Search results for ""verso""

Set 16 of Verso's Radical Thinkers series.On the 200th anniversary of Karl Marx's birth, four titles that consider the life and works of Karl Marx.

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Examining a series of El Niño-induced droughts and the famines that they spawned around the globe in the last third of the 19th century, Mike Davis discloses the intimate, baleful relationship between imperial arrogance and natural incident that combined to produce some of the worst tragedies in human history. Late Victorian Holocausts focuses on three zones of drought and subsequent famine: India, Northern China; and Northeastern Brazil. All were affected by the same global climatic factors that caused massive crop failures, and all experienced brutal famines that decimated local populations. But the effects of drought were magnified in each case because of singularly destructive policies promulgated by different ruling elites. Davis argues that the seeds of underdevelopment in what later became known as the Third World were sown in this era of High Imperialism, as the price for capitalist modernization was paid in the currency of millions of peasants' lives.

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"Cities, like cats, will reveal themselves at night," wrote the poet Rupert Brooke. Before the age of electricity, the nighttime city was a very different place to the one we know today - home to the lost, the vagrant and the noctambulant. Matthew Beaumont recounts an alternative history of London by focusing on those of its denizens who surface on the streets when the sun's down. If nightwalking is a matter of "going astray" in the streets of the metropolis after dark, then nightwalkers represent some of the most suggestive and revealing guides to the neglected and forgotten aspects of the city.In this brilliant work of literary investigation, Beaumont shines a light on the shadowy perambulations of poets, novelists and thinkers: Chaucer and Shakespeare; William Blake and his ecstatic peregrinations and the feverish ramblings of opium addict Thomas De Quincey; and, among the lamp-lit literary throng, the supreme nightwalker Charles Dickens. We discover how the nocturnal city has inspired some and served as a balm or narcotic to others. In each case, the city is revealed as a place divided between work and pleasure, the affluent and the indigent, where the entitled and the desperate jostle in the streets.With a foreword and afterword by Will Self, Nightwalking is a captivating literary portrait of the writers who explore the city at night and the people they meet.

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The leading art theorist takes on art in the age of the Internet In the early twentieth century, art and its institutions came under critique from a new democratic and egalitarian spirit. The notion of works of art as sacred objects was decried and subsequently they would be understood merely as things. This meant an attack on realism, as well as on the traditional preservative mission of the museum. Acclaimed art theorist Boris Groys argues this led to the development of “direct realism”: an art that would not produce objects, but practices (from performance art to relational aesthetics) that would not survive. But for more than a century now, every advance in this direction has been quickly followed by new means of preserving art’s distinction. In this major new work, Groys charts the paradoxes produced by this tension, and explores art in the age of the thingless medium, the Internet. Groys claims that if the techniques of mechanical reproduc

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A giant of the political left, Rosa Luxemburg is one of the foremost minds in the canon of revolutionary socialist thought. But she was much more than just a thinker. She made herself heard in a world inimical to the voices of strong-willed women. She overcame physical infirmity and the prejudice she faced as a Jew to become an active revolutionary whose philosophy enriched every corner of an incredibly productive and creative life-her many friendships, her sexual intimacies, and her love of science, nature and art.Always opposed to the First World War, when others on the German left were swept up on a tide of nationalism, she was imprisoned and murdered in 1919 fighting for a revolution she knew to be doomed.In this beautifully drawn work of graphic biography, writer and artist Kate Evans has opened up her subject's intellectual world to a new audience, grounding Luxemburg's ideas in the realities of an inspirational and deeply affecting life.

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"It is easier to imagine the end of the world," the theorist Fredric Jameson has remarked, "than to imagine the end of capitalism." Jacobin Editor Peter Frase argues that technological advancements and environmental threats will inevitably push our society beyond capitalism, and Four Futures imagines just how this might look. Extrapolating possible futures from current changes the world is now experiencing, and drawing upon speculative fictions to illustrate how these futures might be realized, Four Futures examines communism, rentism, socialism, and exterminism-or in other words, the socialisms we may reach if a resurgent Left is successful and the barbarisms we may be consigned to if those movements fail.

