Search results for ""author manus"

The young naturalist W. N. P. Barbellion described this remarkably candid record of living with multiple sclerosis as 'a study in the nude'. It begins as an ambitious teenager's notes on the natural world, and then, following his diagnosis at the age of twenty-six, transforms into a deeply moving account of battling the disease. His prose is full of humour and fierce intelligence, and combines a passion for life with clear-sighted reflections on the nature of death. Barbellion selected and edited this manuscript himself in 1917, adding a fictional editor's note announcing his own demise. This Penguin Classics edition includes 'The Last Diary', which covers the period between submission of the manuscript and Barbellion's actual death in 1919.

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A comprehensive study of the medieval tale Peredur, comprising six articles in Welsh and one in English by renowned scholars exploring the history of the manuscript, its language and style, together with the social and European context of the text, thus throwing new light on the tales of the Mabinogion in general.

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The Cairo Genizah is considered one of the world’s greatest Hebrew manuscript treasures. Yet the story of how over a quarter of a million fragments hidden in Egypt were discovered and distributed around the world, before becoming collectively known as “The Cairo Genizah,” is far more convoluted and compelling than previously told. The full story involves an international cast of scholars, librarians, archaeologists, excavators, collectors, dealers and agents, operating from the mid-nineteenth to the early twentieth century, and all acting with varying motivations and intentions in a race for the spoils. Basing her research on a wealth of archival materials, Jefferson reconstructs how these protagonists used their various networks to create key alliances, or to blaze lone trails, each one on a quest to recover ancient manuscripts. Following in their footsteps, she takes the reader on a journey down into ancient caves and tombs, under medieval rubbish mounds, into hidden attic rooms, vaults, basements and wells, along labyrinthine souks, and behind the doors of private clubs and cloistered colleges. Along the way, the reader will also learn about the importance of establishing manuscript provenance and authenticity, and the impact to our understanding of the past when either factor is in doubt.

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This urtext edition of Carl Maria Von Weber's Mass in Eb (J224) is prepared from the composer's manuscript by the scholar Clive Brown, and includes the previously unpublished Offertorium J226. This vocal score is arranged for an accompanied SATB divisi choir with soli.

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L'étude de la version arménienne des «Homélies sur les Actes des Apôtres» de Jean Chrysostome, contenue dans deux manuscrits, dont l'un reproduit une traduction intégrale faite en 1077 à partir du grec, est essentielle pour connaître l'original et, confirmant la nette supériorité de la recension dite «brute», aidera à parfaire une édition critique restée inachevée. Le volume 1 donne le texte arménien de quatre homélies établi à partir des deux manuscrits étudiés, avec les textes de colophons. Le volume 2 propose la traduction française, comporte une comparaison avec le grec et un lexique bilingue. L'analyse des procédés de traduction du XIe siècle, comparés à ceux de Ve «époque d'or» de la traduction arménienne, permet de montrer l'évolution syntaxique et lexicale de l'arménien. Quant aux écarts, dans cette version extrêmement littérale, ils attestent une spécificité arménienne et serviront la connaissance du christianisme oriental.

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Grimm Otogi, a far-flung descendant of the renowned Grimm Brothers, has always regarded the fairy tales his ancestors concocted as pure fiction. Unfortunately for the introverted half-Japanese teen, he is about to discover that the Grimm legacy is anything but pure...Upon receiving a posthumous letter from the father he never knew, Otogi transfers to a new school and moves into an abandoned mansion as part of his inheritance. There, he finds a manuscript that reveals the truth about his ancestors: the Brothers Grimm made a deal with mystical beings known as the Marchen Demons, who now have a claim on Otogi's life. With a dashing male Cinderella as his guide, can Otogi Grimm unlock the power of the manuscript and stop the fairy tale demons before they destroy him first?

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Pages of a weathered original sonata manuscript - the gift of a Czech immigrant living in Queens - come into the hands of Meta Taverner, a young musicologist whose concert piano career was cut short by an injury. The gift comes with the request that Meta find the manuscript's true owner - a Prague friend the old woman has not heard from since the Second World War forced them apart - and to make the three-part sonata whole again. Leaving New York behind for the land of Dvorák and Kafka, Meta sets out on an unforgettable search to locate the remaining movements of the sonata and uncover a story that has influenced the course of many lives, even as it becomes clear that she isn't the only one seeking the music's secrets.

