Search results for ""author wendy"

This edition from the best-selling poetry series brings together the most beloved poems for children, from "The Owl and the Pussycat" through "On the Ning Nang Nong" to "I Know Someone Who Can" to "Us Two". The Nation's Favourite Children's Poems will compel and amuse adults and children alike, with poems drawn from themes as diverse as animals, schooldays, summer holidays, fun with friends and family, and fantastic daydreams - whether it is recalling the anxiety of starting school, as in Roger McGough's "First Day at School", the magical visit of a mythical beast in Adrian Henri's "Kate's Unicorn", or the nostalgic realisation that 'mother always knows best' in Pam Ayres's "Oh, I Wish I'd Looked After Me Teeth". Readers can revisit old favourites by Edward Lear, Hilaire Belloc and A.A. Milne, and dip into the modern musings of poets such as Wendy Cope and Allan Ahlberg. Introduced by Spike Milligan and including 30 specially commissioned illustrations, this is the perfect treasury of children's verse and will delight and entertain all generations for years to come.

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The inspiration for the primetime ITV series on Great Britain, this is the ultimate journey around England. Christopher Winn takes us to each county, to see where history happened, where people and ideas were born, where dreams took flight and where men and women now rest from their labours. To tread in their footsteps, to touch and experience some of what inspired and moved them is to capture some of the flavour of their lives and make their stories alive and real. Crammed with facts and information, I Never Knew That About England celebrates the places and people that make the country unique and includes history, legends, firsts, supremes, unusuals, inventions, birthplaces and gossip. You'll be able to visit the bridge where Pooh and Piglet played Poohsticks and see where Alfred burnt the cakes. In a small village in Bedfordshire you can visit the graveyard where Long John Silver and Wendy rest. These stories will bring any place that you visit to life (keep one copy in the car and one in the house!) and enable you to discover the rich and surprising history of England.

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Mathematik.- Vermessung.- Baubetrieb.- Lastannahmen, Einwirkungen.- Statik und Festigkeitslehre.- Räumliche Aussteifungen.-Beton.- Stahlbeton und Spannbeton.- WU-Konstruktionen für Tragwerksplaner.- Mauerwerk und Putz.- Stahlbau.- Holzbau.-Glasbau.- Geotechnik.- Bauen im Bestand.-  Brandschutz.- Bauphysik.- Schallimmissionsschutz.- Verkehrswesen.- Hydraulik und Wasserbau.- Siedlungswasserwirtschaft.- Netzmanagement.- Bauen und Umwelt.- Building Information Modeling.- Bauzeichnungen.

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Wendell was spending the weekend at Sophie's house. Playing house, Wendell was the mother, the father, and the children; Sophie was the dog. Playing bakery, Wendell was the baker; Sophie got to be the sweet roll. Wendell shone his flashlight in Sophie's eyes when she tried to sleep. But when he gave her a new hairdo with shaving cream, it was the last straw, and Sophie made up a game that left Wendell speechless for a time -- and won the day for friendship.

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For a significant part of the early modern period, England was the most active site of recipe publication in Europe and the only country in which recipes were explicitly addressed to housewives. Recipes for Thought analyzes, for the first time, the full range of English manuscript and printed recipe collections produced over the course of two centuries. Recipes reveal much more than the history of puddings and pies: they expose the unexpectedly therapeutic, literate, and experimental culture of the English kitchen. Wendy Wall explores ways that recipe writing—like poetry and artisanal culture—wrestled with the physical and metaphysical puzzles at the center of both traditional humanistic and emerging "scientific" cultures. Drawing on the works of Shakespeare, Spenser, Jonson, and others to interpret a reputedly "unlearned" form of literature, she demonstrates that people from across the social spectrum concocted poetic exercises of wit, experimented with unusual and sometimes edible forms of literacy, and tested theories of knowledge as they wrote about healing and baking. Recipe exchange, we discover, invited early modern housewives to contemplate the complex components of being a Renaissance "maker" and thus to reflect on lofty concepts such as figuration, natural philosophy, national identity, status, mortality, memory, epistemology, truth-telling, and matter itself. Kitchen work, recipes tell us, engaged vital creative and intellectual labors.

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The catalogue to accompany the first museum exhibition to examine the digitally crafted works of Wendell Castle, acclaimed figure of the American art furniture movement.

