Search results for ""Author Victoria"

Discover art that dared to be different, risked reputations and put careers in jeopardy. This is what happens when artists take tradition and rip it up. ArtQuake tells the stories of 50 pivotal works that shook the world, telling the fascinating stories behind their creation, reception and legacy. The books begin with the rebels who struck out against Victorian conformism, daring painters and sculptors like Manet and Rodin, Van Gogh and Courbet, who experimented with expressionist and realist art styles as well as controversial subjects. Moving into the fin de siècle and the 20th century, we study the truly iconic works and turbulent lives of artists like Munch and Klimt, Picasso and Egon Schiele, whose work into abstraction, surrealism and cubism shocked and scandalized, but ultimately changed the course of western art forever. Moving into the second half of the 20th Century, we see spectacular works of conceptual rebellion, absurdity and political protest, from Andy Warhol and the Pop Art movement to Marina Abramovic, whose often visceral and violent works of performance art laid bare the savagery of the patriarchy and the human condition. In the 21st century, we see how iconoclastic creators have pushed the boundaries of art even further, from Banksy to Louise Bourgeoise, from self-destructing paintings to experimental works of computerized art. Complete with beautiful reproductions of their iconic works, as well as a glossary of terms and movements at the back, meet the huge egos, uncompromising feminists, gifted recluses, spiritualists, anti-consumerists, activists and satirists who have irrevocably carved their names into the history of art around the world. In telling the history of modern and contemporary art through the works that were truly disruptive, and explaining the context in which each was created, ArtQuake demonstrates the heart of modern art, which is to constantly question and challenge expectation. This book is from the Culture Quake series, which looks into iconic moments of culture which truly created paradigm shifts in their respective fields. Also available is FilmQuake, which tells the stories of 50 key films that consciously questioned the boundaries, challenged the status quo and made shockwaves we are still feeling today.

Read more less

The first comprehensive biography of this undervalued writer, who was considered 'far and away the best living woman poet' in her day.Andrew Motion's Spectator Book of the Year.'One of the many achievements of This Rare Spirit is its rejection of that tired view of the poet as mouse that barely roared in favour of a true sense of a spikily modern woman, bound by various obligations but resilient, headstrong, and poetically inventive . . . Copus's diligent, scholarly, sensitive work should help Mew's pipe play on for years to come.' Declan Ryan, Los Angeles Review of Books'[A] supreme biography . . . It is hard to do justice to the breadth of research Copus has done here, or the compassionate, detailed conjuring of Mew and her milieu . . . An essential book, a classic work of literary biography.' Seán Hewitt, Irish Times'[K]eenly intelligent, fascinating and nuanced biography . . . Save Charlotte Mew! And read this book.' Joanna Kavenna, Literary Review'An exquisitely told account of the life of a half-forgotten London poet whose work was admired by Hardy, Sassoon and Virginia Woolf. Julia Copus does her justice at last.' Claire Tomalin'This Rare Spirit is a classic - the biography of Mew we have all been waiting for.' Fiona BensonThe British poet Charlotte Mew (1869-1928) was regarded as one of the best poets of her age by fellow writers, including Virginia Woolf, Siegfried Sasson, Walter de la Mare and Marianne Moore. She has since been neglected, but her star is beginning to rise again, all the more since her 150th anniversary in 2019. This is the first comprehensive biography, from cradle to grave, and is written by fellow poet Julia Copus, who recently unveiled a blue plaque on Mew's childhood house in Doughty Street and was the editor of the Selected Poetry and Prose (2019).Mew was a curious mix of New Woman and stalwart Victorian. Her poems speak to us strongly today, in these strangely mixed times of exposure and seclusion: they reveal the private agony of an isolated being who was forced to keep secret the tragedies of her personal life while being at the same time propelled by her work into the public arena. Her poetry transfigures that very private suffering into art that has a universal resonance.

Read more less

Ken Wilson’s Classic Rock is one of the most popular and iconic works of climbing literature ever written. Along with Hard Rock and Extreme Rock, it has acquired legendary status. First published in 1978, Classic Rock represented the absolute best of British climbing at that time, quickly establishing itself as a must-have publication. It is a celebration of 80 of the best lower-grade routes in Great Britain, bringing them to life through a superb selection of photographs, anecdotes and essays from some of the most accomplished climbers of the day. ‘Ticking’ the book became an instant and obvious challenge, and remains so to this day (Wilson wasn’t a fan, describing it as ‘puerile ticking’). Any climber working his or her way through the book will be taken on a tour of the finest routes on the best cliffs and crags to be found throughout England, Scotland and Wales. Many of the routes in the book were established over a century ago. At that time the Victorian and Edwardian alpinists, flushed with successes abroad, sought harder challenges at home. With their well-honed confidence, they went straight for the biggest cliffs of Scotland. Anyone seeking to retrace their steps will immediately be transported to bold lines of weakness up otherwise daunting precipices! Before long these pioneers trailed their hemp ropes and balanced their hobnail boots up the sea cliffs of Cornwall and the gritstone edges of the Pennines, and the crags of the Lake District and North Wales. These climbers provided us with a great national treasure – a repository of adventure and spectacle that can provide a lifetime’s enjoyment and challenge. An ascent of a great historic route will rarely disappoint. Such routes retain much of their original challenge, unsullied by the pitons and bolts often found on their continental equivalents. They take bold, logical lines up otherwise difficult cliffs – usually cleaned and stabilised by years of use. Classic Rock provides a mere sampling of these treasures. This latest edition has been transformed with over 300 new colour photos. These sit alongside archive images to create an inspirational dialogue between today’s climbers and those of history. Fifty-five chapters, contributed by acclaimed climbers and writers such as Jim Perrin, Paul Nunn and Angela Soper, describe the finest classic rock climbs in Britain.

Read more less

Discover the uses and symbolic meanings of flowers over the centuries and across the globe.Flowers have been depicted as objects of beauty and wonder in countless paintings and poems, exchanged as tokens of love and affection, and displayed as symbols of both celebration and remembrance - "saying it with flowers" is truly part of the human experience. But how does the significance of flowers vary across cultures and at different points in history? And what makes certain flowers special?The Secret Language of Flowers explores the meaning of more than 85 flowers, tracing their history as symbols and charting their role in folklore and mythology around the world. This fascinating book on flowers can help you to:-Unlock the meaning of flowers throughout history - from early peoples to the 19th-century.- Discover the Victorian language of flowers popular in the US, UK, and Europe.- Gain an insight into folklore and mythology in relation to different flowers.- Uncover what flowers mean in various cultures around the world. -Uncover traditional medicinal uses of plants, such as aloe, which is used to treat burns.Uncover the rich and fascinating histories of individual flowers - the sunflower, for example, which was regarded by the Aztecs as a symbol of war, but became a symbol of devotion in 19th-century painting due to the fact that it "turns its head" to follow the sun. Learn about the function of flowers in society, from the practical to the playful - flowers have been used as remedies and tonics - tea tree and coneflower (or echinacea), for example - as well as as a means of sending cryptic messages to lovers and friends.The Secret Language of Flowers is an entertaining guide to the rich stories that lie beyond the seductive aromas and dazzling beauty of flowers of all kinds. Each flower featured throughout the book is arranged by season, from the first snowdrops and primroses of spring, the glorious roses of summer, the stunning fuchsias and dahlias of autumn to the holly and poinsettia of the winter months, there's a flower for everyone to fall in love with. At DK, we believe in the power of discovery. So why stop there? If you like The Secret Language of Flowers, then why not try Great Loves which celebrates some of the most famous romances in history, or Lost Masterpieces to discover extraordinary stories behind the world's missing works of art.

Read more less

Bishop John Medley was associated with a revolutionary group, the Oxford Movement (also called the Tractarians), in the Church of England that sought to return the church to its primitive and Catholic heritage. Part of this revolution was a rejection of the comfortable relationship between Church and State that had existed since the end of the seventeenth century. Equally suspect because of their perceived Roman Catholic leanings and the potential for disloyalty to the English Establishment, the Tractarians aroused strong feelings throughout Victorian English society. Medley was associated with the key figures of the movement and involved in many of the religious controversies of this turbulent time. In addition, he had the responsibility of maintaining the unity of an ideologically divided church in a colonial diocese. This book illuminates one part of the great societal change that occurred in thenineteenth century as the British Empire both reached its apex and began to be transformed into diverse independent political entities. The role of the church and religion in this imperial enterprise and in subsequent movements toward independence is central to an understanding of this process. As an experiment, W. E. Gladstone, sometime Prime MInister of England and keen churchman, arranged to appoint a member of the controversial Tractarian party to the Episcopal bench. Because such a move was politically and ecclesiastically dangerous in England, Medley was sent to the colonies. Intended to be a planter of British High Churchmanship in the soil of the new world, Medley became convincd over the course of his forty-seven-year episcopate that the American model of the church was more practical than the British. He eventually forged an identity for his diocese that was, in many ways, to be the pattern for the modern worldwide Anglican Church. He played a major role in developing a modern, pluralistic, Canadian civil society. By examining previously unpublished original source materials and by subjecting Medley's

Read more less

Shaped by eighteenth-century assumptions, Liverpool nonetheless laid the foundations for the nineteenth-century Britain that emerged from the Reform era. Robert Banks Jenkinson (1770-1828), 2nd Earl of Liverpool, was Britain's longest serving prime minister since William Pitt the Younger. Liverpool's tenure in office oversaw a series of seismic events including the War of 1812 withthe United States, the endgame of the Napoleonic Wars and the Congress of Vienna, the Corn Laws, the Peterloo Massacre, and escalating contention over the issue of Catholic Emancipation. However, Liverpool's overall standing within British political history has been overshadowed by contemporaries such as Castlereagh and Canning, and his reputation and achievements were downplayed by the Reform period that followed. This new political biography explores Liverpool's career and puts his efforts at resisting change into context, bringing this period of transformation into sharp focus. It shows Liverpool as a defender of the eighteenth-century British constitution, documentinghis efforts at adapting institutions to the challenges of war and then the very different post-1815 world. Shaped by eighteenth-century assumptions, Liverpool nonetheless laid the foundations for the nineteenth-century Britain that emerged from the Reform era. This book uses his career and outlook as a way of exploring the crucial transition from the Georgian to the Victorian era. WILLIAM ANTHONY HAY is Associate Professor of history at Mississippi State University and a fellow of the Royal Historical Society.

