Search results for ""author joyce"

Contributors: Harold Short, Janet Bately, Stewart Brookes, Mary Clayton, Julie Coleman, Patrick W. Conner, Janet M. Cowen, Ivan Herbison, Joyce Hill, Susan Irvine, Peter Jackson, Christian J. Kay, Hugh Magennis, Janet L. Nelson, Eamonn O Carragáin, Lucy Perry, Edward Pettit, Jane Roberts, Gopa Roy, Katharine Scarfe Beckett, Donald Scragg, E.G. Stanley, Louise Sylvester, Paul Szarmach

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Ezra Pound was born in 1885 in Hailey, Idaho. He came to Europe in 1908 and settled in London, where he became a central figure in the literary and artistic world, befriended by Yeats and a supporter of Eliot and Joyce, among others. In 1920 he moved to Paris, and later to Rapallo in Italy. During the Second World War he made a series of propagandist broadcasts over Radio Rome, for which he was later tried in the United States and subsequently committed to a hospital for the insane. After thirteen years, he was released and returned to Italy; dying in Venice in 1972.

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Modernism is usually thought of as a shock wave of innovations hitting art, architecture, music, cinema and literature - the work of Picasso, Joyce, Schoenberg, movements like Futurism and Dada, the architecture of Le Corbusier, T.S. Eliot's The Wasteland and the avant-garde theatre of Bertolt Brecht or Samuel Beckett. But what really defines modernism? Why did it begin and how long did it last? Is Modernism over now? Chris Rodriguez and Chris Garratt's brilliant graphic guide is a brilliant exploration of the last century's most thrilling artistic work - and what it's really all about.

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WITH AN INTRODUCTION BY MICHAEL MOORCOCKAngela Carter was one of the most important and influential writers of our time: a novelist of extraordinary power and a searching critic and essayist.This selection of her writing, which she made herself, covers more than a decade of her thought and ranges over a diversity of subjects giving a true measure of the wide focus of her interests: the brothers Grimm; William Burroughs; food writing, Elizbaeth David; British writing: American writing; sexuality, from Josephine Baker to the history of the corset; and appreciations of the work of Joyce and Christina Stead.

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Perversely, but perhaps appropriately, Aidan Higgins--one of the few contemporary writers worthy of comparison with Beckett and Joyce, now celebrating his 85th year--has chosen to wait until his sight has nearly left him to assemble this collection of visual treats. A commonplace book of anecdotes and cartoons--the latter never before published, though familiar to all of Higgins's correspondents from the margins of his letters and postcards--"Blind Man's Bluff" is a compendium of tart and comic insights into sight itself, as well as other varied indignities: personal, historical, and literary.

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Michaelmas term, 1940. 18-year-old John Kemp has come down from Lancashire to Oxford University to begin his scholarship studying English. But when he invents an imaginary sister to win the attention of a rich but unreliable 'friend', and then falls in love for real, undergraduate life becomes its own strange world .'Absolutely contemporary - perhaps even prophetic.' Joyce Carol Oates'Remarkable . A book about innocence.' Simon Garfield'A cryptic literary manifesto [about] discovering a literary personality, and the consolation art can provide.' Andrew Motion

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'I wrote Look Great, Feel Great, because I can truthfully say that I feel better physically, mentally, emotionally and spiritually right now than I have ever felt in my life.''No matter what age or condition you are in, you can do the same.'Joyce Meyer's acclaimed New York Times bestseller: - Provides a twelve-key plan for overcoming the poor eating and exercise habits that prevent us from fulfilling our potential - Demonstrates the amazing spiritual benefits of a healthier lifestyle - Digs beneath the self-respect crisis that threatens society today - Includes a Daily Self-Maintenance Checklist and Quick-Fix Emergency Sheet

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Ireland has long been a nation of story-tellers. What began as a lively form of entertainment has grown into an unrivalled literary genre. Although Ireland may mourn the loss of the seanchaí, the old hearthside story-teller, the Irish art of story-telling is by no means lost. This varied anthology traces the development of the Irish short story from the early folk-tales of the oral tradition through Oliver Goldsmith, Maria Edgeworth, James Joyce, and Liam O'Flaherty, and on to the rising stars of the modern generation, such as Bernard Mac Laverty and Desmond Hogan.

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'Pilgrimage' was the first expression in English of what it is to be called 'stream of conciousness' technique, predating the work of both Joyce and Woolf, echoing that of Proust with whom Dorothy Richardson stands as one of the great innovatory figures of our time. These four volumes record in detail the life of Miriam Henderson. Through her experience - personal, spiritual, intellectual - Dorothy Richardson explores intensely what it means to be a woman, presenting feminine conciousness with a new voice, a new identity.One of the real achievements of our time... Miss Richardson has achieved a miracle of performance - Rebecca West

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A lively tale about a fun-loving cat learning to accept change, imaginatively illustrated by the award-winning Petr Horácek.Mischievous Mister Boo loves to give everyone he meets a surprise. He shocks the baby birds, the baby rabbits and the baby owls. BOO! But one day he wakes up without his usual energy and no one seems to take any notice of him. Will Mister Boo learn to accept change and find joy again? A buoyant second collaboration between the acclaimed writer Joyce Dunbar and world-renowned illustrator Petr Horácek.

