Search results for ""Author Victoria"

During the Victorian period, the practice of science shifted from a religious context to a naturalistic one. It is generally assumed that this shift occurred because naturalistic science was distinct from and superior to theistic science. Yet as Huxley's Church and Maxwell's Demon reveals, most of the methodological values underlying scientific practice were virtually identical for the theists and the naturalists: each agreed on the importance of the uniformity of natural laws, the use of hypothesis and theory, the moral value of science, and intellectual freedom. But if scientific naturalism did not rise to dominance because of its methodological superiority, then how did it triumph? Matthew Stanley explores the overlap and shift between theistic and naturalistic science through a parallel study of two major scientific figures: James Clerk Maxwell, a devout Christian physicist, and Thomas Henry Huxley, the iconoclast biologist who coined the word agnostic. Both were deeply engaged in the methodological, institutional, and political issues that were crucial to the theistic-naturalistic transformation. What Stanley's analysis of these figures reveals is that the scientific naturalists executed a number of strategies over a generation to gain control of the institutions of scientific education and to reimagine the history of their discipline. Rather than a sudden revolution, the similarity between theistic and naturalistic science allowed for a relatively smooth transition in practice from the old guard to the new.

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Housing is the basic building block of any city, dictating its character, scale, and structure. London is often associated with terraced houses and garden squares, but is also significantly characterised by large, purpose-built blocks of flats, otherwise known as mansion blocks. This landmark survey commissioned by The Architecture Foundation looks at the evolution of the London mansion block from the 1850s to the present day, offering a detailed encounter with the type and its role in defining the contemporary city. Covering twenty-seven examples, richly illustrated by newly com-missioned drawings and photographs, this volume reflects on the architectural ambitions and lived realities of these quotidian buildings. Architectural and urban designer Karin Templin con-siders the ways in which the mansion block came to define large areas of the city from Westminster and South Kensington in the nineteenth century to Kilburn and Stratford in the twenty-first. Reflecting London's development from its consolidation as a metropolis in the high Victorian era to its present efforts to address a longstanding housing crisis, this volume explores the mansion block's centrality to the capital's identity and its wider relevance to discussions of housing and urban planning. This book is first in a series on types of London housing, reflecting on the place of the home in the city in the light of its longstanding housing crisis. Photographs by Matthew Blunderfield Co-published with The Architecture Foundation

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Sheffield Round Walk is a 15-mile circular walk covering the beautiful south-west corner of the city. It reveals the stunning and varied landscapes of this part of the city, you’ll see ancient woodlands, river valleys, pretty Victorian suburbs and parkland, and you’ll glimpse the moorland above the city. Written by Sheffield local Jon Barton, the text is peppered with interesting detail about Sheffield’s industrial past, geology and the varied and surprising wildlife that can be seen on this walk. The walk starts and finishes at Hunter’s Bar Roundabout, where you can visit the lovely independent shops and cafes along Ecclesall Road and Sharrow Vale Road. From here the route goes through Endcliffe Park following the Porter Brook to Ringinglow. Next, pick up the Limb Brook, following it down to Ecclesall Woods and then on to Beauchief. Onwards through Graves Park, Meersbrook Park and passing the River Sheaf before climbing up through Nether Edge and Chelsea Park and back to the start. The walk is split into four linear sections, which vary in character from peaceful and rural to lively and urban. Each section includes plenty of ideas for places to visit on the route as well as details of local cafes and pubs.Together with stunning photography, this book features Ordnance Survey 1:25,000 maps, easy-to-follow directions, refreshment stops and places to visit on and near the route.

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Dr Christopher Dresser is best remembered for his pioneering advances in design and associated technology. In the new industrial world of the nineteenth century, Dresser was the first designer to understand that machinery was a good servant but a poor master; he made it his business to understand how machines worked. His success gained him credibility. Dresser became a sought-after consultant to several textile manufacturers, most notably Barlow & Jones, Tootal, Warner & Sons, Turnbull & Stockdale, and Wardle, which allowed him to establish the largest design practice in Britain by 1870. Equally, it was his success in promoting textiles at affordable prices that attracted his popular following in the press. Unlike his contemporaries, he was interested in making designs available to everyone. However, Dresser is less celebrated in comparison to other designers of the era, such as William Morris, because Dresser was obliged to abandon this campaign to improve British taste due to an unexplained illness in the early 1880s. At the same time, Morris was expanding his business just as the Arts and Crafts movement was beginning to gain momentum. Despite being the first Victorian to address the decorative needs of all the population, there is a severe lack of appreciation for Dresser's work - whose influence can be found in many textiles that we take for granted today. This book redresses that balance, giving Dresser the monograph he deserves.

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Sir Edwin Lutyens is widely regarded as one of Britain's greatest architects. In a career of over 50 years, spanning the Victorian, Edwardian and modern eras of architecture, Lutyens was prolific. His work ranged from great country houses, city commercial office buildings, his famous World War I memorials across Europe and Britain, and his magnum opus designs for New Delhi built during the 1920s and 1930s. Despite such diversity of building types across his long career, Lutyens's most celebrated works remain his country houses, which first established his reputation during the 1890s. As Lutyens's practice flourished his work became widely promoted in publications such as Country Life magazine, and his houses, particularly those designed in the vernacular manner, would subsequently give rise to an entire genre of the English country house that became known, as it is to this day, as a 'Lutyens-style' house. Sir Edwin Lutyens: The Arts and Crafts Houses brings together in new, wide-format, full-colour photography a definitive collection of 45 of Lutyens's great Arts and Crafts houses, in which he ingeniously blended the style of the Arts and Crafts movement with his own inventive interpretation of the Classical language of architecture. The book features 575 all-new current photographs of the houses, inside and outside, together with a selection of floor plans of the houses, and a fresh interpretation of Lutyens's enduring architectural genius.

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A celebration of outdoor swimming – looking at the history, design and social aspect of pools. The 1930s architecture of the pools is often sleek and elegant, evoking speed and efficiency. And the pools themselves are great social levellers – a public space where everyone is stripped down to a bathing suit. The book begins with a history of the pools – their grand beginnings after the buttoned-up Victorian era, their falling popularity in the 20th century, and the newfound appreciation for the outdoor pool, or lido, and outdoor swimming in the 21st century. Journalist and architectural historian Christopher Beanland picks the very best of the outdoor pools around the world, including the Icebergs Pool on Bondi Beach, Australia; the 137m seawater pool in Vancouver, Canada; Siza's concrete sea pools in Porto, Portugal; the restored art deco pool in Saltdean, UK, and the pool at the Zollverein Coal Mines in Essen, Germany. The book will also feature the lost lidos and the fascinating history behind the architecture of the pools, and essays on swimming pools in art, and the importance of pools in Australia. In addition there are interviews with pool users around the globe about why it is they swim. The book is illustrated throughout with beautiful colour photography, as well as archive photography and advertising and a map with the pool locations.

