Search results for ""Author Victoria"

‘If there is one thing we can learn from John Ruskin, it is that each age must find its own way to beauty’ writes Lars Spuybroek in The Sympathy of Things, his ground-breaking work which proposes a radical new aesthetics for the digital era. Spuybroek argues that we must 'undo' the twentieth century and learn to understand the aesthetic insights of the nineteenth-century art critic John Ruskin, from which he distils pointers for the contemporary age. Linking philosophy, design, and the digital, with art history, architecture, and craft, Spuybroek explores the romantic notion of ‘sympathy’, a core concept in Ruskin's aesthetics, re-evaluating it as the driving force of the twenty-first century aesthetic experience. For Ruskin, beauty always comprises variation, imperfection and fragility, three concepts that wholly disappeared from our mindsets during the twentieth century, but which Spuybroek argues to be central to contemporary aesthetics and design. Revised throughout, and a new foreword by philosopher Brian Massumi, this is a new edition of a seminal work which has drawn praise from fields as diverse as digital architecture and speculative realism, and will continue to be influential as it wrests Ruskin’s ideas out of the Victorian era and reconstructs them for the modern age.

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Every pier, from the grandest to the most modest, has its own story. In this collection of one hundred beautiful paintings, Paul Tracey combines his skill as a draughtsman with his creative flair as an artist to capture the very essence of these structures and to provide snapshots of their individual stories. Many piers were originally built as wharfs for ships to load and unload goods. Then, as the railways expanded and people were able to travel further afield for trips and holidays, they became destinations in their own right: places to promenade, to meet and to be entertained. Innovative Victorian engineering created piers that could better withstand the vigours of the sea yet still provided elegant spaces to be enjoyed. This historical development was mirrored around the world. Researched and executed over five years, 100 Piers includes historic postcards, concert programmes and newspaper articles about the piers. Many piers are no longer in their prime, some have gone completely, lost to the tides of time. But through the paintings, with their dynamic lines, varying perspectives and bold colour combinations, Tracey successfully captures the vibrancy and vitality of these structures. His work ensures their place in history is not forgotten and that the many piers which remain may continue to be cherished as much as ever.

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An intrepid young woman journeys across Victorian London and beyond in search of the truth behind the presumed death, and reappearance one icy evening, of her brother-in-law, in this gripping and mysterious gothic horror. Perfect for fans of The Haunting of Hill House and readers of Sarah Waters. London 1893. Judith lives a solitary life, save for the maid who haunts the family home in which she resides. Mourning the death of her brother-in-law, Sam, who drowned in an accident a year earlier, she distracts herself with art classes, books and strange rituals, whilst the rest of her family travel the world. One icy evening, conducting a ritual in her garden she discovers Sam, alive. He has no memory of the past year, and remembers little of the accident that appeared to take his life. Desperate to keep his reappearance a secret until she can discover the truth about what happened to him, Judith journeys outside of the West London Jewish community she calls home, to the scene of Sam's accident. But there are secrets waiting there for Judith, things that have been dormant for so long, and if she is to uncover all of them, she may have to admit to truths that she has been keeping from herself.

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The inspirational genius of Germany explores the neglected issue of the cultural influence of Germany upon Britain between 1850 and 1939. While the impact on Britain of German Romanticism has been extensively mapped, the reception of the more ideologically problematic German culture of the later period has been neither fully explained or explored. After the 1848 revolutions, Germany experienced a period of political and economic growth which not only saw it achieving Unification in 1871 but also challenging the industrial and imperial supremacy of Britain at the dawn of the twentieth century. Matthew Potter uses images, art criticism, and the public writings and private notes of artists to reconstruct the intellectual history of Germanism during a period of heightened nationalism and political competition. Key case studies explore the changing shape of intellectual engagements with Germany. It examines the German experts who worked on the margins of the Pre-Raphaelite circle, the engagements of Victorian 'academics' including Frederic Leighton, G.F. Watts, Walter Crane and Hubert Herkomer as well as avant-gardists like the Vorticists, the reception of Arnold Böcklin and Wassily Kandinsky by the Britons during the dawn of modern art, and the last gasp of enthusiasm for German art that took place in defiance of the rise of Nazism in the 1930s.

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The picture below of a Castle class locomotive, since preserved, illustrates Kevin McCormack's first love: the Great Western Railway and the Western Region of British Railways. Living almost all his childhood on the Western in Ealing, it was perhaps inevitable that this was his favourite region, and he came to admire the copper-capped chimneys, brass safety value covers and brass nameplates and cabside number plates of its larger locomotives as well as the tall chimneys and large domes of its characteristic smaller engines. He had a particular liking for the diminutive 14XX 0-4-2 tanks that used to work the Ealing Broadway-Greenford push and pull services and when a fund was set up to preserve one, Kevin was quick to add his support, joining what became the Great Western Society and becoming its secretary in the late 1960s/early 1970s. In 1973, Kevin cemented his interest in the GWR by acquiring a Victorian family saloon railway carriage, which had been converted into a Thameside bungalow. Remarkably, the coach was largely original inside and the exterior well preserved as it was virtually encased within the house.Restoration has therefore been a comparatively easy task and the vehicle is displayed at the Great Western Society's base at the Didcot Railway Centre.

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Retrospectively, we see the time of the 1910s being invaded with the images of the First World War, and yet in the early years of that decade people were focussed on events at home, whether King George V's coronation or the women involved in the suffragette movement. Another major event was the loss of the ocean liner Titanic in 1912. Then in 1914, the Great War devastated the tranquil life of post-Edwardian Britain, as recruiting posters rallied the youth of the Empire to the defence of France. "The 1910s Scrapbook" brings a new focus to this pivotal moment of the twentieth century, a time more often seen through the media of black and white film footage or sepia photographs. Over 1,000 colourful images tell the tale of ordinary people - their courage and humour, their patriotism and fortitude in the face of Zeppelin air raids, rationing and the decimation of a generation. This Scrapbook adds to our knowledge of the recent past, and is a companion volume to those covering the Victorian era, and the 1930s and 1950s. It also draws parallels and comparisons with the Second World War as seen in The Wartime Scrapbook. Above all, this book is a testament to those involved in the conflict of the Great War.

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The Monarch of the Glen by Sir Edwin Landseer (1802 1873) is one of the most celebrated paintings of the nineteenth century. It was acquired by the National Galleries of Scotland in 2017. In this new book, the first to focus in detail on this iconic picture, Christopher Baker explores its complex and fascinating history. He places Landseer's work in the context of the artist's meteoric career, considers the circumstances of its high-profile commission and its extraordinary subsequent reputation. When so much Victorian art fell out of fashion, Landseer's Monarch took on a new role as marketing image, bringing it global recognition. It also inspired the work of many other artists, ranging from Sir Bernard Partridge and Ronald Searle to Sir Peter Blake and Peter Saville. Today the picture has an intriguing status, being seen by some as a splendid celebration of Scotland's natural wonders and by others as an archaic trophy. This publication will make a significant contribution to the debates that it continues to stimulate. The painting will tour to four Scottish venues in late 2017 and early 2018 (Inverness Museum & Art Gallery, 6 October - 19 November 2017; Perth Museum and Art Gallery, 25 November 2017 - 14 January 2018; Paisley Museum and Art Gallery, 20 January - 11 March 2018; Kirkcudbright Galleries, 25 March - 12 May 2018).

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This is the first book in over a century to examine the important work of the watercolour artist and illustrator Frederick Walker (1840–1875) and his closest artistic allies. He was greatly admired (and collected) by Vincent van Gogh and was described by Millais as ‘the greatest artist of the century’ and yet his premature death at the age of 35 cut short his promising career. Walker, together with his close friends George John Pinwell (1842–1875) and John William North (1842–1924), forged new artistic identities that sought the perfection of the world around them and the distillation of beauty from seemingly mundane subjects.Donato Esposito focuses successive chapters on the lives and works of each of the core members of Walker’s group, charting their unconventional journey from a loosely bound collective rooted in the London-based black-and-white world of commercial illustration to a renowned grouping known as the Idyllists, respected and eagerly collected by galleries and private individuals in Europe, America and Australia.The book, which reproduces many of the Idyllists’ works in colour for the first time, represents a vital contribution to the literature on Victorian art and restores the Idyllists to their rightful place in the history of British 19th-century art.

