Search results for ""author laurence"

Postmodernity marks a time of creative conflict when the voices of the other, previously rendered silent by the majority, are prominently heard. What effect has postmodernism had on Judaism? The neat narratives and metanarratives of the Jewish past are being questioned and deconstructed, allowing for different versions of Jewish history to emerge. For example, a postmodern exploration of the place of women in Talmudic culture can upset portraits of women as powerless and rabbis as closed off to female experience thereby helping to secure a place for women today. Similarly, an analysis of Zionism using concepts drawn from postmodern thinkers problematizes such basic Zionists concepts as nation, exile, and normalization, and raises significant questions concerning the relationship of Israel and the diaspora. The twelve contributors, including Daniel Boyarin, Elliot R. Wolfson, and Laurence J. Silberstein, shed new light on the central texts and issues of Judaism through their postmodern interpretations. They offer up provocative perspectives on Bible and Midrash; Talmud and Halakhah; Kabbalah; Zionism; the Holocaust; feminism; literature; pedagogy; and liturgy.

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In the eighteenth century, Laurence Sterne explores the temptations of the French capital in a teasing study of foreign mores and Restif de la Bretonne provides an eye-witness account of the Revolution. From the 1800s, Hugo, Balzac, Flaubert, and Zola offer fascinating portraits of the city's teeming humanity; the Goncourt brothers chronicle the explosion of artistic talent; Huysmans describes an evening at the Folies Bergère. Colette chronicles the pitfalls for a young girl in the decadent city of the early twentieth century; F. Scott Fitzgerald revels in the city's glamour; Jean Rhys's lost heroines wander from café to café; James Baldwin celebrates its sexual freedoms; and Raymond Queneau gleefully reinvents the language of the street. In our time, Michel Tournier's North African immigrant walks a camel along the boulevards, while Nobel Laureate Patrick Modiano brilliantly maps the city's many arrondissements. The alluring power of Paris has never dimmed and it is richly captured in all its facets in these compelling and seductive tales.

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Auschwitz-Birkenau is the site of the largest mass murder in human history. Yet its story is not fully known. In Auschwitz, Laurence Rees reveals new insights from more than 100 original interviews with Auschwitz survivors and Nazi perpetrators who speak on the record for the first time. Their testimonies provide a portrait of the inner workings of the camp in unrivalled detail--from the techniques of mass murder, to the politics and gossip mill that turned between guards and prisoners, to the on-camp brothel in which the lines between those guards and prisoners became surprisingly blurred. Rees examines the strategic decisions that led the Nazi leadership to prescribe Auschwitz as its primary site for the extinction of Europe's Jews--their "Final Solution." He concludes that many of the horrors that were perpetrated in Auschwitz were driven not just by ideological inevitability but as a "practical" response to a war in the East that had begun to go wrong for Germany. A terrible immoral pragmatism characterizes many of the decisions that determined what happened at Auschwitz. Thus the story of the camp becomes a morality tale, too, in which evil is shown to proceed in a series of deft, almost noiseless incremental steps until it produces the overwhelming horror of the industrial scale slaughter that was inflicted in the gas chambers of Auschwitz.

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A beautifully illustrated introduction to the incredible variety of bees from around the worldWhen many people think of bees, they are likely to picture the western domesticated honey bee, insects that live in large, socially complex societies inside a hive with a single queen and thousands of workers. But this familiar bee is just one of more than 20,000 species of bees—and almost none of the others is anything like it. In Bees of the World, Laurence Packer, one of the world’s foremost experts on wild bees, celebrates the amazing diversity of bees—from size and appearance to nests and social organization.Providing clear, accurate accounts of the seven bee families, Bees of the World presents all the key information on generic characteristics, habits, and habitat, illustrated with incredible and often rare photographs that show bees in their natural habitats—foraging, nesting, raising their young, and more. The book reveals the secrets of these extraordinary insects as well as their importance in the global ecosystem and the ways humans can help protect them. Provides a richly illustrated exploration of bees from around the world Examines more than 100 genera of bees, giving a taste of the remarkable breadth of bee appearance and biology Explores bee anatomy, behavior, classification, evolution, life cycle, and habitats

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A DECK OF 52 WILD PLANT CARDS with remedies and recipes to soothe and treat the emotional and physical bodyBEAUTIFUL BOTANICAL ILLUSTRATIONS by Raxenne Maniquiz will help you to identify the plants, and enable you to channel their energiesALCHEMY MEETS ASTROLOGY - the ancient practices of alchemy, astrology and wildcrafting combinedUSE THE DECK FOR SELF-EXPLORATION with meditation ideas and oracle spreads to help you connect with nature and yourselfLAURENCE KING PUBLISHING has been capturing imaginations and inspiring creativity in new and unexpected ways for over 30 years, with playful and eye-catching games, gifts and booksWild Alchemy Lab is a beautiful gift for nature lovers intrigued by the mysteries of the universe. Each of the 52 cards in the deck features a wild plant, beautifully illustrated, accompanied by its astrological correspondences. The back of the card features a brief description of the plant, some context from history and mythology, and a recipe for a medicinal or culinary use of the plant. The accompanying booklet gives the history of alchemical practices and offers information about when and where to forage, some tips for preparing the plants and some other ways you can use the cards.

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This new, thoroughly updated, third edition of Bradt's Norfolk, part of Bradt's award-winning 'Slow travel' series of guides to UK regions, turns the spotlight on this county of contrasts, from the fine city of Norwich to the watery wilderness of the Broads and the sweeping beaches of the superlative north coast. As well as featuring all the main sights, experienced travel writer and local resident Laurence Mitchell ensures that Bradt's Norfolk covers places and aspects not detailed by other guidebooks and offers a special emphasis on car-free travel, walking (including along several long-distance footpaths), accommodation, local food and pubs. Written in an entertaining style combining personal narrative with authoritative information, this guide brings the county to life through anecdotes and the views of local people. Making a virtue of being selective, the guide points visitors to the cream of the area, but includes the whole of Norfolk from Great Yarmouth and the Broads in the east to the Fens of the far west, from the iconic North Norfolk coast to the Breckland region to the south. Places to eat and drink are selected by the author based upon long-standing knowledge of the area, in particular delving into aspects of regional distinctiveness and character. Characterful market towns, medieval churches and Seahenge (a 4,000-year-old timber circle) feature alongside culturally vibrant Norwich, England's first UNESCO City of Literature, which hosts the acclaimed Sainsbury Centre for Visual Arts and the highly rated Norwich and Norfolk Festival. Flora and fauna are also celebrated, the guidebook detailing the many wildlife sites within the county that are home to rare species, including the iconic swallowtail butterfly, while there is new detail on rewilding projects such as Wild Ken Hill, featured on BBC Springwatch and Autumnwatch programmes, seal colonies and the 'Snettisham spectacular' of shorebirds and geese. Hiking and biking, literary and artistic connections, canoeing and water-based activities, local food and drink (including prize-winning vineyards and independent breweries), and all the practical, up-to-date information you could need are included, helping make Bradt's Norfolk the must-have guide for all visitors to this beguiling county.

