Search results for ""author laurence"

Renowned contributors use the late work of this crucial figure to open new speculations on "materiality." A "material event," in one of Paul de Man’s definitions, is a piece of writing that enters history to make something happen. This interpretation hovers over the publication of this volume, a timely reconsideration of de Man’s late work in its complex literary, critical, cultural, philosophical, political, and historical dimensions.A distinguished group of scholars responds to the problematic of "materialism" as posed in Paul de Man’s posthumous final book, Aesthetic Ideology. These contributors, at the forefront of critical theory, productive thinking, and writing in the humanities, explore the question of "material events" to illuminate not just de Man’s work but their own. Prominent among the authors here is Jacques Derrida, whose extended essay “Typewriter Ribbon: Limited Inc (2)” returns to a celebrated episode in Rousseau’s Confessions that was discussed by de Man in Allegories of Reading. The importance of de Man’s late work is related to a broad range of subjects and categories and-in Derrida’s provocative reading of de Man’s concept of "materiality"-the politico-autobiographical texts of de Man himself. This collection is essential reading for all those interested in the present state of literary and cultural theory. Contributors: Judith Butler, UC Berkeley; T. J. Clark, UC Berkeley; Jacques Derrida, École des Hautes Études en Sciences Sociales and UC Irvine; Barbara Johnson, Harvard U; Ernesto Laclau, U of Essex; Arkady Plotnitsky, Purdue U; Laurence A. Rickels, UC Santa Barbara; and Michael Sprinker.

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This Norton Critical Edition of The Conjure Stories arranges the tales chronologically by composition date, allowing readers to discern how Chesnutt experimented with plots and characters and with the idea of the conjure story over time. With one exception, the text of each tale is that of the original publication. (The text of “The Dumb Witness” was established from two typescripts held at the archives of Fisk University.) The stories are accompanied by a thorough and thought-provoking introduction, detailed explanatory annotations, and illustrative materials. “Contexts” presents a wealth of materials chosen by the editors to enrich the reader’s understanding of these canonical stories, including a map of the landscape of the conjure tales, Chesnutt’s journal entry as he began writing fiction of the South, as well as writings by Chesnutt, William Wells Brown, and Paul Laurence Dunbar, among others, on the stories’ central motifs—folklore, superstition, voodoo, race, and social identity in the South following the Civil War. “Criticism” is divided into two parts. “Early Criticism” collects critical notices for The Conjure Woman that suggest the volume’s initial reception, assessments by William Dean Howells and Benjamin Brawley, and a biographical excerpt by the author’s daughter, Helen Chesnutt. “Modern Criticism” demonstrates rich and enduring interest in The Conjure Stories with ten important essays by Robert Hemenway, William L. Andrews, Robert B. Stepto, John Edgar Wideman, Werner Sollors, Houston A. Baker, Eric J. Sundquist, Richard H. Brodhead, Candace J. Waid, and Glenda Carpio. A Chronology of Chesnutt’s life and work and a Selected Bibliography are also included.

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Contemporary China is seen as a place of widespread commodification and consumerism, while the preceeding Maoist Cultural Revolution is typically understood as a time when goods were scarce and the state criticized what little consumption was possible. Indeed, with the exception of the likeness and words of Mao Zedong, both the media and material culture of the Cultural Revolution are often characterized as a void out of which the postsocialist world of commodity consumption miraculously sprang fully formed. In Newborn Socialist Things, Laurence Coderre explores the material culture of the Cultural Revolution to show how it paved the way for commodification in contemporary China. Examining objects ranging from retail counters and porcelain statuettes to textbooks and vanity mirrors, she shows how the project of building socialism in China has always been intimately bound up with consumption. By focusing on these objects—or “newborn socialist things”—along with the Cultural Revolution’s media environment, discourses of materiality, and political economy, Coderre reconfigures understandings of the origins of present-day China.

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Policymakers and public managers around the world have become preoccupied with the question of how their goals can be achieved in a way that rebuilds public confidence in government. Yet because public policies and programs increasingly are being administered through a complicated web of jurisdictions, agencies, and public-private partnerships, evaluating their effectiveness is more difficult than in the past. Though social scientists possess insightful theories and powerful methods for conducting empirical research on governance and public management, their work is too often fragmented and irrelevant to the specific tasks faced by legislators, administrators, and managers. Proposing a framework for research based on the premise that any particular governance arrangement is embedded in a wider social, fiscal, and political context, Laurence E. Lynn, Jr., Carolyn J. Heinrich, and Carolyn J. Hill argue that theory-based empirical research, when well conceived and executed, can be a primary source of fundamental, durable knowledge about governance and policy management. Focusing on complex human services such as public assistance, child protection, and public education, they construct an integrative, multilevel "logic of governance," that can help researchers increase the sophistication, power, and relevance of their work.

