Search results for ""Author Victoria"

This timely book fills a lacuna in the extensive literature on Churchill's life and times. It covers his long relationship with Africa during the most important period in Anglo-African history, from nineteenth-century imperial rule to independence and the emergence of modern Africa. Churchill first went to Africa during the British re-conquest of Sudan in 1898 and would spend almost the next sixty years dealing with Africa as soldier, journalist, government minister, and finally prime minister. Churchill's story is one of transition from the height of late-Victorian British imperialism to the acceptance of African nationalism in the middle years of the twentieth century. He helped to shape British colonial policy in Africa from the first decade of the twentieth century through the Second World War and colonial Kenya's Mau Mau crisis of the 1950s. Few British leaders were as closely involved with Africa as was Churchill.

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A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. The Royal Botanic Gardens, Kew has a gallery dedicated to the paintings of the remarkable Victorian artist Marianne North, who had a great eye for botanical detail. She set out in 1871 on a painterly progress through world flora. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

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Originally published in 1966. In his lifetime, Gerard Manley Hopkins was known as a poet only by a small circle of his friends. More than any other major Victorian writer, he was recovered and presented as a poet to modern readers by editors and scholars of the first half of the twentieth century. This book analyzes how and to what extent the presuppositions of these critics have dictated the modern conception of Hopkins's work. Bender seeks to dispel, once and for all, the notion that Hopkins was a naïf poet. He provides an analysis of classical Greek and Latin rhetoric relative to the classical background of Hopkins's style and the structure in his poetry. He maintains that especially in Hopkins's more extreme work, such as "The Wreck of the Deutschland," there are precedents for the structure of the poem itself, the structure of the sentences within the poem, and its sensual and obscure imagery in the classical literature that Hopkins knew so well.Bender's study suggests two highly controversial positons: first, that although Hopkins is one of the most original voices in English, his poetry is within a tradition insufficiently recognized by modern critics; and second, that the effect of careful and sympathetic study of classical literature can induce quite the opposite of a neoclassical style in English.

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In nineteenth-century England, marriage between first cousins was both legally permitted and perfectly acceptable. After mid-century, laws did not explicitly penalize sexual relationships between parents and children, between siblings, or between grandparents and grandchildren. But for a widower to marry his deceased wife's sister was illegal on the grounds that it constituted incest. That these laws and the mores they reflect strike us today as wrongheaded indicates how much ideas about kinship, marriage, and incest have changed. In Family Likeness, Mary Jean Corbett shows how the domestic fiction of novelists including Jane Austen, Charlotte Brontë, George Eliot, Elizabeth Gaskell, and Virginia Woolf reflected the shifting boundaries of "family" and even helped refine those borders. Corbett takes up historically contingent and culturally variable notions of who is and is not a relative and whom one can and cannot marry. Her argument is informed by legal and political debates; texts in sociology and anthropology; and discussions on the biology of heredity, breeding, and eugenics. In Corbett's view, marriage within families—between cousins, in-laws, or adoptees—offered Victorian women, both real and fictional, an attractive alternative to romance with a stranger, not least because it allowed them to maintain and strengthen relations with other women within the family.

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A bold reassessment of nineteenth-century British painter and decorative artist Edward Burne-Jones, elucidating his fundamentally radical defiance of the Victorian age Challenging the dominant characterization of Edward Burne-Jones as an escapist who withdrew from the modern world into imaginary realms of his own creation, this groundbreaking book argues that he was engaged in a fundamentally radical defiance of the age, protesting against imperial aggression, capitalist economic inequality, and environmental destruction in the wake of the industrial revolution. Harnessing the utopian power of embodied aesthetic encounters, Burne-Jones drew inspiration from the medieval concept of dreams as visionary states of transformation. Therefore, his art functioned not as a retreat, but as a vehicle for revolutionary awakening. Often characterized as a painter, this book re-centers Burne-Jones’s practice in the decorative arts, demonstrating that he consistently interrogated the boundaries of artistic media, in keeping with wider debates over the role of the arts in the nineteenth century. The first scholarly monograph solely devoted to Burne-Jones since 1973, The Radical Vision of Edward Burne-Jones offers a thorough re-examination of his work, illuminating his radical defiance of the artistic, social, and political hierarchies of nineteenth-century Britain.Distributed for the Paul Mellon Centre for Studies in British Art

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When we talk about technology we always talk about the future - which makes it hard to figure out how to get there. In Future Histories, Lizzie O'Shea argues that we need to stop looking forward and start looking backwards. Weaving together histories of computing and social movements with modern theories of the mind, society, and self, O'Shea constructs a "usable past" that can help us determine our digital future. What, she asks, can the Paris Commune tell us about earlier experiments in sharing resources-like the Internet-in common? Can debates over equal digital access be guided by Tom Paine's theories of democratic, economic redistribution? And, how is Elon Musk not a visionary but a throwback to Victorian-era utopians? In engaging, sparkling prose, O'Shea shows us how very human our understanding of technology is, and what potential exists for struggle, for liberation, for art and poetry in our digital present. Future Histories is for all of us-makers, coders, hacktivists, Facebook-users, self-styled Luddites-who find ourselves in a brave new world.

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The Tyne Bridge, opened in 1928 by King George V, is one of Britain's most iconic structures, a Grade II* listed building. Linking Newcastle and Gateshead, this symbol of Tyneside and the region is also a monument to the Tyne's industrial past. Paul Brown's popular history explores what the bridge means to the people of North-East England, and its deep connection with their heritage. Brown recounts the story of the bridge's predecessors, from the Roman Pons Aeliusthe first crossing over the Tyneto the Victorian era. He then brings to life the individuals who built the modern bridge: Ralph Freeman, the structural engineer who also designed the Sydney Harbour Bridge; Dorothy Buchanan, the first female member of the Institution of Civil Engineers, who produced drawings and calculations; John Carr, the boatman who bravely rescued workers from the Tyne on dozens of occasions; and the scaffolder Nathaniel Collins, the only man not to survive construction of the arch, who fell from

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A mysterious tale of crime, witchcraft and the supernatural. The House of the Seven Gables is a gloomy New England mansion, reeking of past sins and malevolent threats. The Pyncheon family that lives there has inherited the curse of centuries-old accusations of witchcraft, and is haunted by the ghosts of the sinful dead who still live within the terrifying shadows of the imposing house. A truly ingenious blend of the supernatural and the romantic, Hawthorne weaves a gothic tale that threatens to impale the family and the local townsfolk with its destructive power. FLAME TREE 451: From mystery to crime, supernatural to horror and fantasy to science fiction, Flame Tree 451 offers a healthy diet of werewolves and mechanical men, blood-lusty vampires, dastardly villains, mad scientists, secret worlds, lost civilizations and escapist fantasies. Discover a storehouse of tales gathered specifically for the reader of the fantastic. Each book features a brand new biography and glossary of Literary, Gothic and Victorian terms.

