Search results for ""Author Victoria"

The fate of the lost Franklin Expedition of 1847 is an enigma that has tantalised generations of historians, archaeologists and adventurers. The expedition was lost without a trace and all 129 men died in what is arguably the worst disaster in Britain's history of polar exploration. In the aftermath of the crew's disappearance, Lady Jane Franklin, Sir John's widow, maintained a crusade to secure her husband's reputation, imperiled alongside him and his crew in the frozen wastes of the Artic. Lady Franklin was an uncommon woman for her age, a socially and politically astute figure who ravaged anyone who she viewed as a threat to her husband's legacy. Meanwhile John Rae, an explorer and employee of the Hudson Bay Company, recovered deeply disturbing information from the Expedition. His shocking conclusions embroiled him in a bitter dispute with Lady Franklin which led to the ruin of his reputation and career. Against the background of Victorian society and the rise of the explorer celebrity, we learn of Lady Franklin's formidable grit to honour her husband's legacy; of John Rae being discredited and his eventual ruin, despite later being proven right. It is a fascinating assessment of the aftermath of the Franklin Expedition and its legacy.

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Zeals, an English Country Manor House in Wiltshire, was filled with life, dogs, books, flowers and a grand piano in the Great Hall. It was a house for landed gentry, but is now on Historic England’s ‘At Risk’ register. This fascinating house has a rich history. Charles II took refuge at Zeals on his flight to the coast and a family member was beheaded by Oliver Cromwell for daring to confront his parliamentary troops. The house has medieval origins, but there were later additions – predominately those from the nineteenth century by Victorian architect George Devey, as well as earlier changes in the seventeenth and eighteenth centuries. The Chafyn-Grove family, later Troyte-Bullock inheriting in a sideways move, lived at Zeals for 500 years until the mid-twentieth century, when the fate of the estate mirrored that of many others in England. Jennie Elias charts the joys and tragedies of generations of Zeals residents, with characters ranging from haughty to charming; eccentric to prejudiced. There were failures through political levelling down and cultural change, but also of their own making. This definitive history also explores and celebrates the architecture of Zeals.

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Loyal, honest and, above all, principled. There is no finer detective in Victorian London than Thomas Pitt.It is 1896, and Thomas Pitt is in charge of Special Branch. He is beginning to understand the power he now commands, but is still ill at ease at the glittering events he and his wife Charlotte must attend. During a lavish party at the Spanish Embassy, a policeman breaks into Pitt's conversation with investor Rawdon Quixwood to break the terrible news that Quixwood's wife, Catherine, has been viciously assaulted at their home, and left for dead. Worse still, it appears that the assailant was someone she had trusted as she opened the door to the attacker herself.At the same party, Charlotte sees Angeles Castelbranco, an ambassador's daughter, flinch in fear at the teasing of some young men. A few days later, Angeles flees from the same group and, in her terror, falls from a window - what could have caused her to take that fatal step?Pitt and his friend Victor Narraway vow to uncover the unspoken truth behind these two women's deaths. But as they investigate, deception and violence get ever nearer and danger is only ever one step away...

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In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture. The Complete Works of Robert Browning, Volume X contains critical editions of Balaustion’s Adventure: Including a Transcript from Euripides and Prince Hohenstiel-Schwangau, Saviour of Society. Both published in 1871, these two long poems take up a pair of subjects that held enduring fascination for Robert and Elizabeth Barrett Browning: classical Greek literature and the career of Napoleon III, Emperor of France. Balaustion’s Adventure, which the poet characterized as merely a “May-month amusement,” was surprisingly successful with the reading public that paid more attention to Browning after the triumph of The Ring and the Book in 1868–69. His first poem since the publication of that masterpiece, Balaustion’s Adventure creates a charming and brave narrator who recalls in vivid detail a performance of Euripides’ play Alcestis. Browning began a poem on Louis Napoleon in 1860, but not until after the fall of the Second Empire in 1870 did he attempt a full-scale portrait of the French emperor. As an exercise in self-justification, Prince Hohenstiel-Schwangau falls into a familiar sub-genre of Browning’s dramatic monologues. The most intriguing aspect of the poem lies in its biographical importance: the character and career of Napoleon III was a topic of sustained, sharp disagreement between Robert and Elizabeth Browning. As always in this acclaimed series, a complete record of textual variants is provided, as well as extensive explanatory notes.

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Ship masters and officers may not seem like pioneers of trade unionism. However, this history of their unique union, Nautilus International, shows how they have been pitched into the forefront of a long struggle for decent jobs, fair pay and conditions, employment rights, and health and safety – all in an international industry marked by savage and cut-throat competition. This book traces the evolution of today’s trans-boundary organisation from its roots in the Victorian-era expansion of the merchant fleet and the moves to raise the status and professionalism of its seafarers. It tells how successive unions have sought to overcome such seemingly perennial problems as piracy, criminalisation, substandard ships, excessive working hours and the threat of being replaced by low-cost crews – not to mention the battle against government indifference and public ignorance of an industry that is essential for an island nation. From the formation, in 1857, of the Mercantile Marine Service Association (MMSA) – the foundation stone in the building of today’s union – the book explains the remarkable ways in which the union has adapted and developed to meet the changing and complex challenges faced by members. From the provision of specialist welfare services and a global network of legal support to its leading role in the development of the international ‘bill of rights’ for seafarers, the union and its forerunners have been at the cutting edge of cradle- to-grave support for members. Pulling Together also describes the way in which the union has helped to produce trail-blazing systems of structure and organisation to represent members against the backdrop of a volatile ‘boom and bust’ industry, often in the face of intense shipowner hostility. Helping to build national negotiating machinery in one of the most open markets of all industries, the union and its predecessors have worked across borders to create a united response to the global challenges they face. With the shipping industry now entering its fourth industrial revolution, this book shows how Nautilus can draw from more than 160 years of history to continue the fight for a fair future for its members.

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The tragic mulatta was a stock figure in nineteenth-century American literature, an attractive mixed-race woman who became a casualty of the color line. The tragic muse was an equally familiar figure in Victorian British culture, an exotic and alluring Jewish actress whose profession placed her alongside the “fallen woman.”In Transatlantic Spectacles of Race, Kimberly Manganelli argues that the tragic mulatta and tragic muse, who have heretofore been read separately, must be understood as two sides of the same phenomenon. In both cases, the eroticized and racialized female body is put on public display, as a highly enticing commodity in the nineteenth-century marketplace. Tracing these figures through American, British, and French literature and culture, Manganelli constructs a host of surprising literary genealogies, from Zelica to Daniel Deronda, from Uncle Tom’s Cabin to Lady Audley’s Secret. Bringing together an impressive array of cultural texts that includes novels, melodramas, travel narratives, diaries, and illustrations, Transatlantic Spectacles of Race reveals the value of transcending literary, national, and racial boundaries.

