Search results for ""author joyce"

From the author of the 2 million+ copy, worldwide bestseller, The Unlikely Pilgrimage of Harold Fry, - soon to be a major movie starring Jim Broadbent - an exquisite, funny and heartrending parallel story.When Queenie Hennessy discovers that Harold Fry is walking the length of England to save her, and all she has to do is wait, she is shocked. Her note had explained she was dying. How can she wait? A new volunteer at the hospice suggests that Queenie should write again; only this time she must tell Harold everything. In confessing to secrets she has hidden for twenty years, she will find atonement for the past. As the volunteer points out, 'Even though you've done your travelling, you're starting a new journey too.' Queenie thought her first letter would be the end of the story. She was wrong. It was the beginning.Told in simple, emotionally-honest prose, with a mischievous bite, this is a novel about the journey we all must take to learn who we are; it is about loving and letting go. And most of all it is about finding joy in unexpected places and at times we least expect.-------------------------------------------------------------------------------------------'A beautiful story which will grip you, make you laugh and cry, uplift your spirit and leave you feeling profoundly grateful' DAILY MAIL'Will leave you wide-eyed and wanting to read it all again . . . wondrous' THE TIMES........................................................................................................................................................................................................RACHEL JOYCE'S NEW NOVEL MAUREEN FRY AND THE ANGEL OF THE NORTH - THE FINAL PART OF THE HAROLD FRY TRILOGY - IS PUBLISHED IN OCTOBER 2022

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Discover your unique gifts and dare to be different with this companion study guide from #1 New York Times bestselling author and renowned Bible teacher, Joyce Meyer.God has given you gifts so you can fulfill His purpose for your life, but if you're like a lot of people, you may not have recognized your talents yet. Start asking God to show you something special about the way He's made you. To some people, He's given a very tender, compassionate heart, and some He has wired to lead others effectively. Others, He has given a gift of being able to communicate clearly, to teach, to make scientific discoveries, or to write beautiful music. Only you can discover all the dynamic gifts He's placed in you.God is never going to help you be anyone but yourself, so learn to become Authentically, Uniquely You with the practical teaching formats in this companion study guide. God loves you just as you are! Let Him use you, with all your strengths and weaknesses, and transform you from the inside out to do something powerful beyond your wildest dreams.

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As young adults in the 1960s and 1970s, the nine people featured in this book—including co-editor Frank Joyce, Rennie Davis, Judy Gumbo, Alex Hing, and others—worked to end the U.S. war in Vietnam. Independently of each other, while the United States was still at war, nearly all of them travelled to North Vietnam, risking physical harm and charges of treason back home. In 2013, they all revisited Vietnam in a trip organized by the editors of this book. The People Make the Peace presents their reflections on those experiences, providing thoughtful and well informed reflections on a war and an era that deeply affected the United States and the world.

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Is finding the pleasure you want, the way you always wanted it, worth the risk of losing everything you have? It is for Paul and Joyce Ware, a naive couple who find themselves in the middle of a sexual revolution they never dreamed possible. The Ware family has a long list of temptations, and as chilling secrets tumble forth from their lives, the aftermath leads toward a climax that can threaten not only their marriage but the lives of their children as well.

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Readings for Funerals is a perceptive collection of Bible quotations, poems, hymns and prose, offering consolation and comfort to those bereaved. Featuring the writing of, amongst others, W. H. Auden, Simon Armitage, Wendy Cope, T. S. Eliot and Joyce Grenfell, it is suitable for use at secular funerals, celebrations of a life and church services. This book follows the style of the highly successful Readings for Weddings which has sold over 7,000 copies.

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Descubre tus dones unicos y atrevete a ser diferente con la autora numero uno en ventas del New York Times y reconocida maestra de la Biblia, Joyce Meyer. Dios te ha dado talentos y habilidades para que puedas cumplir su proposito en tu vida, pero si eres como muchas personas, es posible que aun no los hayas reconocido. A menudo, el mundo en el que vivimos nos presiona a vivir a la altura de una determinada imagen, en lugar de ser las personas unicas en las que Dios nos ha creado. Por lo tanto, permite que Dios te muestre que tienes de especial en la forma que El te hizo. Conviertete en una persona autentica y unica, porque Dios nunca te ayudara a ser nadie mas que tu misma! El te ama tal como eres. Deja que Dios te use, con todas tus fortalezas y debilidades, y te transforme de adentro hacia afuera para hacer algo mucho mas maravilloso que tus suenos mas extravagantes.Discover your unique gifts and dare to be different with #1 New York Times bestselling author and renowned Bible teacher Joyce Meyer.God has given you talents and abilities so you can fulfill His purpose for your life, but if you're like a lot of people, you may not have recognized them yet. The world we live in often pressures us to live up to a certain image, rather than be the unique individuals God has created us to be, so let God show you what's special about the way He made you.Become Authentically, Uniquely You because God is never going to help you be anyone but yourself! He loves you just as you are. Let God use you, with all your strengths and weaknesses, and transform you from the inside out to do something more wonderful than your wildest dreams.

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From its earliest days under English rule, New York City had an unusually diverse ethnic makeup, with substantial numbers of Dutch, English, Scottish, Irish, French, German, and Jewish immigrants, as well as a large African-American population. Joyce Goodfriend paints a vivid portrait of this society, exploring the meaning of ethnicity in early America and showing how colonial settlers of varying backgrounds worked out a basis for coexistence. She argues that, contrary to the prevalent notion of rapid Anglicization, ethnicity proved an enduring force in this small urban society well into the eighteenth century.

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Discover how to transform fabric panels and thread into one-of-a-kind art quilts. Award-winning quilter and fibre artist Joyce Hughes shows how to use dimensional thread painting, raw edge applique, and a variety of embellishments to make seasonal panels, beautiful florals, and panel replicas like Van Gogh's Starry Nights. From simple beading to more advanced three-dimensional pieces, Joycenpresents her techniques clearly and concisely with detailed photographs innstep-by-step format. Sure to please both traditional and contemporary artists alike, Creating Art Quilts with Panels also features a photographic gallery of inspirational art quilt masterpieces.