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Did you know that herrings use their farts to communicate with each other, that seals are notorious for having the smelliest farts in the animal kingdom, or that the Sonoran coral snake uses its farts as a defence mechanism when threatened by predators?In this simple to play, colourful and engaging matching memory game, match 25 animals to the pumps, toots and trumps they let off and turn over more pairs than your opponent to win the game! Learn all about why zebra farts are so incredibly loud and how manatees use flatulence to help them float in the accompanying booklet, packed full of animal facts.MATCH 26 ANIMALS to their toots, turn over more pairs than your opponent to win the gameSCREEN-FREE FUN for 2-4 players, fun for all the familyPLAY AND LEARN fascinating facts about your favourite animal and their farts in the bookletLAURENCE KING has been capturing imaginations and inspiring creativity in new and un

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A quirky collection of true stories from the weird and wonderful world of Shakespearean theatre, featuring distinguished actors falling off stages, fluffed lines, performances in the dark, and why you must never, ever say the name of that Scottish play, especially if you are Peter O'Toole. A fascinating playbill of stories from the weird and wonderful world of Shakespearean theatre through the centuries, including distinguished actors falling off stages, fluffed lines, performances in the dark, and why you must never, ever say the name of that Scottish play, especially if you are Peter O'Toole. Discover a wealth of Shakespearean shenanigans over the years, including the terrible behaviour of the groundlings at Shakespeare's Globe, how the 'rude mechanicals' in A Midsummer Night's Dream got recast as a bunch of ladies from the WI, and how Dame Maggie Smith got even with Sir Laurence Olivier. Published to coincide with the 400th anniversary of Shakespeare’s death, this treasury of curious tales is a must-read for all Shakespeare lovers and theatre fans. Word count: 45,000

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Within the pages of Allie Esiri's gorgeous poetry collection, A Poem for Every Autumn Day you will find verse that will transport you to vibrant autumnal scenes, from harvest festival to Remembrance Day.The poems are selected from Allie Esiri’s bestselling poetry anthologies A Poem for Every Day of the Year and A Poem for Every Night of the Year.Perfect for reading aloud and sharing with all the family, this book dazzles with an array of familiar favourites and remarkable new discoveries. These seasonal poems – together with introductory paragraphs – have a link to the date on which they appear.Includes poems by Robert Louis Stevenson, John Betjeman, Amy Lowell, Paul Laurence Dunbar, William Shakespeare and Christina Rossetti who sit alongside Seamus Heaney, John Agard, Simon Armitage, Patience Agbabi and Imtiaz Dharker.This soul-enhancing book will keep you company for every day of Autumn. Enjoy more seasonal poetry collections with A Poem for Every Summer Day and A Poem for Every Winter Day.

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Now a major Netflix film starring Charlize Theron, Kerry Washington, Laurence Fishburne, Michelle Yeoh, Sofia Wylie, Sophie Anne Caruso, Jamie Flatters, Earl Cave, Kit Young, and many more! The first in the New York Times bestselling School for Good and Evil series. A dark and enchanting fantasy adventure perfect for those who prefer their fairy tales with a twist. Two best friends have been chosen to be students at the fabled School for Good and Evil, where ordinary boys and girls are trained to be fairy-tale heroes and villains. One will train for Good, one will become Evil’s new hope. Each thinks they know where they belong, but when they are swept into the Endless Woods, they’re switched into the opposite schools. Together they’ll discover who they really are and what they are capable of. . . because the only way out of a fairy tale is to live through it. Features cover artwork from Netflix’s The School for Good and Evil film and includes Soman Chainani’s exclusive on-set movie diary!

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Charming, erudite, and the very personification of the English gentleman, Dennis Price was without doubt also one of the most promising and talented newcomers to the world of theatre and film in the late 1930s, and he arguably reached his screen best in the classic Ealing comedy 'Kind Hearts and Coronets'. Huge praise was lavished upon him and he was compared alongside theatrical contemporaries Laurence Olivier, John Gielgud and Ralph Richardson as being destined for great things. Scene-stealing performances followed over the next few decades in such differing films as 'The Dancing Years', 'The Intruder', 'Private's Progress', 'The Naked Truth', 'Tunes of Glory', 'Tamahine' and 'Theatre of Blood', to name but a few. Though whilst his career was blossoming his private life was going through turmoil when, after one of his several affairs was discovered by his wife, he faced the shame of divorce, separation from his two children and when coupled with significant tax bills, it all proved too much and the actor attempted suicide. Eventually bouncing back, he reinvented himself as a character actor and appeared in scores of notable films—and was often the best thing in them!

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"A poignant tale about guilt, blame and love in a time of tragedy" Stylist It is an early spring evening in 1943 when the air-raid sirens wail out over the East End of London. From every corner of Bethnal Green, people emerge from pubs, cinemas and houses and set off for the shelter of the tube station. But at the entrance steps, something goes badly wrong, the crowd panics, and 173 people are crushed to death. When an enquiry is called for, it falls to the local magistrate, Laurence Dunne, to find out what happened during those few, fatally confused minutes. But as Dunne gathers testimony from the guilt-stricken warden of the shelter, the priest struggling to bring comfort to his congregation, and the grieving mother who has lost her youngest daughter, the picture grows ever murkier. The more questions Dunne asks, the more difficult it becomes to disentangle truth from rumour, and to decide just how much truth the damaged community can actually bear. It is only decades later, when the case is reopened by one of the children who survived, that the facts can finally be brought to light...

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The original impulse for groups to separate from society and establish communities of their own was religious. Though the religious side of this drive toward separation remains strong, the last two centuries have seen the appearance of secular communities with a socialist or anarchist orientation. In The Communal Experience, nominated for a National Book Award in 1973, Laurence Veysey explores the close resemblances between the secular and religious forms of cultural radicalism through intensive observation of four little-known communities. Veysey compares the history of secular communities such as the early Ferrer Colony and Modern School, of Shelton, New Jersey, with contemporary anarchist communities in New York, Vermont, and New Mexico. Religious communes—"Communities of Discipline"—such as the Vedanta monasteries of the early twentieth century are compared with contemporary mystical communities in New Mexico. Distinctions between the anarchist and the mystical groups are most obvious from their approach to communal life. As Veysey shows, anarchist communities are loose, unstructured, voluntaristic; the mystics establish more rigid life-styles, focus on spiritual leaders, and hold community a secondary goal to self-realization. In a new preface written for this Phoenix Edition, he describes his return to a New Mexican mystical community and the changes that have occurred in the six years since his last visit.

