Search results for ""Author Victoria"

The arrival of aerial photography came at a particularly significant moment in terms of the visual appearance of England. This selection of photographs makes use of the Aerofilms collection, acquired by English Heritage in 2007 and subsequently digitised and made available on the Britain from Above website. When Aerofilms fliers first went up in the skies in 1919, they captured a country that, with the obvious exception of some large scale structures such as aircraft hangers and munitions factories, had more or less been preserved in aspic in 1914. What we are looking at in many of the earliest photographs in this book is essentially Edwardian England, with towns and villages generally quite compact, with fields reaching almost up to the High Streets in many cases, and little sign of the sprawl that was to engulf them in the 1920s and 30s. The streets of many towns, especially the seaside resorts that provided the aerial photographers with many of their earliest subjects, have an orderly, almost pristine appearance to them, with the Victorian and Edwardian houses undisturbed by any out of place redevelopment. The purpose of this book is to show just how radically that position changed over the ensuing half century. We trace the outward expansion of places brought about by the availability of the car: the new suburbs and ribbon development. We see how new arterial roads came into being to meet the needs of motor transport and how the centre of cities start to be rebuilt to accommodate it. We witness the growth of sprawl around road junctions on the edge of built up areas and the arrival of new types of building there to service both cars and people: the filling station, the roadhouse. We see how the car encouraged more people to go further afield for sport and pleasure: to the seaside, the races or to new forms of attractions such as the amusement park in the country. And we see how public transport changes over the period from trams to buses with the advent of new facilities such as bus stations. The scale of traffic congestion becomes apparent by the late 1930s. In addition, the impact on the landscape of large motor factories and provision for motor sport is made clear.

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This NKJV Large Print Thinline Bible is inviting to pick up and hard to put down. Unique to this edition, the words of Christ are highlighted in a restful blue ink that’s easy to read and colorblind-friendly.The slim design of the NKJV Large Print Thinline Reference Bible means you can bring it along, wherever your day takes you. This large print edition features Thomas Nelson’s NKJV Comfort Print®, designed to provide a smooth reading experience of the accurate and beautiful New King James Version. And with features including extensive cross-references, concordance, and full-color maps, you’ll still have the tools to get more out of God’s Word. Features include: Presentation page to personalize this special gift by recording a memory or a note Words of Christ in blue quickly identify verses spoken by Jesus Double column provides a nice readable flow of the text End-of-page cross-references and translator notes allow you to find related passages quickly and easily Concordance for finding a word’s occurrences throughout the Bible Full-color maps show a visual representation of Israel and other biblical locations for better context Durable Smyth-sewn binding lies flat in your hand or on your desk Two satin ribbon markers for you to easily navigate and keep track of where you are reading Elegant, gilded page-edge design Clear and readable 10-point NKJV Comfort Print About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.

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Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field and represent a major contribution to international film studies. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors. This is augmented by numerous carefully chosen illustrations and a comprehensive filmography of English films, fiction and non-fiction, for the year. Particular attention is also paid to the ways in which the cinema of other countries affected the English industry. Volume 5 documents the emergence of Cecil M. Hepworth as one of England’s major film producers in 1900. The work of England’s two premier pioneers in the field of cinematography, Robert W. Paul and Birt Acres, is also examined. The conflict in South Africa against the Boers and the uprising of the Boxers in China proved popular subjects for new films and fictional representations. Forgotten pioneers of film are rescued from oblivion in this volume through the attention paid to their roles in English cinema. Volume 5 is introduced and edited by Richard Maltby. The long-awaited fifth and final volume in the series is published for the first time by UEP, and edited and introduced by Richard Maltby, Professor of Screen Studies, Flinders University, Australia. Describing in detail one of the most inventive periods in the history of English cinema, this series represents a major contribution to international film studies. Each illustrated volume details a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors, as well as a comprehensive filmography of English films, fiction and non-fiction, for the year. The previous volumes are aready established as classics in their field and have recently been re-jacketed and re-issued by University of Exeter Press.The fifth and final volume documents the year 1900, when the conflict in South Africa against the Boers and the Boxer uprising in China proved popular subjects for news films and fictional representations. It includes a full Introduction by Richard Maltby which places Victorian cinema in its cultural, social and historical context

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A dramatic and heartwarming Victorian saga, perfect for fans of Maggie Hope and Anne Bennett.Shropshire, 1875.Hettie Jones has grown up in Ironbridge. She has never known her father and, since her mother's death, has been brought up by the Malone family, who treat her as one of their own. She works as a pit girl at the local coal mine, alongside her childhood playfellow, Evan - although lately, their friendship seems to be blossoming into something more.But when Queenie King takes a fancy to her, Hettie's life is transformed. Trained first as a lady's maid, and then hurtled into a world of luxury and gentility, she finds her new position difficult to reconcile with her past life. And with Queenie's daughter-in-law scheming against her, Hettie's situation becomes dire.Can Hettie really use her new position for good, and will she find a way to bridge the divide between rich and poor?'A compelling blend of real history, rich period detail, and a gritty, authentic story brimming with love, loss, intrigue, hope, and bitter revenge, The Orphan of Ironbridge delivers a dramatic final chapter to this exciting trilogy.' Lancashire Evening Post Praise for The Daughters of Ironbridge: 'A Journey. Compelling. Addictive.' Val Wood'Evocative, dramatic and hugely compelling . . . The Daughters of Ironbridge has all the hallmarks of a classic saga. I loved it' Miranda Dickinson 'Feisty female characters, an atmospheric setting and a spell-binding storyline make this a phenomenal read' Cathy Bramley 'The Daughters of Ironbridge has that compulsive, page-turning quality, irresistible characters the reader gets hugely invested in, and Walton has created a brilliantly alive, vivid and breathing world in Ironbridge' Louisa Treger 'Such great characters who will stay with me for a long time' Beth Miller 'The attention to period detail and beautiful writing drew me right in and kept me reading' Lynne Francis 'Vivid, page-turning drama' Pippa Beecheno 'A powerful sense of place and period, compelling characters and a pacy plot had me racing to the end' Gill Paul 'A story that is vivid, twisting and pacy, with characters that absolutely leap off the page' Iona Grey'Beautiful and poignant. I'll definitely be reading The Secrets of Ironbridge' Tania Crosse

