Search results for ""Author Margie"

Mention female spies, and most people think of Mata Hari. But during the Roaring Twenties, Marguerite Harrison and Stan Harding were the cause celebre: two beautiful, accomplished women whose names were splashed across newspapers around the world. Almost a century later, it is easy to understand the fascination with these two remarkable women. Marguerite was a highly respectable and recently widowed American journalist and socialite from Baltimore; Stan was a runaway, a bohemian artist and dancer of British heritage who left her wealthy, religious family to make a life for herself in the expatriate community in Florence. The two women were very different, yet both were strong-willed, independent and highly ambitious women unafraid of taking risks. And both, as the Great War ended and Central Europe dissolved into violent chaos, were looking for adventure. Their paths first crossed in war-ravaged Berlin during the Armistice and the the Spartacist Uprising in 1919. Fellow travellers, they became friends and, the evidence suggests, lovers. Dodging bullets and interviewing colourful characters in war-torn Europe led these intrepid women, separately, to Bolshevik Russia, a country closed to outsiders since the October Revolution of 1917. Their fateful meeting had repercussions that spanned three decades, involving heads of state and politicians in Britain, the United States and Soviet Russia. The Lady is a Spy tells their forgotten story: that of two women who, far in advance of their time, worked as foreign correspondents, who operated as spies in dangerous shadowlands of international politics, and who were both imprisoned in Lubyanka, one of the most desperate places on earth. Their lives are reconstructed through numerous primary sources, not only the poems, diaries and letters of their friends and lovers, but also government documents (including newly declassified US State Department papers) that reveal the truth about their espionage careers and - in one case - evidence of a shocking betrayal.

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In Divine Audacity, Peter Dillard presents a historically informed and rigorous analysis of the themes of mystical union, volition and virtue that occupied several of the foremost theological minds in the late thirteenth and early fourteenth centuries. In particular, the work of Marguerite Porete raises complex questions in these areas, which are further explored by a trio of her near contemporaries. Their respective meditations are thoroughly analysed and then skilfully brought into dialogue. What emerges from Dillard's synthesis of these voices is a contemporary mystical theology that is rooted in Hugh of Balma's affective approach, sharpened through critical engagement with Meister Eckhart's intellectualism, and strengthened by crucial insights gleaned from the writings of John Ruusbroec. The fresh examination of these thinkers - one of whom paid with her life for her radicalism - will appeal to philosophers and theologians alike, while Dillard's own propositions demand attention from all who concern themselves with the nature of the union between the soul and God.

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Troisieme et dernier volume d'une serie consacree a l'instruction en Chine, "Aux marges de l'orthodoxie" regroupe huit etudes qui rappellent, pour des periodes allants des Royaumes Combattants au debut du XXe siecle que, si la litterature ecrite classique a predomine dans la formation du lettre, elle ne fut pas son seul moyen d'education. Avant que l'enseignement ne trouve un cadre fige a partir des Han, Confucius, le maitre par excellence, a pratique un enseignement itinerant dans une vie marquee par l'errance, faisant du voyage et de la mobilite le coeur de la formation "lettree". Une etude sur l'art de la cithare "qin" souligne toute l'importance des formations artistiques. Une autre revele l'existence d'un enseignement prive de tradition eremitique notamment avec le developpement des communautes bouddhistes sous les Six Dynasties, au sein desquelles se cotoyerent erudition classique et bouddhique. L'instruction d'une certaine ethique occupe une place importante dans ce volume, que ce soit a travers l'analyse d'un roman didactique des Ming, le "Roman de la conversion de l'Orient", ou du discours edifiant comme element majeur des recits en langue vulgaire au XVIIe siecle. Il est rappele que l'autorite du lettre ne passe pas uniquement par le discours, mais s'exerce aussi en dehors de toute lecon explicite, par une conduite ideale, par une attitude libre, degagee des opinions. Enfin, une place a ete accordee a la categorie marginale par excellence dans un milieu lettre essentiellement masculin: les femmes. Dans la Chine traditionnelle, elles apparaissent comme des etres qu'il fallait discipliner, eduquer par des histoires edifiantes, des reprimandes, comme le demontre l'analyse de nombreux recits des Six Dynasties consacres a la jalousie feminine, presentee comme une des emotions les plus caracteristiques des femmes. Un inventaire des manuels feminins du debut du XXe siecle met en evidence les conceptions de la femme propres a la Chine pour cette periode, ainsi que la perpetuation ou la remise en question de la tradition en la matiere.