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A lively tale about a fun-loving cat learning to accept change, imaginatively illustrated by the award-winning Petr Horácek.Mischievous Mister Boo loves to give everyone he meets a surprise. He shocks the baby birds, the baby rabbits and the baby owls. BOO! But one day he wakes up without his usual energy and no one seems to take any notice of him. Will Mister Boo learn to accept change and find joy again? A buoyant second collaboration between the acclaimed writer Joyce Dunbar and world-renowned illustrator Petr Horácek.

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The average person has 70,000 thoughts every day, and many of those thoughts trigger a corresponding emotion. No wonder so many of us often feel like we're controlled by our emotions. Our lives would be much improved if we controlled them.In LIVING BEYOND YOUR FEELINGS, Joyce Meyer examines the gamut of feelings that human beings experience. She discusses the way that the brain processes and stores memories and thoughts, and then - emotion by emotion - she explains how we can manage our reactions to those emotions. Through this, she gives the reader a toolbox for managing the way we react to the onslaught of feelings that can wreak havoc on our lives.

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Discover James Joyce's impressionistic portrait of a young man finding his artistic voice in A Portrait of the Artist as a Young Man, reissued to coincide with 100 years since the first publication of his epic masterpiece, Ulysses EDITED BY HANS WALTER GABLER; WITH INTRODUCTIONS BY DR DIETER FUCHS AND JOSEPH O'CONNORAgainst the backdrop of nineteenth century Dublin, a boy becomes a man: his mind testing its powers, obsessions taking hold and loosening again, the bonds of family, tradition, nation and religion transforming from supports into shackles; until the young man devotes himself to the celebration of beauty, and reaches for independence and the life of an artist.

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Of course you know the Guardians of Childhood. You've known them since before you can remember and you'll know them 'til your memories are like twilight: Santa, The Tooth Fairy, The Sandman, The Easter Bunny and the others. But...where did they come from? How did they became beloved, and worthy of holidays? Wonder no more, because William Joyce is here to answer your questions. This, the second book in the Guardians picture book series, will provide the background, the history, the life of Sanderson Man Snoozy. You may be more familiar with his nickname-the Sandman-but you are certainly privy to his legend, to his ability to control and manipulate sweet dreams... for those who deserve them.

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For Joyce, literature 'is the eternal affirmation of the spirit of man'. Written between 1914 and 1921, Ulysses has survived bowdlerization, legal action and bitter controversy. An undisputed modernist classic, its ceaseless verbal inventiveness and astonishing wide-ranging allusions confirms its standing as an imperishable monument to the human condition. Declan Kiberd says in his introduction that Ulysses is 'an endlessly open book of utopian epiphanies. It holds a mirror up to the colonial capital that was Dublin on 16 June 1904, but it also offers redemptive glimpses of a future world which might be made over in terms of those utopian moments.'This Annotated Student Edition has full explanatory notes and line numbers for critical reference.

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With a new Introduction by Cedric Watts, Research Professor of English, University of Sussex. James Joyce's astonishing masterpiece, Ulysses, tells of the diverse events which befall Leopold Bloom and Stephen Dedalus in Dublin on 16 June 1904, during which Bloom's voluptuous wife, Molly, commits adultery. Initially deemed obscene in England and the USA, this richly-allusive novel, revolutionary in its Modernistic experimentalism, was hailed as a work of genius by W. B. Yeats, T. S. Eliot and Ernest Hemingway. Scandalously frank, wittily erudite, mercurially eloquent, resourcefully comic and generously humane, Ulysses offers the reader a life-changing experience.

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In Gender and Genre in the Folklore of Middle India, Joyce Burkhalter Flueckiger analyzes six representative Indian folklore genres from a single regional repertoire to show the influence of their intertextual relations on the composition and interpretation of artistic performance. Placing special emphasis on women’s rituals, she looks at the relationship between the framework and organization of indigenous genres and the reception of folklore performance. The regional repertoire under examination presents a strikingly female-centered world. Female performers and characters are active, articulate, and frequently challenge or defy expectations of gender. Men also confound traditional gender roles. Flueckiger includes the translations of two full performance texts of narratives sung by female and male storytellers respectively.

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Why are dragons recognised in almost all cultures on Earth? What is the mysterious geomantic gold they secretly guard? Could dragons be a folk memory of something which once hunted us? In this beautiful little book Joyce Hargreaves tells the story of these extraordinary animals through examples drawn from all over the world. Richly illustrated, and with detailed appendices of notable dragon sites around the United Kingdom, this is an essential dragonologists guide. WOODEN BOOKS are small but packed with information. "Fascinating" FINANCIAL TIMES. "Beautiful" LONDON REVIEW OF BOOKS. "Rich and Artful" THE LANCET. "Genuinely mind-expanding" FORTEAN TIMES. "Excellent" NEW SCIENTIST. "Stunning" NEW YORK TIMES. Small books, big ideas.