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The Penguin English Library Edition of The Time Machine by H. G. Wells'Great shapes like big machines rose out of the dimness, and cast grotesque black shadows, in which dim spectral Morlocks sheltered from the glare'Chilling, prophetic and hugely influential, The Time Machine sees a Victorian scientist propel himself into the year 802,701 AD, where he is delighted to find that suffering has been replaced by beauty and contentment in the form of the Eloi, an elfin species descended from man. But he soon realizes that they are simply remnants of a once-great culture - now weak and living in terror of the sinister Morlocks lurking in the deep tunnels, who threaten his very return home. H. G. Wells defined much of modern science fiction with this 1895 tale of time travel, which questions humanity, society, and our place on Earth.The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

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Lonely Planet's Pocket Charleston and Savannah is your guide to the city's best experiences and local life - neighborhood by neighborhood. Immerse yourself in history at Fort Sumter and admire Spanish moss and homely southern cuisine; all with your trusted travel companion. Uncover the best of Charleston and Savannah and make the most of your trip!Inside Lonely Planet's Pocket Charleston and Savannah:Up-to-date information - all businesses were rechecked before publication to ensure they are still open after 2020's COVID-19 outbreakFull-color maps and travel photography throughoutHighlightsand itineraries help you tailor a trip to your personal needs and interestsInsider tips to save time and money and get around like a local, avoiding crowds and trouble spotsEssential infoat your fingertips - hours of operation, phone numbers, websites, transit tips, pricesHonest reviews for all budgets - eating, sightseeing, going out, shopping, hidden gems that most guidebooks missConvenient pull-out Charleston and Savannah map (included in print version), plus over 19 color neighborhood mapsUser-friendly layout with helpful icons, and organized by neighborhood to help you pick the best spots to spend your timeCovers Historic District, Forsyth Park, Midtown, Victorian District, East Savannah & the Islands, Southside, Moon River District, Harleston Village, Upper King, Cannonborough, Elliottborough, French Quarter, East Side, NoMo, Hampton Park, Charleston County Sea Islands, and more.The Perfect Choice:Lonely Planet's Pocket Charleston and Savannah, an easy-to-use guide filled with top experiences - neighborhood by neighborhood - that literally fits in your pocket. Make the most of a quick trip to Charleston and Savannah with trusted travel advice to get you straight to the heart of the city.Looking for more extensive coverage? Check out Lonely Planet's USA guide for a comprehensive look at all that the country has to offer.About Lonely Planet: Lonely Planet is a leading travel media company, providing both inspiring and trustworthy information for every kind of traveler since 1973. Over the past four decades, we've printed over 145 million guidebooks and phrasebooks for 120 languages, and grown a dedicated, passionate global community of travelers. You'll also find our content online, and in mobile apps, videos, 12 international magazines, armchair and lifestyle books, ebooks, and more, enabling you to explore every day.'Lonely Planet guides are, quite simply, like no other.' – New York Times'Lonely Planet. It's on everyone's bookshelves; it's in every traveler's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' – Fairfax Media (Australia)

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From reviews of The Cornell Yeats series:"For students of Yeats the whole series is bound to become an essential reference source and a stimulus to important critical re-readings of Yeats's major works. In a wider context, the series will also provide an extraordinary and perhaps unique insight into the creative process of a great artists."—Irish Literary Supplement"I consider the Cornell Yeats one of the most important scholarly projects of our time."—A. Walton Litz, Princeton University, coeditor of The Collected Poems of William Carols Williams and Personae: The Shorter Poems of Ezra Pound"The most ambitious of the many important projects in current studies of Yeats and perhaps of modern poetry generally.... The list of both general and series editors, as well as prospective preparers of individual volumes, reads like a Who's Who of Yeats textual studies in North America. Further, the project carries the blessing of Yeats's heirs and bespeaks an ongoing commitment from a major university press.... The series will inevitably engender critical studies based on a more solid footing than those of any other modern poet.... Its volumes will be consulted long after gyres of currently fashionable theory have run on."—Yeats Annual (1983)Yeats first expressed interest in producing translations of Greek classical plays in March of 1903, in the early days of establishing the Abbey Theatre in Dublin. But not until two decades later did he turn his hand to creating his own versions of Sophocles' Oedipus the King and Oedipus at Colonus. Working from Victorian translations into English and French by classicists R. C. Jebb and Paul Masqueray, he completed Oedipus the King in the fall of 1926 and Oedipus at Colonus a year later. The second play, like the first, he gave directly to the Abbey players, prompting him to revise and hone his texts through many versions to achieve his stated goal of putting the play "into simple speakable prose" that he hoped would be his "contribution to the Abbey Repertory." The play had a successful run in September of 1927 but was not published until 1934.The edition presents photographs and transcriptions of three revised typescripts that Yeats prepared and extensively revised over a period of eight-and-a-half months and a reading text based on the first publication of the play, which is presented with an apparatus of collations from the many proofs for three different intended publications. Included also are photographs and transcriptions of the verse choruses, except for the two appearing in The Tower (1928), also in this series; an appendix of other typescripts and proofs that invite detailed treatment; and a brief account of the music written for the play by Lennox Robinson, who was also its first director. The texts are prefaced by a census of manuscripts, an introduction discussing Yeats's development of the play, and a chronology of composition.