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A comprehensive analysis of the ways in which the black American experience has been depicted in film adaptations of popular literature. The cinematic representation of blacks, especially in silent and early film, was shaped not only by the sentimental racism of the culture but also by the popular literature that distorted black experience and restricted black characters to minor, stereotyped roles. By contrast, in the works of black writers from Oscar Micheaux to Toni Morrison, the black experience has been more fully, more accurately, and usually more sympathetically realized; and from the early days of film, select filmmakers have looked to that literature as the basis for their productions. This revised and expanded historical examination of the practice of such adaptation offers telling insights into the portrayal -- and progress -- of blacks in American movies and culture. This volume reveals that while blacks, on screen and behind the scenes, were often forced to re-create demeaning film stereotypes, they learned how to subvert and exploit the artificiality of their caricatures. It also reveals the ways that black filmmakers, beginning with Micheaux, Noble and George Johnson, and their less prominent colleagues like Emmett Scott, worked within the conventions of cinema and society yet managed to produce films that were, at their best, unconventional and pioneering. Lupack demonstrates that as far back as the 1920s and 1930s, black authors like Paul Laurence Dunbar and Langston Hughes already recognized the need for involvement with film production in order to create pictures that were more representative of black life. The book illustrates the fact that, in recent years, as more black voices found their way to the screen, among the strongest were the voices of women. And above all, it confirms that within the rich tradition of black literature of all genres lie many exciting cinematic possibilities for audiences of all colors. Barbara Tepa Lupack has written extensively on the topic of literary adaptations in cinema and is coauthor (with Alan Lupack) of Illustrating Camelot and King Arthur in America.

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This volume joins the pragmatic philosophy of Deleuze to current affairs. The twelve new essays in this volume use a contemporary context to think through and with Deleuze. Engaging the here and now, the contributors use the Deleuzian theoretical apparatus to think about issues such as military activity in the Middle East, refugees, terrorism, information and communication, and the State. The book is aimed both at specialists of Deleuze and those who are unfamiliar with his work but who are interested in current affairs. Incorporating political theory and philosophy, culture studies, sociology, international studies, and Middle Eastern studies, the book is designed to appeal to a wide audience. Contributors include: Rosi Braidotti, Claire Colebrook, Verena Conley, Eugene Holland, John Marks, Paul Patton, Patricia Pisters, Laurence J. Silberstein, Kenneth Surin and Nicholas Thoburn. Deleuze and the Contemporary World represents - a fresh perspective on current affairs - a transdisciplinary response to the contemporary world - a book that puts the concepts of Deleuze to work

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Why do humans get angry with objects? Why is it that a malfunctioning computer, a broken tool, or a fallen glass causes an outbreak of fury? How is it possible to speak of an inanimate object’s recalcitrance, obstinacy, or even malice? When things assume a will of their own and seem to act out against human desires and wishes rather than disappear into automatic, unconscious functionality, the breakdown is experienced not as something neutral but affectively—as rage or as outbursts of laughter. Such emotions are always psychosocial: public, rhetorically performed, and therefore irreducible to a “private” feeling. By investigating the minutest details of life among dysfunctional household items through the discourses of philosophy and science, as well as in literary works by Laurence Sterne, Jean Paul, Friedrich Theodor Vischer, and Heimito von Doderer, Kreienbrock reconsiders the modern bourgeois poetics that render things the way we know and suffer them.

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Lady Danbury is hosting a sparkling soirée to begin the year's social season, and you're invited to piece together all the splendour, suitors and scandal. All the ton's most notable names are in attendance: spot the Bridgerton family, the Duke and Duchess, the Sharmas, the Featheringtons and more as you complete this beautifully detailed jigsaw puzzle inspired by Shondaland's hit series Bridgerton on Netflix.1000-PIECE PUZZLE: Piece together the world of Bridgerton in this official jigsaw puzzle published in collaboration with Shondaland and Netflix. The perfect challenge for fans of the show - or anyone who loves a good jigsawCAST OF CHARACTERS from the first two series: relive the highlights of the show as you build the puzzleINCLUDES A PULL-OUT POSTER featuring a scandal sheet from Lady WhistledownBESTSELLING SERIES: The World of... jigsaw puzzles from Laurence King are a fun wa