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More than twenty years after its original appearance in Italian, The Open Work remains significant for its powerful concept of "openness"--the artist's decision to leave arrangements of some constituents of a work to the public or to chance--and for its striking anticipation of two major themes of contemporary literary theory: the element of multiplicity and plurality in art, and the insistence on literary response as an interactive process between reader and text. The questions Umberto Eco raises, and the answers he suggests, are intertwined in the continuing debate on literature, art, and culture in general.This entirely new edition, edited for the English-language audience with the approval of Eco himself, includes an authoritative introduction by David Robey that explores Eco's thought at the period of The Open Work, prior to his absorption in semiotics. The book now contains key essays on Eco's mentor Luigi Pareyson, on television and mass culture, and on the politics of art. Harvard University Press will publish separately and simultaneously the extended study of James Joyce that was originally part of The Open Work, entitled The Aesthetics of Chaosmos: The Middle Ages of James Joyce. The Open Work explores a set of issues in aesthetics that remain central to critical theory, and does so in a characteristically vivid style. Eco's convincing manner of presenting ideas and his instinct for the lively example are threaded compellingly throughout. This book is at once a major treatise in modern aesthetics and an excellent introduction to Eco's thought.

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An enchanting Christmas picture book about the magic and anticipation of Christmas Eve. There's only one more sleep till Christmas, and Lucas and Willow, the moon and the stars are all waiting... Waiting for Christmas morning, and presents, and mince pies and fun. But, unbeknown to Lucas and Willow, the magic has already begun. As silently and secretly the toys come to life...Perfect for sharing on Christmas Eve, this atmospheric story will soon become a new festive tradition. Written by master storyteller Joyce Dunbar, with stunning, classic illustrations from award-winning artist Victoria Turnbull.

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The clarity of Joyce's translation highlights the poem's superb versification, sophisticated use of intertextuality, and bold formal experimentation and innovation. A substantial introduction and annotations make this epic accessible to students of all levels. The Thebaid, a Latin epic in twelve books by Statius (c. 45–96 C. E.) reexamines events following the abdication of Oedipus, focusing on the civil war between the brothers Eteocles, King of Thebes, and Polynices, who comes at the head of an army from Argos to claim his share of royal power. The poem is long—each of the twelve books comprises over eight hundred lines—and complex, and it exploits a broad range of literary works, both Greek and Latin. Severely curtailed though he was by the emperor Domitian and his Reign of Terror, Statius nevertheless created a meditation on autocratic rule that is still of political interest today. Popular in its own time and much admired in the Middle Ages and the Renaissance—most notably by Dante and Chaucer—the poem fell into obscurity and has, for readers of English, been poorly served by translators. Statius composed his poem in dactylic hexameters, the supreme verse form in antiquity. In his hands, this venerable line is flexible, capable of subtle emphases and dramatic shifts in tempo; it is an expressive, responsive medium. In this new and long-awaited translation the poet Jane Wilson Joyce employs a loose, six-beat line in her English translation, which allows her to reveal something of the original rhythm and of the interplay between sentence structure and verse framework.

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Tomorrow’s Tomorrow is a pioneering sociological study of black girls growing up in the city. The author, in a substantial new introduction, considers what has changed and what has remained constant for them since the book was first published in 1971. Joyce A. Ladner spent four years interviewing, observing, and socializing with more than a hundred girls living in the Pruitt-Igoe housing project in St. Louis. She was challenged by preconceived academic ideas and labels and by her own past as a black child in rural Mississippi. Rejecting the white middle-class perspective of “deviant” behavior, she examined the expectations and aspirations of these representative black girls and their feelings about parents and boyfriends, marriage, pregnancy, and child-rearing. Ladner asked what life was like in the urban black community for the “average” girl, how she defined her roles and behaviors, and where she found her role models. She was interested in any significant disparity between aspirations and the resources to achieve them. To what extent did the black teenager share the world of her white peers? If the questions were searching, the conclusions were provocative. According to Ladner, “The total misrepresentation of the Black community and the various myths which surround it can be seen in microcosm in the Black female adolescent.”

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This authoritative visual guide to the artistic materials and painting techniques of J. M. W. Turner brings to life the skills of one of the world’s greatest artists. Details of his watercolours and oil paintings, usually only available to small numbers of museum professionals, and an experienced artist’s recreation of his core painting processes, combine with in-depth research into Turner’s use of new materials to give unique insights into his creative processes. How Turner Painted brings new research and understanding to the subject since the publication of the author’s earlier book Turner’s Painting Techniques (1993). Joyce Townsend, senior conservation scientist at Tate, which houses the majority of Turner’s work and is a centre of expertise on the artist, has revisited, updated and continued the examination of his innovative use of materials and early adoption of new colours. Comparisons are drawn across oil painting and watercolour to illustrate how Turner built up an image, and what his numerous unfinished works can tell us about his working methods. With a foreword by art historian Nicola Moorby and a chapter contributed by artist Tony Smibert, the book will coincide with two major new exhibitions planned for 2020, at Tate Britain and at the Queen Victoria Museum and Art Gallery in Tasmania.

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Marijuana is the everyman drug. Teenagers surreptitiously toke on it, politicians refuse to inhale it, even your mum and dad have had a go. Marijuana is a mellow, let's put on a Barry Manilow CD, open a bottle of vino, and order a pizza drug. It's the easy drug. The no howling at the moon drug. No shooting up and losing your job.The Marijuana Chronicles presents 17 tales of the weird, wonderful and just plain stoned from some of the coolest most chilled out writers around. From drug busts to recipes, this is the stoner's definitive literary bible. Featuring brand-new stories by Joyce Carol Oates, Lee Child, Linda Yablonsky, Jonathan Santlofer, Thad Ziolkowski, Raymond Mungo, Cheryl Lu-Lien Tan, Edward M. Gómez, Philip Spitzer, Dean Haspiel, Maggie Estep, Amanda Stern, Bob Holman, Rachel Shteir, Abraham Rodriguez, Jan Heller Levi, and Josh Gilbert. On the heels of The Speed Chronicles (Sherman Alexie, William T. Vollmann, Megan Abbott, James Franco, Beth Lisick, Tao Lin, etc.), The Cocaine Chronicles (Lee Child, Laura Lippman, etc.), and the The Heroin Chronicles (Eric Bogosian, Jerry Stahl, Lydia Lunch, etc.), comes The Marijuana Chronicles. Joyce Carol Oates, Lee Child, Linda Yablonsky, and other take short fiction to a higher level (though they don't inhale).

