get to the truth of the murder - or be the next to die.A twisting mystery, a dazzling evocation of early 18th Century London, THE DEVIL IN THE MARSHALSEA is a thrilling debut novel full of intrigue and suspense.

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Desperate for help to find her adopted son, Jeremiah, Linden Avery has resurrected Thomas Covenant in a cataclysmic exertion of Earthpower and wild magic. But the consequences of her efforts are more terrible than she could have imagined. Sorcery on that scale has awakened the Worm of the World's End: the ultimate end of all Time, and therefore of all life, has been set in motion. And on a more personal level, the results are no less extreme. The stress of reincarnation so many centuries after his death has fractured Covenant's mind. He cannot tell Linden where to find her son. And his leprosy has renewed its grip on him, inexorably killing his nerves. The Ranyhyn had tried to warn her. Now, plunged to depths of desperation and despair for which she is entirely unprepared, Linden seeks radical responses to the dilemmas she has created. Searching for Jeremiah, and accompanied only by a few friends and allies - some of them unwilling - she takes chances that threaten her sanity, forcing her to confront the Land's most fearsome secrets. Dreadful futures hinge on all of her choices, and she and her companions are driven beyond the limits of their endurance. Yet she still walks paths laid out for her by the Despiser, and his forces are ready ...

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Keep the page in your book with this gorgeous pack of 10 foiled bookmarks, printed on both sides, with a silky ribbon and featuring art by Thomas Kinkade Studios. Thomas Kinkade, the Painter of LightTM, emphasized simple pleasures and inspirational messages through his art – and the branded products created from that art. From textiles, to collectibles, to music and books, Thom believed that both the ability and the inspiration to create his paintings had been given to him as a gift. His goal as an artist was to touch people of all faiths and to bring peace and joy into their lives through the images he had created.

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Thomas De Quincey's multivalent engagement with Romantic translation Offers new perspectives on De Quincey's most celebrated essays, his style and politics, and his famously fraught interactions with Coleridge, Wordsworth, Carlyle, Kant, and others Traces how De Quincey harnessed translation to reconfigure British Romanticism and open it towards European Romanticisms Combines insights from translation studies, critical theory, and Romantic studies in order to establish a novel method for reading Romantic writing This book investigates how De Quincey's writing was shaped by his work as a translator. Drawing on a wide range of materials and readings, it traces how De Quincey employed structures of interlinguistic and interdiscursive exchange to reimagine Romanticism. The book examines how his theories and practices of translation served to position his oeuvre, define his style, frame his philosophy and reinvent the meaning of literary creativity. Brecht de Groote traces in particular the ways in which De Quincey used translation to locate British Romanticism in its European context. In shedding new light on De Quincey, de Groote models a new translation-centric approach to the study of Romanticism.

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Throughout the history of Thomas’s critical reception, psychoanalytic interpretations have been applied that have privileged the psychosexual over the psycho-linguistic elements of his work. The wealth of sexual and pseudo-sexual imagery has acquired a negative charge, and has been used to evidence claims that Thomas was the epiphon of his own disturbed psyche, thus reducing the poetry to the expression of the poet’s schizoid neuroses. Avoiding the biography-based approaches that have dominated hitherto, Liberating Dylan Thomas rescues his early poetry from the position of servitude to the discursive mastery of psychoanalysis. Placing the poetry and psychoanalysis together in a mutually illuminating dialogue, this book clearly demonstrates the ways in which the vital connection between post-Freudian psychoanalysis and Thomas’s early poetry can be articulated without reductive simplification.

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Renowned artist Maira Kalman sheds light on the fascinating life and interests of the Renaissance man who was our third president.Thomas Jefferson is perhaps best known for writing the Declaration of Independence—but there’s so much more to discover. This energetic man was interested in everything. He played violin, spoke seven languages and was a scientist, naturalist, botanist, mathematician and architect. He designed his magnificent home, Monticello, which is full of objects he collected from around the world. Our first foodie, he grew over fifteen kinds of peas and advocated a mostly vegetarian diet. And oh yes, as our third president, he doubled the size of the United States and sent Lewis and Clark to explore it. He also started the Library of Congress and said, “I cannot live without books.” But monumental figures can have monumental flaws, and Jefferson was no exception. Although he called slavery an “abomination,” he owned about 150 slaves.As she did in Looking at Lincoln, Maira Kalman shares a president’s remarkable, complicated life with young readers, making history come alive with her captivating text and stunning illustrations.

