Search results for ""indiana university press""

Less than a decade after the advent of democracy in South Africa, tabloid newspapers have taken the country by storm. One of these papers—the Daily Sun—is now the largest in the country, but it has generated controversy for its perceived lack of respect for privacy, brazen sexual content, and unrestrained truth-stretching. Herman Wasserman examines the success of tabloid journalism in South Africa at a time when global print media are in decline. He considers the social significance of the tabloids and how they play a role in integrating readers and their daily struggles with the political and social sphere of the new democracy. Wasserman shows how these papers have found an important niche in popular and civic culture largely ignored by the mainstream media and formal political channels.

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Thoroughly updated and expanded, this new edition of Negotiating Arab-Israeli Peace examines the history of recurrent efforts to resolve the Arab-Israeli conflict and identifies a pattern of negative negotiating behaviors that seem to repeatedly derail efforts to achieve peace. In a lively and accessible style, Laura Zittrain Eisenberg and Neil Caplan examine eight case studies of recent Arab-Israeli diplomatic encounters, from the Egyptian-Israeli peace of 1979 to the beginning of the Obama administration, in light of the historical record. By measuring contemporary diplomatic episodes against the pattern of counterproductive negotiating habits, this book makes possible a coherent comparison of over sixty years of Arab-Israeli negotiations and gives readers a framework with which to assess the relative strengths and weaknesses of peace-making attempts, past, present, and future.

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Revisiting African philosophy's classic questions, D. A. Masolo advances understandings of what it means to be human—whether of African or other origin. Masolo reframes indigenous knowledge as diversity: How are we to understand the place and structure of consciousness? How does the everyday color the world we know? Where are the boundaries between self and other, universal and particular, and individual and community? From here, he takes a dramatic turn toward Africa's current political situation and considers why individual rights and freedoms have not been recognized, respected, demanded, or enforced. Masolo offers solutions for containing socially destructive conduct and antisocial tendencies by engaging community. His unique thinking about community and the role of the individual extends African philosophy in new, global directions.

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The people of Quirpini, a rural community in the Bolivian Andes, are in constant motion. They visit each other's houses, work in their fields, go to nearby towns for school, market, or official transactions, and travel to Buenos Aires for wage labor. In this rich ethnography, Stuart Alexander Rockefeller describes how these places become intertwined via circuits constituted by the movement of people, goods, and information. Drawing on the work of Henri LeFebvre, Maurice Merleau-Ponty, and Nancy Munn, Rockefeller argues that by their travels, Quirpinis play a role in shaping the places they move through. This compelling study makes important contributions to contemporary debates about spatiality, temporality, power, and culture.

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Susan Hekman believes we are witnessing an intellectual sea change. The main features of this change are found in dichotomies between language and reality, discourse and materiality. Hekman proposes that it is possible to find a more intimate connection between these pairs, one that does not privilege one over the other. By grounding her work in feminist thought and employing analytic philosophy, scientific theory, and linguistic theory, Hekman shows how language and reality can be understood as an indissoluble unit. In this broadly synthetic work, she offers a new interpretation of questions of science, modernism, postmodernism, and feminism so as to build knowledge of reality and extend how we deal with nature and our increasingly diverse experiences of it.

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Yosefa Loshitzky challenges the utopian notion of a post-national "New Europe" by focusing on the waves of migrants and refugees that some view as a potential threat to European identity, a concern heightened by the rhetoric of the war on terror, the London Underground bombings, and the riots in Paris's banlieues. Opening a cinematic window onto this struggle, Loshitzky determines patterns in the representation and negotiation of European identity in several European films from the late 20th and early 21st centuries, including Bernardo Bertolucci's Besieged, Stephen Frears's Dirty Pretty Things, Mathieu Kassovitz's La Haine, and Michael Winterbottom's In This World, Code 46, and The Road to Guantanamo.

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This is the first book devoted to the archaeology of African life on both sides of the Atlantic; it highlights the importance of archaeology in completing the historical records of the Atlantic world's Africans. Archaeology of Atlantic Africa and the African Diaspora presents a diverse, richly textured picture of Africans' experiences during the era of the Atlantic slave trade and offers the most comprehensive explanation of how African lives became entangled with the creation of the modern world. Through interdisciplinary approaches to material culture, the dynamics of a comparative transatlantic archaeology is developed.