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As the crisis of capitalism unfolds, the need for alternatives is felt ever more intensely. The struggle between radical movements and the forces of reaction will be merciless. A crucial battlefield, where the outcome of the crisis will in part be decided, is that of theory. Over the last twenty-five years, radical intellectuals across the world have produced important and innovative ideas. The endeavour to transform the world without falling into the catastrophic traps of the past has been a common element uniting these new approaches. This book-aimed at both the general reader and the specialist-offers the first global cartography of the expanding intellectual field of critical contemporary thought. More than thirty authors and intellectual currents of every continent are presented in a clear and succinct manner. A history of critical thought in the twentieth and twenty-first centuries is also provided, helping situate current thinkers in a broader historical and sociological perspective.

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Louis Althusser's renowned short text "Ideology and Ideological State Apparatuses" radically transformed the concept of the subject, the understanding of the state and even the very frameworks of cultural, political and literary theory. The text has influenced thinkers such as Judith Butler, Ernesto Laclau and Slavoj Zizek.The piece is, in fact, an extract from a much longer book, On the Reproduction of Capitalism, until now unavailable in English. Its publication makes possible a reappraisal of seminal Althusserian texts already available in English, their place in Althusser's oeuvre and the relevance of his ideas for contemporary theory. On the Reproduction of Capitalism develops Althusser's conception of historical materialism, outlining the conditions of reproduction in capitalist society and the revolutionary struggle for its overthrow.Written in the afterglow of May 1968, the text addresses a question that continues to haunt us today: in a society that proclaims its attachment to the ideals of liberty and equality, why do we witness the ever-renewed reproduction of relations of domination? Both a conceptually innovative text and a key theoretical tool for activists, On the Reproduction of Capitalism is an essential addition to the corpus of the twentieth-century Left.

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Miss Major Griffin-Gracy is a veteran of the infamous Stonewall Riots, a former sex worker, and a transgender elder and activist who has survived Bellevue psychiatric hospital, Attica Prison, the HIV/AIDS crisis and a world that white supremacy has built. She has shared tips with other sex workers in the nascent drag ball scene of the late 1960s, and helped found one of America's first needle exchange clinics from the back of her van. Miss Major Speaks is both document of her brilliant life-told with intimacy, warmth and an undeniable levity-and a roadmap for the challenges black, brown, queer and trans youth will face on the path to liberation today. Her incredible story of a life lived and a world survived becomes a conduit for larger questions about the riddle of collective liberation. For a younger generation, she warns about the traps of 'representation,' the politics of 'self-care,' and the frequent dead-ends of non-profit organizing; for all of us, she is a strike against those who would erase these histories of struggle. Miss Major offers something that cannot be found elsewhere: an affirmation that our vision for freedom can and must be more expansive than those on offer by mainstream institutions.

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Marxist Modernism is a comprehensive yet concise and conversational introduction to the Frankfurt School. It is also a new resource from one of the twentieth century’s most important philosophers: Gillian Rose.Her 1979 lectures on the Frankfurt School explore the lives and philosophies of a range of the school’s members and affiliates, including Adorno, Lukács, Brecht, Bloch, Benjamin, and Horkheimer, and outline the way each theorist developed Marx’s theory of commodity fetishism into a Marxist theory of culture.Edited by Robert Lucas Scott and James Gordon Finlayson

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In this acclaimed exploration of the culture of others, Rebecca Solnit travels through Ireland, the land of her long-forgotten maternal ancestors. A Book of Migrations portrays in microcosm a history made of great human tides of invasion, colonization, emigration, nomadism and tourism. Enriched by cross-cultural comparisons with the history of the American West, A Book of Migrations carves a new route through Ireland's history, literature and landscape.

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What is the contemporary legacy of Gramsci's notion of Hegemony? How can universality be reformulated now that its spurious versions have been so thoroughly criticized? In this ground-breaking project, Judith Butler, Ernesto Laclau and Slavoj Zizek engage in a dialogue on central questions of contemporary philosophy and politics. Their essays, organized as separate contributions that respond to one another, range over the Hegelian legacy in contemporary critical theory, the theoretical dilemmas of multiculturalism, the universalism-versus-particularism debate, the strategies of the Left in a globalized economy, and the relative merits of post-structuralism and Lacanian psychoanalysis for a critical social theory. While the rigor and intelligence with which these writers approach their work is formidable, Contingency, Hegemony, Universality benefits additionally from their clear sense of energy and enjoyment in a revealing and often unpredictable exchange.