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Aldous Huxley decried "the horrors of modern 'pleasure,'" or the proliferation of mass produced, widely accessible entertainment that could degrade or dull the mind. He and his contemporaries, including James Joyce, T. S. Eliot, Gertrude Stein, D. H. Lawrence, and Jean Rhys, sought to radically redefine pleasure, constructing arduous and indirect paths to delight through their notoriously daunting work. Laura Frost follows these experiments in the art of unpleasure, connecting modernism's signature characteristics, such as irony, allusiveness, and obscurity, to an ambitious attempt to reconfigure bliss. In The Problem with Pleasure, Frost draws upon a wide variety of materials, linking interwar amusements, such as the talkies, romance novels, the Parisian fragrance Chanel no. 5, and the exotic confection Turkish Delight, to the artistic play of Joyce, Lawrence, Stein, Rhys, and others. She considers pop cultural phenomena and the rise of celebrities such as Rudolph Valentino and Gypsy Rose Lee against contemporary sociological, scientific, and philosophical writings on leisure and desire. Throughout her study, Frost incorporates recent scholarship on material and visual culture and vernacular modernism, recasting the period's high/low, elite/popular divides and formal strategies as efforts to regulate sensual and cerebral experience. Capturing the challenging tensions between these artists' commitment to innovation and the stimulating amusements they denounced yet deployed in their writing, Frost calls attention to the central role of pleasure in shaping interwar culture.

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Ford Madox Ford's extraordinary novel of passion and betrayal, The Good Soldier, is edited with an introduction by David Bradshaw in Penguin Classics.The Dowells, a wealthy American couple, have been close friends with the Ashburnhams for years. Edward Ashburnham, a first-rate soldier, seems to be the perfect English gentleman, and Leonora his perfect wife, but beneath the surface their marriage seethes with unhappiness and deception. Our only window on the strange tangle of events surrounding Edward is provided by John Dowell, the husband he deceives. Gradually Dowell unfolds a devastating story, in which everyone's honesty is in doubt. The Good Soldier is a masterpiece of narrative skill and emotional depth.David Bradshaw's introduction discusses John Dowell as the classic unreliable narrator and as English literature's most fascinating enigma, and shows how Ford Madox Ford's unconventional narrative structure makes The Good Soldier a modernist masterwork. Ford Madox Ford (1873-1939), born in Surrey and educated in England, Germany and France, changed his original surname, Hueffer, in 1919, after having served with the British army in World War I. As well as founding both the English Review and the Transatlantic Review, home to such writers as James Joyce, Ezra Pound and Gertrude Stein, Ford was the author of more than sixty works including novels, poems, criticism, travel writing and reminiscences. The Good Soldier (1915) is considered his masterpiece.If you enjoyed The Good Soldier, you might like Ford's Parade's End, also available in Penguin Classics, and now the subject of a major new BBC/HBO television miniseries.'A masterpiece'Julian Barnes, Booker Prize-winning author of The Sense of an Ending'I don't know how many times in nearly forty years I have come back to this novel'Graham Greene

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This volume introduces English speakers to genetic criticism, arguably the most important critical movement in France today. In recent years, French literary scholars have been exploring the interpretive possibilities of textual history, turning manuscript study into a recognized form of literary criticism. They have clearly demonstrated that manuscripts can be used for purposes other than establishing an accurate text of a work. Although its raw material is a writer's manuscripts, genetic criticism owes more to structuralist and poststructuralist notions of textuality than to philology and textual criticism. As Genetic Criticism demonstrates, the chief concern is not the "final" text but the reconstruction and analysis of the writing process. Geneticists find endless richness in what they call the "avant-texte": a critical gathering of a writer's notes, sketches, drafts, manuscripts, typescripts, proofs, and correspondence. Together, the essays in this volume reveal how genetic criticism cooperates with such forms of literary study as narratology, linguistics, psychoanalysis, sociocriticism, deconstruction, and gender theory. Genetic Criticism contains translations of eleven essays, general theoretical analyses as well as studies of individual authors such as Flaubert, Proust, Joyce, Zola, Stendhal, Chateaubriand, and Montaigne. Some of the essays are foundational statements, while others deal with such recent topics as noncanonical texts and the potential impact of hypertext on genetic study. A general introduction to the book traces genetic criticism's intellectual history, and separate introductions give precise contexts for each essay.

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Faces of Crisis in 20th-and 21st-Century Prose. An Anthology of Criticism offers a unique overview of the motif of crisis tackled by 20th-and 21st-century novelists. In one way or another, crisis has always been an inevitable part of our lives and it is still a central aspect of the contemporary world, in which we are constantly inundated with information about economic, environmental, and health threats.The anthology is divided into three parts pertaining to the main themes of the articles. The first section "Selves in Crisis" is concerned with personal and identity crisis. The second part "Bonds in Crisis" is devoted to interpersonal relationships and family ties. The third section "Worlds in Crisis" deals with threats on a global scale, both in the present and in the future. Focused on the main theme, literary scholars from different European universities tackle the problem of crisis from various perspectives, analysing works by authors such as James Joyce, Vita Sackville-West, Charles Hamilton Sorley, Daphne du Maurier, D.H. Lawrence, B.S. Johnson, Ann Quin, Zoë Wicomb, Rachel Seiffert, Sarah Waters, Diane Setterfield, Boualem Sansal, Philip K. Dick, and Suketu Mehta.The anthology opens with the article "Literature as Crisis" written by Dr Richard Brown from the University of Leeds, UK. Other articles are authored by young scholars representing universities both in Poland and abroad.

