Search results for ""Author Margie"

"Margie Kelly Breaks the Dress Code is fiercely smart, funny, and feminist. This thoughtful novel should be handed to every middle schooler." -Brandy Colbert, award-winning author of The Only Black Girls in TownA timely and necessary novel about one girl's fight against gender inequality at her middle school and the lessons she learns along the way from rising author Bridget Farr-now in paperback!Margie Kelly's perfect skirt was dress-coded on her very first day of middle school. Upset and embarrassed, Margie spends the whole day in oversized gym shorts, setting the tone for the whole day. Everything that could go wrong, certainly does!But when Margie realizes that the dress code is only applied to the girls and not the boys, she gets mad. Really mad. The dress code is keeping girls from learning. The boys act like they rule the school. And the teachers turn a blind eye. Something has to change! And then Margie comes up with the best idea. She'll plan a school-wide protest.As Margie moves forward with her plans, she comes to realize that her own privilege is part of the problem, and not everyone's voices are being heard. Will Margie make meaningful change for all students?

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Margie Kelly's perfect skirt was dress-coded on her very first day of middle school. Upset and embarrassed, Margie spends the whole day in oversized gym shorts, setting the tone for the whole day. Everything that could go wrong, certainly does!But when Margie realizes that the dress code is only applied to the girls and not the boys, she gets mad. Really mad. The dress code is keeping girls from learning. The boys act like they rule the school. And the teachers turn a blind eye. Something has to change! And then Margie comes up with the best idea. She'll plan a school-wide protest.As Margie moves forward with her plans, she comes to realize that her own privilege is part of the problem, and not everyone's voices are being heard. Will Margie make meaningful change for all students?

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This volume explores the political, cultural, and ecclesiastical forces that linked the metropolis of Byzantium to the margins of its far-flung empire. Focusing on the provincial region of Hellas and Peloponnesos in central and southern Greece, Judith Herrin shows how the prestige of Constantinople was reflected in the military, civilian, and ecclesiastical officials sent out to govern the provinces. She evokes the ideology and culture of the center by examining different aspects of the imperial court, including diplomacy, ceremony, intellectual life, and relations with the church. Particular topics treat the transmission of mathematical manuscripts, the burning of offensive material, and the church's role in distributing philanthropy. Herrin contrasts life in the capital with provincial life, tracing the adaptation of a largely rural population to rule by Constantinople from the early medieval period onward. The letters of Michael Choniates, archbishop of Athens from 1182 to 1205, offer a detailed account of how this highly educated cleric coped with life in an imperial backwater, and demonstrate a synthesis of ancient Greek culture and medieval Christianity that was characteristic of the Byzantine elite. This collection of essays spans the entirety of Herrin's influential career and draws together a significant body of scholarship on problems of empire. It features a general introduction, two previously unpublished essays, and a concise introduction to each essay that describes how it came to be written and how it fits into her broader analysis of the unusual brilliance and longevity of Byzantium.

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Marginal figures, from heretics, ascetics and mystics to saints, visionaries and witches have played key roles in decisive mutations of religious authority in the history of different forms of Christianity. This book offers new theoretical perspectives on the theme of marginality in a series of in-depth case studies of marginal figures and forms of marginality. It presents a distinction between social marginality, often resulting from social exclusion and demonization as well as involving discomfort and distress, and religious marginality, which can be voluntary, actively sought out, and performed. The contributions analyse both social and religious forms of marginality and demonstrate how a focus on media is crucial for understanding the role of marginality in authority mutations in the long history of Christianity. The articles discuss a wide range of media, from amulets, space, technologies of the self, literary forms, to visual culture and mass and social media. The book thus offers media-based pointers for comparative, historical studies more broadly in the study of religions.

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This volume explores the political, cultural, and ecclesiastical forces that linked the metropolis of Byzantium to the margins of its far-flung empire. Focusing on the provincial region of Hellas and Peloponnesos in central and southern Greece, Judith Herrin shows how the prestige of Constantinople was reflected in the military, civilian, and ecclesiastical officials sent out to govern the provinces. She evokes the ideology and culture of the center by examining different aspects of the imperial court, including diplomacy, ceremony, intellectual life, and relations with the church. Particular topics treat the transmission of mathematical manuscripts, the burning of offensive material, and the church's role in distributing philanthropy. Herrin contrasts life in the capital with provincial life, tracing the adaptation of a largely rural population to rule by Constantinople from the early medieval period onward. The letters of Michael Choniates, archbishop of Athens from 1182 to 1205, offer a detailed account of how this highly educated cleric coped with life in an imperial backwater, and demonstrate a synthesis of ancient Greek culture and medieval Christianity that was characteristic of the Byzantine elite. This collection of essays spans the entirety of Herrin's influential career and draws together a significant body of scholarship on problems of empire. It features a general introduction, two previously unpublished essays, and a concise introduction to each essay that describes how it came to be written and how it fits into her broader analysis of the unusual brilliance and longevity of Byzantium.