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LONGLISTED FOR THE 2019 ORWELL PRIZE FOR POLITICAL WRITING'Davies's absorbing study serves up just enough sensationalism - and eccentricity - along with its serious inquiry' SUNDAY TIMES'[A] revealing account of the jail's 164-year history' DAILY TELEGRAPH, 5* review'Insightful and thought-provoking and makes for a ripping good read' JEREMY CORBYN'A much-needed and balanced history' OBSERVER'Davies explores how society has dealt with disobedient women - from suffragettes to refugees to women seeking abortions - for decades, and how they've failed to silence those who won't go down without a fight' STYLISTSociety has never known what to do with its rebellious women. Those who defied expectations about feminine behaviour have long been considered dangerous and unnatural, and ever since the Victorian era they have been removed from public view, locked up and often forgotten about. Many of these women ended up at HM Prison Holloway, the self-proclaimed 'terror to evil-doers' which, until its closure in 2016, was western Europe's largest women's prison. First built in 1852 as a House of Correction, Holloway's women have come from all corners of the UK - whether a patriot from Scotland, a suffragette from Huddersfield, or a spy from the Isle of Wight - and from all walks of life - socialites and prostitutes, sporting stars and nightclub queens, refugees and freedom fighters. They were imprisoned for treason and murder, for begging, performing abortions and stealing clothing coupons, for masquerading as men, running brothels and attempting suicide. In Bad Girls, Caitlin Davies tells their stories and shows how women have been treated in our justice system over more than a century, what crimes - real or imagined - they committed, who found them guilty and why. It is a story of victimization and resistance; of oppression and bravery. From the women who escaped the hangman's noose - and those who didn't - to those who escaped Holloway altogether, Bad Girls is a fascinating look at how disobedient and defiant women changed not only the prison service, but the course of history.

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The Art of Darkness is a visually rich sourcebook featuring eclectic artworks that have been inspired and informed by the morbid, melancholic and macabre. Throughout history, artists have been obsessed with darkness – creating works that haunt and horrify, mesmerise and delight and play on our innermost fears. Gentileschi took revenge with paint in Judith Slaying Holofernes while Bosch depicted fearful visions of Hell that still beguile. Victorian Britain became strangely obsessed with the dead and in Norway Munch explored anxiety and fear in one of the most famous paintings in the world (The Scream, 1893). Today, the Chapman Brothers, Damien Hirst and Louise Bourgeois, as well as many lesser known artists working in the margins, are still drawn to all that is macabre. From Dreams & Nightmares to Matters of Mortality, Depravity & Destruction to Gods & Monsters – this book introduces sometimes disturbing and often beautiful artworks that indulge our greatest fears, uniting us as humans from century to century. But, while these themes might scare us – can’t they also be heartening and beautiful? Exploring and examining the artworks with thoughtful and evocative text, S. Elizabeth offers insight into each artist’s influences and inspirations, asking what comfort can be found in facing our demons? Why are we tempted by fear and the grotesque? And what does this tell us about the human mind? Of course, sometimes there is no good that can come from the sensibilities of darkness and the sickly shivers and sensations they evoke. These are uncomfortable feelings, and we must sit for a while with these shadows – from the safety of our armchairs. Artists covered include Pablo Picasso, Georgia O'Keeffe, Francisco de Goya, Leonora Carrington, John Everett Millais, Tracey Emin, Vincent van Gogh, Barbara Hepworth, Paul Cezanne and Salvador Dalí, as well as scores more. With over 200 carefully curated artworks from across the centuries, The Art of Darkness examines all that is dark in a bid to haunt and hearten. This book is part of the Art in the Margins series, following up on The Art of the Occult, which investigates representations of the mystical, esoteric and occult in art from across different times and cultures.