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Facebook, Twitter, Google...today's tech-savvy students are always plugged in. However, all too often their teachers and administrators aren't experienced in the use of these familiar digital tools. If schools are to prepare students for the future, administrators and educators must harness the power of digital technologies and social media. With contributions from authorities on the topic of educational technology, What School Leaders Need to Know About Digital Technologies and Social Media is a compendium of the most useful tools for any education setting. Throughout the book, experts including Will Richardson, Vicki Davis, Sheryl Nussbaum-Beach, Richard Byrne, Joyce Valenza, and many others explain how administrators and teachers can best integrate technology into schools, helping to make sense of the often-confusing world of social media and digital tools. They offer the most current information for the educational use of blogs, wikis and podcasts, online learning, open-source courseware, educational gaming, social networking, online mind mapping, mobile phones, and more, and include examples of these methods currently at work in schools. As the book clearly illustrates, when these tools are combined with thoughtful and deliberate pedagogical practice, it can create a transformative experience for students, educators, and administrators alike. What School Leaders Need to Know About Digital Technologies and Social Media reveals the power of information technology and social networks in the classroom and throughout the education community.

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No contemporary French feminist has made a bigger impact in America than Hélène Cixous. Brilliant, bold, and combative, author of numerous novels and a gargantuan study of James Joyce, and sponsor of a series of notorious seminars at the University of Paris about women's writing, she has exploited the roles of femme fatale and maitresse d'education in a career that has been spectacularly defiant and productive. Sihanouk is one of Cixous's most ambitious projects: the dramatic portrayal of the conflicts between old and new, East and West, North and South, religion and politics. At its center is the figure of Norodom Sihanouk. Vain when a prince, as king Sihanouk discovered his responsibility to his country and came to embody Cambodia. He used every means to keep his country growing, healthy, and out of the wars of Southeast Asia that consumed Laos and Vietnam.Cixous recognized in Sihanouk a historical figure as fascinating as a tragic king in Shakespeare: a man of uncommon intelligence on whom his country's history pivoted, a man placed by fate into a world of bad choices and surrounded by powerful and relentless antagonists. But Sihanouk gave Cixous something more: a king who is indisputably modern, who has read and loved Shakespeare, and whose story continues.First published in 1985, the play begins with Sihanouk's abdication in 1955 and ends with his arrest by the Khmer Rouge two decades later. The destiny of an entire country unfolds through the fifty characters who appear on stage.

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This groundbreaking new translation of The Interpretation of Dreams is the first to be based on the original text published in November 1899. It restores Freud's original argument, unmodified by revisions he made following the book's critical reception which included, under the influence of his associate Wilhelm Stekel, the theory of dream symbolism. Reading the first edition reveals Freud's original emphasis on the use of words in dreams and on the difficulty of deciphering them and Joyce Crick captures with far greater immediacy and accuracy than previous translations by Strachey's Freud's emphasis and terminology. An accessible introduction by Ritchie Robertson summarizes and comments on Freud's argument and relates it to his early work. Close annotation explains Freud's many autobiographical, literary and historical allusions and makes this the first edition to present Freud's early work in its full intellectual and cultural context. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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A beautifully illustrated collection of nursery rhymes to treasure, and songs, poems and rhymes to share. Enjoy Irish favourites like ‘Brian O’Linn’ and ‘I’ll Tell Me Ma’, classics such as ‘My Bonnie Lies Over the Ocean’ and ‘Monday’s Child’, silly rhymes that every child will love like ‘Beans’, ‘Pardon Me’ and ‘On Top of Spaghetti’, as well as magical verses for children written by Oscar Wilde, Oliver St John Gogarty, James Joyce and others.

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Beautifully written and incisive, this is the first English biography of a major Scandinavian author who is ripe for rediscovery While largely unknown today, Danish writer and Darwin translator Jens Peter Jacobsen was the leading prose writer in Scandinavia in the late nineteenth century and part of a generation that included Henrik Ibsen, Knut Hamsun, and August Strindberg. His novels Marie Grubbe and Niels Lyhne as well as his stories and poems were widely admired by writers such as Rainer Maria Rilke, Thomas Mann, and James Joyce. Despite his untimely death from tuberculosis at the age of thirty-eight, Jacobsen became a cult figure to an entire generation and continues to occupy an important place in Scandinavian cultural history. In this book, Morten Høi Jensen gives a moving account of Jacobsen’s life, work, and death: his passionate interest in the natural sciences, his complicated and nuanced attitude to his own atheism, and his painful descent toward an early death. Carefully researched and sympathetically imagined, this is an evocative portrait of one of the most influential and gifted writers of the nineteenth century.

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Describió Tolstói a Ana Karenina? Nos contó Melville alguna vez cuál era el aspecto de Ismael? Cómo nos imaginamos el Londres de Dickens o el Dublín de Joyce? Peter Mendelsund, uno de los mejores diseñadores de cubiertas de libros del mundo, ha escrito una exploración única del fenómeno de la lectura que nos revela hasta qué punto leer es un acto creativo.

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Longlisted for the 2024 Joyce Carol Oates Prize Winner, Independent Publisher Book Awards, Silver Medal - Literary Fiction Featured on PBS NewsHour Named by Good Morning America, New York Post, and Los Angeles Daily News as one of the Best Books of Spring 2023 A deeply moving debut novel from the award-winning author of Yes, Yes, Cherries (“Funny, brave, and amazing”—Lorrie Moore) that explores the relationship complexities between mothers and daughters, the desire to escape, and the longing to connect. Viva has always found ways to manage her mother’s impulsive, eccentric and addictive personality. She’s had to—for her entire life, it has always been Viva and Charlotte against the world. After accidentally discovering an innate ability for dance, Viva chases her new passion with the same fervor with which her mother chases the bottle. Over the years, Viva’s talent becomes a ticket to a life of her own, and as she moves further away from home to pursue her dream, Charlotte struggles to make peace with her own past as a failed artist and the effects of her addiction. When tragedy strikes, Viva begins a downward spiral and must decide whether she will repeat her mother’s mistakes or finally take control of her life. Told from interwoven perspectives with lyrical prose as deft as a choreographed dance.