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How to Manage Your Mammoth draws on a single coaching technique, bite sizing, to help you manage issues and tasks that you find difficult, overwhelming or impossible. You can use bite sizing to break down a difficult task or build up to a goal. Experienced psychotherapist and coach Wendy Jago draws on her work with business professionals worldwide in the banking and commercial sectors, to provide a user-friendly guide packed with short, snappy exercises to help even the worst procrastinators. How to Manage Your Mammoth will cover: * How you naturally approach problems. Do you hone in on the details/specifics straight away or do you think of a problem in its entirety rather than its parts? * How much energy and stamina do you have to draw on. What is your natural attention span? The book will show you how to work with your natural energy and attention levels and not against them.* How we unintentionally create mammoths and how we can avoid doing so. * What to do when other people in your life have a different way of managing tasks that conflicts with your style. How do you work together to get the job done?*How much can be achieved in very small chunks of time, known as twenty-minute miracles.

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In the midst of the Great Depression, Americans were nearly universally literate—and they were hungry for the written word. Magazines, novels, and newspapers littered the floors of parlors and tenements alike. With an eye to this market and as a response to devastating unemployment, Roosevelt’s Works Progress Administration created the Federal Writers’ Project. The Project’s mission was simple: jobs. But, as Wendy Griswold shows in the lively and persuasive American Guides, the Project had a profound—and unintended—cultural impact that went far beyond the writers’ paychecks. Griswold’s subject here is the Project’s American Guides, an impressively produced series that set out not only to direct travelers on which routes to take and what to see throughout the country, but also to celebrate the distinctive characteristics of each individual state. Griswold finds that the series unintentionally diversified American literary culture’s cast of characters—promoting women, minority, and rural writers—while it also institutionalized the innovative idea that American culture comes in state-shaped boxes. Griswold’s story alters our customary ideas about cultural change as a gradual process, revealing how diversity is often the result of politically strategic decisions and bureaucratic logic, as well as of the conflicts between snobbish metropolitan intellectuals and stubborn locals. American Guides reveals the significance of cultural federalism and the indelible impact that the Federal Writers’ Project continues to have on the American literary landscape.

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As featured in Vogue, GQ, Harper’s Bazaar, Wallpaper*, The Art Newspaper, Hypebeast, Gagosian, The Business of Fashion and The Evening Standard Marking the 20th anniversary of the company’s founding, this comprehensive monograph is the first book on Thom Browne. With a celebrity clientele including Cardi B, Michelle Obama, LeBron James, and Julia Roberts, among others, Thom Browne is widely recognized for modernizing today’s professional uniform: the suit. As the company’s 20th anniversary nears, Thom Browne. celebrates the legacy of the house. Specially commissioned photography by Johnny Dufort features more than 200 looks from past seasons. An introduction by Andrew Bolton, Wendy Yu curator in charge of The Metropolitan Museum of Art’s Costume Institute and creative director of this title, sets the work in context. The book concludes with a tableau of show installations that further illustrate the house’s design philosophy and evolution. Published as a hardback enclosed in a clamshell box, the book includes 4-, 6-, and 8-pages gatefolds and more than 40 translucent vellum pages featuring the brand’s signature four stripes. It also includes a Thom Browne grosgrain ribbon.

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For this book Lawrence Harbison has interviewed successful playwrights who have developed relationships with theaters that regularly produce their plays have had at least one major New York production have their plays published by a licensor such as Dramatists Play Service or Samuel French have received commissions and have an agent. Harbison asks each of them the same question: How did you do it? ÊHow I Did ItÊ features an introduction by Theresa Rebeck and interviews with David Auburn Stephen Belber Adam Bock Bekah Brunstetter Sheila Callaghan John Carlani Eric Coble Jessica Dickey Kate Fodor Gina Gionfriddo Daniel Goldfarb Kirsten Greenidge Rinne Groff Lauren Gunderson Michael Hollinger Rajiv Joseph Greg Kotis Neil LaBute Deborah Zoe Laufer Wendy MacLeod Itamar Moses Bruce Norris Lynn Nottage Aaron Posner Adam Rapp J.T. Rogers Lloyd Suh Carl Thomas Sharr White and Anna Ziegler.ÞA valuable tool for playwrights daunted by the extremely difficult task of getting their work produced as well as to playwriting students ÊHow I Did ItÊ is full of stories of how it's done.