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Margery Kempe, a middle-class English housewife at the turn of the fifteenth century, was called to weep and to pray for her fellow Christians and to adopt an unconventional way of life. Separating herself from her husband and many children, she became a pilgrim travelling around England and as far away as Jerusalem. In old age, she dictated to scribes an autobiography that recounts her extraordinary intimacy with Christ as well as her intense, commotion-filled life. At first glance, she does not seem very saintly in character or disposition, and her spiritual experiences can easily appear to be extreme or egotistical. To appreciate and interpret Margery Kempe's life and spirituality properly, one must go beyond conventional categories of social and religious history. In Mystic and Pilgrim, Clarissa Atkinson does this from six perspectives: the character of Margery's autobiography, her mysticism and pilgrim way of life, her social and family environment, her relations with her church and its clergy, the tradition that shaped her piety, and the context of late medieval female sanctity. Margery's Book was shaped by the writings of famous holy women and by pressures on memory and motivation that come with age. The vocation that called Margery to mysticism and pilgrimage made her unusual, therefore open to suspicion. It required her to leave her husband and children, to dress in white (a color usually reserved for virgins), to go on pilgrimage as a way to participate in Christ's earthly life and death. It graced her with a conspicuous gift: tears she could not control or resist. Her domestic and social background (she came from a powerful merchant family) gave her the courage to persist in her strange vocation and unpopular way of life. She met scorn from most of her relatives, but found encouragement in Christ, the saints, and the representatives of the Church. During Margery's lifetime the Church displayed intense anxiety over the related issues of religious enthusiasm, discernment of spirits, and female visionaries. Yet many church officials, including Dame Julian of Norwich, advised Margery to accept what God sent her and judged her feelings to be "the work of the Holy Ghost." Having examined these aspects of Margery's life and piety, Atkinson goes on to make an original and significant contribution by explaining their specific spiritual context. It is in the tradition of affective piety and of late medieval female sanctity, she argues, that Margery's religious emotions and expressions can best be understood. From Anselm of Canterbury, through Francis of Assisi, to Nicolas Love, affective writers and preachers aimed to promote intense feelings. Principal among these were compassion and contrition. Margery incorporated these feelings in her own devotional life: identification with the human Christ, conspicuous humility inspired by Saint Francis, and "boistrous" emotion in sympathy with Mary grieving at the Cross. Against this background, the religious life of Margery Kempe seems neither aberrant nor even very unusual. Rather, it is her unique response to a tradition established by great saints. Among the saintly persons of late medieval Europe were many women: Catherine of Siena, Birgitta of Sweden, Joan of Arc, Julian of Norwich. They characteristically saw visions, communicated directly with God, found scribes or biographers who publicized their experiences. An increasing number of them were wives and mothers who struggled, like Margery, with the married state and eventually transcended it, becoming in effect "honorary" virgins through their holiness and by God's special favor. Traveling widely, speaking publicly, departing from traditional women's roles, these women were a new creation of the late Middle Ages.