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The fourth volume of The Correspondence of Thomas Hutchinson covers a twenty-month period extending from the acquittal of the soldiers standing trial for the Boston Massacre in November 1770 through the return of the General Court from Cambridge to its traditional meeting place at the Town House in Boston in June 1772. Some historians refer to this interval as the "quiet period" in the events leading up to the Revolution, but one would have had trouble convincing Thomas Hutchinson of the accuracy of that phrase. He continued to butt heads with Samuel Adams. No longer acting governor after March 1771, but governor-in-chief in his own right, Hutchinson was now free to use the patronage at his disposal to reward his political adherents and divide the opposition. Even though John Hancock ultimately declined the offer, Hutchinson attempted to separate him from the political tutelage of Samuel Adams, by dangling the prospect of a socially prestigious seat on the Governor's Council before the young merchant. At the same time, the Hutchinson also sought to sow seeds of suspicion and resentment between the Massachusetts House of Representatives and their new agent, Benjamin Franklin. Adams had long resisted Hutchinson's claim to summon the General Court to meet anywhere he chose, but in the spring of 1772, cooperation with Hancock enabled Hutchinson to end a long-standing impasse and return the Court to Boston without surrendering any his gubernatorial prerogative. Despite this seeming success, Hutchinson could have no idea of the crises that lay ahead in 1773 (the publication of his private letters and Parliament's efforts to aid the financially troubled East India Company) that would effectively end his governorship.Distributed for the Colonial Society of Massachusetts

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Dylan Thomas's letters bring the fascinating and tempestuous poet and his times to life in a way that no biography can.The letters begin in the poet's schooldays and end just before his death in New York at the age of 39. In between, he loved, wrote, drank, begged and borrowed his way through a flamboyant life. He was an enthusiastic critic of other writers' work and the letters are full of his thoughts on the work of his contemporaries, from T.S. Eliot and W.H. Auden to Stephen Spender and Cecil Day-Lewis.A lifetime of letters tell a remarkable story, each taking the reader a little further along the path of the poet's self-destruction, but written with such verve and lyricism that somehow the reader's sympathies never quite abandon him.

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Thomas Hoccleve produced the first author-curated 'collected poems' in the English language, preserved in two complementary manuscripts: Huntington Library, MSS HM 111 and HM 744 (copied 1422-26). This is the first full modern edition of these poems. The twenty-eight pieces span Hoccleve's entire career: they range from stirring devotional verse, to playful autobiography, deft translations of Latin and French texts, and timely political verse. The collection comprises the entirety of Hoccleve's poetic corpus, save his two longer works, the Regiment of Princes and the Series. It includes some of Hoccleve's most celebrated and widely studied poems, including 'The Epistle of Cupid', 'La Male Regle', 'To Sir John Oldcastle', 'Complaint Paramount', 'Learn to Die', and 'The Court of Good Company'. This edition engages for the first time with newly identified sources of poems; it also offers comprehensive textual variants for the poems, a full up-to-date chronology, and explanatory notes that engage with the wealth of recent scholarship on Hoccleve – including newly discovered details about Hoccleve's life and the dates of his poems, his relationship with heresy and orthodox reform movements, and his positioning within London scribal circles and coterie readerships.

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Even by Victoria Cross standards, the exploits of Thomas 'Todger' Jones V.C., D.C.M., of the 1st Battalion, The Cheshire Regiment, are truly extraordinary. It was a miracle that he survived the act for which he was awarded his V.C., but remarkably, after going 'over the top' by himself, he defeated the odds and secured what is believed to be the most prisoners ever captured by a single individual in the entire war. 'Todger', as he was affectionately known, served as a private soldier for the duration of the conflict, but in that time he displayed outstanding levels of gallantry and leadership, far in excess of his rank. A quiet man unassuming man in peacetime, Todger was a force to reckon with when in battle. This book chronicles his life with an added emphasis on his wartime service in the trenches of France and Flanders. Todger was born and bred in Runcorn, Cheshire. In 2014 his commemorative statue was unveiled opposite the town's cenotaph. This book also features never seen before photographs of the statue being made.