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In Who Should Rule at Home? Joyce D. Goodfriend argues that the high-ranking gentlemen who figure so prominently in most accounts of New York City's evolution from 1664, when the English captured the small Dutch outpost of New Amsterdam, to the eve of American independence in 1776 were far from invincible and that the degree of cultural power they held has been exaggerated. The urban elite experienced challenges to its cultural authority at different times, from different groups, and in a variety of settings. Goodfriend illuminates the conflicts that pitted the privileged few against the socially anonymous many who mobilized their modest resources to creatively resist domination. Critics of orthodox religious practice took to heart the message of spiritual rebirth brought to New York City by the famed evangelist George Whitefield and were empowered to make independent religious choices. Wives deserted husbands and took charge of their own futures. Indentured servants complained or simply ran away. Enslaved women and men carved out spaces where they could control their own lives and salvage their dignity. Impoverished individuals, including prostitutes, chose not to bow to the dictates of the elite, even though it meant being cut off from the sources of charity. Among those who confronted the elite were descendants of the early Dutch settlers; by clinging to their native language and traditional faith they preserved a crucial sense of autonomy.

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Acclaimed biographer of James Joyce, Edna O’Brien has written a “jaunty” (The New Yorker) biography that suits her fiery and charismatic subject. She follows Byron from the dissipations of Regency London to the wilds of Albania and the Socratic pleasures of Greece and Turkey, culminating in his meteoric rise to fame at the age of twenty-four. With “a novelist’s understanding of tempo and characterization” (Miami Herald), O’Brien captures the spirit of the man and creates an indelible portrait that explodes the Romantic myth. Byron, as brilliantly rendered by O’Brien, is the poet as rebel, imaginative and lawless, and defiantly immortal.

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From a "comic strip" papyrus dating from Egypt's New Kingdom to the works of Stein, Joyce, and Barth, "nonsense" texts reveal a set of possibilities as rich and complex as the more conventional system of "making sense" from which they are derived. Examining palindromes, children's rhymes, puns, anagrams, code languages, and other texts, Susan Stewart explores the labyrinthine relationships between common sense and nonsense-- and presents an original contribution to the fields of folklore, literary theory, anthropology, and sociology by analyzing nonsense within an expansive context of the social manufacture of order and disorder.

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Alfred Day wanted his war. In its turmoil he found his proper purpose as the tail-gunner in a Lancaster bomber; he found the wild, dark fellowship of his crew, and - most extraordinary of all - he found Joyce, a woman to love. But that's all gone now - the war took it away. Maybe it took him, too.Now in 1949, employed as an extra in a war film that echoes his real experience, Day begins to recall what he would rather forget...

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Waking to find himself shipwrecked on a strange shore before a dark wood, the pilgrim of the Divine Comedy realizes he must set his sights higher and guide his ship to a radically different port. Starting on the sand of that very shore with Dante, John Freccero begins retracing the famous voyage recounted by the poet nearly 700 years ago. Freccero follows pilgrim and poet through the Comedy and then beyond, inviting readers both uninitiated and accomplished to join him in navigating this complex medieval masterpiece and its influence on later literature. Perfectly impenetrable in its poetry and unabashedly ambitious in its content, the Divine Comedy is the cosmos collapsed on itself, heavy with dense matter and impossible to expand. Yet Dante’s great triumph is seen in the tiny, subtle fragments that make up the seamless whole, pieces that the poet painstakingly sewed together to form a work that insinuates itself into the reader and inspires the work of the next author. Freccero magnifies the most infinitesimal elements of that intricate construction to identify self-similar parts, revealing the full breadth of the great poem. Using this same technique, Freccero then turns to later giants of literature— Petrarch, Machiavelli, Donne, Joyce, and Svevo—demonstrating how these authors absorbed these smallest parts and reproduced Dante in their own work. In the process, he confronts questions of faith, friendship, gender, politics, poetry, and sexuality, so that traveling with Freccero, the reader will both cross unknown territory and reimagine familiar faces, swimming always in Dante’s wake.

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Waking to find himself shipwrecked on a strange shore before a dark wood, the pilgrim of the Divine Comedy realizes he must set his sights higher and guide his ship to a radically different port. Starting on the sand of that very shore with Dante, John Freccero begins retracing the famous voyage recounted by the poet nearly 700 years ago. Freccero follows pilgrim and poet through the Comedy and then beyond, inviting readers both uninitiated and accomplished to join him in navigating this complex medieval masterpiece and its influence on later literature. Perfectly impenetrable in its poetry and unabashedly ambitious in its content, the Divine Comedy is the cosmos collapsed on itself, heavy with dense matter and impossible to expand. Yet Dante’s great triumph is seen in the tiny, subtle fragments that make up the seamless whole, pieces that the poet painstakingly sewed together to form a work that insinuates itself into the reader and inspires the work of the next author. Freccero magnifies the most infinitesimal elements of that intricate construction to identify self-similar parts, revealing the full breadth of the great poem. Using this same technique, Freccero then turns to later giants of literature— Petrarch, Machiavelli, Donne, Joyce, and Svevo—demonstrating how these authors absorbed these smallest parts and reproduced Dante in their own work. In the process, he confronts questions of faith, friendship, gender, politics, poetry, and sexuality, so that traveling with Freccero, the reader will both cross unknown territory and reimagine familiar faces, swimming always in Dante’s wake.