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Discover the uses and symbolic meanings of flowers over the centuries and across the globe.Flowers have been depicted as objects of beauty and wonder in countless paintings and poems, exchanged as tokens of love and affection, and displayed as symbols of both celebration and remembrance – “saying it with flowers” is truly part of the human experience. But how does the significance of flowers vary across cultures and at different points in history? And what makes certain flowers special?The Secret Language of Flowers explores the meaning of more than 85 flowers, tracing their history as symbols and charting their role in folklore and mythology around the world. This fascinating book on flowers can help you to:- Unlock the meaning of flowers throughout history – from early peoples to the 19th century.- Discover the Victorian language of flowers popular in the US, UK, and Europe.- Gain insight into folklore and mythology in relation to different flowers.- Uncover what flowers mean in various cultures around the world. - Uncover traditional medicinal uses of plants, such as aloe, which is used to treat burns.Uncover the rich and fascinating histories of individual flowers – the sunflower, for example, which was regarded by the Aztecs as a symbol of war, but became a symbol of devotion in 19th-century painting due to the fact that it “turns its head” to follow the sun. Learn about the function of flowers in society, from the practical to the playful – flowers have been used as remedies and tonics – tea tree and coneflower (or echinacea), for example – as well as as a means of sending cryptic messages to lovers and friends.The Secret Language of Flowers is an entertaining guide to the rich stories that lie beyond the seductive aromas and dazzling beauty of flowers of all kinds. Each flower featured throughout the book is arranged by season, from the first snowdrops and primroses of spring, the glorious roses of summer, the stunning fuchsias and dahlias of autumn to the holly and poinsettia of the winter months, there’s a flower for everyone to fall in love with. At DK, we believe in the power of discovery: So why stop there? If you like The Secret Language of Flowers, then why not try Great Loves which celebrates some of the most famous romances in history, or Lost Masterpieces to discover extraordinary stories behind the world's missing works of art.

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On September 30, 1844 in Hammersmith, England, Connecticut-born George Seward ran 100 yards in nine and a quarter seconds, setting a record. This performance helped establish Seward as the most famous athlete in the world, and his feat remained unsurpassed for almost ninety years. However, in 1889, six years after Seward's death and 45 years after the run, his achievement was declared invalid based on a doubtful "eyewitness" account of the race. Though this dubious version may have been fabricated to discredit Seward's record—because no runners of the time could approach it—the damage was done. After his record was invalidated, Seward fell into obscurity and within a few years, he became nearly forgotten. In George Seward: America's First Great Runner, Edward S. Sears seeks to restore Seward's standing among the greats of track and field. In the early 1840s, when Seward was in the prime of his career, there were no amateur sports in America and just a few professional footraces, so Seward engaged in wagers to display his skills. Within a few years, he established himself as a runner to beat, both in the states and across the Atlantic. Sears recreates many of the races Seward undertook, in which he offered starts against the best runners of his day, started on his knees or racing up to ten men separately in an hour. He even ran against horses. While this book concentrates on Seward, it also covers the history of professional sprinting from the early 1800s to the present. Sears illuminates the formative years of track and field, both in America and England, and much about the Victorian era of sports is covered here, including an emphasis on gambling. About more than the triumphs and misfortunes of a great American athlete, this book examines the adoration of sports celebrities and the struggle between amateur and professional athletics. George Seward is a fascinating profile of an American sports original and should be of interest to not only runners but fans of all sports, as well as general

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‘Powerful and affecting’ Mail on Sunday‘Flesh and Blood is living drama extracted like buried treasure from old documents and the hand-me-down stories of his relatives. I couldn't put it down’Jenny Agutter 'Intelligently structured and eloquently written, McGann’s book is a powerful homage to his family and Irish ancestry, to modern medicine and the welfare state. Packed with lively anecdotes and insights on social history, Flesh and Blood is a humble human story with a majestic theme' Times Literary Supplement. 'Drama and reality repeatedly intersect in unexpected ways in this powerful and revealing memoir' Mail on Sunday 'Eloquent in its metaphors, this book is about memory, how it shapes us, and what we choose to pass on' Irish Times 'With its mix of readable science and passionate sensibility, Flesh and Blood is essentially an attempt to heal the old rift between science and art' Radio Times His family survived famine-ravaged Ireland in the 1850s. His ancestors settled in poverty-rife Victorian Liverpool, working to survive and thrive. Some of them became soldiers serving on the Western Front. One would be the last man to step off the SS Titanic as it sank beneath the icy waves. He would testify at the inquest. This is their story. Stephen McGann is Doctor Turner in the BBC hit-drama series Call the Midwife. Flesh and Blood is the story of the McGann family as told through seven sicknesses – diseases, wounds or ailments that have afflicted Stephen’s relatives over the last century and a half, and which have helped mould him into what he now perceives himself to be. It’s the story of how health, or the lack of it, fuels our collective will and informs our personal narrative. Health is the motivational antagonist in the drama of our life story - circumscribing the extent of our actions, the quality of our character and the breadth of our ambition. Our maladies are the scribes that write the restless and mutating genome of our self-identity.Flesh and Blood combines McGann’s passion for genealogy with an academic interest in the social dimensions of medicine – and fuses these with a lifelong exploration of drama as a way to understand what motivates human beings to do the things they do. He looks back at scenes from his own life that were moulded by medical malady, and traces the crooked roots of each affliction through the lives of his ancestors, whose grim maladies punctuate the public documents or military records of his family tree. In this way he asks a simple, searching question: how have these maladies helped to shape the story of the person he is today?