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Since the collapse of the Soviet Union, the Arab world has undergone a series of radical transformations. One of the most significant is the resurgence of activist and puritanical forms of religion presenting as viable alternatives to existing social, cultural and political practices. The rise in sectarianism and violence in the name of religion has left scholars searching for adequate conceptual tools that might generate a clearer insight into these interconnected conflicts. In Striking from the Margins, leading authorities in their field propose new analytical frameworks to facilitate greater understanding of the fragmentation and devolution of the state in the Arab world. Challenging the revival of well-worn theories in cultural and post-colonial studies, they provide novel contributions on issues ranging from military formations, political violence in urban and rural settings, trans-regional war economies, the crystallisation of sect-based authorities and the restructuring of tribal networks. Placing much-needed emphasis on the re-emergence of religion, this timely and vital volume offers a new, critical approach to the study of the volatile and evolving cultural, social and political landscapes of the Middle East.

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There is still hope, however. One hundred and eight brave bandits from Mount Liang have heard of Song’s good name – they are willing to rescue him as long as Song will lead them in rebelling against the corrupt government. Will Song agree to become an outlaw? Will he be able to tread the narrow path between right and wrong? Will justice eventually prevail over corruption and the misuse of power?

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During her 40-year career, Margit Koppendorfer has designed costumes for the greats of theatre history: characters from Shakespeare, Brecht, and Handke, directed by Berghaus, Peymann, and Tabori, performed in Vienna, Zurich, and Berlin. Margit Koppendorfer: Costume Designs presents Koppendorfer’s often life-sized mixed-media design sketches on transparent paper and reveals through these unique illustrations how the costume designer accords identity to the characters. By alienating the real in a visionary way, a latent truth emerges. While author Elfriede Jelinek and actress Maria Happel emphasise in their texts the masterful embodiment of the costumes, and of their characters, Margit Koppendorfer herself says of her work, “I dance into the set with my characters.” Text in English and German.

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Martin Margiela, known for his avant-garde ideas and cult following, became the arbiter of all things classic French Chic. His ability to apply his unique design process to vastly different fashion houses is the hallmark of a great designer. This new edition of Margiela. The Hermes Years has been published with the cooperation of the reclusive Margiela himself, including never-before-published photographs, drawings and testimonies.

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Margit Jäschke (*1962) lives and works as an independent artist in Halle (Saale), Germany. It was here in the 1980s that she studied at the Burg Giebichenstein art school under Renate Heintze and Dorothea Prühl. Her work — collage, jewellery, drawings, and objects — celebrates inspiration, the origin of all creativity. She delights her audience with her very unique vision of the 'poetry of things'. The title of her publication is symbolic of her oeuvre: Kairos is the Greek god of the fortuitous moment, who can only be caught fleetingly by his forelock. It is this precious moment that Margit Jäschke seizes, harnessing it to fuel her creativity. Discover this renowned artist’s multifaceted oeuvre, which blurs the boundaries between jewellery, painting, and sculpture. This book accompanies an exhibition of her work that will travel throughout Germany between 2022 and 2024. Text in English and German.

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Timed to coincide with a major exhibition, this volume revisits the years during which celebrated designer Martin Margiela achieved the status as one of the most important designers at work today. One of the Antwerp group of six who changed the face of contemporary fashion, Margiela created 41 runway shows between 1989 and 2009 which promoted a unique vision of understated luxury -- monochromes, oversize volumes, and his signature constructed-deconstructed cuts - whose credo is comfort, timelessness, sensuality, and authenticity. Famously reclusive, Margiela never showed his face even at his own shows in order that the work could stand purely on its own, free from any link to celebrity or self-promotion. This volume chronicles these amazing fashion shows in careful detail: the extraordinary spaces, the music, the designer's intentions, the iconic pieces. Over the years, recurring motifs and inspirations become more apparent including anonymity, whiteness, past and anteriority, diversion. The book reveals the sensitive, poetic and incredibly innovative universe of this most influential contemporary fashion designer.

