Search results for ""indiana university press""

An important work in the field of diaspora studies for the past decade, this collection has inspired scholars and others to explore a trail blazed originally by Melville J. Herskovits, the father of New World African studies. Since its original publication, the field has changed considerably. Africanism has been explored in its broader dimensions, particularly in the area of white Africanisms. Thus, the new edition has been revised and expanded. Joseph E. Holloway has written three essays for the new volume. The first uses a transnational framework to examine how African cultural survivals have changed over time and readapted to diasporic conditions while experiencing slavery, forced labor, and racial discrimination. The second essay is "Africanisms in African American Names in the United States." The third reconstructs Gullah history, citing numerous Africanisms not previously identified by others. In addition, "The African Heritage of White America" by John Phillips has been revised to take note of many more instances of African cultural survivals in white America and to present a new synthesis of approaches.

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"The best sort of introductory study . . . packed with enlightening information." —The Times Literary SupplementPoor whites have been isolated from mainstream white Southern culture and have been in turn stereotyped as rednecks and Holy Rollers, discriminated against, and misunderstood. In their isolation, they have developed a unique subculture and defended it with a tenacity and pride that puzzles and confuses the larger society. Written 25 years ago, this book was one scholar's attempt to understand these people and their culture. For this new edition, Wayne Flynt has provided a new retrospective introduction and an up-to-date bibliography.

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Pierre Bourdieu (1930–2002) had an enormous influence on social and cultural thought in the second half of the 20th century, leaving a mark on fields as diverse as sociology, anthropology, critical theory, education, literary criticism, art history, and media studies. From his childhood in a rural French village, to his fieldwork in Algeria, to his ascension to the Chair of Sociology at the Collège de France, Bourdieu's life followed a trajectory both complex and contradictory. In this original and eloquent study, Deborah Reed-Danahay offers fresh insights on Bourdieu's work by drawing on the perspectives of ethnography and autobiography. Using Bourdieu's own reflections upon his life and career and considering the totality of his research and writing, this book locates Bourdieu within his French milieu and within the current state of discussion of Europe and its colonial legacy. Locating Bourdieu revisits major themes and concepts such as structure and practice, taste and distinction, habitus, social field, symbolic capital, and symbolic violence, adding new perspectives and discovering implications of Bourdieu's work for understanding emotion, social space, and personal narrative. The result is a work of impressive scholarship and intellectual creativity that will appeal to scholars, students, and non-specialists alike.New Anthropologies of Europe—Daphne Berdahl, Matti Bunzl, and Michael Herzfeld, editors

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"This book serves as a window into the rich and revealing lives and self-representations of the particular individuals who have produced the life histories. In so doing, it makes very important broader points about the use of life histories in social science research in general and in the study of South Asian social-cultural life in particular." —Sarah LambLife histories have a wide, if not universal, appeal. But what does it mean to narrate the story of a life, whether one’s own or someone else’s, orally or in writing? Which lives are worth telling, and who is authorized to tell them? The essays in this volume consider these questions through close examination of a wide range of biographies, autobiographies, diaries, and oral stories from India. Their subjects range from literary authors to housewives, politicians to folk heroes, and include young and old, women and men, the illiterate and the learned.Contributors are David Arnold, Stuart Blackburn, Sudipta Kaviraj, Barbara D. Metcalf, Kirin Narayan, Francesca Orsini, Jonathan P. Parry, Jean-Luc Racine, Josiane Racine, David Shulman, and Sylvia Vatuk.

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"These essays are extremely well written, with the clarity and accessibility that one has come to expect from Berel Lang, one of the most respected and significant philosophers writing about the Holocaust and its impact." —Michael L. MorganIn these trenchant essays, philosopher Berel Lang examines post-Holocaust intepretations—and misinterpretations—showing the ways in which rhetoric and ideology have affected historical discourse about the Holocaust and how these accounts can be deconstructed. Why didn’t the Jews resist? How could the Germans have done what they did? Why didn’t more bystanders join in the rescue? In Lang’s view, these questions become mischievous when the circumstances in which victims, perpetrators, and bystanders played their roles are omitted or obscured. To confront such issues adequately requires comparative and contextual evidence. Post-Holocaust addresses such questions as the place of the Holocaust in the Nazi project as a whole, the roles of revenge and forgiveness in post-Holocaust Jewish thinking, Holocaust commemoration as artifice or "business," and the relationship of the Holocaust to traditional antisemitism. Lang’s analysis provides an incisive and fruitful basis for confronting these critical subjects.Jewish Literature and Culture—Alvin H. Rosenfeld, editor

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This book vividly evokes radical women's integral roles within France's revolutionary civil war known as the Paris Commune. It demonstrates the breadth, depth, and impact of communard feminist socialisms far beyond the 1871 insurrection. Examining the period from the early 1860s through that century's end, Carolyn J. Eichner investigates how radical women developed critiques of gender, class, and religious hierarchies in the immediate pre-Commune era, how these ideologies emerged as a plurality of feminist socialisms within the revolution, and how these varied politics subsequently affected fin-de-siècle gender and class relations. She focuses on three distinctly dissimilar revolutionary women leaders who exemplify multiple competing and complementary feminist socialisms: Andre Leo, Elisabeth Dmitrieff, and Paule Mink. Leo theorized and educated through journalism and fiction, Dmitrieff organized institutional power for working-class women, and Mink agitated crowds to create an egalitarian socialist world. Each woman forged her own path to gender equality and social justice.