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A 1000-PIECE PUZZLE inspired by the life and works of the Brontë family. The perfect challenge for book lovers - or anyone who loves a good jigsaw.ALL YOUR FAVOURITE CHARACTERS can be found hidden in this detailed puzzle, as well as some real-life historical figures who played a part in their lives.INCLUDES A PULL-OUT POSTER identifying all the characters and telling their talesTHE WORLD OF... JIGSAWS are a fun way of celebrating the lives and works of creative greats. Also available in the series: The World of Frida Kahlo, The World of Shakespeare, The World of Jane AustenSCREEN-FREE FUN from one of the world''s leading publishers of books and gifts on the creative arts. Laurence King Publishing works with some of the world''s best illustrators, designers, artists, and photographers to create beautifully produced books and gifts which are acclaimed for their inventiveness, beautiful design and a

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Peter Bowles invites us backstage to witness the job of acting as it really is. This is a warm-hearted look at the lived experience of a jobbing actor – and a survival guide to anyone thinking of entering this most emotionally gruelling of industries. Behind the Curtain is the inside scoop on ‘the profession’as told by a master raconteur – one who has trodden the boards in the West End for five decades. Armed with an array of classic anecdotes, Bowles shares some of the infamous ad-libs, opening night disasters and dressingroom dramas that he has been party to over the years. Full of sage advice about the pitfalls of celebrity and thefluctuating fortunes of an actor – and his own journey fromTV stardom to the labour exchange and back again. With tales of some biggest personalities in the historyof showbiz such as Michael Gambon, Noel Coward,Rex Harrison, Laurence Olivier & John Gielgud, this is a book that captures the acting professionin all its eccentric glory.

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As heiress to the Trevennor fortune, hiding her identity is her best chance for survival… Isabel Hampton is the only survivor of a horrific carriage accident that happens on her way to the bedside of her ailing wealthy uncle, Sir Laurence Trevennor. Being heiress to a vast fortune puts Isabel mortal danger from her cousins, the Kempthornes, who will stop at nothing to claim the Trevennor riches for themselves. For protection, Isabel is placed in the care of Nick Nancarrow: a broad-shouldered, gruff young man who is tasked with concealing her whereabouts and identity. Isabel must give up her ladylike ways if she is to survive incognito until the Kempthornes’ crimes can be proven. Away from all she knows, she slowly begins to discover that there is more to Nick than meets the eye, and that there is beauty in even the simplest of lives. An epic tale of romance and intrigue in 18th Century Cornwall, perfect for fans of Dilly Court and Val Wood.

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A compact collection of 100 supremely jolly poems to cheer you up wherever you are. We can all benefit from a portable little nugget of happiness to soothe our weary souls in moments of stress, sadness and hardship.100 Happy Poems gives you exactly that: 100 specially selected and sublimely happy poems to turn to in times of need, from cosy fireside idylls to exhilaratingoutdoor adventures, encounters with the beauty of nature, interactions with our fellow humans, and moments of quiet reflection. This little bit of happiness is always on hand, and it includesuplifting words from some of the greatest poets ever to put pen to paper, from Emily Brontë wandering on the moors and Paul Laurence Dunbar welcoming his beloved to Katherine Mansfield reliving a childhood moment, Wendy Cope sharing an orange, and Algernon Charles Swinburne chatting to his cat. Quirkily and colourfully designed, this wonderful book is the perfect way to lift your spirits in t

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THE SCHOOL FOR GOOD AND EVIL is now a major motion picture from Netflix, starring Academy Award winner Charlize Theron, Kerry Washington, Laurence Fishburne, Michelle Yeoh, Cate Blanchett, and many more! A beautiful Collector’s Edition of the first in the bestselling School for Good and Evil series – perfect for gifting! Best friends Sophie and Agatha have been chosen to be students at the fabled School for Good and Evil, where ordinary boys and girls are trained to become fairy-tale heroes and villains. One will train for Good, taking classes in Princess Etiquette and Animal Communication. One will become Evil’s new hope: learning Uglification and Death Curses. Sophie and Agatha think they know where they belong, but when they are swept into the Endless Woods, they’re switched into the opposite schools. Together they’ll discover who they really are and what they are capable of. Because the only way out of a fairy tale . . . is to live through it.