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Feminist Theory established bell hooks as one of international feminism’s most challenging and influential voices. This edition includes a preface by the author, reflecting on the book’s impact and the development of her ideas since it was first published. In this beautifully written and carefully argued work, hooks maintains that mainstream feminism’s reliance on white, middle-class, and professional spokeswomen obscures the involvement, leadership, and centrality of women of colour and poor women in the movement for women’s liberation. Hooks argues that feminism’s goal of seeking credibility and acceptance on already existing ground – rather than demanding the lasting and more fundamental transformation of society – has short-changed the movement. A sweeping examination of the core issues of sexual politics, Feminist Theory argues that contemporary feminists must acknowledge the full complexity and diversity of women’s experience to create a mass movement to end women’s oppression.

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Professor and amateur sleuth Henry Spearman uses economics to try to solve a murder while on a Caribbean vacationCinnamon Bay seems like the ideal Caribbean getaway. But for Harvard economist and amateur detective Henry Spearman it offers an unexpected and decidedly different diversion: murder. With the police at a loss, Spearman investigates on his own, following a rather different set of lawsthose of economics. Theorizing and hypothesizing, Spearman sets himself on the killer's trail as it winds from the perfect beaches and manicured lawns of a resort to the bustling old port of Charlotte Amalie to the perilous hiking trails of a dense forest. Can Spearman crack the case using economicsand before it's too late?

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With fascinating essays on artists from Louis Armstrong to Walter Benjamin, Sigmund Freud to Franz Kafka and Beatrix Potter to Marcel Proust, Cultural Amnesia is one of the crowning achievements in Clive James's illustrious career as a critic.'One stupendous starburst of wild brilliance' – Simon Schama, historian and author of The Power of ArtA lifetime in the making and containing over one hundred essays, this is a definitive guide to twentieth-century culture. James catalogues and explores the careers of many of the century's greatest thinkers, humanists, musicians, artists and philosophers, with illuminating excursions into the minds of those historical figures – from Sir Thomas Browne to Montesquieu – who paved the way. Altogether, it is an illuminating work of extraordinary erudition. Organised alphabetically by surname, this almanac invites you to share in the connections James draws, and to make your own – whether you read cover-to-cover, or allow curiosity to guide you. From Anna Akhmatova to Stefan Zweig, via Charles de Gaulle, Hitler, Thomas Mann and Wittgenstein, this varied and unfailingly absorbing book is both story and history, public memoir and personal record – and provides a field-guide to the vast movements of taste, intellect, politics and delusion that helped to prepare the times we live in now.'Aphoristic and acutely provocative: a crash course in civilization' – J. M. Coetzee, author of Disgrace'This is a beautiful book' – ObserverPart of the Picador Collection, a series showcasing the best of modern literature.

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At the turn of the twentieth century, William James was America's most widely read philosopher. In addition to being one of the founders of pragmatism, however, he was also a leading psychologist and author of the seminal work, The Principles of Psychology (1890). While scholars argue that James withdrew from the study of psychology after 1890, Eugene Taylor demonstrates convincingly that James remained preeminently a psychologist until his death in 1910. Taylor details James's contributions to experimental psychopathology, psychical research, and the psychology of religion. Moreover, Taylor's work shows that out of his scientific study of consciousness, James formulated a sophisticated metaphysics of radical empiricism. In light of historical developments in psychology, as well as the current philosophic implications of the neuroscience revolution related to the biology of consciousness, Taylor argues that both the subject matter of James's investigations and his metaphysics of radical empiricism are just as important for psychology today as James believed they were in his own time. This book represents a major new contribution both to James scholarship and to the history of American psychology. Although philosophers have analyzed radical empiricism, this book is the first to trace the development of radical empiricism as a metaphysics addressed to psychologists. It is also the first to show James's involvement in depth-psychology and psychotherapeutics and to trace historical continuity between James's work on consciousness and subsequent developments in psychoanalysis, personality theory, and humanistic psychology.