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In this reissue of the 1972 classic of social anatomy, Richard Sennets adds a new introduction to shows how the injuries of class persist into the 21st century. In this intrepid, groundbreaking book, Richard Sennett and Jonathan Cobb uncover and define a new form of class conflict in America?an internal conflict in the heart and mind of the blue-collar worker who measures his own value against those lives and occupations to which our society gives a special premium.The authors conclude that in the games of hierarchical respect, no class can emerge the victor; and that true egalitarianism can be achieved only by rediscovering diverse concepts of human dignity. Examining personal feelings in terms of a totality of human relations, and looking beyond the struggle for economic survival, The Hidden Injuries of Class takes an important step forward in the sociological critique of everyday life.

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Today, it is not a question of if, but when? What we are watching is the collapse of the most successful political party in Europe. Despite winning the December 2019 General Election, the parliamentary conservative and unionist party is facing its own demise. It no longer speaks for, or to, the British people. Its leadership has sacrificed the long-standing commitment to the Union to 'Get Brexit Done'. And beyond this, it is an intellectual vacuum, propped up by half-baked doctrine and magical thinking. Burton-Cartlege's account starts with the Thatcher era, and show that swiftly the party struggled to find a popular vision for the United Kingdom. He charts the flaws an failings of each successive leader, all the way to Sunak. He also examines the state of the membership and shows that they have become increasingly old. Their values have not been adopted by the younger voters, who are unable to share the benefits. Furthermore, the coalition between the countryside and the City interests is under pressure, and the latter is split by Brexit.

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Gideon Levy is one of the most respected critics of Israel's apartheid policies against the Palestinian people. He is the outspoken award-winning journalist who has been writing on the conflict for decades. In the Destruction of Gaza, he brings together his on-the-ground perspectives of the events leading up to the 7th October and the ensuing devastation of Gaza. His clear-eyed analysis is a vital aperture into current events but he also brings essential historical and political context to the moment. He is unafraid to speak truth to power, and his work is an urgent rebuttal to the propaganda that is distributed through the mainstream liberal press, throughout the world. Levy's words should be read by anyone who wants to get the heart of this most brutal conflict and see for themselves that silence is no longer possible in the face of such atrocity.

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Algeria’s Arab Jews were renowned for their metal-working and jewellery-making skills, and these jewellers of the ummah—the Arabic community—are, for Azoulay, the symbol of a world that can still be reclaimed and repaired.In a series of letters written to her father, her great-grandmother, and her children—and to the thinkers and artists she claims as intellectual kin, such as Frantz Fanon and Hannah Arendt—Azoulaytraces the history of Arab Jewish life in Algeria, and how it was disrupted by French colonialism. She begins by asking how her family became assimilated into the identities of Israeli, Jewish, or French. As she does, she finds a whole lost world open up to her - the world of her family, the Arab Jews of Algeria. She traces how Arab Jews were severed from other Arabs, and how Arab Jews were severed from their Arabness by the Israeli vision of a Jewish diaspora, and sets out to repair those breaks and revive their world. B

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"A beautifully written and argued book." - Torrey Peters, author of Detransition, BabyThere is no shortage of voices demanding everyone pay attention to the violence trans women suffer. But one frighteningly basic question seems never to be answered: why does it happen? If men are not inherently evil and trans women do not intrinsically invite reprisal-which would make violence unstoppable-then the psychology of that violence had to arise at a certain place and time. The trans panic had to be invented.Award-winning historian Jules Gill-Peterson takes us from the bustling port cities of New York and New Orleans to the streets of London and Paris in search of the emergence of modern trans misogyny. She connects the colonial and military districts of the British Raj, the Philippines, and Hawai'i to the lively travesti communities of Latin America, where state violence has stamped a trans label on vastly different ways of life. Weaving together the stories of historical figures in a richly detailed narrative, the book shows how trans femininity emerged under colonial governments, the sex work industry, the policing of urban public spaces, and the area between the formal and informal economy.A Short History of Trans Misogyny is the first book to explain why trans women are burdened by such a weight of injustice and hatred.