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Michael Elphick was a young electrician working at the Chichester Theatre when he was discovered by Laurence Olivier, who arranged for him to join the Central School of Drama. It was here where he met Bruce Robinson, who would later cast him in one of the most popular British films of all time – Withnail and I. Elphick’s illustrious career also included major supporting roles in films such as Quadrophenia, The Elephant Man, Gorky Park and Dennis Potter’s Blue Remembered Hills. On television, there was Private Schultz and Boon, which gave his acolyte and friend, Neil Morrissey, his first starring role. One of his characters’ owned houses in Coronation Street whilst another wooed Peggy Mitchell in Eastenders. However, Elphick’s private life was every bit as varied as his acting career. Racked by alcoholism and devastated by the early death of his partner, Julia, Elphick died at the age of 55. And yet, his friends and family will always remember his hugely humorous personality, and everyone he met was left with a ‘Mike Elphick story’...

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This original, field-changing collection explores the plasticity and unfinishedness of human subjects and lifeworlds, advancing the conceptual terrain of an anthropology of becoming. People's becomings trouble and exceed ways of knowing and acting, producing new possibilities for research, methodology, and writing. The contributors creatively bridge ethnography and critical theory in a range of worlds on the edge, from war and its aftermath, economic transformation, racial inequality, and gun violence to religiosity, therapeutic markets, animal rights activism, and abrupt environmental change. Defying totalizing analytical schemes, these visionary essays articulate a human science of the uncertain and unknown and restore a sense of movement and possibility to ethics and political practice. Unfinished invites readers to consider the array of affects, ideas, forces, and objects that shape contemporary modes of existence and future horizons, opening new channels for critical thought and creative expression. Contributors. Lucas Bessire, João Biehl, Naisargi N. Dave, Elizabeth A. Davis, Michael M. J. Fischer, Angela Garcia, Peter Locke, Adriana Petryna, Bridget Purcell, Laurence Ralph, Lilia M. Schwarcz

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The comic companion to the BBC sitcom GHOSTS, perfect for all the family. Everybody leaves a trace. The ghosts of Button House may have been dead a long time - some of them a very long time - but they have all left their mark on the world (even if, in Robin’s case, that mark is just a handprint on the wall of a cave). Gathered together in this volume is a treasure trove of unearthed cuttings, original records and rare artefacts that explore the unseen lives of those who died at Button House: from Thomas's love letters to Pat's ‘Summer Camp Rap’, and from Julian's campaign promises to Lady Button's Rules of Etiquette. There are even documents dictated to the one person who can see and hear the ghosts: Alison Cooper. Written by the show’s creators – Mathew Baynton, Simon Farnaby, Martha Howe-Douglas, Jim Howick, Laurence Rickard and Ben Willbond – this eclectic archive is a unique chance to discover more about the beloved ghosts of Button House. Thank be to Moonah! A book for all the family, it is as warm-spirited and deliriously daft as the series itself. GHOSTS: The Button House Archives ranked #5 in Sunday Times bestseller chart week ending 29/10/2023

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Each card in the infinite maze is its own unique world: find the characters who have got lost from each world and help them journey their way through the maze back home! Climb ladders, avoid obstacles and pick up items on your way as you race to complete the Infinite Maze: there are endless ways to play, but there is only ever one correct solution.INFINITE POSSIBILITIES: The 20 maze cards can be put together in any order, in over two trillion different combinations, but there is only ever one correct solution!MULTIPLE WAYS TO PLAY: use the cards to tell stories, compete against one another or build one long, continuous maze stretching up to 170cm (67in) wide.AWARD-WINNING ILLUSTRATION selected for a Silver Sword at the KTR Awards.DRY-ERASE PEN INCLUDED so you can play time and time again.LAURENCE KING has been capturing imaginations and inspiring creativity in new and unexpected ways for over 30 years, with playful and eye-catching games, gifts and books.

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King of Pop Art Andy Warhol is one of the greatest artists of all time. Rarely venturing into public without his camera and tape recorder, Warhol was a great observer and documentarist of the American social scene.Somewhere within the iconic images, carefully-made personae, star-studded milieu, million-dollar price tags and famous quotes lies the real Andy Warhol. But who was he?With Andy Warhol,Robert Shore unfolds the multi-dimensional Warhol, dissecting his existence as undisputed art-world hotshot, recreating the amazing circle that surrounded him, and tracing his path to stardom back through his early career and his awkward and unusual youth. After Warhol, nothing would be the same - he changed art forever. Find out how with his remarkable story.'Lives of the Artists' is a new series of brief artists biographies from Laurence King Publishing. The series takes as its inspiration Giorgio Vasari's five-hundred-year-old masterwork, updating it with modern takes on the lives of key artists past and present. Focusing on the life of the artist rather than examining their work, each book also includes key images illustrating the artist's life.

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From the dagger mistress Ezili Je Wouj and the gender-bending mermaid Lasiren to the beautiful femme queen Ezili Freda, the Ezili pantheon of Vodoun spirits represents the divine forces of love, sexuality, prosperity, pleasure, maternity, creativity, and fertility. And just as Ezili appears in different guises and characters, so too does Omise’eke Natasha Tinsley in her voice- and genre-shifting, exploratory book Ezili's Mirrors. Drawing on her background as a literary critic as well as her quest to learn the lessons of her spiritual ancestors, Tinsley theorizes black Atlantic sexuality by tracing how contemporary queer Caribbean and African American writers and performers evoke Ezili. Tinsley shows how Ezili is manifest in the work and personal lives of singers Whitney Houston and Azealia Banks, novelists Nalo Hopkinson and Ana Lara, performers MilDred Gerestant and Sharon Bridgforth, and filmmakers Anne Lescot and Laurence Magloire—none of whom identify as Vodou practitioners. In so doing, Tinsley offers a model of queer black feminist theory that creates new possibilities for decolonizing queer studies.

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From the dagger mistress Ezili Je Wouj and the gender-bending mermaid Lasiren to the beautiful femme queen Ezili Freda, the Ezili pantheon of Vodoun spirits represents the divine forces of love, sexuality, prosperity, pleasure, maternity, creativity, and fertility. And just as Ezili appears in different guises and characters, so too does Omise’eke Natasha Tinsley in her voice- and genre-shifting, exploratory book Ezili's Mirrors. Drawing on her background as a literary critic as well as her quest to learn the lessons of her spiritual ancestors, Tinsley theorizes black Atlantic sexuality by tracing how contemporary queer Caribbean and African American writers and performers evoke Ezili. Tinsley shows how Ezili is manifest in the work and personal lives of singers Whitney Houston and Azealia Banks, novelists Nalo Hopkinson and Ana Lara, performers MilDred Gerestant and Sharon Bridgforth, and filmmakers Anne Lescot and Laurence Magloire—none of whom identify as Vodou practitioners. In so doing, Tinsley offers a model of queer black feminist theory that creates new possibilities for decolonizing queer studies.