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During the tumultuous closing decades of the nineteenth century, as the prospect of democracy loomed and as intensified global economic and strategic competition reshaped the political imagination, British thinkers grappled with the question of how best to organize the empire. Many found an answer to the anxieties of the age in the idea of Greater Britain, a union of the United Kingdom and its settler colonies in Australia, Canada, New Zealand, and southern Africa. In The Idea of Greater Britain, Duncan Bell analyzes this fertile yet neglected debate, examining how a wide range of thinkers conceived of this vast "Anglo-Saxon" political community. Their proposals ranged from the fantastically ambitious--creating a globe-spanning nation-state--to the practical and mundane--reinforcing existing ties between the colonies and Britain. But all of these ideas were motivated by the disquiet generated by democracy, by challenges to British global supremacy, and by new possibilities for global cooperation and communication that anticipated today's globalization debates. Exploring attitudes toward the state, race, space, nationality, and empire, as well as highlighting the vital theoretical functions played by visions of Greece, Rome, and the United States, Bell illuminates important aspects of late-Victorian political thought and intellectual life.

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WINNER OF TWO GOLDEN GLOBES, STARRING EMMA STONE, FROM THE DIRECTOR OF THE FAVOURITE Winner of the Whitbread Novel Award and the Guardian Fiction Prize A life without freedom to choose is not worth having. Godwin Baxter's scientific ambition to create the perfect companion is realised when he finds the drowned body of the beautiful Bella, who he brings back to life in a Frankenstein-esque feat. But his dream is thwarted by Dr. Archibald McCandless's jealous love for his creation . . . But what does Bella think? This story of true love and scientific daring whirls the reader from the private operating-theatres of late-Victorian Glasgow through aristocratic casinos, low-life Alexandria and a Parisian bordello, reaching an interrupted climax in a Scottish church. ________________________ 'A magnificently brisk, funny, dirty, brainy book' London Review of Books 'Visionary, ornate and outrageous' The Independent 'Witty and delightfully written' New York Times 'A brilliant marriage of technique, intelligence, and art.' Kirkus Reviews 'The greatest Scottish novelist since Sir Walter Scott' Anthony Burgess 'Those who, like me, are unsure if they are Alasdair Gray fans or not, ought to fall on Poor Things with delight, and not just because of the almost excessive beauty of its appearance' Philip Hensher, Spectator

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James Chuter Ede (1882-1965) served the longest term of office as Home Secretary in the last 200 years, three weeks more than Theresa May. He is the only senior member of Attlee's legendary 1945 cabinet not yet to have found a biographer. His contribution to that government - and in Robert Harris's words, 'We still live in the society shaped by Clement Attlee' - although largely unsung, was immense. Alongside towering achievements such as Bevan's NHS, his own measures, in administrative, legal and social reform, did much to set the seal on Labour's reforming programme, including the Criminal Justice Act 1948, paving the way for the abolition of capital punishment. Previously, working with RA Butler, he provided a major contribution to the Education Act 1944\. Equally interesting for historians and readers of history is how Ede's life and career present a political, cultural and social account, in his journey from Victorian family life with a Liberal background, through Cambridge and the Unitarian religion, to Labour politics, working in education and local government. He represented suburban Mitcham and then industrial South Shields in Parliament, where his performances were legendary in an age of oratory - low-key, yet cutting and decisive. This will be an important contribution to the burgeoning interest in the historiography of post World War II Labour Britain.

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Shortlisted for the Costa First Novel Award'A novel of fate and free will, forensic detection and blind love, crime and its justifications . . . finely tuned yet extravagantly complex' Evening StandardA cold October night, 1854. In a dark passageway, an innocent man is stabbed to death. So begins the extraordinary story of Edward Glyver, book lover, scholar and murderer. As a young boy, Glyver always believed he was destined for greatness. This seems the stuff of dreams, until a chance discovery convinces Glyver that he was right: greatness does await him, along with immense wealth and influence. And he will stop at nothing to win back a prize that he now knows is rightfully his. Glyver's path leads him from the depths of Victorian London, with its foggy streets, brothels and opium dens, to Evenwood, one of England's most enchanting country houses. His is a story of betrayal and treachery, of death and delusion, of ruthless obsession and ambition. And at every turn, driving Glyver irresistibly onwards, is his deadly rival: the poet-criminal Phoebus Rainsford Daunt. Thirty years in the writing, The Meaning of Night is a stunning achievement. Full of drama and passion, it is an enthralling novel that will captivate readers right up to its final thrilling revelation.

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Many commentators tell us that, in today's world, everyday life has become selfish and atomised—that individuals live only to consume. But are they wrong? In Me, Me, Me, Jon Lawrence re-tells the story of England since the Second World War through the eyes of ordinary people—including his own parents— to argue that, in fact, friendship, family, and place all remain central to our daily lives, and whilst community has changed, it is far from dead. He shows how, in the years after the Second World War, people came increasingly to question custom and tradition as the pressure to conform to societal standards became intolerable. And as soon as they could, millions escaped the closed, face-to-face communities of Victorian Britain, where everyone knew your business. But this was not a rejection of community per se, but an attempt to find another, new way of living which was better suited to the modern world. Community has become personal and voluntary, based on genuine affection rather than proximity or need. We have never been better connected or able to sustain the relationships that matter to us. Me, Me, Me makes that case that it's time we valued and nurtured these new groups, rather than lamenting the loss of more 'real' forms of community—it is all too easy to hold on to a nostalgic view of the past.

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SHORTLISTED FOR THE WILBUR SMITH ADVENTURE WRITING PRIZE FOR BEST PUBLISHED NOVEL 2022 A Telegraph Best Book for Summer 2022 'Highly recommended' MICK HERRON 'A great adventure. Dripping with atmosphere and exotic life' WILLIAM BOYD 'A riveting page-turner, rich with fascinating period detail' SUNDAY TELEGRAPH ___________1867. King's Road, Chelsea, is a sea of plant nurseries, catering to the Victorian obsession with rare and exotic flora. But each of the glossy emporiums is fuelled by the dangerous world of the plant hunters – daring adventurers sent into uncharted lands in search of untold wonders to grace England's finest gardens.Harry Compton is as far from a plant hunter as one could imagine – a salesman plucked from the obscurity of the nursery growing fields to become 'the face that sold a thousand plants'.But one small act of kindness sees him inherit a precious gift – a specimen of a fabled tree last heard of in The Travels of Marco Polo, and a map.Seizing his chance for fame and fortune, Harry sets out to make his mark. But where there is wealth there is corruption, and soon Harry is fleeing England, rounding the Cape of Good Hope and sailing up the Yangtze alongside a young widow – both in pursuit of the plant that could transform both their lives forever.

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A survey of the rituals of the year in Victorian England, showing the influence of the Middle Ages. What does a maypole represent? Why eat hot cross buns? Did Dick Whittington have a cat? All these questions are related to a larger one that nineteenth-century Britons asked themselves: which was more fun: living in their own time, or living in the Middle Ages? While Britain was becoming the most industrially-advanced nation in the world, many vaunted the superiority of the present to the past-yet others felt that if shadows of past ways of life haunted the present, they were friendly ghosts. This book explores such ghosts and how real or imagined remnants of medieval celebration in a variety of forms created a cultural idea of the Middle Ages. As Britons found, or thought that they found, traces of the medieval in traditions tied to times of the year, medievalism became not only the justification but also the inspiration for community festivity, from Christmas and Boxing Day through Maytime rituals to Hallowe'en, as show in the writings of amongst many others Keats, Browning and Dickens.