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Joyce Sutphen’s evocations of life on a small farm, coming of age in the late 1960s, and traveling and searching for balance in a very modern world are both deeply personal and familiar. Readers from Maine to Minnesota and beyond will recognize themselves, their parents, aunts and uncles, and neighbors in these poems, which move us from delight in keen description toward something like wisdom or solace in the things of this world. In addition to poems selected from the last twenty-five years, Carrying Water to the Field includes more than forty new poems on the themes of luck, hard work, and the ravages of time—erasures that Sutphen attempts to ameliorate with her careful attention to language and lyrical precision.

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An extraordinary collection of essays on literature and contemporary culture. Gripping, irreverent, smart and entirely original. Passionate about literature, O'Joyce frequently goes out of his way to antagonize a literary establishment that places profit and political correctness before artistic vision. His blunt language may put off some readers, but Joyce will not put anyone to sleep. The health of literary criticism in America today depends on voices like his. Library Journal

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The first book about the Albatross Press, a Penguin precursor that entered into an uneasy relationship with the Nazi regime to keep Anglo-American literature alive under fascism The Albatross Press was, from its beginnings in 1932, a “strange bird”: a cultural outsider to the Third Reich but an economic insider. It was funded by British-Jewish interests. Its director was rumored to work for British intelligence. A precursor to Penguin, it distributed both middlebrow fiction and works by edgier modernist authors such as D. H. Lawrence, Virginia Woolf, James Joyce, and Ernest Hemingway to eager continental readers. Yet Albatross printed and sold its paperbacks in English from the heart of Hitler’s Reich. In her original and skillfully researched history, Michele K. Troy reveals how the Nazi regime tolerated Albatross—for both economic and propaganda gains—and how Albatross exploited its insider position to keep Anglo-American books alive under fascism. In so doing, Troy exposes the contradictions in Nazi censorship while offering an engaging detective story, a history, a nuanced analysis of men and motives, and a cautionary tale.

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When we seek God's voice, God is far from silent.In this profound spiritual testimony, Joyce Huggett draws on many years' experience of prayerfully listening to God to offer practical guidance and advice for anyone seeking a new dimension of prayer.Offering encouragement to start out on the journey, she tackles common difficulties honestly, and points towards a thrilling new relationship with God.This book, described as 'a spiritual classic' has over thirty years provided invaluable help to many thousands of people seeking greater depth in their spiritual life. This edition contains a chapter looking at what we can learn from the different streams of Christian spirituality.

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Twenty of the best mystery short stories of the year, from Michael Connelly, Jo Nesbo, Joyce Carol Oates, Colson Whitehead, and many more in this crime connoisseur's collection. Under the auspices of New York City's legendary mystery fiction specialty bookstore, The Mysterious Bookshop, and aided by Edgar Award-winning anthologist Otto Penzler, international bestseller and MWA Grandmaster Sara Paretsky has selected the twenty most puzzling, most thrilling, and most mysterious short stories from the past year, collected now in one entertaining volume. The classic mystery tale will be familiar to aficionados and casual readers alike: it was invented by Edgar Allen Poe, popularised by Arthur Conan Doyle, and perfected by Agatha Christie. Within a few pages, a clue can be discovered, divulged, and its significance determined: all else is mere embellishment. Featuring stories by: Doug Allyn, Colin Barrett, Jerome Charyn, Michael Connelly, Susan Frith, Tom Larsen, Sean Marciniak, Stefon Mears, Keith Lee Morris, Gwen Mullins, Jo Nesbo, Joyce Carol Oates, Annie Reed, Kristine Kathryn Rusch, Anna Scotti, Ginny Swart, Ellen Tremiti, Joseph S. Walker, Colson Whitehead, and Michael Wiley – plus a bonus vintage story from the annals of mystery fiction, written over a century ago.

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Aldous Huxley decried "the horrors of modern 'pleasure,'" or the proliferation of mass produced, widely accessible entertainment that could degrade or dull the mind. He and his contemporaries, including James Joyce, T. S. Eliot, Gertrude Stein, D. H. Lawrence, and Jean Rhys, sought to radically redefine pleasure, constructing arduous and indirect paths to delight through their notoriously daunting work. Laura Frost follows these experiments in the art of unpleasure, connecting modernism's signature characteristics, such as irony, allusiveness, and obscurity, to an ambitious attempt to reconfigure bliss. In The Problem with Pleasure, Frost draws upon a wide variety of materials, linking interwar amusements, such as the talkies, romance novels, the Parisian fragrance Chanel no. 5, and the exotic confection Turkish Delight, to the artistic play of Joyce, Lawrence, Stein, Rhys, and others. She considers pop cultural phenomena and the rise of celebrities such as Rudolph Valentino and Gypsy Rose Lee against contemporary sociological, scientific, and philosophical writings on leisure and desire. Throughout her study, Frost incorporates recent scholarship on material and visual culture and vernacular modernism, recasting the period's high/low, elite/popular divides and formal strategies as efforts to regulate sensual and cerebral experience. Capturing the challenging tensions between these artists' commitment to innovation and the stimulating amusements they denounced yet deployed in their writing, Frost calls attention to the central role of pleasure in shaping interwar culture.

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Ulysses has been read obsessively for a century. What if instead of focusing on the words to understand the structure, design, and history of Joyce’s masterpiece, we pay attention to the numbers?Taking a computational approach, Ulysses by Numbers lets us see the novel’s basic building blocks in a significantly new light—words, paragraphs, pages, and characters, as well as the original print run and the dates marking the beginning and end of its composition. Numbers provide access into Joyce’s creative process, enhanced by graphs, diagrams, timelines, and maps, and they also give us a startling new perspective on the proportions that continue to structure, organize, and pace the reading experience. Numbers are there to help us navigate the history of Ulysses from its earliest material beginnings, and they offer a concrete basis upon which we can explore the big questions about its length, style, origins, readership, and design.An innovative computational reading on both a micro and macro level, Ulysses by Numbers is a timely intervention into debates about the use and abuse of quantitative methods in literary analysis. Eric Bulson demonstrates how reading by numbers can bring us closer to the words of Ulysses, helping us rediscover a novel we thought we already knew.