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Between his birth in 1818 and his death sixty-five years later, Karl Marx became one of Western civilization’s most influential political philosophers. Two centuries on, he is still revered as a prophet of the modern world, yet he is also blamed for the darkest atrocities of modern times. But no matter in what light he is cast, the short, but broad-shouldered, bearded Marx remains—as a human being—distorted on a Procrustean bed of political “isms,” perceived through the partially distorting lens of his chief disciple, Friedrich Engels, or understood as a figure of twentieth-century totalitarian Marxist regimes. Returning Marx to the Victorian confines of the nineteenth century, Jonathan Sperber, one of the United States’ leading European historians, challenges many of our misconceptions of this political firebrand turned London émigré journalist. In this deeply humanizing portrait, Marx no longer is the Olympian soothsayer, divining the dialectical imperatives of human history, but a scholar-activist whose revolutionary Weltanschauung was closer to Robespierre’s than to those of twentieth-century Marxists. With unlimited access to the MEGA (the Marx-Engels Gesamtausgabe, the total edition of Marx’s and Engels’s writings), only recently available, Sperber juxtaposes the private man, the public agitator, and the philosopher-economist. We first see Marx as a young boy in the city of Trier, influenced by his father, Heinrich, for whom “the French Revolution and its aftermath offered an opportunity to escape the narrowly circumscribed social and political position of Jews in the society.” For Heinrich’s generation, this worldview meant no longer being a member of the so-called Jewish nation, but for his son, the reverberations were infinitely greater—namely a life inspired by the doctrines of the Enlightenment and an implacable belief in human equality. Contextualizing Marx’s personal story—his rambunctious university years, his loving marriage to the devoted Jenny von Westphalen (despite an illegitimate child with the family maid), his children’s tragic deaths, the catastrophic financial problems—within a larger historical stage, Sperber examines Marx’s public actions and theoretical publications against the backdrop of a European continent roiling with political and social unrest. Guided by newly translated notes, drafts, and correspondence, he highlights Marx’s often overlooked work as a journalist; his political activities in Berlin, Paris, and London; and his crucial role in both creating and destroying the International Working Men’s Association. With Napoleon III, Bismarck, Adam Smith, and Charles Darwin, among others, as supporting players, Karl Marx becomes not just a biography of a man but a vibrant portrait of an infinitely complex time. Already hailed by Publishers Weekly as “a major work . . . likely to be the standard biography of Marx for many years,” Karl Marx promises to become the defining portrait of a towering historical figure.

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Living Opposite to the Hospital of St John: Excavations in Medieval Northampton 2014 presents the results of archaeological investigations undertaken on the site of new county council offices being built between St. John’s street and Angel Street, Northampton in 2014. The location was of interest as it lay directly opposite the former medieval hospital of St. John, which influenced the development of this area of the town. Initially open ground situated outside the Late Saxon burh, the area was extensively quarried for ironstone during the earlier part of the 12th century, and by the mid-12th century, a few dispersed buildings began to appear. Domestic pits and a bread oven were located to the rear of Angel Street along with a carver’s workshop, which, amongst other goods, produced high-quality antler chess pieces. This workshop is currently without known parallel. The timber workshop was refurbished once and then replaced in stone by the mid-13th century. During the late 12th and early part of the 13th centuries, brewing and baking were undertaken in the two plots adjacent to the workshop. A stone building with a cobbled floor lay towards the centre of the St. John’s street frontage, and behind the building were four wells, a clay-lined tank for water drawn from the well, and several ovens, including at least two bread ovens and three malting ovens. This activity ceased at around the time that the carver’s workshop was replaced in stone, and much of the frontage was cleared. Subsequently, although there was still one building standing on St. John’s street in the early 15th century, the former cleared ground was gradually incorporated back into the plots, perhaps as gardens adjoining the surviving late medieval tenement. The stone tenement was extended and refurbished in the late 15th century and was occupied until c. 1600. Another building was established on Fetter Street after c. 1450 but had disappeared by c. 1550. However, this is the first archaeological indication for the existence of Fetter Street, and further demarcation occurred in this period with a rear boundary ditch being established along the back of the Angel Street plot, separating the land to the south. In the 17th–18th centuries, the area was covered by the dark loamy soils of gardens and orchards until the construction of stables and terraced buildings on the site, which would stand into the Victorian period and beyond.

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A history of post-Disruption Scottish Presbyterian dissent and its religious, political, and social influence Emphasises the role of the underexplored United Presbyterian Church in influencing Scottish religious identity in the mid-nineteenth century, thus moving post-Disruption historiography beyond simple comparisons between the Established and Free churches and opening up possibilities for further research into Scottish dissent Argues that the changing relationships within Scottish dissent between 1843 and 1863 had a lasting and fundamental impact on Scottish religion for much of the next century, culminating in the formation of the United Free Church in 1900 and the 1929 reunion of the Church of Scotland Discusses the important role Scotland's dissenters played in the major ecclesiastical, political, and social issues of the mid-nineteenth century, such as the debates over the church-state relationship, electoral politics, anti-popery controversies, education reform, and poor law reform Based on extensive archival research, including church minutes and financial records, newspapers, and private correspondence between the leading religious and political figures of the period such as Thomas Chalmers The Disruption of the Church of Scotland was one of the most important events in Victorian Britain and had a profound and lasting impact on Scottish religion, politics and society. This book provides the first detailed account of the two major non-established Presbyterian denominations in the two decades after 1843, which together accounted for roughly half of Scotland's churchgoers: the Free Church, formed by those who left the Established Church at the Disruption, and the United Presbyterian Church, a consolidation of the various secessions of the previous century. It explores how the relationship between these churches developed from the bitter feuds over the church-state connection prior to the Disruption to co-operation in the major ecclesiastical, political, and social matters of the day, paving the way to negotiations for merger commencing in 1863. The period between 1843 and 1863 redefined conceptions of what it meant to be Presbyterian and Scottish. By examining a key transitional period in Scottish history, this monograph charts how definitions of Presbyterianism, the Kirk, and dissent evolved as Scotland's national religion slowly moved from the divisions of the previous century towards eventual reunion in 1929.