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Donated in the late fifteenth century to the papal choir, the musical manuscript "Cappella Sistina 14" reflects a new style of mass composition used by some of the era's most noted composers. "Masses for the Sistine Chapel" makes the complete contents of "Cappella Sistina 14" - held in the Vatican Library - available for the first time. Featuring fifteen masses and four mass fragments, this volume includes works by such composers as Guillaume Du Fay, Johannes Ockeghem, and Antoine Busnoys. In a comprehensive introduction and critical commentary on each work, Richard Sherr places the choirbook in its historical context, describing its physical makeup as well as the repertory. Sherr's critical edition of this celebrated manuscript finally provides the insight necessary to inform future performances and recordings of its influential contents.

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HarperCollins is proud to present its new range of best-loved, essential classics. ‘From that hour we had no further occasion for the exercise of reason, or judgment, or skill, or contrivance. We were henceforth to be hurled along, the playthings of the fierce elements of the deep.’ In Verne’s science-fiction classic, Professor Lidenbrock chances upon an ancient manuscript and pledges to solve the mysterious coded message that lies within it. Eventually he deciphers the story – that of an Icelandic explorer who travels to the centre of the earth, finding his way there via a volcano. Inspired by the manuscript, The Professor is determined to follow in the explorer’s footsteps and builds a crew of men which includes his nervous nephew Axel. Together they begin their journey to the centre of the earth, facing fearsome danger and adventure at every turn.

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Syriac "Sayings of Greek Philosophers" (SGP) is a corpus of sentences preserved in a number of Syriac manuscripts in the form of different collections and under different titles (until now these sentences were mainly referred to as "On the Soul"). SGP consists of two main blocks of sentences represented by two gnomic anthologies, the "Dublin Florilegium", consisting of short maxims, and the "Tur ʿAbdin Florilegium", including longer expositions in moral philosophy, or "counsels". The first introductory part of the book not only describes the textual witnesses of SGP, but also surveys all other extant gnomic materials attributed to Greek philosophers and poets (the Seven Sages, Homer, Plato, Menander, Pythagoras, Theano, etc.), including gnomologia, florilegia, exempla, and doxography. Two chapters of the introduction focus on the pedagogical use of the gnomic materials mainly connected with the new Christian forms of rhetorical education based on the study of the Bible and on the texts of Basil of Caesarea and Gregory of Nazianzus. The second part of the book contains a critical edition of SGP on the basis of 15 manuscripts.

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The poleaxe is a fearsome weapon: the armour-breaching weapon par excellence of the late Middle Ages, wielded on foot in friendly tournaments, lethal duels, and on the battlefield. Instruction on its use is found throughout surviving medieval martial arts manuscripts from Germany and Italy, but Le Jeu de la Hache (Axe-Play)—written in the mid fifteenth century for the Burgundian Court--is both the most complete study of this deadly weapon and the oldest known French-language martial arts text. In this new translation and interpretive guide, Jason Smith presents a complete translation of Le Jeu, detailed photographic reconstructions of its many techniques, and a short primer on the basics of axe combat, creating a complete curriculum for actually training in this unique medieval martial art. Combined with a historical overview of the manuscript and a detailed biography of Jacques de Lalain, a famed Burgundian axe-fighter, this volume is not just a modern training manual, but also a window into knightly culture at the waning of the Middle Ages.

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In this translation of glosses on the Song of Songs, Mary Dove offers a readily accessible and inexpensive resource for students and scholars. Anselm of Laon, possibly assisted by his brother Ralph, is credited with compiling the Glossa Ordinaria on the Song of Songs, drawing from earlier commentaries by Origen, Gregory the Great, Bede, Alcuin, Hrabanus Maurus, Haimo of Auxerre, and Robert of Tombelaine as well as contributing his own readings of the text. As Dove notes in her introduction, the text is quite complicated, with each manuscript page divided into three columns - the biblical text in large letters in the center column, with space left for interlinear glosses, and glosses in smaller letters in both the right- and left-hand columns. (This format is not reproduced in this translation.) The number of surviving manuscripts (over seventy) shows that plenty of readers enjoyed the challenges the text offered, and for modern readers, the Glossa Ordinaria is the first place to go to find medieval interpretation of biblical texts.