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1000-PIECE PUZZLE: for hours of puzzling fun with friends or friendly strangers.FOR FANS OF WES ANDERSON: features photographs inspired by the director''s unique style with photographs from the Accidentally Wes Anderson locations spotted all around the world.FOLD-OUT POSTER: includes a double-sided poster, one side displaying the gallery wall and the other side featuring a map with fun facts about the locations featured in the puzzle.UNIQUE AND COLLECTIBLE GIFT: for avid travellers, aspiring adventurers and Wes Anderson aficionados.LAURENCE KING PUBLISHING has been capturing imaginations and inspiring creativity in new and unexpected ways for over 30 years, with playful and eye-catching games, gifts and books.Congratulations! You''ve found the missing piece for your curious coffee-table collection. Piece together a gallery wall featuring thirty of the world''s most aesthetic locations, travelling from contine

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THE SCHOOL FOR GOOD AND EVIL is now a major motion picture from Netflix, starring Academy Award winner Charlize Theron, Kerry Washington, Laurence Fishburne, Michelle Yeoh, Cate Blanchett, and many more! It’s all happy ever after at the School for Good and Evil… or is it? The second title in the bestselling series. After saving themselves and their fellow students from a life pitched against one another, Sophie and Agatha are back home again, living out their Happily Ever After. But life isn't quite the fairytale they expected… Witches and princesses reside at the School for Girls, where they've been inspired to live a life without princes, while Tedros and the boys are camping in Evil's old towers. A war is brewing between the schools, but can Agatha and Sophie restore the peace? Can Sophie stay good with Tedros on the hunt? And whose heart does Agatha's belong to – her best friend or her prince?

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Essays on teaching comedy in literature, writing, theater, and cultural studies courses.From Shakespeare to The Simpsons, comedy has long provided both entertainment and social commentary. It may critique cultural values, undermine authority, satirize sacred beliefs, and make room for the marginalized to approach the center. Comedy can be challenging to teach, but in the classroom it can help students connect with one another, develop critical thinking skills, and engage with important issues.The essays in this volume address a rich variety of texts spanning film, television, stand-up, cartoons, and memes as well as conventional literary works from different places and times. Contributors offer theoretical foundations and practical methods for a broad range of courses, including guidance on contextualizing the humor of historical works and navigating the ways that comedy can both subvert and reinforce stereotypes. Finally, the volume argues for the value of comedy in difficult times, as a way to create community and meaning.This volume contains discussion of fiction, poetry, plays, and essays by Maya Angelou, Jane Austen, Aphra Behn, Hugh Henry Brackenridge, Frances Burney, Charles W. Chesnutt, Roddy Doyle, Maria Edgeworth, Ben Jonson, Anita Loos, Emtithal Mahmoud, Thomas Middleton, Okot p'Bitek, William Shakespeare, Laurence Sterne, Jonathan Swift, Alma Villanueva, Paula Vogel, Oscar Wilde, John Wilmot, and William Wycherley; TV shows and films including Crazy Ex-Girlfriend, The Gold Rush, Life Is Beautiful, The Marvelous Mrs. Maisel, The Office, Office Space, Rick and Morty, and South Park; works and stand-up performances by Aziz Ansari, Samantha Bee, Dave Chappelle, Louis C.K., Tina Fey, Moms Mabley, Hasan Minhaj, Eddie Murphy, Trevor Noah, Richard Pryor, Issa Rae, and Wanda Sykes; and visual works and other media including Aaron McGruder's The Boondocks, Bill Watterson's Calvin and Hobbes, Nick Sousanis's Unflattening, Marvel's Hawkeye, The Onion, YouTube videos, advertisements, and memes.

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The trajectory of Friedrich Nietzsche’s thought has long presented a difficulty for the study of his philosophy. How did the young Nietzsche—classicist and ardent advocate of Wagner’s cultural renewal—become the philosopher of Will to Power and the Eternal Return? With this book, Laurence Lampert answers that question. He does so through his trademark technique of close readings of key works in Nietzsche’s journey to philosophy: The Birth of Tragedy, Schopenhauer as Educator, Richard Wagner in Bayreuth, Human All Too Human, and “Sanctus Januarius,” the final book of the 1882 Gay Science. Relying partly on how Nietzsche himself characterized his books in his many autobiographical guides to the trajectory of his thought, Lampert sets each in the context of Nietzsche’s writings as a whole, and looks at how they individually treat the question of what a philosopher is. Indispensable to his conclusions are the workbooks in which Nietzsche first recorded his advances, especially the 1881 workbook which shows him gradually gaining insights into the two foundations of his mature thinking. The result is the most complete picture we’ve had yet of the philosopher’s development, one that gives us a Promethean Nietzsche, gaining knowledge even as he was expanding his thought to create new worlds.