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The elegant Bible you'll keep coming back to because it's so easy to read and use.Enjoy the beautiful New King James Version in a traditional Scripture design optimized to help you quickly navigate through the Bible. The 2-column text employs a verse-by-verse—or verse-style—setting, which means that each verse starts on its own line, making them a snap to find. The large print text is easy to read, and the blue headings and verse numbers stand out while providing a restful, thoroughly enjoyable Scripture-reading experience. With over 72,000 cross references and the complete set of NKJV translator notes, this Bible gives you the tools you'll need to dive deeply into God's Word for yourself.Features include: Verse-style Scripture format starts each verse on its own line so it’s easy to navigate the text Premium Bible paper in opaque white creates a high contrast with the black text, improving readability Words of Christ in black for a reading experience that is easy on your eyes throughout Scripture Ultra-flexible sewn binding lays flat in your hand or on your desk End of page cross references allow you to find related passages quickly and easily Wide double-faced satin ribbons help keep track of where you were reading Full color maps show a visual representation of Israel and other biblical locations for better context Clear and readable 10.5-point NKJV Comfort Print Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.

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'Clever, twisty, and altogether spine-chilling. . . . [A] deliciously terrifying story. . . .You'll want to read this one after dark, ideally with the wind whistling in the eaves and a window banging somewhere just out of reach. But keep the light switch handy. You just might need it' Ruth Ware, Book of the MonthWhat was it like? Living in that house.Maggie Holt is used to such questions. Twenty-five years ago, she and her parents, Ewan and Jess, moved into a rambling Victorian estate called Baneberry Hall. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a memoir called House of Horrors. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon.Now, Maggie has inherited Baneberry Hall after her father's death. She was too young to remember any of the events mentioned in her father's book. But she doesn't believe a word of it. Ghosts, after all, don't exist.But when she returns to Baneberry Hall to prepare it for sale, her homecoming is anything but warm. People from the pages of her father's book lurk in the shadows, and locals aren't thrilled that their small town has been made infamous. Even more unnerving is Baneberry Hall itself - a place that hints of dark deeds and unexplained happenings. As the days pass, Maggie begins to believe that what her father wrote was more fact than fiction. That, either way, someone - or something - doesn't want her here. And that she might be in danger all over again . . . THE INSTANT NEW YORK TIMES BESTSELLEROne of . . .Huff Post's "10 Of The Most Anticipated Book Releases Of June 2020" - Good Housekeeping's "The 35 Best Books of 2020 to Add to Your Reading List" - Travel + Leisure's "20 Most Anticipated Summer 2020 Books" - PopSugar's 17 Most Anticipated Summer Thrillers - Working Mother's "The 20 Most Anticipated Books of 2020" - Newsweek's 20 most anticipated summer reads - Publishers Weekly's "Summer Reads 2020" - BookPage's "2020 Most Anticipated Thrillers and Mysteries" - Today.com's "16 highly anticipated summer reads" - The Star Tribune's "Great Escapes" summer reads - BookPage's "Private Eye July" - USA Today's"Summer reading guide: 20 new books you won't want to miss" - CrimeReads "10 New Books Coming Out This Week" - Buzzfeed "17 New Thrillers That Will Keep Your Summer Exciting" - The Everygirl "30 Books That Should Be on Your Summer Reading List."

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A Sunday Times Book of the YearShortlisted for The Pol Roger Duff Cooper Prize 'This magnificent, highly readable double biography...brings these two driven, complicated women vividly to life' The Financial Times'A gripping saga of a double-biography' Daily Mail'A masterful portrait' The Times'Vastly enjoyable' Literary Review'Deeply absorbing and meticulously researched' The Oldie In 1815, the clever, courted and cherished Annabella Milbanke married the notorious and brilliant Lord Byron. Just one year later, she fled, taking with her their baby daughter, the future Ada Lovelace. Byron himself escaped into exile and died as a revolutionary hero in 1824, aged 36. The one thing he had asked his wife to do was to make sure that their daughter never became a poet. Ada didn't. Brought up by a mother who became one of the most progressive reformers of Victorian England, Byron's little girl was introduced to mathematics as a means of calming her wild spirits. Educated by some of the most learned minds in England, she combined that scholarly discipline with a rebellious heart and a visionary imagination. As a child invalid, Ada dreamed of building a steam-driven flying horse. As an exuberant and boldly unconventional young woman, she amplified her explanations of Charles Babbage's unbuilt calculating engine to predict, as nobody would do for another century, the dawn today of our modern computer age. When Ada died - like her father, she was only 36 - great things seemed still to lie ahead for her as a passionate astronomer. Even while mired in debt from gambling and crippled by cancer, she was frenetically employing Faraday's experiments with light refraction to explore the analysis of distant stars.Drawing on fascinating new material, Seymour reveals the ways in which Byron, long after his death, continued to shape the lives and reputations both of his wife and his daughter. During her life, Lady Byron was praised as a paragon of virtue; within ten years of her death, she was vilified as a disgrace to her sex. Well over a hundred years later, Annabella Milbanke is still perceived as a prudish wife and cruelly controlling mother. But her hidden devotion to Byron and her tender ambitions for his mercurial, brilliant daughter reveal a deeply complex but unsuspectedly sympathetic personality. Miranda Seymour has written a masterful portrait of two remarkable women, revealing how two turbulent lives were often governed and always haunted by the dangerously enchanting, quicksilver spirit of that extraordinary father whom Ada never knew.