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Conflict is the essence of civil liberty. Individual, or group, rights are rarely, if ever, recognized without a struggle. From the day that King John was forced at Runnymede to acknowledge that his barons had certain prerogatives, to the present era, when racial minorities, women, and gays and lesbians fight for a place at the table, the din of political, judicial, and sometimes violent battle echoes through the United States. And yet, are the law of freedom of speech and the law of equality truly on a collision course? Henry Louis Gates, Jr., has written that the strongest argument for regulating speech is the unreflective reasoning for the other side--the tendency of those who invoke the First Amendment mantra, and seem immediately to fall into a trance, oblivious to further argument and evidence. In an attempt to move past such rote recitations, this volume brings together such thinkers as Sylvia Law, Martin Redish, Ira Glasser, Randall Kennedy, Susan Deller Ross, and Wendy Kaminer to engage in a free-ranging conversation about this very issue. Focussing on the flashpoint topics of abortion clinic violence, workplace harassment, and hate crimes/hate speech, the contributors illustrate ways that we might get beyond the reflexivity that has dictated much of the debate around speech and equality.

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"This soulful collection is perfect for fans of The Moth or Humans of New York." — Publishers WeeklyPeople in San Antonio love to tell stories. Worth Repeating: San Antonio Stories is a collection of forty true tales, epic adventures, and intimate revelations from the heart of one of America’s fastest growing and most culturally diverse cities.There is the hilarious chronicle of being crowned Turkey Queen of Cuero, as well as stories of finding one’s place as an immigrant or refugee, the heartbreak of being on the AIDS epidemic’s front lines, and the redemption in writing My Little Pony fan fiction. From the birth of a Freedom Rider to the origins of a literary legend, from the search for a murdered mother’s memories to passing our abilities and disabilities along to our children, the pieces here are as varied and nuanced as the city its authors have called home at one time or another.They might not all take place in Texas, but every story has roots in its streets, suburbs, and history. Whether it’s an account of being stranded in Uganda, growing up in a Mexican border barrio, catching swine flu in Thailand, being among Harvard University’s first Black architecture students, growing up in Iran, or leaving India for a new life in Texas, each story has a soul that is puro San Antonio. From last chances to first tries, all of these personal narratives were originally performed in front of an audience at Worth Repeating, Texas Public Radio’s live storytelling series.Writers include Heather Armstrong, Tanveer Arora, Jennie Badger, Kiran Kaur Bains, Marion Barth, Sheila Black, Barbara Bowie, Norma Elia Cantú, Kelly Grey Carlisle, Cary Clack, Jess Elizarraras, Georgia Erck, Tiffany Farias-Sokoloski, Elizabeth Fauerso, Everett L. Fly, Larry Garza, Lorenzo Gomez III, Mike Knoop, David W. Lesch, Rey Lopez, Vanessa Martinez, Collin McGrath, Joaquin Muerte, Sanford Nowlin, Tori Pool, Wendy Rigby, Alex Rubio, Jonathan Ryan, Yara Samman, John Phillip Santos, Burgin Streetman, Whitley Strieber, Barbara S. Taylor, Michael Taylor, Kirsten Thompson, Clay Utley, Cristina Van Dusen, Eddie Vega, Ayon Wen-Waldron, and Bria Woods.

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The two-line ad in the Sunday Times advertising Villa Parginos in Corfu conjured an image of long afternoons drinking wine on a marble patio shaded by a grape arbour, looking out over an impossibly blue Greek sea. Instead James Chatto and his wife Wendy got a little pink bungalow with linoleum, a buzzing fluorescent light and a patio separated from the village's main street by a wire fence.Yet Corfu delivered so much more than their wildest fantasy had suggested. There was the intoxicating warmth of the sun, walks along sage-bordered byways, and swimming naked off an idyllic beach. There were olive trees that dropped their fruit into nets, as well as fresh apricots, grilled sardines, marinated lamb and long evenings of storytelling at the local taverna. The couple arrived as young tourists, new to each other and in love, and were captivated by the way the islanders embraced them. It was their deep connection to Corfu and its people that later sustained them through the darkest tragedy, just as it had carried them into the most wonderful love.

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An insightful and inspiring book on using "both/and" thinking to make more creative, flexible, and impactful decisions in a world of competing demands.Life is full of paradoxes. How can we each express our individuality while also being a team player? How do we balance work and life? How can we improve diversity while promoting opportunities for all? How can we manage the core business while innovating for the future?For many of us, these competing and interwoven demands are a source of conflict. Since our brains love to make either-or choices, we choose one option over the other. We deal with the uncertainty by asserting certainty.There's a better way.In Both/And Thinking, Wendy Smith and Marianne Lewis help readers cope with multiple, knotted tensions at the same time. Drawing from more than twenty years of pioneering research, they provide tools and lessons for transforming these tensions into opportunities for innovation and personal growth.Filled with practical advice and fascinating stories—including firsthand tales from IBM, LEGO, and Unilever, as well as from startups, nonprofits, and even an inn at one of the four corners of the world—Both/And Thinking will change the way you approach your most vexing problems.