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Number One Poultry, London EC2R 8EJ, was a commission awarded by Peter Palumbo to James Stirling, Michael Wilford and Associates in May 1985. Designed from July 1985 onwards, it was completed in 1998. In 2016 it was listed grade II* and it is currently the youngest ever listed building in England. This book records the conversations between One Poultry and those involved with it over its controversial lifetime: Peter Palumbo, developer and patron; Michael Wilford, Stirling’s lifetime working partner; Laurence Bain, Number One Poultry project architect; Peter Rees, the City of London Planning Officer at the time; and Charles Jencks, architectural historian and theoretician of Post-Modernism. The book includes original, unpublished sketches and drawings of the building from conception to realisation, documentation that explains the value of its architecture and a selection of letters sent by distinguished individuals to the City of London Planning Office to protest against threatened, heavy alterations that anticipated the listing. One Poultry Speaks, devised and edited by Marco Iuliano, is a collaboration between the University of Liverpool, whence James Stirling graduated in 1950, and the Royal Institute of British Architects, which awarded him its Royal Gold Medal in 1980.

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This original, field-changing collection explores the plasticity and unfinishedness of human subjects and lifeworlds, advancing the conceptual terrain of an anthropology of becoming. People's becomings trouble and exceed ways of knowing and acting, producing new possibilities for research, methodology, and writing. The contributors creatively bridge ethnography and critical theory in a range of worlds on the edge, from war and its aftermath, economic transformation, racial inequality, and gun violence to religiosity, therapeutic markets, animal rights activism, and abrupt environmental change. Defying totalizing analytical schemes, these visionary essays articulate a human science of the uncertain and unknown and restore a sense of movement and possibility to ethics and political practice. Unfinished invites readers to consider the array of affects, ideas, forces, and objects that shape contemporary modes of existence and future horizons, opening new channels for critical thought and creative expression. Contributors. Lucas Bessire, João Biehl, Naisargi N. Dave, Elizabeth A. Davis, Michael M. J. Fischer, Angela Garcia, Peter Locke, Adriana Petryna, Bridget Purcell, Laurence Ralph, Lilia M. Schwarcz

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Fame can be deadly.Out of the wreckage of environmental collapse, the country of Delicatum emerged. Its most popular celebrities are the Famoux, uniquely beautiful stars of a reality TV show called the Fishbowl. In a world still recovering from catastrophe, they provide a 24/7 distraction.Sixteen-year-old Emilee Laurence is obsessed with the Famoux - they provide a refuge from her troubled home life and the bullies at school. When she receives an unimaginable offer to become a member herself, she takes it. Leaving behind everything she's ever known, Emilee enters a world of high glamour and even higher stakes.Because behind their perfect image lies an ugly truth - an anonymous stalker has been dictating the Famoux's every move, and being popular really is a matter of life or death.If the item details above aren't accurate or complete, we want to know about it. Report incorrect product info.A thrilling dystopian take on fame and celebrity culture, perfect for fans of Suzanne Collins' A Ballad of Songbirds and Snakes.

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The second in the Lyonesse trilogy, following Tristan, Isolde, and Mark further into the forbidden as they wrestle with their love for each other and the growing secrets that surround them.He thinks I''ll destroy him. It''s hard to love someone you know is actually a knife pressed against your throat.I should know.Isolde Laurence is an uncommon bride.She''s been raised to do as her father told her, put elegance and duty above all elsebut unbeknownst to him, her loyalty has shifted. Now she''s in service to the Church, one of the elite spies who work for her uncle, a cardinal. Her latest assignment from the Church? Marry Mark Trevena, the owner of a notorious club in DC where the rich and powerful come to play, and seduce him.But what was supposed to be a simple lie has become far more complicated: Isolde has fallen for Mark''s handsome and emotionally wounded bodyguard, Tristan. Even worseshe''s falling for her future husband hi

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A study of the journalistic and academic reception of the writings of one of the great American writers of the late twentieth century. When John Updike died in 2009, tributes from the literary establishment were immediate and fulsome. However, no one reading reviews of Updike's work in the late 1960s would have predicted that kind of praise for a man who was known then as a brilliant stylist who had nothing to say. What changed? Why? And what is likely to be his legacy? These are the questions that Becoming John Updike pursues by examining the journalistic and academic response tohis writings. Several things about Updike's career make a reception study appropriate. First, he was prolific: he began publishing fiction and essays in 1956, published his first book in 1958, and from then on, brought out atleast one new book each year. Second, his books were reviewed widely - usually in major American newspapers and magazines, and often in foreign ones as well. Third, Updike quickly became a darling of academics; the first book about his work was published in 1967, less than a decade after his own first book. More than three dozen books and hundreds of articles of academic criticism have been devoted to Updike. The present volume will appeal to the continuing interest in Updike's writing among academics and general readers alike. Laurence W. Mazzeno is President Emeritus of Alvernia University. Among other books, he has written volumes on Austen, Dickens, Tennyson,and Matthew Arnold for Camden House's Literary Criticism in Perspective series.

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Native Americans are disproportionately represented as offenders in the U.S. criminal justice system. Routledge Handbook on Native American Justice Issues is an authoritative volume that provides an overview of the state of American Indigenous populations and their contact with justice concerns and the criminal justice system. The volume covers the history and origins of Indian Country in America; continuing controversies regarding treaties; unique issues surrounding tribal law enforcement; the operation of tribal courts and corrections, including the influence of Indigenous restorative justice practices; the impact of native religions and customs; youth justice issues, including educational practices and gaps; women’s justice issues; and special circumstances surrounding healthcare for Indians, including the role substance abuse plays in contributing to criminal justice problems.Bringing together contributions from leading scholars – many of them Native Americans – that explore key issues fundamental to understanding the relationships between Native peoples and contemporary criminal justice, editor Laurence Armand French draws on more than 40 years of experience with Native American individuals and groups to provide contextual material that incorporates criminology, sociology, anthropology, cultural psychology, and history to give readers a true picture of the wrongs perpetrated against Native Americans and their effects on the current operation of Native American justice. This compilation analyzes the nature of justice for Native Americans, including unique and emerging problems, theoretical issues, and policy implications. It is a valuable resource for all scholars with an interest in Native American culture and in the analysis and rectification of the criminal justice system’s disparate impact on people of color.

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In this illuminating social history of medicine and charity in Ireland over almost 150 years from 1718 until just after the Great Famine, Laurence M. Geary shows how illness and poverty reacted upon each other. The poverty resulting from great population growth that continued until the arrival of potato blight in 1845 had a severe effect on the health of the country's population, and the Famine itself caused around one million deaths from starvation and disease. This was a period of great change in medical and charitable services. In the eighteenth century the sick had come to be regarded as the deserving poor, therefore having a better claim to public assistance than those whose poverty was the result of their own dissipation, idleness or vice. A network of charities evolved in Ireland to provide free medical aid to the sick poor. The first voluntary hospital in Dublin opened in 1718 and Geary traces the establishment and development of voluntary hospitals and county infirmaries throughout the country. These had a strong Anglican ethos and bias, but after Catholic emancipation in 1829 the nepotism, sectarianism and divisive politics that were rife in these organisations came under increasing scrutiny. Medical practitioners saw considerable progress in the development of a regulated profession. Geary describes developments in policy making and legislation, culminating in the 1851 Medical Charities Act, which he describes as part of a process that characterised the century and more under review in this book: the unrelenting pressure on philanthropy and private medical charity and the inexorable shift from voluntarism to an embryonic system of state medicine.

