Search results for ""Author Victoria"

'This extraordinary tale of rivalry and celluloid . . . has fascinated cinéastes for years.' Kathryn Hughes, Sunday Times'Illuminating and thrilling.' The Spectator'Absorbing, forensic and jaw-dropping.' Total FilmIn 1888, Louis Le Prince shot the world's first motion picture in Leeds, England.In 1890, weeks before the planned public unveiling of his camera and projector, Le Prince boarded a train in France - and disappeared without a trace. His body was never found.In 1891, Thomas Edison - inventor of the lightbulb and the phonograph - announced that he had developed a motion-picture camera.Le Prince's family, convinced that Edison had stolen Louis's work, proceeded to sue the most famous inventor in the world. The Man Who Invented Motion Pictures excavates one of the great unsolved mysteries of the Victorian age and offers a revelatory rewriting of the birth of modern pictures.

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The story of the Brontës is told through the things they wore, stitched, wrote on and inscribed at the parsonage in Haworth. From Charlotte’s writing desk and the manuscripts it contained to the brass collar worn by Emily’s dog, Keeper, each object opens a window onto the sisters’ world, their fiction and the Victorian era. By unfolding the histories of the things they used, the chapters form a chronological biography of the family. A walking stick evokes Emily’s solitary hikes on the moors and the stormy heath—itself a character in Wuthering Heights. Charlotte’s bracelet containing Anne and Emily’s intertwined hair gives voice to her grief over their deaths. These possessions pull us into their daily lives: the imaginary kingdoms of their childhood writing, their time as governesses and their stubborn efforts to make a mark on the world.

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This authoritative guide to the architecture of County Cork covers all sites and buildings of merit, great and small Comprehensive and easy to use, this guide covers the architectural riches of Ireland’s largest county. The many atmospheric castles and tower houses include Carrigadrohid, Lohort, and Kanturk; among later country houses, Kilshannig and Fota represent Irish Georgian architecture at its best. Coastal towns such as Kinsale and Youghal are built on Viking and Norman foundations. Many of the architectural highlights are in the city of Cork, where the Georgian streets and quays are diversified by grand neoclassical public buildings, presided over by the Gothic Revival masterpiece of St. Fin Barre’s Cathedral. The strategic importance of Cork harbor is reflected in its diverse fortifications, especially those of the Stuart, Hanoverian, and Victorian periods.

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Are we responsible for, and to, those forces that have formed us—our families, friends, and communities? Where do we leave off and others begin? In The Tribal Knot, Rebecca McClanahan looks for answers in the history of her family. Poring over letters, artifacts, and documents that span more than a century, she discovers a tribe of hardscrabble Midwest farmers, hunters, trappers, and laborers struggling to hold tight to the ties that bind them, through poverty, war, political upheavals, illness and accident, filicide and suicide, economic depressions, personal crises, and global disasters. Like the practitioners of Victorian "hair art" who wove strands of family members' hair into a single design, McClanahan braids her ancestors' stories into a single intimate narrative of her search to understand herself and her place in the family's complex past.

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Phrenology was the most popular mental science of the Victorian age. From American senators to Indian social reformers, this new mental science found supporters stretching around the globe. Materials of the Mind tells the story of how phrenology changed the world--and how the world changed phrenology. This is a story of skulls from the Arctic, plaster casts from Haiti, books from Bengal, and letters from the Pacific. Drawing on far-flung museum and archival collections, and addressing sources in six different languages, Materials of the Mind is the first substantial account of science in the nineteenth century as part of global history. It shows how the circulation of material culture underpinned the emergence of a new materialist philosophy of the mind, while also demonstrating how a global approach to history could help us reassess issues such as race, technology, and politics today.

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TheWelshNotwas a wooden token given to children caught speakingWelshin nineteenth-century schools. It was often accompanied by corporal punishment and is widely thought to have been responsible for the decline of theWelshlanguage. Despite having an iconic status in popular understandings of Wales' history, there has never before been a study of where, when and why theWelshNotwas used. This book is an account of the different ways children were punished for speakingWelshin nineteenth-century schools and the consequences of this for children, communities and the linguistic future of Wales. It shows how the exclusion ofWelshwasnotonly traumatic for pupils but also hindered them in learning English, the very thing it was meant to achieve. Gradually,Welshcame to be used more and more in Victorian schools, making them more humane places but also more effective mechanisms in the anglicisation of Wales.

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**LONGLISTED FOR THE WOMEN'S PRIZE FOR NON-FICTION 2024**Unmissable' Stephen Fry''A delight'' Katherine RundellIlluminating' Susie Dent''Brilliant'' Philippa Perry''Enthralling'' Jeanette WintersonWhat do three murderers, Karl Marx''s daughter and a vegetarian vicar have in common?They all helped create the Oxford English Dictionary.The Oxford English Dictionary has long been associated with elite institutions and Victorian men. But the Dictionary didn''t just belong to the experts; it relied on contributions from members of the public. By 1928, its 414,825 entries had been crowdsourced from a surprising and diverse group of people, from astronomers to murderers, naturists, pornographers, suffragists and queer couples.Lexicographer Sarah Ogilvie dives deep into previously untapped archives to tell a people''s history of the OED. Here, she reveals, for the first time, th

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The true story of the remarkable John Rae - Arctic traveller and Hudson's Bay Company doctor - FATAL PASSAGE is a tale of imperial ambition and high adventure. In 1854 Rae solved the two great Arctic mysteries: the fate of the doomed Franklin expedition and the location of the last navigable link in the Northwest Passage.But Rae was to be denied the recognition he so richly deserved. On returning to London, he faced a campaign of denial and vilification led by two of the most powerful people in Victorian England: Lady Jane Franklin, the widow of the lost Sir John, and Charles Dickens, the most influential writer of the age. A remarkable story of courage and determination, FATAL PASSAGE is Ken McGoogan's passionate redemption of Rae's rightful place in history. In this richly documented and illustrated work, McGoogan captures the essence of one man's indomitable spirit.