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In As We See It, Suzanne Fricke invites readers to explore the work and careers of ten contemporary Native American photographers: Jamison Banks, Anna Hoover, Tom Jones, Larry McNeil, Shelley Niro, Wendy Red Star, Beverly Singer, Matika Wilber, William Wilson, and Tiffiney Yazzie. Inspired by "As We See It," an exhibition of these artists' work cocurated by Fricke in 2015, the book showcases the extraordinary achievements of these groundbreaking photographers. As We See It presents dialogues in which the artists share their unique perspectives about the history and current state of photography. Each chapter includes an overview of the photographer's career as well as examples of the artist's work. For added context, Fricke includes an introduction, a preface that explores the original exhibition of the same name, and an essay that challenges the ghost of Edward S. Curtis, whose work serves as a counterpoint to the photography of contemporary Native Americans. The text is designed to be read as a whole or in sections for anyone teaching Native American photography. As We See It is an invaluable addition to the library of anyone interested in Native American photography and will be the key source for teachers, researchers, and lovers of photography for years to come.

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An authoritative account of Stalin as a wartime leader—showing how his paradoxical policies of mass mobilization and repression affected all aspects of Soviet society “A superb new history. . . . Rieber analyses with clarity the impact of the war.”—Wendy Slater, Times Literary Supplement The Second World War was the defining moment in the history of the Soviet Union. With Stalin at the helm, it emerged victorious at a huge economic and human cost. But even before the fighting had ended, Stalin began to turn against the architects of success. In this original and comprehensive study, Alfred J. Rieber examines Stalin as a wartime leader, arguing that his policies were profoundly paradoxical. In preparation for the war, Stalin mobilized the whole of Soviet society in pursuit of his military goals and intensified the centralization of his power. Yet at the same time, his use of terror weakened the forces vital to the defense of the country. In his efforts to rebuild the country after the devastating losses and destruction, he suppressed groups that had contributed immeasurably to victory. His steady, ruthless leadership cultivated a legacy that was to burden the Soviet Union and Russia to the present day.

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Six narrated TV soundtrack adventures starring Patrick Troughton as the Second Doctor - plus bonus features. These thrilling recordings of TV episodes, largely absent from the BBC archives, have been remastered with additional linking narration by original cast members. This set also includes bonus interviews with Wendy Padbury and Frazer Hines. In The Enemy of the World, recently returned to the film archives, the time travellers meet the Doctor's murderous double. In The Web of Fear the Doctor and friends find the London Underground tunnels overrun by Yeti! In Fury from the Deep something nasty is lurking in the gas pipelines of the North Sea. In The Wheel in Space the Doctor and Jamie confront some old adversaries in the far future. In The Invasion the Doctor battles to prevent the Cybermen from invading present day Earth. In The Space Pirates the TARDIS crew encounter the Interstellar Space Corps and a gang of murderous bandits. The collection also includes PDF files featuring high quality scans of the original BBC TV camera scripts.Duration: 15 hours 30 mins (P) & © 2021 BBC Studios Distribution For cast and credits see accompanying PDF booklet

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'I absolutely adored it!' ⭐ ⭐ ⭐ ⭐ ⭐'These books are a blast!' ⭐ ⭐ ⭐ ⭐ ⭐'My all-time favourite book character' ⭐ ⭐ ⭐ ⭐ ⭐'I adore everything about it . . . the perfect blend of mystery and romcom'ALI HAZELWOOD Meet Finlay Donovan:- Single mum- Floundering crime writer- Accidental hit-womanEver since she was overheard talking about her new book - and someone got the wrong end of the stick - she's been busier than ever, living the life of murder and mayhem usually reserved for her characters. All while trying to finish said book.Finlay's got a lot on her plate: first the pet goldfish ends up dead, now it's looking like her ex-husband might be next.Between writer's block, the Russian mob, and that target on her ex's back, Finlay is ALMOST at the end of her rope.Let's hope there isn't a noose at the end of it.Laughs, love triangles, and lots more dead bodies than ANYONE was expecting, the second book in the hilarious and irresistibly lovable Finlay Donovan series is perfect for fans of Dial A for Aunties, Janet Evanovich's Stephanie Plum series, and Netflix's Dead to Me.⭐ PRAISE FOR FINLAY DONOVAN ⭐'Fresh, heartfelt and witty . . . relatable heroine Finlay Donovan is irresistible!'JANET EVANOVICH'As thrilling as they are hilarious . . . I love Finlay Donovan so much I would 100% hide a body for her'JESSE Q. SUTANTO, author of Dial A for Aunties'Skilfully combines suspense and laughs'NEW YORK TIMES'Clever, dark, and laugh-out-loud funny'HEATHER GUDENKAUF'Part rom-com, part mystery, pure joy!'CHANTEL GUERTIN'Entertaining, funny and wholly original'CULTUREFLY'Funny and smart, twisty and surprising - Finlay Donovan is a character to root for'MEGAN MIRANDA'An unpredictable, fun, funny, page-turning delight'GWENDA BOND'A madcap thriller that will keep you flipping pages long past your bedtime!'KATHERINE ST JOHN'Clever, perfectly plotted, and laugh out loud funny . . . will make you smile long after you've turned the last page'WENDY WALKER