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Since Victorian times, the MCC had embraced the amateur ideal that cricket was more than a game. It was the very essence of camaraderie and good sportsmanship. Yet for all their evangelising, the game's privileged elite were part of a British establishment which revelled in its national prestige and imperial hegemony. And winning at cricket was essential to maintaining that stature. Ambassadors of Goodwill assesses the MCC's attempt to marry these conflicting objectives and foster goodwill within the Empire via long, formal overseas tours. After the war, the amateur ideal suffered when Len Hutton was appointed England's first professional captain. His uncompromising leadership brought success on the field but discord off it. Managers were installed to restore diplomatic harmony but, with the growing upheavals of the late 60s, cricket became increasingly associated with nationality, race and professional cynicism. Ray Illingworth's controversial win in Australia in 1970/71 clearly signalled the MCC's waning influence.

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The New York Times #1 best-selling series. Like its predecessors, Library of Souls blends thrilling fantasy with never-before-published vintage photography to create a one-of-a-kind reading experience. A boy with extraordinary powers. An army of deadly monsters. An epic battle for the future of peculiardom. The adventure that began with Miss Peregrine’s Home for Peculiar Children and continued in Hollow City comes to a thrilling conclusion with Library of Souls. As the story opens, sixteen-year-old Jacob discovers a powerful new ability, and soon he’s diving through history to rescue his peculiar companions from a heavily guarded fortress. Accompanying Jacob on his journey are Emma Bloom, a girl with fire at her fingertips, and Addison MacHenry, a dog with a nose for sniffing out lost children. They’ll travel from modern-day London to the labyrinthine alleys of Devil’s Acre, the most wretched slum in all of Victorian England. It’s a place where the fate of peculiar children everywhere will be decided once and for all.

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For Birmingham, whose motto is ‘Forward’, change has long been a fact of life. This pictorial history traces some of the dramatic developments that have taken place in the centre of Birmingham during three post-war decades. This collection of over 200 photographs, drawn from the archives held at Birmingham Central Library, recalls a bygone age when trams trundled down Victorian streets and steam trains halted at soot-blackened stations, their passengers emerging to patronise shops and cafés, pubs and hotels, some little changed in decades. The years immediately following the Second World War were more changeable than most, partly because the war itself delayed many plans for the city, and partly because of the need for post-war reconstruction, including that of the ‘Big Top’ bomb site, providing 1950s Birmingham with its first purpose-built shopping and office complex. Accompanied by supporting text, the photographs in this volume show how the foundations of present-day Birmingham were laid.

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Euston Station was the first intercity railway gateway for London and with the famed Doric Arch became a major landmark of that city. Initially built for the London and Birmingham Railway, it became the terminus of the LNWR Premier Line, then HQ of the London Midland and Scottish. The controversial 1960's demolition of the site stimulated the building preservation movement. Latterly we have a challenging on / off love affair with the area through the High Speed Two project. This book contains both a background history of Euston and its environs, combined with a modellers review of building a OO' gauge mid Victorian station complex. A core model of the old station was kindly donated to the Market Deeping Model Railway Club (MDMRC) following the sad act of vandalism of their model railway show in 2019. This in turn served as a stimulus to expand, detail and research during the Covid isolation and lockdown years. This book is the end result of these endeavours. We use the model to underpi

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From tenth-century Japan's Izumi Shikibu, colonial America's Anne Bradstreet, and Victorian England's Elizabeth Barrett Browning to Israel's Yehuda Amichai, Ireland's Paul Muldoon, and Russia's Anna Akhmatova, poets across the centuries and around the world have immortalized this elemental relationship. Among the more than seventy poets in this anthology, Audre Lorde recalls "How the days went / While you were blooming within me"; Jorie Graham muses on her mother's sewing box; Allen Ginsberg says goodbye in "Kaddish"; and Langston Hughes invokes a mother's empowering example: "Don't you fall now- / For I'se still goin', honey, / I'se still climbin', / And life for me ain't been no crystal stair." From Emily Brontë's "Upon Her Soothing Breast" and Seamus Heaney's "Mother of the Groom" to Sylvia Plath's "Morning Song" and Frank O'Hara's "Ave Maria," the more than one hundred poems collected here enshrine the miracle of motherhood and the richness of feeling and experience it inspires.

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Rochester's position on the River Medway, near where it joins the Thames, has meant that it has played an important historical role for centuries. Beyond its Norman castle and cathedral and many ancient buildings, the town is surrounded by fortifications as it was a potential target for invaders, although in 1667 the Dutch were able to raid Rochester and set fire to a large number of English naval ships. The historic character of Rochester remains today with its annual Sweeps Festival and two festivals a year celebrating Dickens, who had lived nearby. The town has the only museum in the country celebrating the Huguenots.AZ of Rochester reveals the history behind the town, its streets and buildings, businesses and the people connected with it. Alongside the famous historical connections are unusual characters, tucked-away places and unique events that are less well known. Readers will discover tales of a Victorian botanical illustrator, a Saxon saint and a celebrated Elizabethan Clerk o

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The first history of all the English cathedrals, from Birmingham and Bury St Edmunds to Worcester and York Minster England’s sixty-two Anglican and Catholic cathedrals are some of our most iconic buildings, attracting millions of worshippers and visitors every year. Yet although much has been written about their architecture, there is no complete history of their life and activities. This is the first such book to provide one, stretching from Roman times to the present day. The History of England’s Cathedrals explains where and why they were founded, who staffed them, and how their structures evolved. It describes their worship and how this changed over the centuries, their schools and libraries, and their links with the outside world. The history of these astonishing buildings is the history of England. Reading this book will bring you face to face with the Anglo-Saxons, Vikings, Normans, Reformation, Civil War, Victorian England, World War Two, and finally modern democracy.

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A woman embarks on an unexpected journey into her past in an engrossing novel about identity, family secrets, and rediscovering the need to belong. Meena Dave is a photojournalist and a nomad. She has no family, no permanent address, and no long-term attachments, preferring to observe the world at a distance through the lens of her camera. But Meena’s solitary life is turned upside down when she unexpectedly inherits an apartment in a Victorian brownstone in historic Back Bay, Boston. Though Meena’s impulse is to sell it and keep moving, she decides to use her journalistic instinct to follow the story that landed her in the home of a stranger. It’s a mystery that comes with a series of hidden clues, a trio of meddling Indian aunties, and a handsome next-door neighbor. For Meena it’s a chance for newfound friendships, community, and culture she never thought possible. And a window into her past she never expected. Now as everything unknown to Meena comes into focus, she must reconcile who she wants to be with who she really is.