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Eccentric Annabeth Gentry pretty much keeps to herself. Besides her recent inheritance - and the attention her bloodhound gets for digging up the body of a murdered thief - her life is in fact, rather dull. So why does she think that someone is trying to kill her? That's what Mrs. Jeffries and her staff have to find out. What they discover is a dead body next door, and three attempts on Annabeth's life. It sounds like there's a jealous dog in their midst. Mrs. Jeffries will have to sniff out some clues before the plot thickens . . .Praise for the Mrs Jeffries Mysteries:'It's murder most English all the way!' The Literary Times 'Fascinating murder mystery . . . wit and style . . . a winning series. Mrs. Jeffries is the Miss Marple of Victorian Mystery' The Paperback Forum

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This book examines changing perceptions of sex between men in early Victorian Britain, a significant yet surprisingly little explored period in the history of Western sexuality. Looking at the dramatic transformations of the era - changes in the family and in the law, the emergence of the world's first police force, the growth of a national media, and more - Charles Upchurch asks how perceptions of same-sex desire changed between men, in families, and in the larger society. To illuminate these questions, he mines a rich trove of previously unexamined sources, including hundreds of articles pertaining to sex between men that appeared in mainstream newspapers. The first book to relate this topic to broader economic, social, and political changes in the early nineteenth century, Before Wilde sheds new light on the central question of how and when sex acts became identities.

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This is a visual record of the British people's habits of dress from the Victorians to Britpop. Social history is reflected in the outfits of the time, from the wartime austerity of the 1940s to the new couture of the 1950s. It takes us on a fascinating journey through a hundred years of fashion and style, both on the London catwalks and on the streets of ordinary towns. This is a celebration of punk rock and rockers since the early 1970s. 500 images from the MirrorPix archives illustrate the world of punk rock, capturing the atmosphere of gigs and venues, at festivals and in the recording studio. News pictures expose the hard-living, anarchic lifestyle of punk musicians and their transition into more acceptable members of society; the fashions and colourful hairstyles of punks; and, the conflicts with other cultural groups such as Teddy boys and football hooligans.

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The supermodel did not arrive when Twiggy first donned false eyelashes; the concept began more than 100 years previously, with a young artists' model whose face captivated a generation.Saved from the drudgery of a working-class existence by a young Pre-Raphaelite artist, Lizzie Siddal rose to become one of the most famous faces in Victorian Britain and a pivotal figure of London's artistic world, until tragically ending her young life in a laudanum-soaked suicide in 1862. In the twenty-first century, even those who do not know her name always recognise her face: she is Millais's doomed Ophelia and Rossetti's beatified Beatrice.With many parallels in the modern-day world of art and fashion, this biography takes Lizzie from the background of Dante Rossetti's life and, finally, brings her to the forefront of her own.

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Anglesey is an island steeped in history. Situated off the North Wales Coast, Anglesey (Ynys Mon in Welsh) has seen many people come and go. Prehistoric standing stones and burial chambers dot the landscape alongside Iron Age and Roman era settlements, medieval churches, fishing villages, Victorian towns and modern industrial sites. Towns such as Llangefni and Beaumaris are pictured with their modern shopfronts alongside images of their old, simpler facades. The Menai and Britannia Bridges are shown with their older structures compared to their current refurbished forms. Seaside towns are pictured teeming with sailing ships in the old days and pleasure cruisers today. This book aids those who are discovering the island for the first time, as well as residents wondering what it looked like in their grandparents' days.

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NOW AN UNMISSABLE FILM STARRING BILL NIGHY, DOUGLAS BOOTH AND OLIVIA COOKE. ‘Mesmerising, macabre and totally brilliant’ Daily MailBefore the Ripper, fear had another name.London, 1880. A series of gruesome murders attributed to the mysterious 'Limehouse Golem' strikes fear into the heart of the capital. Inspector John Kildare must track down this brutal serial killer in the damp, dark alleyways of riverside London. But how does Dan Leno, music hall star extraordinaire, find himself implicated in this crime spree, and what does Elizabeth Cree, on trial for the murder of her husband, have to hide? Peter Ackroyd brings Victorian London to life in all its guts and glory, as we travel from the glamour of the music hall to the slums of the East End, meeting George Gissing and Karl Marx along the way.

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If you were fascinated by The Five, you'll love this gripping and atmospheric historical thriller set in Victorian London in the wake of Jack the Ripper.A killer is haunting London's streets . . .A year after Jack the Ripper claimed his last victim, London is in the grip of a wave of terror. The newly formed Murder Squad of Scotland Yard battles in vain against the tide of horror.When the body of a detective is found in a suitcase, his lips sewn together and his eyes sewn shut, it becomes clear that no one is safe from attack. Has the Ripper returned - or is a new killer at large? And for Walter Day, the young policeman assigned the case, is time running out?Praise for The Yard:'If Charles Dickens isn't somewhere clapping his hands for this one, Wilkie Collins surely is.' New York Times