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As one of the world's foremost interior designers, Tricia Guild has a passionate belief that the way we choose to live has a significant impact on our well-being and happiness. The homes that we live in, the things that we surround ourselves with, and the everyday choices we make, can profoundly affect our outlook and positivity. It is no surprise, then, that Tricia practises what she preaches: she finds it impossible to separate her work as a designer from other aspects of her life, and she believes that, in seeking creative inspiration in each experience, especially in enjoying the things that bring pleasure to our lives, we can perfect the art of living. For Tricia, Italy is a particularly enduring passion: the culture, landscape, architecture, food and music all strike a creative chord. She has had a house there for many years. The last home was a rustic farmhouse, but when Tricia and her family began the search for a new property, she knew it would be decidedly different. In this new Italian home, Tricia found the perfect opportunity to create a contemporary interior reflecting a love of modernity and simplicity that has evolved over the years. In Tricia's view, modernity does not mean a lack of colour, pattern or texture; a contemporary interior can be both decorative and minimal - in fact, a confident use of colour and pattern can be the very thing that makes it even more wonderful. Here, working with the architect Stephen Marshall and the garden designer Arne Maynard, Tricia has created a special home - a contemporary interpretation of the local vernacular - that represents her kind of modern. In In My View, Tricia charts the creation of her stunning Italian home set amid verdant oil groves. We are taken on an extensive tour of the breathtaking property, right from the entrance steps and the rooms/spaces in the main house to the outdoor dining areas, studio, guest accommodation, kitchen garden and pool house. Stephen and Arne offer insight into their collaboration with Tricia, describing, among other things, the selection of materials - local stone, concrete, glass and galvanized metal - for the house, and the planting on the terraces and around the rolling lawns of the garden. Local artisans and craftspeople also played a crucial role in bringing this truly magnificent yet relaxing and comfortable home to life. Tricia also presents her new London home - a Victorian townhouse in a corner plot, where, with the same team of Stephen and Arne - she set about creating an urban retreat comprising three distinct areas to accommodate living, dining and resting. While life in Italy for Tricia is about seasonality and nature, her life in London is centred on her work at Designers Guild, the company she founded in 1970. Her London home therefore is, she says, `sharply experimental', her version of a lab, where she tests designs and assesses how colours work together. In this section of the book, Tricia provides a glimpse of working life and the design process at the company headquarters in west London. Throughout the book, Tricia shares the moodboards that helped her to realize her dream homes in Italy and London. For Tricia, moodboards are vital in the early stages of any project, large or small, because they help to stimulate the creative process, even define how one wishes to live, by establishing the language, rhythm and style of each space. The choices that one makes here, the process of selection and careful editing, lie at the heart of finding one's own style. In My View reveals the personal choices have shaped the way Tricia lives now, and will inspire the reader to develop their individual style and thus create their own special view.

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This book discusses the cultural intentions of the founders of the first thoroughly commercial republic, the United States. The typical book on 'the culture' takes the view that commercial republicanism is the enemy of culture; this book tells a much more complex story, and measures the benefits and deficits of commercial republicanism in a way that does not sleight the very substantial achievements of commercial republicanism. The book looks at several critics of the commercial republic, 'left' and 'right'. These writers include Emerson, Whitman, Carlyle, Ruskin, Dewey, and Pound. The book concludes with chapters on two very different writers who take a comprehensive view of culture, nature, and the commercial republic: Allan Bloom and Jane Austen. Contents: Acknowledgments; Preface; Introduction: The Statesmanlike Sources of American Culture; Victorians Contra Commerce; Natural Right and the American Intellectual; American Historicist-Poets: Holmes and Whitman; An American Fascist: Ezra Pound; The American Left and the Culture of Sophistry; An American Philosopher?; The Politics of Self-Knowledge: Mansfield Park and the Refounding of the English Aristocracy; Conclusion: The Arts of Satiation; Endnotes; Index; Biographical Note.

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Song Cycle: vive la vélorution! is the third in a hugely successful series of 40-minute grand-scale choral works with jazz quintet by acclaimed British composer Alexander L'Estrange. It marked the grand départ of the 2014 Tour de France and, in addition to the quintet (with jazz trumpet and flute), features bicycle bells and pumps! The ten cycling-themed songs [eight originals and two arrangements] take audiences on an exhilarating bicycle ride across hill and dale, celebrating both the appeal of this most energy-efficient mode of transport and the beauty of our natural surroundings. Song Cycle encompasses an impressive variety of musical styles including pastiche Victorian music hall, folk, minimalism, barbershop, musical theatre and, of course, jazz. If you loved Zimbe! and Ahoy! and are looking for an SATB and (optional) Children’s Choir choral work to wow your next audience with, look no further than Song Cycle: vive la vélorution! Vocal scores can also be hired, along with the full score and set of band parts (hire@fabermusic.com). Children’s Choir resources, along with CDs, part-learning MP3s and more, can be found at https://www.alexanderlestrange.com/song-cycle.

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In a melding of the fun style of the 'Style Me Vintage' series with a traditional cookery book, Style Me Vintage: Tea Parties is a vintage and thematic take on a traditional afternoon tea book. The current trend for retro styled events and afternoon tea parties is as much about styling as it is about food and drink and this book will show you just how to achieve your own perfect event. Split into themed tea parties, it will show how to create your tea party: dress your table, decorate your room, do your invitations, costume suggestions, and offer key recipes for food and drink within each theme. Themes include: a Victorian Tea Party (lace aplenty and dainty cakes), an Edwardian Breakfast (country house pastries and breakfast cocktails), a 1920's Speakeasy (cocktails in tea cups and recipes for jazz babies), a 1930's Cocktail Party (silk, tweed, champagne with elegance), a 1940's Picnic (fiery ginger beer anyone?), a 1950's Street Party (bunting and finger food). With advice on scaling up into a tea party for many – or down to an intimate tea for two, you can't go wrong.

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Within weeks of Thomas Hardy’s return to his native Dorchester in June 1883, he began to compile his ’Facts’ notebook, which he kept up throughout the years when he was writing some of his major work - The Mayor of Casterbridge, The Woodlanders, Tess of the d’Urbervilles and Jude the Obscure. From his intensive study of the Dorset County Chronicle for 1826-1830, he noted and summarised into 'Facts' (with the help of his first wife, Emma) hundreds of reports, many of them suggestive 'satires of circumstance', for possible use in his fiction and poems. Along with extensive reading in memoirs and local histories, this immersion in the files of the old newspaper involved him in a wider experience - the recovery and recognition of the unstable culture of the local past in the post-Napoleonic war years before his birth in 1840, and before the impact of the modernising of the Victorian era. 'Facts' is thus a unique document amongst Hardy's private writings and is here for the first time edited, the text transcribed in 'typographical facsimile' form, together with substantial annotation of the entries and critical and textual introductions.