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Praise for the first edition:"An impressive collection of more than 50 pieces—essays, poems, folktales, short stories, memoirs, film scripts, lectures/speeches—by Arab women challenging the widely accepted view of Middle Eastern women as submissive non-thinkers to whom feminism is a foreign concept." —Booklist"Anyone interested in good writing should read [Opening the Gates]. Here are first-class stories with the energy and freshness we expect from a beginning." —Doris Lessing, The Independent"This collection of stories, speeches, essays, poems and memoirs bears fierce testimony to a tradition of brave Arab feminist writing in the face of subjugation by a Muslim patriarchy."—Publishers Weekly"This impressive collection of writings by Arab women . . . represent[s] a powerful series of vignettes by women who were both insightful and gifted, into the lives of women who have lived 'behind the veil' over the last 100 years."—Arab Book World"An expression of indigenous, intrepid feminism in the Arab world."—Ms."Opening the Gates succeeds not because of its methodology, but because of the stories the women tell."—Voice Literary Supplement

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Although previously considered a way-station on the road to Hegel, F. W. J. von Schelling is today enjoying a renaissance among Continental philosophers and others. The 14 essays in this engaging volume bring Schelling in tune with such luminaries as Heidegger, Derrida, Bataille, Foucault, Deleuze, Levinas, and Irigaray and situate him squarely in the center of current themes and discussions in such topics as ethical alterity (the other), deep ecology and the question of nature, the relation of aesthetics to nature, the crisis of truth, the possibility of non-dialectical philosophy, and the possibility of a philosophical religion. Established scholars and newer voices cast light on Schelling and German Idealism.Contributors are Patrick Burke, Theodore D. George, Eiko Hanaoka, David Farrell Krell, Joseph P. Lawrence, Benjamin S. Pryor, Stephen David Ross, Marcia Sá Cavalcante Schuback, F. Scott Scribner, Fiona Steinkamp, Martin Wallen, Peter Warnek, Jason M. Wirth, and Slavoj Zizek.

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What does American pragmatism contribute to contemporary debates about human-animal relationships? Does it acknowledge our connections to all living things? Does it bring us closer to an ethical treatment of all animals? What about hunting, vegetarianism, animal experimentation, and the welfare of farm animals? While questions about human relations with animals have been with us for millennia, there has been a marked rise in public awareness about animal issues—even McDonald's advertises that they use humanely treated animals as food sources. In Animal Pragmatism, 12 lively and provocative essays address concerns at the intersection of pragmatist philosophy and animal welfare. Topics cover a broad range of issues, including moral consideration of animals, the ethics of animal experimentation, institutional animal care, environmental protection of animal habitat, farm animal welfare, animal communication, and animal morals. Readers who interact with animals, whether as pets or on a plate, will find a robust and fascinating exploration of human-nonhuman relationships.Contributors are James M. Albrecht, Douglas R. Anderson, Steven Fesmire, Glenn Kuehn, Todd Lekan, Andrew Light, John J. McDermott, Erin McKenna, Phillip McReynolds, Ben Minteer, Matthew Pamental, Paul Thompson, and Jennifer Welchman.

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Praise for the first edition:"[This] ambitious and courageous book [is a] benchmark of theology by which questions about the meaningful history of the Peoples Temple may be measured." —Journal of the American Academy of ReligionRe-issued in recognition of the 25th anniversary of the mass suicides at Jonestown, this revised edition of David Chidester's pathbreaking book features a new prologue that considers the meaning of the tragedy for a post-Waco, post-9/11 world. For Chidester, Jonestown recalls the American religious commitment to redemptive sacrifice, which for Jim Jones meant saving his followers from the evils of capitalist society. "Jonestown is ancient history," writes Chidester, but it does provide us with an opportunity "to reflect upon the strangeness of familiar . . . promises of redemption through sacrifice."

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Throughout the Middle East, Islamist charities and social welfare organizations play a major role in addressing the socioeconomic needs of Muslim societies, independently of the state. Through case studies of Islamic medical clinics in Egypt, the Islamic Center Charity Society in Jordan, and the Islah Women's Charitable Society in Yemen, Janine A. Clark examines the structure and dynamics of moderate Islamic institutions and their social and political impact. Questioning the widespread assumption that such organizations primarily serve the poorer classes, Clark argues that these organizations in fact are run by and for the middle class. Rather than the vertical recruitment or mobilization of the poor that they are often presumed to promote, Islamic social institutions play an important role in strengthening social networks that bind middle-class professionals, volunteers, and clients. Ties of solidarity that develop along these horizontal lines foster the development of new social networks and the diffusion of new ideas.