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The Penguin English Library edition of North and South by Elizabeth Gaskell'How am I to dress up in my finery, and go off and away to smart parties, after the sorrow I have seen today?'Elizabeth Gaskell's compassionate, richly dramatic novel features one of the most original and fully-rounded female characters in Victorian fiction, Margaret Hale. It shows how, forced to move from the country to an industrial northern town, she develops a passionate sense of social justice, and a turbulent relationship with mill-owner John Thornton. North and South depicts a young woman discovering herself, in a nuanced portrayal of what divides people, and what brings them together.The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

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- What is the significance of holly at Christmas?- When should you make your figgy pudding?- Why was the Old Lad's Passing Bell rung on Christmas Eve? - And who was Good King Wenceslas?Did you know that, long before turkey arrived on our shores, it was traditional to serve a roasted wild boar's head at Christmas? Or that our Christmases were once so cold that Frost Fairs were held on the River Thames? Christmas Day was first celebrated on 25 December in the fourth century CE. But when should our Christmas decorations come down - Twelfth Day, Twelfth Night ... or Candlemas? And why? Packed with fascinating facts about ancient religious customs and traditional feasts, instructions for Victorian parlour games and the stories behind our favourite carols, The Book of Christmas is a captivating volume about our Christmas past.

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HarperCollins is proud to present its new range of best-loved, essential classics. ‘Do you not know that tonight, when the clock strikes midnight, all the evil things in the world will have full sway?’ When solicitor Jonathan Harker arrives in Transylvania to organise the estate of a mysterious client, his growing uneasiness quickly turns into terror. Count Dracula has something more monstrous in mind and Jonathan finds himself trapped, a prisoner in a castle of horrors. Soon after, a darkness sweeps across the seas to England: Lucy Westenra begins to suffer from night-time wanderings, followed by a set of unexplained bitemarks, and a series of disturbing deaths captures the attention of vampire hunter, Van Helsing. A nineteenth-century Gothic triumph that explores the deep-seated anxieties and fears of Victorian society, Bram Stoker’s Dracula remains as chilling today as it was at its time of publication.

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In 1995, NPR editor and producer Marcus D. Rosenbaum met his grandmother-fifty years after her death. Rosenbaum and his family were attending to the bittersweet business of cleaning out the family home after his father died when, in an old closet, in a ziplock bag, his niece discovered a gateway to the early part of the century and into the life of Helen Jacobus Apte, a Southern Jewish woman living in post-Victorian era Florida and Georgia. The covers of his grandmother's diary were cracked and the pages were beginning to yellow, but there it was: almost forty years of passion, doubt, love, and life, penned in unflinching candor. Heart of a Wife: The Diary of a Southern Jewish Woman is the collection of Helen Apte's own diary and essays by her grandson, Marcus D. Rosenbaum, who edited the volume. This book reflects Apte's unorthodox, complex, and independent spirit during a very conservative time. Her shockingly frank opinions are offered on sex, marriage, children, religion, and her native South. Crafted in the heartwarming yet heart-wrenching style of Angela's Ashes and A Midwife's Tale, Heart of a Wife allows the reader a unique glimpse at significant events that gripped the world during the first half of the twentieth century: the Great Depression, the World Wars, and the sinking of the Titanic are but a few.

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Discover things you never knew about yourself with over 300 writing prompts and exercises that are both reflective and entertaining.Life Questions is the perfect creative outlet when you need some screen-free time or want to unwind, featuring thought-provoking prompts, fun word association exercises, and interesting would you rather questions. The questions and prompts are divided into three sections: your present, past, and future. Record your current favorites, reminisce about your most significant childhood memories, and start dreaming and planning for your future. With a layflat format that’s easy to write in, this interactive self-exploration book includes hundreds of prompts like: What would surprise people to hear about you? Would you rather live in Victorian England or ancient Egypt? If you could go back in time and talk to yourself as a child, what would you say? And more Write, reflect, and then wreck this book!

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In Stevenson’s suspense-filled masterpiece of horror, a shameless, repulsive creature stalks the streets and he’s becoming harder to control… The charming Dr Jekyll could not be more different to the violent and depraved Mr Hyde – until, that is, he takes a potion of his own concoction which allows him to embrace his darker side. As Hyde’s savagery escalates, Dr Jekyll finds himself trapped in a truly nightmarish tale of duality, leaving him forced to take desperate measures, as he discovers that leaving the monster behind is not as easy as he needs it to be. Four of Stevenson’s other dark tales (including ‘The Body Snatcher’) complete this investigation into demonic influences of the most personal kind. FLAME TREE 451: From mystery to crime, supernatural to horror and fantasy to science fiction, Flame Tree 451 offers a healthy diet of werewolves and mechanical men, blood-lusty vampires, dastardly villains, mad scientists, secret worlds, lost civilizations and escapist fantasies. Discover a storehouse of tales gathered specifically for the reader of the fantastic. Each book features a brand new biography and glossary of Literary, Gothic and Victorian terms.

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She dreams of driving across the bridges. She’d never been afraid before; but now, in the dreams, strange, magical happenings unfold. One night, at the Golden Gate, the span carries her underwater, where she discovers long lost friends, all sitting at a beautiful table at the bottom of the Bay; only it was long ago, and everyone is in Victorian dress.In another dream, the Bridge does not yet exist. Where the beautiful city would appear, there are only sandstone cliffs and desert; and she is just spirit, flying above the water.But in most of the dreams she is driving. Her eyelids become heavy, she can’t see the road. struggles desperately to keep control of the car, but can feel herself falling, slipping towards the floor, the car breaking over the railing, carrying her with it under the water. The dreams recur so often that she becomes afraid of heights, of driving over the railing into the waves. Then just as suddenly the dreams stop. Years pass, un

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The Victorian age, the age of industrial revolution and expansion of cities, was also the age of an explosion of interest in the practice of gardening. This was not merely a private pastime. For the first time, a concerted effort was made throughout Britain to provide extensive gardens for the public to enjoy. More than merely an aesthetic enterprise, the development of public gardens attempted to promote benevolent behaviour and decrease social unrest. It was during this period that we saw the creation of infamous and elaborate gardens such as the Royal Botanical Gardens at Kew, and plants were brought from all around the world and housed in gardens such as James Bateman’s at Biddulph Grange, Staffordshire. The craze for plant collecting that developed in the nineteenth century catalysed the return to a more formal style of garden to display the variety of plant species from across the Empire. In this illustrative comprehensive tome, Frank J. Scott brought the art of beautifying home gardens to suburban homes. He demonstrates the simple means with which beautiful gardens may be achieved on small grounds and with little cost.