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Brighton has grown from a fashionable resort in Georgian times, and a popular place to visit for Londoners once the railways arrived in Sussex in the nineteenth century, to today’s lively conurbation on the south coast. In this book, local historian Christopher Horlock charts the changing face of Brighton from the end of the Victorian era to the present day. Not only are many famous lost landmarks recorded, such as the Chain and West piers, Hanningtons department store and the SS Brighton ice rink, but also industrial premises, churches, schools, theatres and cinemas, plus trams, trolleybuses and branch railways. Lost Brighton presents a portrait of a city and a way of life that has radically changed or disappeared today, showing not just the buildings, streets and industries that have gone or changed, but also a way of life. This fascinating photographic history of lost Brighton will appeal to all those who live in the city or know it well, as well as those who remember it from previous decades.

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When Josephine Butler died in 1906, she was declared by Millicent Fawcett to have been ‘the most distinguished Englishwoman of the nineteenth century’. With impassioned speeches and fiery writing, Butler’s campaigns for women’s rights shook Victorian society to its core and became a force for change that has shaped modern Britain. As well as campaigning for women’s suffrage and for married women’s property rights she was a tireless advocate of women’s access to higher education and of equality in the workplace. Her greatest achievement was to change social attitudes to women and children forced into prostitution, and to expose the sex-trafficking business – both of which resulted in new, more humane legislation. But how did the physically frail wife of a schoolmaster become a leading social reformer? In this brief introduction Jane Robinson explores Butler’s fascinating life and describes how her progressive politics, her anger at injustice and her passionate Christianity combined to create a vibrant legacy that lasts to this day.

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The original editions of Curiosities of Bristol contained every surprising fact the Victorian reader could wish to know about the city’s history. For the first time in more than 150 years, this fascinating volume collects together the complete run of this extremely rare publication. Every page is bursting with strange tales of local interest: antiquities and relics, folklore and magic, strange deaths, wicked murders and the complete history of events such as the Bristol Riots of 1831, many of which are infamous. Also including a visitor’s guide to the city, and with the addition of beautiful contemporary plates from Skelton’s 1850 masterpiece Etchings of the Antiquities of Bristol, this book will delight residents, visitors and lovers of curious tales alike.

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In 1897, Archibald Constable and Company published Bram Stoker's "Dracula", the most famous horror novel of all time. For reasons still debated by critics, the first chapter of "Dracula" was cut from the book just weeks before publication. Here, it becomes the central clue in a spine-tingling mystery - published in the same format as Quirk's "The Crimes of Dr Watson". "Dracula's Heir" begins ten years after the horrific events described in the original novel. Jonathon and Mina Harker are happily married and enjoying life in Bixby, England. Meanwhile, their friend Dr. John Seward is tracking a string of crime that seems eerily familiar; a 14-year-old girl sleepwalks out of her parent's house and disappears into the night. Two "accident victims" are found drained of their blood, yet there is no crime scene evidence to explain its loss. When Seward shares his discoveries with the famous vampire hunter Abraham Van Helsing, all the evidence points to Jonathon Harker.After all, Harker spent several months imprisoned in Castle Dracula as a guest of the Count - was he infected without anyone else realising it? Has the mild-mannered English solicitor spent the last ten years lurking in the shadows as a nosferatu? Or is someone (or something) else getting away with murder? As with "The Crimes of Dr Watson", "Dracula's Heir" features an original mystery novella plus 8 removable clues, including a newspaper, a journal, a death certificate, a Victorian calling card and more. Once you've solved the mystery, you can open the final signature (sealed at the printer) to test your sleuthing skills.

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Few writers have had a greater impact upon British society than Charles Dickens. His stories, and, in particular, his many memorable characters, highlighted the life of the forgotten poor and disadvantaged within society at a time when Britain was the leading economic and political power in the world. Dickens' portrayal of the poor, such as Oliver Twist daring to ask for more food in the parish workhouse, and Bob Cratchit struggling to provide for his family at Christmas, roused much sympathy and an understanding of the poor and the conditions in which they lived. This led to many people founding orphanages, establishing schools to educate the underprivileged, or to set up hospitals for those who could not afford medical treatment -one such was Great Ormond Street Children's Hospital where one of its wards was named after the great writer. Little wonder, then, that his legacy can be found across the UK. From the buildings where he lived, the inns and hotels he frequented, the streets and towns which formed the backdrop to his novels and short stories, to the places where he gave readings or performed his own amateur dramatic productions to raise funds for his philanthropic causes. Dickensian memorabilia also abound, including his original manuscripts to his famous works and letters to his wife. Many of these have been woven in a single volume which transports the reader magically through stories and images into the Dickensian world of Victorian Britain.

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Nellie Dowell was a match factory girl in Victorian London who spent her early years consigned to orphanages and hospitals. Muriel Lester, the daughter of a wealthy shipbuilder, longed to be free of the burden of money and possessions. Together, these unlikely soulmates sought to remake the world according to their own utopian vision of Christ's teachings. The Match Girl and the Heiress paints an unforgettable portrait of their late-nineteenth-century girlhoods of wealth and want, and their daring twentieth-century experiments in ethical living in a world torn apart by war, imperialism, and industrial capitalism. In this captivating book, Seth Koven chronicles how each traveled the globe--Nellie as a spinster proletarian laborer, Muriel as a well-heeled tourist and revered Christian peacemaker, anticolonial activist, and humanitarian. Koven vividly describes how their lives crossed in the slums of East London, where they inaugurated a grassroots revolution that took the Sermon on the Mount as a guide to achieving economic and social justice for the dispossessed. Koven shows how they devoted themselves to Kingsley Hall--Gandhi's London home in 1931 and Britain's first "people's house" founded on the Christian principles of social sharing, pacifism, and reconciliation--and sheds light on the intimacies and inequalities of their loving yet complicated relationship. The Match Girl and the Heiress probes the inner lives of these two extraordinary women against the panoramic backdrop of shop-floor labor politics, global capitalism, counterculture spirituality, and pacifist feminism to expose the wounds of poverty and neglect that Christian love could never heal.