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'Britain's answer to Donna Tartt' Sunday Times'A huge talent' Hilary Mantel'Was this how it was going to be for ever? Wrapping things for customers in womenswear, no conversation. Polishing the counters so her face reflected in the brass and sweeping floors at closing time until the boss said she could leave. How much worse off would she be if she went driving with a stranger for a while?'When sixteen-year-old Joyce Savigear absconds from work to go out with a man she barely knows, she hopes a new, exciting life is just beginning. But, two years later, she is waiting on a railway station in the tranquil English countryside. It's the summer of 1952 and she and her younger brother Charlie have just been released from borstal. Another fresh start awaits - but can Joyce ever outrun the darkness of her past?'What a writer' Richard Osman 'An involving tale of revenge and responsibility, which, while it devastates, also tells us that new lives can be built among the ashes' FT 'The Young Accomplice shows the difference between a book that slides down the surface of things, and one that digs its claws into you and sticks there' The Times

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Lewis Carroll's nonsense poems have been astonishingly popular with children and adults alike since the first publication of Alice in Wonderland in 1865, and have influenced the work of a host of modern writers, including James Joyce, Jorge Luis Borgese and Vladimir Nabokov. This selection of Carroll's verse serves as an introduction to his work. It includes the best-known Alice poems as well as "Sylvie and Bruno", "The Hunting of the Snark" and pieces from Phantasmagoria. The text is illustrated with a number of the evocative original Tenniel drawings.

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From Sarah Moss, the Sunday Times bestselling author of Summerwater and Ghost Wall, comes a story about the circumstances and the consequences of isolation.‘A tense page-turner . . . I gulped The Fell down in one sitting’ - Emma Donoghue‘Her work is as close to perfect as a novelist’s can be’ - The TimesAt dusk on a November evening in 2020 a woman slips out of her garden gate and turns up the hill. Kate is in the middle of two weeks of Covid isolation, but she just can’t take it any more – the closeness of the air in her small house, the confinement. And anyway, the moor will be deserted at this time. Nobody need ever know.But Kate’s neighbour Alice sees her leaving and Matt, Kate’s son, soon realizes she’s missing. And Kate, who planned only a quick solitary walk – a breath of open air – falls and badly injures herself. What began as a furtive walk has turned into a mountain-rescue operation . . .Unbearably suspenseful, witty and wise, The Fell asks probing questions about the place the world has become since the first Covid lockdown in March 2020, and the place it was before. This novel is a story about compassion and kindness and what we must do to survive.‘Gripping, thoughtful and revelatory’ - Paula Hawkins‘This slim, intense masterpiece is one of my best books of the year’ - Rachel Joyce‘One of our very best contemporary novelists’ - Independent

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In the middle of the eighteenth century, something new made itself felt in European culture - a tone or style that came to be called the sentimental. The sentimental mode went on to shape not just literature, art, music, and cinema, but people's very structures of feeling, their ways of doing and being. In what is sure to become a critical classic, "An Archaeology of Sympathy" challenges Sergei Eisenstein's influential account of Dickens and early American film by tracing the unexpected history and intricate strategies of the sentimental mode and showing how it has been reimagined over the past three centuries. James Chandler begins with a look at Frank Capra and the Capraesque in American public life, then digs back to the eighteenth century to examine the sentimental substratum underlying Dickens and early cinema alike. With this surprising move, he reveals how literary spectatorship in the eighteenth century anticipated classic Hollywood films such as "Capra's It Happened One Night", "Mr. Deeds Goes to Town", and "It's a Wonderful Life". Chandler then moves forward to romanticism and modernism - two cultural movements often seen as defined by their rejection of the sentimental - examining how authors like Mary Shelley, Joseph Conrad, James Joyce, and Virginia Woolf actually engaged with sentimental forms and themes in ways that left a mark on their work. Reaching from Laurence Sterne to the Coen brothers, "An Archaeology of Sympathy" casts new light on the long eighteenth century and the novelistic forebears of cinema and our modern world.

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Naming the Father is a collection of essays on the subject of fatherhood: its enduring power, its secret ruses, its unsettling provocations. Despite the considerable critical attention devoted to motherhood in literature-and despite the late-twentieth-century focus on patriarchy-there is surprisingly no comparable collection on fatherhood. This volume was born of the conclusion that critics of modern and contemporary literature may comprehend the father too little for presuming to have comprehended patriarchy so much. Naming the Father begins with a series of nonfiction essays that attempts to locate the missing father in the individual experiences of three scholars at various stages of their careers. The following thematically grouped sections recover and discuss fatherhood in fields ranging from Caribbean fiction to African American drama and in the work of authors as diverse as Rebecca West, Anzia Yezierska, William Burroughs, and Stephen Wright, as well as Henry James and James Joyce. A variety of critical approaches, from biographical to deconstructive, activate and engage with the cultural, national, and global implications of fatherhood for the family and for the future of literary studies. Scholars and students of contemporary literature, cultural studies, and gender studies will find this book a fascinating and invaluable collection.

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Since W. B. Yeats wrote in 1890 that "the man of science is too often a person who has exchanged his soul for a formula," the anti-scientific bent of Irish literature has often been taken as a given. Science, Technology, and Irish Modernism brings together leading and emerging scholars of Irish modernism to challenge the stereotype that Irish literature has been unconcerned with scientific and technological change. The collection spotlights authors ranging from James Joyce, Elizabeth Bowen, Flann O’Brien, and Samuel Beckett to less-studied writers like Emily Lawless, John Eglinton, Denis Johnston, and Lennox Robinson. With chapters on naturalism, futurism, dynamite, gramophones, uncertainty, astronomy, automobiles, and more, this book showcases the far-reaching scope and complexity of Irish writers’ engagement with innovations in science and technology.Taken together, the fifteen original essays in Science, Technology, and Irish Modernism map a new literary landscape of Ireland in the twentieth century. By focusing on writers' often-ignored interest in science and technology, this book uncovers shared concerns between revivalists, modernists, and late modernists that challenge us to rethink how we categorize and periodize Irish literature.