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Focusing on European and American trial fiction since about 1880, Dark Mirror argues that although it is generally animated by a sense of injustice, this literature reflects the virtual collapse in Western culture of the idea of a universal, or "natural," ethical law. From the ancient Greeks to the Victorians, that idea, though powerfully contested by the notion that justice was simply "the interest of the stronger," remained vigorously alive in books as in people’s minds. It thus constituted an alternative to injustice which modern literature, whether its angle is religious, social, or absurdist, rarely presents. Sterne presents the argument that the tradition of natural law can be adapted to the present condition, a hypothesis that necessitates a view of an international community in which distributive as well as punitive justice is done. Creators of literature, who have so persuasively dramatized the corruptions, cruelties, and absurdities of our time, would then eb called upon to increasingly choose to imagine "just" ways for us to emerge from chaos. Dark Mirror is the first study that combines, comprehensively, the treatment of the historical conflict between idealistic (natural law) and "realistic" or cynical approaches to the idea of justice.

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Highams Park lies on the Greenwich Meridian, about ten miles from St Paul's Cathedral, but it is not easy to find it on a map. The old hamlet of Hale End is even more elusive, but is a vital community with its own identity. Early settlers came to the Great Forest of Waltham and, from the Tudor period to the Victorian era, the beautiful forest around Hale End, and its proximity to the City, appealed to Lord Mayors of London and wealthy merchant bankers. Epping Forest and the lake attracted day trippers, who came by rail to Hale End station, but the urban village of Highams Park only began to develop in the 20th century, when a plastics factory was established there. Suddenly shops, schools and affordable houses were being built for factory workers and City clerks, and a lively community was created. Fascinating people have always lived in the area, from Haldan in Saxon times to the designers of the Airship R101 and Concorde more recently. Charmingly written, this book will appeal to residents and social historians alike.

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HarperCollins is proud to present its range of best-loved, essential classics. ‘I thus drew steadily nearer to that truth, by whose partial discovery I have been doomed to such a dreadful shipwreck: that man is not truly one, but truly two.’ A London lawyer is drawn into a series of strange occurrences concerning his old friend Henry Jekyll and the despicable stranger Edward Hyde, a man who seems to epitomise the very meaning of evil. What is Hyde’s mysterious hold over Jekyll, and what is the reason behind Jekyll’s increasingly odd behaviour? The investigations will lead into the dark heart of Victorian London, and of human nature itself, as the shocking truth about Hyde’s true identity is finally revealed. Published in 1886 to critical acclaim, The Strange Case of Dr Jekyll and Mr Hyde is a thrilling exploration of the interplay of good and evil and the terrifying duality that lies within us all. These themes held a constant fascination for Stevenson and are further explored in his short stories Markheim and The Body Snatcher, also included in this book.

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A sunny, brilliantly witty comedy of manners, this edition of A Room with a View is part of the Penguin Essentials collection and features beautiful cover art by Chris Silas Neal'You love the boy body and soul, plainly, directly, as he loves you . . .' Lucy has her rigid, middle-class life mapped out for her until she visits Florence with her uptight cousin Charlotte, and finds her neatly ordered existence thrown off balance.Her eyes are opened by the unconventional characters she meets at the Pension Pertolini: flamboyant romantic novelist Eleanor Lavish, the Cockney Signora, curious Mr Emerson and, most of all, his passionate son George.Lucy finds herself torn between the intensity of life in Italy and the repressed morals of Victorian England, personified in her terminally dull fiancé Cecil Vyse. Will she ever learn to follow her own heart?'He says, and even more implies, things that no other novelist does, and we can go on reading Forster indefinitely' The Times'I loved it. My first intimation of the possibilities of fiction' Zadie Smith

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HarperCollins is proud to present its range of best-loved, essential classics. ’I thus drew steadily nearer to that truth, by whose partial discovery I have been doomed to such a dreadful shipwreck: that man is not truly one, but truly two’ A London lawyer is drawn into a series of strange occurrences concerning his old friend Henry Jekyll and the despicable stranger Edward Hyde, a man who seems to epitomise the very meaning of evil. What is Hyde’s mysterious hold over Jekyll, and what is the reason behind Jekyll’s increasingly odd behaviour? The investigations will lead into the dark heart of Victorian London, and of human nature itself, as the shocking truth about Hyde’s true identity is finally revealed. Published in 1886 to critical acclaim,The Strange Case of Dr Jekyll and Mr Hyde is a thrilling exploration of the interplay of good and evil and the terrifying duality that lies within us all. These themes held a constant fascination for Stevenson and are further explored in his short stories Markheim and The Body Snatcher, also included in this book.