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It’s the last months of the nineteenth century and twenty-two year old Euphemia Thorniwork, is out of step with the men’s world she lives in. A mathematical research student at Oxford, looked on with suspicion by her her tutor, Professor Milton, she is forced to collaborate with fellow-student, Leo Lazarus, also under suspicion—for being Jewish. At home in London, life is under pressure—for months a toxic fog has engulfed the city each evening, bringing illness to many, including Euphemia’s widowed mother. The fog has been accompanied by a wave of body-snatching and the body of Euphemia’s beloved cousin, Pearl, remains missing. Additionally, money is tight and Euphemia and her mother must move in with relatives who disapprove of her lifestyle. Haunted by dreams of Pearl in which numbers, a red heifer and Biblical purification rites provide insoluble clues, she discovers an article about communicating with the dead using sound waves. Determined to cling to rational explanations, Euphemia returns to Oxford, but when she begins to fall in love with Leo, and learns something of esoteric Judaism, their research takes an unconventional turn and the questions mount. Can Euphemia and Leo find the body snatchers? What is the origin of the toxic fog and can they find a way to defeat it? Will Leo and Euphemia’s love survive their religious divide? Blending Victorian romance and drama with a compelling supernatural story, The Sound of Gematria is an engaging debut novel not to be missed.

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A richly detailed history of Ashdown Forest -- home of Winnie-the-Pooh. The seeming tranquility of many rural landscapes can hide a combative history. This biography of one such landscape, Ashdown Forest in the Weald of Sussex, exemplifies the evolving conflicts that have taken place over many centuries. Wealth and poverty, power and exclusion, have all characterised this landscape through the ages. When a thirteenth-century boundary was erected to form a hunting park it was imposed upon a landscape which for centuries had provided sustenance for peasant families, for swine herds, for itinerant groups, all of whom had developed grazing and collecting rights and customary ties with the area. Conflict between manorial lords and commoners, "turbulent foresters", was born, and the evolution of this conflict over succeeding centuries is the recurring motif of this book. We move through the exploitation of iron ore and timber during the Tudor period, learn of the real threats of enclosure, of military occupation, to be followed by a landscape aesthetic bringing wealthy incomers, attracted by scenery easily reachable from London by train. All sides felt that the Forest was theirs by right. Victorian law-suits, twentieth-century protective legislation and a growing environmental consciousness have all left their mark. And the struggle for Ashdown continues amid ongoing development pressures. This book demonstrates that multi-layered conflict has been a characteristic feature of what still miraculously remains the largest area of internationally recognised heath in the South-East of England.

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Winner, LGBT Studies Lammy Award presented by Lambda Literary Neither queer theory nor queer activism has fully reckoned with the role of race in the emergence of the modern gay subject. In A Taste for Brown Bodies, Hiram Pérez traces the development of gay modernity and its continued romanticization of the brown body. Focusing in particular on three figures with elusive queer histories—the sailor, the soldier, and the cowboy— Pérez unpacks how each has been memorialized and desired for their heroic masculinity while at the same time functioning as agents for the expansion of the US borders and neocolonial zones of influence. Describing an enduring homonationalism dating to the “birth” of the homosexual in the late 19th century, Pérez considers not only how US imperialist expansion was realized, but also how it was visualized for and through gay men. By means of an analysis of literature, film, and photographs from the 19th to the 21st centuries—including Herman Melville’s Billy Budd, Anne Proulx’s “Brokeback Mountain,” and photos of abuse at the Abu Ghraib prison—Pérez proposes that modern gay male identity, often traced to late Victorian constructions of “invert” and “homosexual,” occupies not the periphery of the nation but rather a cosmopolitan position, instrumental to projects of war, colonialism, and neoliberalism. A Taste for Brown Bodies argues that practices and subjectivities that we understand historically as forms of homosexuality have been regulated and normalized as an extension of the US nation-state, laying bare the tacit, if complex, participation of gay modernity within US imperialism.

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No self-respecting Victorian lady would enter a British pub, a florid drinking den where working men guzzled pints of beer. When brewers, inspired by the Progressive belief that the physical environment influenced moral behavior, turned to the problem of working-class drinking during the interwar years, they set to work reinventing the pub itself. Acting on a genuine belief in the possibility of social betterment, reformers found ready allies among not only government officials but religious leaders, social workers, journalists, the landed classes, even the royal family. In the process, brewers sought to undermine the stigma against pubic drinking and attract a broader clientele. Their Progressive ideas shaped the emergence of an "improved public house" that blurred distinctions among pubs, on one hand, and up-market hotels, restaurants, and roadhouses, on the other. Outside, cheerful gardens, children's playgrounds, and bowling greens greeted delighted customers. Inside, brewers wooed new patrons with meals, music, dancing, and live entertainment. Tea or entertainment rooms beckoned men, women, and even families; couples found intimacy in the new stylish lounge. In this astonishing story of the transformation of the pub, Gutzke draws on an array of sources and methods from gender studies, cultural history, literature, architecture, and urban planning, without neglecting the crucial role of ideology, economics, and politics. This broad-based study, which includes numerous illustrations, will appeal not just to specialists but to anyone interested in the history of a pivotal English social institution.

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Devizes began as the satellite town of a great Norman castle built in the twelfth century by Bishop Roger of Salisbury to defend the boundaries of his church's domain. Roger was Chancellor to Henry I and a powerful man in the land while the king was fighting in France. The castle in Devizes, by all accounts an impressive structure, played an important role in military and political events as Stephen and Matilda vied for the English throne following Henry's death. At the end of the Middle Ages the importance of the castle declined and Devizes became primarily a market town, trading in leather, corn and wool. Surviving merchants' houses from the fifteenth century are evidence of the town's flourishing trade at that time.Just as the existence of many Georgian houses reflect a 'Golden Age' of Devizes in the eighteenth century when wool was the major source of the town's wealth. Today the town preserves many fine buildings including two Norman churches, a medieval street plan and one of the largest and most attractive market places in the country. The medieval castle has gone but a Victorian replacement built by a Devizes businessman picturesquely occupies the castle site. A feature of the book is a guided tour of the town that can be used independently of the main text of the book, enabling the reader to embark straight away on a journey into Devizes' past through its existing streets and buildings. Lorna Haycock lives in Devizes and is currently the Sandell Librarian at Devizes Museum in Long Street.

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From 1934 to 1954 Joseph I. Breen, a media-savvy Victorian Irishman, reigned over the Production Code Administration, the Hollywood office tasked with censoring the American screen. Though little known outside the ranks of the studio system, this former journalist and public relations agent was one of the most powerful men in the motion picture industry. As enforcer of the puritanical Production Code, Breen dictated "final cut" over more movies than anyone in the history of American cinema. His editorial decisions profoundly influenced the images and values projected by Hollywood during the Great Depression, World War II, and the Cold War. Cultural historian Thomas Doherty tells the absorbing story of Breen's ascent to power and the widespread effects of his reign. Breen vetted story lines, blue-penciled dialogue, and excised footage (a process that came to be known as "Breening") to fit the demands of his strict moral framework. Empowered by industry insiders and millions of like-minded Catholics who supported his missionary zeal, Breen strove to protect innocent souls from the temptations beckoning from the motion picture screen. There were few elements of cinematic production beyond Breen's reach--he oversaw the editing of A-list feature films, low-budget B movies, short subjects, previews of coming attractions, and even cartoons. Populated by a colorful cast of characters, including Catholic priests, Jewish moguls, visionary auteurs, hardnosed journalists, and bluenose agitators, Doherty's insightful, behind-the-scenes portrait brings a tumultuous era--and an individual both feared and admired--to vivid life.