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A comprehensive look at the academic criticism of Jane Austen from her time down to the present. Among the most important English novelists, Jane Austen is unusual because she is esteemed not only by academics but by the reading public. Her novels continue to sell well, and films adapted from her works enjoy strong box-officesuccess. The trajectory of Austen criticism is intriguing, especially when one compares it to that of other nineteenth-century English writers. At least partly because she was a woman in the early nineteenth century, she was longneglected by critics, hardly considered a major figure in English literature until well into the twentieth century, a hundred years after her death. Yet consequently she did not suffer from the reaction against Victorianism thatdid so much to hurt the reputation of Dickens, Tennyson, Arnold, and others. How she rose to prominence among academic critics - and has retained her position through the constant shifting of academic and critical trends - is a story worth telling, as it suggests not only something about Austen's artistry but also about how changes in critical perspective can radically alter a writer's reputation. Laurence W. Mazzeno is President Emeritus of Alvernia University, Reading, Pennsylvania.

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Soldier, hero, and politician, the Duke of Wellington is one of the best-known figures of nineteenth-century England. From his victory at Waterloo over Napoleon in 1815, he rose to become prime minister of his country. But Peter Sinnema finds equal fascination in Victorian England’s response to the duke’s death. The Wake of Wellington considers Wellington’s spectacular funeral pageant in the fall of 1852—an unprecedented event that attracted one and a half million spectators to London—as a threshold event against which the life of the soldier-hero and High Tory statesman could be re-viewed and represented. Canvassing a profuse and dramatically proliferating Wellingtoniana, Sinnema examines the various assumptions behind, and implications of, the Times’s celebrated claim that the Irish-born Wellington “was the very type and model of an Englishman.” The dead duke, as Sinnema demonstrates, was repeatedly caught up in interpretive practices that stressed the quasi-symbolic relations between hero and nation. The Wake of Wellington provides a unique view of how in death Wellington and his career were promoted as the consummation of a national destiny intimately bound up with Englishness itself, and with what it meant to be English at midcentury.

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As the Victorian era passed into the Edwardian and Roaring Twenties, a market developed for bisque and china naughty novelties and figurines of women in revealing outfits. These little lovelies include bathing beauties, who came clad in swimsuits of real lace or stylish painted beach wear, as well as mermaids, harem ladies, and nudies, who wear only an engaging smile. Also produced were flippers (innocent appearing figurines who reveal a bawdy secret when flipped over) and water squirters. Most were manufactured in Germany from the late 1800s through the 1930s, often showing remarkable artistry and imagination. This photographic study showcases an extraordinary variety of figurines, and the in-depth text will help collectors and dealers discover the rich history behind them. Manufacturing techniques, marks, and manufacturers are discussed, including Galluba and Hoffman, William Goebel, Hertwig and Company, Schafer and Vater, and more. Decorative details, size, and current value are provided for each figurine. A delightful reference for bathing beauty and doll collectors, Art Deco aficionados, and all who enjoy things naughty and mischievous.

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The Complete Language of Flowers is a comprehensive encyclopedia providing the meanings, powers, facts, and folklore for over 1,001 flower species. Now in a pocket-size edition for easy, on-the-go reference. Along with a beautiful visual depiction, each entry provides the flower’s scientific and common names, characteristics, and historic meanings and powers from mythology, medieval legends, folklore, and flower poetry. For centuries, symbolic flower meanings have fascinated readers, writers, poets, and suddenly smitten couples alike. Extremely popular during the Victorian era, these floriographies flourished and versed the public on the hidden meaning of popular flowers such as: Purple Tulip—Eternal love Amaryllis—Adventurousness; Enthusiasm; Passion Daisy—Beauty and innocence; Cheer; Childlike playfulness Sunflower—Ambition; Constancy; Devotion Together with stunning full-color illustrations and two indexes, one for searching by common flower name and the other organized by meaning, this beautiful reference is a must-have for gardeners, florists, and flower enthusiasts. Whether you’re looking to arrange the perfectly bespoken wedding bouquet or to understand what the yellow rose you just received from an admirer means (friendship), this updated floriography is a visual delight.

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Manchester in the century between 1850 and 1950 witnessed extraordinary growth and changes. In the mid-nineteenth century, Manchester was the world’s first industrialised city, home of the Industrial Revolution and known as ‘Cottonopolis’. It was a city of immigrants from the countryside, Ireland, Scotland and further afield, where slums and poverty existed in close proximity to great wealth. The unique conditions in the city made it a breeding ground for crimes of all kinds, from the ‘high crimes’ of murder and large-scale robberies, frauds and theft, to ‘low-level’ crimes such as pickpocketing, mugging and other street crimes. ‘Snoozer’ gangs robbed hotels in Victorian Manchester and the city was home to numerous jewel thieves over the years including ‘Lucky Edgar’. Some crimes were even politically motivated, such as the suffragette law breaking, while others such as youth crime, which is often portrayed as a recent phenomenon, actually has a long history stretching back to the teenage scuttler gangs of the late nineteenth century. This collection of true-life crime stories gives a vivid insight into life in Manchester in years gone by. This book will fascinate anyone with an interest in the history of crime, as well as those who want to know more about the history of Manchester.

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“At last we reached a circular enclosure among the grass and scanty trees. We rushed in and it was like getting into a tropical greenhouse with the roof off. There were tall trees and long creepers making monkey ropes, large flowers hanging, great cactus trees, aloes and all sorts of beautiful things crowded together, so that one could hardly squeeze through. I should have liked to stop and stare at the vegetation but on we rushed, over walls and to the tower we had heard of, which is close to the outer wall. We did not stay even to walk round the tower but out we rushed again, like people who were taking a stolen look into an enchanted garden and were afraid of being bewitched if we remained… It was quite dark and we had to be guided by shouts to our camp and got home in a state of great wonder and delight and hope of profitable work and full assurance of the great antiquity of the ruins. Theodore was not very well and had to take quinine.” [M.V.A. Bent, 4 June 1891] Thus a few lines from Mabel (Mrs J. Theodore) Bent’s 1891 African travel diary on her arrival at ‘Great Zimbabwe’ (in present-day Zimbabwe), written for her family, serve to evoke the romance and hardships of colonial exploration for a Victorian audience. Of particular importance are Mabel’s previously unpublished notebooks covering the couple’s arduous wagon trek to these famous ruins, in part sponsored by the ambitious Cecil Rhodes. Theodore Bent’s interpretations of these wonderful monuments sparked a controversy (one of several this maverick archaeologist was involved in over his short career) that still divides scholars today. Mabel Bent was probably the first woman to visit there and help document this major site. As tourists in Egypt and explorers in the Sudan, Ethiopia, and Southern Africa, anyone interested in 19th-century travel will want to follow the wagon tracks and horse trails of the Bents across hundreds of miles of untouched African landscape. Contents: Personal diaries, travel accounts and letters relating to the Bents’ travels and explorations in: Egypt (1885); Zimbabwe (1891); Ethiopia (1893); Sudan (1896); Egypt (1898). Includes extended contributions on the archaeological background to ‘Great Zimbabwe’ by Innocent Pikirayi, and ‘The Stone Birds of Great Zimbabwe’ by William J. Dewey. Additional documents, maps, and Mabel Bent’s own photographs contribute to this important insight into the lives of two of the great British travellers of the nineteenth century. The Travel Chronicles of Mrs J. Theodore Bent. Mabel Bent's diaries of 1883-1898, from the archive of the Joint Library of the Hellenic and Roman Societies, London. Published in three volumes: Volume I – Greece and the Levantine Littoral (2006); Volume II: The African Journeys (2012); Vol III – Southern Arabia and Persia (2010). "...Brisch and Archaeopress have done a major service by reproducing these hidden gems and rescuing Mabel Bent from relative obscurity. This collection is a valuable primary source and will be of immense interest to those interested in female travelogues, historical archaeology, or the daily experiences of European women in colonial Africa." (Reviewed in 'Journal of African History', Vol. 55/2, 2014, 296-298)