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From the sixteenth until the twentieth century, British power and influence gradually expanded to cover one quarter of the world's surface. The common saying was that the sun never sets on the British Empire . What began as a largely entrepreneurial enterprise in the early modern period, with privately run joint stock trading companies such as the East India Company driving British commercial expansion, by the nineteenth century had become, especially after 1857, a state-run endeavour, supported by a powerful military and navy. By the Victorian era, Britannia really did rule the waves. _Heroes of the British Empire_ is the story of how British Empire builders such as Robert Clive, General Gordon, and Lord Roberts of Kandahar were represented and idealised in popular culture. The men who built the empire were often portrayed as possessing certain unique abilities which enabled them to serve their country in often inhospitable territories, and spread what imperial ideologues saw as the benefits of the British Empire to supposedly uncivilised peoples in far flung corners of the world. These qualities and abilities were athleticism, a sense of fair play, devotion to God, and a fervent sense of duty and loyalty to the nation and the empire. Through the example of these heroes, people in Britain, and children in particular, were encouraged to sign up and serve the empire or, in the words of Henry Newbolt, Play up! Play up! And Play the Game! Yet this was not the whole story: while some writers were paid up imperial propagandists, other writers in England detested the very idea of the British Empire. And in the twentieth century, those who were once considered as heroic military men were condemned as racist rulers and exploitative empire builders.

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Finalist for the 2020 Lambda Literary Award in Gay Memoir/Biography A revelatory memoir about sex, oppression, and the universal struggle for justice.From his time as a child in 1960s India, Siddharth Dube knew that he was different. Reckoning with his femininity and sexuality—and his intellect—would send him on a lifelong journey of discovery: from Harvard classrooms to unsafe cruising sites; from ivory-tower think-tanks to shantytowns; from halls of power at the UN and World Bank to jail cells where sexual outcasts are brutalized. Coming of age in the earliest days of AIDS, Dube was at the frontlines when that disease made rights for gay men and for sex workers a matter of basic survival, pushing to decriminalize same-sex relations and sex work in India, both similarly outlawed under laws dating back to British colonial rule. He became a trenchant critic of the United States’ imposition of its cruel anti-prostitution policies on developing countries—an effort legitimized by leading American feminists and would-be do-gooders—warning that this was a 21st century replay of the moralistic Victorian-era campaigns that had spawned endless persecution of countless women, men, and trans individuals the world over. Profound, ferocious, and luminously written, An Indefinite Sentence is both a personal and political journey, weaving Dube’s own quest for love and self-respect with unforgettable portrayals of the struggles of some of the world’s most oppressed people, those reviled and cast out for their sexuality. Informed by a lifetime of scholarship and introspection, it is essential reading on the global debates over sexuality, gender expression, and of securing human rights and social justice in a world distorted by inequality and right-wing ascendancy.

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This volume brings together essential writings by the unjustly neglected nineteenth-century philosopher Frances Power Cobbe (1822-1904). A prominent ethicist, feminist, champion of animal welfare, and critic of Darwinism and atheism, Cobbe was well known and highly regarded in the Victorian era. This collection of her work introduces contemporary readers to Cobbe and shows how her thought developed over time, beginning in 1855 with her Essay on Intuitive Morals, in which she set out her duty-based moral theory, arguing that morality and religion are indissolubly connected. This work provided the framework within which she addressed many theoretical and practical issues in her prolific publishing career. In the 1860s and early 1870s, she gave an account of human duties to animals; articulated a duty-based form of feminism; defended a unique type of dualism in the philosophy of mind; and argued against evolutionary ethics. Cobbe put her philosophical views into practice, campaigning for women's rights and for first the regulation and later the abolition of vivisection. In turn her political experiences led her to revise her ethical theory. From the 1870s onwards she increasingly emphasized the moral role of the emotions, especially sympathy, and she theorized a gradual historical progression in sympathy. Moving into the 1880s, Cobbe combatted secularism, agnosticism, and atheism, arguing that religion is necessary not only for morality but also for meaningful life and culture. Shedding light on Cobbe's philosophical perspective and its applications, this volume demonstrates the range, systematicity and philosophical character of her work and makes her core ethical theory and its central applications and developments available for teaching and scholarship.

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An ambitious comparative study of British and Latin American literature produced across a century of economic colonization.Winner of the Sonya Rudikoff Prize by the Northeast Victorian Studies AssociationSpanish colonization of Latin America came to an end in the early nineteenth century as, one by one, countries from Bolivia to Chile declared their independence. But soon another empire exerted control over the region through markets and trade dealings—Britain. Merchants, developers, and politicians seized on the opportunity to bring the newly independent nations under the sway of British financial power, subjecting them to an informal empire that lasted into the twentieth century. In The Forms of Informal Empire, Jessie Reeder reveals that this economic imperial control was founded on an audacious conceptual paradox: that Latin America should simultaneously be both free and unfree. As a result, two of the most important narrative tropes of empire—progress and family—grew strained under the contradictory logic of an informal empire. By reading a variety of texts in English and Spanish—including Simón Bolívar's letters and essays, poetry by Anna Laetitia Barbauld, and novels by Anthony Trollope and Vicente Fidel López—Reeder challenges the conventional wisdom that informal empire was simply an extension of Britain's vast formal empire. In her compelling formalist account of the structures of imperial thought, informal empire emerges as a divergent, intractable concept throughout the nineteenth-century Atlantic world.The Forms of Informal Empire goes where previous studies of informal empire and the British nineteenth century have not, offering nuanced and often surprising close readings of British and Latin American texts in their original languages. Reeder's comparative approach provides a new vision of imperial power and makes a forceful case for expanding the archive of British literary studies.