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Ian Knight's Warriors in Scarlet is a comprehensive and stirring history of the Victorian army between 1837 to 1860, from the Battle of Bossendon Wood to the Crimean War, a period of seismic change.An acclaimed military historian, Knight draws on first-hand accounts to show us the reality of life for the British soldier in this era – the drudgery of peace-time service, the excitement and privations of posting overseas, the floggings and desertions, the regimental pride and comradeship. The rapid expansion of the empire saw the army fighting in small wars across the world and Knight reveals the brutal reality of this colonial conflict from both sides. British soldiers trained in tactics that had beaten Napoleon were forced to adapt when faced with warriors with very different skills fighting on their home ground.Knight vividly recreates the action, from bloody skirmishes in Southern Africa and siege warfare in New Zealand to disasters like the 1842 retreat from Kabul and Chillianwalla in the Punjab – but shows that in reality the army won more than four-fifths of the battles they fought in this era. He describes how, by 1860 with their redcoats increasingly replaced by khaki, the British army was a more professional, efficient and increasingly ruthless fighting force.'Impressively researched and highly readable analysis' – Tony Pollard, Professor of Conflict History and Archaeology, University of Glasgow

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The trail that an ancestor leaves through the Victorian period and the twentieth century is relatively easy to follow - the records are plentiful, accessible and commonly used. But how do you go back further, into the centuries before the central registration of births, marriages and deaths was introduced in 1837, before the first detailed census records of 1841? How can you trace a family line back through the early modern period and perhaps into the Middle Ages? Jonathan Oates's clearly written new handbook gives you all the background knowledge you need in order to go into this engrossing area of family history research. He starts by describing the administrative, religious and social structures in the medieval and early modern period and shows how these relate to the family historian. Then in a sequence of accessible chapters he describes the variety of sources the researcher can turn to. Church and parish records, the records of the professions and the courts, manorial and property records, tax records, early censuses, lists of loyalty, militia lists, charity records - all these can be consulted. He even includes a short guide to the best methods of reading medieval and early modern script. Jonathan Oates's handbook is an essential introduction for anyone who is keen to take their family history research back into the more distant past.

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In the last half of the 19th century, the women of America were beginning to develop their own sense of style. Although influenced by European fashions and the social and economic changes of the time, they made clothing choices based upon their personal aspirations and their practical everyday needs. Providing an overview of fashion influences for each decade from the 1860s to the end of the century, Everyday Fashion in Found Photographs presents iconic garments, using sources from the period, to provide commentary and detailed description of the styles of the time. Previously unpublished vintage photographs show women across the social spectrum wearing items such as the Garibaldi shirt, the cuirass bodice, the Mother Hubbard, bicycle bloomers, and much more. Names, dates and functions of garments are examined in detail, and ties are established between social and historical contexts and the evolution of clothing styles. This illustrated book is for readers who want to identify and understand specific clothing items as well as gain insight into the mind-set of fashionable women from Victorian-era America. Dress history scholars, costume designers, curators of costume collections, social and cultural historians and those who appreciate vintage photographs can learn about elements of late 19th century women’s dress and thereby develop an understanding of what was fashionable, and why.

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Ambitious and groundbreaking, Electric Shock tells the story of popular music, from the birth of recording in the 1890s to the digital age, from the first pop superstars of the twentieth century to the omnipresence of music in our lives, in hit singles, ringtones and on Spotify. Over that time, popular music has transformed the world in which we live. Its rhythms have influenced how we walk down the street, how we face ourselves in the mirror, and how we handle the outside world in our daily conversations and encounters. It has influenced our morals and social mores; it has transformed our attitudes towards race and gender, religion and politics. From the beginning of recording, when a musical performance could be preserved for the first time, to the digital age, when all of recorded music is only a mouse-click away; from the straitlaced ballads of the Victorian era and the ‘coon songs’ that shocked America in the early twentieth century to gangsta rap, death metal and the multiple strands of modern dance music: Peter Doggett takes us on a rollercoaster ride through the history of music. Within a narrative full of anecdotes and characters, Electric Shock mixes musical critique with wider social and cultural history and shows how revolutionary changes in technology have turned popular music into the lifeblood of the modern world.

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'Absorbing, fascinating, arresting' The Observer 'Intensely moving, luminous and rather magnificent' The TimesIt was one of the most startling moments in the history of the City of London. In 2011, the Occupy movement set up camp around St Paul's Cathedral. Giles Fraser, who was Canon Chancellor of the Cathedral, gave them his support. It ended in disaster.This remarkable book is the story of the personal crisis that followed, and its surprising consequences. Finding himself caught between the protesters, the church and the City of London, Fraser resigned, and was plunged into depression. As his life fell apart and he battled with ideas of suicide, he found himself by chance one day in Liverpool, outside the great Victorian synagogue once presided over by a distant ancestor. Suddenly Fraser realized that there was a great deal he did not know about himself, about his relatives and about his Jewish roots.Fraser calls this book 'a ghost story' and it is a book which is indeed filled with many ghosts. His search into his family's Jewish past makes this both a fascinating personal story and a wonderful piece of writing about theology. It is a book about the deepest, most ancient elements in our culture, and the most modern and intimate. It is throughout alive with the charm and intellectual vigour which have made Fraser such an admired and controversial preacher and broadcaster.

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For centuries inventors have been dreaming up schemes to allow people to submerge beneath the waves, stay a while then return again unharmed. The Resurgam was designed for this purpose, as a stealthy underwater weapon which was the brainchild of an eccentric inventor realised in iron, timber, coal and steam. The inventor was George William Garrett, a curate from Manchester who designed and built the Resurgam submarine in 1879 using the limited technology available to a Victorian engineer on a small budget. This is not the story of Garrett himself as this story has already been told, instead this book tells the story how the Resurgam was built, how she may have worked and what happened to her. The book introduces Garrett the inventor then puts the creation of Resurgam in context by considering similar submarines being developed at the end of the 19th century. Garrett’s relationship with the Royal Navy is related here as they were his intended client and the tale continues with a description of how the submarine was built and how it may have worked. The end of the story relates how the Resurgam came to be lost in 1880 pieced together from documents and newspaper reports. Curiously, aspects of the tale do not fit with what was found by underwater archaeologists recording the wreck so other ideas are explored about how and why the submarine was lost.