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The 15 original essays in Race and Racism in Continental Philosophy explore the resources that continental philosophy brings to debates about contemporary race theory and investigate the racism of some of Europe's most important thinkers. Attention is devoted to the influence of the work of W. E. B. Du Bois, Jean-Paul Sartre, Richard Wright, and Frantz Fanon. Questions about race in European philosophy—especially in the work of Nietzsche, Heidegger, Lévi-Strauss, and Arendt—are also considered. This volume provides an indispensable critical introduction to new perspectives on thinking about race and racism.

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This quintet of essays examines the reasons why music education should be transformed, investigates the nature of education and musical transformation, and suggests alternative educational models and strategies. Estelle Jorgensen frames her argument for new approaches against the backdrop of historical musical and educational practice and draws on literature from various fields. Transforming Music Education is addressed to current and future music teachers, those who train them, and all who are interested in revolutionizing music education.

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What characterizes the relationship between literature and the state? Should literature serve the needs of the state by constructing national consciousness, espousing state propaganda, and molding good citizens? Or should it be dedicated to a different kind of creative social endeavor? In this important book about literature and the politics of nation-building, Dominic Thomas assesses the contributions of Francophone African writers whose works have played a key role in the recent transition to democracy in the Congo. Exploring the works of Sony Labou Tansi, Henri Lopes, and Emmanuel Dongala, among others, Thomas highlights writers intimately involved with government and politics—whether in support of the state's vision or with the intention of articulating a more open view of citizens and society. Focusing on themes such as collaboration, reconciliation, identity, history, and memory, Nation-Building, Propaganda, and Literature in Francophone Africa elaborates a broader understanding of the circumstances of African colonization, modern African nation-state formation, and the complex cultural dynamics at work in Africa since independence.

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"Everyone complains about what is lost in translations. This is the first account I have seen of the potentially positive impact of translation, that it represents... a genuinely new contribution." —Drew A. HylandIn his original philosophical exploration of translation, John Sallis shows that translating is much more than a matter of transposing one language into another. At the very heart of language, translation is operative throughout human thought and experience. Sallis approaches translation from four directions: from the dream of nontranslation, or universal translatability; through a scene of translation staged by Shakespeare, in which the entire range of senses of translation is played out; through the question of the force of words; and from the representation of untranslatability in painting and music. Drawing on Jakobson, Gadamer, Benjamin, and Derrida, Sallis shows how the classical concept of translation has undergone mutation and deconstruction.

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"This collection offers a treasure trove of primary sources of interest to students of women's history. Carefully introduced and annotated, these documents illustrate the diversity of Russian women's lives." —Barbara Alpern Engel"There is no other work that offers such a wide variety of documents and such a successful combination of literary and historical materials." —Ann Hibner KoblitzThis rich anthology of source materials makes available for the first time in any language a multitude of primary sources on the lives of Russian women from the reign of Peter the Great to the Bolshevik revolution. The selections are drawn from a wide variety of documents, published and unpublished, including memoirs, diaries, legal codes, correspondence, short fiction, poetry, ethnographic observations, and folklore. Primacy is given to sources produced by women and previously unavailable in English translation. Organized thematically, the documents focus on women's family life, work and schooling, public activism, creative self-expression, and sexuality and spirituality, as well as on the cultural ideals and legal framework which constrained women of all social classes.

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"Albert Wertheim's study of Fugard's plays is both extremely insightful and beautifully written—a book that held my attention from beginning to end. It was a pleasure to read! Wertheim succeeds in communicating the greatness of Fugard as a playwright, actor, and director. He also conveys well what Fugard has learned from other plays and dramatists. Thus, he places Fugard's works not so much in a South African context as in a theatrical context. He also illuminates his interpretations with the help of Fugard's manuscripts, previously available only in South Africa. This book is aimed not only at teachers, students, scholars, and performers of Fugard but also at the person who simply loves going to see a Fugard play at the theatre.—Nancy Topping Bazin, Eminent Scholar and Professor Emeritus, Old Dominion UniversityConsidered one of the most brilliant, powerful, and theatrically astute of modern dramatists, South African playwright Athol Fugard is best known for The Blood Knot,"MASTER HAROLD" . . . and the boys, A Lesson from Aloes, and Sizwe Bansi Is Dead. The energy and poignancy of Fugard's work have their origins in the institutionalized racism of his native South Africa, and more recently in the issues facing a new South Africa after apartheid. In The Dramatic Art of Athol Fugard, Albert Wertheim analyzes the form and content of Fugard's dramas, showing that they are more than a dramatic chronicle of South African life and racial problems. Beginning with the specifics of his homeland, Fugard's plays reach out to engage more far-reaching issues of human relationships, race and racism, and the power of art to evoke change. The Dramatic Art of Athol Fugard demonstrates how Fugard's plays enable us to see that what is performed on stage can also be performed in society and in our lives; how, inverting Shakespeare, Athol Fugard makes his stage the world.

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"Baracchi has identified pivotal points around which the Republic operates; this allows a reading of the entire text to unfold.... a very beautifully written book." —Walter Brogan"... a work that opens new and timely vistas within the Republic.... Her approach... is thorough and rigorous." —John SallisAlthough Plato’s Republic is perhaps the most influential text in the history of Western philosophy, Claudia Baracchi finds that the work remains obscure and enigmatic. To fully understand and appreciate its meaning, she argues, we must attend to what its original language discloses. Through a close reading of the Greek text, attentive to the pervasiveness of story and myth, Baracchi investigates the dialogue’s major themes. The first part of the book addresses issues of generation, reproduction, and decay as they apply to the founding of Socrates’ just city. The second part takes up the connection between war and the cycle of life, employing a thorough analysis of Plato’s rendition of the myth of Er. Baracchi shows that the Republic is concerned throughout with the complex but intertwined issues of life and war, locating the site of this tangled web of growth and destruction in the mythical dimension of the Platonic city.