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Many recent discussions of working-class culture in literary and cultural studies have tended to present an oversimplified view of resistance. In this groundbreaking work, Pamela Fox offers a far more complex theory of working-class identity, particularly as reflected in British novels of the late nineteenth and early twentieth centuries. Through the concept of class shame, she produces a model of working-class subjectivity that understands resistance in a more accurate and useful way—as a complicated kind of refusal, directed at both dominated and dominant culture.With a focus on certain classics in the working-class literary "canon," such as The Ragged Trousered Philanthropists and Love on the Dole, as well as lesser-known texts by working-class women, Fox uncovers the anxieties that underlie representations of class and consciousness. Shame repeatedly emerges as a powerful counterforce in these works, continually unsettling the surface narrative of protest to reveal an ambivalent relation toward the working-class identities the novels apparently champion. Class Fictions offers an equally rigorous analysis of cultural studies itself, which has historically sought to defend and value the radical difference of working-class culture. Fox also brings to her analysis a strong feminist perspective that devotes considerable attention to the often overlooked role of gender in working-class fiction. She demonstrates that working-class novels not only expose master narratives of middle-class culture that must be resisted, but that they also reveal to us a need to create counter narratives or formulas of working-class life. In doing so, this book provides a more subtle sense of the role of resistance in working class culture. While of interest to scholars of Victorian and working-class fiction, Pamela Fox’s argument has far-reaching implications for the way literary and cultural studies will be defined and practiced.

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Examining the ideas and attitudes that encourage scientists to experiment on living creatures, what their justifications are, and how these have changed over time.Experimentation on animals—particularly humans—is often assumed to be a uniquely modern phenomenon. But the ideas and attitudes that encourage biological and medical scientists to experiment on living creatures date from the earliest expressions of Western thought. In Experimenting with Humans and Animals, Anita Guerrini looks at the history of these practices and examines the philosophical and ethical arguments that justified them.Guerrini discusses key historical episodes in the use of living beings in science and medicine, including the discovery of blood circulation, the development of smallpox and polio vaccines, and recent research in genetics, ecology, and animal behavior. She also explores the rise of the antivivisection movement in Victorian England, the modern animal rights movement, and current debates over gene therapy and genetically engineered animals. We learn how perceptions and understandings of human and animal pain have changed; how ideas of class, race, and gender have defined the human research subject; and that the ethical values of science seldom stray far from the society in which scientists live and work.Thoroughly rewritten and updated, with new material in every chapter, the book emphasizes a broader understanding of experimentation and adds material on gene therapy, self-experimentation, and prisoners and slaves as experimental subjects. A new chapter brings the story up to the present while reflecting on the current regulatory scene, new developments in science, and emerging genomics. Experimenting with Humans and Animals offers readers a context within which to understand more fully the responsibility we all bear for the suffering inflicted on other living beings in the name of scientific knowledge.

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Dombey and Son (1846–48), Dickens’s seventh novel, stands at the mid-point of his career. It was begun in Switzerland after a break from near-continuous novel writing and bears the hallmarks of its long gestation and Dickens’s deepening engagement with the many cross-currents shaping Britain’s social, cultural and political life. Predominant among them are public debates about the need to provide schooling for young children, ethical questions prompted by the demolition of neighbourhoods to make way for railways, the discussion of sanitary reforms to improve the nation’s health, and divergent responses to prostitution and other crimes inextricably linked with poverty, illiteracy and deprivation. Drawing on contemporary documentation, Dickens’s letters, his journalism and the novelist’s own personal involvement with schemes to improve the lives of the poor, this Companion to Dombey and Son offers an authoritative and exhaustive study of the many contemporary contexts that inform Dickens’s panoramic examination of mid-Victorian life. Of equal importance and intimately connected with the novel’s engagement with public issues is the moral thread that binds the whole, a familial story about pride and the pursuit of riches. Private matters accordingly receive comparable attention as Dickens exposes some of the consequences of mid-century domestic ideology, examining the nursing of infants, the education of young children, and the pressure on both men and women to marry. In compelling scenes artfully interwoven, the story of the novel’s prosperous merchant unfolds, in language, as the annotations show, enriched from fairy tale, science and pseudo-science, archaeology, popular and classical literature, poetry, the Bible and voyages and travels. Dombey and Son also illuminates in its extended portrait of a Lear-like figure truths about loss and love central to Dickens’s fiction.

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La petita Alice Hart, angoixada per un pare violent i desequilibrat, crema el cobert de casa.Òrfena després de l?incident, anirà a viure amb la seva àvia June, fins aleshores una donatotalment desconeguda per a ella, a la granja de flors que regenta i on dona refugi a altresdones que, com l?Alice, necessitaven ajuda. Dones fortes que es tenen les unes a les altres. Elssilencis, les veritats del passat i la protecció i l?ajuda d?aquestes dones que seran les claus de lavida de l?Alice. En la tradició victoriana cada flor té un significat i l?Alice utilitza el llenguatge deles flors per expressar el que més li costa. Les flors, aparentment mudes, acompanyaran l?Aliceen aquest camí cap a l?edat adulta.

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Tales of the enchanting ‘Thousand and One Nights’ have entered the folklore of the entire world but their origins lie in the Arabic and Indian oral traditions of the early middle ages. Their power to entice lies in the tenacity of the storyteller Scheherazade who weaves a new tale each night, to save herself from execution. Popular characters such as Aladdin, Ali Baba and Sinbad the sailor have become part of the Arabian Nights, added in later years, but told within the intriguing structure of the original. Such additions by were made by translators and collaborators from many European and Eastern sources but it was Richard Burton’s edition that brought these popular folk tales to the attention of a Victorian era readership eager to explore new cultures. It is Burton’s edition that forms the basis of this new collection, with stories that survive still from the original featured here too: ‘The Merchant and the Genie’, ‘The Fisherman and the Genie’, ‘The Porter and the Three Ladies’, ‘The Three Apples’.