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The loss of reason, a sense of alienation from the commonsense world we all like to imagine we inhabit, the shattering emotional turmoil that seizes hold and won't let go--these are some of the traits we associate with madness. Today, mental disturbance is most commonly viewed through a medical lens, but societies have also sought to make sense of it through religion or the supernatural, or by constructing psychological or social explanations in an effort to tame the demons of unreason. Madness in Civilization traces the long and complex history of this affliction and our attempts to treat it. Beautifully illustrated throughout, Madness in Civilization takes readers from antiquity to today, painting a vivid and often harrowing portrait of the different ways that cultures around the world have interpreted and responded to the seemingly irrational, psychotic, and insane. From the Bible to Sigmund Freud, from exorcism to mesmerism, from Bedlam to Victorian asylums, from the theory of humors to modern pharmacology, the book explores the manifestations and meanings of madness, its challenges and consequences, and our varied responses to it. It also looks at how insanity has haunted the imaginations of artists and writers and describes the profound influence it has had on the arts, from drama, opera, and the novel to drawing, painting, and sculpture. Written by one of the world's preeminent historians of psychiatry, Madness in Civilization is a panoramic history of the human encounter with unreason.

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This is the fourth part of a successful facsimile series which reprints The Modern Traveller, originally published in 30 volumes between 1825 and 1829. Edited by Josiah Conder, the editor of journals like The Eclectic Review or The Patriot, The Modern Traveller was a successful series of travel books published just prior to Britain’s transport revolution which saw the development and rapid expansion of roads and railways. Reflecting Britain’s imperial ambitions and the expansion of its Empire around the globe, the series had global range, including coverage of the Middle East, Africa, North & South America, and Asia. It provided general readers with the latest information on each country’s geography, history, political situation, culture, customs, major cities, travel routes along historic sites, scenic spots, and so on. Each volume contains illustrations and foldout maps which are all faithfully reproduced in the reprint. The fourth part of the series is from the 20th to the 25th volume. It covers Africa and North America, which were both of geopolitical and of commercial interests to Britain in the early nineteenth-century, particularly in view of the slavery trade. Including very interesting descriptions and pre-Victorian British views of the area, these newly available volumes are a valuable source for any researcher interested in the history of the relationships between Britain and those new continents.

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At its heart, this book is an examination of how a new structural material – mass-produced steel – came to be first applied to the buildings of one of the world’s great cities. The focus is evolution and change in London’s buildings and architecture in the late Victorian and early Edwardian period; its emphasis is unashamedly constructional. A great deal has been written about the shape, style and ornament of metropolitan buildings of the period, but comparatively little on their structural anatomy and physiology. The first part examines the technological developments and economic forces that brought structural steel into being. Central to this was the invention of the Bessemer and Siemens-Martin processes which revolutionised steelmaking and enabled the mass production of a metal which outmatched both cast and wrought iron. Steel became the pillar of a new phase of industrialisation and urbanisation throughout the world, and London, where Henry Bessemer had conducted his initial steelmaking experiments, was one of the first cities to make use of it. The second part of the book is an examination of how structural steel was exploited in different types of London building before 1910. As steel construction developed, and buildings became larger and more complex, structure was forced back onto the architectural agenda. Techniques of framing evolved to make buildings more open, better lit, more stable, or to give them stronger floors or wider roofs.

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A new approach to the mysterious ballads, and their relationship with the past. Katharine Briggs Award 2018: Runner Up The ballad genre, and its material, are frequently backward-looking in terms of subject and style: it is ideally suited to the reimagining of past events, both real and fictional. This volume addresses the past of the ballad and the past in the ballad. It challenges existing scholarship by embracing discontinuity rather than continuity, seeing the ballad as belonging to a culture of cheap printand imaginative literature rather than the rarefied construct of a mythical "folk". It finds a conscious antiquarianism and medievalism reinterpreting the genre at different stages of its literary history, at the same time as theballad itself is continually adapting to the needs of readers, singers, and audience. Chapters cover the few remaining examples of the medieval ballad, and Thomas Percy's medievalism; David Mallet's "William and Margaret" andthe beginnings of the gothic mode early in the eighteenth century; ballads of "Sir James the Rose" and the culture of cheap print in Scotland from the late eighteenth through to the early twentieth century; shipwreck ballads on the loss of the Ramillies and "Sir Patrick Spens", and the reimagining of the past in the present, with a diversion into Coleridge's "Dejection: An Ode"; murder ballads, special providence, and the history of mentalities from earlymodern to Victorian times. DAVID ATKINSON is Honorary Research Fellow at the Elphinstone Institute, University of Aberdeen.

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Jack the Ripper's London...an eerily quiet dining room on the Titanic...and a series of murders that covers two decades.1912. Locked in an eerily quiet dining room on the Titanic, a mysterious man tells a young girl his life story as the ship begins to sink. It all starts in Whitechapel, London in 1888...In the small hours of the night in a darkened Whitechapel alley, young Mary Kelly stumbles upon a man who has been seriously injured and is almost unconscious in the gutter. Mary - down on her luck and desperate to survive - steals his bag and runs off into the night.Two days later, an American gentleman wakes in a hospital bed with no memory of who he is or how he got there. He has suffered a serious head injury, and with no one to help him remember who he is he starts to wonder how he will ever find his way home.One terrible truth links these two lost souls in the dark world of Victorian London - a truth that could ruin the name of the most influential man in the land...Back in 1912, as the Titanic begins its final shuddering descent to the bottom of the frozen, black Atlantic, one man is about to reveal the truth behind a series of murders that have hung like a dark fog over London for more than two decades...the identity of Jack the Ripper.