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Dutch artist Aernout Mik’s moving-image installations meld filmmaking, sculpture and architecture into experiences that are at once compelling, unsettling, peculiar and plausible. The artist designs and constructs architectural spaces that hold his moving images, making the viewer’s physical relationship to his work a critical component of the overall experience. By interrogating the most basic ideas of narrative and reality and rejecting classical cinematic ideals, Mik creates works that are rich in allusion but subversive of codes. Published to accompany the artist’s first US retrospective, this volume is a vivid exploration of Mik’s work and process. Laurence Kardish, MoMA’s Senior Curator in the Department of Film, discusses the unique, creative aspects of Mik’s installations that extend the traditional boundaries of media, while Michael Taussig, professor of anthropology at Columbia University, investigates how the artist’s work changes the way we see reality while reinforcing the norms of visual culture. Abundantly illustrated with stills and the artist’s own drawings of works in the exhibition, Aernout Mik features detailed descriptions of the installations, an exhibition history and a bibliography, making it the most comprehensive volume about Mik and his work available in English.

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"Gartel has so superbly captured...the essence of erotic desire. In an age of sex being turned into merely a forbidden behavior and a troublesome medical condition, Gartel has rallied and preserved sexual teasing, seduction, and allure into its rightful pleasurable position by his commendable artistic photographic journaling. In my thirty years as a Sexologist, it is nice to see sex education, preservation, and permission for sexual expression and fun so alive in his work." —Dr. Gil Eriksen, Director of Research at the Institute for Reality Studies Renowned digital media artist Laurence M. Gartel records the world of Fetish in his own inimitable style. As an artist he brings his own creative input and adds his twist to the storyline, becoming a participant through the creative process of working with the imagery. This book is loaded with Gartel's provocative art, including 103 set pieces plus many of the posters and other graphic art for which Gartel has received such acclaim. This work will entertain and confront, as all great art will do. And in the end the reader will be left to ponder the creative mind that brought these images into being. An aesthetic and erotic adventure awaits.

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Co-Winner, Margaret Laurence Award for FictionPatricia Robertson’s new collection of short fiction, Hour of the Crab, is a work of insight and mastery, each story demonstrating an original vision, intriguing characters, and sophisticated skill. Readers will travel with Robertson’s vivid characters, sharing their journeys, their challenges, their complicated choices. They will also discover other worlds — from an eleventh-century monastery in France to a near-future British Columbia where apocalyptic wildfires seem to be never-ending. A young woman discovers the corpse of a Moroccan teenager washed up on the beach in southern Spain and sets out to find his family in a gesture that destabilizes her own. An international aid worker shares her house with the very real ghost of a gardener’s boy. The last speaker of a dying Norse-like language carves the words he remembers into the stones of his house. Urgent and evocative, immersed in issues of our time, the stories of Hour of the Crab reveal Robertson’s ability to draw in her readers with the heightened realism of her imagined worlds.

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Cinematic Shakespeare takes the reader inside the making of a number of significant adaptations to illustrate how cinema transforms and re-imagines the dramatic form and style central to Shakespeare's imagination. Cinematic Shakespeare investigates how Shakespeare films constitute an exciting and ever-changing film genre. The challenges of adopting Shakespeare to cinema are like few other film genres. Anderegg looks closely at films by Laurence Olivier (Richard III), Orson Welles (Macbeth), and Kenneth Branagh (Hamlet) as well as topics like 'Postmodern Shakespeares' (Julie Taymor's Titus and Peter Greenaway's Prospero's Books) and multiple adaptations over the years of Romeo and Juliet. A chapter on television looks closely at American broadcasting in the 1950s (the Hallmark Hall of Fame Shakespeare adaptations) and the BBC/Time-Life Shakespeare Plays from the late 70s and early 80s.