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Margery Kempe, a middle-class English housewife at the turn of the fifteenth century, was called to weep and to pray for her fellow Christians and to adopt an unconventional way of life. Separating herself from her husband and many children, she became a pilgrim travelling around England and as far away as Jerusalem. In old age, she dictated to scribes an autobiography that recounts her extraordinary intimacy with Christ as well as her intense, commotion-filled life. At first glance, she does not seem very saintly in character or disposition, and her spiritual experiences can easily appear to be extreme or egotistical. To appreciate and interpret Margery Kempe's life and spirituality properly, one must go beyond conventional categories of social and religious history. In Mystic and Pilgrim, Clarissa Atkinson does this from six perspectives: the character of Margery's autobiography, her mysticism and pilgrim way of life, her social and family environment, her relations with her church and its clergy, the tradition that shaped her piety, and the context of late medieval female sanctity. Margery's Book was shaped by the writings of famous holy women and by pressures on memory and motivation that come with age. The vocation that called Margery to mysticism and pilgrimage made her unusual, therefore open to suspicion. It required her to leave her husband and children, to dress in white (a color usually reserved for virgins), to go on pilgrimage as a way to participate in Christ's earthly life and death. It graced her with a conspicuous gift: tears she could not control or resist. Her domestic and social background (she came from a powerful merchant family) gave her the courage to persist in her strange vocation and unpopular way of life. She met scorn from most of her relatives, but found encouragement in Christ, the saints, and the representatives of the Church. During Margery's lifetime the Church displayed intense anxiety over the related issues of religious enthusiasm, discernment of spirits, and female visionaries. Yet many church officials, including Dame Julian of Norwich, advised Margery to accept what God sent her and judged her feelings to be "the work of the Holy Ghost." Having examined these aspects of Margery's life and piety, Atkinson goes on to make an original and significant contribution by explaining their specific spiritual context. It is in the tradition of affective piety and of late medieval female sanctity, she argues, that Margery's religious emotions and expressions can best be understood. From Anselm of Canterbury, through Francis of Assisi, to Nicolas Love, affective writers and preachers aimed to promote intense feelings. Principal among these were compassion and contrition. Margery incorporated these feelings in her own devotional life: identification with the human Christ, conspicuous humility inspired by Saint Francis, and "boistrous" emotion in sympathy with Mary grieving at the Cross. Against this background, the religious life of Margery Kempe seems neither aberrant nor even very unusual. Rather, it is her unique response to a tradition established by great saints. Among the saintly persons of late medieval Europe were many women: Catherine of Siena, Birgitta of Sweden, Joan of Arc, Julian of Norwich. They characteristically saw visions, communicated directly with God, found scribes or biographers who publicized their experiences. An increasing number of them were wives and mothers who struggled, like Margery, with the married state and eventually transcended it, becoming in effect "honorary" virgins through their holiness and by God's special favor. Traveling widely, speaking publicly, departing from traditional women's roles, these women were a new creation of the late Middle Ages.

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Using Marguerite Porete's (d.1310) Mirror of Simple Souls as the case study, Terry outlines a new application of linguistic tools to the analysis of spiritual texts, showing how the tools can elucidate discourse aim, self-presentation, and concepts of God. Terry's book explains the tools, outlines a four-step process for applying them, contextualizes Marguerite's Mirror in light of potential sources, medieval images of women and documentation concerning her trial, and then applies the tools to Marguerite's Mirror. The image of Marguerite that emerges is in sharp contrast to that preserved by her contemporaries who used highly gendered labels: Marguerite's self-presentation is not highly gendered. Gendered elements in Mirror are explainable in light of Marguerite's potential theological and literary sources. Consequently, Terry determines that modern focus on gender images for Marguerite relies less on her own voice and more on historical labels given to her, missing the core of her self-understanding.

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David Andrews, Gilbert Sorrentino David Andrews, The Art Is the Act of Smashing the Mirror: A Conversation with Gilbert Sorrentino John Beer, Robert L. McLaughlin, Mary CaponegroWilliam Gaddis Joy Castro, Margery Latimer

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One of the most prestigious contemporary art awards, the Marcel Duchamp Prize was created in 2000 by the ADIAF, Association for the international diffusion of French art which groups together 400 contemporary art collectors rallied around the French scene. Its ambition is to bring together the most innovative artists and help them raise their international profile. Each year, the Marcel Duchamp Prize is awarded to one of four artists, either French or living in France, all of them working in the field of the plastic and visual arts. Since the outset, this collectors' prize benefits from a close partnership with the Centre Pompidou who invites the four nominated artists for a 3-month group show in its Galerie 4. The winner is chosen by an international jury of collectors and directors of leading institutions. Text in English and French.