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In this first study to address women in Thackeray's fiction, Clarke draws on the writer's biography as well as his novels, tales, and nonfictional writings to place him in the context of the women's movement. Approaching her analysis from a feminist-sociological perspective, Clarke connects Thackeray's novels to historical developments in nineteenth-century feminism and identifies an evolution in Thackeray's fictional treatment of women. Contrary to traditional representations of the writer as conventional and even hostile to "the Cause, " the portrait of Thackeray that emerges is of a man both of his age and far ahead of it. Clarke explores the relationship of Thackeray's depiction of women to the prevalent discourse on gender that energized nineteenth-century literature. She synthesizes recent Thackeray studies and examines writers and works Thackeray knew - writers including Judith Drake and Sidney Owenson and works including An Essay in Defense of the Female Sex and Woman and Her Master. The life and works of Caroline Norton serve as a particularly important influence and thread throughout Thackeray's writing. Establishing a strong tie between Thackeray's novels and the nineteenth-century women's movement, Clarke offers a new perspective on the complex, distinctive voice of the writer. Because her study demonstrates the views on women of a major nineteenth-century writer as they are reflected in his novels, the study will appeal to scholars of women's studies, the novel, and Victorian literature and history.

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Featuring innovative research by emergent and established scholars, The Fin-de-Siècle Poem throws new light on the remarkable diversity of poetry produced at the close of the nineteenth century in England. Opening with a detailed preface that explains why literary historians have frequently underrated fin-de-siècle poetry, the collection shows how a strikingly rich body of lyrical and narrative poems anticipated many of the developments traditionally attributed to Modernism. Each chapter provides insights into the ways in which late-nineteenth-century poets represented their experiences of the city, their attitudes toward sexuality, their responses to empire, and their interest in religious belief. The eleven essays presented by editor Joseph Bristow pay renewed attention to the achievements of writers such as Oscar Wilde, John Davidson, Ernest Dowson, Lionel Johnson, and W. B. Yeats, who dominated the literary scene of the 1890s. This book also explores the lesser-known but equally significant advances made by notable women poets, including Michael Field, Amy Levy, Charlotte Mew, Alice Meynell, A. Mary F. Robinson, and Graham R. Tomson. The Fin-de-Siècle Poem brings together innovative research on poetry that has been typecast as the attenuated Victorianism that was rejected by Modernism. The contributors underscore the remarkable innovations in English poetry of the 1880s and 1890s and show how women poets stood shoulder-to-shoulder with their better-known male contemporaries.

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Once notorious but now largely forgotten, the political idealist and radical John Baxter Langley was typical of the well-educated and ethical Victorians who struggled to create a fairer, more equal society. Through a long and wide-ranging career of political agitation he was a journalist, editor and owner of several newspapers, was prominent in the call for franchise reform, and opposed religious legislation that prevented Sunday entertainment and education for working men and women. Langley was also integral to the founding of a trade union, campaigned for an end to public executions and built affordable housing in Battersea. Internationally, he condemned the Second Opium War, exposed British brutality in India and worked covertly for Lincoln’s administration. He was a fellow-traveller for many other key radicals of the day, while his founding of the ‘Church of the Future’ garnered the support of Charles Darwin, James Martineau and John Stuart Mill. Through a chronological narrative of Langley's activities, this book provides an overview of many of the most significant political causes of the mid- to late nineteenth century. These include electoral reform, feminism, slavery, racism, trade unionism, workers' rights, the free press, leisure, prostitution, foreign relations and espionage. A neglected but important figure in the history of nineteenth-century radicalism, this work gives John Baxter Langley the attention he deserves and reveals the breadth of his legacy.

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When Celerie Kemble laid eyes on a wild swath of jungle in the Dominican Republic next to mint green water and an endless stretch of golden sand, she fell madly in love. Against all odds, she designed a home away from home there, an island retreat suffused with light and air, full of indoor and outdoor rooms for relaxation. Drawing inspiration from a childhood where whimsy was part of her home s foundation, she blended meaningful, unique, and surprising design choices and details into these spaces. There is the lacy tragaluz fretwork above the doors that lets in breezes and echoes the Victorian influences in a town near the property. There are the artisanal tiles with patterns reminiscent of the strangely beautiful flora of the jungle. There are the sweet pastel-coloured bungalows and the art, objects, and textiles in dark hues reminiscent of a Gauguin painting. Throughout this lovingly crafted book about Kemble s own island design journey, ideas abound for anyone decorating a sunny home or fantasizing about spending time in one. Kemble shares inspiration for creating a sense of openness to the sea, sand, and sky; offering places to wash sandy feet or perfect viewing spots for a sunset-saturated drink; and infusing spaces with a sense of welcome, invitation, and magic. Bunny Williams s An Affair with a House meets India Hicks s Island Style in this gorgeously photographed, open-hearted volume.

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Great British Women is a Quality Pocket Book ( A6 ) which presents the lives of remarkable British women who made a mark on their country, and beyond. From the defiant warrior Boudicca to contemporary women found in every field, the reader will meet some of the most remarkable women in British history from Roman times to modern day. This handy book offers tales of women who led empires, shaped civilisation and excelled in creativity. Read about medieval great Queens such as Eleanor, suffragettes and scientists such as Wollstonecraft and Somervillle, as well as heroic war acts and advances in fields which were often off-limits to women. Find out about the first woman to rule an Anglo-Saxon kingdom, the first to patent a bridge, the first to sit in parliament and the first to become prime minister. Do you know which woman helped create modern Iraq, which wrote 'the greatest English novel' and which sold her unique propellers to the Victorian navy? Individual pages with original illustrations for each woman reveal their background together with the influences and challenges which shaped their lives, all in a concise and readable way. From politics to poetry and sports to science, meet the extraordinary British women whose words, actions and innovations deserve recognition. As is now tradition with the White on Black brand, a donation from each sale will be given to Womens Aid

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** The first Biographic of a fictional character ** The Biographic series presents an entirely new way of looking at the lives of the world's greatest thinkers and creatives. It takes the 50 defining facts, dates, thoughts, habits and achievements of each subject, and uses infographics to convey all of them in vivid snapshots. Each Biographic title is designed to be as entertaining as it is informative. Timelines not only pinpoint significant dates, but set them in the context and culture of their times. Dynamic maps locate biographical events alongside other points of interest. Character traits are illuminated by visual comparisons. Many people know that Sherlock Holmes was an enigmatic detective who, with his companion Dr Watson, pursued criminals through Victorian and Edwardian England. What, perhaps, they don't know is that he investigated 60 fully documented cases, including 37 murders; that 46 of those cases began in his offices at 221B Baker Street; that only three of them involved his nemesis Moriarty; and that in his later years Holmes spent his time beekeeping on the Sussex Downs. Biographic: Sherlock presents an investigative guide to his life and work, with an array of clues and observations converted into infographics to reveal the detective behind the detection. SELLING POINTS: . Sherlock Holmes through 50 defining facts, thoughts, habits and achievements . Entertaining and informative infographics . Stylish gift for lovers of classic fiction 150 illustrations