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With the benefit of an insider's perspective, distinguished former congressman Lee H. Hamilton argues that America needs a stronger Congress and a more engaged citizenry in order to ensure responsive and effective democracy. Hamilton explains how Congress has drifted away from the role envisioned for it in the Constitution as a body whose power and influence would be preeminent in the American system of government. He details the steps that Congress should take to re-establish its parity with the executive branch and become an institution that works reliably and effectively for the betterment of the nation—reinforce congressional oversight, restore the deliberative process, curb the influence of lobbyists, and reduce excessive partisanship. Concurrently, Hamilton calls upon Americans to take more seriously their obligations and responsibilities as citizens and engage with the critical issues facing their communities and the nation.

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In the 21st century, the world is faced with threats of global scale that cannot be confronted without collective action. Although global government as such does not exist, formal and informal institutions, practices, and initiatives—together forming "global governance"—bring a greater measure of predictability, stability, and order to trans-border issues than might be expected. Yet, there are significant gaps between many current global problems and available solutions. Thomas G. Weiss and Ramesh Thakur analyze the UN's role in addressing such knowledge, normative, policy, institutional, and compliance lapses. The UN's relationship to these five global governance gaps is explored through case studies of some of the most burning problems of our age, including terrorism, nuclear proliferation, humanitarian crises, development aid, climate change, human rights, and HIV/AIDS.

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The work of Richard Wagner is a continuing source of artistic inspiration and ideological controversy in literature, philosophy, and music, as well as cinema. In Wagner and Cinema, a diverse group of established and emerging scholars examines Wagner's influence on cinema from the silent era to the present. The essays in this collection engage in a critical dialogue with existing studies—extending and renovating current theories related to the topic—and propose unexplored topics and new methodological perspectives. The contributors discuss films ranging from the 1913 biopic of Wagner to Ridley Scott's Gladiator, with essays on silent cinema, film scoring, Wagner in Hollywood, German cinema, and Wagner beyond the soundtrack.

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Breaking with strictly historical or textual perspectives, this book explores Jewish philosophy as philosophy. Often regarded as too technical for Judaic studies and too religious for philosophy departments, Jewish philosophy has had an ambiguous position in the academy. These provocative essays propose new models for the study of Jewish philosophy that embrace wider intellectual arenas—including linguistics, poetics, aesthetics, and visual culture—as a path toward understanding the particular philosophic concerns of Judaism. As they reread classic Jewish texts, the essays articulate a new set of questions and demonstrate the vitality and originality of Jewish philosophy.

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In a challenge to current thinking about cognitive impairment, this book explores what it means to treat people with intellectual disabilities in an ethical manner. Reassessing philosophical views of intellectual disability, Licia Carlson shows how we can affirm the dignity and worth of intellectually disabled people first by ending comparisons to nonhuman animals and then by confronting our fears and discomforts. Carlson presents the complex history of ideas about cognitive disability, the treatment of intellectually disabled people, and social and cultural reactions to them. Sensitive and clearly argued, this book offers new insights on recent trends in disability studies and philosophy.

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Canadian progressive rock band Rush was the voice of the suburban middle class. In this book, Chris McDonald assesses the band’s impact on popular music and its legacy for legions of fans. McDonald explores the ways in which Rush’s critique of suburban life—and its strategies for escape—reflected middle-class aspirations and anxieties, while its performances manifested the dialectic in prog rock between discipline and austerity, and the desire for spectacle and excess. The band’s reception reflected the internal struggles of the middle class over cultural status. Critics cavalierly dismissed, or apologetically praised, Rush’s music for its middlebrow leanings. McDonald's wide-ranging musical and cultural analysis sheds light on one of the most successful and enduring rock bands of the 1970s and 1980s.

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In this exploration of the administration of law and its role in the lives of ordinary people in the northern provinces of the Roman Empire, Serena Connolly draws upon a rich but little-known legal collection from the late 3rd century known as the Codex Hermogenianus. The codex is composed of imperial responses to petitions sent to Rome, written by a team of the emperor’s legal experts. These petitions and responses provide a wealth of information about provincial legal administration and the lives of the non-elite petitioners. The man who prostituted his wife, the mother whose malicious son undersold her farm, and the slaves who posed as free men to get a loan are just a few of the lives to encounter. Lives behind the Laws makes a valuable contribution to Roman social, political, and legal history.

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Samba Gadjigo presents a unique personal portrait and intellectual history of novelist and filmmaker Ousmane Sembène. Though Sembène has persistently deflected attention away from his personality, his life, and his past, Gadjigo has had unprecedented access to the artist and his family. This book is the first comprehensive biography of Sembène and contributes a critical appraisal of his life and art in the context of the political and social influences on his work. Beginning with Sembène’s life in Casamance, Senegal, and ending with his militant career as a dockworker in Marseilles, Gadjigo places Sembène into the context of African colonial and postcolonial culture and charts his achievements in film and literature. This landmark book reveals the inner workings of one of Africa’s most distinguished and controversial figures.