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The regular Mounted Infantry was one of the most important innovations of the late Victorian and Edwardian British Army. Rather than fight on horseback in the traditional manner of cavalry, they used horses primarily to move swiftly about the battlefield, where they would then dismount and fight on foot, thus anticipating the development of mechanised infantry tactics during the twentieth century. Yet despite this apparent foresight, the mounted infantry concept was abandoned by the British Army in 1913, just at the point when it may have made the transition from a colonial to a continental force as part of the British Expeditionary Force. Exploring the historical background to the Mounted Infantry, this book untangles the debates that raged in the army, Parliament and the press between its advocates and the supporters of the established cavalry. With its origins in the extemporised mounted detachments raised during times of crisis from infantry battalions on overseas imperial garrison duties, Dr Winrow reveals how the Mounted Infantry model, unique among European armies, evolved into a formalised and apparently highly successful organisation of non-cavalry mounted troops. He then analyses why the Mounted Infantry concept fell out of favour just eleven years after its apogee during the South African Anglo-Boer War of 1899-1902. As such the book will be of interest not only to historians of the nineteenth-century British army, but also those tracing the development of modern military doctrine and tactics, to which the Mounted Infantry provided successful - if short lived - inspiration.

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The female leg is a sexual oddity. Non-genital, and nearly identical in structure to the corresponding male body part, there is no obvious reason why it’s eroticized. Yet, through much of history, across many cultures, the female leg was hidden from sight and treated as such a taboo topic that it became an object of intense sexual obsession. In the Victorian era the word “leg” was so forbidden that it couldn’t be uttered in polite society, lest men be driven wild with lust. Even now, 100 years after women’s legs came out of hiding, their allure remains strong. In this third book of Dian Hanson’s wildly successful body parts series she explores how freeing the female leg became central to women’s liberation, beginning with the post-French Revolution cancan and ending with the 1960’s Sexual Revolution miniskirt. Over 400 photos document the first burlesque “leg shows” of the 1800s, the silk-stockinged flappers of the 1920s, the nylon-mania of the 1940s, the dawn of the stiletto heel in the 1950s, all leading to the golden age of leg magazines in the 1960s. Learn who wore the first high heels, how nylons became a weapon of war, why Betty Grable’s were the million dollar legs, where Elmer Batters got his start, and just what the deal is with feet, while enjoying great vintage photos by Irving Klaw, Batters and other masters of leg art.

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The 1890s have become legendary: the period of Wilde, Beardsley and the Yellow Book; a decadent twilight at the close of the Victorian century, when young poets weary of life sat about drinking absinthe and talking of strange sins. The provenance of this beguiling picture is peculiar, for the myth of the Decadent Nineties was created during the period itself. It was an age of artistic self-consciousness, during which writers and painters believed that they had to create not only their works but also their personalities. In Passionate Attitudes, Matthew Sturgis examines the varying extents to which ambitious poets, penurious painters, canny publishers and a controversialist press all conspired to promote the notion of decadence. He explores in detail the cataclysmic effect upon English decadence of the spectacular trial and subsequent conviction of Wilde in 1895, a fall which was to cast a blight over the whole generation. As well as the luminaries Wilde, Beardsley and Beerbohm, Sturgis portrays Arthur Symons, the poet of the music halls, who divided his energies between promoting Verlaine and chasing after chorus girls; Ernest Dowson, the demoralised romantic of the Rhymers Club; Count Erik Stenbock, who kept a snake up his sleeve and went mad; and John Gray, who may have been the model for Wilde's Dorian. John Lane published most of their books; Owen Seaman and Ada Leverson parodied their manners. Elegantly written, Passionate Attitudes provides a hugely informative and richly entertaining account of the zeitgeist behind the glorious decade of excess.

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This easy-to-use easel format book is ideal for both complete beginners and more experienced artists who want to expand their skills. It contains clear instructions, reliable advice and friendly encouragement to unleash your creativity. It features over 600 illustrations and photographs lead you step by step through each project. It features carefully planned lessons that teach you how to draw the detailed features of people and pets. It offers easy-to-follow guidance on composition, perspective, medium, and the best sitting position for drawing. In this title, projects include household objects, winter tree, Victorian house, portrait of a girl, and ducks on the pond. From flowers and still lifes to landscape and family portraits - you can learn how to draw in just 15 simple, fun lessons. All you need to get started is some basic equipment and a sketchbook. Then just follow the step-by-step directions to learn time-tested techniques for using pencils, pens, pastels and charcoal, and watch your artwork form before your eyes. A useful introduction contains guidance on types of easel, sitting positions, basic equipment and choosing a sketchbook, as well as simple instructions for basic shapes. The chapters that follow cover Still Life, Flowers and Trees, Landscape, People and Portraits, and Animals. Each project is illustrated with detailed stage-by-stage pictures, including close-ups of difficult sections. The practical easel format makes this book easy to use by any aspiring artist.

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The pre-eminent political and spiritual leader of India's independence movement, pioneer of non-violent resistance to tyranny through mass civil disobedience (satyagraha), honoured in India as 'father of nation', Mohandas K. Gandhi has inspired movements for civil rights and political freedom across the world. Jad Adams offers a concise and elegant account of Gandhi's life: from his birth and upbringing in a small princely state in Gujarat during the high noon of the British Raj, to his assassination at the hands of a Hindu extremist in 1948 only months after the birth of the independent India which he himself he had done so much to bring about. He delineates the principal events of a career that may truly be said to have changed the world: his training as a barrister in late Victorian London; his civil rights work in Boer War-era South Africa; his leadership of the Indian National Congress; his focus on obtaining self-government and control of all Indian government institutions, and the campaigns of non-cooperation and non-violence against British rule in India whereby he sought to achieve that aim (including the famous 'Salt March' of March/April 1930); his passionate opposition to partition in 1947 and his fasts-unto-death in a bid to end the bitter and bloody sectarian violence that attended it. Jad Adams's accessible and thoughtful biography not only traces the outline of an extraordinary life with exemplary clarity, but also examines why Mahatma Gandhi and his teachings are still profoundly relevant today.