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Painstakingly restored from Tolkien’s manuscripts and presented for the first time as a fully continuous and standalone story, this paperback of the epic tale of The Children of Húrin will reunite fans of The Hobbit and The Lord of the Rings with Elves, dragons, Dwarves and Orcs, and the rich landscape and characters unique to Tolkien. It is a legendary time long before The Lord of the Rings, and Morgoth, the first Dark Lord, dwells in the vast fortress of Angband in the North; and within the shadow of the fear of Angband, and the war waged by Morgoth against the Elves, the fates of Túrin and his sister Niënor will be tragically entwined. Their brief and passionate lives are dominated by the elemental hatred that Morgoth bears them as the children of Húrin, the man who dared to defy him to his face. Against them Morgoth sends his most formidable servant, Glaurung, a powerful spirit in the form of a huge wingless dragon of fire, in an attempt to fulfil the curse of Morgoth, and destroy the children of Húrin. Begun by J.R.R. Tolkien at the end of the First World War, The Children of Húrin became the dominant story in his later work on Middle-earth. But he could not bring it to a final and finished form. In this book Christopher Tolkien has constructed, after long study of the manuscripts, a coherent narrative without any editorial invention.

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Wilfred Owen was twenty-two when he enlisted in the Artists’ Rifle Corps during World War I. By the time Owen was killed at the age of 25 at the Battle of Sambre, he had written what are considered the most important British poems of WWI. This definitive edition is based on manuscripts of Owen’s papers in the British Museum and other archives.

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Old Norse mythology is elusive: it is the label used to describe the religious stories of the pre-Christian North, featuring such well-known gods as Odin and Thor, yet most of the narratives have come down to us in manuscripts from the Middle Ages mainly written by Christians. Our view of the stories as they were transmitted in oral form in the pre-Christian era is obscured.To overcome these limitations, this book assembles comparisons from a range of theoretical and analytical perspectives—across media, cultures, and disciplines. Fifteen scholars from a wide range of fields examine the similarities of and differences of the Old Norse mythologies with the myths of other cultures. The differences and similarities within the Old Norse corpus itself are examined to tease out the hidden clues to the original stories.

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Joseph Conrad's Nostromo (1904) is widely considered his modernist masterpiece. The first of his major political novels, it depicts the effects of repeated revolution in a fictional South American state under the growing influence of the United States of America. It is an enduring portrait of global economics and politics during the late nineteenth and early twentieth centuries. This first comprehensive and authoritative critical edition offers an introduction clarifying the novel's origins and sources, while explanatory notes detail literary and historical references. An accompanying essay lays out the history of composition and publication, detailing interventions made by Conrad's editors. Also included are appendices of Conrad's source material; glossaries of nautical and foreign terms; a map; and reproductions of early drafts. By returning to (and respecting) Conrad's own early manuscript and typescript forms, this edition presents the novel and its preface in a form more authoritative than any so far.

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This comprehensive and authoritative edition of the correspondence of Daniel Defoe situates each letter in its biographical, literary, and historical contexts. A unique source for a turbulent period of British history, Defoe's correspondence spans topics including the first age of party marked by Tory and Whig rivalry, religious tensions between the Church and Dissenters, the uncertainty of the monarchical succession, the birth of Great Britain and its establishment as a global empire, and the use of the press to mould public opinion. As well as an introduction discussing Defoe's epistolary habits and the distinctive features of his letters, headnotes and annotations explain each document's occasion, beginning in 1703 with Defoe hunted by the government for sedition, and ending in 1730 with him again in hiding, fleeing creditors months before his death. The volume is illustrated with examples of Defoe's letters, offering a fresh window onto Defoe's manuscript habits.

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Due to its arid climate, Egypt preserves a unique range and abundance of evidence providing insights into the emergence and establishment of new religions, their relationship to each other and the pagan past. Over 300 objects have been specially selected for this publication, drawing on the significant collections of the Staatliche Museen zu Berlin and the British Museum and reflecting the rich cultural diversity of the Nile Valley from the first to the twelfth century AD. Through beautiful works of art, including jewellery, painted panels, textiles, sculpture, calligraphy, manuscripts, glass and ceramics, we gain a better understanding of the lives of ordinary and extraordinary people in this important period in Egyptian history. The book also reveals the different types of sacred buildings - synagogue, church, and mosque - and explains their architectural history and dissemination in Egypt.