Read more less

Few institutions were as central to nineteenth-century American culture as the home. Emerging in the 1820s as a sentimental space apart from the public world of commerce and politics, the Victorian home transcended its initial association with the private lives of the white, native-born bourgeoisie to cross lines of race, ethnicity, class, and region. Throughout the nineteenth century, home was celebrated as a moral force, domesticity moved freely into the worlds of politics and reform, and home and marketplace repeatedly remade each other. At Home in Nineteenth-Century America draws upon advice manuals, architectural designs, personal accounts, popular fiction, advertising images, and reform literature to revisit the variety of places Americans called home. Entering into middle-class suburban houses, slave cabins, working-class tenements, frontier dugouts, urban settlement houses, it explores the shifting interpretations and experiences of these spaces from within and without. Nineteenth-century homes and notions of domesticity seem simultaneously distant and familiar. This sense of surprise and recognition is ideal for the study of history, preparing us to view the past with curiosity and empathy, inspiring comparisons to the spaces we inhabit today—malls, movie theaters, city streets, and college campuses. Permitting us to listen closely to the nineteenth century’s sweeping conversation about home in its various guises, At Home in Nineteenth-Century America encourages us to hear our contemporary conversation about the significance and meaning of home anew while appreciating the lingering imprint of past ideals. Instructor's Guide

Read more less

On the 150th anniversary of the death of the English historian and politician Thomas Babington Macaulay, Robert Sullivan offers a portrait of a Victorian life that probes the cost of power, the practice of empire, and the impact of ideas.His Macaulay is a Janus-faced master of the universe: a prominent spokesman for abolishing slavery in the British Empire who cared little for the cause, a forceful advocate for reforming Whig politics but a Machiavellian realist, a soaring parliamentary orator who avoided debate, a self-declared Christian, yet a skeptic and a secularizer of English history and culture, and a stern public moralist who was in love with his two youngest sisters.Perhaps best known in the West for his classic History of England, Macaulay left his most permanent mark on South Asia, where his penal code remains the law. His father ensured that ancient Greek and Latin literature shaped Macaulay’s mind, but he crippled his heir emotionally. Self-defense taught Macaulay that power, calculation, and duplicity rule politics and human relations. In Macaulay’s writings, Sullivan unearths a sinister vision of progress that prophesied twentieth-century genocide. That the reverent portrait fashioned by Macaulay’s distinguished extended family eclipsed his insistent rhetoric about race, subjugation, and civilizing slaughter testifies to the grip of moral obliviousness.Devoting his huge talents to gaining power—above all for England and its empire—made Macaulay’s life a tragedy. Sullivan offers an unsurpassed study of an afflicted genius and a thoughtful meditation on the modern ethics of power.

Read more less

A human and global take on a beloved vacation spot. The crash of surf, smell of salted air, wet whorls of sand underfoot. These are the sensations of the beach, that environment that has drawn humans to its life-sustaining shores for millennia. And while the gull’s cry and the cove’s splendor have remained constant throughout time, our relationship with the beach has been as fluid as the runnels left behind by the tide’s turning.The Lure of the Beach is a chronicle of humanity's history with the coast, taking us from the seaside pleasure palaces of Roman elites and the aquatic rituals of medieval pilgrims, to the venues of modern resort towns and beyond. Robert C. Ritchie traces the contours of the material and social economies of the beach throughout time, covering changes in the social status of beach goers, the technology of transport, and the development of fashion (from nudity to Victorianism and back again), as well as the geographic spread of modern beach-going from England to France, across the Mediterranean, and from nineteenth-century America to the world. And as climate change and rising sea levels erode the familiar faces of our coasts, we are poised for a contemporary reckoning with our relationship—and responsibilities—to our beaches and their ecosystems. The Lure of the Beach demonstrates that whether as a commodified pastoral destination, a site of ecological resplendency, or a flashpoint between private ownership and public access, the history of the beach is a human one that deserves to be told now more than ever before.

Read more less

A human and global take on a beloved vacation spot. The crash of surf, smell of salted air, wet whorls of sand underfoot. These are the sensations of the beach, that environment that has drawn humans to its life-sustaining shores for millennia. And while the gull’s cry and the cove’s splendor have remained constant throughout time, our relationship with the beach has been as fluid as the runnels left behind by the tide’s turning.The Lure of the Beach is a chronicle of humanity's history with the coast, taking us from the seaside pleasure palaces of Roman elites and the aquatic rituals of medieval pilgrims, to the venues of modern resort towns and beyond. Robert C. Ritchie traces the contours of the material and social economies of the beach throughout time, covering changes in the social status of beach goers, the technology of transport, and the development of fashion (from nudity to Victorianism and back again), as well as the geographic spread of modern beach-going from England to France, across the Mediterranean, and from nineteenth-century America to the world. And as climate change and rising sea levels erode the familiar faces of our coasts, we are poised for a contemporary reckoning with our relationship—and responsibilities—to our beaches and their ecosystems. The Lure of the Beach demonstrates that whether as a commodified pastoral destination, a site of ecological resplendency, or a flashpoint between private ownership and public access, the history of the beach is a human one that deserves to be told now more than ever before.

Read more less

In Scandal Work: James Joyce, the New Journalism, and the Home Rule Newspaper Wars, Margot Gayle Backus charts the rise of the newspaper sex scandal across the fin de siècle British archipelago and explores its impact on the work of James Joyce, a towering figure of literary modernism. Based largely on archival research, the first three chapters trace the legal, social, and economic forces that fueled an upsurge in sex scandal over the course of the Irish Home Rule debates during James Joyce’s childhood. The remaining chapters examine Joyce’s use of scandal in his work throughout his career, beginning with his earliest known poem, “Et Tu, Healy,” written when he was nine years old to express outrage over the politically disastrous Parnell scandal. Backus’s readings of Joyce’s essays in a Trieste newspaper, the Dubliners short stories, Portrait of the Artist, and Ulysses show Joyce’s increasingly intricate employment of scandal conventions, ingeniously twisted so as to disable scandal’s reifying effects. Scandal Work pursues a sequence of politically motivated sex scandals, which it derives from Joyce's work. It situates Joyce within an alternative history of the New Journalism’s emergence in response to the Irish Land Wars and the Home Rule debates, from the Phoenix Park murders and the first Dublin Castle scandal to “The Maiden Tribute of Modern Babylon” and the Oscar Wilde scandal. Her voluminous scholarship encompasses historical materials on Victorian and early twentieth-century sex scandals, Irish politics, and newspaper evolution as well as providing significant new readings of Joyce’s texts.

Read more less

Argues that the legacies of Victorian public health in England and Wales were not just better health and cleaner cities but also new ideas of property, liability, and community. This book argues that the legacies of nineteenth-century public health in England and Wales were not just better health and cleaner cities but also new ideas of property and people. Between 1815 and 1872, the work of public healthactivists led to multiple redefinitions of both, shifting the boundaries between public and private nuisances, public and private services, taxable and nontaxable property, cities and suburbs, the state and the individual, and, finally, between different kinds of individuals. These boundary-making processes were themselves inflected by different material, political, and ideological developments in the areas of disease, demography, democracy, and domesticity. The changes in boundaries manifested themselves in the creation of new nuisance laws and in the minute control by the state of private domestic arrangements. Most important, these changes also promoted a radical shiftin ideas on who should bear financial responsibility for the health of others, stimulating in the process a controversy on the nature of community. Public health thus served as an important, if contradictory, site in the creationof communities, enhancing the right to health for some while simultaneously restricting in the name of health the privacy rights of others. Relying on underused legal sources, this book presents a fresh view of the local originsand legal and political significance of the public health movement of the nineteenth century. James G. Hanley is associate professor of history at the University of Winnipeg.

Read more less

Imagined Homelands chronicles the emerging cultures of nineteenth-century British settler colonialism, focusing on poetry as a genre especially equipped to reflect colonial experience. Jason Rudy argues that the poetry of Victorian-era Australia, New Zealand, South Africa, and Canada-often disparaged as derivative and uncouth-should instead be seen as vitally engaged in the social and political work of settlement. The book illuminates cultural pressures that accompanied the unprecedented growth of British emigration across the nineteenth century. It also explores the role of poetry as a mediator between familiar British ideals and new colonial paradigms within emerging literary markets from Sydney and Melbourne to Cape Town and Halifax. Rudy focuses on the work of poets both canonical-including Tennyson, Browning, Longfellow, and Hemans-and relatively obscure, from Adam Lindsay Gordon, Susanna Moodie, and Thomas Pringle to Henry Kendall and Alexander McLachlan. He examines in particular the nostalgic relations between home and abroad, core and periphery, whereby British emigrants used both original compositions and canonical British works to imagine connections between their colonial experiences and the lives they left behind in Europe. Drawing on archival work from four continents, Imagined Homelands insists on a wider geographic frame for nineteenth-century British literature. From lyrics printed in newspapers aboard emigrant ships heading to Australia and South Africa, to ballads circulating in New Zealand and Canadian colonial journals, poetry was a vibrant component of emigrant life. In tracing the histories of these poems and the poets who wrote them, this book provides an alternate account of nineteenth-century British poetry and, more broadly, of settler colonial culture.