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'The single most influential spokesperson for organic psychedelics' The Independent With a new foreword from Dennis McKenna.From renowned ethnobotanist and psychonaut Terence McKenna comes this surreally mind-bending adventure into the depths of the human experience.True Hallucinations is a mesmerising odyssey of McKenna's travels in the Amazon with a band of friends during the 1970s. From mushrooms and flying saucers to pirates and James Joyce, McKenna uncovers the limitless potential of organic psychedelics to open our minds, bodies and spirits to higher states of being.

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If the invention of literary modernism is usually attributed to Joyce, Eliot and Pound, it was Pound's personality and position in the artistic world that enabled the experiment to transform itself into an international movement. In 1926 Pound brought together the body of his shorter poems into a definitive collection which would illustrate the hallmarks of the new style. This collection, where Pound presented himself in a variety of characters or 'masks', was called Personae. In 1926, Personae's publication gave solidity to a movement; today the work stands as one of the classic texts of the twentieth century.

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The second novel in Willa Cather’s Great Plains trilogy, is a lyrical coming-of-age story charting the struggles of an artists life. 'Lingers long in the memory' Joyce Carol Oates Thea Kronberg, gifted with a beautiful voice, defies her humble beginnings in Colorado and finds success far from her small hometown. But her achievements come with painful drawbacks. As the distance between Thea and her roots increases, she must fight to find her inner strength and reach her full potential. WITH AN INTRODUCTION BY PENELOPE LIVELY

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Essays bring out the important and complex roles played by Anglo-Saxon churchmen, including Bede and lesser-known figures. Both episcopal and abbatial authority were of fundamental importance to the development of the Christian church in Anglo-Saxon England. Bishops and heads of monastic houses were invested with a variety of types of power and influence. Their actions, decisions, and writings could change not only their own institutions, but also the national church, while their interaction with the king and his court affected wider contemporary society. Theories of ecclesiastical leadership were expounded in contemporary texts and documents. But how far did image or ideal reflect reality? How much room was there for individuals to use their office to promote new ideas? The papers in this volumeillustrate the important roles played by individual leading ecclesiastics in England, both within the church and in the wider political sphere, from the late seventh to the mid eleventh century. The undeniable authority of Bede and Bishop Æthelwold is demonstrated but also the influence of less-familiar figures such as Bishop Wulfsige of Sherborne, Archbishop Ecgberht of York and St Leoba. The book draws on both textual and material evidence to show the influence (by both deed and reputation) of powerful personalities not only on the developing institutions of the English church but also on the secular politics of their time. Contributors: Alexander R. Rumble, Nicholas J.Higham, Martyn J. Ryan, Cassandra Rhodes, Allan Scott McKinley, Dominik Wassenhoven, Gale R. Owen-Crocker, Debby Banham, Joyce Hill.

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'ONE OF THE GENRE'S STANDOUT STARS - THERE IS SO MUCH HEART IN THIS BOOK!' heat Escape to the beautiful town of Littlewood with this heart-warming read, perfect for fans of Cathy Bramley, Holly Hepburn and Jo Thomas. Welcome to Brew, a cafe where kindness is almost as important as coffee... almost!Abbie has fled London and the humiliation of not being able to make rent after being made redundant. Her sister, Louise, unlucky in love, has thrown herself into her career at the local hospital. And Eszter, who has travelled from Hungary with her daughter Zoe, is hoping to fulfil her husband's dying wish: to reunite his family. This summer, three very different women are inspired by the random acts of kindness written up on the Kindness Board at Brew, and decide to make a pact to be kinder to others and to themselves.Can a little bit of kindness really change your life? Eszter, Abbie and Louise are about to find out!**Summer at the Kindness Cafe was previously published as a four-part serial titled Random Acts of Kindness. This is the complete story in one package.**Your favourite authors LOVE Summer at the Kindness Cafe: 'A heart-warming read - cosy and comforting. I loved it!' HEIDI SWAIN‘Utterly gorgeous, a totally heart-warming, beautiful story. I loved every single page!’ HOLLY MARTIN'A really lovely story - heart-warming and life affirming' JO THOMAS‘Warmth and kindness on every page’ SHEILA O'FLANAGAN‘I adored Summer at The Kindness Café - it's such a cosy, heart-warming read’ JENNIFER JOYCE'Summer at the Kindness Cafe ticks all the feel-good boxes' HOLLY HEPBURN, author of A Year at the Star and Sixpence‘An entertaining and timely reminder that a random act of kindness can change not only someone's day, but also someone's life’ PENNY PARKES, author of Best Practice‘Such an uplifting, warm story, with characters I already feel like I know. I loved every minute of it!’ CRESSIDA MCLAUGHLIN‘Victoria Walters has such a wonderful, fresh voice and the characters really do leap off the page. The perfect pick-me-up, and a timely reminder of the importance of kindness in every part of life’ PHOEBE MORGAN