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SHORTLISTED: 2022 CBCA Book of the Year, Older ReadersSHORTLISTED: 2022 Victorian Premier's Literary Awards, Indigenous Writing PrizeSHORTLISTED: 2022 NSW Premier's Literary Award, Indigenous Writers' PrizeSHORTLISTED: 2022 Adelaide Festival Awards, Young Adult Fiction AwardSHORTLISTED: 2021 QLD Literary Awards, Griffith University Young Adult Book Award'I don't paint so much anymore,' I say, looking to my feet.'Oh. Well, I got a boy who needs to do some art. You can help him out,' Aunty Pam says, like I have no say in the matter, like she didn't hear what I just said about not painting so much anymore. 'Jackson, this is Tomas. He's living with me for a little while.' It's a hot summer, and life's going all right for Jackson and his family on the Mish. It's almost Christmas, school's out, and he's hanging with his mates, teasing the visiting tourists, avoiding the racist boys in town. Just like every year, Jackson's Aunty and annoying little cousins visit from the city - but this time a mysterious boy with a troubled past comes with them... As their friendship evolves, Jackson must confront the changing shapes of his relationships with his friends, family and community. And he must face his darkest secret - a secret he thought he'd locked away for good. Compelling, honest and beautifully written, The Boy from the Mish is about first love, identity, and the superpower of self-belief.'The Boy from the Mish is an extraordinary debut novel, and I loved this tender, beautiful story with all my heart. Jackson and Tomas stole my heart, and I'll be thinking about them for a long time.' NINA KENWOOD'A lightning bolt to the soul. The Boy from the Mish announces a bold, necessary new talent.' WILL KOSTAKIS 'How I wish I had this big-hearted book when I was a teenager. It would've changed my life. Let it change yours.' BENJAMIN LAW 'It is, honestly, a book I've been searching for over my whole career as an editor, as well as all my years as a (queer) reader. I'm not ashamed to say that it made me cry (repeatedly) and awed me with the power of its storytelling.' DAVID LEVITHAN, Scholastic US Editorial Director'A deftly woven tale that is both a raw, unflinching look at the experience of growing up gay and Aboriginal, and a sweet, truly endearing love story you just can't turn away from. This is Own Voices storytelling at its best.' HOLDEN SHEPPARD'Honest. Funny. Beautiful. This book is all the things.' GABBIE STROUD'What an amazing work Gary Lonesborough has launched into the world. It's bound to launch him into the stratosphere. This story will lighten and enrich the life of many.' JARED THOMAS

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Explore the fascinating, evolving world of electric vehicles, from the first EVs in the Victorian era to their rapid expansion today—and beyond. In The Electric Vehicle Revolution, automotive journalist Kevin Wilson provides a thorough, engaging overview of where EV technology is today, how it got there, and where it’s going. Since the turn of the twenty-first century, EVs have gone from wonky who-cares vehicles like GM’s EV1 and early Teslas to every manufacturer's must-have future.Electric propulsion preceded fossil-fuel cars by decades and even vied for prominence in the early twentieth century auto industry against both steam power and internal combustion engines. From Electrobat (an early New York taxi fleet) through Columbia—which had built 1,000 electric cars before either Henry Ford or Ransom Olds had built a single gasoline car—viable business start-ups in the early auto age were as competitive and innovative as those in early twenty-first century Silicon Valley. But it was not to be for electric cars in the early days of the 1900s, as the auto industry evolved to favor gasoline cars, thanks in part to the influence of the oil industry and the build-out of infrastructure to supply fuel across the country. Gas-powered cars may have won the day, but post-WWII experiments with electric cars continued both within the established auto industry and from outside firms and visionaries, including cars developed by General Electric, Sears, and the Henney Kilowatt, alongside Ford and GM experimentals. Rapidly evolving electronic technology beginning in the 1960s, along with growing concerns about emissions and pollution, set the stage for renewed interest in electric cars. Improved batteries for cellphones/laptops, electronic controls, computing, and beyond provided the impetus for a wave of more sophisticated and feasible electric vehicles, including GM’s EV1 and the first Teslas. Elon Musk’s Tesla Motors proves the auto industry disruptor and sets the stage for responses by the mainstream auto industry, including Nissan’s Leaf, Chevrolet’s Bolt, and a host of high-end EVs from company’s like Audi, Jaguar, and the like. Rival start-ups step in as well and government incentives, subsidies, and regulatory demands all drive unprecedented development. Today, the rush to electrify has nations and companies competing to see who can declare the earliest end to internal combustion engines, but this radical transition won’t be as easy as throwing a switch. The Electric Vehicle Revolution thoroughly explores the challenges of infrastructure, battery and vehicle tech, and the cost to consumers, as well as the long phase-in as EVs are set to replace existing gas cars over decades. Whether you embrace EVs or have gasoline in your veins, The Electric Vehicle Revolution provides a fascinating, engaging, and stunningly illustrated overview of where the car world is today and where it’s headed for the future.