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This volume contains fourteen papers that show the ongoing significance of the thought of Thomas Aquinas for theology and philosophy today. The papers are offered to Henk Schoot, professor for the Theology of Thomas Aquinas, and to Rudi te Velde, professor for the Philosophy of Thomas Aquinas upon their retirement. Both are members of the Thomas Institute of the School of Catholic Theology of Tilburg University (The Netherlands). The authors are (former) colleagues and fellow Thomist scholars from around the world who want to honor and thank Henk Schoot and Rudi te Velde for their work and friendship.

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It is hard to think of two philosophers less alike than St. Thomas Aquinas and Jean-Paul Sartre. Aquinas, a thirteenth-century Dominican friar, and Sartre, a twentieth-century philosopher and atheist, are separated by both time and religious beliefs. Yet, for philosopher Joseph S. Catalano, the two are worth bringing together for their shared concern with a fundamental issue: the uniqueness of each individual person and how this uniqueness relates to our mutual dependence on each other. When viewed in the context of one another, Sartre broadens and deepens Aquinas's outlook, updating it for our present planetary and social needs. Both thinkers, as Catalano shows, bring us closer to the reality that surrounds us, and both are centrally concerned with the place of the human within a temporal realm and what stance we should take on our own freedom to act and live within that realm. Catalano shows how freedom, for Sartre, is embodied, and that this freedom further illuminates Aquinas's notion of consciousness. Compact and open to readers of varying backgrounds, this book represents Catalano's efforts to bring a lifetime of work on Sartre into an accessible consideration of philosophical questions by placing him in conversation with Aquinas, and it serves as a primer on key ideas of both philosophers. By bringing together these two figures, Catalano offers a fruitful space for thinking through some of the central questions about faith, conscience, freedom, and the meaning of life.

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In this volume, Fr. Franck Quoëx responds to Joseph Ratzinger's call for a renewed appreciation of liturgical rite. A student of Pierre Gy, OP, he brings to this study of Aquinas's liturgical theology a rare combination of expert knowledge of liturgical sources and history and the best of modern historical-critical research guided by sound theological judgment. Fr. Quoëx frames his study with an overview of the problem of rite in modern theological-anthropological discourse, before turning to Aquinas' theory of worship in the treatise on the virtue of religion. He then explores Aquinas' doctrine on the cultic dimensions of the Eucharist and other sacraments in his sacramental theology more broadly, finishing with a close study of the mass commentary of the Tertia Pars.Although there has been increasing attention to Thomas's treatment of religion as a virtue, none have approached him from an anthropological angle with a focus on the nature of liturgical rite, or fully exploited the perspectives of liturgical scholarship to shed light on sacramental theology. Quoëx's work, as the work of a Thomist, liturgist, and medievalist well versed in medieval liturgical development and in the genre of often-allegorical liturgical commentary, opens up this crucial but neglected facet of Aquinas' theological synthesis. Few books have been published on Aquinas's liturgical theology. Now that interest in Aquinas's virtue theory and sacramental theology is growing rapidly, Quoëx's studies are an invitation to further reflection on the topic of Aquinas's liturgical theology with its manifold ramifications for and connections with other theological topics in his Summa, including his theological anthropology, his soteriology, his treatment of the Old and New Laws, and his account of the virtue of religion in connection with the other virtues.

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Hailed as one of Boston’s most beloved mayors and its longest serving, Thomas Menino (1942–2014) deftly managed the city’s finances and transformed Boston into the hub of innovation that it is today. During his time in office, Boston embraced modern industrial growth and moved forward with noteworthy developments that altered neighborhoods, while also facing ongoing racial strife, challenges of unaffordable housing, and significant public union negotiations. Mayors in modern American cities occupy unique positions as government leaders who need to remain active parts of their communities in addition to being tasked with fixing neighborhood issues, managing crises, and keeping schools and public infrastructure on course. Situating news coverage alongside interviews with the mayor and his administration, political scientist Wilbur C. Rich chronicles Menino’s time in office while also considering his personal and professional background, his larger-than-life personality, and his ambitions. Menino’s approach to these challenges and opportunities offers enduring lessons to anyone interested in urban government and political leadership.