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In 1980 Cathy N. Davidson traveled to Japan to teach English at a leading all-women’s university. It was the first of many journeys and the beginning of a deep and abiding fascination. In this extraordinary book, Davidson depicts a series of intimate moments and small epiphanies that together make up a panoramic view of Japan. With wit, candor, and a lover’s keen eye, she tells captivating stories—from that of a Buddhist funeral laden with ritual to an exhilarating evening spent touring the “Floating World,” the sensual demimonde in which salaryman meets geisha and the normal rules are suspended. On a remote island inhabited by one of the last matriarchal societies in the world, a disconcertingly down-to-earth priestess leads her to the heart of a sacred grove. And she spends a few unforgettable weeks in a quasi-Victorian residence called the Practice House, where, until recently, Japanese women were taught American customs so that they would make proper wives for husbands who might be stationed abroad. In an afterword new to this edition, Davidson tells of a poignant trip back to Japan in 2005 to visit friends who had remade their lives after the Great Hanshin Earthquake of 1995, which had devastated the city of Kobe, as well as the small town where Davidson had lived and the university where she taught.36 Views of Mount Fuji not only transforms our image of Japan, it offers a stirring look at the very nature of culture and identity. Often funny, sometimes liltingly sad, it is as intimate and irresistible as a long-awaited letter from a good friend.

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Born in the late 1800s to one of the wealthiest families in New York City, Eleanor Roosevelt seemed destined for a traditional woman’s role within a sedate Victorian life. Instead, she married her fifth cousin and was flung into the highest levels of American politics, culminating in Franklin’s unprecedented four-term presidency.While previous first ladies refrained from public discussion of their personal views, Eleanor’s bold opinions on political, social, and racial issues took many by surprise. She held press conferences and wrote a syndicated column. She spoke at national conventions, granted interviews, and often made appearances on her husband’s behalf. Her own influence lasted years beyond his death. She advocated for human rights, worked with the United Nations, and supported what later became the civil rights movement.The fascinating quotes in this collection are the words of an articulate, honest, and thoughtful woman. Of war, she said, “I hope the day will come when all that inventing and mechanical genius will be used for other purposes.” At a time when racism prevailed, Eleanor said, “We must be proud of every one of our citizens, for regardless of nationality, or race, every one contributes to the welfare and culture of the nation.”Organized by topic—government, money, art, education, class, relationships, emotions—these quotations reveal the personal thoughts Roosevelt shared in letters and conversations alongside the strong opinions she expressed in speeches and interviews, giving evidence to her character and her beliefs. Her words continue to resonate today.

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Jack P. Rawlins's study explores one of the great problems of mid-Victorian literature: the explanation and justification of William Makepeace Thackeray’s narrative style and structure. Rawlins finds that Thackeray in his novels of English society uses an exaggeratedly conventional plot structure as a means to comment on the condition of the novel in England. The frustration and fury that have traditionally been the response of the feeling reader to the excesses of Thackeray’s narrator are the result of a basic aesthetic conflict of which Thackeray wants to make us inescapably aware—a conflict between the dramatic action, which demands a commitment from us, and a narrator who feels that the commitment has been thoughtlessly made and who seeks to turn our attention to the didactic uses of the novel, to the lie of the realistic, and to other aesthetic and moral issues. Treating The Newcomers, Vanity Fair, The Virginians, and Philip in detail and the other works in the canon more briefly, Rawlins locates Thackeray directly astride the most serious aesthetic problem of his age: the status of fiction and its proper employment. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.

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Publisher to the Decadents chronicles the experiences of Leonard Smithers (1861–1907), a key figure in the literary culture of late Victorian England. In his day he was known primarily for publishing books of upscale pornography. He became the publisher of choice for the Decadents, including most notably Oscar Wilde and Audrey Beardsley.While a young solicitor in his native Sheffield, Smithers established a correspondence with the famed explorer and translator of exotic texts, Captain Sir Richard Burton. Burton translated The Thousand Nights and a Night (popularly known as The Arabian Nights), which was published by Smithers in 1885. Smithers collaborated with Burton in the publication of two Latin texts, the Priapeia and the Carmina of Catullus, both of erotic cast. After the death of Burton in 1890, Smithers continued a significant involvement with his work, serving as an adviser to Lady Isabel Burton. During this time Smithers formed a partnership with Harry Sidney Nichols, and together they produced a series of pornographic books under the imprint of the Erotika Biblion Society.The years between 1895 and 1900 were Smithers’s glory years when he managed to publish a number of books illustrated by Beardsley, a magazine known as the Savoy, and books of verse by Ernest Dowson and Arthur Symons that have proved to be the finest expression of the Decadent Movement. Throughout his career Smithers sought to produce attractive, well-made books that were tastefully designed and printed.This book provides expansive insight into the prizes and pitfalls of an early English publisher of the decadent Nineties.

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This book takes an affectionate journey around some of the atmospheric and occasionally mysterious ruins and follies that can be found in East Anglia. It might be a building that has a particular historical, cultural or other significant interest but which is, at the time of writing, in such a state of disrepair that its restoration is either impractical or unlikely – or, in the cases of particularly old buildings, for example castles, not a consideration for obvious reasons. Or it might be a folly, a building that is still wholly complete and standing but was solely constructed for ornamental purposes and often for no practical use other than for the planners involved to ‘prove’ that it could be done. With a design that is often deliberately eye-catching, eccentric or even controversial in appearance, Edward Couzens-Lake investigates the reasons for this quirk, looking at, for example, the Victorian ‘fashion’ for making buildings that had a utilitarian purpose, such as workhouses or water towers, as ornamental in design as possible. Featuring forty-five such sites that fit into those descriptions, together with an accompanying set of photographs, each ruin or folly selected will include a concise and informative narrative relating to the reasons for its construction, its history and, where relevant, its present day function. Edward Couzens-Lake also looks at the future of some of the ruins and follies featured – do they have a future? Are they under threat? Might they eventually be lost to the landscape altogether, or do they have a function to play in the modern world? This charming and fascinating book looks to answer some of these questions.

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Instead of mentors, they got monsters . . . That’s what Xerak, Vereez, and Grunwold think when three strange creatures shimmer into being within the circle of Hettua Shrine. Their conclusion is reasonable enough. After all, they’ve never seen humans before. As for Margaret Blake, Peg Gallegos, and Tessa Brown—more usually known as Meg, Peg, and Teg—they’re equally astonished but, oddly enough, better prepared. Age and experience have accustomed them to surprises. A widely varied course of reading material has intellectually prepared them for the idea that other worlds, even worlds where people with traits more commonly ascribed to “animals” may exist. Then there is the mysterious verse that Teg speaks as they arrive, words that seem to indicate that the Shrine must have been at least partially responding to the request made of it. Despite doubts on all sides, the three unlikely mentors join forces with the three young “inquisitors” and venture out into the world Peg dubs “Over Where.” First they must find the Library of the Sapphire Wind, destroyed years before. Will they find answers there, or is this only the first stage in their search? About Jane Lindskold: “Intricately plotted. . . . a thought-provoking tale of magic and politics, enlivened by Firekeeper's wry and wolfish point-of-view.” —Publishers Weekly on Wolf's Blood “Lindskold delivers an exotic historical fantasy that takes the reader from Victorian England to Egypt.” —Publishers Weekly on The Buried Pyramid “I loved it. A thrilling, edge-of-the-seat read—I couldn't put it down!” —Tamora Pierce on Fire Season (cowritten with David Weber)