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A Question of Manhood: A Reader in Black Men's History and Masculinity, is the first anthology of historical studies focused on themes and issues central to the construction of Black masculinities. The editors identified these essays from among several hundred articles published in recent years in leading American history journals and academic periodicals. Volume II picks up where volume I left off, continuing to focus on gender by examining the lives of African American men in the tumultuous period following the Civil War through the end of the nineteenth century. The writings included in volume two cover themes in the lives of black men that touch on leadership, work and the professions, family and community, sports and the military, and the image of black men in the larger society.

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"Once Intrepid Warriors advances a brilliantly persuasive critique of development among the Maasai. . . . This historical ethnography is a tour de force, counter-balancing the analysis of cultural, political, and socio-economic transformation over the longue duree with intimate and memorable portraits of representative individuals." —Richard Werbner"In a series of chapters on the interrelationships of ethnicity, gender, and 'modernity,' Hodgson concludes that it is not the Maasai who have remained static, but rather the external images of them." —Choice". . . meticulous and well-documented . . . a valuable resource. . . ." —Africa

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Trains Across the ContinentNorth American Railroad History Second EditionRudolph Daniels A wonderfully readable, illustrated guide to the history of railroads in America."Trains Across the Continent is everything you need to know about railroad history—both educational and enjoyable reading." —Dean Bruce, President, Railroad Education Training Association"Trains Across the Continent should be in every public school library in the country. Quickly and concisely Dr. Daniels leads you through the maze of building, merging, and a myriad of other details necessary to understand modern railroading. Steam, diesel, passenger, and freight are all carefully explained on a national scale rather than railroad specific, making this book even more of a useful tool for the student." —Donald D. Snoddy, Historian, Union Pacific Railroad"Trains Across the Continent" is a truly comprehensive account of how railroads helped shape, and are continuing to shape, the history of North America." —Jonathan B. Hanna, Historian, Canadian Pacific Railway"Nothing but positive comments about it from faculty and students alike. . . . The industry bible in this area." —Phillip B. Cypret, Sacramento City College"Professor Daniels displays both passion and scholarship in this nicely arranged buffet of subjects both large and minute, important and interesting, serious and fun, to present a delicious overview of railroad history." —James D. Porterfield, author of Dining by Rail"Daniels manages to make brief mention of all major points of North American railroad history . . . from the workings of a steam locomotive to the dawn of the railroad mega-merger, nearly every conceivable aspect of railroading receives attention. . . . This volume is a must for those wishing to broaden or hone their knowledge of the birth and evolution of the railroad industry in North America." —Rail NewsUpdated maps, new appendices, a greatly expanded bibliography, detailed discussions of the recent attempted mergers of the CN and BNSF, of the diesel locomotive, and of railroad electrification further round out the usefulness of Trains Across the Continent as the complete and concise introduction to North American railroads.Rudolph Daniels is Chair of the Behavioral Sciences Department at Western Iowa Tech Community College, where he teaches history and Railroad Operations Technology.

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Stanley Kubrick ranks among the most important American film makers of his generation, but his work is often misunderstood because it is widely diverse in subject matter and seems to lack thematic and tonal consistency. Thomas Nelson's perceptive and comprehensive study of Kubrick rescues him from the hostility of auteurist critics and discovers the roots of a Kubrickian aesthetic, which Nelson defines as the "aesthetics of contingency." After analyzing how this aesthetic develops and manifests itself in the early works, Nelson devotes individual chapters to Lolita, Dr. Stangelove, 2001: A Space Odyssey, A Clockwork Orange, Barry Lyndon, and The Shining. For this expanded edition, Nelson has added chapters on Full Metal Jacket and Eyes Wide Shut, and, in the wake of the director's death, reconsidered his body of work as a whole. By placing Kubrick in a historical and theoretical context, this study is a reliable guide into—and out of—Stanley Kubrick's cinematic maze.

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"White writes with considerable flair, and her arguments are always interesting . . ." —Choice"Uncovering a massive trove of what she calls 'lesbian representability'—images of lesbian desire, love and life—in mainstream movies, White provides an insightful look at classic American films. . . . her myriad examples and finely wrought arguments prove both convincing and engaging." —Publishers Weekly"Conspiratorial and witty, Uninvited is a mischievous invitation to dissect classical cinema by someone who wields the razor with glee." —OUT MagazineLesbian characters, stories, and images were barred from onscreen depiction in Hollywood films from the 1930s to the 1960s, together with all forms of "sex perversion." Looking at the lure of some of the great female stars and at the visual coding of supporting actresses, the book identifies lesbian spectatorial strategies.