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The year is 1855. The Crimean war is raging. The British government has fallen. The Empire itself hangs in the balance.And then the murders start...Someone is targeting members of London's elite - leaving with each corpse the names of men who failed to assassinate Queen Victoria. It's clear that Victoria will be the ultimate victim. As the notorious Opium-Eater Thomas De Quincey and his daughter Emily race to save her, they uncover the heart-breaking past of a man whose lust for revenge has destroyed his soul.Based on actual attempts to assassinate the queen, Inspector of the Dead brilliantly merges fact with fiction, bringing a bloody chapter of Victorian England to vivid, pulse-pounding life.

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How Thomas Edison's system for collaboration can benefit any team Thomas Edison created multi-billion dollar industries that still exist today. What many people don't realize is that his innovations were generated through focused approaches to teamwork and collaboration. Authored by the great grandniece of Thomas Edison, Midnight Lunch provides an intriguing look at how to use Edison's collaboration methods to strengthen live and virtual teams today. Edison's four phases of collaboration success offer a simple yet powerful way to see how different combinations of live and digital resources can multiply results and deliver outstanding ROI now. Shows how to draw together individuals from diverse disciplines, ensuring multiple perspectives and rapid problem-solving Explains how to mix specialists and generalists on the same team, preventing groupthink and discouraging a culture of "superstars" Reveals the steps needed to reskill team members for collaboration in the digital era Team members from any field can take Midnight Lunch to their project meetings, engage instantly, identify action steps based on the book, and generate high-impact results.

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l During the last two decades virtue ethics has become the focal point of renewed ethical and theological interest. To lead a good life, it proves useful to watch those who have mastered the art of living. The conviction that living is an art is at the heart of virtue ethics. Living a good life requires exercise, and is a question of acquiring a virtuous character rather than of complying with external ethical and legal rules. This renaissance partly builds on Thomas Aquinas. He in turn recovered Aristotelian, Ciceronian and Augustinian thought on virtue ethics. The interpretation and development of virtues and vices form the core of his authorship, as the secunda pars of his Summa Theologiae readily displays. And yet, the most important virtues for him are not the moral ones, such as Justice, Temperance, Prudence and Fortitude, but those virtues that are both infused by and aimed at God: Faith, Hope and Love. These are virtues that the philosophers of antiquity were not aware of. To account for them, Aquinas had to adapt the classical understanding of virtues. For Aquinas, the moral virtues come to full fruition only when they are embedded in a life before God, a life lived exercising the God given theological virtues. By ignoring Faith, Hope and Love, the present discussion of virtue ethics not only ignores those virtues that were for Aquinas of utmost importance, but also fails to arrive at a complete understanding of his view of the moral virtues. The papers contained in this volume address this theme, and were originally presented at the fourth international conference of the Thomas Instituut te Utrecht (Tilburg University), at Utrecht in December 2013.

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Thomas Telford was arguably the greatest civil engineer Britain has ever produced. This book reveals his humble beginnings and then describes his self-propelled rise from journeyman stonemason to famous canal engineer. In 1793 Telford was appointed principal engineer on the Ellesmere Canal (now the Llangollen Canal) in North Wales. An 11-mile section of the canal, including his magnificent Pontcysyllte Aqueduct, has recently been granted UNESCO World Heritage status, putting it in the company of such international icons as the Taj Mahal, the Statue of Liberty, and the Tower of London. Completed in 1805, the aqueduct represented a stupendous advance in civil engineering; but it was designed for canal boats and tucked away in a relatively unfrequented valley. Following a rapturous opening ceremony and initial commercial success, a decline of the canal system from about 1840 onwards made it look increasingly redundant. The richly-deserved UNESCO award has put the aqueduct and its canal back in the limelight. This is a personal and professional story, putting Telford's work into its historical and social context, showing him as a remarkable mix of good-natured ambition, talent and resilience. Today there is great interest in Britain's transport infrastructure. The 19th-century engineers who did so much to pioneer and improve it are rightly seen as heroes. It will be appreciated how much is owed to Telford and others for creations that have stood the test of time, built with courage and daring, in an age when major construction projects relied heavily on pickaxes, wheelbarrows, and an extraordinary amount of hard physical labour.