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When leading scholar of Marx, Roman Rosdolsky, first encountered the virtually unknown text of Marx's Grundrisse - his preparatory work for his masterpiece Das Capital - in the 1950s in New York Public Library, he recognized it as "a work of fundamental importance," but declared "its unusual form" and "obscure manner of expression, made it far from suitable for reaching a wide circle of readers." David Harvey's Companion to Marx's Grundrisse builds upon his widely acclaimed companions to the first and second volumes of Capital in a way that will reach as wide an audience as possible. Marx's stated ambition for this text - where he was thinking aloud about some of possible metamorphoses of capitalism - is to reveal "the exact development of the concept of capital as the fundamental concept of modern economics, just as capital itself is the foundation of bourgeois society." While respecting Marx's desire to "bring out all the contradictions of bourgeois production, as well as the boundary where it drives beyond itself," David Harvey also pithily illustrates the relevance of Marx's text to understanding the troubled state of contemporary capitalism.

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Today, artists are engaged in investigation. They probe corruption, state violence, environmental destruction and repressive technologies. At the same time, fields not usually associated with aesthetics make powerful use of it. Journalists and legal professionals pore over open source videos and satellite imagery to undertake visual investigations. This combination of diverse fields is what the authors call "investigative aesthetics": mobilising sensibilities often associated with art, architecture and other such practices to find new ways of speaking truth to power.This book draws on theories of knowledge, ecology and technology, evaluates the methods of citizen counter-forensics, micro-history and art, and examines radical practices such as those of Wikileaks, Bellingcat, and Forensic Architecture. Investigative Aesthetics takes place in the studio and the laboratory, the courtroom and the gallery, online and in the streets, as it strives towards the construction of a new 'common sensing'.The book is an inspiring introduction to a new field that brings together investigation and aesthetics to change how we understand and confront power today.To Nour Abuzaid for your brilliance, perseverance, and unshaken belief in the liberation of Palestine.

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Longlisted for the 2019 Jhalak Prize. From the 1960s the UK's immigration policy - introduced by both Labour and Tory governments - has been a toxic combination of racism and xenophobia. Maya Goodfellow tracks this history through to the present day, looking at both legislation and rhetoric, to show that distinct forms of racism and dehumanisation have produced a confused and draconian immigration system. She examines the arguments made against immigration in order to dismantle and challenge them. Through interviews with people trying to navigate the system, legal experts, politicians and campaigners, Goodfellow shows the devastating human costs of anti-immigration politics and argues for an alternative.This new edition includes an additional chapter, which explores the impacts of the 2019 election and the ongoing immigration enforcement during the coronavirus pandemic.

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Everyone is a designer. But while many practitioners may be looking for solutions or ideological certainties, Easterling argues that solutions are mistakes and ideologies are unreliable markers. Instead, Medium Design speaks to anyone looking for alternative approaches to the world's unresponsive or intractable dilemmas-from climate cataclysm to inequality to concentrations of authoritarian power. Such an approach joins many disciplines in considering not only separate objects, ideas and events but also the space between them.In case studies dealing with everything from automation and migration to explosive urban growth and atmospheric changes, Medium Design looks not to new innovations but rather to sophisticated relationships between emergent and incumbent technologies. It does not try to eliminate problems but put them together into productive combinations. And it offers forms of activism for modulating power and temperament in organization of all kinds

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In The Future of the Image, Jacques Rancière develops a fascinating new concept of the image in contemporary art, showing how art and politics have always been intrinsically intertwined. He argues that there is a stark political choice in art: it can either reinforce a radical democracy or create a new reactionary mysticism. For Rancière there is never a pure art: the aesthetic revolution must always embrace egalitarian ideals.

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'Where are you from?' was the question hounding Hazel Carby as a girl in post-World War II London. One of the so-called brown babies of the Windrush generation, born to a Jamaican father and Welsh mother, Carby's place in her home, her neighbourhood, and her country of birth was always in doubt. Emerging from this setting, Carby untangles the threads connecting members of her family to each other in a web woven by the British Empire across the Atlantic. We meet Carby's working-class grandmother Beatrice, a seamstress challenged by poverty and disease. In England, she was thrilled by the cosmopolitan fantasies of empire, by cities built with slave-trade profits, and by street peddlers selling fashionable Jamaican delicacies. In Jamaica, we follow the lives of both the 'white Carbys' and the 'black Carbys', as Mary Ivey, a free woman of colour, whose children are fathered by Lilly Carby, a British soldier who arrived in Jamaica in 1789 to be absorbed into the plantation aristocracy. And we discover the hidden stories of Bridget and Nancy, two women owned by Lilly who survived the Middle Passage from Africa to the Caribbean.Moving between the Jamaican plantations, the hills of Devon, the port cities of Bristol, Cardiff, and Kingston, and the working-class estates of South London, Carby's family story is at once an intimate personal history and a sweeping summation of the violent entanglement of two islands. In charting British empire's interweaving of capital and bodies, public language and private feeling, Carby will find herself reckoning with what she can tell, what she can remember, and what she can bear to know.