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William Godwin was one of the most popular novelists of the Romantic era; P.B. Shelley praised him, Byron drew heavily on his narrative style, and Mary Shelley, Godwin’s daughter, dedicated Frankenstein to him.Caleb Williams is the riveting account of a young man whose curiosity leads him to pry into a murder from the past. The first novel of crime and detection in English literature, Caleb Williams is also a powerful exposé of the evils and inequities of the political and social system in 1790s Britain.In addition to the text itself, the editors have included an extensive selection of primary source materials from the period, ranging from Godwin’s original manuscript ending and excerpts from his political writings to contemporary reviews, the political writings of Burke and Paine, and materials on criminals and the English prison system.

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Throughout the Middle Ages, the religious women of Nivelles Abbey governed one of the most venerable and powerful ecclesiastical institutions in the Holy Roman Empire, which played a critical role, not only as the center of the cult of St Gertrude, but also as a lynchpin in the power politics of the empire. The recent discovery of the oldest surviving manuscript from the abbey, its Liber ordinarius, thus represents a significant addition to knowledge, not only of Nivelles' liturgy and the development of the cult of its patron saint, but also of the history of female monasticism in the High Middle Ages. In addition to a wealth of detail concerning the abbey's liturgical ceremonies, the Liber ordinarius permits fresh insight into the balance of power in this politically highly competitive region in the thirteenth and early fourteenth centuries. It also sheds light on the history, religious life, and the architectural history of the building, which was badly damaged in WWII. The documents incorporated in the manuscript, most of which were previously unknown and which are edited here for the first time, enhance greatly what is known about the politics of the period as well as the inner workings of the abbey at a time of economic and administrative conflict.

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This edition is the first to establish a reliable text of the poems of Thomas Parnell (1679-1718). Based on a study of all the available manuscripts, including an extensive collection in the poet's family, and authoritative editions, it more than doubles the number of poems known to be Parnell's and represents the first publication of some of his works.

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“The extraordinary untold story of how a disillusioned American diplomat named William C. Bullitt came to Freud’s couch in 1926, and how Freud and his patient collaborated on a psychobiography of President Woodrow Wilson.”—Wall Street JournalThe notorious psychobiography of Woodrow Wilson, rediscovered nearly a century after it was written by Sigmund Freud and US diplomat William C. Bullitt, sheds new light on how the mental health of a controversial American president shaped world events.When the fate of millions rests on the decisions of a mentally compromised leader, what can one person do? Disillusioned by President Woodrow Wilson’s destructive and irrational handling of the 1919 Treaty of Versailles, a US diplomat named William C. Bullitt asked this very question. With the help of his friend Sigmund Freud, Bullitt set out to write a psychological analysis of the president. He gathered material from personal archives and interviewed members of Wilson’s inner circle. In The Madman in the White House, Patrick Weil resurrects this forgotten portrait of a troubled president.After two years of collaboration, Bullitt and Freud signed off on a manuscript in April 1932. But the book was not published until 1966, nearly thirty years after Freud’s death and only months before Bullitt’s. The published edition was heavily redacted, and by the time it was released, the mystique of psychoanalysis had waned in popular culture and Wilson’s legacy was unassailable. The psychological study was panned by critics, and Freud’s descendants denied his involvement in the project.For nearly a century, the mysterious, original Bullitt and Freud manuscript remained hidden from the public. Then in 2014, while browsing the archives of Yale University, Weil happened upon the text. Based on his reading of the 1932 manuscript, Weil examines the significance of Bullitt and Freud’s findings and offers a major reassessment of the notorious psychobiography. The result is a powerful warning about the influence a single unbalanced personality can have on the course of history.

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The Cartulary of Prémontré offers a full critical edition, consisting of a transcription of the cartulary’s 509 charters together with historical notes and apparatus. The thirteenth-century cartulary of the abbey of Saint-Jean-Baptiste de Prémontré is one of the few manuscripts to survive from this monastery. Offering a window into daily life in medieval France and to contemporary documentary practices, the cartulary of Prémontré is a rich source for the socio-economic and religious history of the Picardy and Champagne regions during the twelfth and thirteenth centuries. The charters contained in the cartulary illuminate how this major northern French abbey functioned as a mother house for the Premonstratensian Order, and how it interacted with people – both elite and non-elite as well as secular and ecclesiastical. It also reveals the complexities of cartulary production within a larger institutional and archival context. In an introductory essay, Heather Wacha and Yvonne Seale consider not only the history of the manuscript and of the abbey of Prémontré, but also the cartulary’s materiality, its place within the broader field of cartulary studies, and what it shows us about women’s roles in contemporary society. In doing so, this volume offers new connections between the field of cartulary studies and feminist studies.