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The Glory of God's Grace offers the first full-length comprehensive study of Thomas's teaching on deification in its scriptural, patristic, philosophical, developmental, and systematic context. Daria Spezzano traces Thomas's theology of deification throughout the Summa, exploring in depth how the notion of deification links his treatments of the divine missions and image, the journey to beatitude through the moral life, adopted sonship through Christ and his sacraments, and the deiform worship of the beatific vision.Also examined are Thomas's other works, in particular his Scripture commentaries, as well as the evolution of his thought. Spezzano argues that Thomas's theology of deification in the Summa theologiae demonstrates his mature vision of God's loving and sapiential ordering of predestined human persons to communion with himself by a progressive participation in the divine likeness and activity, accounting for both the primacy of divine causality in all its modes and the fullness of graced human freedom.The fruit of this theology is ultimately doxological: the deification of adopted sons gives praise to God's glory by fully manifesting God's gracious plan to share the divine life with rational creatures.

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Dylan Thomas's reputation precedes him. In keeping with his claim that he held `a beast, an angel, and a madman in him', interpretations of his work have ranged from solemn adoration to dubious mythologising. His many voices continue to reverberate across culture and the arts: from poetry and letters, to popular music and Hollywood film. However, this wide and sometimes controversial renown has occasionally hindered serious analysis of his writing. Counterbalancing the often-misleading popular reputation, this book showcases eight new critical perspectives on Thomas's work. It is the first to provide in one volume a critical overview of the multifaceted range of his output, from the poetry, prose and correspondence to his work for wartime propaganda filmmaking, his late play for voices Under Milk Wood, and his reputation in letters and wider society. The whole proves that Thomas was much more than his own self-characterisation as a `writer of words, and nothing else'.

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Visitors to the Blalock Building at the Johns Hopkins University Medical Center are greeted by portraits of two great men. One, of renowned heart surgeon Alfred Blalock, speaks for itself. The other, of highschool graduate Vivien Thomas, is testimony to the incredible genius and determination of the first black man to hold a professional position at one of America's premier medical institutions. Thomas's dreams of attending medical school were dashed when the Depression hit. After spending some time as a carpenter's apprentice, Thomas took what he expected to be a temporary job as a technician in Blalock's lab. The two men soon became partners and together invented the field of cardiac surgery. Partners of the Heart is Thomas's extraordinary autobiography. Trained in laboratory techniques by Alfred Blalock and Joseph W. Beard, Thomas remained Blalock's principal technician and laboratory chief for the rest of Blalock's distinguished career. Thomas very rapidly learned to perform surgery, to do chemical determinations, and to carry out physiologic studies. He became a phenomenal technician and was able to carry out complicated experimental cardiac operations totally unassisted and to devise new ones. In addition to telling Thomas's life story, Partners of the Heart traces the beginnings of modern cardiac surgery, crucial investigations into the nature of shock, and Blalock's methods of training surgeons.

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Thomas Aquinas on the Cardinal Virtues provides essential passages from Thomas's treatment of the cardinal virtues in the Summa theologiae, edited and explained for classroom use or the independent reader. Arranged for beginners, this book contains passages from the Summa theologiae of great historical import, contemporary relevance, or intrinsic interest combined with abundant footnotes aiding the modern reader. Each individual article is arranged so that the question, e.g. “Is capital punishment moral?” is followed directed by Thomas’s answer. Then the first objection is raised, followed immediately by Thomas’s response, the second objection is raised and then Thomas answers it, and so forth. The abundant footnotes help first time readers navigate key theological and philosophical terms which may be unfamiliar. In addition, the notes provide biographical information about key authors cited by Thomas, such as Tully, Vegetius, and Gregory the Great. The footnotes sometimes look back at the sources and philosophical roots of what Thomas teaches. Other notes note how authors after Aquinas including theologians, church councils, and popes developed, synthesized, and sometimes rejected what Thomas teaches. In sum, this book seeks to illuminate Thomas’s teaching on the cardinal virtues such as a teacher might do in the classroom.