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No metropolis has been more loved or more hated. To its official boosters, "Los Angeles brings it all together." To detractors, LA is a sunlit mortuary where "you can rot without feeling it." To Mike Davis, the author of this fiercely elegant and wide-ranging work of social history, Los Angeles is both utopia and dystopia, a place where the last Joshua trees are being plowed under to make room for model communities in the desert, where the rich have hired their own police to fend off street gangs, as well as armed Beirut militias.In City of Quartz, Davis reconstructs LA's shadow history and dissects its ethereal economy. He tells us who has the power and how they hold on to it. He gives us a city of Dickensian extremes, Pynchonesque conspiracies, and a desperation straight out of Nathaniel West - a city in which we may glimpse our own future mirrored with terrifying clarity.

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What happened to the public intellectuals that used to challenge and inform us? Who is the Sartre or De Beauvoir of the internet age? General Intellects argues that we no longer have such singular figures, but we do have general intellects whose writing could, if read together, explain our times. Covering topics such as culture, politics, work, technology, and the Anthropocene, each chapter is a concise account of an individual thinker, providing useful context and connections to the work of the others. McKenzie Wark's distinctive readings are appreciations, but are also critical of how neoliberal universities militate against cooperative intellectual work to understand and change the world.The thinkers included are Amy Wendling, Kojin Karatani, Paolo Virno, Yann Moulier Boutang, Maurizio Lazzarato, Franco 'Bifo' Berardi, Angela McRobbie, Paul Gilroy, Slavoj Zizek, Jodi Dean, Chantal Mouffe, Wendy Brown, Judith Butler, Azumo Hiroki, Paul B. Preciado Wendy Chun, Timothy Morton, Quentin Meillassoux, Isabelle Stengers and Donna Haraway.

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Much has been written on the how colonial subjects took up British and European ideas and turned them against empire when making claims to freedom and self-determination. The possibility of reverse influence has been largely overlooked. Insurgent Empire shows how Britain's enslaved and colonial subjects were not merely victims of empire and subsequent beneficiaries of its crises of conscience but also agents whose resistance both contributed to their own liberation and shaped British ideas about freedom and who could be free. Insurgent Empire examines dissent over the question of empire in Britain and shows how it was influenced by rebellions and resistance in the colonies from the West Indies and East Africa to Egypt and India. It also shows how a pivotal role in fomenting dissent was played by anti-colonial campaigners based in London at the heart of the empire.

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El Salvador and Honduras have had the highest homicide rates in the world over the past ten years, with Guatemala close behind. Every day more than 1,000 people-men, women, and children-flee these three countries for North America. Óscar Martínez, author of The Beast, named one of the best books of the year by the Economist, Mother Jones, and the Financial Times, fleshes out these stark figures with true stories, producing a jarringly beautiful and immersive account of life in deadly locations.Martínez travels to Nicaraguan fishing towns, southern Mexican brothels where Central American women are trafficked, isolated Guatemalan jungle villages, and crime-ridden Salvadoran slums. With his precise and empathetic reporting, he explores the underbelly of these troubled places. He goes undercover to drink with narcos, accompanies police patrols, rides in trafficking boats and hides out with a gang informer. The result is an unforgettable portrait of a region of fear and a subtle analysis of the North American roots and reach of the crisis, helping to explain why this history of violence should matter to all of us.

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Baltimore. Ferguson. Tottenham. Clichy-sous-Bois. Oakland. Ours has become an "age of riots" as the struggle of people versus state and capital has taken to the streets. Award-winning poet and scholar Joshua Clover offers a new understanding of this present moment and its history. Rioting was the central form of protest in the seventeenth and eighteenth centuries, yet it was supplanted by age of the glorious strike and labour protests of the nineteenth and twentieth centuries. From, from the seventies on, we're seen a return of the strike - now changed along with the coordinates of race and class.From early wage demands to recent social justice campaigns pursued through occupations and blockades, Clover connects these protests to the upheavals of a sclerotic economy in a state of moral collapse. Riot.Strike.Riot is a tour de force of political and theoretical analysis.