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The Old Testament Book of Esther in Slavonic translation is known from East Slavic manuscripts of the late 14th to the late 16th centuries. Working from the Masoretic Hebrew texts and Greek translations, Horace Lunt and Moshe Taube examine textological clues to the circumstances of Esther’s translation, sources, and redactions. This study creates a solid basis from which scholars can now discuss the particulars of this important translation, the nature of East Slavic biblical translating activity, and the relationship of old East Slavic bookmen to Hebrew and Greek.

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Cotton Claudius B.iv, an illustrated Old English Hexateuch that is among the treasures of the British Library, contains one of the first extended projects of translation of the Bible in a European vernacular. Its over four hundred images make it one of the most extensively illustrated books to survive from the early Middle Ages and preserve evidence of the creativity of the Anglo-Saxon artist and his knowledge of other important early medieval picture cycles. In addition, the manuscript contains the earliest copy of Aelfric's Preface to Genesis, a work that discusses issues of translation and interpretation.

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In Plutarch. De facie quae in orbe lunae apparet, Luisa Lesage Gárriga offers a new critical edition with English translation of one of Plutarch’s most fascinating treatises, and yet one of the least known to the wider public. Dealing with the nature and function of the moon from multiple perspectives, this treatise offers a comprehensive overview of scientific knowledge and religious-philosophical thought from the first centuries CE. The difficulty of Plutarch’s style, the shortage of manuscripts, and the numerous text-critical interventions have often obscured the meaning of central passages of the treatise. By means of a new approach to the manuscripts’ readings and a more lenient use of editorial interventions and conjectures, Luisa Lesage Gárriga manages to bring innovative solutions to many of the problematic passages.

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Ces « commencements » sont ceux d’un programme de recherches ouvert par l’École biblique et archéologique française de Jérusalem. La Bible en ses Traditions vise à rassembler sur un même support les traductions des versions majeures des Écritures, leurs annotations philologiques et historiques, et une exploration systématique de leurs interprétations religieuses et culturelles au fil des siècles. Il s’agit de réinventer le modèle de la Bible polyglotte. Éditer les Écritures au 21e siècle, en effet, ne peut plus consister à imprimer un texte unique — fût-il la version traditionnelle d’une confession particulière ou le texte « original » reconstitué, plus « scientifique » que le texte traditionnel. Les manuscrits de la mer Morte, l’histoire comparée des Écritures en hébreu et en grec, ont rendu à la Bible son statut de texte polyphonique, reçu en communautés croyantes aussi diverses qu’interreliées. Loin d’être un météore mystérieusement tombé du ciel, le Livre saint traverse l’histoire non seulement dans des manuscrits variés, mais aussi au fil de traités théologiques, de performances liturgiques, d’œuvres littéraires et artistiques, musicales et cinématographiques.

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From Viking boxes to medieval manuscripts, mummified animals to elaborate stone carvings, Christ Church Cathedral has been the repository for an astonishing array of objects over the centuries, connecting us to the cathedral’s past in a direct and tangible way. These treasures provide impressive evidence of the cathedral’s extensive communications network, with Europe and beyond; the skilled craftsmanship that contributed to the creation of the cathedral building and its contents; and the many people who have passed through this extraordinary place. This accessible book is an eye-catching introduction to the cathedral’s history, with lively commentaries on over 50 objects in Christ Church Cathedral. Generously illustrated with a wealth of items, ranging from the curious and the unexpected to the sumptuous riches of illuminated manuscripts and church plate. This is an enjoyable guide to Christ Church Cathedral, a place of worship in the centre of Dublin for almost 1,000 years.

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The Thackeray Edition proudly announces two additions to its collection: Catherine and The Luck of Barry Lyndon. The Thackeray Edition is the first full-scale scholarly edition of William Makepeace Thackeray's works to appear in over seventy years, and the only one ever to be based on an examination of manuscripts and relevant printed texts.

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It has been a long time ago since Professor De Rijk first drew our attention to an important Parisian manuscript containing two treatises on logic, both connected with the School of the Montani. The school was established in the twelfth century on the Mont Sainte Geneviève (which is situated in what is nowadays known as the Quartier Latin). It was dominated by master Alberic (Albericus) of Paris. The Montani were the heirs (faithful or not) of Pierre Abelard, Robert of Melun and this master Alberic. The present work aims to provide a first working edition of one of the treatises in the manuscript, the Introductiones Montane maiores. This introductory work on logic contains a wealth of information about the way in which logic was taught and practiced in the schools of Paris of the twelfth century. It also gives insight into the vicissitudes of the teachings of different Parisian masters. The edition is preceded by an extensive introduction, with information about the origins and contents of the text and discussions of some interesting doctrinal elements.