Read more less

Buddhism is indisputably gaining prominence in the West, as is evidenced by the growth of Buddhist practice within many traditions and keen interest in meditation and mindfulness. In The Lotus and the Lion, J. Jeffrey Franklin traces the historical and cultural origins of Western Buddhism, showing that the British Empire was a primary engine for curiosity about and then engagement with the Buddhisms that the British encountered in India and elsewhere in Asia. As a result, Victorian and Edwardian England witnessed the emergence of comparative religious scholarship with a focus on Buddhism, the appearance of Buddhist characters and concepts in literary works, the publication of hundreds of articles on Buddhism in popular and intellectual periodicals, and the dawning of syncretic religions that incorporated elements derived from Buddhism. In this fascinating book, Franklin analyzes responses to and constructions of Buddhism by popular novelists and poets, early scholars of religion, inventors of new religions, social theorists and philosophers, and a host of social and religious commentators. Examining the work of figures ranging from Rudyard Kipling and D. H. Lawrence to H. P. Blavatsky, Thomas Henry Huxley, and F. Max Müller, Franklin provides insight into cultural upheavals that continue to reverberate into our own time. Those include the violent intermixing of cultures brought about by imperialism and colonial occupation, the trauma and self-reflection that occur when a Christian culture comes face-to-face with another religion, and the debate between spiritualism and materialism. The Lotus and the Lion demonstrates that the nineteenth-century encounter with Buddhism subtly but profoundly changed Western civilization forever.

Read more less

In the public imagination, Silicon Valley embodies the newest of the new—the cutting edge, the forefront of our social networks and our globally interconnected lives. But the pressures exerted on many of today’s communications tech workers mirror those of a much earlier generation of laborers in a very different space: the London workforce that helped launch and shape the massive telecommunications systems operating at the turn of the twentieth century. As the Victorian age ended, affluent Britons came to rely on information exchanged along telegraph and telephone wires for seamless communication: an efficient and impersonal mode of sharing thoughts, demands, and desires. This embrace of seemingly unmediated communication obscured the labor involved in the smooth operation of the network, much as our reliance on social media and app interfaces does today.Serving a Wired World is a history of information service work embedded in the daily maintenance of liberal Britain and the status quo in the early years of the twentieth century. As Katie Hindmarch-Watson shows, the administrators and engineers who crafted these telecommunications systems created networks according to conventional gender perceptions and social hierarchies, modeling the operation of the networks on the dynamic between master and servant. Despite attempts to render telegraphists and telephone operators invisible, these workers were quite aware of their crucial role in modern life, and they posed creative challenges to their marginalized status—from organizing labor strikes to participating in deviant sexual exchanges. In unexpected ways, these workers turned a flatly neutral telecommunications network into a revolutionary one, challenging the status quo in ways familiar today.

Read more less

Shaker Fancy Goods tells the story of the Shaker Sisters of the nineteenth and early twentieth century who responded to the economic perils of the Industrial Revolution by inventing a lucrative industry of their own—Fancy Goods, a Victorian term for small adorned household objects made by women for women. Thanks to their work ethic, business savvy, and creativity, the tireless Shaker Sisters turned a seemingly modest trade into the economic engine that sustained their communal way of life, just as the men were abandoning the sect for worldly employment. Relying on journals and church family records that give voice to the plainspoken accounts of the sisters themselves, the book traces the work they did to establish their principal revenue streams, from designing the products, to producing them by hand (and later by machine, when they could do so without compromising quality) to bringing their handcrafts to market. Photographs, painstakingly gathered over years of research from museums and private collections, present the best examples of these fancy goods. Fancy goods include the most modest and domestic of items, like the pen wipes that the Sisters shaped into objects such as dolls, mittens, and flowers; or the emeries, pincushions, and needle books lovingly made back in an era when more than a minimal competency in sewing was expected in women; to more substantial purchases like the Dorothy cloaks that were in demand among fashionable women of the world; or the heavy rib-knitted sweaters, cardigans, and pullovers that became popular items among college boys and adventurous women.

Read more less

In the nineteenth century, a small but dedicated group of European and American women rose to agitate for the inclusion of women in the medical profession. It is a historic tale that we have told and retold for decades, but it is far from where the story of women as physicians and healers begins. Stretching back into deepest antiquity, we possess accounts of women who were consulted by emperors and paupers alike for their medical expertise. They were surgeons, apothecaries, midwives, university lecturers, and medical researchers in correspondence with the most learned societies of their time. And then it all came crashing down. A History of Women in Medicine and Medical Research is the story of the women who participated in that early Golden Age, and of a medical establishment closing ranks against them so effectively that, by the early Victorian era, they not only were barred from practicing medicine, but from so much as stepping into a classroom where medical topics were being discussed. It is the story of that intrepid band of reformers and pioneers who built back the women's medical profession from the ashes and constructed a thriving new community of researchers and practitioners who within a century had retaken not only the ground that had been lost, but boldly advanced to levels of fame and achievement unimaginable to any previous era. Told through in-depth accounts of the lives of the pioneers and practitioners who built and rebuilt the women's medical movement, this title dives into the lives of not only legendary figures like Florence Nightingale, Gertrude Elion, Rosalyn Yalow, and Elizabeth Blackwell, but visits women the world over whose medical contributions broke down doors and advanced the cause of women's and world health, like the revolutionary medieval physician Trota of Salerno, the pioneering eighteenth century midwife and businesswoman Madame du Coudray, the microbiological research trailblazer Mary Putnam Jacobi, and the HIV researcher and world epidemic response coordinator Francoise Barre-Sinoussi. With over 140 stories spanning three millennia of global medicine, this book shines a light on the unknown heroes, towering discoveries, tragic missteps, and profound struggles that have accompanied the Rise, Fall, and Rebirth of the women's medical profession.

Read more less

In Imagining Inclusive Society in Nineteenth-Century Novels, Pam Morris traces a dramatic transformation of British public consciousness that occurred between the Reform Acts of 1832 and 1867. This brief period saw a shift from a naturalized acceptance of social hierarchy to a general imagining of a modern mass culture. Central to this collective revisioning of social relations was the pressure to restyle political leadership in terms of popular legitimacy, to develop a more inclusive mode of discourse within an increasingly heterogeneous public sphere and to find new ways of inscribing social distinctions and exclusions. Morris argues that in the transformed public sphere of mid-nineteenth-century Britain, the urbane code of civility collapsed under the strain of the conflicting interests that constitute mass society. It was replaced by a "code of sincerity," often manipulative and always ideological in that its inclusiveness was based upon a formally egalitarian assumption of mutual interiorities. The irresistible movement toward mass politics shifted the location of power into the public domain. Increasingly, national leaders sought to gain legitimacy by projecting a performance of charismatic "sincerity" as a flattering and insinuating mode of address to mass audiences. Yet, by the latter decades of the century, while the code of sincerity continued to dominate popular and political culture, traditional political and intellectual elites were reinscribing social distinctions and exclusions. They did so both culturally-by articulating sensibility as skepticism, irony, and aestheticism-and scientifically-by introducing evolutionist notions of sensibility and attaching these to a rigorous disciplinary code of bodily visuality. Through an intensive, intertextual reading of six key novels (Bronte's Shirley, Thackeray's Henry Esmond, Dickens's Bleak House and Our Mutual Friend, Gaskell's North and South, and Eliot's Romola) and an array of Victorian periodicals and political essays, Morris analyzes just how actively novelists engaged in these social transformations. Drawing on a wide range of literary, cultural, and historical thinkers-Jurgen Habermas, Michel Foucault, Benedict Anderson, Mary Poovey, and Charles Tilly-Morris makes an original and highly sophisticated contribution to our understanding of the complex and always contested processes of imagining social inclusiveness.

Read more less

Oxford started as an Anglo-Saxon border outpost, with a bridge replacing the 'oxen ford' from which it takes its name. It became a centre for trade and religion and developed one of the oldest universities in Europe from the late twelfth century. Since the Middle Ages its individual colleges have gone on building--chapels, halls, accommodation, libraries--in an extraordinary variety of styles from Gothic to Brutalist. Oxford also has many churches, a Covered Market, an extraordinary museum of Natural History in soaring iron, glass and stone, and a flamboyant neo-Jacobean Town Hall. In such a place, suggested W.B. Yeats, 'one almost expects the people to sing instead of speaking'. Nevertheless, Oxford has become a busy modern city. For much of the twentieth century the car industry, established in Cowley by William Morris (Lord Nuffield), dominated local life. Today there are cinemas, theatres, innumerable restaurants, shopping centres, an ice-rink, business and technology centres, close links to London by bus and train. Amidst the expanding city Oxford University retains its academic excellence, its student exuberance and its physical beauty.And it has been joined by a notably successful second university, Oxford Brookes. Martin Garrett discusses the literature Oxford has generated: from Chaucer to Lewis Carroll, Wilde, Evelyn Waugh, Barbara Pym, Tolkien and C.S. Lewis and Iris Murdoch. There are also chapters on architecture, on religion, on theatre, film and art--including Oxford's great museum of art and history the Ashmolean--and on leisure pursuits (punting and rowing, gardens, student pranks, city fairs and carnival). A chapter on commerce focuses on Victorian shops, Cornmarket and the Morris Motor Works, while a brief social history includes the former Oxford Castle and a gallery of dons as rulers--visionary or ignorant, charismatic or dull. Garrett looks at social change, especially the transformation in the position of Oxford women, and considers the city's darker side of crime. A final chapter explores its rich surroundings: the countryside where Matthew Arnold's 'black-winged swallows haunt the glittering Thames', the baroque grandeur of Blenheim Palace, the ancient windswept Ridgeway and White Horse.