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Crowds of visitors flock to Whitby to explore the ancient abbey, walk the narrow streets, pass Captain Cook’s home and see the replica of his ship Endeavour, but the history of Whitby is much richer, as revealed in this tour of its significant, interesting and unusual buildings. After the Dissolution of the Monasteries the Cholmley family took over much of the abbey’s lands, building a grand home and developing the port and local industries. Whitby became one of the busiest ports in the land and magnificent Georgian buildings testify to the wealth brought into the town, not least through whale hunting. Other grand buildings of this time were constructed on wealth from the elsewhere, including slave plantations in the Caribbean. The town has also preserved the more modest homes of sailors and fishermen, including charitable housing, and the continuing connection with the sea is also represented by lighthouses, the foghorn station and lifeboat stations. More recently Whitby has become a holiday destination, with Victorian and more recent hotels, cinemas and a lido built for the use of visitors and local inhabitants. Whitby in 50 Buildings explores the history of this fascinating Yorkshire coastal resort through a selection of its most interesting buildings and structures, showing the changes that have taken place over the years. The book will appeal to all those who live in Whitby or who know it well.

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This is the story of a man who went from Yorkshire mill worker to Monte Carlo millionaire. Amongst the men ‘who broke the bank at Monte Carlo’, Joseph Hobson Jagger is unique. He is the only one known to have devised an infallible and completely legal system to defeat the odds at roulette and win a fortune. But he was not what might be expected. He wasn’t a gentleman or an aristocrat, he wasn’t a professional gambler, he was a Yorkshire textile worker who had laboured in the Victorian mills of Bradford since childhood. What led a man like this to travel nearly a thousand miles to the exclusive world of the Riviera when most people lived and died within a few miles of where they were born? The trains that took him there were still new and dangerous, he did not speak French and had never left the north of England. His motivation was strong. Joseph, his wife and four children, the youngest of whom was only two, faced a situation so grave that their only escape seemed to be his desperate gamble on the roulette tables of Monte Carlo. Today Jagger’s legacy is felt in casinos worldwide and yet he is virtually unknown. Anne Fletcher is his great-great-great niece and in this true-life detective story she uncovers how he was able to win a fortune, what happened to his millions and why Jagger should now be regarded as the real ‘man who broke the bank at Monte Carlo’.

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Gruel and truffles, wine and gin, opium and cocaine. Making a Man: Gentlemanly Appetites in the Nineteenth-Century British Novel addresses consumption of food, drink, and drugs in the conspicuously consuming nineteenth century in order to explore the question of what, in fact, makes a man in novels of the period. Gwen Hyman analyzes the rituals of dining room, drawing room, opium den, and cocaine lab, and the ways in which these alimentary behaviors make, unmake, and remake the gentlemanly body. The gentleman, Making a Man argues, is a dangerous alimental force. Threatened with placelessness, he seeks to locate and mark himself through his feasting and fasting. But in doing so, he inevitably threatens to starve, to subsume, to swallow the community around him. The gentleman is at once fundamental and fundamentally threatening to the health of the nation: his alimental monstrousness constitutes the nightmare of the period’s striving, anxious, alimentally fraught middle class. Making a Man makes use of food history and theory, literary criticism, anthropology, gender theory, economics, and social criticism to read gentlemanly consumers from Mr. Woodhouse, the gruel-eater in Jane Austen’s Emma, through the vampire and the men who hunt him in Bram Stoker’s Dracula. Hyman argues that appetite is a crucial means of casting light on the elusive identity of the gentleman, a figure who is the embodiment of power and yet is hardly embodied in Victorian literature.

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'Animal lovers will delight' Ann Granger'A real treat . . . I loved it. Cats, dogs, murder and a credible and relatable heroine' Barbara NadelDriving home from a ceramics evening class, Clarice Beech reflects on the absence of one of her students, Colin Compton-Smythe. Later, Emily, Colin's daughter, telephones to say her father has died during routine surgery. Distraught, Emily opens up to Clarice about his wretched childhood and the day five-year-old Colin returned home to discover Avril, his mother, gone. Colin never believed she would have left without him and had been trying to find out more about Avril's disappearance all those years ago.Clarice readily agrees to accompany Emily to Colin's funeral. On arriving at the stunning Victorian Gothic manor house, with Bellatrix, the majestic stone Siamese cat reposing at its entrance, Clarice soon becomes drawn into the fractious world of the Compton-Smythe family: Colin's argumentative father Ralph and his equally combative partner Tessa, their daughter, Dawn, being stalked by an ex-lover and, most unsettling of all, Ernestine, Ralph's emotionally unpredictable sister. And then there's Johnson, Ralph's menacing manservant.Clarice discovers the nearer she gets to the truth, the greater she is in danger as somebody is intent that the mystery of the missing wife should never be resolved.

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A survey of the rituals of the year in Victorian England, showing the influence of the Middle Ages. What does a maypole represent? Why eat hot cross buns? Did Dick Whittington have a cat? All these questions are related to a larger one that nineteenth-century Britons asked themselves: which was more fun: living in their own time, or living in the Middle Ages? While Britain was becoming the most industrially-advanced nation in the world, many vaunted the superiority of the present to the past-yet others felt that if shadows of past ways of life haunted the present, they were friendly ghosts. This book explores such ghosts and how real or imagined remnants of medieval celebration in a variety of forms created a cultural idea of the Middle Ages. As Britons found, or thought that they found, traces of the medieval in traditions tied to times of the year, medievalism became not only the justification but also the inspiration for community festivity, from Christmas and Boxing Day through Maytime rituals to Hallowe'en, as show in the writings of amongst many others Keats, Browning and Dickens.