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Islamic Central Asia is the first English-language anthology of primary documents for the study of Central Asian history. Scott C. Levi and Ron Sela draw from a vast array of historical sources to illustrate important aspects of the social, cultural, political, and economic history of Islamic Central Asia. These documents—many newly translated and most not readily available for study—cover the period from the 7th-century Arab conquests to the 19th-century Russian colonial era and provide new insights into the history and significance of the region.

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A Short History of African Philosophy discusses major ideas, figures, and schools of thought in philosophy in the African context. While drawing out critical issues in the formation of African philosophy, Barry Hallen focuses on recent scholarship and relevant debates that have made African philosophy critical to understanding the rich and complex cultural heritage of the continent. This revised edition expands the historical perspective, takes account of recent discoveries and new canonical figures, highlights new discussions about gender as a cultural and philosophical phenomenon, clarifies issues regarding indigenous cultures and human rights, and builds on the notion that African philosophy shares methods and concerns of philosophy worldwide. This short reference is an essential resource for students, scholars, and general readers.

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Analyzing the impact of black abolitionist iconography on early black literature and the formation of black identity, Fugitive Vision examines the writings of Frederick Douglass, William Wells Brown, William and Ellen Craft, and Harriet Jacobs, and the slave potter David Drake. Juxtaposing pictorial and literary representations, the book argues that the visual offered an alternative to literacy for current and former slaves, whose works mobilize forms of illustration that subvert dominant representations of slavery by both apologists and abolitionists. From a portrait of Douglass's mother as Ramses to the incised snatches of proverb and prophecy on Dave the Potter's ceramics, the book identifies a "fugitive vision" that reforms our notions of antebellum black identity, literature, and cultural production.

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The UN and Development provides the first comprehensive overview of the development policies and activities of the United Nations system from the late 1940s to the present. With an explicit focus on the history of the ideas that have been generated, institutionalized, and implemented by UN organizations, this book examines changing trends in development paradigms from the concept of technical assistance to underdeveloped countries, as they were called in the late 1940s, to development cooperation in the 21st century. Olav Stokke traces this fascinating story and demonstrates the UN's essential role and its future challenges in aiding the least developed countries and the globe's billion poorest inhabitants.

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In his epistles, St. Paul sounded a universalism that has recently been taken up by secular philosophers who do not share his belief in Christ, but who regard his project as centrally important for contemporary political life. The Pauline project—as they see it—is the universality of truth, the conviction that what is true is true for everyone, and that the truth should be known by everyone. In this volume, eminent New Testament scholars, historians, and philosophers debate whether Paul's promise can be fulfilled. Is the proper work of reading Paul to reconstruct what he said to his audiences? Is it crucial to retrieve the sense of history from the text? What are the philosophical undercurrents of Paul's message? This scholarly dialogue ushers in a new generation of Pauline studies.

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This collection of 11 plays, from North America, the U.K., and South Africa—many published here for the first time—delves into the vibrant, cosmopolitan theatre of the South Asian diaspora. These original and provocative works explore the experience of diaspora by drawing on cultural references as diverse as classical Indian texts, adaptations of Shakespeare and Homer, current events, and world music, film, and dance. Neilesh Bose provides historical background on South Asian migration and performance traditions in each region, along with critical introductions and biographical background on each playwright.Includes works by Anuvab Pal, Aasif Mandvi, Shishir Kurup, Rahul Varma, Rana Bose, Rukhsana Ahmad, Jatinder Verma, Sudha Bhuchar and Kristine Landon-Smith, Ronnie Govender, Kessie Govender, and Kriben Pillay.

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Susanne Langer (1895—1985) was one of American philosophy's most distinctive thinkers. Her philosophy was a deep exploration of human life as a continuous process of meaning-making through symbolic forms. Here, Robert E. Innis brings readers closer to Langer's precise and nuanced account of the symbolic mind. Innis shows how Langer's thought spans the sciences, aesthetics, psychology, religion, education, and music, and where it touches on concerns that were brought forward by American pragmatists such as John Dewey and William James. Innis reveals Langer's intense focus on making meaning clear as he covers her entire philosophical career. Highlighting what is of permanent value to American philosophy in Langer's work, he determines exactly what her positions were and why she proposed them. Readers will find a keen appreciation for and critical appraisal of Langer's unique philosophical vision.