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Passage into the modern world left the Russian icon profoundly altered. It fell into new hands, migrated to new homes, and acquired new forms and meanings. Icons were made in the factories of foreign industrialists and destroyed by iconoclasts of the proletariat. Even the icon’s traditional functions—whether in the feast days of the church or the pageantry of state power—were susceptible to the transformative forces of modernization. In Alter Icons: The Russian Icon and Modernity, eleven scholars of Russian history, art, literature, cinema, philosophy, and theology track key shifts in the production, circulation, and consumption of the Russian icon from Peter the Great’s Enlightenment to the post-Soviet revival of Orthodoxy. Alter Icons shows how the twin pressures of secular scholarship and secular art transformed the Russian icon from a sacred image in the church to a masterpiece in the museum, from a parochial craftwork to a template for the avant-garde, and from a medieval interface with the divine to a modernist prism for seeing the world anew.In addition to the editors, the contributors are Robert Bird, Elena Boeck, Shirley A. Glade, John-Paul Himka, John Anthony McGuckin, Robert L. Nichols, Sarah Pratt, Wendy R. Salmond, and Vera Shevzov.

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In The Great Pursuit, the dramatic sequel to the New York Times bestselling The Great Hunt, Wendy Higgins delivers another thrilling fantasy filled with dangerous enemies, political intrigue, searing romance, and a princess who is willing to do everything to protect her kingdom. One hunt has ended, but the pursuit for love and justice continues. The kingdom of Lochlanach has traded the great beast that once terrorized the realm of Eurona for something far more dangerous: the ire of powerful Lashed woman Rosaria Rocato. Rosaria demands that Eurona overturn the laws prohibiting magic, or an innocent will be killed each day. Despite the king's resistance, Princess Aerity believes they must make peace with the Lashed, and though she's accepted a betrothal to the man who took down the beast, she cannot help thinking about Paxton, the Lashed man who stole her heart and disappeared. Aerity soon discovers that Paxton has joined Rosaria's army in the war against her family. Though her feelings for him are still strong, her duty to her kingdom and her family is stronger-especially when her parents are kidnapped and she has to step up to the throne and once again put aside what's best for her in order to do what's best for her people. Paxton and Princess Aerity must fight to see what is more powerful: their love or the impending war between the magical Lashed and the non-magic humans.