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The cross-country Ruabon to Barmouth railway was originally built to fulfil the desire of connecting the town of Llangollen with the rest of the rapidly expanding network. The local Victorian promoters received the backing of the Great Western Railway, which had an ambitious plan to reach the Cambrian Coast and tap into the slate quarries around Snowdonia. As time was to prove, the GWR was to be temporarily thwarted by the construction of a branch inland from Barmouth by the rival Cambrian Railway, resulting in an end-on connection between the two railways in the market town of Dolgelly. The route developed into an important artery across rural Wales, bringing in its wake a revolution in agriculture, industry and daily life. Holiday traffic became big business, tapping into the big conurbations of Liverpool, Manchester and Birmingham. The route would ultimately succumb to the Beeching axe during the 1960s, but even this did not go to plan following severe flooding a few weeks prior! Volume One explores the eastern half of the route, encompassing the towns of Ruabon, Llangollen, Corwen and Bala, and a brief introduction to the fundamentals of railway travel. The perfect companion for anyone visiting the preserved Llangollen Railway.

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Sheds light on the history of East Devon's churches from the Middle Ages onwards, illustrating the ways in which parish churches were transformed in the late nineteenth century. In the mid nineteenth century the Devon antiquarian James Davidson visited all of East Devon's churches and made detailed notes about their buildings, fabric and fittings. His notes are an eyewitness record of the state of these parish churches at the time before changes in liturgy and fashion in the later Victorian period brought about irreplaceable change. Davidson's descriptions highlight what has been lost from the archaeological record and allow us to make comparisons with the churches today. In this way they shed light on the history of East Devon's churches from the Middle Ages onwards and illustrate the ways in which parish churches were transformed in the late nineteenth century. Davidson's records of memorials and inscriptions in the churches also provide rich and fascinating material for research into local history, social history and family history from the fifteenth to the nineteenth centuries and illustrate changing attitudes to death and commemoration.

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The people of Oxfordshire certainly know how to enjoy themselves, and take part in many varied and remarkable customs, sports and traditions that are held annually around the county. Some of these, like the May Morning and Beating the Bounds, go back for centuries but have been altered and adapted over the years. Others are relatively recent revivals, such as the agricultural show at Thame, which is Victorian in origin. The last fifty years has seen an unprecedented number of new celebrations, which have become traditions in their own right. Foremost among these are the Cropredy and Towersey folk festivals. Above all, these events are community-based and often also charity fund-raisers. Some of those featured here include the Bampton Great Shirt race, egg jarping at Chinnor, the Banbury Hobby Horse festival, Abingdon Morris Dancers Mock Mayor Elections, the Pumpkin Club, and the pub game Aunt Sally, which is virtually unknown outside of the county, among many others. Illustrated with 180 superb photographs, this book features funfairs and fêtes, celebrations and carnivals, games and shows, each one a unique celebration of Oxfordshire’s heritage.

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James Stirling (1924-1992) is acclaimed as the most influential and controversial modern British architect. His partnership with James Gowan (b. 1923) between 1956 and 1963 put postwar British architecture on the international map, and their Leicester University Engineering Building became an iconic monument for a new kind of modernism.Mark Crinson's book is the most thoroughly researched study of Stirling and Gowan's partnership to date. Based on extensive interviews and archival research, Crinson argues that their work was the product of two equally creative partners whose different concerns produced a dynamic aesthetic. He gives an in-depth account of their training and early careers, their relation to key architects and movements of the time, and the commissioning, design, and construction of their work. This critical reassessment dispels previous myths and inaccuracies regarding their partnership and analyzes how ideas about mannerism, modernism, nostalgia, community, consumerism, Victorian cities, and institutional typologies influenced their designs. Stirling and Gowan positions their avant-garde creations within a larger context as creative responses to Britain's postwar deindustrialization and the shift from austerity to affluence.Published for the Paul Mellon Centre for Studies in British Art

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Hay-on-Wye is world famous as the Town of Books. But when travel writer Oliver Balch moved there, it was not just the books he was keen to read, but the people too.After living in London and Buenos Aires, what will he make of this tiny, quirky town on the Welsh-English border? To help guide him, he turns to Francis Kilvert, a Victorian diarist who captured the bucolic rural life of his day. Does anything of Kilvert's world still exists? And could a newcomer ever feel they truly belong?With empathy and humour, Balch joins in the daily routines and lives of his fellow residents. What emerges is a captivating, personal picture of country life in the 21st century. Some things haven't altered for centuries, while others are changing at an alarming pace.Written with his trademark vivid, reportage style, Balch's journey sees him meet with a king and his courtiers, publicans, hippies, mayors, old widows and young farmers. In an increasingly mobile, urban world, Under the Tump is a timely, honest account of Balch's attempt to put down roots in a community not yet his own.

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British Conceptual artist John Stezaker is renowned for his innovative approach to found photographic imagery. This artist book focuses on his 'Crossing Over' series (2005–13), which reframes image fragments from postcards to stimulate new readings. Building upon Stezaker’s corresponding 'The 3rd Person Archive' series, the image fragments in this volume span the history of postcard production. Moving from the Victorian era to the postwar period and black and white to colour imagery, Stezaker focuses on the female figure as well as notions of return and crossing back. Exploring time and memory, Crossing Over frames seemingly minor details, such as figures passing on a street corner or conversing on a park bench, as well as the marks left by the physical movement of the images themselves. Exploring time and memory, Stezaker focuses on the female figure as well as notions of return and crossing back – framing seemingly minor details such as figures passing on a street corner or conversing on a park bench, as well as the marks left by the physical movement of the images themselves. Reproduced at actual size, the 65 image fragments in this artist project are collected here for the first time.

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By the second half of the 1920s, old-fashioned Victorian morals had gone the way of starched collars and cruel corsets and a "no holds barred" attitude reigned in their place. "The Party of the Century" had begun in earnest and fashions responded by climbing to the knees! Using a combination of vintage images, professional photographs of existing garments, and period artists' illustrations, this comprehensive book presents a dazzling look at fashions from 1925 through 1929. Fashions for men, women, and children are featured, including evening andday wear, coats and jackets, lounge and resort wear, sports fashions, and lingerie. Whenever possible, styles are shown with their appropriate accessories, such as hats, shoes, purses, fans, parasols, and more. Fascinating timelines place the fashions in their proper settings describing each year's film, music, literary, and couture trends. Among the book's many highlights are rare French pochoir fashion plates and photos of an original haute couture Chanel evening gown. This in-depth look at one of our most exciting decades will appeal to fashion enthusiasts and history buffs alike. A companion volume covers the years 1920 to 1924.