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Catholic Women of Congo-Brazzaville explores the changing relationship between women and the Catholic Church from the establishment of the first mission stations in the late 1880s to the present. Phyllis M. Martin emphasizes the social identity of mothers and the practice of motherhood, a prime concern of Congolese women, as they individually and collectively made sense of their place within the Church. Martin traces women's early resistance to missionary overtures and church schools, and follows their relationship with missionary Sisters, their later embrace of church-sponsored education, their participation in popular Catholicism, and the formation of women's fraternities. As they drew together as mothers and sisters, Martin asserts, women began to affirm their place in a male-dominated institution. Covering more than a century of often turbulent times, this rich and readable book examines an era of far-reaching social change in Central Africa.

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In the post-Soviet environment of expanded civil freedom with great everyday uncertainty, unhappiness, injustice, and suffering, religious organizations and beliefs in Russia and Eurasia face numerous opportunities and intense challenges. Based on recent research and interdisciplinary methodologies, this volume examines how religious organizations and individuals engage the changing and troubled environment in which they live. The contributions investigate not just Russian Orthodoxy, but also Old Belief, Judaism, Islam, Buriat shamanism, and Catholicism. Among the important questions considered are how religion addresses problems of charity, memory, justice, community, morality, nationalism, democracy, and civil liberties.

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Recent discussions in the philosophy of religion, ethics, and personal political philosophy have been deeply marked by the influence of two philosophers who are often thought to be in opposition to each other, Søren Kierkegaard and Emmanuel Levinas. Devoted expressly to the relationship between Levinas and Kierkegaard, this volume sets forth a more rigorous comparison and sustained engagement between them. Established and newer scholars representing varied philosophical traditions bring these two thinkers into dialogue in 12 sparkling essays. They consider similarities and differences in how each elaborated a unique philosophy of religion, and they present themes such as time, obligation, love, politics, God, transcendence, and subjectivity. This conversation between neighbors is certain to inspire further inquiry and ignite philosophical debate.

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John Zorn is one of the most prolific and active American composers/performers working today. He has been a fixture of New York's "Downtown Scene" since the mid-70s as a tireless proponent of avant-garde and experimental music. Despite the acclaim and respect he has achieved in America and abroad, very little attention has been paid to Zorn by musicologists or music theorists. Author John Brackett suggests that the reason for the relative paucity of writing on Zorn's music and musical thought has to do with the difficulties and challenges they present both for listeners and scholars. Zorn's musical language—an amalgam of seemingly incongruous techniques, sounds, styles, and genres—creates complex and sometimes confusing listening experiences that are difficult to categorize in terms of overarching thematic or narrative design. Brackett offers a number of perspectives for understanding Zorn's music and musical practices, while challenging certain assumptions that limit the ways in which contemporary music is typically addressed.

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What is it like to be a young person in the Arab world today? This lively collection of eight short stories about Arab teenagers living in Iraq, Tunisia, Egypt, the West Bank, Lebanon, Syria, Jordan, and a Palestinian refugee camp engagingly depicts young people's experiences growing up in the Middle East. The characters, drawn from urban and rural settings and from different classes as well as a mix of countries, confront situations involving friends, family, teachers, and society at large. Along with some specifically Middle Eastern issues, such as strife in Iraq, the hardships of life in a Palestinian refugee camp, and honor crimes, the young people deal with more familiar concerns such as loyalty to friends, overcoming personal insecurities, dreams of a future career, and coping with divorcing parents. Coming of age in a complicated world, they meet life with courage, determination, and, not least of all, humor. With accompanying notes that provide contextual information, Santa Claus in Baghdad brings a fresh perspective to youth literature about the Arab world.

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In his comprehensive examination of the Lódz Ghetto, originally published in Yiddish in 1962, historian Isaiah Trunk sought to describe and explain the tragedy that befell the Jews imprisoned in the first major ghetto imposed by the Germans after they invaded Poland in 1939. Lódz had been home to nearly a quarter million Jews. When the Soviet military arrived in January 1945, they found 877 living Jews and the remains of a vast industrial enterprise that had employed masses of enslaved Jewish laborers. Based on an exhaustive study of primary sources in Yiddish, Hebrew, Polish, German, and Russian, Isaiah Trunk, a former resident of Lódz, reconstructs the organization of the ghetto and discusses its provisioning; forced labor; diseases and mortality; crime and deportations; living conditions; political, social, and cultural life; and resistance. Included are translations of the 141 documents that Trunk reproduced in his volume.