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The Opéra has been reinvented — at least to some extent. After eight successful editions with alternating art direction, the editor, Matthias Straub has entrusted the design legend Mirko Borsche (ZEIT magazine, SZ magazine, and many more) with the creative re-launch of the ninth edition. This refreshing new approach to the pictures and typography will bring The Opéra into its next decade. The proven structure and the artistic gaze in the selection of photographers and pictures are also central in Volume IX: The Opéra embodies contemporary nude photography and stands for an unconditional commitment to art and the body. Artists: Shiori Akiba, Kimbra Audrey, Jim de Block, Martina Borsche, Eva Bukareva, Arthur Cadre, Indira Cesarine, Barron Claiborne, Stephane Coutelle, Francois Delebecque, Emmet Green, Samy Husson, David PD Hyde, Arnoldas Kubilius, Anna Lazareva, Joanne Leah, Maud Levavasseur, Lin Zhipeng, Julia Luzina, Mia Macfarlane & Julien Crouigneau, Gerhard Merzeder, Stefan Milev, Veronique Pecheux, Laurence Philomene, Christina Rollny, Maya Ruska, Ryuta Sakurai, Caroline Senecal, Joanna Szproch, Slava Thisset, Sean Patrick Watters, Leafy Yeh, Ziqian Liu

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A vigorous reappraisal of American literature inspired by the First World War.American World War I literature has long been interpreted as an alienated outcry against modern warfare and government propaganda. This prevailing reading ignores the US army’s unprecedented attempt during World War I to assign men—except, notoriously, African Americans—to positions and ranks based on merit. And it misses the fact that the culture granted masculinity only to combatants, while the noncombatant majority of doughboys experienced a different alienation: that of shame.Drawing on military archives, current research by social-military historians, and his own readings of thirteen major writers, Keith Gandal seeks to put American literature written after the Great War in its proper context—as a response to the shocks of war and meritocracy. The supposedly antiwar texts of noncombatant Lost Generation authors Dos Passos, Hemingway, Fitzgerald, Cummings, and Faulkner addressed—often in coded ways—the noncombatant failure to measure up. Gandal also examines combat-soldier writers William March, Thomas Boyd, Laurence Stallings, and Hervey Allen. Their works are considered straight-forward antiwar narratives, but they are in addition shaped by experiences of meritocratic recognition, especially meaningful for socially disadvantaged men. Gandal furthermore contextualizes the sole World War I novel by an African American veteran, Victor Daly, revealing a complex experience of both army discrimination and empowerment among the French. Finally, Gandal explores three women writers—Katherine Anne Porter, Willa Cather, and Ellen La Motte—who saw the war create frontline opportunities for women while allowing them to be arbiters of masculinity at home. Ultimately, War Isn’t the Only Hell shows how American World War I literature registered the profound ways in which new military practices and a foreign war unsettled traditional American hierarchies of class, ethnicity, gender, and even race.

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Anecdotes of Enlightenment is the first literary history of the anecdote in English. In this wide-ranging account, James Robert Wood explores the animating effects anecdotes had on intellectual and literary cultures over the long eighteenth century. Drawing on extensive archival research and emphasizing the anecdote as a way of thinking, he shows that an intimate relationship developed between the anecdote and the Enlightenment concept of human nature. Anecdotes drew attention to odd phenomena on the peripheries of human life and human history. Enlightenment writers developed new and often contentious ideas of human nature through their efforts to explain these anomalies. They challenged each other's ideas by reinterpreting each other's anecdotes and by telling new anecdotes in turn.Anecdotes of Enlightenment features careful readings of the philosophy of John Locke and David Hume; the periodical essays of Joseph Addison, Richard Steele, and Eliza Haywood; the travel narratives of Joseph Banks, James Cook, and James Boswell; the poetry of Samuel Taylor Coleridge and William Wordsworth; and Laurence Sterne's Tristram Shandy. Written in an engaging style and spotlighting the eccentric aspects of Enlightenment thought, this fascinating book will appeal to historians, philosophers, and literary critics interested in the intellectual culture of the long eighteenth century.

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THE SCHOOL FOR GOOD AND EVIL is now a major motion picture from Netflix, starring Academy Award winner Charlize Theron, Kerry Washington, Laurence Fishburne, Michelle Yeoh, Cate Blanchett, and many more! A dark and enchanting fantasy adventure for those who prefer fairytales with a twist… The first in the bestselling series. Every four years, two girls are kidnapped from the village of Gavaldon. Legend has it these lost children are sent to the School for Good and Evil, the fabled institution where they become fairytale heroes or villains. With her glass slippers and devotion to good deeds, Sophie knows she'll join the ranks of past students like Cinderella, Rapunzel, and Snow White at the School for Good. Meanwhile, Agatha, with her shapeless black dresses and wicked black cat, seems a natural fit for the villains in the School for Evil. But the two girls soon find their fortunes reversed – Sophie's dumped in the School for Evil to take Uglification, Death Curses and Henchmen Training, while Agatha finds herself in the School for Good, thrust among handsome princes and fair maidens for classes in Princess Etiquette and Animal Communication. But what if the mistake is actually the first clue to discovering who Sophie and Agatha really are?

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The end of the Cold War, the "third wave" of democratization, and economic globalization have presented the newly industrialized countries of East Asia and the liberal democracies of Latin America with increasingly similar international opportunities and constraints. During the 1980s, Latin America made great strides in democratization, while East Asia led the world in economic growth. Are the two regions now converging toward a model that combines economic and political liberalization? Many developments in both regions indicate that this is a serious possibility. Although significant countertrends do exist, there is now increased scope for mutual support and encouragement among aspiring democratic forces both within and between these two regions. This book examines these interrelated issues, paying special attention to the effects of the East Asian financial crisis of 1997-98 and its subsequent impact on Latin America. Contributors: Ananya Basu, World Bank; Francis Fukuyama, School of Advanced International Studies, Johns Hopkins University.; Stephan Haggard, University of California-San Diego; Elizabeth M. King, World Bank; Sanjay Marwah, George Mason University; Sylvia Maxfield, Harvard University; Eduardo Silva, University of Missouri-St. Louis and University of Miami; Gordon Redding, University of Hong Kong; Tun-jen Cheng, College of William and Mary; Yun-han Chu, National Taiwan University; Laurence Whitehead, Oxford University.

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In the summer of 1845, Frederick Douglass, the young runaway slave catapulted to fame by his incendiary autobiography, Narrative of the Life of Frederick Douglass, an American Slave, arrived in Liverpool for the start of a near-two-year tour of Britain and Ireland he always called one of the most transformative periods of his life. Laurence Fenton draws on a wide array of sources from both sides of the Atlantic and combines a unique insight into the early years of one of the great figures of the nineteenth-century world with rich profiles of the enormous personalities at the heart of the transatlantic anti-slavery movement. This vivid portrait of life in Victorian Britain is the first to fully explore the ‘liberating sojourn’ that ended with Douglass gaining his freedom – paid for by British supporters – before returning to America as a celebrity and icon of international standing. It also follows his later life, through the American Civil War and afterwards. Douglass has been described as ‘the most influential African American of the nineteenth century’. He spoke and wrote on behalf of a variety of reform causes: women’s rights, temperance, peace, land reform, free public education and the abolition of capital punishment. But he devoted most of his time, immense talent and boundless energy to ending slavery. On April 14, 1876, Douglass would deliver the keynote speech at the unveiling of the Emancipation Memorial in Washington’s Lincoln Park.