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Togo Heihachiro (1848-1934) was born into a feudal society that had lived in seclusion for 250 years. As a teenage samurai, he witnessed the destruction wrought upon his native land by British warships. As the legendary Silent Admiral, he was at the forefront of innovations in warfare, pioneering the Japanese use of modern gunnery and wireless communication. He is best known as the Nelson of the East for his resounding victory over the Tsar's navy in the Russo-Japanese War, but he also lived a remarkable life studying at a British maritime college, witnessing the Sino-French War, the Hawaiian Revolution, and the Boxer Uprising. After his retirement, he was appointed to oversee the education of the Emperor, Hirohito. This new biography spans Japan's sudden, violent leap out of its self-imposed isolation and into the 20th century. Delving beyond Togo's finest hour at the Battle of Tsushima, it portrays the life of a diffident Japanese sailor in Victorian Britain, his reluctant celebrity in America where he was laid low by Boston cooking and welcomed by his biggest fan, Theodore Roosevelt , forgotten wars over the short-lived Republics of Ezo and Formosa, and the accumulation of peacetime experience that forged a wartime hero.

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’Gorgeous, an utter delight’ MARIAN KEYES ‘A charming debut that sparks with fun and fizz’ GOOD HOUSEKEEPING ’A must read!’ SOPHIE IRWIN ’Storytelling at its finest’ STYLIST A DAILY MAIL ‘novel to devour in 2023 Mrs Wood is London’s most celebrated medium. She’s managed to survive decades in the competitive world of contacting the Other Side, has avoided the dreaded slips that revealed others as frauds and is still hosting packed-out séances for Victorian high society. Yet, some of her patrons have recently cancelled their appointments. There are reports of American mediums nearly materialising full spirits and audiences are no longer satisfied with the knocking on tables and candle theatrics of years gone by. And then, at one of Mrs Wood’s routine gatherings, she hears something terrifying – faint, but unmistakable: a yawn. Mrs Wood needs to spice up her brand. She decides to take on Emmie, a young protégé, to join her show. But is Emmie Finch the naïve ingenue she seems to be? Or does she pose more of a threat to Mrs Wood’s reign and, more horrifyingly, her reputation than Mrs Wood could ever have imagined?

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The story of Jack, the intrepid little boy whose courage and ingenuity defeated a host of many-headed giants several times his size, is an English folk-tale that must have been told often in the Victorian nursery of the Doyle family. Growing up in the 1830s, they were all gifted children, especially Richard, whose natural talent for draughtsmanship was matched by imaginative invention and a passion for legend and the grotesque. In 1842, when only eighteen, he created for his own delight a picture-book version of Jack The Giant Killer, writing the text by hand, and carefully placing on each page a water-colour illustration within a pictorial border. The new everyman edition has typeset the text for greater legibility and redesigned the book for contemporary appeal, while retaining Doyle's vivid and characterful illustrations, enlarged and enhanced by modern colour printing techniques. The result is a book that will satisfy the modern child's appetite for bloodthirsty exploits of wonder and magic, yet is at the same time a true collector's item for anyone interested in the history of children's book illustration.

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St Mary’s is a vibrant London church on the northern edge of Primrose Hill. It is widely known for its fine liturgy and music in the Anglican tradition, its affirmation of women’s ministry, and its pioneering youthwork and social outreach. It was designed by MP Manning and built by Dove Bros of Islington in two stages (1872 and 1892). This book celebrates the church’s 150th anniversary. It draws on previously untapped archives to chart the history of the building and its worshipping community. The book is split into two parts: 1872-1951 ranges from the church’s origins in the Boys’ Home in Regent’s Park Road to the period of recovery after the Second World War. It is rich in stories: among them St Mary’s part in the Ritualist controversies of the Victorian church; the near collapse of the building through railway tunnelling in the 1870s; the striking innovations of Percy Dearmer (vicar 1901-1915); and the desperate years of the Blitz in the 1940s. 1952-2022 draws also on the personal memories of today’s congregation, exploring how St Mary’s has become the beacon of hope it is today, and taking stock of its particular place in Christian witness, now and for the future.

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In North Pole, Michael Bravo explains how visions of the North Pole have been supremely important to the world's cultures and political leaders, from Alexander the Great to neo-Hindu nationalists. Tracing poles and polarity back to sacred ancient civilizations, this book explores how the idea of a North Pole has given rise to utopias, satires, fantasies, paradoxes and nationalist ideologies, from the Renaissance to the Third Reich. The Victorian conceit of the polar regions as a vast empty wilderness, and the preserve of white males battling against the elements, was far from the only polar vision. Michael Bravo shows an alternative set of pictures, of a habitable Arctic criss-crossed by densely connected networks of Inuit routes, rich and dense in cultural meanings. In Western and Eastern cultures, theories of a sacred North Pole abound. Visions of paradise and a lost Eden have mingled freely with the imperial visions of Europe and the United States. Forebodings of failure and catastrophe have been companions to tales of conquest and redemption. Michael Bravo shows that visions of a sacred or living pole can help humanity understand its twenty-first-century predicament, but only by understanding the pole's deeper history.

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_____________________Welcome to the Winter Garden. Open only at 13 o'clock.You are invited to enter an unusual competition.I am looking for the most magical, spectacular, remarkable pleasure garden this world has to offer.On the night her mother dies, 8-year-old Beatrice receives an invitation to the mysterious Winter Garden. A place of wonder and magic, filled with all manner of strange and spectacular flora and fauna, the garden is her solace every night for seven days. But when the garden disappears, and no one believes her story, Beatrice is left to wonder if it were truly real.Eighteen years later, on the eve of her wedding to a man her late father approved of but she does not love, Beatrice makes the decision to throw off the expectations of Victorian English society and search for the garden. But when both she and her closest friend, Rosa, receive invitations to compete to create spectacular pleasure gardens - with the prize being one wish from the last of the Winter Garden's magic - she realises she may be closer to finding it than she ever imagined.Now all she has to do is win.