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This volume contains the histories of 24 parishes in south-east Cambridgeshire, forming the hundreds of Chilford, Radfield, and Whittlesford. Traversed, and in part bounded, by the Icknield Way and the ancient Wool Street, they stretch from the neighbourhood of Cambridge to the Suffolk border. In the valley of the Cam or Granta the arable was cultivated in open fields until the early- rgth-century inclosures. On the south-eastern upland the medieval clearance of ancient woodland in the heavy clays produced much early inclosure, while the heathland lying along the Icknield Way encouraged sheep-farming, and nearer Newmarket is used for stud-farms. Babraham was notable for 17th-century irrigated meadows, and as the home of the Victorian sheep-breeder, Jones Webb. The villages in the river valleys are mostly nucleated; in the less populous eastern part settlement has been more scattered. The former market townof Linton, near the centre of the area, had once two small religious houses, and Castle Camps a motte-and-bailey castle, held by the Veres. Among later mansions, the Tudor Babraham Hall, and Horseheath Hall, a grand classical house, destroyed through its owner's extravagance, have gone. Sawston Hall, the seat of the Catholic Huddlestons during four centuries, survives. The village of Sawston and its neighbours have grown since the 19th-century through the presence of such industries as tanning, paper-making, and the production of fertilizers, and more recently of adhesives, besides light engineering. Further east the land is still devoted mainly to farming.

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The first full-length study of the reception of Wordsworth's poetry and theory. William Wordsworth, often regarded as the High Priest of British Romantic Poetry, certainly had the longest career of the Romantics, one extending from his days as a schoolboy almost to the end of his life in 1850, from the Lyrical Ballads and descriptive poetry of 1790s to the late poetry of the 1840s. With this long career came a remarkable history of critical reception: from the reviews of his contemporaries in journals and magazines; to the major statements of Matthew Arnold, John Stuart Mill, and others; to the amazing variety of books, essays, and theoretical approaches of the twentieth century. Although there have been a number of studies about the critical receptionof Wordsworth's poetry and critical theory, Professor Mahoney's book is the first full-length study of how critics -- from the earliest reviewers to the major Victorian voices, to the enormous 20th-century response -- have approached the many facets of the great English Romantic's work. Mahoney does not aim primarily at following the course of Wordsworth's life and career, as many admirable and recent biographies have done, but rather follows the course of a critical reputation as it has evolved from the poet's earliest probes to the present day. Thus Wordsworth and the Critics offers an engaging narrative of the reputation of this most prominent of Romantic poets. Professor Mahoney's book offers an engaging narrative of the reputation of a poet. John L. Mahoney is Thomas F. Rattigan Professor of English at Boston College and has written extensively on Wordsworth and English Romanticism.

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Robert Baden-Powell was Britain's first celebrity. A conflicted character - militarist and pacifist, macho man and drag artist, elitist and socialist - he was one of the 20th century's most influential and, latterly, controversial Englishmen, finding fame not once, but twice - and for two very different reasons. Before donning his trademark shorts, the man known for inventing the Scouts is hailed a hero of the Second Boer War, the first military conflict covered in great detail by the media. Reports of his unconventional methods of holding a Boer army at bay, despite being woefully outnumbered, at the South African town of Mafeking, make global headlines and when he returns home to England, hordes of adoring fans pack London's streets, waving flags and declaring him the Hero of Mafeking. The same ingenuity, reconnaissance skills and spectacular eccentricity that win him this military acclaim become the foundations of his second mission, that of saving Victorian boys from poverty and despair, and himself from having to grow up, by teaching them scouting. A youth movement is born which today boasts 54 million members throughout the world. This book examines Baden-Powell's dual personality, or his two lives' as he called them, including his difficult childhood with a domineering and unaffectionate mother whom he loved even after she forced him into the army at 19, dashing his dreams of becoming an artist. It looks at his military career and his love of drama and at why protesters wanted to topple his statue on Poole Quay in the pandemic summer of 2020. It also considers a recently-discovered telegraph that adds fuel to the speculation over the nature of his relationship with a fellow-soldier that endured for 30 years - until he married a 22-year-old woman in secret when he was 55. Baden-Powell achieved great prominence, as well as notoriety, in both his military and scouting lives, driven largely by a constant yearning to win his mother's approval.

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SHORTLISTED FOR THE LONGMAN-HISTORY TODAY PRIZE 2018LONGLISTED FOR THE ORWELL PRIZE 2018 'Makes a gripping human story out of the wisest and most progressive policy achievement of any government in the history of the world ... the welfare state deserves books this good' Stuart Maconie, New Statesman, Books of the Year'A brilliant book, full of little revelations' Jon Cruddas, Prospect'Carefully argued, deftly balanced and wittily written, with countless lovely details' Dominic Sandbrook, Sunday TimesA landmark book from a remarkable new historian, on a subject that has never been more important - or imperilledToday, everybody seems to agree that something has gone badly wrong with the British welfare state. In the midst of economic crisis, politicians and commentators talk about benefits as a lifestyle choice, and of 'skivers' living off hard-working 'strivers' as they debate what a welfare state fit for the twenty-first century might look like. This major new history tells the story of one the greatest transformations in British intellectual, social and political life: the creation of the welfare state, from the Victorian workhouse, where you had to be destitute to receive help, to a moment just after the Second World War, when government embraced responsibilities for people's housing, education, health and family life, a commitment that was unimaginable just a century earlier. Though these changes were driven by developments in different and sometimes unexpected currents in British life, they were linked by one over-arching idea: that through rational and purposeful intervention, government can remake society. It was an idea that, during the early twentieth century, came to inspire people across the political spectrum. In exploring this extraordinary transformation, Bread for All explores and challenges our assumptions about what the welfare state was originally for, and the kinds of people who were involved in creating it. In doing so, it asks what the idea continues to mean for us today.

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Genet…Beckett…Burroughs…Miller…Ionesco, Oe, Duras. Harold Pinter and Tom Stoppard. Hubert Selby Jr. and John Rechy. The legendary film I Am Curious (Yellow). The books that assaulted the fort of propriety that was the United States in the 1950s and ’60s, Lady Chatterley’s Lover and The Tropic of Cancer. The Evergreen Review. Victorian “erotica.” The Autobiography of Malcolm X. A bombing, a sit-in, and a near-fistfight with Norman Mailer. The common thread between these disparate elements, a number of which reshaped modern culture, was Barney Rosset.Rosset was the antidote to the trope of the “gentleman publisher” personified by other pioneering figures of the industry such as Alfred A. Knopf, Bennett Cerf and James Laughlin. If Barney saw a crowd heading one way—he looked the other. If he knew something was forbidden, he regarded it as a plus. Unsurprisingly, financial ruin, along with the highs and lows of critical reception, marked his career. But his unswerving dedication to publishing what he wanted made him one of the most influential publishers ever.Rosset began work on his autobiography a decade before his death in 2012, and several publishers and a number of editors worked with him on the project. Now, at last, in his own words, we have a portrait of the man who reshaped how we think about language, literature—and sex. Here are the stories behind the filming of Norman Mailer’s Maidstone and Samuel Beckett’s Film; the battles with the US government over Tropic of Cancer and much else; the search for Che’s diaries; his romance with the expressionist painter Joan Mitchell, and more.At times appalling, more often inspiring, never boring or conventional: this is Barney Rosset, uncensored.Illustrated with black-and-white photographs; includes index

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There are many Stevensons behind the initials RLS, but the one that has endeared him to readers for so long is surely the fighter, battling to stay alive. Jorge Luis Borges described his brief life as courageous and heroic. In Philip Callow’s absorbing new biography, one can see why. Doctors, called repeatedly to what should have been his deathbed, would find a scarecrow, twitching and alive. A sickly child, Louis became in turn a bohemian dandy, a literary gypsy traipsing through the mountains of France with a donkey, and at twenty-eight the lover of an American woman ten years his senior, the fabulous Fanny. He escaped his Scottish town, his family, his friends who had mapped out a literary career for him in London, and instead went chaotically across the Atlantic and overland to California in poverty and despair to reach his beloved, whereupon he escaped into marriage and committed himself to being a nomad. He sailed the Pacific and dreamed of being an explorer; his restlessness was Victorian. With the power of a novelist and the grace of a poet (of which he is both), Philip Callow captures this great writer and his many contradictions. He was a born exile longing for home; a northerner who thrived on tropic sunshine; a near atheist who organized Sunday services for his Samoan workers. He has been called Scotland's finest writer of English prose, a more economical Walter Scott. As an essayist he equaled Hazlitt. In emotional crises he wept openly, to the embarrassment of his wife. “His feelings are always his reasons,” said Henry James, and caught in a sentence the secret of Stevenson’s popularity as one of the last of the classic storytellers. Louis brings him alive. With 8 pages of black-and-white photographs.