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A collection of essays that perceive Updike's America through the eyes of Western and Eastern European readers and scholars, contributing to Updike scholarship while demonstrating his resonance across the Atlantic. From the publication in 1958 of his first book, The Carpentered Hen and Other Tame Creatures, the American writer John Updike attracted an international readership. His books have been translated into twenty-three languages. He had a strong following in the United Kingdom, where his books were routinely reviewed in all the leading national newspapers. In Germany, France, Italy, and other countries too, his books were discussed in major publications. Although Updike died in 2009, interest in his writing remains strong among European scholars. They are active in the John Updike Society and on the John Updike Review (which began publishing in 2011). During the past four decades, several Europeans have influenced the study of Updike worldwide. No recent volume, however, collects diverse European views on his oeuvre. The current book fills that void, presenting essays that perceive Updike's renditions of America through the eyes of scholar-readers from both Western and Eastern Europe. Contributors: Kasia Boddy, Teresa Botelho, Biljana Dojcinovic, Brian Duffy, Karin Ikas, Ulla Kriebernegg, Sylvie Mathé, Judie Newman, Sue Norton, Andrew Tate, Aristi Trendel, Eva-Sabine Zehelein. Laurence W. Mazzeno is President Emeritus of Alvernia University. Sue Norton is a Lecturer in English at the Dublin Institute of Technology.

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Within subunits of a democratic federation, lasting political practices that restrict choice, limit debate, and exclude or distort democratic participation have been analyzed in recent scholarship as subnational authoritarianism. Once a critical number of citizens or regions band together in these practices, they can leverage illiberal efforts at the federal level. This timely, data-driven book compares federations that underwent transitions in the first, second, and third waves of democratization and offers a substantial expansion of the concept of subnational authoritarianism. The eleven expert political scientists featured in this text examine the nature and scope of subnational democratic variations within six large federations, including the United States, India, Mexico, Brazil, Argentina, and Russia. Illiberal Practices makes the case that subnational units are more likely to operate by means of illiberal structures and practices than as fully authoritarian regimes. Detailed case studies examine uneven levels of citizenship in each federal system. These are distributed unequally across the different regions of the country and display semi-democratic or hybrid characteristics. Appropriate for scholars and students of democratization, authoritarianism, federalism, decentralization, and comparative politics, Illiberal Practices sheds light on the uneven extension of democracy within countries that have already democratized. Contributors: Jacqueline Behrend, Andre Borges, Julian Durazo Herrmann, Carlos Gervasoni, Edward L. Gibson, Desmond King, Inga A.-L. Saikkonen, Celina Souza, Maya Tudor, Laurence Whitehead, Adam Ziegfeld

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Glory and Exile: Haida History Robes of Jut-ke-Nay Hazel Wilson marks the first time this monumental cycle of ceremonial robes by the Haida artist Jut-Ke-Nay (The One People Speak Of)—also known as Hazel Anna Wilson—is viewable in its entirety. On 51 large blankets, Wilson uses painted and appliquéd imagery to combine traditional stories, autobiography, and commentary on events such as smallpox epidemics and environmental destruction into a grand narrative that celebrates the resistance and survival of the Haida people, while challenging the colonial histories of the Northwest Coast.Of the countless robes Wilson created over fifty-plus years, she is perhaps best known for The Story of K’iid K’iyaas, a series about the revered tree made famous by John Vaillant’s 2005 book The Golden Spruce. But her largest and most important work is the untitled series of blankets featured here. Wilson always saw these works as public art, to be widely seen and, importantly, understood. In addition to essays by Robert Kardosh and Robin Laurence, the volume features texts about each robe by Wilson herself; her words amplify the power of her striking imagery by offering historical and personal context for the people, characters, and places that live within her colossal work. Glory and Exile, which also features personal recollections by Wilson’s daughter Kūn Jaad Dana Simeon, her brother Allan Wilson, and Haida curator and artist Nika Collison, is a fitting tribute to the breathtaking achievements of an artist whose vision will help Haida knowledge persist for many generations to come.

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In recent decades, religious fundamentalism has played an increasingly significant role in Western and Middle Eastern politics and culture. In this volume, an international group of scholars from fields such as religious studies, sociology, political science, history, and anthropology explore diverse dimensions of religious fundamentalism and relate it to a range of cultural and political issues. Although the focus is on fundamentalism in its Jewish guise, the methodological and comparative emphases make it valuable to specialists in a variety of fields. Among the issues examined are: the characteristics that link fundamentalist movements within various religious traditions; the study of fundamentalist motifs as they appear specifically in Judaism, Christianity, and Islam (and whether or not this is a useful approach); the relationship between religion and modernity; the impact of fundamentalism on the Arab-Israeli conflict; and the interaction of modern Jewish fundamentalist movements with traditional Judaism. The book also provides important insights into the emergence of religious fundamentalism as a powerful social and political force in Jewish life, particularly in Israel. Contributing to the volume are: Gerald Cromer (Bar-Ilan Univ.), Menachem Friedman (Bar-Ilan Univ.), Susan Harding (Univ. of California, Santa Cruz), James Davison Hunter (Univ. of Virginia), Aaron Kirschenbaum (Tel Aviv University), Hava Larazus-Yafeh (Hebrew Univ. of Jerusalem), Ian Lustick (Univ. of Pennsylvania), Alan Mittleman (Muhlenberg College), James Piscatori (Univ. College of Wales), Elie Rekhess (Tel Aviv Univ.), Laurence J. Silberstein (Lehigh Univ.), and Ehud Sprinzak (Hebrew Univ. of Jerusalem).