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Scotland Yard's Inspector Ben Ross and his wife Lizzie return in Ann Granger's gripping ninth Victorian mystery.It is the summer of 1871 when Scotland Yard's Inspector Ben Ross pays a visit to Jacob Jacobus, the old rogue of Limehouse: infamous antiquarian, friend to villains and informer to the police. Ben hopes to glean information about any burglaries that might take place now that the wealthiest echelons of society are back in London for the Season. Little does he realise that an audacious theft has already occurred - a priceless family heirloom, the Roxby emerald necklace, has been stolen from a dressing table in the Roxby residence, and the widowed Mrs Roxby is demanding its immediate return. Ben's day gets worse when he and his wife Lizzie are interrupted that evening by the news that Jacob Jacobus has been found dead in his room with his throat slit from ear to ear ... Surely the two crimes cannot be connected? But with Ben's meticulous investigative skills and Lizzie's relentless curiosity, it is only a matter of time before the tragic truth is revealed . . .

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Dense fog masks foul play in the streets of London, as Ann Granger brings us her seventh Victorian mystery featuring Scotland Yard's Inspector Ben Ross and his wife Lizzie.It is March 1870. London is in the grip of fog and ice. But Scotland Yard's Inspector Ben Ross has more than the weather to worry about when the body of a young woman is found in a dustbin at the back of a Piccadilly restaurant.Ben must establish who the victim is before he can find out how and why she came to be there. His enquiries lead him first to a bootmaker in Salisbury and then to a landowner in Yorkshire. Meanwhile, Ben's wife, Lizzie, aided by their eagle-eyed maid, Bessie, is investigating the mystery of a girl who is apparently being kept a prisoner in her own home.As Ben pursues an increasingly complex case, Lizzie reveals a vital piece of evidence that brings him one step closer to solving the crime...Praise for Ann Granger's crime novels:'Characterisation, as ever with Granger, is sharp and astringent' The Times'Her usual impeccable plotting is fully in place' Good Book Guide'A clever and lively book' Margaret Yorke'This engrossing story looks like the start of a highly enjoyable series' Scotsman

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Algorithms are the hidden methods that computers apply to process information and make decisions. Nowadays, our lives are run by algorithms. They determine what news we see. They influence which products we buy. They suggest our dating partners. They may even be determining the outcome of national elections. They are creating, and destroying, entire industries. Despite mounting concerns, few know what algorithms are, how they work, or who created them. Poems that Solve Puzzles tells the story of algorithms from their ancient origins to the present day and beyond. The book introduces readers to the inventors and inspirational events behind the genesis of the world's most important algorithms. Professor Chris Bleakley recounts tales of ancient lost inscriptions, Victorian steam-driven contraptions, top secret military projects, penniless academics, hippy dreamers, tech billionaires, superhuman artificial intelligences, cryptocurrencies, and quantum computing. Along the way, the book explains, with the aid of clear examples and illustrations, how the most influential algorithms work. Compelling and impactful, Poems that Solve Puzzles tells the story of how algorithms came to revolutionise our world.

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'Did she know and if she knew would she speak?'The story of an unsolved literary mystery that explores what James referred to as "troubled artistic consciousness" Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.Henry James (1843-1916). James's works available in Penguin Classics are The Portrait of a Lady,The Europeans, What Maisie Knew, The Awkward Age, The Figure in the Carpet and Other Stories, The Turn of The Screw, The Aspern Papers and Other Tales, The Wings of The Dove, Washington Square, The Tragic Muse, Daisy Miller, The Ambassadors, The Golden Bowl, Selected Tales, Roderick Hudson, The Princess Casamassima and The American.

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Before William Carlos Williams was recognized as one of the most important innovators in American poetry, he commissioned a printer to publish 100 copies of Poems (1909), a small collection largely imitating the styles of the Romantics and the Victorians. This volume collects the self-published edition of Poems, Williams's foray into the world of letters, with previously unpublished notes he made after spending nearly a year in Europe rethinking poetry and how to write it. As Poems shows his first tentative steps into poetry, the notes show him as he prepares to make a giant transformation in his art. Shortly after Poems appeared, Williams went through a series of experiences that changed his life--a trip to Europe, a marriage to the sister of the woman he genuinely loved, and the establishment of his medical practice. In Europe he was introduced to a consideration of an unlikely trio: Heinrich Heine, Martin Luther, and Richard Wagner, resulting in an exposure that subsequently influenced his developing style. Williams looked back on Poems as apprentice work, calling them, "bad Keats, nothing else--oh well, bad Whitman too. But I sure loved them. . . . There is not one thing of the slightest value in the whole thin booklet--except the intent," and never republished the collection. Now that Williams's work is widely read and appreciated, his reputation secure, his development as a poet is a matter worth serious study, Poems can be seen as a point of departure, a clear record of where Williams began before his life and ideas about poetry made seismic shifts. Virginia M. Wright-Peterson's succinct introduction puts Poems in the context of his life and times, discusses the reception of the volume, his reconsideration of the poems, and what they reveal about his poetic ambitions.

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The great vogue in Victorian times for matters Arthurian owes much to the poetry of Matthew Arnold and William Morris. Unlike Tennyson, however, neither of these poets is now remembered primarily for his Arthurian poems; as a result there is no modern anthology devoted to this area of their output. This is a major gap which the present volume seeks to rectify. Arnold's Tristram and Iseultis the first modern English retelling of the Tristram legend,a melancholy interpretation of the theme, reflecting the poet's pessimism about his own age; Morris's different approach - the rich sensuality of his The Defence of Guenevere and other poems -clearly reveals the allure thatthe middle ages held for the pre-Raphaelites.

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Once our ancient ancestors discovered that by settling and cultivating grains they would have a regular and plentiful food source, it was only a matter of time before beer became a part of everyday life. And that beer was mainly made by women. For centuries, women brewers remained key participants in our beer trade, up to the Industrial Revolution when increased mechanisation, alongside Victorian societal constraints, conspired to push a lot of them out. From then on, commercial brewing was generally considered a male-led profession. But things are changing. With the increase in new breweries, and a growing enthusiasm for beer, women are back at the helm at an ever-growing number of British brewers, large and small, reasserting their dominance in the industry.