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What is the relationship between capitalism and mental health? Through an exhilarating mix of philosophical and psychoanalytical theory and reportage - from the suicide epidemic in Korea to the wave of American mass murders - the prominent Italian thinker Franco Berardi Bifo traces the social roots of the mental malaise of our age. His darkest and most unsettling book to date, Berardi proposes dystopian irony as a strategy to disentangle ourselves from the deadly embrace of the neoliberalism.

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In this vehement defence of democracy, Jacques Rancière explodes the complacency of Western politicians who pride themselves as the defenders of political freedom. As America and its allies use their military might in the misguided attempt to export a desiccated version democracy, and reactionary strands in mainstream political opinion abandon civil liberties, Rancière argues that true democracy-government by all-is held in profound contempt by the new ruling class. In a compelling and timely analysis, Hatred of Democracy rethinks the subversive power of the democratic ideal.

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In the wide ranging arguments about the fundamental tenets of Marxism nothing has had greater political significance than the theoretical questioning of the central role assigned to class struggle in the process of social transformation.The Politics of Production demonstrates, brilliantly, the pivotal importance of working class struggles through a rejection of both economistic conceptions of class and notions of the working class as innately revolutionary. This opens the way for an investigation of the political conditions in production that shape the character of working class action. Burawoy theorizes political regimes within production and the way they relate to state politics and then uses this framework to make a comparative analysis of factory regimes under capitalism and socialism.

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The Lie of the Land is a highly engaging study of Ireland's fractured and shifting identities by one of its most talented writers. From its sometimes confused sense of place, caught somewhere between Europe and America, Ireland has redefined itself in the 1990s. Fintan O'Toole highlights the contradictions and the mythologies at work in Ireland's ever-changing idea of itself.

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This volume highlights the work of contemporary Brazilian photographers with an emphasis on images which reflect the dynamism and eclecticism of Brazilian society. The editor has collected the work of 21 of Brazil's most prominent photographers and accompanies their work with a commentary describing the new uses of photography within the contemporary arts and the burgeoning alternatives to traditional photography. The book begins with an historical overview, continuing with the experiences of the independent photo agencies of the 1970s, the creative surge in the 80s, and the recent emergence of photography as a means of personal and artistic expression. The direct participation of indigenous authors and photographers from all regions of Brazil allows this book to show how writers and artists see themselves and their work in a de-exoticized framework.

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First published in 1930, Siegfried Kracauer's work was greeted with great acclaim and soon attained the status of a classic. The object of his inquiry was the new class of salaried employees who populated the cities of Weimar Germany.Spiritually homeless, divorced from all custom and tradition, these white-collar workers sought refuge in entertainment-or the "distraction industries," as Kracauer put it-but, only three years later, were to flee into the arms of Adolf Hitler. Eschewing the instruments of traditional sociological scholarship, but without collapsing into mere journalistic reportage, Kracauer explores the contradictions of this caste. Drawing on conversations, newspapers, adverts and personal correspondence, he charts the bland horror of the everyday. In the process he succeeds in writing not just a prescient account of the declining days of the Weimar Republic, but also a path-breaking exercise in the sociology of culture which has sharp relevance for today.

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A war that has killed more than a million Iraqis was a "humanitarian intervention", the US army is a force for liberation, and the main threat to world peace is posed by Islam. These are the arguments of a host of liberal commentators, including such notable names as Christopher Hitchens, Kanan Makiya, Michael Ignatieff, Paul Berman, and Bernard-Henri Lévy. In this critical intervention, Richard Seymour unearths the history of liberal justifications for empire, showing how savage policies of conquest-including genocide and slavery-have been retailed as charitable missions. From the Cold War to the War on Terror, Seymour argues that colonialist notions of "civilization" and "progress" still shape liberal pro-war discourse, concealing the same bloody realities.In a new afterword, Seymour revisits the debates on liberal imperialism in the era of Obama and in the light of the Afghan and Iraqi debacles.