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Bodily Matters explores the anti-vaccination movement that emerged in England in the late nineteenth century and early twentieth in response to government-mandated smallpox vaccination. By requiring a painful and sometimes dangerous medical procedure for all infants, the Compulsory Vaccination Act set an important precedent for state regulation of bodies. From its inception in 1853 until its demise in 1907, the compulsory smallpox vaccine was fiercely resisted, largely by members of the working class who interpreted it as an infringement of their rights as citizens and a violation of their children’s bodies. Nadja Durbach contends that the anti-vaccination movement is historically significant not only because it was arguably the largest medical resistance campaign ever mounted in Europe but also because it clearly articulated pervasive anxieties regarding the integrity of the body and the role of the modern state.Analyzing historical documents on both sides of the vaccination debate, Durbach focuses on the key events and rhetorical strategies of the resistance campaign. She shows that those for and against the vaccine had very different ideas about how human bodies worked and how best to safeguard them from disease. Individuals opposed to mandatory vaccination saw their own and their children’s bodies not as potentially contagious and thus dangerous to society but rather as highly vulnerable to contamination and violation. Bodily Matters challenges the notion that resistance to vaccination can best be understood, and thus easily dismissed, as the ravings of an unscientific “lunatic fringe.” It locates the anti-vaccination movement at the very center of broad public debates in Victorian England over medical developments, the politics of class, the extent of government intervention into the private lives of its citizens, and the values of a liberal society.

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Over six thousand players have proudly worn the colours of Coventry City since the club was first formed as Singers FC back in 1883. Many have made only fleeting contributions, whilst others have become City heroes and carved their names forever in the annals of Coventry's footballing history. This volume offers a retrospectvice look at 100 of the finest players to have represented the club, with a detailed examination of their time at Coventry and their careers in football. From early heroes of the Victorian era, such as Frank Mobley and Nat Robinson, the book follows the club through its days in the Birmingham and Southern Leagues, introducing players such as the club's first-ever international Bob Evans, and the prolific striker Harry Buckle. The period between admission to the Football League in 1919 and the Second World War is represented by the likes of Frank Herbert and Jackie Randle, along with greats of the 'Old Five' era including record goalscorer Clarrie Bourton and City stalwart George Mason. The post war years of the late 1940s adn 1950s bring George Lowrie, Reg Matthews adn their compatriots of the 1960s, during which numerous City greats came to prominence under 1960s, during which numerous City greats came to prominence under the leadership of the 'Ironman', George Curtis. highlighted players from the latter decades of the twentieth century include Ian Wallace, Dennis Mortimer, Danny Thomas, Dion Dublin and of course heroes of the cup-wining side of 1987, including Regis, Bennett, Peake and Kilcline. As a biographical and statistical reference guide to Coventry's greatest players, this volume it second to none. As an enjoyable wander down memory lane, it is a must for all followers of the Sky Blues.

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Filled to the brim with images, this scrapbook of the 1930s overflows with nostalgia, for those who remember that extraordinary era. For those who do not, this wealth of imagery provides a vivid insight into a time when sliced bread had just reached the table and Butlin's holiday camps had recently opened. Life in the 1930s for many was not easy; for others, who had known Victorian times, the pace of change was frightening, and 'modern' life led to 'nerve tension'. Yet change brought a better standard of living and numerous new products helped the daily routine. Electrical appliances were a boon to housewives without servants, affordable motor cars made access to the countryside easier, new fun included Dinky Toys, Monopoly and a stream of delectable confectionery (Mars bars, KitKat, Black Magic, Cadbury's Roses). The aluminium milk bottle top made its appearance. Design was memorable for the red telephone kiosk, the Anglepoise lamp and the Underground map - all still in evidence today. The Royal Family went through a turbulent year following the death of George V, when Edward VIII decided he had to abdicate. The speeding motorist was hampered by 30 mph restrictions, and pedestrian crossings were guarded by Belisha beacons. By the end of the 1930s, television held exciting promise for the future, but a growing tension focused on impending war. The 1930s Scrapbook has drawn together the best from the Robert Opie Collection. The images are as bright today as when they were purchased in the shops. Coronation souvenirs, film and fashion magazines, fireworks, comics and Christmas crackers - all survived to tell a remarkable story.

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"Jennifer Haslam’s book The New Naturals combines inspiring design with some gorgeous houses, beautifully photographed and presented in a warm, approachable style. It feels timeless, classic and considered, chiming perfectly with its message of sustainability that feels especially relevant today." – Ben Kendrick"Jennifer Haslam's The New Naturals is so inspiring, showcasing a modern, and very beautiful, yet sustainable way to live, something we can all take influence from." – Pip Rich"Jennifer Haslam has once again worked her creative magic and masterfully curated a collection of not only beautiful, but sustainable homes from around the world. It is a coffee table must-have that you will want to return to again and again." – Nicole Gray The New Naturals celebrates 18 global homes that put wellbeing and environment first, incorporating eco elements and sympathetic natural materials that provide a nourishing connection to nature. The properties showcased include: renovated Victorian homes in London; Italian summer houses; New York retreats and Australian new builds. Their owners and designers are the likes of Louisa Grey (House of Grey), Jonathan Tuckey, Jack Harries and Alice Aedy of Earthrise Studios, Sebastian and Brogan Cox and many more. Their shared credentials are garnered from a focus on key eco elements such as clay walls, reclaimed wood, stone, and natural paints but their visual identities are unexpectedly varied. These contributors are pioneers of slow living and sustainable choices, whether it's a lick of paint, an upcycle of existing pieces, the use of sustainable materials, or modern technology that sits comfortably behind the scenes. All combine to create a book showing us how we must exist, now and in the future.

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Taking us from the beginning of our story to the present day, A Cold Spell examines how ice has shaped our thoughts, actions and societies – and what it means for us that it is rapidly disappearing from our planet 'A warm-hearted tale of the bizarre, something to cuddle up with in the bleak midwinter . . . Astonishing' THE TIMES 'Bracingly original . . . As the earth warms threateningly, there could hardly be a more pertinent time for a story like this’ MICHAEL PALIN 'A book of limitless fascinations' OLIVIA LAING 'Brightly written, nimbly researched and really quite delightful' LITERARY REVIEW Ice has confounded, delighted and fascinated us since the first sparks of art and culture in Europe and it now underpins the modern world. Without ice, we would not feed ourselves or heal our sick as we do, and our towns and cities, countryside and oceans would look very different. Science would not have progressed along the avenues it did and our galleries and libraries would be missing many masterpieces. A Cold Spell uses this vital link to understanding our past to tell a surprising story of obsession, invention and adventure – how we have lived and dreamed, celebrated and traded, innovated, loved and fought over thousands of years. It brings together a sacrificial Incan mummy, Winston Churchill’s secret plans for unusual aircraft carriers, strange bones that shook Victorian beliefs about the world and a macabre journey into the depths of the human body. It is an original and unique way of looking at something that is literally all around us, whose loss confronts us daily in the news, but whose impact on our lives has never been fully explored. [An] extraordinary, complete and utter history of the human experience of the cold stuff' JOHN LEWIS-STEMPEL, COUNTRY LIFE ‘A thought-provoking chronicle of humanity . . . Leonard consistently frames ice in surprising and insightful ways, and in doing so lends it a magical quality’ GEOGRAPHICAL