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'A comic masterpiece' Patrick Gale, GuardianPillar of society and stern upholder of Victorian values, god-fearing Norfolk merchant John Barnard presides over a large and largely unhappy family. This is their story - his brandy-swilling wife, their hapless offspring and their changing fortunes - over the decades. Sylvia Townsend Warner's last novel, The Flint Anchor gloriously overturns our ideas of history, family and storytelling itself.'A novel created with solidity and subtlety of feeling, a fusion of warmth, wit and quietly biting shrewdness that are reminiscent of Jane Austen' Atlantic Review'As a sustained work of historical imagination, it has few rivals ... one of the most acute and intelligent writers of her age' Claire Harman

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“As I drew near and nearer to the light, the chasm became wider, and at last I saw, to my unspeakable amaze, a broad level road at the bottom of the abyss, illumined as far as the eye could reach by what seemed artificial gas lamps placed at regular intervals, as in the thoroughfare of a great city; and I heard confusedly at a distance a hum as of human voices.…”Edward Bulwer-Lytton’s The Coming Race was one of the most remarkable and most influential books published in the 1870s. The protagonist, a wealthy American wanderer, accompanies an engineer into the recesses of a mine, and discovers the vast caverns of a well-lit, civilized land in which dwell the Vril-ya. Placid vegetarians and mystics, the Vril-ya are privy to the powerful force of Vril—a mysterious source of energy that may be used to illuminate, or to destroy. The Vril-ya have built a world without fame and without envy, without poverty and without many of the other extremes that characterize human society. The women are taller and grander than the men, and control everything related to the reproduction of the race. There is little need to work—and much of what does need to be done is for a novel reason consigned to children.As the Vril-ya have evolved a society of calm and of contentment, so they have evolved physically. But as it turns out, they are destined one day to emerge from the earth and to destroy human civilization.Bulwer-Lytton’s novel is fascinating for the ideas it expresses about evolution, about gender, and about the ambitions of human society. But it is also an extraordinarily entertaining science fiction novel. Sir Edward Bulwer-Lytton, one of the great figures of late Victorian literature, may have been overvalued in his time—but his extraordinarily engaging and readable work is certainly greatly undervalued today. As Brian Aldiss notes in his introduction to this new edition, this utopian science fiction novel first published in 1871 still retains tremendous interest.

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As a new expedition to Antarctica is planned a dark tale emerges of a previous, life-threatening adventure. Revealing hidden secrets, lost civilisations and alien origins, master storyteller H.P. Lovecraft indulges his talent for the macabre and horrific. In a gripping tale of fast-paced discovery an entire alien ecosystem is uncovered, and an ancient and bloody battle into which the adventurers have been drawn. It is only through sheer luck that two of them manage to escape, leaving the gnarled bodies of their companions, and live to tell the tale as a warning for all those who come after. FLAME TREE 451: From mystery to crime, supernatural to horror and fantasy to science fiction, Flame Tree 451 offers a healthy diet of werewolves and mechanical men, blood-lusty vampires, dastardly villains, mad scientists, secret worlds, lost civilizations and escapist fantasies. Discover a storehouse of tales gathered specifically for the reader of the fantastic. Each book features a brand new biography and glossary of Literary, Gothic and Victorian terms.

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If you want to see the whole of Wales, from cosmopolitan Cardiff in the south to the historic Victorian resorts of the north, there's one road that will take you all the way: the A470. This route, which traverses the country from end to end, winds its way through post-industrial valleys, agricultural landscapes and stunning mountains and it offers a chance to see Wales for what it is in the twenty-first century, in all its diversity.In the company of Gwendoline, his trusty but ancient scooter, travel writer Marc P. Jones follows the long unwinding road of the A470 on a quest to discover what makes his homeland tick. Taking in the splendour, beauty and history of the communities he travels through, Marc explores what unites and divides the different regions of this varied nation, and how can they learn to understand each other better. And one question, above all others, remains to be answered: will Gwendoline make it to the end of the road in one piece?

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Collecting antique paper lithographed toys is an exciting and visually rewarding hobby. These vividly printed toys remind us of a time gone by when games, blocks, toys, dollhouses, puzzles, and books were designed by a method called chromolithography--a process that is as close to artistic perfection as a nineteenth-century painting. Filled with over 500 full color photographs, this book provides a fascinating and informative glimpse into the late Victorian era of toy making. Organized by type of item, each chapter includes useful facts about the history, manufacturing, and typical illustrations found on the toys and books, while values, measurements, dates, and game pieces are all provided in the captions. In addition, readers will find a valuable listing of the most prominent American and European manufacturers of the time, including McLoughlin Bros., Milton Bradley, Bliss, W. & S. B. Ives, Raphael Tuck, E.P. Dutton, and more. Never before has one book provided such a colorful guide to paper litho toy collecting, so take a step back in time to when toy making was a rare art!

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In 1800, Bude would have been lucky to have a population of 100, but people flocked to the town for work when the canal opened. When the canal closed, Bude would have crumbled, but for the developing tourist trade. The canal totally changed the topography of Bude. Victorian engineers built the breakwater and altered the course of the river to scour out a makeshift harbour. Today the breakwater is used for fishing and by tourists for fabulous views to Summerleaze Beach and beyond. Bude has had its share of disasters. The River Neet flooded the Strand and The Crescent in 1903, the 1950s and 1993, and in 1891 there was a great blizzard. The Strand now looks very different to the 1860s when it was dominated by warehouses. As tourism developed, many old buildings such as the cinema disappeared. Modern Bude has evolved, with changes to place names and buildings, but it remains a beautiful town loved by locals and visitors alike.

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Wriggle your toes in the sand and feel the warm breeze on your face when you check into the hotel that’s full of dreams… ‘The happy plot is charming… very entertaining’ Publisher's Weekly Three years after ditching her career in New York City, Rosie never thought she’d still be managing the quaint faded Victorian hotel in her seaside hometown. What’s worse, the hotel’s new owners are turning it into a copy of their Florida properties. Flamingos and all. Cultures are clashing and the hotel’s residents stand in the way of the developers’ plans. The hotel is both their home and their family. That’s going to make Rory’s job difficult when he arrives to enforce the changes. And Rosie isn’t exactly on his side, even though it’s the chance to finally restart her career. Rory might be charming, but he’s still there to evict her friends. How can she follow her dreams if it means ending everyone else’s? Praise for Lilly Bartlett: “Absolutely gorgeous!” Debbie Johnson “Full of enjoyment, humour and utter brilliance” 5* Ali the Dragon Slayer “Funny, charming and irresistibly sweet. I loved every minute of this and raced through from first page to last” Jen Med’s Book Reviews “Wowzer, it’s phenomenal! Rosie is one of the best characters I’ve read this year” 10 out of 10 Paige Turner Reviews “Utterly fabulous, completely hilarious, a pure escapist read” 5* Rachel’s Random Reads “I was buzzing through the pages – a story I HIGHLY recommend!” Mrs Mommy Booknerd “Enchanting, huggable, gigglefest – the perfect antidote for when antics in the real world are severely tragic” The Writing Garnet “A brilliant cast of eccentric and very memorable characters” Cheryl’s M-M Reviews “A fun, fondant-sweet, dream of a plot but with a melancholic edge to tug at your heartstrings” My Chestnut Reading Tree “Witty dialogue, engaging and relatable characters – I flew through this story in record time” Books of All Kinds “A beautiful story – a perfect pick-me-up – such a lot of laugh-out-loud moments” BrizzleLass Books “Delightful friendships, witty writing and a sweet romance that is guaranteed to entertain” Rae Reads