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'A great book if you are seeking small space inspiration.' Evening StandardFrom House & Garden's book picks of the year:'Whether you dream of a Mediterranean oasis, a rose-filled retreat or a tropical jungle, Green will help you to make the most of your space, proving that small can indeed be beautiful.'From Daily Mail's best books of the year:'Can a really small space ever be turned into a beautiful garden? Fashionable garden designer Ula Maria shows how even the tiniest balcony or courtyard can become something special. Featuring numerous case histories and practical advice on storage, paving, furniture and lighting, this is an excellent reference source for anyone with limited space and big dreams.''Garden designer Ula Maria takes us on a safari through small but perfectly formed oases...to inspire your very own Eden.' - Elle Deco'Urban garden design has inspired books ever since the Victorians started to green their sprawling new neighbourhoods. But where Maria's Green differs is that it focuses on the possibilities of growing in small spaces rather than the restrictions. The 22 gardens she has brought together (by various designers) erupt with potential...In Green urban gardens, so often prone to a twinge of pity from those who tend larger, more rural spaces, become deeply aspirational.' - Alice Vincent, the Daily Telegraph 'A must for apprehensive city gardeners and for anyone wanting to make the most out of their outdoor space, no matter how small it might be. [...] Flicking through it feels almost as enjoyable and relaxing as sitting in the garden.' - Gardens Illustrated'The first book from rising star Ula Maria tackles the perennial challenge of how to create a garden in a small space. [...] Whether you dream of a Mediterranean oasis, a rose-filled retreat or a tropical jungle, Green will help you to make the most of your space, proving that small can indeed be beautiful.' - House & Garden'Spending so much time outdoors in my childhood made me think of a garden as a natural extension of my home - an inseparable part of everyday life. It wasn't until I moved into a rented property in the city that I felt an undeniable urge to make the most of the little exterior space that we had and re-evaluate it. In time, creating outdoor spaces that people truly care for, no matter how small or large, became much more rewarding than perfecting any indoor space. Many say that a home is a true reflection of self, but I believe it is the garden, where personalities and relationships with our surroundings truly blossom.' - Ula MariaIn Green, Ula Maria takes a completely fresh look at creating a garden in whatever outdoor space is available - be it a roof terrace, balcony, small back yard or patio. Perfect for first-time gardeners, the book approaches creating a garden as if decorating a room - exploring how to work with scale, colour and texture, to choosing the plants that will thrive in an urban space. At the heart of the book are 22 genuinely small and innovative gardens with a dazzling range of ideas to copy - from a small backyard garden using reclaimed timber, evergreens and grasses to a rental rooftop terrace in the heart of the city where a cottage-style garden has been created in simple containers. Using low-maintenance plants and affordable furniture, lighting and containers, Green offers simple solutions that don't involve major structural work but will quickly result in a stylish and hugely rewarding urban sanctuary. The book was shot by award-winning photographer, Jason Ingram.

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London's suburbs are home to many thousands of people who travel into the centre every day to work, but they also house many thousands who rarely find a reason to do so. They contain all the essential infrastructure for the city, too, including airports, offices, shopping centre, factories and warehouses. Outer London is therefore both metropolitan and suburban at the same time - it is Metroburbia. In this book Paul Knox examines the architectural history and development of London's suburbs, and celebrates their surprising variety and organized structure, refuting the common claim that they are monotonous or amorphous. The first chapter, The Foundations of Metroburbia, explains the foundation and development of Metroburbia and looks at how topography and geology influenced the siting of the villages that would become part of Greater London. The River Thames, of course, is one of London's most important and well-known structural elements, and in this chapter Knox examines how its meanders and bends have produced distinct patterns of settlement and development. He also describes in detail the seven distinctive sectors of London, which are (running clockwise from the west) the Thames Valley, Northwest London, North London, the Lea Valley, Northeast London, the Thames Estuary and South London. Finally, he looks at how early settlements, country estates and royal palaces shaped Metroburbia, and how the increase in roads and industry consolidated the development of what would become suburbia. Chapter 2, Pattern-book London, looks at Victorian and Edwardian suburbs - the first developments to be given that name. The building booms and their effect on employment in the city, and the difference in style and purpose between the various suburbs, are discussed, and Knox also examines the effects of immigration and industrialization on the city's housing requirements. He also describes the genesis of the parks, cemeteries and garden villages that now provide such valuable green space for Londoners, and the creation of the impressive industrial, civic and institutional buildings that are still striking parts of the city's infrastructure. Chapter 3, Inter-war Suburbia: Metro-Land and the Universal Plan, describes the acceleration of building projects between the wars and the beginning of the transition from Edwardian society to the modern welfare state. The term 'Metro-Land', introduced by the Metropolitan Railway Company in the early twentieth century, gives the chapter its title, and describes the expansion of residential London along the route of the Underground lines into Buckinghamshire. The effect of widespread car ownership is discussed, and the various housing styles - Stockbroker Tudor, Suburban Moderne, the mansion block, and so on - are described. The fourth chapter, Secular Reformation and Modernism, covers the thirty years from the end of the Second World War, during which time the welfare state brought about radical changes to life in London and the architecture of the city. Chapter 5, Counter-Reformation, describes the changes wrought on the country by the new neo-liberal agenda, as the welfare state was overtaken by a market-driven economy that fostered free-for-all development. By this time Metroburbia had spread outwards to incorporate Chelmsford, Southend-on-Sea, Maidstone, Guildford, Reading and Luton. This was an era of radical new infrastructure projects - from the rise of the suburban shopping centre to the construction of the new Thames Barrier - and huge increases in house prices. The regeneration of the Isle of Dogs into the Docklands commercial area is one of the most high-profile developments of the era, but infill house-building and small-scale environmental developments were also produced, and social housing regenerated. Finally, the last chapter, Megapolitan Futures, explores the various theories about the capital's future and conjectures about the shape of the city in the twenty-first century.