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A comprehensive look at the academic criticism of Jane Austen from her time down to the present. Among the most important English novelists, Jane Austen is unusual because she is esteemed not only by academics but by the reading public. Her novels continue to sell well, and films adapted from her works enjoy strong box-officesuccess. The trajectory of Austen criticism is intriguing, especially when one compares it to that of other nineteenth-century English writers. At least partly because she was a woman in the early nineteenth century, she was longneglected by critics, hardly considered a major figure in English literature until well into the twentieth century, a hundred years after her death. Yet consequently she did not suffer from the reaction against Victorianism thatdid so much to hurt the reputation of Dickens, Tennyson, Arnold, and others. How she rose to prominence among academic critics - and has retained her position through the constant shifting of academic and critical trends - is a story worth telling, as it suggests not only something about Austen's artistry but also about how changes in critical perspective can radically alter a writer's reputation. Laurence W. Mazzeno is President Emeritus of Alvernia University, Reading, Pennsylvania.

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Soldier, hero, and politician, the Duke of Wellington is one of the best-known figures of nineteenth-century England. From his victory at Waterloo over Napoleon in 1815, he rose to become prime minister of his country. But Peter Sinnema finds equal fascination in Victorian England’s response to the duke’s death. The Wake of Wellington considers Wellington’s spectacular funeral pageant in the fall of 1852—an unprecedented event that attracted one and a half million spectators to London—as a threshold event against which the life of the soldier-hero and High Tory statesman could be re-viewed and represented. Canvassing a profuse and dramatically proliferating Wellingtoniana, Sinnema examines the various assumptions behind, and implications of, the Times’s celebrated claim that the Irish-born Wellington “was the very type and model of an Englishman.” The dead duke, as Sinnema demonstrates, was repeatedly caught up in interpretive practices that stressed the quasi-symbolic relations between hero and nation. The Wake of Wellington provides a unique view of how in death Wellington and his career were promoted as the consummation of a national destiny intimately bound up with Englishness itself, and with what it meant to be English at midcentury.

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As the Victorian era passed into the Edwardian and Roaring Twenties, a market developed for bisque and china naughty novelties and figurines of women in revealing outfits. These little lovelies include bathing beauties, who came clad in swimsuits of real lace or stylish painted beach wear, as well as mermaids, harem ladies, and nudies, who wear only an engaging smile. Also produced were flippers (innocent appearing figurines who reveal a bawdy secret when flipped over) and water squirters. Most were manufactured in Germany from the late 1800s through the 1930s, often showing remarkable artistry and imagination. This photographic study showcases an extraordinary variety of figurines, and the in-depth text will help collectors and dealers discover the rich history behind them. Manufacturing techniques, marks, and manufacturers are discussed, including Galluba and Hoffman, William Goebel, Hertwig and Company, Schafer and Vater, and more. Decorative details, size, and current value are provided for each figurine. A delightful reference for bathing beauty and doll collectors, Art Deco aficionados, and all who enjoy things naughty and mischievous.

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The Complete Language of Flowers is a comprehensive encyclopedia providing the meanings, powers, facts, and folklore for over 1,001 flower species. Now in a pocket-size edition for easy, on-the-go reference. Along with a beautiful visual depiction, each entry provides the flower’s scientific and common names, characteristics, and historic meanings and powers from mythology, medieval legends, folklore, and flower poetry. For centuries, symbolic flower meanings have fascinated readers, writers, poets, and suddenly smitten couples alike. Extremely popular during the Victorian era, these floriographies flourished and versed the public on the hidden meaning of popular flowers such as: Purple Tulip—Eternal love Amaryllis—Adventurousness; Enthusiasm; Passion Daisy—Beauty and innocence; Cheer; Childlike playfulness Sunflower—Ambition; Constancy; Devotion Together with stunning full-color illustrations and two indexes, one for searching by common flower name and the other organized by meaning, this beautiful reference is a must-have for gardeners, florists, and flower enthusiasts. Whether you’re looking to arrange the perfectly bespoken wedding bouquet or to understand what the yellow rose you just received from an admirer means (friendship), this updated floriography is a visual delight.

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Después de haber aprendido a sobrevivir en Minecraft, comienza la verdadera diversión. Sus características avanzadas permiten una creatividad impactante. Y eso solo es el principio. Más que nunca, Minecraft 1.9 puede ser todo aquello que tú, y millones de jugadores más, soñasteis.Mapas personalizados de aventuras, nuevos sistemas de comercio y sociedades, mods increíbles que llevan Minecraft al futuro lejano. El potencial de Minecraft es asombroso. Esta guía a color contiene, en un solo libro, todas las extraordinarias fuentes y técnicas actuales. Crea y maneja configuraciones únicas de Minecraft 1.9 con sus propias versiones, mundos, fuentes y perfiles. Construye cualquier estilo que te inspire, Victoriano, Japonés, moderno, suburbano. Tú pones las reglas.Por qué perder el tiempo con desfasados tutoriales online o intrincados vídeos de Youtube? El autor de bestseller Stephen O? Brian mostrará en este libro como conseguirlo todo y hacerlo todo.

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On an Empty Stomach examines the practical techniques humanitarians have used to manage and measure starvation, from Victorian "scientific" soup kitchens to space-age, high-protein foods. Tracing the evolution of these techniques since the start of the nineteenth century, Tom Scott-Smith argues that humanitarianism is not a simple story of progress and improvement, but rather is profoundly shaped by sociopolitical conditions. Aid is often presented as an apolitical and technical project, but the way humanitarians conceive and tackle human needs has always been deeply influenced by culture, politics, and society. Txhese influences extend down to the most detailed mechanisms for measuring malnutrition and providing sustenance. As Scott-Smith shows, over the past century, the humanitarian approach to hunger has redefined food as nutrients and hunger as a medical condition. Aid has become more individualized, medicalized, and rationalized, shaped by modernism in bureaucracy, commerce, and food technology. On an Empty Stomach focuses on the gains and losses that result, examining the complex compromises that arise between efficiency of distribution and quality of care. Scott-Smith concludes that humanitarian groups have developed an approach to the empty stomach that is dependent on compact, commercially produced devices and is often paternalistic and culturally insensitive.

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This useful volume presents the major works of the five leading Pre-Raphaelite poets. Foremost in the collection, and included in their entirety are D. G. Rossetti's The House of Life, C. G. Rossetti's "Monna Innominata," William Morris's "Defence of Guenevere," Swinburne's Atalanta in Calydon, and Meredith's "Modern Love." Complementing these major poems is a fine, generous selection of the poets' shorter pieces that are typical of their work as a whole. For this second edition, Cecil Lang has substituted two early Swinburne poems, "The Leper" and "Anactoria," for Fitzgerald's The Rubáiyát of Omar Khayyám. These poems, which the editor describes as "shocking," show a new aspect of Swinburne not discussed previously. Lang's Introduction describes briefly the founding of the Pre-Raphaelite Brotherhood, discusses each of the Pre-Raphaelite poets, both individually and in relation to the others, and grapples with the questions of definition of Pre-Raphaelitism and the similarities between its painting and poetry. The book is appropriately illustrated with thirty-two works by D. G. Rossetti, John Ruskin, William H. Hunt, and other Pre-Raphaelite artists. This is the only anthology available that provides a representative selection of the work of these important poets. It will be indispensable to students of Victorian poetry and appreciated by readers interested in the Pre-Raphaelites.