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An intimate, accessible history of British intellectual development across the eighteenth and nineteenth centuries, through the story of one family This book recounts the story of three Cambridge-educated Englishmen and the women with whom they chose to share their commitment to reason in all parts of their lives. The reason this family embraced was an essentially human power with the potential to generate true insight into all aspects of the world. In exploring the ways reason permeated three generations of English experience, this book casts new light on key developments in English cultural and political history, from the religious conformism of the eighteenth century through the Napoleonic era into the Industrial Revolution and prosperity of the Victorian age. At the same time, it restores the rich world of the essentially meditative, rational sciences of theology, astronomy, mathematics, and logic to their proper place in the English intellectual landscape. Following the development of their views over the course of an eventful one hundred years of English history illuminates the fine structure of ways reason still operates in our world.

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The scientific discovery that chaotic systems embody deep structures of order is one of such wide-ranging implications that it has attracted attention across a spectrum of disciplines, including the humanities. In this volume, fourteen theorists explore the significance for literary and cultural studies of the new paradigm of chaotics, forging connections between contemporary literature and the science of chaos. They examine how changing ideas of order and disorder enable new readings of scientific and literary texts, from Newton's Principia to Ruskin's autobiography, from Victorian serial fiction to Borges's short stories. N. Katherine Hayles traces shifts in meaning that chaos has undergone within the Western tradition, suggesting that the science of chaos articulates categories that cannot be assimilated into the traditional dichotomy of order and disorder. She and her contributors take the relation between order and disorder as a theme and develop its implications for understanding texts, metaphors, metafiction, audience response, and the process of interpretation itself. Their innovative and diverse work opens the interdisciplinary field of chaotics to literary inquiry.

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'The color is hideous enough, and unreliable enough, and infuriating enough, but the pattern is torturing.'Written with barely controlled fury after she was confined to her room for 'nerves' and forbidden to write, Gilman's pioneering feminist horror story scandalized nineteenth-century readers with its portrayal of a woman who loses her mind because she has literally nothing to do.Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.Charlotte Perkins Gilman (1860-1935). Gilman's work is available in Penguin Classics in The Yellow Wall-Paper, Herland and Selected Writings.

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When Ben Bowen died, aged twenty-five, in 1903, the Welsh literary establishment predicted his immortality. This book looks at the Bowen phenomenon as a product both of his own view of himself as a great poet and a Wales that fed that assumption. It traces his escape from a miner's life in the Rhondda, his stay in South Africa during the Boer War, his talent for controversy and his growing awareness of his early death. This is the first extended, dispassionate account of the life, work and death of the Treorci-born poet Ben Bowen (1878-1903). Published on the centenary of his death, the work seeks to explain Bowen's short-lived fame and subsequent obscurity. It considers his precocious sense of himself as a poet, the literary, social and religious milieu in which he operated, his desire to use poetry as an escape from humble beginnings, and his awareness from his late teens of his impending death. Through a consideration of the life of this compelling character, Robin Chapman also enhances our understanding of Welsh culture in late-Victorian and early-Edwardian Wales.

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Exam Board: AQALevel & Subject: GCSE 9-1 English Language, GCSE 9-1 English LiteratureFirst teaching: September 2015Next exams: June 2023 Develop your students’ skills in English Literature and English Language as you study The Strange Case of Dr Jekyll and Mr Hyde. This Student Book offers English Literature lessons to help your classes explore the set text in depth. In parallel, English Language lessons give students the opportunity to respond to fiction and non-fiction extracts that will deepen their understanding of the play’s themes and contexts. This practical resource is designed for in-class study, as well as exam preparation. Give students a supportive route through the set text, with pre-reading, close reading and whole-text review chapters to help them understand the plot, characters, themes and contexts and analyse the writer’s methods. Build writing stamina with the longer exam-style tasks at the end of each chapter. Support all learners with clear plot summaries and a ‘Who’s who’ guide to the main characters. Prepare for examination success with a final chapter on the Literature exam, including exam-style questions, step-by-step guidance for writing an effective response, and sample answers at different levels. Practise all the AQA English Language Paper 1 and 2 question formats. Students will learn how to locate information, analyse language and structure, synthesise, critically evaluate and compare as they read texts about nineteenth-century London, Victorian ‘freak shows’, macabre scientific experiments and the ethics of artificial intelligence. They will also be given the opportunity to produce their own narrative, descriptive and argumentative writing.

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The River Lea and its crossing at Hertford lie at the heart of the town's history. Before the Norman Conquest the river formed a natural boundary between the Danelaw to the north and Saxon Wessex to the south. Saxon villages already existed at Bengeo and Hertingfordbury and, in 911 and 912, Edward the Elder, son of Alfred the Great, founded two fortified burhs, north and south of the Lea crossing. Following the Norman Conquest a castle was established at Hertford, together with a priory and a new mill. For the next 300 years the castle was a royal residence. With the patronage of kings and queens, together with the town's agricultural base, Hertford prospered. This continued throughout the centuries, most notably in the Victorian era, which saw increased building as transport links to London improved and industry grew. Today Hertford is a thriving and rapidly expanding town, with a wealth of history that is demonstrated through its rich architectural heritage. In this book, Paul Rabbitts and Peter Jeffree present a well-illustrated and accessible perspective highlighting fifty of Hertford’s significant buildings and landmarks. Each one has its place in the history of the county town and the lives of its people. From pubs to churches and the Corn Exchange, the buildings featured were used for a variety of purposes and designed in many contrasting styles. This engaging architectural tour is a fascinating exploration of a significant aspect of the town’s history and reveals its changing face across the centuries. This book will appeal to residents, visitors, local historians and all those with links to the town.