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An original study of Gauguin’s writings, unfolding their central role in his artistic practice and negotiation of colonial identity As a French artist who lived in Polynesia, Paul Gauguin (1848–1903) occupies a crucial position in histories of European primitivism. This is the first book devoted to his wide-ranging literary output, which included journalism, travel writing, art criticism, and essays on aesthetics, religion, and politics. It analyzes his original manuscripts, some of which are richly illustrated, reinstating them as an integral component of his art. The seemingly haphazard, collage-like structure of Gauguin’s manuscripts enabled him to evoke the “primitive” culture that he celebrated, while rejecting the style of establishment critics. Gauguin’s writing was also a strategy for articulating a position on the margins of both the colonial and the indigenous communities in Polynesia; he sought to protect Polynesian society from “civilization” but remained implicated in the imperialist culture that he denounced. This critical analysis of his writings significantly enriches our understanding of the complexities of artistic encounters in the French colonial context.

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This acclaimed volume explores and unravels the contexts, readings, genres, intertextualities and debates within Anglo-Saxon studies. Brings together specially-commissioned contributions from a team of leading European and American scholars. Embraces both the literature and the cultural background of the period. Combines the discussion of primary material and manuscript sources with critical analysis and readings. Considers the past, present and future of Anglo-Saxon studies

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An exploration of scribal news, which played a major part in the topical reporting of political developments in Britain during the 17th and 18th centuries Evaluates its significance, which has long been overshadowed by the seemingly inevitable rise of print media Builds on recent research that critiqued assumptions about the superiority of print Seeks to explore the relationship between manuscript news and politics in Britain from c. 1660-1760 in more detail and on a broad scale

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This acclaimed volume explores and unravels the contexts, readings, genres, intertextualities and debates within Anglo-Saxon studies. Brings together specially-commissioned contributions from a team of leading European and American scholars. Embraces both the literature and the cultural background of the period. Combines the discussion of primary material and manuscript sources with critical analysis and readings. Considers the past, present and future of Anglo-Saxon studies

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Composed in a prison cell in 1298 by Venetian merchant Marco Polo and Arthurian romance writer Rustichello of Pisa, The Description of the World relates Polo's experiences in Asia and at the court of Qubilai, the Great Khan of the Mongol Empire. In addition to a new translation based on the Franco-Italian "F" manuscript of Polo's text, this edition includes genealogies of the Mongol rulers and nine maps of Polo's journey, as well as thorough annotation and an extensive bibliography.

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Why does medieval art matter today? This beautifully illustrated book will examine this question through the lens of the magnificent objects in the Wyvern Collection of Medieval and Early Renaissance art, accompanying the collection's first exhibition in the United States. Works include exquisite examples of metalwork, stone and wood sculpture, and illuminated manuscripts from across Europe, as well as the Christian community of Ethiopia. Offering new photography and complementary text, this book will be an essential resource for one of the world's most important private collections of medieval art, and a fascinating read for all interested in the Middle Ages and the role of art history in exploring our world.

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Essays on the complexity of multilingualism in medieval England. Professor Jocelyn Wogan-Browne's scholarship on the French of England - a term she indeed coined for the mix of linguistic, cultural, and political elements unique to the pluri-lingual situation of medieval England - is of immenseimportance to the field. The essays in this volume extend, honour and complement her path-breaking work. They consider exchanges between England and other parts of Britain, analysing how communication was effected where languagesdiffered, and probe cross-Channel relations from a new perspective. They also examine the play of features within single manuscripts, and with manuscripts in conversation with each other. And they discuss the continuing reach ofthe French of England beyond the Middle Ages: in particular, how it became newly relevant to discussions of language and nationalism in later centuries. Whether looking at primary sources such as letters and official documents, orat creative literature, both religious and secular, the contributions here offer fruitful and exciting approaches to understanding what the French of England can tell us about medieval Britain and the European world beyond. Thelma Fenster is Professor Emerita of French and Medieval Studies, Fordham University; Carolyn Collette is Professor of English Language and Literature at Mount Holyoke College. Contributors: Christopher Baswell,Emma Campbell, Paul Cohen, Carolyn Collette, Thelma Fenster, Robert Hanning, Richard Ingham, Maryanne Kowaleski, Serge Lusignan, Thomas O'Donnell, W. Mark Ormrod, Monika Otter, Felicity Riddy, Delbert Russell, Fiona Somerset, +Robert M. Stein, Andrew Taylor, Nicholas Watson, R.F. Yeager