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England during the Middle Ages was at the forefront of European antisemitism. It was in medieval Norwich that the notorious "blood libel" was first introduced when a resident accused the city’s Jewish leaders of abducting and ritually murdering a local boy. England also enforced legislation demanding that Jews wear a badge of infamy, and in 1290, it became the first European nation to expel forcibly all of its Jewish residents. In The Accommodated Jew, Kathy Lavezzo rethinks the complex and contradictory relation between England’s rejection of "the Jew" and the centrality of Jews to classic English literature. Drawing on literary, historical, and cartographic texts, she charts an entangled Jewish imaginative presence in English culture. In a sweeping view that extends from the Anglo-Saxon period to the late seventeenth century, Lavezzo tracks how English writers from Bede to Milton imagine Jews via buildings—tombs, latrines and especially houses—that support fantasies of exile. Epitomizing this trope is the blood libel and its implication that Jews cannot be accommodated in England because of the anti-Christian violence they allegedly perform in their homes. In the Croxton Play of the Sacrament, Marlowe’s The Jew of Malta and Shakespeare’s The Merchant of Venice, the Jewish house not only serves as a lethal trap but also as the site of an emerging bourgeoisie incompatible with Christian pieties. Lavezzo reveals the central place of "the Jew" in the slow process by which a Christian "nation of shopkeepers" negotiated their relationship to the urban capitalist sensibility they came to embrace and embody. In the book’s epilogue, she advances her inquiry into Victorian England and the relationship between Charles Dickens (whose Fagin is the second most infamous Jew in English literature after Shylock) and the Jewish couple that purchased his London home, Tavistock House, showing how far relations between gentiles and Jews in England had (and had not) evolved.

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Sir Hardy Amies was one of Britain’s foremost fashion designers who led a fascinating double life as a couturier and an intelligence officer during the Second World War. Sir Hardy’s work for the Belgian resistance effort as part of the Special Operations Executive, was so significant that he was awarded l’Ordre de la Couronne, or Order of the Crown, by the Belgian Government in 1948. Not only did Sir Hardy conduct these operations, but he also simultaneously developed his burgeoning fashion business through the British Board of Trade’s drive to promote UK manufacturing throughout the conflict. He was a man who at once epitomised and challenged the reality of being homosexual in an era when society was deeply unaccepting. He was thrust into what was an overtly macho and potentially hostile environment and, against that backdrop, made a valuable and courageous contribution to the war effort. Born into what we would consider a lower middle-class family, he was handsome, cultured and gregarious and effortlessly traversed the post-war world of high society, launching his haute couture house to great acclaim, gaining clients ranging from film stars to royalty. His work for Queen Elizabeth II saw him awarded the CVO in 1977 and this was elevated to the KCVO, Knight Commander of the Victorian Order in 1989. Her Majesty’s warmth of feeling towards Sir Hardy is evident in the many hand-written thank-you letters she sent him over the course of their long working relationship. Sir Hardy, who lived until the age of 93, could have been dismissed as a lightweight character from the frivolous world of fashion. However, despite a not-particularly extensive formal education, he was highly intelligent, extremely well-travelled and spoke three languages, and his story encapsulates the extraordinary cultural and societal turbulence of the twentieth century.

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It may not be the longest, deepest or widest river in the world but few bodies of water reveal as much about a nation's past and present, or are suggestive of its future, as England's River Thames. Tales of legendary lock-keepers and long-vanished weirs evoke the distant past of a river which evolved into a prime commercial artery linking the heart of England with the ports of Europe. In Victorian times, the Thames hosted regattas galore, its new bridges and tunnels were celebrated as marvels of their time, and London's river was transformed from sewer to centrepiece of the British Empire. Talk of the Thames Gateway and the effectiveness of the Thames Barrier keeps the river in the news today, while the lengthening Thames Path makes the waterway more accessible than ever before. Through quiet meadows, rolling hills, leafy suburbia, industrial sites and a changing London riverside, Mick Sinclair tracks the Thames from source to sea, documenting internationally-known landmarks such as Tower Bridge and Windsor Castle and revealing lesser known features such as Godstow Abbey, Canvey Island, the Sanford Lasher, and George Orwell's tranquil grave. PAINTINGS, WORDS AND MUSIC: Turner, Tissot, Whistler and Monet; Shakespeare at Southwark, Alexander Pope, Charles Dickens, Jerome K. Jerome, William Morris; Handel's Water Music, the first rendition of Rule Britannia, the Rolling Stones and The Who rocking Eel Pie Island. POWER, POLITICS AND INTRIGUE: Runnymede and Magna Carta, the first English parliament, Whitehall Palace, Cliveden and the Profumo affair, the Houses of Parliament and the brooding headquarters of MI5 and MI6. TRADE AND COMMERCE: Eel trapping, osier growing; bargemen, watermen and lightermen; the rise and fall of London's docks; urban regeneration, rural protection.

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Taking its cue from recent theories of literary geography and fiction, Genealogical Fictions argues that narratives of familial decline shape the history of the modern novel, as well as the novel's relationship to history. Stories of families in crisis, Jobst Welge argues, reflect the experience of historical and social change in regions or nations perceived as "peripheral." Though geographically and temporally diverse, the novels Welge considers all demonstrate a relation among family and national history, genealogical succession, and generational experience, along with social change and modernization. Welge's wide-ranging comparative study focuses on the novels of the late nineteenth century, but it also includes detailed analyses of the pre-Victorian origin of the genealogical-historical novel and the evolution of similar themes in twentieth-century literature. Moving through time, he uncovers often-unsuspected novelistic continuities and international transformations and echoes, from Maria Edgeworth's Castle Rackrent, published in 1800, to G. Tomasi di Lampedusa's 1958 book Il Gattopardo. By revealing the "family resemblance" of novels from Great Britain, Italy, Spain, Portugal, and Brazil, this volume shows how genealogical narratives take on special significance in contexts of cultural periphery. Welge links private and public histories, while simultaneously integrating detailed accounts of various literary fields across the globe. In combining theories of the novel, recent discussions of cultural geography, and new approaches to genealogical narratives, Genealogical Fictions addresses a significant part of European and Latin American literary history in which texts from different national cultures illuminate each other in unsuspected ways and reveal the repetition, as well as the variation, among them. This book should be of interest to students and scholars of comparative literature, world literature, and the history and theory of the modern novel.

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The inspiration behind William Morris's Earthly Paradise, the muse for J.M.W. Turner's superlative seascapes, a home to hardy fishermen and the top holidaying spot for wealthy Victorians, as well as the scene for relentless witch-hunts and mob justice in the 17th Century, Southwold is far more than a picturesque postcard town. From the time of Saint Edmund, through plagues, fire and wars, to Damien Hirst's driftwood creations, and the future day when this town will tumble into the sea, this book collects essays that reveal slivers of Southwold's essence. Some are part-myth, some part-legend. But all make for excellent stories, especially when complemented by beautiful art. This 2017 edition keeps its celebrated essays on some of the more well-known aspects of Southwold's past - such as the Battle of Sole Bay, one of the fiercest fights in British history. The Battle of Sole Bay was fought against the Dutch in 1672, and the bloody confrontation is fully described and illustrated with contemporary paintings and drawings. In addition, the text contains updated text and pictures. Among the most notable of the new sections is the chapter regarding the tragic dissolution of the romantic friendship between Franklin Lushington and Edward Lear, writer of the nonsense poem The Owl and the Pussy Cat and the lesser known (yet more autobiographical) The Daddy-Long-Legs and the Fly. Another remarkable addition is a page spread dedicated to the oil painting Tired Out by Philip Wilson Steer, which sold at Sotheby's for £674 500 in 2014. A history, a celebration and an ode merged into one, Geoffrey Munn's Southwold will take you on a trip through this famous seaside resort as you've never seen it before.