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For more than three centuries, St. Petersburg, founded in 1703 by Peter the Great as Russia's westward-oriented capital and as a visually stunning showcase of Russia's imperial ambitions, has been the country's most mythologized city. Like a museum piece, it has functioned as a site for preservation, a literal and imaginative place where Russians can commune with idealized pasts. Preserving Petersburg represents a significant departure from traditional representations. By moving beyond the "Petersburg text" created by canonized writers and artists, the contributors to this engrossing volume trace the ways in which St. Petersburg has become a "museum piece," embodying history, nostalgia, and recourse to memories of the past. The essays in this attractively illustrated volume trace a process of preservation that stretches back nearly three centuries, as manifest in the works of noted historians, poets, novelists, artists, architects, filmmakers, and dramatists.

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The innovative, multi-site Youth and the City Project examined the effects of globalization and neoliberalism on the everyday experiences and future prospects of urban youth in the developing world. The economic and demographic trends that are transforming cities and widening the gap between North and South are also making it increasingly difficult, if not impossible, for young people to establish themselves as independent, self-sufficient adults in many parts of the world. Based on ethnographic fieldwork in Brazil, Vietnam, and Zambia, this volume integrates youth studies with urban studies, and argues that youth is an experience in its own right, not merely a transition from childhood to adulthood. In-depth case studies in three cities—Recife, Hanoi, and Lusaka—offer compelling insights into the situation of urban youth, exploring how they use their city, spend their time, and prepare themselves for the future. Cross-cutting essays examine how education shapes future citizens, young people's use of urban domestic space, and the media's role in expanding the life worlds of youth.

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Anke Pinkert explores films produced in the Soviet Occupation Zone and East Germany from the end of World War II through the early 1960s, offering new insights into how Germans dealt with the aftermath of the war. In her cultural analysis of the relationship between modern historical violence, cultural memory, and cinematic representation, Pinkert argues that the cinematic productions of East Germany offer a corrective to misperceptions about German responses to the legacy of the war.Film and Memory in East Germany considers antifascist films of the immediate postwar period, which depict the reintegration of former soldiers into society and the crisis of masculinity that accompanied the aftermath of the war; the socialist films of the late 1940s and 1950s, which attempt to shape a new national imaginary through stories of exemplary socialist womanhood; and, finally, the cinematic return to 1945 in socialist modernist films of the 1960s.

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While some religious texts may remain static over time, the Ramayana epic has been retold in a variety of ways over the centuries and across South Asia. Some of the narrative's most probing and innovative retellings have appeared in print in the last 100 years in the region of South India. This collection brings together, for the first time, modern retellings translated from the four major South Indian languages and from genres as diverse as drama, short stories, poetry, and folk song. The selections focus on characters generally seen as stigmatized or marginalized, and on themes largely overlooked in previous scholarship. Editor Paula Richman demonstrates that twentieth-century authors have used retellings of the Ramayana to question caste and gender inequality in provocative ways. This engaging anthology includes translations of 22 primary texts along with interpretive essays that provide background and frameworks for understanding the stories.

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Drawing upon the latest research in gender studies, history of religion, feminism, ritual theory, performance, anthropology, archaeology, and art history, Finding Persephone investigates the ways in which the religious lives and ritual practices of women in Greek and Roman antiquity helped shape their social and civic identity. Barred from participating in many public arenas, women asserted their presence by performing rituals at festivals and presiding over rites associated with life passages and healing. The essays in this lively and timely volume reveal the central place of women in the religious and ritual practices of the societies of the ancient Mediterranean. Readers interested in religion, women's studies, and classical antiquity will find a unique exploration of the nature and character of women's autonomy within the religious sphere and a full account of women's agency in the public domain.

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In Performance and Politics in Tanzania, Laura Edmondson examines how politics, social values, and gender are expressed on stage. Now a disappearing tradition, Tanzanian popular theatre integrates comic sketches, acrobatics, melodrama, song, and dance to produce lively commentaries on what it means to be Tanzanian. These dynamic shows invite improvisation and spontaneous and raucous audience participation as they explore popular sentiments. Edmondson asserts that these performances overturn the boundary between official and popular art and offer a new way of thinking about African popular culture. She discusses how the blurring of state agendas and local desires presents a charged environment for the exploration of Tanzanian political and social realities: What is the meaning of democracy and who gets to define it? Who is in power, and how is power exposed or concealed? What is the role of tradition in a postsocialist state? How will the future of the nation be negotiated? This engaging book provides important insight into the complexity of popular forms of expression during a time of political and social change in East Africa.