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Eighth volume in the collaborative edition - early 12C Canterbury manuscript. The introduction details other work by the same hand and his role in re-shaping Anglo-Saxon history. This edition presents a bilingual (Old English and Latin) version of the Anglo-Saxon Chronicle written by a monk of Christ Church, Canterbury, probably in the first decade of the twelfth century. Though the Old English andLatin texts have been printed separately, this is the first edition to present the text intended by its compiler, who also produced the Latin translation and wrote the single extant manuscript. The introduction demonstrates that same monk who was responsible for this bilingual chronicle also revised MS A (the Parker Chronicle) and an ancestor of MS E (the Peterborough Chronicle) and was a forger of documents: he thus is significant as an early Norman reviser of Anglo-Saxon history. PETER BAKER is Professor of English, University of Virginia.

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Before he suddenly passed away, John W. Robinson was working on a manuscript that he saw as effecting a marriage between the dramatic and the theatrical, as he felt there was too large a divide between literary scholars and practitioners of the theater. In it, Robinson stated that his purpose it to expound as plays the New Testament plays of the Wakefield Master and some of the related York plays, including two by the York Realist. . . . hop[ing] to show that the meaning and effect of the Wakefield Master's and York Realist's plays will not appear unless they are approached with the understanding that they were performed, with some idea of how they were performed, and with some appreciation of what they meant to a medieval audience. That manuscript is presented here, a close study of eight plays and the elements Robinson considers essential to performance: playwright, sponsors, location, plot, script, players, and audience.

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''ASTONISHING'' THE DAILY MAIL ''STRIKING'' THE SUNDAY TIMES ''RADICAL'' TATLER Described by The Telegraph as ''Edward''s truth'' Once a King is the never before seen and unfiltered story of King Edward VIII, the original royal renegade, who abdicated his throne and left the royal family to pursue his own destiny. Fifteen years after having abdicated the throne to marry the woman he loved - Wallis Simpson - King Edward VIII, now the Duke of Windsor, published his memoirs. But whilst preparing the manuscript for his published and mostly ghostwritten book - which, unlike Prince Harry''s autobiography Spare, largely avoided controversy - the Duke also produced a private manuscript for posterity. This was written in his own words and with an uninhibited frankness.Once a King: The Lost Memoir of Edward VIII reproduces this uncrowned King''s previously unseen writing

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This work contains a major revision of Douglas Thomson's Catullus: A Critical Edition (1978), with the addition of a full commentary and a wholly new introduction. For the introduction and for each of the poems there is an extensive and current bibliography. In the introduction, apart from sections on the life of Catullus, on the arrangement of the poems, and on their literary background, there is a lengthy discussion of the history of the text, as well as a review of the progress of Catullan studies from the editio princeps to the present day. There are about seventy changes from the previous edition in the text of the poems. The critical apparatus has also been extensively revised. In addition, the Table of Manuscripts, which has come to be regarded as standard, has been updated without alteration to the numbering sequence. Though this is not primarily intended as a 'school edition,' the commentary includes, in addition to critical judgments, translations and interpretations of words and phrases that may help to illuminate readings in the text. Catullus offers readers a new text of the poems, with a commentary, a codicology of the manuscript tradition, and a thorough review of Catullus scholarship.

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This book narrates the history of Owain Myfyr (Owen Jones) - from his birth in Llanfihangel Glyn Myfyr in 1741 through to his death in London in 1814. It pays particular attention to his career as a literary sponsor. The book also explores the centrality of Owain to the welsh antiquarian movement that blossomed in London during the period 1787-1807. Without his vision, leadership and readiness to spend his own money on sponsoring scholars the intense activity of this period would not have been possible. This will be the first attempt to write a biography of Owain Myfyr. Unil now, very little has been written specifically on him. Most of what is available tends to misrepresent his understanding of those manuscripts in which he so readily invested his own money. This manuscript, however, will try to reach a more balanced conclusion by analysing the available evidence and giving a more detailed deconstruction of his character and legacy. Despite not being a scholar,as such, he came to influence many of the key Welsh scholars of his day and continued to be an influence after his death.