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For hundreds of years English people have claimed that fair play is at the core of their national identity. Jonathan Duke-Evans looks at the history of fair play in Britain from earliest times to the present, asking whether it is in fact a British, or alternatively an English, characteristic at all - and if so, whether fair play still matters today? In An English Tradition?, Jonathan Duke-Evans explores the origins of the idea of fair play, tracing it back to the classical world and the Dark Ages, and finding its genesis deep within England's social structure. Charting its early development through both the tales of chivalry and the stories of popular legend, the book shows how fair play manifested itself in literature, the law, the Christian religion, and the family. It examines the way in which fair play was conceived during the ages of slavery and empire, and it proposes a new account of the birth of modern sport in the encounter between age-old popular games and the Victorian cult of amateurism. Taking in the Scottish, Irish, and Welsh manifestations of fair play, Duke-Evans offers contrasts and comparisons from cultures all around the world, and suggests new perspectives on the relevance of fair play in the twenty-first century.

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A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. The Royal Botanic Gardens, Kew has a gallery dedicated to the paintings of the remarkable Victorian artist Marianne North, who had a great eye for botanical detail. She set out in 1871 on a painterly progress through world flora. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

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Originally published in 1966. In his lifetime, Gerard Manley Hopkins was known as a poet only by a small circle of his friends. More than any other major Victorian writer, he was recovered and presented as a poet to modern readers by editors and scholars of the first half of the twentieth century. This book analyzes how and to what extent the presuppositions of these critics have dictated the modern conception of Hopkins's work. Bender seeks to dispel, once and for all, the notion that Hopkins was a naïf poet. He provides an analysis of classical Greek and Latin rhetoric relative to the classical background of Hopkins's style and the structure in his poetry. He maintains that especially in Hopkins's more extreme work, such as "The Wreck of the Deutschland," there are precedents for the structure of the poem itself, the structure of the sentences within the poem, and its sensual and obscure imagery in the classical literature that Hopkins knew so well.Bender's study suggests two highly controversial positons: first, that although Hopkins is one of the most original voices in English, his poetry is within a tradition insufficiently recognized by modern critics; and second, that the effect of careful and sympathetic study of classical literature can induce quite the opposite of a neoclassical style in English.

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In nineteenth-century England, marriage between first cousins was both legally permitted and perfectly acceptable. After mid-century, laws did not explicitly penalize sexual relationships between parents and children, between siblings, or between grandparents and grandchildren. But for a widower to marry his deceased wife's sister was illegal on the grounds that it constituted incest. That these laws and the mores they reflect strike us today as wrongheaded indicates how much ideas about kinship, marriage, and incest have changed. In Family Likeness, Mary Jean Corbett shows how the domestic fiction of novelists including Jane Austen, Charlotte Brontë, George Eliot, Elizabeth Gaskell, and Virginia Woolf reflected the shifting boundaries of "family" and even helped refine those borders. Corbett takes up historically contingent and culturally variable notions of who is and is not a relative and whom one can and cannot marry. Her argument is informed by legal and political debates; texts in sociology and anthropology; and discussions on the biology of heredity, breeding, and eugenics. In Corbett's view, marriage within families—between cousins, in-laws, or adoptees—offered Victorian women, both real and fictional, an attractive alternative to romance with a stranger, not least because it allowed them to maintain and strengthen relations with other women within the family.

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A bold reassessment of nineteenth-century British painter and decorative artist Edward Burne-Jones, elucidating his fundamentally radical defiance of the Victorian age Challenging the dominant characterization of Edward Burne-Jones as an escapist who withdrew from the modern world into imaginary realms of his own creation, this groundbreaking book argues that he was engaged in a fundamentally radical defiance of the age, protesting against imperial aggression, capitalist economic inequality, and environmental destruction in the wake of the industrial revolution. Harnessing the utopian power of embodied aesthetic encounters, Burne-Jones drew inspiration from the medieval concept of dreams as visionary states of transformation. Therefore, his art functioned not as a retreat, but as a vehicle for revolutionary awakening. Often characterized as a painter, this book re-centers Burne-Jones’s practice in the decorative arts, demonstrating that he consistently interrogated the boundaries of artistic media, in keeping with wider debates over the role of the arts in the nineteenth century. The first scholarly monograph solely devoted to Burne-Jones since 1973, The Radical Vision of Edward Burne-Jones offers a thorough re-examination of his work, illuminating his radical defiance of the artistic, social, and political hierarchies of nineteenth-century Britain.Distributed for the Paul Mellon Centre for Studies in British Art

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Fanny Bullock Workman was a complicated and restless woman who defied the rigid Victorian morals she found as restrictive as a corset. With her frizzy brown hair tucked under a helmet, Workman was a force on and off the mountain. Instrumental in breaking the British stranglehold on Himalayan mountain climbing, this American woman climbed more peaks than any of her peers and became the first woman to map the far reaches of the Himalayas and the second to address the Royal Geographic Society of London, whose past members included Charles Darwin, Richard Francis Burton, and David Livingstone. Her books—replete with photographs, illustrations, and descriptions of meteorological conditions, glaciology, and the effect of high altitudes on humans—remained useful decades after their publication. Paving the way for a legion of female climbers, Workman's legacy lives on in scholarship prizes at Wellesley, Smith, Radcliffe, and Bryn Mawr.Author and journalist Cathryn J. Prince brings Fanny Bullock Workman to life, revealing how she navigated the male-dominated world of alpine clubs and adventure societies as nimbly as she navigated the deep crevasses and icy granite walls of the Himalayas. Queen of the Mountaineers is the story of one woman's role in science and exploration, breaking boundaries and charting frontiers for women everywhere.