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In 1995, NPR editor and producer Marcus D. Rosenbaum met his grandmother-fifty years after her death. Rosenbaum and his family were attending to the bittersweet business of cleaning out the family home after his father died when, in an old closet, in a ziplock bag, his niece discovered a gateway to the early part of the century and into the life of Helen Jacobus Apte, a Southern Jewish woman living in post-Victorian era Florida and Georgia. The covers of his grandmother's diary were cracked and the pages were beginning to yellow, but there it was: almost forty years of passion, doubt, love, and life, penned in unflinching candor. Heart of a Wife: The Diary of a Southern Jewish Woman is the collection of Helen Apte's own diary and essays by her grandson, Marcus D. Rosenbaum, who edited the volume. This book reflects Apte's unorthodox, complex, and independent spirit during a very conservative time. Her shockingly frank opinions are offered on sex, marriage, children, religion, and her native South. Crafted in the heartwarming yet heart-wrenching style of Angela's Ashes and A Midwife's Tale, Heart of a Wife allows the reader a unique glimpse at significant events that gripped the world during the first half of the twentieth century: the Great Depression, the World Wars, and the sinking of the Titanic are but a few.

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La reina del crimen victoriano vuelve a la carga. En esta novela, el detective Monk deberá indagar en un incidente familiar ocurrido dos décadas atrás. Killiam Melville tal vez sea el arquitecto más brillante de su generación. Joven, atractivo, inteligente, apasionado y con un talento casi genial, destaca por su honestidad y modestia. Sin embargo, un incidente amenaza con enturbiar esta intachable trayectoria: Melville va a ser juzgado por romper su compromiso matrimonial con Zillah Lambert, la hija de su patrón. Para su defensa, el arquitecto contacta con el prestigioso abogado Sir Oliver Rathbone, quien aceptará el caso de buen grado, aunque no tardará en arrepentirse dada la negativa de Melville a aportar razón lógica alguna que justifique su comportamiento. A medida que transcurre el juicio, Rathbone pasa del desconcierto a la certeza de que su cliente oculta un grave secreto, por lo que inicia una investigación paralela. Para ello solicita la ayuda de su colaborador habitu

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Join undercover and patriarchy-bucking PI Elizabeth Baranabus on a third and final mystery adventure through a steampunk-flavored Victorian London   You’d have to be mad to steal from the feared International Patent Office. But that’s what Elizabeth Barnabus is about to try. A one-time enemy from the circus has persuaded her to attempt a heist that will be the ultimate conjuring trick. Hidden in the vaults of the Patent Court in London lie secrets that could shake the very pillars of the Gas-Lit Empire. All that stands in Elizabeth’s way are the agents of the Patent Office, a Duke’s private army and the mysterious Custodian of Marvels. Rod Duncan returns with the climactic volume of The Fall of the Gas-Lit Empire, the breathtaking alternate history series that began with the Philip K. Dick Award-nominated The Bullet-Catcher’s Daughter.

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Enter an alternative world ruled by steam-powered machinery, Victorian elegance, and futuristic technology by creating your own elaborate manga characters in Steampunk, the latest volume in the bestselling Monster Book of Manga series. This easy-to-follow guidebook brings to life more than thirty avant-garde manga characters fit for a steampunk universe where fantasy, science, and history collide. Through advanced illustration techniques and step-by-step instructions, you'll learn how to easily transform rough sketches into intricately inked graphics, all adorned in clockwork motifs, rich colors, and Space Age attire. Characters include pirates, sci-fi soldiers, industrial aviators, witches, time travelers, robots, and vampires. Whether you're a novice or a skilled artist, The Monster Book of Manga: Steampunk is the definitive guide to creating your very own collection of steampunk manga characters.

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Examination of major changes in political behaviour in 19c Cornwall, withwider implications for the country as a whole. This detailed case-study offers a penetrating analysis of the changing political culture in Cornwall up to and after the introduction of the 1832 electoral system. It spans a century in which the county's parliamentary over-representation and notorious political corruption was replaced by a politicised electorate for whom issues and principles were usually paramount. Several models of electoral behaviour are tested; in particular, the continuous politicalactivism of Cornwall's farmers stands out. Despite remnants of the unreformed electoral system lingering into the mid-Victorian era, Cornwall developed a powerful Liberal tradition, built upon distinctive patterns of non-conformity; the Conservatives, split by dissension, saw their pre-reform ascendancy disappear. Professor EDWIN JAGGARD lectures in history at Edith Cowan University, Perth, Western Australia.

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Many of the world’s most famous hats have their origins in Britain; in the Middle Ages there were civil and religious laws requiring hats to be worn and in Victorian Britain a person would no more leave home without a hat than a pair of trousers. It is no surprise that London’s oldest surviving shop, Lock and Co., is a hatter. From practical everyday caps and bonnets to military headwear, top hats, and even the coronation crown, hats of all sorts have passed through its doors and continue to do so after more than 300 years. In this fascinating new book David Long reveals how much of Britain’s social history can be understood through its headwear, and in exploring the ways in which a hat speaks volumes about its wearer’s rank and status he tells the stories of the people beneath some of the most famous hats of history.

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Victorian Chelsea was a thriving commercial and residential development, known for its grand houses and pleasant garden squares. Violent crime was unheard of in this leafy suburb. The double murder of an elderly man of God and his faithful housekeeper in two ferocious, bloody attacks in May of 1870 therefore shook the residents of Chelsea to the core. This volume examines the extraordinary case, one which could have leapt straight from the pen of Agatha Christie herself: the solving of the crime relied on the discovery of a packing box dripping with blood, and the capture of a mysterious French nephew. Compiled by a former detective, it looks at the facts: no direct evidence to place the suspect at either of the crime scenes; no weapon recovered; no motive substantiated. It lets you, the reader, decide: would you, on the evidence presented, have sent the same man to the gallows?

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