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In celebration of the 200th anniversary of the birth of one of Victorian Britain's greatest thinkers, the art critic and social reformer John Ruskin, the distinguished Ruskinian Robert Hewison introduces Ruskin's ideas and values through revelatory studies of the people and issues that shaped his thought, and the ideas and values that in turn were shaped by his writings and personality. Beginning with an exploration of the rich tradition of European art that stimulated his imagination, and to which he responded in his own skilful drawings, Ruskin and his Contemporaries follows the uniquely visual dimension of his thinking from the aesthetic, religious and political foundations laid by his parents to his difficult personal and critical relationship with Turner, and his encounters with the art and architecture of Venice. Victor Hugo makes a surprising appearance as Ruskin develops his ideas on the relationship between art and society. Ruskin's role as a contemporary art critic is explored in two chapters on Holman Hunt, one focussing on the Pre-Raphaelite's The Awakening Conscience, one examining his later Triumph of the Innocents. The development of Ruskin's role as a social critic is traced through his teaching at the London Workingmen's College and his foundation of the Guild of St George, a reforming society that continues to this day. Oscar Wilde came under his personal influence, as did Octavia Hill, a founder of the National Trust. The evolutionary theories of Charles Darwin are shown to have been deeply unsettling to Ruskin's worldview. The book concludes with a demonstration of the profound influence of the Paradise Myth on all of Ruskin's writings, followed by an exploration of the concept of cultural value that shows why Ruskin's ruling principle: `There is no wealth but Life' is as relevant to the 21st century as it was to the 19th.

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Samuel Johnson famously said that: “When a man is tired of London, he is tired of life.” London’s remarkable history, architecture, landmarks, streets, style, cool, swagger, and stalwart residents are pictured in hundreds of compelling photographs sourced from a wide array of archives around the world. London is a vast sprawling metropolis, constantly evolving and growing, yet throughout its complex past and shifting present, the humor, unique character, and bulldog spirit of the people have stayed constant. This book salutes all those Londoners, their city, and its history. In addition to the wealth of images included in this book, many previously unpublished, London’s history is told through hundreds of quotations, lively essays, and references from key movies, books, and records. From Victorian London to the Swinging ’60s; from the Battle of Britain to Punk; from the Festival of Britain to the 2012 Olympics; from the foggy cobbled streets to the architectural masterpieces of the millennium; from rough pubs to private drinking clubs; from royal weddings to raves, from the charm of the East End to the wonders of Westminster; from Chelsea girls to Hoxton hipsters; from the power to glory: in page after page of stunning photographs, reproduced big and bold like the city itself, London at last gets the photographic tribute it deserves. Photographs by: Slim Aarons, Eve Arnold, David Bailey, Cecil Beaton, Bill Brandt, Alvin Langdon Coburn, Anton Corbijn, Terence Donovan, Roger Fenton, Bert Hardy, Evelyn Hofer, Frank Horvat, Tony Ray-Jones, Nadav Kander, Roger Mayne, Linda McCartney, Don McCullin, Norman Parkinson, Martin Parr, Rankin, Lord Snowdon, William Henry Fox Talbot, Juergen Teller, Mario Testino, Wolfgang Tillmans, and many, many others.

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For this landmark 25th book in his highly successful patchwork and quilt series, Kaffe Fassett has chosen the southern coast of England as the inspiration for his new collection of quilts. Beachgoers have long enjoyed the rocky shores near Hastings in East Sussex for their wild beauty and classic architecture. Featuring several miles of coastline, this seaside community has its roots in the fishing industry and was the site of the Norman Conquest's Battle of Hastings in 1066. Once a popular Victorian resort area, this gem of the southern coast is now experiencing a travel renaissance thanks to a thriving arts movement. The gallery section of the book showcases the 21 new designs, all brilliantly photographed on location by Debbie Patterson. The deep jewel tones of Kaffe's Maroon Frames are enhanced by the geometric lines of similarly toned beach huts. Kaffe's Vintage Stars has an old-world quality featuring earthy tones that are brilliantly set against the backdrop of a brick garden wall. The stunning Colour Garden quilt, featured on the cover, feels perfectly at home draped over an old fishing boat overlooking the sea, while his confectionary Fruit Sorbet cushion showcases taffy-inspired pastels sure to inspire a cozy afternoon by the beach. With both Kaffe's classic fabrics and his forward-thinking new designs to choose from, quilters can find an eclectic mix of patterns and colors ranging from Philip Jacobs' eye-catching large-scale floral prints to Brandon Mably's smaller-scale quirky patterns. In addition to the quilt designs, Quilts by the Sea includes detailed step-by-step instructions, accompanied by a flat shot of each quilt with the relevant block or quilt assembly diagram, while a how-to section offers more detailed guidance.

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‘The year’s best cricket book’ Daily Telegraph‘Well researched and engagingly written, this exemplary work reveals a hidden history…superbly told story’ Sunday Times‘Easily the cricket book of the year, of the century…It extends the possibility of cricket-writing-as-literature’ Suresh Menon, The Hindu It is arguably the most famous photograph in the history of cricket. In George Beldam's picture, Victor Trumper is caught in mid stroke, the personification of cricketing grace, skill and power, about to hit the ball long and hard. Yet this image, 'Jumping Out', is important not only because of who it depicts, but also what it illustrates about the changing nature of the game and how it has been seen. Now, in Gideon Haigh's brilliant new book, Stroke of Genius, we learn not only about the man in the picture but also the iconography of Trumper's powerful position in cricket's mythology. For many, Australian batsman Trumper was the greatest ever. Neville Cardus wrote: 'I have never yet met a cricketer who, having seen and played with Victor Trumper, did not describe him without doubt or hesitation as the most accomplished of all batsmen of his acquaintance.' Like Lionel Messi or Roger Federer today, he defied the obvious bounds of affiliation. Unlike the current generation of sporting stars, however, there were no memoirs or papers, very few interviews, no action footage - even his date of birth is a matter of debate and conjecture. What isn't in doubt, though, is the impact he had on the game and on his nation. Haigh reveals how Trumper, and 'Jumping Out', helped to change cricket from the Victorian era of static imagery to something much more dynamic, modern and compelling. As such, Trumper helped not only transform cricket but even the way his country viewed itself.

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Here is a selection of paintings by artist Robert Geoghegan about his home city of Birmingham where he has lived for all his life. His work is full of the detail and colour of modern urban life, often combined with a nostalgia for old Birmingham. Some of the works portray ordinary everyday scenes like someone walking dogs, a lollipop man or getting on the bus with an off peak pass, while others show many of the city's landmarks such as Selfridges, Aston Hall and the Custard Factory but always with a comic twist. There's something here for everyone – from depictions of modern-day Goths in Pigeon Park to yesteryear's children hanging off the back of the old Corporation buses. There's football pictures about the Blues, Villa and West Brom – both tragic and comic! One about Jasper Carrott and of course King Kong has to make an appearance. Here the Birmingham buses are peopled by bears, Morris dancers, druids, Santa Claus and even the Royal Family. There's pictures of Birmingham's public statues: the Iron Man squaring up to a Cyberman, Bullie being harassed and the statue of Victorian reformer Thomas Attwood attracting the attention of the police. The Beatles, characters from Father Ted, Dracula, Daleks and the Peaky Blinders all make an appearance in this enthralling collection. Robert sells prints of his work at local art markets in Moseley, Kings Heath and the MAC as well as in the city centre before Christmas. His work is also available to purchase online at robspaintings.com. As well as being a practicing artist, Robert is an art tutor who has run art sessions in primary schools for many years and also teaches drawing and painting to adults.

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