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Ever since its rediscovery in 1934, "The Book of Margery Kempe" has generally been judged to be over-emotional and its structure regarded as at worst non-existent, at best naive. Naoe Kukita Yoshikawa argues instead that the book unfolds a creative experience of memory as spiritual progress, and explores Margery's meditational experience in the context of visual and verbal iconography. She provides a comprehensive analysis of Margery's meditative experience as it is structured in the book, paying particular attention to five major meditational experiences that influence her spiritual progress and develop a coherent theology.

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Considering the importance of Francis Rawdon-Hastings, 1st Marquess of Hastings and 2nd Earl of Moira, it is surprising that no full-length biography has been written about him. The only significant studies of his career have been analysis of his role as governor-general of India in the early nineteenth century. Paul David Nelson's study rectifies this situation by providing a well-crafted scholarly analysis of the life of Lord Hastings. He covers in depth all aspects of the man's multifaceted career as a professional soldier, peer in the House of Lords, and governor-general of India. He also provides a character study of this intelligent, affable man, pointing out his strengths as a father, husband, and friend. In the process, Nelson does not lose sight of Hastings's personal ineptitude. He shows how the marquess ran up debts of nearly 1,000,000 by the time of his death and left his family almost penniless. The most important role that Hastings played was as a soldier in the British army. He was a young officer during the American war, fighting at Bunker Hill in 1775 as a lieutenant in the grenadier company of the 5th Regiment. Distinguishing himself, he was promoted captain and appointed aide-de-camp to General Henry Clinton. He went on to lead the Volunteers of Ireland, serve as adjutant general under Clinton, and to command an independent army in South Carolina in 1780-81. As governor-general of India from 1813 to 1823, he successfully led campaigns against the Nepalese, Pindaris, and Marathas. Hastings's second most important role was as an administrator in India. Although supported by able civilian subordinates, he sometimes made poor choices in his own appointments and became mired in the cloudy dealings of the Palmer Company. He was not guilty of any chicanery, but his reputation was marred by his defense of some questionable company activities. Hastings's third role was as a politician in the House of Lords. Here he was least successful, partly because he was not ruthless enough to rise to the

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A SPECTATOR BOOK OF THE YEAR 2022'Beautiful and deep ... a sumptuous treat for any book lover' The Independent'There is so much to discover in these stories - both history and food for short story lovers everywhere' Irish TimesA major new celebration of the French short storyThe short story has a rich tradition in French literature. This feast of an anthology celebrates its most famous practitioners, as well as newly translated writers ready for rediscovery. Here are decadent tales, 'bloody tales', fairy tales, detective stories and war stories. They are stories about the self and the other, husbands, wives and lovers, country and city, rich and poor.The first volume spans four hundred years, taking the reader from the sixteenth century to the 'golden age' of the fin de siècle. Its pages are populated by lovers, phantoms, cardinals, labourers, enchanted statues, gentleman burglars, retired bureaucrats, panthers and parrots, in a cacophony of styles and voices. From the affairs of Madame de Lafayette to the polemic realism of Victor Hugo, the supernatural mystery of Guy de Maupassant to the dark sensuality of Rachilde, this is the place to start for lovers of French literature, new and old.Edited and with an introduction by Patrick McGuinness, academic, writer and translator.

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'Beautiful and deep ... a sumptuous treat for any book lover' The Independent'Food for short story lovers everywhere' Irish Times*A major celebration of the French short story and Spectator Book of the Year*The short story has a rich tradition in French literature. This feast of an anthology celebrates its most famous practitioners, as well as newly translated writers ready for rediscovery. The first volume spans four hundred years, taking the reader from the sixteenth century to the 'golden age' of the fin de siècle. Its pages are populated by lovers, phantoms, cardinals, labourers, enchanted statues, gentleman burglars, retired bureaucrats, panthers and parrots, in a cacophony of styles and voices. From the affairs of Madame de Lafayette to the polemic realism of Victor Hugo, the supernatural mystery of Guy de Maupassant to the dark sensuality of Rachilde, this is the place to start for lovers of French literature, new and old.Edited and with an introduction by Patrick McGuinness, academic, writer and translator.