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The autobiography of Eugene Jolas, available for the first time nearly half a century after his death in 1952, is the story of a man who, as the editor of the expatriate American literary magazine transition, was the first publisher of James Joyce’s Finnegans Wake and other signal works of the modernist period. Jolas’s memoir provides often comical and compelling details about such leading modernist figures as Joyce, Stein, Hemingway, Breton, and Gide, and about the political, aesthetic, and social concerns of the Surrealists, Expressionists, and other literary figures during the 1920s and 1930s. Man from Babel both enriches and challenges our view of international modernism and the historical avant-garde.Born in New Jersey of immigrant parents, Jolas moved back to France with them at the age of two. He grew up in the borderland of Lorraine and later lived in Paris, Berlin, London, and New York, where he pursued a career as a journalist and aspiring poet. As an American press officer after the war, Jolas was actively involved in the denazification of German intellectual life. A champion of the international avant-garde, he continually sought translinguistic, transcultural, and suprapolitical bridges that would transform Western culture into a unified continuum. Compiled and edited from Jolas’s drafts and illustrated with contemporary photographs, this memoir not only reveals the multicultural concerns of the man from Babel, as Jolas saw himself, but also illuminates an entire literary and historical era.

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Inspired by the Beats, Black Mountain, and the New York School, Lisa Jarnot emerged in the 1990s as one of the foremost poets of the post-Language avant-garde. Joie de Vivre draws on twenty years of work, from the bold fragmentation of her mixed media debut, Some Other Kind of Mission, to the experimental lyricism of her recent Night Scenes. Following the poet's evolution through her engagements with form and music, Joie de Vivre showcases Jarnot's restless virtuosity and relentless curiosity. The archaic, the surreal, the pastoral, the political--no register of language proves too recalcitrant for her expansive sense of song. Praise for Joie de Vivre: "Riveting ...Reading this work is truly a joy."--Publishers Weekly "This compilation includes the best of Jarnot's Whitmanesque reflections and Ginsbergian outcries, speech acts that list always toward an avant-garde."--Booklist "Her ideas meddle in the traditions of form, medium, sound, and arrangement to recall the modernism of Joyce and Stein ...This selection highlights her inventiveness." --Library Journal About the Author: Born in Buffalo, New York, in 1967, Lisa Jarnot studied with Robert Creeley at SUNY Buffalo and later earned an MFA at Brown University. The author of four full-length poetry collections and the former editor of the Poetry Project Newsletter, she has also just published Robert Duncan: The Ambassador From Venus (University of California Press, 2012), the definitive biography of the San Francisco poet. Since the mid-1990s, she has lived in New York City.

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Culture, 1922 traces the intellectual and institutional deployment of the culture concept in England and America in the first half of the twentieth century. With primary attention to how models of culture are created, elaborated upon, transformed, resisted, and ignored, Marc Manganaro works across disciplinary lines to embrace literary, literary critical, and anthropological writing. Tracing two traditions of thinking about culture, as elite products and pursuits and as common and shared systems of values, Manganaro argues that these modernist formulations are not mutually exclusive and have indeed intermingled in complex and interesting ways throughout the development of literary studies and anthropology. Beginning with the important Victorian architects of culture--Matthew Arnold and Edward Tylor--the book follows a number of main figures, schools, and movements up to 1950 such as anthropologist Franz Boas, his disciples Edward Sapir, Ruth Benedict, and Zora Neale Hurston, literary modernists T. S. Eliot and James Joyce, functional anthropologist Bronislaw Malinowski, modernist literary critic I. A. Richards, the New Critics, and Kenneth Burke. The main focus here, however, is upon three works published in 1922, the watershed year of Modernism--Eliot's The Waste Land, Malinowski's Argonauts of the Western Pacific, and Joyce's Ulysses. Manganaro reads these masterworks and the history of their reception as efforts toward defining culture. This is a wide-ranging and ambitious study about an ambiguous and complex concept as it moves within and between disciplines.

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Magnetic Resonance Imaging, not so long ago a diagnostic tool of last resort, has become pervasive in the landscape of consumer medicine; images of the forbidding tubes, with their promises of revelation, surround us in commercials and on billboards. Magnetic Appeal offers an in-depth exploration of the science and culture of MRI, examining its development and emergence as an imaging technology, its popular appeal and acceptance, and its current use in health care. Understood as modern and uncontroversial by health care professionals and in public discourse, the importance of MRI—or its supposed infallibility—has rarely been questioned. In Magnetic Appeal, Kelly A. Joyce shows how MRI technology grew out of serendipitous circumstances and was adopted for reasons having little to do with patient safety or evidence of efficacy. Drawing on interviews with physicians and MRI technologists, as well as ethnographic research conducted at imaging sites and radiology conferences, Joyce demonstrates that current beliefs about MRI draw on cultural ideas about sight and technology and are reinforced by health care policies and insurance reimbursement practices. Moreover, her unsettling analysis of physicians' and technologists' work practices lets readers consider that MRI scans do not reveal the truth about the body as is popularly believed, nor do they always lead to better outcomes for patients. Although clearly a valuable medical technique, MRI technology cannot necessarily deliver the health outcomes ascribed to it. Magnetic Appeal also addresses broader questions about the importance of medical imaging technologies in American culture and medicine. These technologies, which include ultrasound, X-ray, and MRI, are part of a larger trend in which visual representations have become central to American health, identity, and social relations.