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Over the past twenty-five years, the Austrian artist Margit Hart has created an extremely diverse oeuvre of contemporary jewellery. Mindscapes, the name of her latest group of works, is synonymous with her ever changing jewellery objects. Since 2009 Margit Hart's work - parallel to her jewellery has extended into abstract photography, resulting in a mutual dialogue between both disciplines. In her Schattenflug [Fleeting Shadows] works, she goes beyond illustrating the purely representational to create imaginary three-dimensional pictorial spaces that immerse us in mysterious worlds of light and shade. This monograph showcases the interplay between both modes of artistic expression in a tangible way. Text in English and German.

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Charles Howard: A Margin of Chaos accompanies the first museum exhibition dedicated to American artist Charles Houghton Howard (1899–1978) since 1956. Howard, part of a circle of artists that included Alexander Calder, Gordon Onslow Ford, Grant Wood and Ben Nicholson, had an active and distinguished career in midcentury America and England. His enigmatic, meticulous paintings, often intimate in scale, bridge figurative, Surrealist and abstract currents in modern art. Though his work evolved over his career, Howard said that all of his pictures “are closely related … They are in fact all portraits of the same general subject, of the same idea, carried as far as I am able at the time.” The first scholarly publication on Howard, this fully illustrated volume includes essays by Apsara DiQuinzio, Robert Gober and Lauren Kroiz, a reprint of one of Howard’s own essays from 1946, an illustrated chronology and exhibition history.

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"Isla Fisher is hilarious" David Walliams"Charming, funny, delightful: Marge is the babysitter all children would wish for" David BaddielMeet Marge, the mischievous babysitter with rainbow hair who loves to make a mess and bend the rules . . . At dinnertime Chef Marge cooks up chocolate soup, and at school Marge the Muscian conducts a chaotic concert in the playground!Jake and Jemima have brilliant fun with their new babysitter, but will they manage to tick off all the jobs on Mummy's list? The first fun family story in the MARGE IN CHARGE series, written by actor & comedian Isla Fisher and illustrated throughout by Eglantine Ceulemans.

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Warren Buffett and his company, Berkshire Hathaway, are legendary for their distinctive investing approach. Yet many equally unconventional but less well known aspects of Berkshire’s managerial practices and organizational structure are rich with lessons for those seeking to follow in Buffett’s footsteps. Margin of Trust is the first book to distill Buffett’s approach to management and corporate life. It provides a definitive analysis of the tenets of the Berkshire system, its costs and benefits, and how it can be adapted for other organizations.Lawrence A. Cunningham and Stephanie Cuba develop a new account of how Berkshire Hathaway works, showing that the key to its success is trust. Profiling partnership practices and business methods, they contend that Berkshire’s distinguishing feature is a culture in which autonomy and decentralization are core management principles. Cunningham and Cuba provide instructive examples of how this model has been successfully adapted by other companies that share a faith in trust as an organizing principle. They also offer candid commentary on the risks of a trust-based approach and how to mitigate them. Margin of Trust features illuminating analysis of Buffett’s take on the role trust plays in business agreements, what Buffett looks for in great corporate boards, and what lies ahead for Berkshire after its iconic leader leaves the scene.

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[The Water Margin] is a great pageant of China. I think it is one of the most magnificent pageants ever made of any people. Pearl S. BuckThe Water Margin is an epic tale set in 12th century Imperial China, and is one of the earliest and greatest masterpieces of Chinese fiction. Weaving together historical details and memorable characters, it tells the exciting story of a rebellion against tyranny set amidst the turmoil of a crumbling empire. In this action-packed story, a desperate band of outlaws are drawn together by fate and a shared desire for justice. They are pursued to remote marshes near Liangshan Mountain by corrupt officials, where their popularity among the local populace only grows. Through intricate schemes, epic battles, narrow escapes and unexpected treachery, the heroes vow to fight to the death for freedom and for their loyalty and love for one another. The book's intriguing cast of characters, all revered folk heroes in China today, includes: Song Jiang: The chari

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Being wrong is an inescapable part of being alive. And yet we go through life tacitly assuming (or loudly insisting) that we are right about nearly everything - from our political beliefs to our private memories, from our grasp of scientific fact to the merits of our favourite team. Being Wrong looks at why this conviction has such a powerful grip on us, what happens when this conviction is shaken, and how we interpret the moral, political and psychological significance of being wrong. Drawing on philosophies old and new and cutting-edge neuroscience, Schulz offers an exploration of the allure of certainty and the necessity of fallibility in four main areas: in religion (when the end of the world fails to be nigh); in politics (where were those WMD?); in memory (where are my keys?); and in love (when Mr or Ms Right becomes Mr or Ms Wrong).

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