Read more less

This book examines Delius's individual approaches to genre, form, harmony, orchestration and literary texts which gave the composer's musical style such a unique voice. Frederick Delius' (1862-1934) music has proved impervious to analytical definition. Delius's approaches to genre, form, harmony, orchestration and literary texts are all highly individual, not to say eccentric in their deliberate aim to avoid conformity. Rarely does Delius follow a conventional line, and though one can readily point to important influences, the larger Gestalt of each work has a syntax and coherence for which conventional analytical methods are mostly inadequate. Delius's musical style has also defied one of the most essential critical tools of his musical epoque - that of national identity. His style bears no relation either to the Victorian or Edwardian aesthetic of British music spearheaded by Parry, Stanford and Elgar before the First World War, nor to the more overtly nationalist, folk-song-orientated pastoralism of post-war Britain in such composers as Vaughan Williams and Holst. In contrast, Delius acknowledged himself a 'stateless' individual and considered that his music refused to belong to any national school or movement. To test these claims, the book explores a number of important factors. Delius's musical education at the Leipzig Conservatorium and the works he produced there. Delius's musical voice, notably his harmonic and melodic style and the close structural relationship between these two factors. The book also explores the question of Delius and 'genre' in which the investigation of form is central, especially in opera, the symphonic poem, the choral work (where words are seminal to the creation of structural design) and the sonata and concerto (to which Delius brought his own individual solution). Other significant factors are Delius's cosmopolitan use of texts, operatic plots and picturesque impressions, his relationship to Nietzsche's writings and the genre of dance, and the role of his 'earlier' works (1888-1896) in which it is possible to plot a course of stylistic change with reference to the influences of Grieg, Sinding, Florent Schmitt, Wagner, Strauss and Debussy.

Read more less

Contemporary readers who look at late-eigteenth-century or nineteenth-century imaginative literature must be struch by a phenomenon that is nearly universal in the period: the powerful presence of sentimentality. An often overlooked fact is that "Sentimentality" not only is a critical term, but is limited to a historical period, from roughly 1700 to the present. Fulweiler's hypothesis is that setimentality in writing has played a crucial part in shaping Western consciousness. As a study of evolution of consciousness-rather than the history of ideas- the argument grows out of the work of philosophers such as Ernst Cassirer and Susanne Langer, historical philosophers including R.G. Collingwood, Thomas Kuhn, and Michel Foucault, historically oriented literary critics such as Erich Auerbach, and finally the eclectic writing of Owen Barfield. Fulweiler's hypothesis is that the general consciousness of Western society has undergone severe shocks as a result of the loss-and sometimes repression- of an older human awareness of what anthropologists have called "participation," a term that may be defined as a non-sensory link between human beings and nature. This loss of participation has become gradually apparant with the erosiion of its visible emblems: The Church (with its supporting Law); the extended family, as visualized in feudal, hierarchical theories of society; and finally the nineteeth-century ideal, the nuclear family, with its sacred location, the home, and its glorified Proprietress, the Woman. Sentimentality emerges, then, as a desperate, if often illegitimate, attempt to regain what has been lost, so that imaginative literature of the nineteenth century, even very good literature, is overwhelmed by domestic sentimentality. In the twentieth century it has been heavily, although covertly, affected by a sexual sentimentality of the previous era. This sentimental journey is traced by focusing on six major writers: Tennyson and Dickens as the giants of Victorian domestic sentimentality, Hopkins and Hardy as transitional figures in whom the sentimental tropes of the ninteenth century are moving toward the sexual sentimentality of the twentieth, Lawrence and Eliot as representatives, in different ways, of that era. This multi-faceted study will be of considerable interest to specialists across a number of fields including literature, history, psychology, philosophy, and religious studies.

Read more less

Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field and represent a major contribution to international film studies. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors. This is augmented by numerous carefully chosen illustrations and a comprehensive filmography of English films, fiction and non-fiction, for the year. Particular attention is also paid to the ways in which the cinema of other countries affected the English industry. Volume 5 documents the emergence of Cecil M. Hepworth as one of England’s major film producers in 1900. The work of England’s two premier pioneers in the field of cinematography, Robert W. Paul and Birt Acres, is also examined. The conflict in South Africa against the Boers and the uprising of the Boxers in China proved popular subjects for new films and fictional representations. Forgotten pioneers of film are rescued from oblivion in this volume through the attention paid to their roles in English cinema. Volume 5 is introduced and edited by Richard Maltby. The long-awaited fifth and final volume in the series is published for the first time by UEP, and edited and introduced by Richard Maltby, Professor of Screen Studies, Flinders University, Australia. Describing in detail one of the most inventive periods in the history of English cinema, this series represents a major contribution to international film studies. Each illustrated volume details a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors, as well as a comprehensive filmography of English films, fiction and non-fiction, for the year. The previous volumes are aready established as classics in their field and have recently been re-jacketed and re-issued by University of Exeter Press.The fifth and final volume documents the year 1900, when the conflict in South Africa against the Boers and the Boxer uprising in China proved popular subjects for news films and fictional representations. It includes a full Introduction by Richard Maltby which places Victorian cinema in its cultural, social and historical context

Read more less

This NKJV Large Print Thinline Bible is inviting to pick up and hard to put down. Unique to this edition, the words of Christ are highlighted in a restful blue ink that’s easy to read and colorblind-friendly.The slim design of the NKJV Large Print Thinline Reference Bible means you can bring it along, wherever your day takes you. This large print edition features Thomas Nelson’s NKJV Comfort Print®, designed to provide a smooth reading experience of the accurate and beautiful New King James Version. And with features including extensive cross-references, concordance, and full-color maps, you’ll still have the tools to get more out of God’s Word. Features include: Presentation page to personalize this special gift by recording a memory or a note Words of Christ in blue quickly identify verses spoken by Jesus Double column provides a nice readable flow of the text End-of-page cross-references and translator notes allow you to find related passages quickly and easily Concordance for finding a word’s occurrences throughout the Bible Full-color maps show a visual representation of Israel and other biblical locations for better context Durable Smyth-sewn binding lies flat in your hand or on your desk Two satin ribbon markers for you to easily navigate and keep track of where you are reading Elegant, gilded page-edge design Clear and readable 10-point NKJV Comfort Print About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.

Read more less

From Shakespeare to The Beatles, the battle of Agincourt has dominated the cultural landscape as one of the most famous battles in British history. Anne Curry seeks to find out how and why the legacy of Agincourt has captured the popular imagination. Agincourt (1415) is an exceptionally famous battle, one that has generated a huge and enduring cultural legacy in the six hundred years since it was fought. Everybody thinks they know what the battle was about. Even John Lennon, aged 12, wrote a poem and drew a picture headed 'Agincourt'. But why and how has Agincourt come to mean so much, to so many? Why do so many people claim their ancestors served at the battle? Is the Agincourt of popular image the real Agincourt, or is our idea of the battle simply taken from Shakespeare's famous depiction of it? Written by the world's leading expert on the battle, this book shows just why it has occupied such a key place in English identity and history in the six centuries since it was fought, exploring a cultural legacy that stretches from bowmen to Beatles, via Shakespeare, Dickens, and the First World War. Anne Curry first sets the scene, illuminating how and why the battle was fought, as well as its significance in the wider history of the Hundred Years War. She then takes the Agincourt story through the centuries from 1415 to now, from the immediate, and sometimes surprising, responses to it on both sides of the Channel, through its reinvention by Shakespeare in King Henry V (1599), and the enduring influence of both the play and the film versions of it, especially the patriotic Laurence Olivier version of 1944, at the time of the D-Day landings in Normandy. But the legacy of Agincourt does not begin and end with Shakespeare's play: from the eighteenth century onwards, on both sides of the Channel and in both the English and French speaking worlds the battle was used as an explanation of national identity, giving rise to jingoistic works in print and music. It was at this time that it became fashionable for the gentry to identify themselves with the victory, and in the Victorian period the Agincourt archer came to be emphasized as the epitome of 'English freedom'. Indeed, even today, historians continue to 'refight' the battle.