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LRB BOOKSHOP'S AUTHOR OF THE MONTH ONE OF THE GUARDIAN'S BEST BOOKS OF 2019'If you haven't read Bernhard, you will not know of the most radical advance in fiction since Joyce ... My advice: dive in.' Lucy Ellmann'I absolutely love Bernhard: he is one of the darkest and funniest writers ... A must read for everybody.' Karl Ove KnausgaardMid-century Austria. Three aspiring concert pianists - Wertheimer, Glenn Gould, and the narrator - have dedicated their lives to achieving the status of a virtuoso. But one day, two of them overhear Gould playing Bach's Goldberg Variations, and his incomparable genius instantly destroys them both. They are forced to abandon their musical ambitions: Wertheimer, over a tortured process of disintegration that sees him becoming obsessed with both writing and his own sister, with whom he has a quasi-incestuous relationship culminating in death; and the narrator, instantly, retreating into obscurity to write a book that he periodically destroys and restarts. Written as a monologue in one remarkable unbroken paragraph, Thomas Bernhard's dazzling meditation on failure, genius, and fame is a radical new reading experience: musical, paralysing, raging, and inimitable.

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In the five novels by Ireland's greatest comic writer we can explore the full range of his invention, from the multi-layered madness of At Swim-Two-Birds to the piercing realism of The Hard Life and the surreal logic of The Third Policeman. This is a world where bicycles listen to conversations, inventors search formethods of 'diluting' water, and characters play truant while novelists sleep; a world where spiteful fairies wreak havoc and heroes from legend blunder into suburban sitting-rooms. This is recognizably the Ireland of Joyce and Beckett - rowdy, high-spirited, by turns sensual and and cerebral -transformed by O'Brien's unique vision.

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Four very different women have made their way from Africa to Brussels. They have come to claim for themselves the riches they believe Europe promises but when Sisi, the most enigmatic of the women, is murdered, their already fragile world is shattered.Drawn together by tragedy, the remaining three women - Joyce, a great beauty whose life has been destroyed by war; Ama, whose dark moods manifest a past injustice; Efe, whose efforts to earn her keep are motivated by a particular zeal - slowly begin to share their stories. They are stories of terror, of displacement, of love, and of a sinister man called Dele.

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Eliza travels to Sydney to deal with the estate of her Aunt Dodge, and finds Maxine, a hitherto unknown cousin, occupying Dodge’s apartment. When legal complications derail plans to live it up on their inheritance, the women’s lives become consumed by absurd attempts to deal with Australian tax law, as well their own mounting boredom and squalor. The most astonishing debut novel of the decade, Dodge Rose calls to mind Henry Green in its skewed use of colloquial speech, Joyce in its love of inventories, and William Gaddis in its virtuoso lampooning of law, high finance, and national myth.

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Enlivened with profiles and vignettes of some of the remarkable people whose histories inform this study, Stepping Lively in Place shows how single, free women navigated life in a busy slave-encrusted river-port town before, during, and after the Civil War. It examines how single women in one city (including prostitutes, entrepreneurs, and elite plantation ladies) coped with life unencumbered, or unprotected, by husbands. The book pays close attention to the laws affecting southern gender and sociocultural traditions, focusing especially on how the town’s single women maneuvered adroitly but guardedly within the legal arena in which they lived.Joyce Linda Broussard looks at all types of single women—black and white, law-abiding and criminal—including spinsters, widows, divorcees, and abandoned women. She demonstrates the nuanced degrees to which these women understood that the legal, cultural, and social traditions of their place and time could alternately constrain or empower them, often achieving thereby a considerable amount of independence as women. Before the Civil War, says Broussard, the town’s patriarchal community tolerated (often reluctantly) even the most independent-minded (and often disorderly) single women—as long as their behaviour left unchallenged the institutions of white male mastery, slavery, and marriage. She explores the impact of the Civil War and Reconstruction on the town’s single women, especially when thousands of formerly enslaved women and new widows swelled their ranks. With slavery dead and male authority undermined, Broussard demonstrates how the not-married women of postbellum Natchez confronted a world turned inside out with a determinedly resolute dexterity.

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The essays in Writing between the Lines explore the lives of twelve of Canada's most eminent anglophone literary translators, and delve into how these individuals have contributed to the valuable process of literary exchange between francophone and anglophone literatures in Canada. Through individual portraits, this book traces the events and life experiences that have led W.H. Blake, John Glassco, Philip Stratford, Joyce Marshall, Patricia Claxton, Doug Jones, Sheila Fischman, Ray Ellenwood, Barbara Godard, Susanne de Lotbinire-Harwood, John Van Burek, and Linda Gaboriau into the complex world of literary translation. Each essay-portrait examines why they chose to translate and what linguistic and cultural challenges they have faced in the practice of their art. Following their relationships with authors and publishers, the translators also reveal how they have defined the goals and the process of literary translation. Containing original, detailed biographical and bibliographical material, Writing between the Lines offers many new insights into the literary translation process, and the diverse roles of the translator as social agent. The first text on Canadian translators, it makes a major contribution in the areas of literary translation, comparative literature, Canadian literature, and cultural studies.