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". . . an important contribution to environmental philosophy. . . . includes provocative discussions of institutional and systemic violence, indigenous resistance to 'development,' the land ethic, deep ecology, ecofeminism, women's ecological knowledge, Jeffersonian agrarian republicanism, Berry's ideas about 'principled engagement in community,' wilderness advocacy, and the need for an attachment to place." —Choice"[T]his is a very important book, raising serious questions for development theorists and environmentalists alike." —Boston Book ReviewWhen Indian centenarian Chinnagounder asked Deane Curtin about his interest in traditional medicine, especially since he wasn't working for a drug company looking to patent a new discovery, Curtin wondered whether it was possible for the industrialized world to interact with native cultures for reasons other than to exploit them, develop them, and eradicate their traditional practices. The answer, according to Curtin, defines the ethical character of what we typically call 'progress.' Despite the familiar assertion that we live in a global village, cross-cultural environmental and social conflicts are often marked by failures of communication due to deeply divergent assumptions. Curtin articulates a response to Chinnagounder's challenge in terms of a new, distinctly postcolonial, environmental ethic.

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Pushing past the constraints of postmodernism which cast "reason" and"religion" in opposition, God, the Gift, and Postmodernism, seizes the opportunity to question the authority of "the modern" and open the limits of possible experience, including the call to religious experience, as a new millennium approaches. Jacques Derrida, the father of deconstruction, engages with Jean-Luc Marion and other religious philosophers to entertainquestions about intention, givenness, and possibility which reveal the extent to which deconstruction is structured like religion. New interpretations of Kant, Heidegger, Husserl, and Derrida emerge from essays and discussions with distinguished philosophers and theologians from the United States and Europe. The result is that God, the Gift, and Postmodernism elaborates a radical phenomenology that stretches the limits of its possibility and explores areas where philosophy and religion have become increasingly and surprisingly convergent.Contributors include: John D. Caputo, John Dominic Crossan, Jacques Derrida, Robert Dodaro, Richard Kearney, Jean-Luc Marion, Frangoise Meltzer, Michael J. Scanlon, Mark C. Taylor, David Tracy, Merold Westphaland Edith Wyschogrod.

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"The great virtue of this book is that it provides a practical acquaintance with the writing itself by means of copious passages of translation from representative novels." —New York Times Book Review"C. T. Hsia's book is by now an acknowledged classic. It truly opened up a new field and prepared the way for generations of American scholars to do research. We are all in his debt." —Leo LeeThis pioneering, classic study of 20th-century Chinese fiction covers some sixty years, from the Literary Revolution of 1917 through the Cultural Revolution of 1966-76.

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"The editors have performed a great service in making widely available a documentary history of the interpretation of the Eve and Adam story." —Publishers Weekly"This fascinating volume examines Genesis 1-3 and the different ways that Jewish, Christian, and Muslim interpreters have used these passages to define and enforce gender roles. . . . a 'must' . . . " —Choice"Wonderful! A marvelous introduction to the ways in which the three major Western religious traditions are both like, and unlike one another." —Ellen Umansky, Fairfield UniversityNo other text has affected women in the western world as much as the story of Eve and Adam. This remarkable anthology surveys more than 2,000 years of Jewish, Christian, and Muslim commentary and debate on the biblical story that continues to raise fundamental questions about what it means to be a man or to be a woman. The selections range widely from early postbiblical interpretations in the Apocrypha and Pseudepigrapha to the Qur'an, from Thomas Aquinas to medieval Jewish commentaries, from Christian texts to 19th-century antebellum slavery writings, and on to pieces written especially for this volume.

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"These four volumes in this major series . . . provide a single-source reference to the status of the field of women's history and to ways that the field can be expanded. . . . A basic set for all academic libraries." —Library Journal Academic NewswireWriting on South and Southeast Asia, Ramusack surveys both the prescriptive roles and lived experiences of women, as well as the construction of gender from the period of the early states to the 1990s. Sievers presents an overview of women's participation in the histories of China, Japan, and Korea from prehistory to the modern period.

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Figuring Age engages the virtually invisible subject of older women in western culture. Like other markers of social difference, age is given meaning by a culture. Yet unlike gender and race, the subjects of age and aging have received little sustained attention. Central to Figuring Age is the crucial question of how women are aged by culture. How are older women represented in a visual culture that is dominated by images of youth in television, film, and life performance? How do psychoanalysis, rejuvenation therapy and hormone replacement therapy, the fashion system, cosmetic surgery, and midlife bodybuilding shape our views of aging as well as of the older body itself? What is the "timing" of aging? To what extent is aging a culturally-induced trauma?

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This sequel to the popular Quick Hits puts the focus on learning. More Quick Hits offers simple but successful strategies that award-winning teachers have found help promote student understanding and retention. The book also tells how to create the best environment in which to teach the courses you love.