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'...the definitive guide to how, where, why and what to do on a cycle expedition...' Adventure Travel Magazine (UK) Every cyclist dreams of making the Big Trip, the Grand Cycle Tour abroad. Whether that's a two-week trip or a year-long journey, the Adventure Cycle-Touring Handbook is the comprehensive manual that will make that dream a reality. Riding across Asia, cycling in Africa or pedaling from Patagonia to Alaska, whether you're planning your own Big Trip or just enjoy reading about other people's adventures, the Handbook is guaranteed to illuminate, entertain and above all, inspire. This fully revised 3rd edition includes: PART 1 - Practical information *How to prepare for a long-distance trip*What to look for in a new bike with reviews of some of the world's best touring- and trekking-bikes*Adapting a standard bike for the Big Ride*Choosing components, equipment for the road and reviews of camping gear*Health precautions, inoculations, visas, money and safety PART 2 - Worldwide route outlines Across Europe, Asia, Australasia, North and South America and Africa; recommended routes within countries and overland. Everything from popular routes eg India's Leh-Manali Highway to lesser-known cycle-touring areas such as Mongolia. PART 3 - Tales from the Saddle Ten first-hand accounts of spoke-bending biking adventures worldwide. Introduction Why are so many people going bike touring these days? A minority pastime during the heyday of the car, cycling has once again become a popular choice for travellingespecially for long overseas trips. The first cycle-touring craze began in the 1870s. Then, as now, the bicycle offered a revolutionary way of touring: you go exactly where you want, when you want, and all under your own steam. This was before the age of the car and walking or riding a horse were the only other options until the bicycle. In 1885 the Rover Safety Bicycle came along, and for all the innovation since then, most modern touring bicycles would be recognizable to a Victorian, as would their derailleur gears. Bike touring is undergoing a boom at the moment but it is really one of many periodic rediscoveries. Bicycle design, components and gear are evolving to suit the changing needs and tastes of people. It's a combination of experimentation and using tried and tested designs, such as the 'diamond' frame of the Rover Safety Bicycle. The Adventure Cycle-Touring Handbook is all about looking at what people are choosing and using: what kind of bikes, what gear and what destinations are being chosen by today's bike tourers. There are many reasons for taking a bike on your next long trip. My own guess as to why bike touring is back in fashion is that many travellers get burned out by backpacking, which really amounts to travelling by bus and train for most of the time. Buses are certainly fast but they go from one noisy town to another, leaving little possibility of exploring the spaces in between, the places where the bus doesn't stop. Others use bikes to go even further off the beaten track: they want to go where buses don't go at all and perhaps where other vehicles cannot get to either. Paul Woloshansky built his own racks to carry extra gear after being told all too often: 'There's a prettier way to go but there's nothing out there at all.' Other adventurers, such as Sweden's Janne Corax (see p122), have said the same thing: there were times when there was no other way of getting to where they wanted to go. You couldn't get there on foot and you couldn't get there in a truck. It was possible only on a bicycle. Half the adventure, though, is in the riding itself. Being out in the fresh air and seeing much more than is possible from a bus or train window is always a good feeling, whether you are wandering around France or riding across India. A lot of today's cycle tourists are interested in the riding but not that interested in bikes. It's a means of transport and a way to carry bags comfortably, while sitting down and enjoying the view. Not everyone is drawn to the high passes of the Andes or the Himalaya but they are all enjoying that same sense of freedom and all that comes with itunexpected discoveries, off-route detours or an impromptu day off when you find a great place to stay. Trips like these are not as arduous as some expeditions but they are every bit as satisfyingand they are still adventures, for they allow for spontaneity. And if you are carrying a tent and camping gear, you're prepared for just about any eventuality because you've always got a place to spend the night. This book looks at the possibilities out there, the different styles of travelling and the basic gear and know-how that you need. We also look at some of the more exciting cycling destinations around the world, complete with suggestions as to which routes to take and what you need to plan a trip in that region. The Adventure Cycle-Touring Handbook does not set out to tell you exactly where to go: it's your adventure, after all. But it's good to have a general idea of a destination and what you're likely to find when you're there and this is what this book aims to do. In the final part of this book we include stories from all around the world, not just about the biking but also about the adventures cyclists had on their journeys. It's the old idea that a bike ride isn't just about the riding but also about the places you were able to get to and the people you got to meetand all because you decided to travel by bicycle.

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