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The credit crisis has pushed the whole world so far into the red that the gigantic sums involved defy understanding. On a human level, what does such an enormous degree of debt and insolvency mean? In this timely book, cultural critic Richard Dienst considers the financial crisis, global poverty, media politics and radical theory to parse the various implications of a world where man is born free but everywhere is in debt.Written with humor and verve, Bonds of Debt ranges across subjects-such as Obama's national security strategy, the architecture of Prada stores, press photos of Bono, and a fairy tale told by Karl Marx-to capture a modern condition founded on fiscal imprudence. Moving beyond the dominant pieties and widespread anxieties surrounding the topic, Dienst re-conceives the world's massive financial obligations as a social, economic, and political bond, where the crushing weight of objectified wealth comes face to face with new demands for equality and solidarity. For this inspired analysis, we are indebted to him.

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Cited by Lukács as a principal source of literary modernism, Walter Benjamin's study of the baroque stage-form called Trauerspiel (literally, "mourning play") is the most complete document of his prismatic literary and philosophical practice. Engaging with sixteenth- and seventeenth-century German playwrights as well as the plays of Shakespeare and Calderón and the engravings of Dürer, Benjamin attempts to show how the historically charged forms of the Trauerspiel broke free of tragedy's mythological timelessness. From its philosophical prologue, which offers a rare account of Benjamin's early aesthetics, to its mind-wrenching meditation on allegory, The Origin of German Tragic Drama sparkles with early insights and the seeds of Benjamin's later thought.

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In this highly original work Ernesto Laclau continues the philosophical and political exploration initiated in Hegemony and Socialist Strategy. Here he focuses on the construction of popular identities and how "the people" emerge as a collective actor. Skillfully combining theoretical analysis with a myriad of empirical references from numerous historical and geographical contexts he offers a critical reading of the existing literature on populism, demonstrating its dependency on the theorists of "mass psychology" such as Taine and Freud. He demonstrates the relation of populism to democracy and to the logic of representation, and differentiates his approach from the work of Zizek, Hardt and Negri, and Ranciere. This book is essential reading for all those interested in the question of political identities in present-day societies.

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Originally published in 2012 to wide acclaim, this updated edition, Why It's Still Kicking Off Everywhere, includes coverage of the most recent events in the wave of revolt and revolution sweeping the planet-riots in Athens, student occupations in the UK, Quebec and Moscow, the emergence of the Occupy Movement and the tumult of the Arab Spring. Economic crisis, social networking and a new political consciousness have come together to ignite a new generation of radicals.BBC journalist and author Paul Mason combines the anecdotes gleaned through first-hand reportage with political, economic and historical analysis to tell the story of today's networked revolution. Why It's Still Kicking Off Everywhere not only addresses contemporary struggles, it provides insights into the future of global revolt.

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An enduring history of how race and class came together to mark the course of the antebellum US and our present crisis. Roediger shows that in a nation pledged to independence, but less and less able to avoid the harsh realities of wage labor, the identity of "white" came to allow many Northern workers to see themselves as having something in common with their bosses. Projecting onto enslaved people and free Blacks the preindustrial closeness to pleasure that regimented labor denied them, "white workers" consumed blackface popular culture, reshaped languages of class, and embraced racist practices on and off the job. Far from simply preserving economic advantage, white working-class racism derived its terrible force from a complex series of psychological and ideological mechanisms that reinforced stereotypes and helped to forge the very identities of white workers in opposition to Blacks. Full of insight regarding the precarious positions of not-quite-white Irish immigrants to the US and the fate of working class abolitionism, Wages of Whiteness contributes mightily and soberly to debates over the 1619 Project and critical race theory.

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For more than a century, municipal socialism has fired the imaginations of workers fighting to make cities livable and democratic. At every turn propertied elites challenged their right to govern.Prominent US labor historian, Shelton Stromquist, offers the first global account of the origins of this new trans-local socialist politics. He explains how and why cities after 1890 became crucibles for municipal socialism. Drawing on the colorful stories of local activists and their social-democratic movements in cities as diverse as Broken Hill, Christchurch, Malmö, Bradford, Stuttgart, Vienna, and Hamilton, OH, the book shows how this new urban politics arose.Long governed by propertied elites, cities in the nineteenth century were transformed by mass migration and industrialization that tore apart their physical and social fabric. Amidst massive strikes and faced with epidemic disease, fouled streets, unsafe water, decrepit housing, and with little economic security and few public amenities, urban workers invented a local politics that promised to democratize cities they might themselves govern and reclaim the wealth they created. This new politics challenged the class power of urban elites as well as the centralizing tendencies of national social-democratic movements. Municipal socialist ideas have continued to inspire activists in their fight for the right of cities to govern themselves.