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"Think of this as 'The Thinking Man's Bloom' or 'The Thinking Woman's Closing of the American Mind.' It takes up debates about education and reasons about them, where Bloom often only blasted away. . . . This is one of the more helpful recent statements of the case for the classics, accompanied by rather venturesome curricular suggestions." —Christian Century"His exciting readable book calls for a return to a study of the classics—and of the Renaissance poets and scholars, like Petrarch, who rediscovered the classics." —Michael Dirda, Washington Post Book World" . . . a splendid statement bringing together in a careful and coherent way the prospects for a solid humanities curriculum." —Ernest L. BoyerTen years ago when this book was first published it was called Education's Great Amnesia: Reconsidering the Humanities from Petrarch to Freud. It is being reissued now in a second edition with a different title for a new generation of readers who cannot have forgotten what they never knew. What are the humanities? Can we agree on a core curriculum of humanistic studies? Robert Proctor answers these questions in a provocative, readable book.

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This anthology introduces readers to Tsarist Russia's emerging popular and commercial urban culture and the individuals and groups that produced and consumed it. The selections translated here illustrate in colorful detail how the experiences and the composition of Russian society and culture evolved from the late eighteenth century through the 1917 revolution, in response to economic, technological, and political changes. Fortunetelling and etiquette manuals, thieves' tales, children's literature, popular songs, war stories, women's novels, satires of life in America, and vaudeville skits are just a few of the genres represented.

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"Rarely has a short book accomplished so much as Terborg-Penn's seminal work. With the utmost attention to detail Terborg-Penn examines the contributions of black suffragist stalwarts . . . It undoubtedly will become the definitive work on African American women's involvement in the mainstream woman suffrage movement and specifically on black women's struggle for the vote." —Choice" . . . this is a well-written overview of a crucial aspect of African American history that would be ideal for the college classroom." —Journal of American History" . . . not only a major contribution to suffrage history . . . but also a powerful indictment of white suffrage activists who were able to see beyond the sexism but not the racism of their society." —Journal of Southern History"This groundbreaking volume provides a theoretical and practical framework for new paradigms in African American women's history. . . . All Black politicians should read and discuss this unique and brilliant book. Many lessons can be learned." —Philadelphia New ObserverThis comprehensive look at the African American women who fought for the right to vote analyzes the women's own stories and examines why they joined and how they participated in the U.S. women's suffrage movement. Terborg-Penn shows how every political and racial effort to keep African American women disfranchised met with their active resistance until black women finally achieved full citizenship.

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"I am immensely impressed by the scholarship and painstakingly detailed analysis." —George Jellinek Song by song, this comprehensive study addresses the works of Fauré, Chausson, Duparc, and Debussy, four composers who brought to the magnificent poetry of their contemporaries the delicacy, sensitivity, and voluptuousness that characterize French music from 1865 to 1914.

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" . . . takes a new look at the situation in one of the hottest spots on the globe and asks what impact the politicization of women will have on the lives of people in the emerging Palestinian state." —NWSA JournalThis volume introduces the reader to the social and political roles and challenges faced by women of Arab/Palestinian society. Even Arabic commentators have failed to accurately assess the contributions of women within the struggles of Gaza and the West Bank. These essays, written from an "insider's" perspective, show how Palestinian women confront issues of gender, feminism, and the national agenda.

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From cabarets and candlelight vigils to full-scale Broadway productions such as Angels in America and Rent, over the past 15 years public performances and dramatic texts have shaped, and been shaped by, the history of AIDS. Author David Roman examines the ways that gay men have used alternative, activist, and mainstream theater and performance to intervene in the AIDS crisis. He considers solo performance, community-based projects, mixed-media events, activist demonstrations, and AIDS educational theater initiatives.Roman shows how performance and theater have participated in the cultural politics of race, sexuality, citizenship, and AIDS in the United States. Not only has the theater provided a forum for gay male response to the epidemic, Roman contends, but it has also determined the degree to which those responses have shaped the ideological formulation of AIDS. Acts of Intervention provides a new method for discussing the relation between AIDS and representation, combining ideas from performance theory, gay and lesbian studies, critical race discourse, and cultural studies.

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Is Science Multicultural? explores what the last three decades of European/American, feminist, and postcolonial science and technology studies can learn from each other. Sandra Harding introduces and discusses an array of postcolonial science studies, and their implications for "northern" science. All three science studies strains have developed in the context of post-World War II science and technology projects. They illustrate how technoscientific projects mean different things to different groups. The meaning attached by the culture of the West may not be shared or may be diametrically opposite in the cultures in other parts of the world. All, however, would agree that scientific projects—modern science included—are "local knowledge systems." The interests and discursive resources that the various science studies bring groups to their projects, and the ways that they organize the production of their kind of science studies, are distinctively culturally-local also. While their projects may be unintentionally converging, they also conflict in fundamental respects.How is this inevitable cultural-situatedness of knowledge both an invaluable resource as well as a limitation on the advance of knowledge about nature? What are the distinctive resources that the feminist and postcolonial science theorists offer in thinking about the history of modern science; the diversity of "scientific" traditions in non-European as well as in European cultures; and the directions that might be taken by less androcentric and Eurocentric scientific projects? How might modern sciences' projects be linked more firmly to the prodemocratic yearnings that are so widely voiced in contemporary life? Carefully balancing poststructuralist and conventional epistemological resources, this study concludes by proposing new directions for thinking about objectivity, method, and reflexivity in light of the new understandings developed in the post-World War II world.