Read more less

Eighteenth-century London was teeming with humanity, and poverty was never far from politeness. Legend has it that, on his daily commute through this thronging metropolis, Captain Thomas Coram witnessed one of the city's most shocking sights-the widespread abandonment of infant corpses by the roadside. He could have just passed by. Instead, he devised a plan to create a charity that would care for these infants; one that was to have enormous consequences for children born into povertyin Britain over the next two hundred years. Orphans of Empire tells the story of what happened to the thousands of children who were raised at the London Foundling Hospital, Coram's brainchild, which opened in 1741 and grew to become the most famous charity in Georgian England. It provides vivid insights into the lives and fortunes of London's poorest children, from the earliest days of the Foundling Hospital to the mid-Victorian era, when Charles Dickens was moved by his observations of the charity's work to campaign on behalf of orphans. Through the lives of London's foundlings, this book provides readers with a street-level insight into the wider global history of a period of monumental change in British history as the nation grew into the world's leading superpower. Some foundling children were destined for Britain's 'outer Empire' overseas, but many more toiled in the 'inner Empire', labouring in the cotton mills and factories of northern England at the dawn of the new industrial age. Through extensive archival research, Helen Berry uncovers previously untold stories of what happened to former foundlings, including the suffering and small triumphs they experienced as child workers during the upheavals of the Industrial Revolution. Sometimes, using many different fragments of evidence, the voices of the children themselves emerge. Extracts from George King's autobiography, the only surviving first-hand account written by a Foundling Hospital child born in the eighteenth century, published here for the first time, provide touching insights into how he came to terms with his upbringing. Remarkably he played a part in Trafalgar, one of the most iconic battles in British Naval history. His personal courage and resilience in overcoming the disadvantages of his birth form a lasting testimony to the strength of the human spirit.

Read more less

In days of old, Christmas was defined by the custom of exchanging simple handmade gifts. Today, it has become a multi-billion industry, synonymous with commercialism and consumption. How did this transformation occur? In this incisive and engaging examination of how Christmas has evolved since 1880, Waits chronicles the history of the holiday, from its origin to its current form. The book is illustrated with dozens of historical photographs and will be of interest to cultural and social historians alike. Christmas was a relatively modest occasion in the English- speaking world, celebrated by the exchange of modest handmade gifts, until the Victorians invested the holiday with immense significance as part of a larger effort to celebrate home, family, and a mythic past of well-ordered communities. By the late 19th century, Christmas had become a major American festival. Today, it is a multi-billion dollar industry and easily the most important seasonal event of the year. In this survey of the modern American Christmas, William Waits shows us how this holiday emerged, tracing its evolution from the days prior to 1880 when people presented one another with simple crafted presents to the turn of the century when industrialization brought with it waves of inexpensive, tawdry gimcracks. In the early twentieth century, reform-minded Americans reflecting on the new Christmas prompted a backlash against this cheapening of the Yule tradition, and the Christmas card was born. Henceforth, family members and close friends exchanged useful, costly items, while cards were sent to acquaintances and distant relatives. These reformers also persuaded retail stores to keep their regular hours of business during the holiday, rather than lengthening them, to give trade workers the opportunity to join in the celebration. They also rationalized the collection and distribution of holiday charity, resulting in the Christmas celebration we have today. Waits's book clearly illustrates that the notion that Christmas is uncontrollable is simply untrue. An incisive and engaging history of giftgiving, The Modern Christmas in Americaalso examines the differing traditions of giftgiving to friends, employees, the poor, and among entire communities. Handsomely illustrated with dozens of historical photographs, this book is not only the perfect holiday gift but will also be of interest to any student of American history and culture.

Read more less

This NKJV Large Print Thinline Bible is inviting to pick up and hard to put down. Unique to this edition, the words of Christ are highlighted in a restful blue ink that’s easy to read and colorblind-friendly.The slim design of the NKJV Large Print Thinline Reference Bible means you can bring it along, wherever your day takes you. This large print edition features Thomas Nelson’s NKJV Comfort Print®, designed to provide a smooth reading experience of the accurate and beautiful New King James Version. And with features including extensive cross-references, concordance, and full-color maps, you’ll still have the tools to get more out of God’s Word. Features include: Presentation page to personalize this special gift by recording a memory or a note Words of Christ in blue quickly identify verses spoken by Jesus Double column provides a nice readable flow of the text End-of-page cross-references and translator notes allow you to find related passages quickly and easily Concordance for finding a word’s occurrences throughout the Bible Full-color maps show a visual representation of Israel and other biblical locations for better context Durable Smyth-sewn binding lies flat in your hand or on your desk Two satin ribbon markers for you to easily navigate and keep track of where you are reading Elegant, gilded page-edge design Clear and readable 10-point NKJV Comfort Print About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.

Read more less

How much do the English really care about their stately homes? In this pathbreaking and wide-ranging account of the changing fortunes and status of the stately homes of England over the past two centuries, Peter Mandler melds social, cultural, artistic, and political perspectives and reveals much about the relationship of the nation to its past and its traditional ruling elite. Challenging the prevailing view of a modern English culture besotted with its history and its aristocracy, Mandler portrays instead a continuously changing and modernizing society in which both popular and intellectual attitudes toward the aristocracy—and its stately homes—have veered from selective appreciation to outright hostility and only recently to thoroughgoing admiration.With great panache, Mandler adds the missing pieces to the story of the country house. Going beyond its architects and its owners, he brings to center stage a much wider cast of characters—aristocratic entrepreneurs, anti-aristocratic politicians, campaigning conservationists, ordinary sightseers and voters—and a scenario full of incident and local and national color. He traces attitudes toward the stately homes, beginning in the first half of the nineteenth century when public feeling about the aristocracy was mixed and divided. Criticism of the "foreign" and "exclusive" image of the typical aristocratic country house was widespread. At the same time, interest grew in those older houses that symbolized an olden time of imagined national harmony. The Victorian period also saw the first mass tourist industry, and a strong popular demand emerged for the right to visit all the stately homes. By the 1880s, however, hostility toward the aristocracy made appreciation of any country house politically treacherous, and interest in aristocratic heritage declined steadily for sixty years. Only after 1945, when the aristocracy was no longer seen as a threat, was a gentle revival of the stately homes possible, Mandler contends, and only since the 1970s has that revival become a triumphant appreciation. He enters today's debate with a discussion of how far people today—and tomorrow—are willing to see the aristocracy's heritage as their own.

Read more less

"Christmas seems to have been always with us. It is that time of year when we expect good cheer and goodwill, a moment's respite from the year's vicissitudes, solace during difficult times," writes James Ballowe in his introduction to Christmas in Illinois. This book is about the holiday as remembered by Illinoisans. Some are widely familiar--John W. Allen, Gwendolyn Brooks, Sandra Cisneros, Mike Royko, Carl Sandburg, Joseph Smith--but most are known only in their close-knit communities that together represent the very best of the Prairie State. We learn here about the customs of Christmas from Chicago to Cairo, Belleville to Danville, before statehood to the present day, through hard times and good. Tales, poems, news reports, memoirs, recipes, and images are arranged in sections on Christmas in Illinois history, living traditions, songs and symbols, Christmas outdoors, eating merrily, and memories. We see how bright an occasion Christmas has been, and sometimes amusing, raucous, or even dark. The collection's highlights include Chicago's Christmas tree ship, Peoria's Santa Parade, Rockford's Julotta service, a Victorian holiday in Bloomington, and Audubon's 1810 Christmas on the Cache River. Nature writers detail holiday bird-watching expeditions along the North Shore and in deepest southern Illinois. A letter from a member of the 130th Illinois Infantry captures Christmas Day 1863, and Jack McReynolds recalls West Frankfort's 1951 Orient Number Two mine disaster that thereafter haunted the holiday for him and many others. The holiday table is not neglected, with traditional recipes for wild game, pickled herring, and all manner of Christmas cookies. A wide array of illustrations includes images of Chicago's grand State Street parade, the Santa Lucia celebration at Bishop Hill, Belleville's Santa Claus House, Millikin University's Vespers tradition, the University of Illinois madrigal singers, Studs Terkel singing songs of good cheer, and the holiday art of Edgar Rice Burroughs. Heat up some cider, put a log on the fire, and curl up with Christmas in Illinois to share the holiday with friends both old and new.

Read more less

Published on the occasion of Damien Hirst's exhibition at White Cube in Hong Kong in the spring of 2013. Among many new works illustrated in the publication are pieces from some of Hirst's latest series: the Entomology paintings and the Blade paintings. Hirst began work on the Entomology paintings in 2009. Each piece is made by placing hundreds of varieties of insect and beetle species into household gloss paint, in intricate geometric patterns. The series is reminiscent of Hirst's iconic series of butterfly wing Kaleidoscope pieces, dating from 2001, which were originally inspired by Victorian tea trays. As with the butterfly--one of Hirst's most enduring "universal triggers"--the insects' appeal derives largely from the appearance of life they retain in death. However, whilst the iridescent beauty of the wings in the Kaleidoscope series evoke stained glass windows, and are often assigned spiritual titles, the Entomology paintings are named after phases and characters in Dante Alighieri's tortuous vision of the afterlife, The Divine Comedy. The works also allude to Hirst's longterm interest in the nineteenth-century fascination with natural history and the irony involved in having to kill something in order to look at it. The Blade paintings are amongst the newest series of works in Hirst's practice. Thousands of variously shaped scalpel blades are positioned on a canvas in spectacular, mandala-like patterns. In some of the works, intermittent areas of coloured gloss paint have been layered in between the blades. The Blade paintings reference two of Hirst's seminal earlier series. While their geometric patterns recall the earlier series of butterfly Kaleidoscope paintings, in their use of surgical instruments, Hirst also returns to one of his most recognisable themes: medicine, and its inevitable futility in the face of our mortality. The surgical materials, first used by Hirst in his early 90s instrument cabinets, are described by the artist as "phenomenal objects because they have to have this confidence and this belief. They are the best quality. They are brilliantly designed, for all the right reasons." With the Blade paintings, the instruments eventual inability to arrest decay is highlighted by their relegation to decorative status.