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The County Durham town of Darlington has a long and interesting history. In medieval times it was a market town for the surrounding area, with records of the market dating back to the twelfth century. The Victorian covered market is an iconic feature at the heart of Darlington today but was hugely controversial when built in the 1860s and its floor collapsed when it opened, killing a local farmer. By this time Darlington had been transformed by the opening of the world’s first passenger railway in the town, built with the wealth acquired by the Pease family’s wool mills. Secret Darlington explores the lesser-known episodes and characters in the history of the town through the centuries, including scandals such as the Cheese Affair involving the Bishop of Durham, war heroes, sporting stars such as the dentist who won the town’s first Olympic gold medal as a football goalkeeper but who died while making a save, a Quaker-born adventurer who fled to Easter Island, a global screen star engaged to Fred Perry who died in an air raid during the Second World War, campaigners for women’s suffrage, industries that have disappeared today including the forge that built the rudder for the Titanic, and forgotten places of entertainment, not least the largest number of cinemas per head of population in the country in the 1930s. With tales of remarkable people, unusual events and tucked-away historical places, Secret Darlington will appeal to all those with an interest in the history of this town in County Durham.

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t’s Halloween in Vermont, winter is coming, and five humans, two dogs, and a cat are a crowd in Mercy Carr’s small cabin. She needs more room - and she knows just the place: Grackle Tree Farm, with thirty acres of woods and wetlands and a Victorian manor to die for. They say it’s haunted by the ghosts of missing children and lost poets and a murderer or two, but Mercy loves it anyway. Even when Elvis finds a dead body in the library. There’s something about Grackle Tree Farm that people are willing to kill for - and Mercy needs to figure out what before they move in. A coded letter found on the victim points to a hidden treasure that may be worth a fortune - if it’s real. She and Captain Thrasher conduct a search of the old place - and end up at the wrong end of a Glock. A masked man shoots Thrasher, and she and Elvis must take him down before he murders them all. Under fire, she and Elvis manage to run the guy off, but not before they are wounded, leaving Thrasher fighting for his life in the hospital, Mercy on crutches, and Elvis on the mend. Now it’s up to Mercy and Troy and the dogs to track down the masked murderer in a county overflowing with leaf peepers, Halloween revelers, and treasure hunters and bring him to justice before he strikes again and the treasure is lost forever, along with the good name of Grackle Tree Farm….

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AS RECOMMENDED BY LYN ANDREWS Liverpool, 1861.Annie Shaw longs to be taken seriously. At 14, she's fed up of being babied by her big sister Delilah. It's true that Delilah has been the closest thing to a mother that Annie or any of her siblings have ever known, but she's secretive about the past and won't let her little sister out of her sight. When Annie's old friend Clara visits with tales of the good money that can be made at the cotton mill outside Ormskirk, she sees her chance at adventure and runs away.The work is gruelling and Annie is shocked to witness children as young as eight working long days around dangerous machinery. But it seems that, as long as the cotton is produced on time, the mill owners turn a blind eye to the very real human toll to be paid. The children from the workhouse are treated especially poorly and Annie can't help but make it her responsibility to rescue them.Soon Annie finds herself caring for three young orphans, now a makeshift mum herself. As hard times hit the mill and hundreds of jobs are lost, will Annie be able to keep her young charges warm, fed and safe? In order to face a turbulent future, Annie needs to first dig into the secrets buried in the past . . .PRAISE FOR JUDY SUMMERS:'I thoroughly enjoyed this book... The characters are well drawn and believable' - Lyn Andrews'Fascinating insights into Victorian Liverpool and a heart-warming story make for an inspiring read' - Mollie Walton

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Although Birmingham’s history goes back beyond the Middle Ages, there are only a few fragments of medieval Birmingham left, some of which have been moved from their original site as the city expanded. The city expanded rapidly in the industrial age and although Birmingham has many properties from the eighteenth and nineteenth centuries, it was radically transformed by the bombing raids of the Second World War and the subsequent rejuvenation by city planners. Some 1960s and 1970s buildings like the Rotunda have become icons of the city, but in recent years much of the mid-twentieth-century building, often in concrete brutalist style, has in turn been replaced by new structures like Beetham Tower and Birmingham Library. As England’s second city, Birmingham was a major centre of manufacture, and many of the buildings still stand today. It was also the home of a significant art and architecture movement, the Arts and Crafts movement, which has left its mark on the architectural legacy of Birmingham. Birmingham in 50 Buildings explores the history of this fascinating West Midlands metropolis through a selection of its most interesting buildings and structures, showing the changes that have taken place over the years. It uncovers the earliest churches and dwellings in the city, unique pieces of industrial architecture, the amazing heritage of Victorian religious and municipal structures, art deco cinemas, modernist high-rise blocks and iconic shopping centres. This book will appeal to all those who live in Birmingham or have an interest in the city.

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Creatively and intellectually there is no other species that has ever come close to equalling humanity’s achievements, but nor is any other species as suicidally prone to internecine conflict. We are the only species on the planet whose ingrained habit of conflict constitutes the chief threat to our own survival. Human history can be seen as a catalogue of cold-hearted murders, mindless blood-feuds, appalling massacres and devastating wars, but, with developments in forensic science and modern psychology, and with raised education levels throughout the world, might it soon be possible to reign in humanity’s homicidal habits? Falling violent crime statistics in every part of the world seem to indicate that something along those lines might indeed be happening. Colin and Damon Wilson, who between them have been covering the field of criminology for over fifty years, offer an analysis of the overall spectrum of human violence. They consider whether human beings are in reality as cruel and violent as is generally believed and they explore the possibility that humankind is on the verge of a fundamental change: that we are about to become truly civilised. As well as offering an overview of violence throughout our history – from the first hominids to the twenty-first century, touching on key moments of change and also indicating where things have not changed since the Stone Age – they explore the latest psychological, forensic and social attempts to understand and curb modern human violence. To begin with, they examine questions such as: Were the first humans cannibalistic? Did the birth of civilisation also lead to the invention of war and slavery? Priests and kings brought social stability, but were they also the instigators of the first mass murders? Is it in fact wealth that is the ultimate weapon? They look at slavery and ancient Roman sadism, but also the possibility that our own distaste for pain and cruelty is no more than a social construct. They show how the humanitarian ideas of the great religious innovators all too quickly became distorted by organised religious structures. The book ranges widely, from fifteenth-century Baron Gilles de Rais, ‘Bluebeard’, the first known and possibly most prolific serial killer in history, to Victorian domestic murder and the invention of psychiatry and Sherlock Holmes and the invention of forensic science; from the fifteenth-century Taiping Rebellion in China, in which up to 36 million died to the First and Second World Wars and more recent genocides and instances of ‘ethnic cleansing’, and contemporary terrorism. They conclude by assessing the very real possibility that the internet and the greater freedom of information it has brought is leading, gradually, to a profoundly more civilised world than at any time in the past.