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*WINNER OF THE JHALAK PRIZE, THE INTERNATIONAL DYLAN THOMAS PRIZE AND THE AUTHORS' CLUB BEST FIRST NOVEL AWARD**LONGLISTED FOR THE MAN BOOKER PRIZE**SHORTLISTED FOR THE GOLDSMITHS PRIZE AND THE GORDON BURN*'I was gripped... remarkable' Robert Macfarlane, Guardian Books of the Year'A novel that doesn't flinch, and demands change right now' Ali Smith'A novel so of this moment that you don't even realize you've waited your whole life for it' Marlon JamesFor Selvon, Ardan and Yusuf, growing up under the towers of Stones Estate, summer means what it does anywhere: football, music and freedom. But now, after the killing of a British soldier, riots are spreading across the city, and nowhere is safe.While the fury swirls around them, Selvon and Ardan remain focused on their own obsessions, girls and grime. Their friend Yusuf is caught up in a different tide, a wave of radicalism surging through his local mosque, threatening to carry his troubled brother, Irfan, with it.

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The relationship between Thomas Jefferson and William Short, the eldest son of an established Virginia family and relative of Martha Jefferson, began as a patron-protégé arrangement conventional for the era. Jefferson encouraged Short's legal career and gave him his first legal work. Thus began a bond of forty years that that both men characterized in paternal and filial terms and that sheds considerable light on the enigmatic Founding Father. In the aftermath of Jefferson's precipitous "flight from Monticello," Short underwrote substantial short-term loans to him. Jefferson took the younger man to France as his private secretary in 1784 but, quickly concluding that his moral well-being and political judgment were at risk, he urged Short to return to America and settle down. Short, however, wished to pursue a foreign service career and a long affair with a French aristocrat. Jefferson wanted Short to embrace a Virginia way of looking at the world, even buying him a farm near Monticello. Short resisted--and rejected Jefferson's ideas about slavery, economics, marriage, the practice of democratic government, and republican morality, but without rejecting his "friend and father." He showed little respect for Jefferson's political achievements, viewing him as a well-meaning "visionary," yet he was conscious of living in the statesman's shadow. William Short was not Thomas Jefferson's intellectual equal, was not a political collaborator, and never became a neighbor, yet the elder man invested considerable emotional energy and time in his "adoptive son," even during his vice-presidency and presidency. By efficiently managing the younger man's financial affairs Jefferson enabled his extended stay in France, but also diverted Short's money for his own use. Although he believed Short's political judgment had been clouded by his enjoyment of French society and savagely criticized his reaction to the French Revolution, he never gave up on Short the private individual. Heir through Hope reveals a figure who served as a unique sounding board to a Founder, while underscoring the distinct ways Jefferson envisioned the United States' destiny vis à vis Europe. Fascinating in its own right, their complex relationship highlights the tensions between the founding generation and its successors while illuminating the operation of political power in early national America and Revolutionary Europe.

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The description for this book, The Rhetoric of Leviathan: Thomas Hobbes and the Politics of Cultural Transformation, will be forthcoming.

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Winner of the CWA Ian Fleming Steel Dagger for Best Thriller of the Year. Selected by Sunday Times Books of the Year and The Guardian as Best Thriller of the Year. Perfect for fans of John le Carré, a gripping and suspenseful spy thriller from ‘the master of the modern spy thriller’ (Mail on Sunday) Six weeks before she is due to become the first female head of MI6, Amelia Levene disappears without a trace. Disgraced ex-agent Thomas Kell is brought in from the cold with orders to find her – quickly and quietly. The mission offers Kell a way back into the secret world, the only life he’s ever known. Tracking her through France and North Africa, Kell embarks on a dangerous voyage, shadowed by foreign intelligence services. This far from home soil, the rules of the game are entirely different – and the consequences worse than anyone imagines…

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