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Like many Caribbean nations, Trinidad has felt the effects of globalization on its economy, politics, and expressive culture. Even Carnival, once a clandestine folk celebration, has been transformed into a major transnational festival. In Trinidad Carnival, Garth L. Green, Philip W. Scher, and an international group of scholars explore Carnival as a reflection of the nation and culture of Trinidad and Trinidadians worldwide. The nine essays cover topics such as women in Carnival, the politics and poetics of Carnival, Carnival and cultural memory, Carnival as a tourist enterprise, the steelband music of Carnival, Calypso music on the world stage, Carnival and rap, and Carnival as a global celebration. For readers interested in the history and current expression of Carnival, this volume offers a multidimensional and transnational view of Carnival as a representation of Trinidad and Caribbean culture everywhere.Contributors are Robin Balliger, Shannon Dudley, Pamela R. Franco, Patricia A. de Freitas, Ray Funk, Garth L. Green, Donald R. Hill, Lyndon Phillip, Victoria Razak, and Philip W. Scher.

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Gender is one of the most productive, dynamic, and vibrant areas of Africanist research today. But what is the meaning of gender in an African context? Why does gender usually connote women? Why has gender taken hold in Africa when feminism hasn't? Is gender yet another Western construct that has been applied to Africa however ill-suited and riddled with assumptions? Africa After Gender? looks at Africa now that gender has come into play to consider how the continent, its people, and the term itself have changed. Leading Africanist historians, anthropologists, literary critics, and political scientists move past simple dichotomies, entrenched debates, and polarizing identity politics to present an evolving discourse of gender. They show gender as an applied rather than theoretical tool and discuss themes such as the performance of sexuality, lesbianism, women's political mobilization, the work of gendered NGOs, and the role of masculinity in a gendered world. For activists, students, and scholars, this book reveals a rich and cross-disciplinary view of the status of gender in Africa today.Contributors are Hussaina J. Abdullah, Nwando Achebe, Susan Andrade, Eileen Boris, Catherine M. Cole, Paulla A. Ebron, Eileen Julien, Lisa A. Lindsay, Adrienne MacIain, Takyiwaa Manuh, Stephan F. Miescher, Helen Mugambi, Gay Seidman, Sylvia Tamale, Bridget Teboh, Lynn M. Thomas, and Nana Wilson-Tagoe.

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Martin Heidegger's sustained reflection on Greek thought has been increasingly recognized as a decisive feature of his own philosophical development. At the same time, this important philosophical meeting has generated considerable controversy and disagreement concerning the radical originality of Heidegger's view of the Greeks and their place in his groundbreaking thinking. In Heidegger and the Greeks, an international group of distinguished philosophers sheds light on the issues raised by Heidegger's encounter and engagement with the Greeks. The careful and nuanced essays brought together here shed light on how core philosophical concepts such as phenomenology, existentialism, hermeneutics, and ethics are understood today. For readers at all levels, this volume is an invitation to continue the important dialogue with Greek thinking that was started and stimulated by Heidegger.Contributors are Claudia Baracchi, Walter A. Brogan, Günter Figal, Gregory Fried, Francisco J. Gonzalez, Drew A. Hyland, John Panteleimon Manoussakis, William J. Richardson, John Sallis, Dennis J. Schmidt, and Peter Warnek.

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"[W]ill be welcomed by students of comparative slavery. . . . [It] makes us reconsider the significance of slavery in the subcontinent." —Edward A. Alpers, UCLADespite its pervasive presence in the South Asian past, slavery is largely overlooked in the region's historiography, in part because the forms of bondage in question did not always fit models based on plantation slavery in the Atlantic world. This important volume will contribute to a rethinking of slavery in world history, and even the category of slavery itself. Most slaves in South Asia were not agricultural laborers, but military or domestic workers, and the latter were overwhelmingly women and children. Individuals might become slaves at birth or through capture, sale by relatives, indenture, or as a result of accusations of criminality or inappropriate sexual behavior. For centuries, trade in slaves linked South Asia with Africa, the Middle East, and Central Asia. The contributors to this collection of original essays describe a wide range of sites and contexts covering more than a thousand years, foregrounding the life stories of individual slaves wherever possible.Contributors are Daud Ali, Indrani Chatterjee, Richard M. Eaton, Michael H. Fisher, Sumit Guha, Peter Jackson, Sunil Kumar, Avril A. Powell, Ramya Sreenivasan, Sylvia Vatuk, and Timothy Walker.