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A wide overview of court culture in the middle ages. The court exercised an enormous amount of influence on the culture of the middle ages, as the essays collected here demonstrate. They examine a wide variety of different areas of medieval courtly culture, from the history of the book through courtly music to the theory of courtesy and courtly love. While some authors deal with the central texts of courtly literature, such as Castiglione's Book of the Courtier, Marie de France's Lais, the romances of Chrétien de Troyes, Wolfram von Eschenbach, Gottfried von Strassburg, and the corpus of courtly lyric in various languages, others consider less-studied works like Galeran de Bretagne, or the French version of the Disciplina Clericalis. Several contributions take a comparative approach to courtly texts outside the Western tradition, while others point to the courtly nature of chronicle literature and to courtly influences on religious-didactic works. The volume as a whole thus presents an overview of medieval court culture. Contributors: GLORIA ALLAIRE, LAURA D. BAREFIELD, ANNE BERTHELOT, BERT BEYNEN, JEAN BLACKER, WALTER BLUE, MAUREEN BOULTON, FRANKBRANDSMA, EMMA CAYLEY, MARCO CEROCCHI, CHRISTOPHER R. CLASON, ALAIN CORBELLARI, IVY A. CORFIS, PAUL CREAMER, EVELYN DATTA, JUDITH M. DAVIS, FIDEL FAJARDO-ACOSTA, YASMINA FOEHR-JANSSENS, STACY L. HAHN, CAROL HARVEY, C. STEPHEN JAEGER, KATHY M. KRAUSE, JUNE HALL MCCASH, MATTHIAS MEYER, EDWARD J. MILOWICKI, JEANNE A. NIGHTINGALE, CHRISTOPHER PAGE, ANA PAIRET, WENDY PFEFFER, RUPERT T. PICKENS, MARIA PREDELLI, SILVIA RANAWAKE, PAUL ROCKWELL, SAMUEL, N. ROSENBERG, JUDITH RICE ROTHSCHILD, MARY ROUSE, RICHARD ROUSE, MARIANNE SANDELS, SUSAN STAKEL, ALEXANDRA STERLING-HELLENBRAND, JOSEPH M. SULLIVAN, YUKO TAGAYA, RICHARD TRACHSLER, ADRIAN TUDOR, MARION UHLIG, LORI J. WALTERS, LOGAN E. WHALEN, VALERIE M. WILHITE, MONICA L. WRIGHT.

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Finalist for the Pulitzer Prize Widely hailed as a “powerfully written” history about America’s beginnings (Annette Gordon-Reed), New England Bound fundamentally changes the story of America’s seventeenth-century origins. Building on the works of giants like Bernard Bailyn and Edmund S. Morgan, Wendy Warren has not only “mastered that scholarship” but has now rendered it in “an original way, and deepened the story” (New York Times Book Review). While earlier histories of slavery largely confine themselves to the South, Warren’s “panoptical exploration” (Christian Science Monitor) links the growth of the northern colonies to the slave trade and examines the complicity of New England’s leading families, demonstrating how the region’s economy derived its vitality from the slave trading ships coursing through its ports. And even while New England Bound explains the way in which the Atlantic slave trade drove the colonization of New England, it also brings to light, in many cases for the first time ever, the lives of the thousands of reluctant Indian and African slaves who found themselves forced into the project of building that city on a hill. We encounter enslaved Africans working side jobs as con artists, enslaved Indians who protested their banishment to sugar islands, enslaved Africans who set fire to their owners’ homes and goods, and enslaved Africans who saved their owners’ lives. In Warren’s meticulous, compelling, and hard-won recovery of such forgotten lives, the true variety of chattel slavery in the Americas comes to light, and New England Bound becomes the new standard for understanding colonial America.

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In 1990, a year before the Zapatistas’ armed revolt, Wendy Ewald was invited to conduct photography classes for Mayan, Ladino, and Tzotzil children living in Chiapas, the southernmost province of Mexico. The sponsoring organization was the Mayan writers’ cooperative, Sna Jtz-ibajom (The House of the Writers). While cameras and camcorders were hardly novelties in Chiapas, they were generally used by tourists whose picture-taking reinforced their own cultural biases. Ewald did not take pictures; instead she guided her students in taking their own pictures of their daily lives, dreams, desires, and fantasies. These briefs resonated with the importances held by dreams in Mayan culture, which considers them as real as waking life. The resulting project, The Devil is leaving his Cave, is a unique insight into the everyday realities of life in Mayan communities just before the devastation of the Zapatista uprising. This book brings together Ewald’s original project with new work made in collaboration with fifteen young Mexican Americans living in Chicago, coordinated with the help of Centro Romero, an immigrant service organisation. These images respond to many of the same subjects as those by Ewald’s 1990s students, with an emphasis now on capturing inner lives and dreams as a way of reckoning with the unvoiced experiences of immigration. The themes of restriction and self-reflection that emerged from this new work were intensified by being made in part under COVID lockdown. Together, the Chiapas and Chicago projects trace the differences between growing up in different Mexican geographies with diverse histories, while holding on to the universal joys and sorrows of childhood.