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Women's Writing in Twenty-First Century France is the first book-length publication on women-authored literature of this period, and comprises a collection of challenging critical essays that engage with the themes, trends and issues, and with the writers and their texts, of the first decade of the twenty-first century. PART ONE: Women’s Writing in Twenty-First-Century France: Trends and Issues 1. Women’s writing in twenty-first-century France: introduction, Amaleena Damlé and Gill Rye 2. What ‘passes’?: French women writers and translation into English, Lynn Penrod 3. What women read: contemporary women’s writing and the bestseller, Diana Holmes PART TWO: Society, Culture, Family 4. Vichy, Jews, enfants cachés: French women writers look back, Lucille Cairns 5. Wives and daughters in literary works representing the harkis, Susan Ireland 6. (Not) seeing things: Marie NDiaye, (negative) hallucination and ‘blank’ métissage, Andrew Asibong 7. Rediscovering the absent father, a question of recognition: Despentes, Tardieu, Lori Saint-Martin 8. Babykillers: Véronique Olmi and Laurence Tardieu on motherhood, Natalie Edwards PART THREE: Body, Life, Text 9. The becoming of anorexia and text in Amélie Nothomb’s Robert des noms propres and Delphine de Vigan’s Jours sans faim, Amaleena Damlé 10. The human-animal in Ananda Devi’s texts: towards an ethics of hybridity?, Ashwiny O. Kistnareddy 11. Embodiment, environment and the re-invention of self in Nina Bouraoui’s life-writing, Helen Vassallo 12. Irreverent revelations: women’s confessional practices of the extreme contemporary, Barbara Havercroft 13. Contamination anxiety in Annie Ernaux’s twenty-first-century texts, Simon Kemp PART FOUR: Experiments, Interfaces, Aesthetics 14. Experience and experiment in the work of Marie Darrieussecq, Helena Chadderton 15. Interfaces: verbal/visual experiment in new women’s writing in French, Shirley Jordan 16. ‘Autofiction + x = ?’: Chloé Delaume’s experimental self-representations, Deborah B. Gaensbauer 17. Beyond Antoinette Fouque (Il y a deux sexes) and beyond Virginie Despentes (King Kong théorie)? Anne Garréta’s sphinxes, Owen Heathcote 18. Amélie the aesthete: art and politics in the world of Amélie Nothomb, Anna Kemp 19. Conclusion, Amaleena Damlé and Gill Rye

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Rave reviews for INTEGER AND COMBINATORIAL OPTIMIZATION "This book provides an excellent introduction and survey of traditional fields of combinatorial optimization . . . It is indeed one of the best and most complete texts on combinatorial optimization . . . available. [And] with more than 700 entries, [it] has quite an exhaustive reference list."-Optima "A unifying approach to optimization problems is to formulate them like linear programming problems, while restricting some or all of the variables to the integers. This book is an encyclopedic resource for such formulations, as well as for understanding the structure of and solving the resulting integer programming problems."-Computing Reviews "[This book] can serve as a basis for various graduate courses on discrete optimization as well as a reference book for researchers and practitioners."-Mathematical Reviews "This comprehensive and wide-ranging book will undoubtedly become a standard reference book for all those in the field of combinatorial optimization."-Bulletin of the London Mathematical Society "This text should be required reading for anybody who intends to do research in this area or even just to keep abreast of developments."-Times Higher Education Supplement, London Also of interest . . . INTEGER PROGRAMMING Laurence A. Wolsey Comprehensive and self-contained, this intermediate-level guide to integer programming provides readers with clear, up-to-date explanations on why some problems are difficult to solve, how techniques can be reformulated to give better results, and how mixed integer programming systems can be used more effectively. 1998 (0-471-28366-5) 260 pp.

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A series which is a model of its kind EDMUND KING, HISTORY This latest collection reflects the full range and vitality of the current work on the Anglo-Norman period. It opens with the R. Allen Brown Memorial Lecture for 2009, a wide-ranging reflection by the distinguished French historian Dominique Barthélemy on the Peace of God and the role of bishops in the long eleventh century. Economic history is prominent in papers on the urban transformation in England between 900 and 1100, on the roots of the royal forestin England, and on trade links between England and Lower Normandy. A close study of the Surrey manor of Mortlake brings in topography, another aspect of which appears in an article on the representation of outdoor space by Normanand Anglo-Norman chroniclers. Social history is treated in papers dealing with the upbringing of the children of the Angevin counts and with the developing ideas of knighthood and chivalry in the works of Dudo of Saint-Quentin and Benoît of Sainte-Maure. Finally, political ideas are examined through careful reading of texts in papers on writing the rebellion of Earl Waltheof in the twelfth century and on the use of royal titles and prayers for the king inAnglo-Norman charters. Contributors: Dominique Barthélemy, Kathryn Dutton, Leonie Hicks, Richard Holt, Joanna Huntington, Laurence Jean-Marie, Dolly Jorgensen, Max Lieberman, Stephen Marritt, Pamela Taylor

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Encuadernación: Rústica.Colección: Impedimenta; 77.La fundación de una librería parisina única, llamada La Buena Novela, desata pasiones, celos y hasta intentos de asesinato. Ivan Van Georg, antiguo vendedor de cómics, y la estilosa y seductora Francesca Aldo-Valbelli se juntan para llevar a cabo el sueño de sus vidas: montar una librería que solo venda obras maestras, seleccionadas por un comité secreto de ocho respetables escritores que se esconden bajo seudónimo. Cuando la librería abre, inmediatamente empieza a cosechar un éxito arrollador. Quiénes son esos elitistas y cómo osan decirles a los lectores lo que han de leer? La blogosfera hierve, Internet crepita. Decenas de competidores nacen de la noche a la mañana, clamando por los ideales seudoigualitarios. Ivan y Francesca, estoicamente, intentan aguantar el chaparrón hasta que, de repente, tres de los miembros de su comité secreto son víctimas de accidentes que a punto están de costarles la vida.Laurence Cossé plantea

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These adorable Aussie animals are missing their mums and dads! Remember where they're hiding and reunite them to win this fun family matching game.Once you've put together all the pairs, learn about all the fascinating creatures you've collected in the accompanying booklet written by Chris Humfrey from Wild Action Zoo, Melbourne.MATCH IT: A fun, simple game of matching pairs. In the format of a classic memory game, this unique memory game will have you reuniting these adorable Aussie animals with their mums and dads.BEAUTIFULLY DESIGNED: Discover 50 beautifully illustrated cardsEASY TO PLAY: Easy to understand instructions make it possible to start playing with all the family right awayEDUCATIONAL TOO: Includes a full colour booklet with text from Chris Humfrey from Wild Action Zoo, MelbourneGIFTS: The perfect gift for animal lovers or anyone looking for a beautiful family gameOther matching games from Laurence King Publishing include: You Callin' Me a Cheetah?, Who Did This Poo?, Pick a Flower, Match These Bones, Match a Mummy, Match a Leaf, Dogs & Puppies, Cats & Kittens, Do You Look Like Your Dog?, Do You Look Like Your Cat?

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New research throws light on the history of the viol after Purcell, including its revival in the late eighteenth century through Charles Frederick Abel. It is normally thought that the bass viol or viola da gamba dropped out of British musical life in the 1690s, and that Henry Purcell was the last composer to write for it. Peter Holman shows how the gamba changed its role and function in the Restoration period under the influence of foreign music and musicians; how it was played and composed for by the circle of immigrant musicians around Handel; how it was part of the fashion for exotic instruments in themiddle of the century; and how the presence in London of its greatest eighteenth-century exponent, Charles Frederick Abel, sparked off a revival in the 1760s and 70s. Later chapters investigate the gamba's role as an emblem of sensibility among aristocrats, artists and intellectuals, including the Countess of Pembroke, Sir Edward Walpole, Ann Ford, Laurence Sterne, Thomas Gainsborough and Benjamin Franklin, and trace Abel's influence and legacy farinto the nineteenth century. A concluding chapter is concerned with its role in the developing early music movement, culminating with Arnold Dolmetsch's first London concerts with old instruments in 1890. PETER HOLMAN is Professor Emeritus of Historical Musicology at Leeds University, and director of The Parley of Instruments, the choir Psalmody, and the Suffolk Villages Festival.