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Colourless glass, deliberately decolorized with manganese or antimony, became prominent between the middle of the 1st century AD and the beginning of the 4th century. This book reflects the diversity of glass objects (tableware, containers and small objects) and is designed as a practical manual divided into three parts. The first presents contexts in which colourless glass has been found; the second, in the form of index cards, is a typological catalogue which gives an overall picture of the colourless glassware found throughout Gaul; glass is highly useful as a dating tool but also tells us much about the economic, social and cultural aspects of its time. Chemical analyses form the third component. The volume of material gathered in this book makes it an indispensable working tool for researchers and students interested in the glassware of Roman antiquity. | Le verre incolore, volontairement décoloré au manganèse ou à l’antimoine, est celui qui est le plus souvent utilisé entre le milieu du Ier s. apr. J.-C. et le début du IVe s. Verres incolores de L’antiquité romaine en Gaule et aux marges de la Gaule rend compte de la diversité de ce mobilier (vaisselle, contenants et petits objets) est conçu comme un manuel pratique divisé en trois parties. La première présente des contextes renfermant du verre incolore ; la seconde, sous forme de fiches, est un catalogue typologique qui livre une image globale de la verrerie incolore découverte dans l’ensemble de la Gaule. Outil de datation, le verre nous informe aussi sur les aspects économiques, sociaux et culturels de son époque. Les analyses chimiques forment le troisième volet. La masse documentaire réunie dans cet ouvrage en fait un instrument de travail indispensable aux chercheurs et étudiants qui s’intéressent au verre de l’Antiquité romaine.

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Margherita Colonna (1255–1280) was born into one of the great baronial families that dominated Rome politically and culturally in the thirteenth century. After the death of her father and mother, Margherita was raised by her brothers, including Cardinal Giacomo Colonna. The two extant contemporary accounts of her short life offer a daring model of mystical lay piety forged in imitation of St. Francis but worked out in the vibrant world of medieval Rome. In Visions of Sainthood in Medieval Rome, Larry F. Field, Lezlie S. Knox, and Sean L. Field present the first English translations of Margherita Colonna’s two “lives” and a dossier of associated texts, along with thoroughly researched contextualization and scholarly examination. The first of the two lives was written by a layman, the Roman Senator Giovanni Colonna, one of Margherita Colonna's brothers. The second was written by a woman named Stefania, who had been a close follower of Margherita Colonna and assumed leadership of her Franciscan community after Margherita's death. These intriguing texts open up new perspectives on numerous historical questions. How did authorial gender and status influence hagiographic perspective? How fluid was the nature of female Franciscan identity during the era in which the papacy was creating the Order of St. Clare? What were the experiences and influences of female visionaries? And what was the process of saint-making at the heart of an aristocratic Roman family? These texts add rich new texture to our overall picture of medieval visionary culture and will interest students and scholars of medieval and renaissance history, literature, religion, and women's studies.

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Margherita Colonna (1255–1280) was born into one of the great baronial families that dominated Rome politically and culturally in the thirteenth century. After the death of her father and mother, Margherita was raised by her brothers, including Cardinal Giacomo Colonna. The two extant contemporary accounts of her short life offer a daring model of mystical lay piety forged in imitation of St. Francis but worked out in the vibrant world of medieval Rome. In Visions of Sainthood in Medieval Rome, Larry F. Field, Lezlie S. Knox, and Sean L. Field present the first English translations of Margherita Colonna’s two “lives” and a dossier of associated texts, along with thoroughly researched contextualization and scholarly examination. The first of the two lives was written by a layman, the Roman Senator Giovanni Colonna, one of Margherita Colonna's brothers. The second was written by a woman named Stefania, who had been a close follower of Margherita Colonna and assumed leadership of her Franciscan community after Margherita's death. These intriguing texts open up new perspectives on numerous historical questions. How did authorial gender and status influence hagiographic perspective? How fluid was the nature of female Franciscan identity during the era in which the papacy was creating the Order of St. Clare? What were the experiences and influences of female visionaries? And what was the process of saint-making at the heart of an aristocratic Roman family? These texts add rich new texture to our overall picture of medieval visionary culture and will interest students and scholars of medieval and renaissance history, literature, religion, and women's studies.