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"This volume illuminates how families and the communities in which they are enmeshed negotiate everyday lives with the social, cultural, economic, and political resources available to them. It provides an excellent example of how anthropology matters to our understanding of the contemporary world and its global restructuring." —Karen Tranberg Hansen, Northwestern UniversityGlobalization is not only a large-scale phenomenon: it is also inextricably bound up with intimate aspects of personhood, care, and the daily decisions through which we make our lives. Looking at sub-Saharan Africa, Madagascar, Mexico, the U.S., Europe, India, and China, Generations and Globalization investigates the impact of globalization in the context of families, age groups, and intergenerational relations. The contributors offer an innovative approach that focuses on the changing dynamics between generations, rather than treating changes in childhood, youth, or old age as discrete categories. They argue that new economies and global flows do not just transform contemporary family life, but are in important ways shaped and constituted by it.Contributors are Jennifer Cole, Deborah Durham, Jessica Greenberg, Sarah Lamb, Julie Livingston, Roger Magazine, Andrea Muehlebach, Martha Areli Ramírez Sánchez, and T. E. Woronov.

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Pentecostalism has experienced explosive growth over the past century. This reader examines the ideas that launched the movement and fueled its expansion around the world. A general introduction to the book describes the history and theology of the early Pentecostal movement and its significance to the contemporary Christian world. A brief biography introduces each of the 16 influential leaders whose voices are recorded here.Vivid and lively contributions are included from Fred Francis Bosworth, William Howard Durham, Garfield Thomas Haywood, Esek William Kenyon, Joseph Hillary King, Robert Clarence Lawson, Aimee Semple McPherson, Charles Harrison Mason, David Wesley Myland, Charles Fox Parham, William J. Seymour, Richard G. Spurling, George Floyd Taylor, Ambrose Jessup Tomlinson, Andrew David Ursham, and Maria Beulah Woodworth-Etter. Their works represent the full spectrum of the early Pentecostalmovement.

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In Masterpieces of Modernist Cinema, prominent scholars consider well-known films that seem to stand alone in the history of cinema, without obvious precursors, and without progeny: The Cabinet of Dr. Caligari, L'âge d'or, and Last Year in Marienbad, to name a few. Such films appear to be sui generis and in some ways incomprehensible; but as these essays demonstrate, they are best understood within contexts beyond the world of cinema. Most were heavily influenced by some aspect of Modernism—Symbolism, Dada, Expressionism, Surrealism, Constructivism, Abstract Expressionism, Minimalism, etc.—but the social and political events of the period have left their mark on these films as well. The essays in this collection address individual films, exploring the place of each in the history of cinema and the history of ideas, ultimately rendering each comprehensible.Contributors are Dudley Andrew, Tom Gunning, Bruce Jenkins, Brandon W. Joseph, Anton Kaes, T. Jefferson Kline, Carrie Lambert-Beatty, Gilberto Perez, Ted Perry, Tony Pipolo, John Pruitt, P. Adams Sitney, and Yuri Tsivian.

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Through the lens of expressive culture, Performing Folklore tracks Portugal's transition from fascism to democracy, and from imperial metropole to EEC member state. Kimberly DaCosta Holton examines the evolution and significance of ranchos folclóricos, groups of amateur musicians and dancers who perform turn-of-the-century popular tradition and have acted as cultural barometers of change throughout 20th-century Portugal. She investigates the role that these folklore groups played in the mid-twentieth-century dictatorship, how they fell out of official favor with the advent of democracy, and why they remain so popular in Portugal's post-authoritarian state, especially in emigrant and diasporic communities. Holton looks at music, dance, costume, repertoire, venue, and social interplay in both local and global contexts. She considers the importance of revivalist folklore in the construction and preservation of national identity in the face of globalization. This book embraces "invented tradition" as process rather than event, presenting an ethnography not only of folkloric revivalism but also of sweeping cultural transformation, promoted alternately by authoritarianism, democracy, emigration, and European unification.

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If the 21st century is the digital age, the 20th century can be characterized as the visual age—the era in which visual activity achieved unprecedented prominence. As this volume richly demonstrates, the visual mode was nowhere more dynamic and powerful during the 1900s than in Germany.Visual Culture in Twentieth-Century Germany explores a wide spectrum of visual media in 20th-century Germany in their critical and social contexts. Contributors examine film, photography, cabaret performance, advertising, architecture, painting, dance, television, and cartography, investigating the ways in which these visual media were inflected by aesthetic innovation, changing attitudes toward gender and sexuality, and the political upheavals of the day. This volume sheds new light on German cultural history during the 1900s and represents a major contribution to the field of visual culture studies.