Read more less

In the middle of the nineteenth century, most of New Brunswick was pristine wilderness. But by the end of the century the map of eastern Canada would be changed forever by the sport of salmon angling, and by the adventurers, gentlemen, rakes, and royalty, who were drawn together in their lust for the finest of fish. In Lost Land of Moses, Peter Thomas recounts the dramatic changes that occurred between 1840 and 1880, as strenuous wilderness idylls became the Victorian equivalent of adventure tourism. To illustrate his story, he has chosen more than fifty engravings, cartoons, maps, and photographs from archival collections and 19th century books and magazines. Moses Perley was a New Brunswick lawyer with a gift for contagious enthusiasm. Between 1839 and 1841, he published a series of articles in the British magazine Sporting Review describing his canoe trips with Mi'kmaq or Maliseet companions. The articles inspired a generation of young adventurers to visit New Brunswick. Soon, these young British gentlemen were joined by the rich and famous, as steamships brought fishermen right to the rivers, and needs were supplied by professional outfitters. In 1879, the Marquess of Lorne, then Governor General of Canada, and his daring wife, Princess Louise, spent two glorious weeks on the Restigouche, complete with a vice-regal retinue, a houseboat called Great Caesar's Ghost, and carpeted tents. The New Brunswick salmon waters were open for business. Many of the consequences of this influx were dire. Leases were let on the rivers, allowing only wealthy people to fish them. They founded clubs, built expansive camps, and hired wardens to patrol the pools. Most troubling of all, by the 1880s, the Mi'kmaq and Maliseet, at first respected as knowledgeable guides into their own territory, had been reduced to being perceived as mere servants. Moses Perley never foresaw the changes that large numbers of visitors would bring to New Brunswick's teeming salmon rivers. Lost Land of Moses reveals the consequences of his crusade to lure fly fishermen to New Brunswick. For good and ill, the legacy of those forty years is with us today.

Read more less

The first comprehensive biography of this undervalued writer, who was considered 'far and away the best living woman poet' in her day.Andrew Motion's Spectator Book of the Year.'One of the many achievements of This Rare Spirit is its rejection of that tired view of the poet as mouse that barely roared in favour of a true sense of a spikily modern woman, bound by various obligations but resilient, headstrong, and poetically inventive . . . Copus's diligent, scholarly, sensitive work should help Mew's pipe play on for years to come.' Declan Ryan, Los Angeles Review of Books'[A] supreme biography . . . It is hard to do justice to the breadth of research Copus has done here, or the compassionate, detailed conjuring of Mew and her milieu . . . An essential book, a classic work of literary biography.' Seán Hewitt, Irish Times'[K]eenly intelligent, fascinating and nuanced biography . . . Save Charlotte Mew! And read this book.' Joanna Kavenna, Literary Review'An exquisitely told account of the life of a half-forgotten London poet whose work was admired by Hardy, Sassoon and Virginia Woolf. Julia Copus does her justice at last.' Claire Tomalin'This Rare Spirit is a classic - the biography of Mew we have all been waiting for.' Fiona BensonThe British poet Charlotte Mew (1869-1928) was regarded as one of the best poets of her age by fellow writers, including Virginia Woolf, Siegfried Sasson, Walter de la Mare and Marianne Moore. She has since been neglected, but her star is beginning to rise again, all the more since her 150th anniversary in 2019. This is the first comprehensive biography, from cradle to grave, and is written by fellow poet Julia Copus, who recently unveiled a blue plaque on Mew's childhood house in Doughty Street and was the editor of the Selected Poetry and Prose (2019).Mew was a curious mix of New Woman and stalwart Victorian. Her poems speak to us strongly today, in these strangely mixed times of exposure and seclusion: they reveal the private agony of an isolated being who was forced to keep secret the tragedies of her personal life while being at the same time propelled by her work into the public arena. Her poetry transfigures that very private suffering into art that has a universal resonance.

Read more less

When Amanda Held Opelt suffered a season of loss-including three miscarriages and the unexpected death of her sister, New York Times bestselling writer Rachel Held Evans-she was confronted with sorrow she didn't know to how face. Opelt struggled to process her grief and accept the reality of the pain in the world. She also wrestled with some unexpectedly difficult questions: What does it mean to truly grieve and to grieve well? Why is it so hard to move on? Why didn't my faith prepare me for this kind of pain? And what am I supposed to do now?Her search for answers led her to discover that generations past embraced rituals that served as vessels for pain and aided in the process of grieving and healing. Today, many of these traditions have been lost as religious practice declines, cultures amalgamate, death is sanitized, and pain is averted. In this raw and authentic memoir of bereavement, Opelt explores the history of human grief practices and how previous generations have journeyed through periods of suffering. She explores grief rituals and customs from various cultures, including:- the Irish tradition of keening, or wailing in grief, which teaches her that healing can only begin when we dive headfirst into our grief- the Victorian tradition of post-mortem photographs and how we struggle to recall a loved one as they were- the Jewish tradition of sitting shiva, which reminds her to rest in the strength of her community even when God feels absent- the tradition of mourning clothing, which set the bereaved apart in society for a time, allowing them space to honour their griefAs Opelt explores each bereavement practice, it gives her a framework for processing her own pain. She shares how, in spite of her doubt and anger, God met her in the midst of sorrow and grieved along with her, and shows that when we carefully and honestly attend to our losses, we are able to expand our capacity for love, faith, and healing.

Read more less

What do characters as diverse as Alfred the Great, the architect Sir Christopher Wren, diarist Samuel Pepys and the Victorian poet Gerard Manley Hopkins have in common? All had some involvement in shipwrecks: in causing, recording or salvaging them. This book examines a variety of wrecks from logboats, Roman galleys and medieval cogs to East Indiamen, grand ocean liners, fishing boats and warships - all are woven into the history of shipwrecks along the coastline of England and in her territorial waters. Wrecks are not just physically embedded in this marine landscape - they are also an intrinsic part of a domestic cultural landscape with links that go beyond the navy, mercantile marine and fishing trade. Evidence of shipwrecks is widespread: in literature, in domestic architecture and as a major component of industrial archaeology. Shipwrecks also transcend national boundaries, forming tangible monuments to the movement of goods and people between nations in war and peace. In peacetime they link the architecture and monuments of different countries, from shipyards to factories, warehouses to processing plants; in time of war wrecks have formed a landscape scattered across the oceans, linking friend and foe in common heritage. England's Shipwreck Heritage explores the type of evidence we have for shipwrecks and their causes, including the often devastating effects fo the natural environment and human-led disaster. Ships at war, global trade and the movement of people - such as passengers, convict transports and the slave trade - are also investigated. Along the way we meet the white elephant who perished in 1730, the medieval merchant who pursued a claim for compensation for nearly 20 years, the most famous privateer for the American revolutionary wars and the men who held their nerve in the minesweeper trawls of the First World War. Highly illustrated and based on extensive new research, this book will appeal to anyone with an interest in England's maritime heritage.

Read more less

Another Crossing tells the stories of an individual life, of a family, of the communities of Chapeltown and Harehills, and of crucial moments in the making of Leeds as a place where cultures meet. In poetry that sings from the page, Another Crossing recreates places that have been swept away by time, like the house on 56 Cowper Street where Kadijah Ibrahiim's Jamaican grandmother captured her from time to time, where there was black pride and Victorian respectability, where there were aunts who gave the young girl a cultural education, where her grandfather entertained his friends in the sanctum of the West Indian front room - and where there was a forbidden attic whose religious significance only became clear long afterwards. Or there was her mother's house on Gathorne Mount, a place that moved to the looser beat of reggae, where there was strict discipline, love, good food - and blues parties in the cellar. The poems tell of the days when youths were excluded from school for growing their locks, of the bonfire night riots, police harassment and overt racism. But they were also the days when black people in Leeds were creating their own culture in music, dance, dress - shaped by influences from the Caribbean, from Black American music, and from British punk, into something unique. In rhythms that draw from the music being celebrated, with an unerring eye for the details of style that catch a moment, Another Crossing both recreates the recent past, and uses that recreation to ask questions about the present. Where has that political fire gone? Where the energies that danced to a political beat? But if there are notes of regret for a lost clarity of vision, there is also celebration of times that continue to inspire.

Read more less

Taking us from the beginning of our story to the present day, A Cold Spell examines how ice has shaped our thoughts, actions and societies – and what it means for us that it is rapidly disappearing from our planet 'A warm-hearted tale of the bizarre, something to cuddle up with in the bleak midwinter . . . Astonishing' THE TIMES 'Bracingly original . . . As the earth warms threateningly, there could hardly be a more pertinent time for a story like this’ MICHAEL PALIN 'A book of limitless fascinations' OLIVIA LAING 'Brightly written, nimbly researched and really quite delightful' LITERARY REVIEW Ice has confounded, delighted and fascinated us since the first sparks of art and culture in Europe and it now underpins the modern world. Without ice, we would not feed ourselves or heal our sick as we do, and our towns and cities, countryside and oceans would look very different. Science would not have progressed along the avenues it did and our galleries and libraries would be missing many masterpieces. A Cold Spell uses this vital link to understanding our past to tell a surprising story of obsession, invention and adventure – how we have lived and dreamed, celebrated and traded, innovated, loved and fought over thousands of years. It brings together a sacrificial Incan mummy, Winston Churchill’s secret plans for unusual aircraft carriers, strange bones that shook Victorian beliefs about the world and a macabre journey into the depths of the human body. It is an original and unique way of looking at something that is literally all around us, whose loss confronts us daily in the news, but whose impact on our lives has never been fully explored. [An] extraordinary, complete and utter history of the human experience of the cold stuff' JOHN LEWIS-STEMPEL, COUNTRY LIFE ‘A thought-provoking chronicle of humanity . . . Leonard consistently frames ice in surprising and insightful ways, and in doing so lends it a magical quality’ GEOGRAPHICAL