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Microverses comprises over a hundred short essays inviting us to think about society - and social theory - in new ways. Lockdown created the conditions for what Adorno once termed 'enforced contemplation'. Dylan Riley responded with the tools of his trade, producing an extraordinary trail of notes exploring how critical sociology can speak to this troubled decade. Microverses analyses the intellectual situation, the political crisis of Trump's last months in office, and love and illness in a period when both were fraught with the public emergency of the coronavirus.Riley brings the theoretical canon to bear on problems of intellectual culture and everyday life, working through Weber and Durkheim, Parsons and Dubois, Gramsci and Lukács, MacKinnon and Fraser, to weigh sociology's relationship to Marxism and the operations of class, race and gender, alongside discursions into the workings of an orchestra and the complicatedness of taking a walk in a pandemic.Invitations rather than finished arguments, the notes attempt to recover the totalising perspective of sociology - the ability to see society in the round, as though from the outside - and to recuperate what Paul Sweezy described as a sense of the 'present as history'.

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The Shadow of the Mine tells the story of King Coal in its heyday, the heroics and betrayals of the Miners’ Strike, and what happened to mining communities after the last pits closed.No one personified the age of industry more than the miners. Coal was central to the British economy, powering its factories and railways. It carried political weight, too. In the eighties the miners risked everything in a year-long strike against Thatcher’s shutdowns. Their defeat doomed a way of life. The lingering sense of abandonment in former mining communities would be difficult to overstate. Yet recent electoral politics has revolved around the coalfield constituencies in Labour’s Red Wall. Huw Beynon and Ray Hudson draw on decades of research to chronicle these momentous changes through the words of the people who lived through them.This edition includes a new postscript on why Thatcher’s war on the miners wasn’t good for green politics.

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As the story goes: Jeff Bezos left a lucrative job to start something new in Seattle only after a deeply affecting reading of Kazuo Ishiguro's Remains of the Day. But if a novel gave usAmazon.com, what has Amazon meant for the novel? In Everything and Less, acclaimed critic Mark McGurl discovers a dynamic scene of cultural experimentation in literature, with a confidence that rivals modernism. Its innovations have little to do with how the novel is written and more to do with how it's distributed online. On the internet, all fiction becomes genre fiction, which is simply another way to predict customer satisfaction. With an eye on the longer history of the novel, this witty, acerbic book tells a story that connects Henry James to E.L. James, Faulkner and Hemingway to contemporary romance, science fiction and fantasy writers. Reclaiming several works of self-published fiction from the gutter of complete critical disregard, it stages a copernican revolution in how we understand the world of letters: it's the stuff of high literature - Colson Whitehead, Don DeLillo, and Amitav Ghosh - that revolve around the star of countless unknown writers trying to forge a career by untraditional means, Adult Baby Diaper Lover erotica being just one fortuitous route. In opening the floodgates of popular literary expression as never before, the Age of Amazon shows a democratic promise, as well as what it means when literary culture becomes corporate culture in the broadbest but also deepest and most troubling sense.

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In modern Britain, the working class has become an object of fear and ridicule. From Little Britain's Vicky Pollard to the demonization of Jade Goody, media and politicians alike dismiss as feckless, criminalized and ignorant a vast, underprivileged swathe of society whose members have become stereotyped by one, hate-filled word: chavs.In this acclaimed investigation, Owen Jones explores how the working class has gone from "salt of the earth" to "scum of the earth." Exposing the ignorance and prejudice at the heart of the chav caricature, he portrays a far more complex reality. The chav stereotype, he argues, is used by governments as a convenient figleaf to avoid genuine engagement with social and economic problems and to justify widening inequality. Based on a wealth of original research, Chavs is a damning indictment of the media and political establishment and an illuminating, disturbing portrait of inequality and class hatred in modern Britain. This updated edition includes a new chapter exploring the causes and consequences of the UK riots in the summer of 2011.

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Born in Jerusalem, Ghada Karmi and her family were forced out of their home in 1948. They shared the fate of the thousands of Palestinians who, in the Nakba, were dispossessed and driven from land lived on for generations. In this moving memoir, Karmi charts their journey from Jerusalem to Golders Green, in north London, and their struggle to put down roots in alien soil. A quest for identity haunts her search for security far from home. Speaking for the vast number of people displaced worldwide, her story is a powerful exploration of the psychological pain of exile.

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