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"This is a cogent analysis of the complexities of gender in the work of nine contemporary Anglophone and Francophone novelists. . . . offers illuminating interpretations of worthy writers . . . " —Multicultural Review"This book reaffirms Bessie Head's remark that books are a tool, in this case a tool that allows readers to understand better the rich lives and the condition of African women. Excellent notes and a rich bibliography." —Choice". . . a college-level analysis which will appeal to any interested in African studies and literature." —The BookwatchThis book applies gender as a category of analysis to the works of nine sub-Saharan women writers: Aidoo, Bá, Beyala, Dangarembga, Emecheta, Head, Liking, Tlali, and Zanga Tsogo. The author appropriates western feminist theories of gender in an African literary context, and in the process, she finds and names critical theory that is African, indigenous, self-determining, which she then melds with western feminist theory and comes out with an over-arching theory that enriches western, post-colonial and African critical perspectives.

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The need for a modern text to teach Chinese to English-speaking students has long been recognized. Even today Chinese tends to be taught by rote rather than concept for the want of pedagogically sophisticated course materials. Jennifer Liu and Margaret Yan, two Indiana University professors, have now produced a cognitively based first year course for learning Chinese. The innovative features of their texts include.* An introduction to the cultural and social contexts of Chinese* A presentation of Chinese calligraphy* Lessons with real-life situations and lively dialogue* Explanations of Chinese pronunciation and grammar* Illustrations including cartoons* Chinese characters with mnemonic visuals* Criteria-grouped vocabulary* An instructor's manual* Student workbook

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The most creative moments of African American culture have always emanated from a lower class or "ghetto" perspective. In contemporary society, this ghetto aesthetic has informed a large segment of the popular marketplace from the incendiary nature of gangsta rap, through the choreographed violence of films like Menace II Society, to recurrent debates around the use of the word "nigga," and even the assertion of this perspective in professional basketball. In each case, most of the discussion around these cultural circumstances tends to be dismissive, if not completely uninformed.In analyzing the ranges of images from the O. J. Simpson trial to Snoop Doggy Dogg, Am I Black Enough for You looks at the way in which the nuances of ghetto life get translated into the politics of popular culture, and especially the way these politics have become such a profitable venture, for both the entertainment industry and the actual producers of these topical narratives. The book follows the widening generation gap represented by Bill Cosby's pristine "race man" image in the mid-80's, culminating in the proliferation of the hard-core sentiments associated with the nigga in the 1990's.The book argues for a historical understanding of these contemporary examples, which is rooted in the social policies of the Reagan/Bush era, the declining industrial base of urban communities and the increasing significance of the drug trade and gang culture. In addition, the book follows the evolution of gangster culture in twentieth century American popular culture and the shift from ethnicity to race that slowly begins to emerge over this time period.Contrary to mainstream conservative sentiment, Am I Black Enough for You suggests that the criticism of gangsta culture is a misguided attempt which reaffirms traditional views about Black culture. This criticism is articulated across race, so that in many cases, African Americans articulate the same sentiments as their white conservative counterparts.Am I Black Enough for You offers astute analysis of the liberating possibilities of representation that lie at the core of contemporary black popular culture.

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"In this book, Barbara Owen has created a rich resource of historical information coupled with strategies for interpreting that information on today's instruments." —Journal of the American Musical Instrument Society". . . Barbara Owen has succeeded admirably in distilling three centuries of organ registration practice into a volume less than three hundred pages long. . . . Anyone with an interest in the history of the organ and its music . . . will not want to ignore this book." —Sixteenth Century Journal"It is rare to find a book that combines such careful scholarship with a practical focus that makes it accessible to performing musicians as well as research specialists." —Notes"An excellent volume from historical, musical style and interpretive standpoints. Highly recommended for all large academic and professional music collections." Choice" . . . recommend this book to all serious organists." —The American Organist MagazineBarbara Owen has prepared the first work to present in a single book the registrational practices of organists from c.1550 to 1800. The four parts of the book move from the Renaissance through the Early, High, and Late Baroque. Each part starts with a brief description of the political and religious climate of the period and the way such factors affected the compositions and the organ-building of the time.

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"Hountondji . . . writes not as an 'African' philosopher but as a philosopher on Africa. . . . Hountondji's deep understanding of any civilization as necessarily pluralistic, and often even self-contradicting as it evolves, is simply magisterial. . . . This is a precious gem of a book for anyone who wishes to reflect on civilization and culture." —ChoiceIn this incisive, original exploration of the nature and future of African philosophy, Paulin J. Hountondji attacks a myth popularized by ethnophilosophers such as Placide Tempels and Alexis Kagame that there is an indigenous, collective African philosophy separate and distinct from the Western philosophical tradition. Hountondji contends that ideological manifestations of this view that stress the uniqueness of the African experience are protonationalist reactions against colonialism conducted, paradoxically, in the terms of colonialist discourse. Hountondji argues that a genuine African philosophy must assimilate and transcend the theoretical heritage of Western philosophy and must reflect a rigorous process of independent scientific inquiry. This edition is updated with a new preface in which Hountondji responds to his critics and clarifies misunderstandings about the book's conceptual framework.