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Human actions are never without purpose - even if we don't always consciously know what that purpose is. Riding as exercise, riding as competition, riding as social life, riding as countryside experience, riding as teaching and learning...all these give riders meaning and satisfaction. Even non-horsy people, and those with emotional and psychological problems who have therapeutic contact with horses, can find that their lives have been transformed for the better. There must be more, and deeper, benefits...What is going on when horses and humans encounter each other?In this important book, Wendy Jago draws upon her experiences as a rider and as a teacher, psychotherapist and coach to offer some professional and personal insights into horse-human relationships. Drawing on a variety of disciplines and upon her own struggles and successes as a rider she begins to unravel some of the fascinating and profound gifts that horses offer us - just by being themselves. She shows that without artifice, without manipulation, without disguise, they offer us a mirror to our true selves, giving us the opportunity for self-discovery and self-ownership in a way that human relationships often fail to do. And so they bring us gifts of inestimable value: reflection, presence, spaciousness, influence, poise, self-acceptance, authenticity, transcendence, engagement and connection. No wonder we want to spend time with them.

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Following her successful book "A New Modernity?", which looked at ways in which we could rethink Enlightenment values to include more of the world of the emotions and the body, in this volume Wendy Wheeler gathers together essays which explore the complex nature of the contemporary "self", which - as she argues - is the starting point for politics. Wheeler's contributors show that looking creatively and imaginatively across the different disciplines, art, literature, science, psychology - one can see the emergence of new ideas about the nature of politics, and of the human beings which are the subject of politics. In particular, one can see the poverty of much contemporary political discourse, which tends to lose sight of human beings in its focus on managerialism, efficiency and a rather narrowly defined realism. By rethinking fundamental questions about the nature of political subjects, we can begin to develop a new and more humane politics. The book has a historical section which looks at ways in which ideas about the self have been both shaped by past political cultures and reflected in them. The contemporary section includes essays on psychoanalysis, crowd psychology, modernization, colonialism, political poetry, complexity theory, emotional literacy, ethics, masculinity and computer prosthetics. Wheeler's trawling of the disciplines in her quest for a new politics has resulted in an original and illuminating series of reflections on new ways of "doing politics".

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Greed, frustrated love, traffic jams, infertility, politics, polygamy. These--together with depictions of traditional village life and the impact of colonialism made familiar to Western readers through Chinua Achebe's writing--are the stuff of Nigerian fiction. Bearing Witness examines this varied content and the determined people who, against all odds, write, publish, sell, and read novels in Africa's most populous nation. Drawing on interviews with Nigeria's writers, publishers, booksellers, and readers, surveys, and a careful reading of close to 500 Nigerian novels--from lightweight romances to literary masterpieces--Wendy Griswold explores how global cultural flows and local conflicts meet in the production and reception of fiction. She argues that Nigerian readers and writers form a reading class that unabashedly believes in progress, rationality, and the slow-but-inevitable rise of a reading culture. But they do so within a society that does not support their assumptions and does not trust literature, making them modernists in a country that is simultaneously premodern and postmodern. Without privacy, reliable electricity, political freedom, or even social toleration of bookworms, these Nigerians write and read political satires, formula romances, war stories, complex gender fiction, blood-and-sex crime capers, nostalgic portraits of village life, and profound explorations of how decent people get by amid urban chaos. Bearing Witness is an inventive and moving work of cultural sociology that may be the most comprehensive sociological analysis of a literary system ever written.

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FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today’s most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. Dahlak Brathwaite, adrienne maree brown, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu

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Time for another Little Badman adventure. This time, Humza, Umer and Wendy must face . . . THE UNDEAD.Welcome to Big School. Humza Khan - aka Little Badman, Eggington's greatest rapper - might have finally met his match.Evil teacher geniuses and giant killer hamsters (see previous Little Badman adventures for details) are nothing compared to starting a new school.He's already been out rap-battled by the school bully, laughed at by his classmates. Oh, and we haven't even mentioned the ancient magical orb causing havoc and very possibly leading to world destruction.At least Humza has found someone to help with his homework. It's just a shame this friend isn't exactly . . . alive. Praise for Little Badman and the Invasion of the Killer Aunties, one of The Guardian's 100 best holiday books for 2019'Wildly over the top and satisfying' The Observer New Review Children's Book of the Month'Microwaved pants and killer bees feature in this rib-aching comic caper, heightened with moments of real tenderness and heart.' The Guardian"A perfect read for Tom Gates fans: prepare for big belly laughs and great advice on how to be yourself." BookTrust