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The more red-faced and bearded or impulsive a man, the more dark, calm, cool and quiet should his wife be; and vice versa. Those very fleshy should not marry those equally so, but those spare and slim. A spare man is much better adapted to a fleshy woman than a round-favored man. Two very beautiful persons rarely do or should marry; nor two extra homely. Learn all this and much, much more in Marriage and Love, a gem of Victorian wisdom on courtship and marriage, immoral conduct, and what to look for in a spouse. The ideal funny gift book for newlyweds or brides-to-be, it includes a potpourri of advice on such matters as wooing and courting; determining the character of a potential mate by hair color, eye color, nose type, laugh, and height; tips on encouraging—and avoiding—sex with your husband; how to dress up, spruce up, and be on the alert; and, of course, the acceptable length and frequency of unavoidable sexual encounters. Includes essential advice on: *Wooing and courting*Determining the character of a potential mate by hair color, eye color, nose type, laugh, and height*Tips on avoiding sex with your husband*The evils of novels and the theater*The dangers of over-corseting*• HowHow to dress up, spruce up, and be on the alert. ("Don’t wait too long to get one much more perfect than you are; but settle on some one soon."} • Appropriate night-wear for the wedded couple• The acceptable length and frequency of unavoidable sexual encounters

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A history and tour of this exceptionally beautiful designed landscape in North Yorkshire. Dubbed "the Wonder of the North" in 1732, the National Trust's Fountains Abbey and Studley Royal Estate (now a World Heritage Site) encompasses one of the largest, most magnificent and beautiful designed landscapes ever created. This richly illustrated volume charts the landscape's history from the first arrival of prehistoric hunters, via medieval monasticism, the Dissolution of the monasteries, eighteenth-century aestheticism and scandal, and the first ages of mass tourism, to the present day. At the heart of the story lies the rise and fall of England's largest Cistercian monastery and how that shaped the origins of the Aislabie family's breathtaking gardens. Their Studley Royalwas at the forefront of every emergent landscape gardening fashion between 1670 and 1800. The book also describes the dramatic history of the family and the monumental scale of their achievements in this field, extending over many dozens of square miles of North Yorkshire - far beyond the limits of the garden as it is seen today (reduced to serve the more limited needs of Victorian day-trippers). The Wonder of the North brings social and garden history together with archaeology to reveal Fountains Abbey and Studley Royal - too often seen as "just" a ruined medieval monastery - as one of the world's greatest artistic creations. Mark Newman has been the National Trust's archaeological adviser for Fountains Abbey and Studley Royal estate since 1988. He was also resident there, living in Fountains Hall from 1988-1995.

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In this well-researched book, Philip Massolin takes a fascinating look at the forces of modernization that swept through English Canada, beginning at the turn of the twentieth century. Victorian values - agrarian, religious - and the adherence to a rigid set of philosophical and moral codes were being replaced with those intrinsic to the modern age: industrial, secular, scientific, and anti-intellectual. This work analyses the development of a modern consciousness through the eyes of the most fervent critics of modernity - adherents to the moral and value systems associated with Canada's tory tradition. The work and thought of social and moral critics Harold Innis, Donald Creighton, Vincent Massey, Hilda Neatby, George P. Grant, W.L. Morton, Northrop Frye, and Marshall McLuhan are considered for their views of modernization and for their strong opinions on the nature and implications of the modern age. These scholars shared concerns over the dire effects of modernity and the need to attune Canadians to the realities of the modern age. Whereas most Canadians were oblivious to the effects of modernization, these critics perceived something ominous: far from being a sign of true progress, modernization was a blight on cultural development. In spite of the efforts of these critics, Canada emerged as a fully modern nation by the 1970s. Because of the triumph of modernity, the toryism that the critics advocated ceased to be a defining feature of the nation's life. Modernization, in short, contributed to the passing of an intellectual tradition centuries in the making and rapidly led to the ideological underpinnings of today's modern Canada.

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Nellie Dowell was a match factory girl in Victorian London who spent her early years consigned to orphanages and hospitals. Muriel Lester, the daughter of a wealthy shipbuilder, longed to be free of the burden of money and possessions. Together, these unlikely soulmates sought to remake the world according to their own utopian vision of Christ's teachings. The Match Girl and the Heiress paints an unforgettable portrait of their late-nineteenth-century girlhoods of wealth and want, and their daring twentieth-century experiments in ethical living in a world torn apart by war, imperialism, and industrial capitalism. In this captivating book, Seth Koven chronicles how each traveled the globe--Nellie as a spinster proletarian laborer, Muriel as a well-heeled tourist and revered Christian peacemaker, anticolonial activist, and humanitarian. Koven vividly describes how their lives crossed in the slums of East London, where they inaugurated a grassroots revolution that took the Sermon on the Mount as a guide to achieving economic and social justice for the dispossessed. Koven shows how they devoted themselves to Kingsley Hall--Gandhi's London home in 1931 and Britain's first "people's house" founded on the Christian principles of social sharing, pacifism, and reconciliation--and sheds light on the intimacies and inequalities of their loving yet complicated relationship. The Match Girl and the Heiress probes the inner lives of these two extraordinary women against the panoramic backdrop of shop-floor labor politics, global capitalism, counterculture spirituality, and pacifist feminism to expose the wounds of poverty and neglect that Christian love could never heal.

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Edward Elgar (1857-1934) is undoubtedly one of the most fascinating, important, and influential figures in the history of British music. He rose from humble beginnings and achieved fame with music that to this day is beloved by audiences in England, and his work has secured an enduring legacy worldwide. Leading scholars examine the composer's life in Edward Elgar and His World, presenting a comprehensive portrait of both the man and the age in which he lived. Elgar's achievement is remarkably varied and wide-ranging, from immensely popular works like the famous Pomp and Circumstance March no. 1--a standard feature of American graduations--to sweeping masterpieces like his great oratorio The Dream of Gerontius. The contributors explore Elgar's Catholicism, which put him at odds with the prejudices of Protestant Britain; his glorification of British colonialism; his populist tendencies; his inner life as an inspired autodidact; the aristocratic London drawing rooms where his reputation was made; the class prejudice with which he contended throughout his career; and his anguished reaction to World War I. Published in conjunction with the 2007 Bard Music Festival and the 150th anniversary of Elgar's birth, this elegant and thought-provoking volume illuminates the greatness of this accomplished English composer and brings vividly to life the rich panorama of Victorian and Edwardian Britain. The contributors are Byron Adams, Leon Botstein, Rachel Cowgill, Sophie Fuller, Daniel M. Grimley, Nalini Ghuman Gwynne, Deborah Heckert, Charles Edward McGuire, Matthew Riley, Alison I. Shiel, and Aidan J. Thomson.