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Set in the Nebraska landscape in a community evocative of Cather’s own (Red Cloud), My Ántonia tells the story of Ántonia Shimerda, a Bohemian immigrant, and Jim Burden, who like Cather was uprooted from Virginia to the Nebraska prairie. Ántonia and Jim, like many of the other characters in this 1918 novel, are based on Cather’s childhood friends. This Norton Critical Edition is based on the first published edition of the novel. It is accompanied by explanatory footnotes, key illustrations, an introduction that gives readers a historical overview of both author and novel, and a note on the text. “Contexts and Backgrounds” is a rich collection of materials organized around the novel’s central themes: “Autobiographical and Biographical Writings,” “Letters,” and “Americanization and Immigration.” Willa Cather, Edith Lewis, Latrobe Carroll, Rose C. Feld, Guy Reynolds, Woodrow Wilson, Peter Roberts, Horace M. Kallen, Sarka B. Hrbkova, and Rose Rosicky, among others, are included. “Criticism” spans a century of scholarship on Willa Cather and My Ántonia, from contemporary reviews by Henry Walcott Boynton, H. L. Mencken, and Elia W. Peattie, among others, to recent critical assessments by Terence Martin, Blanche Gelfant, Jean Schwind, Richard H. Millington, Susan Rosowski, Mike Fischer, Janis Stout, Marilee Lindemann, and Linda Joyce Brown. A Chronology of Cather’s life and work and a Selected Bibliography are also included.

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Selected by #1 bestselling author Lee Child: the twenty finest short stories of 2021. There is no finer form for a crime than the short story. WIthin a few pages, a clue can be discovered, divulged and its significance determined; all else is mere embellishment. The classic mystery tale will be familiar to aficionados and casual readers alike: it was invented by Edgar Allen Poe, popularised by Arthur Conan Doyle, and perfected by Agatha Christie. But mystery fiction has changed a great deal over the years – as have all things – and the writers within these pages present far more than a simple case of crime and resolution. Far from predictable, these stories provide fertile grounds of aberrant circumstances and the poor choices they lead to. You will find diverse methods and motivations, original perspectives and perils. Above all, you will find tales of the extremes of human psychology caused by despair, hate, greed, fear, envy, insanity or love. Featuring stories by: Doug Allyn, Jim Allyn, Ambrose Bierce, Michael Bracken, James Lee Burke, Martin Edwards, John Floyd, Jacqueline Freimor, Alison Gaylin, Sue Grafton, Paul Kemprecos, Stephen King, Janice Law, Dennis McFadden, David Marcum, Tom Mead, David Morrell, Joyce Carol Oates, Sara Paretsky, Joseph Walker, Andrew Welsh-Huggins.

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LRB BOOKSHOP'S AUTHOR OF THE MONTH ONE OF THE GUARDIAN'S BEST BOOKS OF 2019WITH A NEW AFTERWORD BY MICHAEL HOFMANN'If you haven't read Bernhard, you will not know of the most radical advance in fiction since Joyce ... My advice: dive in.' Lucy Ellmann'I absolutely love Bernhard: he is one of the darkest and funniest writers ... A must read for everybody.' Karl Ove KnausgaardInstead of the book he is meant to write, Rudolph, a Viennese musicologist, produces this dark and grotesquely funny account of small woes writ large, of profound horrors detailed and rehearsed to the point of distraction. We learn of Rudolph's sister, whose help he invites then reviles; his 'really marvellous' house which he hates; the suspicious illness he carefully nurses; his ten-year-long attempt to write the perfect opening sentence; and his escape to the island of Majorca, which turns out to be the site of someone else's very real horror story, and ultimately brings him no release from himself.Concrete is Thomas Bernhard at his very finest: a bleakly hilarious insight into procrastination and failure that scratches the murky depths of our souls.

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From werewolves and vampires, to demons and aliens, the monster is one of the most recognizable figures in horror. But what makes something, or someone, monstrous? Award-winning and up-and-coming authors like Richard Kadrey, Cassandra Khaw, Indrapramit Das, Priya Sharma, and more attempt to answer this question. These all-new stories range from traditional to modern, from mainstream to literary, from familiar monsters to the unknown … and unimaginable. This chilling collection has something to please—and terrify—everyone, so lock your doors, hide under your covers, and try not to scream. Contributors include: Ian Rogers, Fran Wilde, Gemma Files, Daryl Gregory, Priya Sharma, Brian Hodge, Joyce Carol Oates, Indrapramit Das, Siobhan Carroll, Richard Kadrey, Norman Partridge, Garry Kilworth, Caitlín R. Kiernan, Chikodili Emelumadu, Glen Hirshberg, A. C. Wise, Stephen Graham Jones, Kaaron Warren, Livia Llewellyn, Carole Johnstone, Margo Lanagan, Joe R. Lansdale, Brian Evenson, Nathan Ballingrud, Cassandra Khaw, Laird Barron, Kristi DeMeester, Jeffrey Ford, and John Langan

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An investigation of the phenomenon of the framed formal center in literature of the last 180 years, illuminating both the works and correspondences among works of different genres, periods, and nations. This book concerns the framed center in selected literary works of the 19th to 21st centuries. Such a center involves a critical passage bracketed by two halves of a text that feature language and/or plot that mirror each other. Recognizing the author's formal emphasis on the critical central passage encourages a thoughtful attention to it. Like other literary techniques, including allegory and metaphor, the framed center does not provide a single meaning, but rather makes possible varied meanings depending on the work. And often it features other literary patterns, including parallelism, chiasmus, mise en abyme, and allusion. There have been book-length studies of the framed center in literary works from the Bible through Tristram Shandy, but no such studies have addressed more recent literature. This book's analysis of the framed center in literature of the last 180 years - in works by Poe, Hawthorne, Melville, Thoreau, Carroll, Joyce, Anderson, Hemingway, Hammett, Chandler, Highsmith, Oates, and Zadie Smith - advances interpretation of the design itself and of the individual works, yielding critical breakthroughs. It alsoreveals hitherto unknown correspondences among works of different genres, periods, and nations. This book is a work of practical criticism with substantial interpretive consequences, and it is accessible to a broad audience.