Read more less

An affectionate but meticulously researched history of one of the most beautiful and best-loved corners of England – Crosthwaite Parish, nestling deep within the mountains and valleys of the Lake District. 'A unique contribution to English history' Hunter Davies 'A delightful, refreshingly written book, attentive to social detail and telling the only story that matters – history' Simon Jenkins 'A wonderful book' Margaret Drabble 'A completely fresh perspective on the Lakes and Lake Poets... I hugely enjoyed it' Andrew Marr Bounded by the peaks of Scafell, Skiddaw and Helvellyn, and embracing such well-known landmarks as Borrowdale, Derwentwater and Keswick, it lies within the heart of the Lake Poets' landscape and its rugged terrain excites passion in all those who know it. The Parish also boasts a remarkable history. Its 90 square miles were governed, from medieval times, by eighteen annually chosen 'customary tenants'; ancestors of the people who later prompted Wordsworth's portrayal of the area as 'a perfect Republic of Shepherds and agriculturalists'. His fellow poet Robert Southey lived within the Parish for forty years, was an active parishioner and rests in St Kentigern's churchyard. Here he is given his rightful position as a Lake Poet. In the nineteenth century, the Victorian state killed off the old parish system, sweeping away the egalitarian rule of the Eighteen Men. But a degree of redemption was at hand. Canon Rawnsley, vicar of Crosthwaite from 1883, pledged to defend the Lake District for future generations. So the Parish was at the heart of the creation of the National Trust and blazed a trail for a wider movement to preserve the English landscape. Writing with a historian's rigour and bearing aloft the banner of the Lake District statesmen, Philippa Harrison has produced a magisterial and fascinating record of a parish with a unique social, cultural and aesthetic resonance in English history.

Read more less

Prince Dmitry Rostov, Anglophile lover of English poetry, especially Shakespeare, has a bicycling accident. It occurs beside Wordsworth's "sylvan Wye". More sinister and worrying are a ghostly white figure, a strange black boat, a blood-red rose cast on the water, a train whistle and a gunshot, all of which make him witness to a "gap in nature" that will ultimately involve him in a unique quest for the truth. Finding himself less seriously injured than he thought, he receives medical care and a night's rest at the home of the beautiful daughter of Lord Irmingham, a devotee of the late-Victorian cult of Tolstoyanism. Discovering that the prince had once met Anna Karenina, Lord Irmingham insists on having him as an honoured guest at his large country house, Stadleigh Court, among other guests assembled for a soiree devoted to celebrating Tolstoy's ideas. But there is an important sub-text to the occasion, as the prince soon discovers. He is invited to confront the veiled, reclusive lady in the tower. Is she Anna Karenina? Is she now apparently alive and well and living at Stadleigh Court on the banks of the river Wye? Entrusted with the task of identifying her, the prince finds himself drawn ever more deeply into a sympathetic understanding of her situation, her concern for her son, newly arrived from Russia but suddenly struck down, her joys and fears, above all her talk of threats and, finally, her claim to have "enemies". The soiree when it occurs proves to be fatally tragic. Her death overnight forces the prince to investigate. By dint of clever detective work and a certain amount of good luck he gradually uncovers the specifically Russian reasons for her killing. An Epilogue to what is an ingenious and entertaining crime novel reveals how much more the prince has to tell his wife when she returns from visiting her mother in Russia.

Read more less

Andrew Roberts's Masters and Commanders: The Military Geniuses who led the West to Victory in WWII tells the story of how four great leaders fought each other over how best to fight Hitler. During the Second World War the master strategy of the West was shaped by four titanic figures: Winston Churchill and Franklin Roosevelt, and their respective military commanders - General Sir Alan Brooke and General George C. Marshall. Each man was tough-willed and strong minded. And each was certain he knew best how to achieve victory. Drawing on previously unpublished material, including for the first time verbatim reports of Churchill's War Cabinet meetings, Andrew Roberts's acclaimed history recreates with vivid immediacy the fiery debates and political maneuverings, the rebuffs and the charm, the explosive rows and dramatic reconciliations, as the masters and commanders of the Western Alliance fought each other over the best way to fight Adolf Hitler. 'History as it should be written; a gripping narrative' Michael Gove, Mail on Sunday Books of the Year 'Scintillating historical writing on the whole rich panorama of Britain and the US at war' Martin Gilbert, Evening Standard 'A compelling analysis of American and British military strategy during the war. He also tells a profoundly human story' Laurence Rees, Sunday Times 'A masterpiece' Christopher Silvester, Daily Express 'Britain's finest contemporary military historian' Economist Books of the Year Andrew Roberts is a biographer and historian of international renown whose previous books include Salisbury: Victorian Titan (1999), which won the Wolfson History Prize and the James Stern Silver Pen Award for Non-Fiction; Napoleon and Wellington (2001); Hitler and Churchill: Secrets of Leadership (2003), which coincided with four-part BBC2 history series, and A History of the English-Speaking Peoples Since 1900 (2005).

Read more less

It may not be the longest, deepest or widest river in the world but few bodies of water reveal as much about a nation's past and present, or are suggestive of its future, as England's River Thames. Tales of legendary lock-keepers and long-vanished weirs evoke the distant past of a river which evolved into a prime commercial artery linking the heart of England with the ports of Europe. In Victorian times, the Thames hosted regattas galore, its new bridges and tunnels were celebrated as marvels of their time, and London's river was transformed from sewer to centrepiece of the British Empire. Talk of the Thames Gateway and the effectiveness of the Thames Barrier keeps the river in the news today, while the lengthening Thames Path makes the waterway more accessible than ever before. Through quiet meadows, rolling hills, leafy suburbia, industrial sites and a changing London riverside, Mick Sinclair tracks the Thames from source to sea, documenting internationally-known landmarks such as Tower Bridge and Windsor Castle and revealing lesser known features such as Godstow Abbey, Canvey Island, the Sanford Lasher, and George Orwell's tranquil grave. Paintings, Words and Music: Turner, Tissot, Whistler and Monet; Shakespeare at Southwark, Alexander Pope, Charles Dickens, Jerome K. Jerome, William Morris; Handel's Water Music, the first rendition of Rule Britannia, the Rolling Stones and The Who rocking Eel Pie Island. Power, Politics and Intrigue: Runnymede and Magna Carta, the first English parliament, Whitehall Palace, Cliveden and the Profumo affair, the Houses of Parliament and the brooding headquarters of MI5 and MI6. Trade and Commerce: Eel trapping, osier growing; bargemen, watermen and lightermen; the rise and fall of London's docks; urban regeneration, rural protection.

Read more less

Some ten thousand years ago, hunter-gatherers moving through a landscape newly emerged from the grip of the last Ice Age reached four islands on the western seaboard. The shores they landed on were deserted. After making camp, they struck out to hunt and explore. We know this because the evidence of their presence has been preserved down the millennia - in traces of flint and quartz, in charred fragments of grain and animal bone, in great heaped piles of ancient shellfish. The islands were Rum, Eigg, Canna and Muck - four distinctive shapes rising from the waters of the Inner Hebrides between Ardnamurchan and Skye. Collectively, they are known as the Small Isles. From those first moments on, people have been working these islands and using their resources, adapting each landscape to suit the changing needs of the communities they served. In this definitive new book, archaeologist John Hunter searches for the stories of the Small Isles in the evidence that survives - from the fragmentary physical remains of dwellings, defences, places of worship and monuments, to the records of early antiquarians, historians and travellers. This is a journey to rediscover communities that were erased by the mass migrations of the nineteenth century, and the rise of the Victorian sporting estate. Within a few generations cultural identity on the islands disappeared and a new order developed. Placenames were changed, buildings and structures abandoned, and traditions forgotten. The Small Isles became islands without memories. This comprehensive guide - illustrated with a wealth of photographs, maps and drawings - takes readers on a tour of both place and time. Crisscrossing the landscapes of four fascinating and evocative islands, it reveals traces of a forgotten past in everything that has been left behind.

Read more less

Sarah Angelina Acland (1849-1930) is one of the most important photographers of the late Victorian and early Edwardian periods. Daughter of the Regius Professor of Medicine at Oxford, she was photographed by Lewis Carroll as a child, along with her close friend Ina Liddell, sister of Alice of Wonderland fame. The critic John Ruskin taught her art and she also knew many of the Pre-Raphaelites, holding Rossetti's palette for him as he painted the Oxford Union murals. At the age of nineteen she met the photographer Julia Margaret Cameron, whose influence is evident in her early work. Following in the footsteps of Cameron and Carroll Miss Acland first came to attention as a portraitist, photographing the illustrious visitors to her Oxford home. In 1899 she then turned to the challenge of colour photography, becoming, through work with the 'Sanger Shepherd process', the leading colour photographer of the day. Her colour photographs were regarded as the finest that had ever been seen by her contemporaries, several years before the release of the Lumière Autochrome system, which she also practised. This volume provides an introduction to Miss Acland's photography, illustrating more than 200 examples of her work, from portraits to picturesque views of the landscape and gardens of Madeira. Some fifty specimens of the photographic art and science of her peers from Bodleian collections are also reproduced for the first time, including four unrecorded child portraits by Carroll. Detailed descriptions accompany the images, explaining their interest and significance. The photographs not only shed important light on the history of photography in the period, but also offer a fascinating insight into the lives of a pre-eminent English family and their circle of friends.