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"I do not say you are it, but you look it, and you pose at it, which is just as bad," Lord Queensbury challenged Oscar Wilde in the courtroom which erupted in laughter accusing Wilde of posing as a sodomite. What was so terrible about posing as a sodomite, and why was Queensbury's horror greeted with such amusement? In Oscar Wilde Prefigured, Dominic Janes suggests that what divided the two sides in this case was not so much the question of whether Wilde was or was not a sodomite, but whether or not it mattered that people could appear to be sodomites. For many, intimations of sodomy were simply a part of the amusing spectacle of sophisticated life.Oscar Wilde Prefigured is a study of the prehistory of this "queer moment" in 1895. Janes explores the complex ways in which men who desired sex with men in Britain had expressed such interests through clothing, style, and deportment since the mid-eighteenth century. He supplements the well-established narrative of the inscription of sodomitical acts into a homosexual label and identity at the end of the nineteenth century by teasing out the means by which same-sex desires could be signaled through visual display in Georgian and Victorian Britain. Wilde, it turns out, is not the starting point for public queer figuration. He is the pivot by which Georgian figures and twentieth-century camp stereotypes meet. Drawing on the mutually reinforcing phenomena of dandyism and caricature of alleged effeminates, Janes examines a wide range of images drawn from theater, fashion, and the popular press to reveal new dimensions of identity politics, gender performance, and queer culture.

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Through the impact of shops like Habitat and IKEA, and of the countless glossy magazines, books and catalogues that focus on the concept of 'interior design', we have all become familiar with the idea of our homes and public interiors containing items of modern furniture and decor. Yet design historian and critic Penny Sparke shows that, unlike designed buildings and artefacts, the fixed idea of the 'modern interior' has only ever been an abstract and idealized concept, promoted through exhibitions, retail contexts and the mass media, and that it rarely exists in an absolute form. "The Modern Interior" provides a persuasive account of the forces, conflicts and debates that have underpinned the emergence of something we now effortlessly refer to as the 'modern interior'. Offering fascinating and eloquent insights into the work of international designers including C.R. Mackintosh, Adolf Loos, Josef Frank, Frank Lloyd Wright, Marcel Breuer, Lilly Reich, Mies van der Rohe, Le Corbusier, Philippe Starck, and Charles and Ray Eames, Sparke focuses on the realities as well as concepts of the modern interior, whether in the hands of professional decorators and designers, or in those of its amateur inhabitants. By doing so, she deftly unravels the shift from Victorian to modern style, and demonstrates that the easy transition to the modern interior so frequently portrayed is little more than a mythology. "The Modern Interior" is essential reading for all students of modern design, architecture and culture, as well as anyone interested in why the interior spaces we inhabit look the way they do.

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In Spinning Tea Cups: A Mythical American Memoir, Alexandra Teague explores cycles of family trauma and both the dangerous and recuperative powers of fantasy. Teague attempts to understand and contextualize her “feral Victorian” family in terms of trauma and mental health, but also with deep love and humor. How did people who prided themselves on making everything from scratch take annual trips to Disney World? What did it mean that Teague’s mother claimed to have psychic abilities? How did her sensitive youngest nephew end up talking in a voice that wasn’t his own? Why did Teague, the daughter of educated non-conformist parents, marry as a teenager (with her parents’ blessing) and spend seven years in an abusive relationship? How do family legacies of grief and dysfunction and creativity intersect? How do any of us make meaning or escape our circumstances without replicating the fantasies or escapism with which we’ve been raised? Teague is carefully attuned to the vagaries of geographical cultures, and she weaves her family’s history and weighty explorations of trauma and psychology not just with pop culture but with the specific cultures of the places she and her family pass through: the Bay Area, a tiny college town in the Inland Northwest, a Southwest ghost town, a Texas city, an Arkansas hippie bubble, and Central Florida suburb. Spinning Tea Cups will appeal to readers interested in American cultural studies, those concerned with the ongoing crisis of mental illness in this country, and those who simply love strange, quirky, richly told stories.

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***Pre-order Hannah Dolby's next Historical rom-com, How to Solve Murders Like a Lady, now! Perfect for fans of cosy mysteries and female detectives*** *** Violet Hamilton is a woman who knows her own mind. Which, in Victorian Hastings, can make things a little complicated... At 28, Violet's father is beginning to worry she will never find a husband. But every suitor he presents, Violet finds a new and inventive means of rebuffing. Because Violet does not want to marry. She wants to work, and make her own way in the world. But more than anything, she wants to find her mother Lily, who disappeared from Hastings Pier 10 years earlier. Finding the missing is no job for a lady, but when Violet hires a seaside detective to help, she sets off a chain of events that will put more than just her reputation at risk. Can Violet solve the mystery of Lily Hamilton's vanishing before it's too late? A delightfully joyful, funny and gripping historical novel, perfect for fans of The Lady's Guide to Fortune Hunting and The Wisteria Society of Lady Scoundrels. *** 'Glorious... it's funny from the start.' – The Daily Mail 'Delightfully quirky, joyful and original... it will help you bounce exuberantly into spring' – Adele Parks 'If you loved Lessons in Chemistry by Bonnie Garmus, you'll love to snuggle up with this novel!' – Chat *** A delightfully joyful, funny and gripping historical novel, perfect for fans of The Lady's Guide to Fortune Hunting and The Wisteria Society of Lady Scoundrels.

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When Joanna Wolfarth was pregnant with her first child, she assumed she would breastfeed, as her mother had fed her. Yet she was unprepared for the startling realities of new motherhood. Then, just four weeks after the birth, she found herself back in hospital with an underweight baby, bewildered by inconsistent advice and overcome with feelings of guilt and isolation.Months later, her cultural historian's impulse led her to look to the past for guidance. What she discovered, neglected in the archives, amazed and reassured her. By piecing together cultural debris - from fragments of ancient baby bottles to eighteenth-century breast pumps, from the Palaeolithic Woman of Willendorf figurine to the poignantly inventive work of Louise Bourgeois and from mythical accounts of the creation of the Milky Way to advice found in Victorian medical manuals - Joanna began to understand how feeding our babies can be culturally, economically and physiologically determined as well as deeply personal and emotive.Using the arc of her own experience, Joanna takes us on an intimate journey of discovery beyond mother and baby, asking how the world views caregivers, their bodies, their labour and their communal bonds. By bringing together art, social histories, philosophy, folk wisdom and contemporary interviews with women from across the world, Milk reveals how infant feeding has been represented and repressed, celebrated and censured. In doing so, Joanna charts previously unexplored territory and offers comfort and solace to anyone who has fed or will feed a child.

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