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‘She has, to my knowledge, an almost unblemished record in never having failed to spot a great new play…’ Philip Howard, from his Foreword Joyce McMillan has been writing about theatre in Scotland for more than three decades. As drama critic successively for The Guardian, Scotland on Sunday and The Scotsman, she has reviewed thousands of plays. During that time she has borne witness to an extraordinary cultural and political renaissance in Scotland, reflected in the newfound confidence of its playwrights, in the vibrancy of its theatre culture and in its recent outburst of new theatre companies. Compiled by McMillan and the theatre director, Philip Howard, Theatre in Scotland is a panoramic history of modern Scottish theatre, reported from the frontline. It traces the remarkable journey of Scottish theatre towards its new self-confidence: the road to 1990, when Glasgow was European Capital of Culture; followed by the explosive expansion of the 1990s; culminating in the emergence of the National Theatre of Scotland and its drive to bring theatre culture right into the heart of the nation. Gathered here are the leading Scottish playwrights, from John Byrne to Liz Lochhead, from David Greig to David Harrower, as well as the full breadth of English playwrights, from Shakespeare to Pinter. There are reflections on the great Scottish plays, classic – Ane Satyre of the Thrie Estaitis, Men Should Weep – and modern – Black Watch, The James Plays. There are reports not only from the urban theatre centres of Edinburgh and Glasgow but from all over Scotland; and from the feast that is the Edinburgh Festival, to the nourishing A Play, A Pie and A Pint. A leading thinker and writer about Scotland, McMillan has an incomparable ability to detect the wider cultural resonances in Scottish theatre, and to reveal what it can tell us about Scotland as a whole. Her book serves as a portrait of a nation and a shared cultural life, where visions of ‘what we have been, what we are, and what we might become’ are played out in sharp focus on its stages. ‘When Scottish theatre works [its] magic over the coming years, I will be there, to try to catch the moment in print, and to tell it as it was. And believe me, on the good nights and the bad ones, the privilege will be mine: to be paid to go looking for joy, and occasionally to find it.’ Joyce McMillan 'Joyce has an unrivalled passion and hunger for theatre - to be surprised by it, challenged by it, moved by it. Her prose when describing something which has done just this is inspiring and affecting.' Vicky Featherstone

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'A thoroughly modern love story' Guardian, Book of the YearKate Battista is stuck.How did she end up running house and home for her eccentric scientist father and infuriating younger sister Bunny?Dr Battista has other problems. His brilliant young lab assistant, Pyotr, is about to be deported. And without Pyotr, his new scientific breakthrough will fall through...When Dr Battista cooks up an outrageous plan that will enable Pyotr to stay in the country, he's relying - as usual - on Kate to help him. Will Kate be able to resist the two men's touchingly ludicrous campaign to win her round?Anne Tyler's brilliant retelling of The Taming of the Shrew asks whether a thoroughly modern woman like Kate would ever sacrifice herself for a man. The answer is as surprising as Kate herself.**ANNE TYLER HAS SOLD OVER 8 MILLION BOOKS WORLDWIDE**'Anne Tyler takes the ordinary, the small, and makes them sing' Rachel Joyce'She knows all the secrets of the human heart' Monica Ali 'A masterly author' Sebastian Faulks'I love Anne Tyler. I've read every single book she's written' Jacqueline Wilson

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How would it be if four lunatics went on a tremendous adventure, reshaping their pasts and futures as they went, including killing Mussolini? What if one of those people were a fascinating, forgotten aristocratic assassin and the others a fellow life co-patient, James Joyce's daughter Lucia, another the first psychoanalysis patient, known to history simply as 'Anna O,' and finally 19th Century Paris's Queen of the Hysterics, Blanche Wittmann? That would be extraordinary, wouldn't it? How would it all be possible? Because, as the assassin Lady Violet Gibson would tell you, those who are confined have the very best imaginations.

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Brought to you by Penguin.In a peaceful retirement village, four unlikely friends meet up once a week to investigate unsolved killings.But when a local property developer shows up dead, 'The Thursday Murder Club' find themselves in the middle of their first live case.The four friends, Elizabeth, Joyce, Ibrahim and Ron, might be pushing eighty but they still have a few tricks up their sleeves. Can our unorthodox but brilliant gang catch the killer before it's too late?****WHAT PEOPLE ARE SAYING ABOUT THE THURSDAY MURDER CLUB'A superb debut. Thrilling, moving, laugh-out-loud funny and packed with characters you will want to see a LOT more of' Mark Billingham'Compelling. Mystery fans are going to be enthralled' Harlan Coben'Smart, compassionate, warm, moving and so VERY funny. I smiled a million times. This book will make a lot of people very, very happy' Marian Keyes'Funny, clever and achingly British - what else would you expect from a book by Richard Osman?' Adam Kay'A warm, wise and witty warning never to underestimate the elderly' Val McDermid'What a joy! Full of brilliantly observed humour, spot-on dialogue and twists and turns aplenty. Joyce and the gang are now my favourite crime-solving team' Nina Stibbe'Utterly charming and very, very clever. Exactly what you'd expect from Richard Osman writing a crime novel' Sarah Pinborough© Richard Osman 2020 (P) Penguin Audio 2020