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'A gripping tale of royal feuds and divided kingdoms' - AMANDA FOREMANParis, 1572. Catherine de' Medici, the infamous queen mother of France, is a consummate pragmatist and powerbroker who has dominated the throne for thirty years. Her youngest daughter, Marguerite, the glamorous 'Queen Margot', is a passionate free spirit, the only adversary whom her mother can neither intimidate nor fully control. When Catherine forces the Catholic Marguerite to marry the Protestant Henry of Navarre, she creates not only savage conflict within France but also a potent rival within her own family. Treacherous court politics, poisonings, international espionage and adultery form the background to a extraordinary story about two formidable queens, featuring a fascinating array of characters including such celebrated figures as Elizabeth I, Mary, Queen of Scots and Nostradamus.

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Turn your favorite cartoon food into reality with these 70 recipes straight from the best comedy show on TV—The Simpsons.Everyone knows and loves The Simpsons. Now you can make the food you’ve seen in the show for thirty-one seasons right in the comfort of your own home faster than you can say, “Mmm...Donuts.” Over the years, Simpsons episodes have featured, and sometimes revolved, around countless food items. Thanks to Homer Simpson’s unending appetite and a writers’ room full of food lovers, the show has a long list of truly iconic dishes. From Chief Wiggum’s Chili to the Flaming Moe (a.k.a. Flaming Homer) to Super Squishees to Krusty Burgers, you’ll find all those recipes and more in The Unofficial Simpsons Cookbook. Featuring 70 recipes that include many of the most classic Simpsons dishes, this cookbook includes easy-to-follow instructions for chefs of all ages and levels. Finally, you can make all your favorite meals straight from Marge’s kitchen in no time!

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Sedrata est une ville médiévale enfouie sous les sables près de Ouargla (Algérie). L?essor de ce carrefour du commerce transsaharien et de la traite d?esclaves est lié aux Berbères ibadites, une minorité musulmane dont les membres effectuent chaque année un pèlerinage sur le site. Les sources arabes et les archives archéologiques inédites de l?époque coloniale éclairent l?histoire de ce centre saharien, son organisation économique et religieuse, la décoration singulière de ses demeures.

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Al margen de la naturaleza presenta una muestra de los textos científicos publicados durante la dictadura franquista sobre la homosexualidad masculina.Ganador del Premio Sagasta de Ensayo 2015.Desde la ciencia (médica, psiquiátrica, legal, etc.) se justificó la homosexualidad como patología con terribles consecuencias represivas. Durante el franquismo, distintas disciplinas científicas se unieron como piezas de una misma maquinaria para implantar un tratamiento jurídico y médico que se ocupara de erradicar la homosexualidad; considerada como la antagonista más peligrosa de la masculinidad hegemónica. Qué consecuencias sociales y políticas ha tenido para nuestro presente dicha literatura pedagógica? Qué elementos continúan vivos y cuáles, por el contrario, se han desactivado?Al margen de la naturaleza, además de presentar un conjunto crítico, fecundo y reflexivo sobre estos fragmentos textuales de Historia reciente, elabora una reflexión sobre el int