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On Saint Patrick's Day, an Irish American writer visiting Dublin takes a day trip around the city and muses on death, sex, lost love, Irish immigrant history, and his younger days as a student in Europe. Like James Joyce’s Ulysses, Thomas McGonigle’s award-winning novel St. Patrick’s Day takes place on a single day, combining a stream-of-consciousness narrative with masterful old-fashioned storytelling, which samples the literary histories of both Ireland and America and the worlds they influence. St. Patrick’s Day relies on an interior monologue to portray the narrator’s often dark perceptions and fantasies; his memories of his family in Patchogue, New York, and of the women in his life; and his encounters throughout the day, as well as many years ago, with revelers, poets, African students, and working-class Dubliners. Thomas McGonigle’s novel is a brilliant portrait of the uneasy alliance between the Irish and Irish Americans, the result of the centuries-old diaspora and immigration, which left unsettled the mysteries of origins and legacy. St. Patrick’s Day is a rollicking pub-crawl through multi-sexual contemporary Dublin, a novel full of passion, humor, and insight, which makes the reader the author’s accomplice, a witness to his heartfelt memorial to the fraught love affair between ancestors and generations. McGonigle tells the stories both countries need to hear. This particular St. Patrick’s Day is an unforgettable one.

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This study of color, space, and creativity focuses on texts by Virginia Woolf, D. H. Lawrence, Joyce Cary, Lawrence Durrell, and A. S. Byatt. The author examines Woolf's structural use of color in To the Lighthouse and Lawrence's colorful visualizing of place in Sea and Sardinia and the Letters. Lawrence interprets the creative process in Apocalypse, tracing spiral rhythms that culminate in vision, while Cary, in The Horse's Mouth, dramatizes an artist's vision of 'the world of colour'. Durrell expands the power of color through metaphor in his island scapes and in The Alexandria Quartet distills the city's ethos in a 'cyclorama' that fuses sensations and memories. The final four chapters focus on Byatt's novels, starting with the creative-critical dialectic of The Shadows of the Sun and hyper-intense perception in The Virgin in the Garden. Painting comes to full bloom in Still Life, where Van Gogh's study of a breakfast table inspires a surrogate writer to compare words and paint. In The Matisse Stories Byatt improvises on the artist's color combinations and compositional philosophy. Highlighting interactions of color, space, and creativity that take on ontological dimensions, Stewart's study will lead to ongoing reflections on the roles of color and space in modernist texts.

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Lose yourself in Chocolat - the mesmerising and heart-warming bestseller that celebrates kindness, courage and chocolate. Multi-million copy bestselling author Joanne Harris's delightful novel set in rural France is perfect for fans of Victoria Hislop, Fiona Valpy, Maggie O'Farrell and Rachel Joyce.'A feel-good book of the first order. One to curl up with... Read it' -- OBSERVER'Sensuous and thought-provoking... subtle and brilliant' -- DAILY TELEGRAPH'You are transported to another world. It's perfect escapism.' -- ***** Reader review'A wonderful story told by a world-class storyteller.' -- ***** Reader review'I became totally immersed in this story. I loved it.' -- ***** Reader review**************************************************************************************In the small French village of Lansquenet, nothing much has changed in a hundred years. Then an exotic stranger, Vianne Rocher, blows in on the changing wind with her young daughter, and opens a chocolate boutique directly opposite the church. Soon the villagers cannot keep away, for Vianne can divine their most hidden desires.But it's the beginning of Lent, the season of abstinence, and Father Reynaud denounces her as a serious moral danger to his flock. Perhaps even a witch.If Vianne's chocolaterie is to survive, it will take kindness, courage and a little bit of magic...Chocolat is Joanne Harris's first book about Vianne Rocher, and was turned into the Oscar-nominated film starring Juliette Binoche and Johnny Depp. The story of Vianne and her daughters continues in The Lollipop Shoes, Peaches for Monsieur le Curé, and The Strawberry Thief.

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Presented here is a new form of psychoanalysis, one that is centered on women as seen by women. Women Analyze Women contains interviews with nineteen of the most prominent and innovative women analysts and writers. The authors have persuaded them to speak freely on topics such as feminism, sexuality, love, gender differences, and sometimes their lives as anlysts and analysands, political activists, wives, and mothers. Personal and intimate, these sessions cut across theoretical barriers and allow the analysts to speak directly and candidly, as the following excerpt from the interview with JOyce McDougall shows: "Men and women deal with tender and erotic feelings differnetly. If I speek in very simple terms, it seems to me that women are constatnly eager to stabilize their love relationships and within those, their sexual relationships. They are always terrified of abandonment, rejection, and loss. The men are terrified of getting caught. It is a wonder that the sexes ever get together at all. Men are frantic about getting trapped, and women are frantic about being left." The book offfers intriguing, provocative, and stimulating discussions of critical issues, revealng a number of startling differences and remarkable similarities among the more avant-garde French anlaysts and the more tarditional Anglo-American schools.

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“This book comes at just the right moment. It is NOT too late if we get together and take action, NOW.” —Jane GoodallFears about climate change are fueling an epidemic of despair across the world: adults worry about their children’s future; thirty-somethings question whether they should have kids or not; and many young people honestly believe they have no future at all.In the face of extreme eco-anxiety, scholar and award-winning author Elin Kelsey argues that our hopelessness—while an understandable reaction—is hampering our ability to address the very real problems we face. Kelsey offers a powerful solution: hope itself.Hope Matters boldly breaks through the narrative of doom and gloom to show why evidence-based hope, not fear, is our most powerful tool for change. Kelsey shares real-life examples of positive climate news that reveal the power of our mindsets to shape reality, the resilience of nature, and the transformative possibilities of individual and collective action. And she demonstrates how we can build on positive trends to work toward a sustainable and just future, before it’s too late.Praise for Hope Matters“Whether you consider yourself a passionate ally of nature, a busy bystander, or anything in between, this book will uplift your spirits, helping you find hope in the face of climate crisis.”—Veronica Joyce Lin, North American Association for Environmental Education “30 Under 30”“A tonic in hard times.”—Claudia Dreyguis, author of Scientific Conversations: Interviews on Science from the New York Times“Beautifully written and an effective antidote against apathy and inaction.”—Christof Mauch, Director, Rachel Carson Center for the Environment and SocietyPublished in Partnership with the David Suzuki Institute.

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