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Cambridge, Corpus Christi College 391, a Worcester manuscript of the second half of the 11th century, is the earliest surviving example of a primitive' breviary, that is, a book for the Office containing calendar, psalter, canticles, litany, hymnal, collectar (full lists of incipits of antiphons and hymns) and private prayers; the manuscript quite possibly belonged to Wulstan II, bishop of Worcester 1062-95. Vol. II includes the private prayers (some of which are in Old English), and contains a brief introduction and full indices.

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The MS book contains directions for the vesting of a bishop and the singing of pontifical High Mass (ff. 1-21), and a collection of episcopal blessings, mainly quadripartite (ff. 22-83). These latter include a series elsewhere given under the name of Archbishop John Peckham of Canterbury. While this manuscript is carelessly written, there are some variant readings here, and there are corrections in the hand of John Longelonde (1473-1547). The edition is of the entire manuscript and collates with the text edited (poorly) by Ralph Barnes (Liber Pontificalis of Edmund Lacy, W. Roberts, Exeter, 1847), and with the unpublished Pontifical of Bishop Anianus of Bangor (1267-1307) which is dated to 1279, and with the Litlington Westminster Missal (edited as volume 1 of the present series).

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*NOW A MAJOR SKY TV SERIES. Read the novel Season 2 is based on.*Fall deeper under the spell of Diana and Matthew in the captivating second volume of the No.1 internationally bestselling ALL SOULS series, following A DISCOVERY OF WITCHES. Perfect for fans of Neil Gaiman, Diana Gabaldon and J. K. Rowling.---In a world of witches, daemons and vampires the fragile balance of peace is unravelling. Diana and Matthew''s forbidden love has broken the laws dividing creatures. To discover the manuscript which holds their hope for the future, they must now travel back to the past.When Diana Bishop, descended from a line of powerful witches, discovered a significant alchemical manuscript in the Bodleian Library, she sparked a struggle in which she became bound to long-lived vampire Matthew Clairmont. Now the coexistence of witches, daemons, vampires and humans is dangerously threatened.Seeking saf

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Traherne's voice can be heard as never before. THE TABLET Thomas Traherne [1637? - 1674], a clergyman of the Church of England during the Restoration, was little known until the early twentieth century, when his poetry and Centuries of Meditations were discovered. There have beensince miscellaneous publications of his poetry and devotional writings. The Works of Thomas Traherne brings together all of Traherne's extant works in a definitive, printed edition for the first time. It will include both his published and unpublished works, and his notebooks, presenting them insofar as possible by manuscript, giving due attention to their physical aspects and to their integrity as manuscript books. Volumes II and III make available The Commentaries of Heaven, preserved in one manuscript held at the British Library. Organised topically, it was intended to cover the whole of the alphabet but extends only through `A' and part of `B', with 95prose articles altogether. It possesses the charactertistics of a commonplace book, encyclopaedia and dictionary, and contains poetry, meditations, philosophical discourse, and polemic. The unusual range of subjects treated, from`Abhorrence' to `Ant', `Aristotle' to `Atom', shows Traherne to be an imaginative and compelling writer in his approach to Christian theology, while maintaining both his integrity and orthodoxy as a priest.

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The time for answers has arrived. After the death of a much loved friend, Team Veritas has even more to fight for. At the University of Yale, in the underground vaults of the Beinecke Rare Book and Manuscript Library, the team finally get to see the real live Voynich Manuscript. Amongst stories of giants, betrayal and death, the language of the most mysterious manuscript in the world is finally understood. An ancient secret is broken.And now Team Veritas know their final quest: to journey to the real Avalon - the island where truth and legend meet. But they do not travel alone. There are some who seek revenge. And there are others who demand an impossible sacrifice - only then can the words of the Firebird Code be completely understood. With danger around every corner, can the Secret Breakers finally unlock the truth?The SECRET BREAKERS series concludes in this dramatic and satisfying finale.Enter the world of the Secret Breakers at http://hldennis.com/Teachers' resources and full reading guide available here: http://hldennis.com/docs/HDreadingguide.pdf'This gripping thriller ... will have you on the edge of your seats.' TBK Magazine

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A translation from the original French by Tessa Dickinson of an unpublished original manuscript dated 11 May 1862, in the possession of Robert Temple, London

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