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"I think many people would find it a useful resource, both in terms of information on particular philosophers and as a point of inspiration for designing courses that incorporate the work of women philosophers. . . . I expect I will refer individual students to this book as a resource for their own work and I will consult it in designing future courses." —Teaching Philosophy"With intelligence and agility, the writers [present] female thinkers who influenced the famous (male) philosophers of their respective ages. This should become a standard text in both philosophy and women's studies classes and will have great appeal to lay readers as well. Highly recommended." —Library JournalThis study of women philosophers from the Middle Ages to the 20th century covers a wide spectrum of ideas—from religion, to evolution, to political theory. This unique volume brings creative women thinkers into mainstream discussions of the history of philosophy. Contributors examine the work of, among others, Hildegard of Bingen, Vicountess Conway, Sor Juana, Mary Wollstonecraft, Hannah Arendt, Angela Davis, and Hypatia herself.

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This early 20th-century classic chronicles the adventures of an orphaned newspaper boy in his "hand-to-hand scuffle" with life in a midwestern metropolis. Gene Stratton-Porter's faith in the healing power of nature is also apparent, in a lovingly depicted tamarack swamp set near the city.

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Here feminist philosophers and ecofeminist scholars pursue the connections between feminism and environmentalism. Topics include the ecofeminist ethic; the role of patriarchal concepts in perpetuating the domination of women and nature; the grassroots origins and character of a thoughtful ecofeminism; the "ecofeminism-deep ecology debate" in environmental philosophy; deep ecological treatment of animal rights and the omission of ecofeminist analyses of the domination of animals, abortion, and nuclear deterrence; and ways ecofeminism and the science of ecology are or could be engaged in complementary, supportive projects.The contributors are Carol J. Adams, Carol H. Cantrell, Jim Cheney, Chris Cuomo, Deane Curtin, Victoria Davion, Roger J. H. King, Stephanie Lahar, Patricia Jagentowicz Mills, Patrick D. Murphy, Val Plumwood, Catherine Roach, Robert Sessions, Deborah Slicer, and Karen J. Warren.

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Is evil evidence against the existence of God? Even if God and evil are compatible, it remains hotly contested whether evil renders belief in God unreasonable. The Evidential Argument from Evil presents five classic statements on this issue by eminent philosophers and theologians and places them in dialogue with eleven original essays reflecting new thinking by these and other scholars. The volume focuses on two versions of the argument. The first affirms that there is no reason for God to permit either certain specific horrors or the variety and profusion of undeserved suffering. The second asserts that pleasure and pain, given their biological role, are better explained by hypotheses other than theism.Contributors include William P. Alston, Paul Draper, Richard M. Gale, Daniel Howard-Snyder, Alvin Plantinga, William L. Rowe, Bruce Russell, Eleonore Stump, Richard G. Swinburne, Peter van Inwagen, and Stephen John Wykstra.

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With round-the-clock drugs, games, and eros parlors to entertain them and virtual weather to sustain them, humans live inside a global network of domed cities known collectively as "the Enclosure." Having poisoned the biosphere, we've had to close ourselves off from the Earth. The cities of the Enclosure are scattered around the globe on the land and sea, and are connected by a web of travel tubes, so no one needs to risk exposure. Health Patrollers police the boundaries of the Enclosure to keep the mutants and pollution out. Phoenix Marshall decodes satellite images for a living. He has spent all 30 years of his life in Oregon City, afloat on the Pacific Ocean. He busies himself with work and various forms of recreation to keep boredom at bay. One morning he opens his door to find Teeg Passio. Teeg is the same age as Phoenix, but she's different; she's menacingly and enticingly wild. She grew up on the outside. Her mother oversaw the recycling of the old cities, and her father helped design the Enclosure. Teeg works maintenance, which allows her to travel outside the walls. When she introduces Phoenix to her crew, he is drawn into a high-tech conspiracy that may threaten everything he understands. Are humans really better off within the Enclosure? Is the Earth? Are Health Patrollers keeping us safe or just keeping us in? Teeg seduces Phoenix out of his orderly life, enlisting him in a secret, political and sexual rebellion. Teeg and her co-conspirators, part mystics, part tech-wizards, dream of a life embedded in nature. Then one day, during a closely monitored repair mission on the outside, a typhoon offers the rebels a chance to escape the Enclosure and test their utopian dreams in the wilds.

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". . . the papers in Deviant Bodies reveal an ongoing Western preoccupation with the sources of identity and human character." —Times Literary Supplement"Highly recommended for cultural studies . . . " —The Reader's Review"It would be useful for upper-level undergraduate and graduate courses in the sociology of the body, the history and sociology of science and medicine, and women's studies courses, particularly those exploring the feminist critiques of science and medicine." —Contemporary Sociology". . . a powerful deconstruction of the scientific gaze in configuring bodily deviance as a means of legitimating the social order within multiple historical and social contexts. . . . the many excellent selections will make for compelling reading for students of medical anthropology and the history of science." American AnthropologistDeviant Bodies reveals that the "normal," "healthy" body is a fiction of science. Modern life sciences, medicine, and the popular perceptions they create have not merely observed and reported, they have constructed bodies: the homosexual body, the HIV-infected body, the infertile body, the deaf body, the colonized body, and the criminal body.

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