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Join siblings Willa and Ben Dunlap as they gallop into many adventures in the first eight books of the chapter book series inspired by Marguerite Henry’s Misty of Chincoteague, now available in a collectible boxed set!In Welcome Home! the Dunlaps begin their new life on Chincoteague Island. With so many new people and places to get used to, Willa and Ben wonder if Chincoteague will ever feel like home. There’s a sick pony in Buttercup Mystery! Something Buttercup is eating—or being fed—is making her ill. Can Willa and Ben solve this pony problem and help Buttercup feel healthy again? There’s cause for a nighttime adventure in Runaway Pony. Full Moon Fancy is a pony with a knack for getting loose but when she gets out one too many times, Willa and Ben are worried she’s lost. They set out to track her down—in the moonlight! Will they find the runaway pony, or is Fancy lost for good? The Dunlap’s bed and breakfast is finally finished in Finding Luck! But one disaster after another threatens the grand opening and Willa and Ben begin to worry that running an inn wasn’t such a great idea after all. In A Forever Friend, Willa’s BFF from Chicago visits Misty Inn but Willa soon realizes their friendship is not as easy as it had once been and has to figure out how to start anew with her oldest friend. In Pony Swim, it’s the week of the annual pony swim. As if the island’s biggest event isn’t exciting enough, the Dunlaps get news that a travel critic will be staying at the inn. Even though they don’t know who that critic is, the kids are determined to show the special guest just how nice Misty Inn can be. In Teacher’s Pet, a back-to-school assignment has Willa scrambling for a clever idea and thinks her father’s fabulous raspberry torte will be perfect, but at the last minute, the raspberries don’t cooperate! Can Starbuck help out in some surprising way? In Home at Last, Willa’s younger brother Ben finally gets a pony of his own, but Willa thinks she knows more about horses than he does.

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For courses in Trade Math, Business Math, or Technical Mathematics. Fosters a solid understanding of the math needed for a broad range of career programs College Mathematics for Trades and Technologies introduces the basic math, algebra, and geometry needed in career programs, including fields such as personal finance, healthcare, and industrial trades. Presenting the mathematical topics within the context of trade applications enables students to connect the concepts to their future careers. The 10th Edition expands coverage of trades, includes additional support for students, and maintains all the features that have made this one of the most well-received texts for this course. Also available with MyLab Math By combining trusted author content with digital tools and a flexible platform, MyLab™ Math personalizes the learning experience and improves results for each student. Note: You are purchasing a standalone product; MyLab Math does not come packaged with this content. Students, if interested in purchasing this title with MyLab Math, ask your instructor to confirm the correct package ISBN and Course ID. Instructors, contact your Pearson representative for more information. If you would like to purchase both the physical text and MyLab Math, search for: 013517175X/9780135171752 College Mathematics for Trades and Technologies Plus MyLab Math with Pearson eText - Access Card Package, 10/e Package consists of: 0134690338/9780134690339 - College Mathematics for Trades and Technologies 0134880404/9780134880402 - MyLab Math with Pearson eText -- Standalone Access Card -- for College Mathematics for Trades and Technologies

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Cet ouvrage collectif a ete realise a partir des actes du colloque organise par le centre Droit et Societes religieuses de l'Universite de Paris Sud, les 12 et 13 octobre 2007, a la Faculte Jean Monnet, a Sceaux. Dans une perspective historique mais tout en menant leurs investigations jusqu'a nos jours, les auteurs abordent les questions fondamentales relatives a la place des religions dans la societe ou a leurs relations avec les pouvoirs publics et autorites politiques, en France, dans divers pays europeens (Italie, Espagne, Suisse, Belgique, Roumanie) ou aux marges de l'Europe (Russie, Turquie). Partout, les societes se sont secularisees; quels sont les courants ideologiques qui ont accompagne ces mutations? Ces evolutions ont-elles modifie le fonctionnement d'institutions sociales comme le systeme d'education ou de sante? Partout la liberte religieuse est proclamee; doit-on en deduire que les pouvoirs publics traitent toutes les religions sur un meme mode? Certains Etats signent des concordats avec le Saint-Siege, ou promulguent des lois de liberte religieuse; d'autres se disent laiques; quels furent les processus selon lesquels les laicites italienne, turque, francaise ou autres se sont construites? Telles sont quelques-unes des interrogations auxquelles ce livre repond.

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