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New research throws light on the history of the viol after Purcell, including its revival in the late eighteenth century through Charles Frederick Abel. It is normally thought that the bass viol or viola da gamba dropped out of British musical life in the 1690s, and that Henry Purcell was the last composer to write for it. Peter Holman shows how the gamba changed its role and function in the Restoration period under the influence of foreign music and musicians; how it was played and composed for by the circle of immigrant musicians around Handel; how it was part of the fashion for exotic instruments in themiddle of the century; and how the presence in London of its greatest eighteenth-century exponent, Charles Frederick Abel, sparked off a revival in the 1760s and 70s. Later chapters investigate the gamba's role as an emblem of sensibility among aristocrats, artists, and intellectuals, including the Countess of Pembroke, Sir Edward Walpole, Ann Ford, Laurence Sterne, Thomas Gainsborough and Benjamin Franklin, and trace Abel's influence and legacy far into the nineteenth century. A concluding chapter is concerned with its role in the developing early music movement, culminating with Arnold Dolmetsch's first London concerts with old instruments in 1890. PETER HOLMAN is Professor of Historical Musicology at Leeds University, and director of The Parley of Instruments, the choir Psalmody, and the Suffolk Villages Festival.

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This new, expanded and thoroughly updated third edition of Suffolk (Slow Travel), part of Bradt's award-winning series of Slow travel guides to UK regions, remains the only full-blown standalone guide to this gentle but beguiling county. Expert local author Laurence Mitchell helps visitors discover what makes Suffolk tick, combining personal insights, enjoyable anecdotes and up-to-date information on the best places to visit, stay and eat. Covering both popular sights and places beyond the usual tourist trail, he caters for walkers, cyclists, families, foodies, culture vultures and wildlife lovers alike. Helped by its proximity to London and Cambridge, Suffolk is a popular holiday destination. Events such as the Latitude festival and the Aldeburgh Music Festival at Britten's Snape Maltings keep the county's profile buoyant. Despite being comparatively low-lying, Suffolk boasts varied landscapes, from undulating farmland and sandy heaths to extensive forests, important nature reserves (including Minsmere, for three years the base of BBC Springwatch) and soft, dreamy coastal landscapes comprising river estuaries, remote marshes, reed-beds, shingle beaches (notably Shingle Street, with its myth of World War II invasions) and dunes. Suffolk's coastal towns and villages - Southwold with its old-fashioned pier and colourful beach huts, but also Aldeburgh, Orford, Walberswick and Dunwich - are steeped in art heritage, with links to artists including Maggi Hambling, John Piper, Philip Wilson Steer and Charles Rennie Mackintosh. Venturing inland, you can make for Constable Country and the Stour valley, Bury St Edmunds, Framlingham, Bungay, Beccles or Halesworth. Alternatively, you can visit some of Suffolk's wealth of medieval churches, learn of Rendlesham's UFOs or revere Suffolk's Anglo-Saxon heritage, notably the medieval ceremonial burial site at Sutton Hoo (whose discovery stars in the 2021 film The Dig) and the reconstructed Anglo-Saxon village at West Stow. This guide makes a virtue of being selective, pointing readers to the cream of the area. It is organised into locales to encourage 'stay put' tourism and thorough exploration. It suggests options for car-free travel: walking, cycling, river boats, buses and trains. Written in an entertaining yet authoritative style, Bradt's Suffolk (Slow Travel) is the ideal companion with which to discover this county.

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The Moravians, or Bohemian Brethren, early Protestants who settled in Pennsylvania and North Carolina in the eighteenth century, brought a musical repertoire that included hymns, sacred vocal works accompanied by chamber orchestra, and instrumental music by the best-known European composers of the day. Moravian composers -- mostly pastors and teachers trained in the styles and genres of the Haydn-Mozart era -- crafted thousands of compositions for worship,and copied and collected thousands of instrumental works for recreation and instruction. The book's chapters examine sacred and secular works, both for instruments -- including piano solo -- and for voices. The Musicof the Moravian Church demonstrates the varied roles that music played in one of America's most distinctive ethno-cultural populations, and presents many distinctive pieces that performers and audiences continue to find rewarding. Contributors: Alice M. Caldwell, C. Daniel Crews, Lou Carol Fix, Pauline M. Fox, Albert H. Frank, Nola Reed Knouse, Laurence Libin, Paul M. Peucker, and Jewel A. Smith. Nola Reed Knouse, director of theMoravian Music Foundation since 1994, is active as a flautist, composer, and arranger. She is the editor of The Collected Wind Music of David Moritz Michael.

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Pictures and Progress explores how, during the nineteenth century and the early twentieth, prominent African American intellectuals and activists understood photography's power to shape perceptions about race and employed the new medium in their quest for social and political justice. They sought both to counter widely circulating racist imagery and to use self-representation as a means of empowerment. In this collection of essays, scholars from various disciplines consider figures including Frederick Douglass, Sojourner Truth, Ida B. Wells, Paul Laurence Dunbar, and W. E. B. Du Bois as important and innovative theorists and practitioners of photography. In addition, brief interpretive essays, or "snapshots," highlight and analyze the work of four early African American photographers. Featuring more than seventy images, Pictures and Progress brings to light the wide-ranging practices of early African American photography, as well as the effects of photography on racialized thinking.Contributors. Michael A. Chaney, Cheryl Finley, P. Gabrielle Foreman, Ginger Hill, Leigh Raiford, Augusta Rohrbach, Ray Sapirstein, Suzanne N. Schneider, Shawn Michelle Smith, Laura Wexler, Maurice O. Wallace

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The literature on women enslaved around the world has grown rapidly in the last ten years, evidencing strong interest in the subject across a range of academic disciplines. Until Women and Slavery, no single collection has focused on female slaves who—as these two volumes reveal—probably constituted the considerable majority of those enslaved in Africa, Asia, and Europe over several millennia and who accounted for a greater proportion of the enslaved in the Americas than is customarily acknowledged. Women enslaved in the Americas came to bear highly gendered reputations among whites—as “scheming Jezebels,” ample and devoted “mammies,” or suffering victims of white male brutality and sexual abuse—that revealed more about the psychology of enslaving than about the courage and creativity of the women enslaved. These strong images of modern New World slavery contrast with the equally expressive virtual invisibility of the women enslaved in the Old—concealed in harems, represented to meddling colonial rulers as “wives” and “nieces,” taken into African families and kin-groups in subtlely nuanced fashion. Volume 2 Contributors Henrice Altink Laurence Brown Myriam Cottias Laura F. Edwards Richard Follett Tara Inniss Barbara Krauthamer Joseph C. Miller Bernard Moitt Kenneth Morgan Claire Robertson Marsha Robinson Felipe Smith Mariza de Carvalho Soares

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