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From 1789 to 1913, U.S. senators were not directly elected by the people--instead the Constitution mandated that they be chosen by state legislators. This radically changed in 1913, when the Seventeenth Amendment to the Constitution was ratified, giving the public a direct vote. Electing the Senate investigates the electoral connections among constituents, state legislators, political parties, and U.S. senators during the age of indirect elections. Wendy Schiller and Charles Stewart find that even though parties controlled the partisan affiliation of the winning candidate for Senate, they had much less control over the universe of candidates who competed for votes in Senate elections and the parties did not always succeed in resolving internal conflict among their rank and file. Party politics, money, and personal ambition dominated the election process, in a system originally designed to insulate the Senate from public pressure. Electing the Senate uses an original data set of all the roll call votes cast by state legislators for U.S. senators from 1871 to 1913 and all state legislators who served during this time. Newspaper and biographical accounts uncover vivid stories of the political maneuvering, corruption, and partisanship--played out by elite political actors, from elected officials, to party machine bosses, to wealthy business owners--that dominated the indirect Senate elections process. Electing the Senate raises important questions about the effectiveness of Constitutional reforms, such as the Seventeenth Amendment, that promised to produce a more responsive and accountable government.

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From San Francisco to Paris, the lives of four talented trauma doctors are changed forever in Turning Point, a heart-pounding and gripping medical drama by the world's favourite storyteller Danielle Steel.Four very different doctors battle disaster on the frontline every day.Bill Browning heads the trauma unit at San Francisco’s busiest emergency room. With his ex-wife and daughters in London, he immerses himself in his work and lives for the little time he can spend with his children.A rising star at her teaching hospital, Stephanie Lawrence is left with no time for her young family.Harvard-educated Wendy Jones is a dedicated trauma doctor, trapped in an affair with a married cardiac surgeon.And Tom Wylie’s popularity with women rivals his superb medical skills, but he refuses to let anyone get too close.This talented group of doctors is chosen for an unusual project: to work with their counterparts in Paris in a mass-casualty training programme. But after an unspeakable act of mass violence brings them closer together, it marks a stark turning point and they are forced to question the way they live their lives.Will they be able to recover from their shared trauma and make real changes for the better?

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In der 27. Auflage erscheint die Wendehorst Baustoffkunde jetzt im neuen Format in vollständig überarbeiteter und aktualisierter Auflage. Mit zahlreichen Abbildungen, übersichtlichem Seitenlayout und inhaltlich neuer Struktur ermöglicht das Buch dem Leser ein noch schnelleres Auffinden der Informationen. Alle Baustoffkennwerte sind systematisch dargelegt. Im Anschluss an Begriffe und Grundlagen statistischer Betrachtungsweisen und Berechnungsverfahren werden die wichtigsten Baustoffe in einzelnen Abschnitten behandelt. Neu aufgenommen wurde das Thema Baustoffe und deren Recycling.

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The million-copy bestselling author B A Paris returns with a breathtaking thriller. ‘We’re in a new golden age of suspense writing now, because of amazing books like Bring Me Back’ Lee Child ‘Made me stay up way beyond my bedtime!’ Jane Corry Finn and Layla: young and in love, their whole lives ahead of them. Driving back from a holiday in France one night, Finn pulls in to a service station, leaving Layla alone in the car. When he returns, minutes later, Layla has vanished, never to be seen again. That’s the story Finn tells the police. It’s the truth – but not the whole truth. Twelve years later, Finn has built a new life with Ellen, Layla’s sister, when he receives a phone call. Someone has seen Layla. But is it her – or someone pretending to be her? If it is her, what does she want? And what does she know about the night she disappeared? Bring Me Back is the utterly compelling, white-knuckle thriller from Sunday Times bestseller B A Paris. Praise for B A Paris: ‘An addictive new voice in suspense fiction’ Sophie Hannah ‘Just finished this BRILLIANT book… Clever, addictive and twisty, I couldn’t sleep until I found out the truth… The twist floored me! Utterly compelling from beginning to end’ Claire Douglas ‘Made me stay up way beyond my bedtime! B A Paris has a knack for getting into your head’ Jane Corry ‘A page-turning masterpiece’ Amanda Prowse ‘A tale of dark secrets, with mystery and intrigue building up and up to an ending with a fabulous twist. I devoured it – I couldn’t turn the pages quick enough’ Mel Sherratt ‘This book is compulsive reading from start to finish. A perfectly crafted work of art, seamless and mesmerising. I envy those yet to read it for the pleasure they have in store’ Amanda Robson ‘A cracking page turner with a killer twist' Camilla Way ‘An incredibly pacy, heart-pounding thriller – the twist at the end left me reeling. B A Paris does it again in this exhilarating exploration of love, jealousy and betrayal. A must read!’ Phoebe Morgan ‘Bring Me Back will not leave your hands until you have turned the last page!’ Wendy Walker

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