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"The book . . . includes . . . valuable essays and interviews, which move beyond the scholarly controversy to sketch a nuanced picture of Shostakovich's life under a totalitarian regime. . . . The 'Casebook' contributors compellingly warn of replacing one mask with another, one black-and-white myth with its simple inversion." —New York Times ". . . an important and readable collection. . . . It presents a devastating critique of Volkov's claims and scholarly practices in Testimony." —New York Review of BooksA Shostakovich Casebook brings together 25 essays, interviews, newspaper articles, and reviews—many newly available since the collapse of the Soviet Union—to create a volume of essential reading and cutting-edge scholarship in Russian music studies. The contributors include Malcolm H. Brown, Laurel Fay, Irina Antonovna Shostakovich, and Richard Taruskin.

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"Devaki Jain opens the doors of the United Nations and shows how it has changed the female half of the world—and vice versa. Women, Development, and the UN is a book that every global citizen, government leader, journalist, academic, and self-respecting woman should read." —Gloria Steinem"Devaki Jain's book nurtures your optimism in this terrible war-torn decade by describing how women succeeded in empowering both themselves and the United Nations to work toward a global leadership inspired by human dignity." —Fatema MernissiIn Women, Development, and the UN, internationally noted development economist and activist Devaki Jain traces the ways in which women have enriched the work of the United Nations from the time of its founding in 1945. Synthesizing insights from the extensive literature on women and development and from her own broad experience, Jain reviews the evolution of the UN's programs aimed at benefiting the women of developing nations and the impact of women's ideas about rights, equality, and social justice on UN thinking and practice regarding development. Jain presents this history from the perspective of the southern hemisphere, which recognizes that development issues often look different when viewed from the standpoint of countries in Africa, Asia, and Latin America. The book highlights the contributions of the four global women's conferences in Mexico City, Copenhagen, Nairobi, and Beijing in raising awareness, building confidence, spreading ideas, and creating alliances. The history that Jain chronicles reveals both the achievements of committed networks of women in partnership with the UN and the urgent work remaining to bring equality and justice to the world and its women.

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Thinking as You Play focuses on how to teach, not what to teach. Sylvia Coats gives piano teachers tools to help students develop creativity and critical thinking, and guidelines for organizing the music taught into a comprehensive curriculum. She suggests effective strategies for questioning and listening to students to help them think independently and improve their practice and performance. She also discusses practical means to develop an awareness of learning modalities and personality types. A unique top-down approach assists with presentations of musical concepts and principles, rather than a bottom-up approach of identifying facts before the reasons are known.Thinking as You Play is one of the few available resources for the teacher of group piano lessons. Ranging from children's small groups to larger university piano classes, Coats discusses auditioning and grouping students, strategies for maximizing student productivity, and suggestions for involving each student in the learning process.

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What did it mean to live as a subject of early Soviet modernity? In the 1920s and 1930s, in an environment where every element of daily life was supposed to be transformed by Soviet ideology, routine activities became ideologically significant, subject to debate and change. Drawing on original archival materials and theoretically informed, the essays in this volume examine ways in which Soviet citizens sought to align their private lives with the public nature of Soviet experience by taking the Revolution "inside." Topics discussed include the new sexuality, family loyalty during the Terror, the advertisement of Soviet commodities, the employment of domestic servants, children's toys and Pioneer camps, and narratives of self, ranging from diaries to secret police statements to monologues on the Soviet screen and stage. Bringing into dialogue essays by scholars in history, literature, sociology, art history, and film studies, this interdisciplinary volume contributes to the growing understanding of the Soviet Union as part of the history of modernity, rather than its totalitarian "other."

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"This is vintage Krell—he is as always, a reader in the best sense of the word...." —Dennis J. Schmidt"Krell is a strong and often eloquent writer... I regard this to be one of his most important works...." —Jason M. WirthIn The Tragic Absolute, David Farrell Krell shows that German Idealist and Romantic theories of literature and aesthetic judgment, especially when it comes to tragedy, are closer to the heart of metaphysics and ethics than previously thought. Krell not only explores the contributions of Schelling, Hölderlin, Novalis, Hegel, and Nietzsche to the aesthetics of tragedy, he also charts the fate of the absolute and speculative philosophy in terms of the tragic. Krell explodes the usual conception that aesthetic judgments about literary genres are relatively marginal subjects for philosophy. Indeed, in Krell’s view, even God himself, the very absolute of traditional metaphysics, is seen as languishing and condemned to tragic downfall. Questions concerning the death of God, the role of trauma and forgetting in narrative, the overcoming of barriers between humans and other living beings, and the role of music and rhythm as sources of ecstasy are highlighted in this keen, precise, and lively book.

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