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This is the eighth book of a series published with The Political Quarterly. Expert contributors including Joyce Macmillan, Michael Brunson, Karen Evans, John Maxton, Matthew Taylor, Neal Acherson, Yasmin-Alibhai Brown and Anthony Everitt. Asks how a radically more participative citizenship culture could be achieved - one where people think of themselves as citizens and act like citizens. Concerned with long-term proposals rather than short-term issues. Looking towards the middle years of the new century it offers a practical vision of a more democratic and genuinely inclusive society.

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This volume presents current research on a variety of questions related to Roman emperors' uses of images and architecture. Drawing mainly on sculpture, coinage, and architecture, the papers consider topics ranging from the beard of Nero to Antonine funeral pyres to the roles of arches in shaping urban landscapes. Chronologically, the volume covers the reigns of Augustus through Constantine, and it examines the use of imagery by empresses as well as emperors. The contributors are Fae Amiro, Steven Burges, Laura L. Garofalo, Evan Jewell, Lillian Joyce, Jacob A. Latham, and Rosa Maria Motta, Gretel Rodriguez.

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When a beautiful woman mysteriously vanishes from her small town home, her sister must uncover the truth behind the mystery. Sculptor Marguerite has disappeared from her small town in upstate New York. But was foul play involved? Did she merely get away for some fun? Or did she finally decide to leave behind her claustrophobic life of limited opportunities? Younger sister Gigi wonders if the clues left in Marguerite's wake – the flimsy silk Dior dress, so casually abandoned, the footprints made by her Ferragamo boots, which end abruptly close to home – are really clues at all. Bit by bit, revelations about both women are uncovered, together with Gigi's true feelings about the much-loved Marguerite. The fate of the missing beauty slowly and subtly comes to light In this suspenseful story about the complex relationship between two sisters. 48 Clues into the Disappearance of My Sister is an exquisitely suspenseful tale from Joyce Carol Oates, literary icon and author of Blonde and We Were the Mulvaneys. 'This elegant, captivating tale is un-put-downable.' Publishers Weekly 'Perfect for all the Daisy Jones & the Six fans out there.' Katie Couric Media 'Another masterpiece of storytelling.' Booklist 'Not just a ripping good mystery, but a meticulous character study.' Los Angeles Magazine

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In Who Should Rule at Home? Joyce D. Goodfriend argues that the high-ranking gentlemen who figure so prominently in most accounts of New York City's evolution from 1664, when the English captured the small Dutch outpost of New Amsterdam, to the eve of American independence in 1776 were far from invincible and that the degree of cultural power they held has been exaggerated. The urban elite experienced challenges to its cultural authority at different times, from different groups, and in a variety of settings. Goodfriend illuminates the conflicts that pitted the privileged few against the socially anonymous many who mobilized their modest resources to creatively resist domination. Critics of orthodox religious practice took to heart the message of spiritual rebirth brought to New York City by the famed evangelist George Whitefield and were empowered to make independent religious choices. Wives deserted husbands and took charge of their own futures. Indentured servants complained or simply ran away. Enslaved women and men carved out spaces where they could control their own lives and salvage their dignity. Impoverished individuals, including prostitutes, chose not to bow to the dictates of the elite, even though it meant being cut off from the sources of charity. Among those who confronted the elite were descendants of the early Dutch settlers; by clinging to their native language and traditional faith they preserved a crucial sense of autonomy.

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In this authoritative and immensely readable insider's account, celebrated cookbook author and former chef Joyce Goldstein traces the development of California cuisine from its formative years in the 1970s to 2000, when farm-to-table, foraging, and fusion cooking had become part of the national vocabulary. Interviews with almost two hundred chefs, purveyors, artisans, wine makers, and food writers bring to life an approach to cooking grounded in passion, bold innovation, and a dedication to "flavor first." Goldstein explains how the counterculture movement in the West gave rise to a restaurant culture characterized by open kitchens, women in leadership positions, and a surprising number of chefs and artisanal food producers who lacked formal training. The new cuisine challenged the conventional kitchen hierarchy and French dominance in fine dining, leading to a more egalitarian and informal food scene. In weaving Goldstein's views on California food culture with profiles of those who played a part in its development - from Alice Waters to Bill Niman to Wolfgang Puck - Inside the California Food Revolution demonstrates that, while fresh produce and locally sourced ingredients are iconic in California, what transforms these elements into a unique cuisine is a distinctly Western culture of openness, creativity, and collaboration. Engagingly written and full of captivating anecdotes, this book shows how the inspirations that emerged in California went on to transform the experience of eating throughout the United States and the world.

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