Read more less

Indispensable reading for historians and musicologists as well as those interested in Wagner's philosophy and the aesthetics of music. Despite the enormous and accelerating worldwide interest in Wagner leading to the bicentenary of his birth in 2013, his prose writings have received scant scholarly attention. Wagner's book-length essay on Beethoven, written to celebrate the centenary of Beethoven's birth in 1870, is really about Wagner himself rather than Beethoven. It is generally regarded as the principal aesthetic statement of the composer's later years, representing a reassessment ofthe ideas of the earlier Zurich writings, especially Oper und Drama, in the light of the experience gained through the composition of Tristan und Isolde, Die Meistersinger von Nürnberg and the greater part of DerRing des Nibelungen. It contains Wagner's most complete exegesis of his understanding of Schopenhauer's philosophy and its perceived influence on the compositional practice of his later works. The essay also influenced the young Nietzsche. It is an essential text in the teaching of not only Wagnerian thought but also late nineteenth-century musical aesthetics in general. Until now the English reader with no access to the German original has been obliged to work from two Victorian translations. This brand new edition gives the German original and the newly translated English text on facing pages. It comes along with a substantial introduction placing the essay not onlywithin the wider historical and intellectual context of Wagner's later thought but also in the political context of the establishment of the German Empire in the 1870s. The translation is annotated throughout with a full bibliography. Richard Wagner's Beethoven will be indispensable reading for historians and musicologists as well as those interested in Wagner's philosophy and the aesthetics of music. ROGER ALLEN is Fellow and Tutor in Music at St Peter's College, Oxford.

Read more less

When you are half lost in a work of art, what happens to the half left behind? Semi-Detached delves into this state of being: what it means to be within and without our social and physical milieu, at once interacting and drifting away, and how it affects our ideas about aesthetics. The allure of many modern aesthetic experiences, this book argues, is that artworks trigger and provide ways to make sense of this oscillating, in-between place. John Plotz focuses on Victorian and early modernist writers and artists who understood their work as tapping into, amplifying, or giving shape to a suspended duality of experience. The book begins with the decline of the romantic tale, the rise of realism, and John Stuart Mill's ideas about social interaction and subjective perception. Plotz examines Pre-Raphaelite paintings that take semi-detached states of attention as their subject and novels that treat provincial subjects as simultaneously peripheral and central. He discusses how realist writers such as Charles Dickens, George Eliot, and Henry James show how consciousness can be in more than one place at a time; how the work of William Morris demonstrates the shifting forms of semi-detachment in print and visual media; and how Willa Cather created a form of modernism that connected aesthetic dreaming and reality. Plotz concludes with a look at early cinema and the works of Buster Keaton, who found remarkable ways to portray semi-detachment on screen. In a time of cyberdependency and virtual worlds, when it seems that attention to everyday reality is stretching thin, Semi-Detached takes a historical and critical look at the halfway-thereness that audiences have long comprehended and embraced in their aesthetic encounters.

Read more less

A dramatic and heartwarming Victorian saga, perfect for fans of Maggie Hope and Anne Bennett. 1850s Shropshire. Returning to her mother's birthplace at the age of eighteen, Beatrice encounters a complex family she barely knows. Her great-grandmother Queenie adores her, but the privileged social position of Beatrice's family as masters of the local brickworks begins to make her uncomfortable. And then she meets Owen Malone: handsome, different, refreshing - and from a class beneath her own. They fall for each other fast, but an old family feud and growing industrial unrest threatens to drive them apart. Can they overcome their different backgrounds? And can Beatrice make amends for her family's past? Praise for The Daughters of Ironbridge: 'A Journey. Compelling. Addictive.' Val Wood'Evocative, dramatic and hugely compelling . . . The Daughters of Ironbridge has all the hallmarks of a classic saga. I loved it' Miranda Dickinson 'Feisty female characters, an atmospheric setting and a spell-binding storyline make this a phenomenal read' Cathy Bramley 'The Daughters of Ironbridge has that compulsive, page-turning quality, irresistible characters the reader gets hugely invested in, and Walton has created a brilliantly alive, vivid and breathing world in Ironbridge' Louisa Treger 'Such great characters who will stay with me for a long time' Beth Miller 'The attention to period detail and beautiful writing drew me right in and kept me reading' Lynne Francis 'Vivid, page-turning drama' Pippa Beecheno 'A powerful sense of place and period, compelling characters and a pacy plot had me racing to the end' Gill Paul 'A story that is vivid, twisting and pacy, with characters that absolutely leap off the page' Iona Grey'Beautiful and poignant. I'll definitely be reading The Secrets of Ironbridge' Tania Crosse

Read more less

'So impossibly funny, clever, demented, charming and altogether wonderful that I was a convert within three pages. Buy it for everyone you know, regardless of what you think they like. Brilliant stuff' Lucy Mangan, Stylist Books of the Year'An eye-opener... The more I think about this, the higher I esteem it' - Nicholas Lezard, Guardian Books of the Year*Winner of the British Book Design and Production Award for Graphic Novels**Winner of the Neumann Prize in the History of Mathematics**Nominated for the 2016 Eisner Award for Best Graphic Album and Best Writer/Artist*In The Thrilling Adventures of Lovelace and Babbage Sydney Padua transforms one of the most compelling scientific collaborations into a hilarious set of adventures Meet two of Victorian London's greatest geniuses... Ada Lovelace, daughter of Lord Byron: mathematician, gambler, and proto-programmer, whose writings contained the first ever appearance of general computing theory, a hundred years before an actual computer was built. And Charles Babbage, eccentric inventor of the Difference Engine, an enormous clockwork calculating machine that would have been the first computer, if he had ever finished it.But what if things had been different? The Thrilling Adventures of Lovelace and Babbage presents a delightful alternate reality in which Lovelace and Babbage do build the Difference Engine and use it to create runaway economic models, battle the scourge of spelling errors, explore the wider realms of mathematics and, of course, fight crime - for the sake of both London and science. Extremely funny and utterly unusual, The Thrilling Adventures of Lovelace and Babbage comes complete with historical curiosities, extensive footnotes and never-before-seen diagrams of Babbage's mechanical, steam-powered computer. And ray guns.

Read more less

**WINNER OF THE HISTORY AND TRADITION CATEGORY, EAST ANGLIAN BOOK AWARDS 2020****SHORTLISTED FOR THE TASMANIAN LITERARY AWARD 2022****LONGLISTED FOR THE RSL ONDAATJE PRIZE 2021** 'A real page-turner ... a warning about what happens when the rich and powerful dress up their avarice as "progress" - a lesson we could do with learning today.' Dixe Wills, BBC Countryfile magazine FROM A MULTI-AWARD-WINNING HISTORIAN, AN ARRESTING NEW HISTORY OF THE BATTLE FOR THE FENS.Between the English Civil Wars and the mid-Victorian period, the proud indigenous population of the Fens of eastern England fought to preserve their homeland against an expanding empire. After centuries of resistance, their culture and community were destroyed, along with their wetland home - England's last lowland wilderness. But this was no simple triumph of technology over nature - it was the consequence of a newly centralised and militarised state, which enriched the few while impoverishing the many.In this colourful and evocative history, James Boyce brings to life not only colonial masters such as Oliver Cromwell and the Dukes of Bedford but also the defiant 'Fennish' them- selves and their dangerous and often bloody resistance to the enclosing landowners. We learn of the eels so plentiful they became a kind of medieval currency; the games of 'Fen football' that were often a cover for sabotage of the drainage works; and the destruction of a bountiful ecosystem that had sustained the Fennish for thousands of years and which meant that they did not have to submit in order to survive.Masterfully argued and imbued with a keen sense of place, Imperial Mud reimagines not just the history of the Fens, but the history and identity of the English people.

Read more less

Victorian-era divas who were better paid than some corporate chairmen, the boy soprano who grew up to give Bing Crosby a run for his money, music directors who were literally killed by the job—the plot of a Broadway show or a dime-store novel? No, the unique and colorful history of St. Patrick’s Cathedral. Since its inception more than 125 years ago, the Cathedral Choir has been considered the gold standard of liturgical music—an example of artistic excellence that has garnered worldwide renown. Yet behind this stately facade lies an intriguing mix of New York history, star secrets, and high-level office politics that has made the choir not only a source of prime musical entertainment but also fodder for tabloids and periodicals across the nation. In this unique and engaging book, readers are treated to a treasure trove of vibrant characters, from opera stars from around the world to the thousands of volunteer singers who brought their own hopes and dreams—and widely varying musical abilities—to the fabled choir. As the city’s preeminent Catholic institution, St. Patrick’s Cathedral has served one of the most dynamic and diverse communities in the world for well over a century. It has been intimately entwined with the history of New York: a major center of culture in the nation’s cultural capital. The Cathedral Choir provides an extraordinary and largely overlooked insight into this history, and in Salvatore Basile’s pitch-perfect exploration it becomes a microcosm for the larger trends, upheavals, and events that have made up the history of the city, the nation, and even the world. Basile also illuminates the choir’s important role in New Yorkers’ responses to some of the most momentous events of the past one hundred years, from world wars to world’s fairs, from the sinking of the Titanic to 9/11, as well as its central role in the rituals and celebrations that have made life in the city more joyful—and bearable—for millions of people over the decades. While the phrase “church choir” usually evokes the image of a dowdy group of amateurs, the phrase “Choir of St. Patrick’s Cathedral” has always meant something quite different. Salvatore Basile’s splendid history shows just how different, and just how spectacular, the music of St. Patrick’s is.

Read more less