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Drifting on a sailing boat off the Canary Islands, four British gentlemen take turns reading a manuscript that they find inside a copper cylinder discovered floating in the Atlantic Ocean. The manuscript recounts Adam More’s adventures after being lost at sea during an Antarctic voyage in 1844 and his life with the Kosekin, a lost civilization living at the South Pole. The values of the Kosekin are opposed to the civilized norm—they love death, abjection, and poverty. Their society may be well suited to their particular evolution, but it is profoundly disconcerting to the narrator, and it is radically contentious to the Victorian gentlemen who read and debate More’s account.This Broadview edition of James De Mille’s classic recreates the format of the posthumous 1888 Harper’s Weekly serial, including 18 original illustrations by Gilbert Gaul. The appendices allow the novel to be seen in terms of other satirical and scientific romance, Antarctic exploration, and contemporary geology. The introduction and notes tap into recent scholarship to bring to life De Mille’s genre innovations and his use of Orientalist and colonialist discourses.

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Fanny Cornforth was a Victorian supermodel whose face epitomised the vision and life of the Pre-Raphaelite artist Dante Gabriel Rossetti. In their twenty-five years together, she played many parts from muse, medium and lover to housekeeper and nurse. Due to her care of the artist, he was able to create some of the best known and celebrated art works of the nineteenth century, however at his death Fanny became an outcast, accused of stealing, lying and even murder. Her journey from rural poverty to celebrated beauty gave her a life she could never have dreamed of, but her choice of love above security saw her end her days in an asylum. Her afterlife, in the imagination of those who knew her and those that followed saw her cast as a villainess; Rossetti’s folly, an illiterate prostitute who could crack walnut shells in her teeth. It’s finally time that the truth is separated from the swirl of lies and that the life of one of the most infamous women of Bohemian London is told, from canvas to asylum.

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Learn How to Conduct Yourself in Every Conceivable Professional Interaction.As times change, so do norms of behavior in the office. 301 Smart Answers to Tough Business Etiquette Questions has the answers you need to survive daily life in a professional environment. Following the same popular Q&A format of her bestselling 301 Smart Answers to Tough Interview Questions, Oliver will tell you how to get the job and keep it by navigating all the intricacies of the modern workplace.Where other etiquette guides evoke images of a stilted and stuffy Victorian tea party, Oliver’s witty answers to common questions are both engaging and accessible. She believes that etiquette is not a throwback to some bygone age, but has a direct and tangible impact on your career right here and now. Off come the white gloves as she tears away the corporate veil to reveal things they still don’t teach at Harvard Business School, such as:• Making a good first impression (and how to fix a bad one!)• How to behave in elevators, airplanes, and supply closets• Surviving cabs, commutes, and coffee shops• Why time is not necessarily money everywhere on the planet• Pre-approved conversational topics from A to Z• Dining rules and regulations for the twenty-first century• What to do when you are suddenly unemployed• Electronic communication• And much more!

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You wont be familiar with every one of the huge array of women featured in these pages, but all, familiar or not, leave unanswered questions behind them. The range is extensive, as was the research, with its insight into the lives and minds of women in different centuries, different countries, with diverse cultures and backgrounds, from the poverty stricken to royalty. Mistresses, murderers, smugglers, pirates, prostitutes and fanatics with hearts and souls that feature every shade of black (and grey!). From Cleopatra to Ruth Ellis, from Boudicca to Bonnie Parker, from Lady Caroline Lamb to Moll Cutpurse, from Jezebel to Ava Gardner. Less familiar names include Mary Jeffries, the Victorian brothel-keeper, Belle Starr, the American gambler and horse thief, La Voisin, the seventeenth-century Queen of all Witches in France but these are random names, to illustrate the variety of the content in store for all those interested in women who defy law and order, for whatever reason. The risque, the adventurous and the outrageous, the downright nasty and the downright desperate all human (female!) life is here. From the lower stratas of society to the aristocracy, class is not a common denominator. Wicked? Misunderstood? Nave? Foolish? Predatory? Manipulative? Or just out of their time? Read and decide.

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Reflecting on his past, President John Adams mused that it was religion that had shaped his family's fortunes and young America's future. For the nineteenth century's first family, the Adamses of Massachusetts, the history of how they lived religion was dynamic and well-documented. Christianity supplied the language that Abigail used to interpret husband John's political setbacks. Scripture armed their son John Quincy to act as father, statesman, and antislavery advocate. Unitarianism gave Abigail's Victorian grandson, Charles Francis, the religious confidence to persevere in political battles on the Civil War homefront. By contrast, his son Henry found religion hollow and repellent compared to the purity of modern science. A renewal of faith led Abigail's great-grandson Brooks, a Gilded Age critic of capitalism, to prophesy two world wars. Globetrotters who chronicled their religious journeys extensively, the Adamses ultimately developed a cosmopolitan Christianity that blended discovery and criticism, faith and doubt. Drawing from their rich archive, Sara Georgini, series editor for The Papers of John Adams, demonstrates how pivotal Christianity--as the different generations understood it--was in shaping the family's decisions, great and small. Spanning three centuries of faith from Puritan New England to the Jazz Age, Household Gods tells a new story of American religion, as the Adams family lived it.

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