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This is the first modern selection of the poetry of Ebenezer Elliott (1781-1849), best known in literary history as the self-styled 'Corn Law Rhymer' because of his savage satirical poems published in the 1830s. This edition, with a full introduction, note on the text, bibliography, and chronology, together with explanatory notes, brings Elliott's work into the public domain for the first time since his death. It will be of interest to students of Victorian literature and history, and indeed to anyone interested in the politics, poetics, aesthetics, and social history of the nineteenth century. Elliott's poetry is of much more than merely historical interest, just as his work is wider in its reach than his concern with the Corn Laws: there is much here that is personal, even elegiac, and much that is celebratory of his beloved Yorkshire countryside, especially around Rotherham, where he was born, and Sheffield, where he spent most of his adult life. His radical views retain their resonance today. This selection includes poems from all the stages of his long career, with lengthy extracts from The Village Patriarch, The Ranter, The Splendid Village, The Corn Law Rhymes, and many of his numerous miscellaneous poems.

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Ireland holds a special place in people’s hearts – even for many who haven’t been there. To some the appeal is its natural beauty, to others it’s the history; to some it’s Ireland’s lasting folk tradition, to others it even seems to be a mystical place. Ireland: The Emerald Isle presents 150 outstanding photographs celebrating the island’s most evocative and beautiful places, whether in nature or man-made, from the miles of near empty beaches to the Mourne Mountains in County Down, from the pretty fishing towns of County Cork to Dublin’s elegant Georgian streets. Featuring images from both the Republic of Ireland and Northern Ireland, the book ranges widely across landscapes and history, from rugged cliffs and rolling hills to mysterious stone circles, magnificent cathedrals and ruined abbeys; and from medieval forts and castles to grand Victorian follies and villages abandoned during the Potato Famine. While some images such as the striking basalt columns of the Giant’s Causeway may be familiar, others you may know only from Game of Thrones and the Star Wars films but never realized that they, too, were in Ireland. Presented with captions explaining the story behind each entry, Ireland: The Emerald Isle is a stunning collection of images celebrating the island’s natural beauty, culture and history.

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In 1804, Haiti declared its independence from France to become the world’s first ‘black’ nation state. Throughout the nineteenth century, Haiti maintained its independence, consolidating and expanding its national and, at times, imperial projects. In doing so, Haiti joined a host of other nation states and empires that were emerging and expanding across the Atlantic World. The largest and, in many ways, most powerful of these empires was that of Britain. Haiti in the British Imagination is the first book to focus on the diplomatic relations and cultural interactions between Haiti and Britain in the second half of the nineteenth century. As well as a story of British imperial aggression and Haitian ‘resistance’, it is also one of a more complicated set of relations: of rivalry, cultural exchange and intellectual dialogue. At particular moments in the Victorian period, ideas about Haiti had wide-reaching relevancies for British anxieties over the quality of British imperial administration, over what should be the relations between ‘the British’ and people of African descent, and defining the limits of black sovereignty. Haitians were key in formulating, disseminating and correcting ideas about Haiti. Through acts of dialogue, Britons and Haitians impacted on the worldviews of one another, and with that changed the political and cultural landscapes of the Atlantic World.

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'Gives us all the top tier wit, spice, and swoons.... One to watch!' Evie Dunmore-----Love is more than just a game for two.It’s 1857, and anxious debutante Beth has just one season to snag a wealthy husband, or she and her mother will be out on the street.Gwen, on the other hand, is on her fourth season and counting, with absolutely no intention of finding a husband, possibly ever. She has plenty of security as the only daughter of a rakish earl, from whom she’s inherited her penchant for drinking too much and dancing ‘til dawn.Beth and Gwen are enchanted with each other on sight. And it doesn’t take long for Gwen to hatch her latest scheme: rather than join the husband hunt, they should set up Gwen’s father and Beth’s newly-widowed mother.They had a fling years ago, after all…Can Beth and Gwen find a way to defy convention and be together? And will their parents find love along the way too?A swoon-worthy debut queer Victorian romance in which two debutantes distract themselves from having to seek husbands by setting up their widowed parents, and instead find their perfect match in each other—the lesbian Bridgerton you never knew you needed!

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In The Art of Alibi, Jonathan Grossman reconstructs the relation of the novel to nineteenth-century law courts. During the Romantic era, courthouses and trial scenes frequently found their way into the plots of English novels. As Grossman states, "by the Victorian period, these scenes represented a powerful intersection of narrative form with a complementary and competing structure for storytelling." He argues that the courts, newly fashioned as a site in which to orchestrate voices and reconstruct stories, arose as a cultural presence influencing the shape of the English novel. Weaving examinations of novels such as William Godwin's Caleb Williams, Mary Shelley's Frankenstein, and Charles Dickens's The Pickwick Papers and Oliver Twist, along with a reading of the new Royal Courts of Justice, Grossman charts the exciting changes occurring within the novel, especially crime fiction, that preceded and led to the invention of the detective mystery in the 1840s.

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Rulloff was a brilliant yet utterly amoral murderer - some have called him a ''Victorian-era Hannibal Lecter'' - whose crimes spanned decades, but by 1871 he was captured, chained in a cell - a psychopath holding court while curious 19th-century ''mindhunters'' got to work.From alienists (early psychiatrists who tried to analyse the source of his madness) to neurologists (who wanted to dissect his brain) to phrenologists (who analysed the bumps on his head to determine his character), each one thought he held the key to understanding the essential question: is evil born or made?Expanding on her hit podcast, Tenfold More Wicked, acclaimed crime historian Kate Winkler Dawson draws on hundreds of source materials and never-before-shared historical documents to present one of the first glimpses into the mind of a serial killer - a century before the term was coined - through the scientists whose work would come to influence criminal justice for decades to come.

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Explore the magic, rituals, and spiritual beliefs of ancient Egypt in this fascinating guide, written by renowned Victorian Egyptologist, Sir E. A. Wallis Budge.For ancient Egyptians, religion and magic were interconnected in a profound way. Spells, amulets, charms, magical names, and potions were all ways in which they connected with and honoured their gods, practised by everyone from peasants to priests. This classic work includes sections on magical ceremonies, dreams, ghosts, astrology, and words of power. Wallis Budge was previously Keeper of the Egyptian and Assyrian Antiquities at the British Museum. He translated many works from ancient Egypt, as well as publishing his own work on this fascinating subject. This illuminating and comprehensive study offers wonderful insight into spirituality and magic in the ancient Egyptian world. The legacy of this work is such that it remains the standard text on the subject.

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