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Hollywood superstar; Oscar-winning director; greatest stage actor of the twentieth century. His era abounded in greats - Gielgud, Richardson, Guinness, Burton, O'Toole - but none could challenge Laurence Olivier's range and power. By the 1940s he had achieved international stardom. His affair with Vivien Leigh led to a marriage as glamorous and as tragic as any in Hollywood history. He was as accomplished a director as he was a leading man: his three Shakespearian adaptations are among the most memorable ever filmed. Off-stage, Olivier was the most extravagant of characters: generous, yet almost insanely jealous of those few contemporaries whom he deemed to be his rivals; charming but with a ferocious temper. With access to more than fifty hours of candid, unpublished interviews, Philip Ziegler ensures that Olivier's true character - at its most undisguised - shines through as never before.

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Nigeria, England, America, Jamaica; are you proud of where you're from? Dark skinned, light skinned, afro, weaves, who are your true brothers and sisters? When two brothers from different continents go down the street to buy a pint of milk, they lift the lid on a disunited nation where everyone wants to be an individual but no one wants to stand out from the crowd. A debut work produced at the Royal Court's Young Writers Festival, Gone Too Far! is a comic and astute play about identity, history and culture, portraying a world where respect is always demanded but rarely freely given. Gone Too Far! premiered at the Royal Court Theatre in 2007 where it was awarded the Laurence Olivier Award for Outstanding Achievement in an Affiliate Theatre, 2008. It is published here in an abridged form as part of Methuen Drama's Plays For Young People series.

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THE SCHOOL FOR GOOD AND EVIL is now a major motion picture from Netflix, starring Academy Award winner Charlize Theron, Kerry Washington, Laurence Fishburne, Michelle Yeoh, Cate Blanchett, and many more! In this fifth instalment, Sophie, Agatha, and their friends must overthrow the evil that seeks to rewrite their story. A traitor has seized Camelot’s throne, sentencing Tedros, the true king, to death. Tedros’s queen, Agatha, narrowly escapes, but their friend Sophie is trapped. She is forced to play a dangerous game as her wedding to the false king fast approaches, and all the while her friends’ lives hang in the balance. Now Agatha and the other students at the School for Good and Evil must find a way to restore Tedros to his rightful place on the throne and save Camelot – before all of their fairy tales come to a lethal end, and the future of the Endless Woods is rewritten forever…

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THE SCHOOL FOR GOOD AND EVIL is now a major motion picture from Netflix, starring Academy Award winner Charlize Theron, Kerry Washington, Laurence Fishburne, Michelle Yeoh, Cate Blanchett, and many more! With every end comes a new beginning… Join your favourite students in the fourth book in this bestselling series. Before they can graduate, the students of the School for Good and Evil must complete their fourth-year Quests for Glory. The stakes are high: success brings eternal adoration, and failure means obscurity forever. For their quests, Agatha and Tedros are trying to return Camelot to its former splendour as queen and king. For her quest, Sophie seeks to mould Evil in her own image as Dean. But they soon grow isolated and alone, and all of the students' quests seem to plunge into chaos. Amidst obstacles both dangerous and unpredictable, who will rise and lead the charge to save them . . . ?

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Plato's dialogues show Socrates at different ages, beginning when he was about nineteen and already deeply immersed in philosophy and ending with his execution five decades later. By presenting his model philosopher across a fifty-year span of his life, Plato leads his readers to wonder: does that time period correspond to the development of Socrates' thought? In this magisterial investigation of the evolution of Socrates' philosophy, Laurence Lampert answers in the affirmative. The chronological route that Plato maps for us, Lampert argues, reveals the enduring record of philosophy as it gradually took the form that came to dominate the life of the mind in the West. The reader accompanies Socrates as he breaks with the century-old tradition of philosophy, turns to his own path, gradually enters into a deeper understanding of nature and human nature, and discovers a successful way to transmit his wisdom to the wider world. Focusing on the final and most prominent step in that process and offering detailed textual analysis of Plato's "Protagoras", "Charmides", and "Republic", "How Philosophy Became Socratic" charts Socrates' gradual discovery of a proper politics to shelter and advance philosophy.

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Plato's dialogues show Socrates at different ages, beginning when he was about nineteen and already deeply immersed in philosophy and ending with his execution five decades later. By presenting this model philosopher across a fifty-year span of his life, Plato leads his readers to wonder: Does that time period correspond to the development of Socrates' thought? In this magisterial investigation of the evolution of Socrates' philosophy, Laurence Lampert answers in the affirmative. The chronological route that Plato maps for us, Lampert argues, reveals the enduring record of philosophy as it gradually took the form that came to dominate the life of the mind in the West. The reader accompanies Socrates as he breaks with the century-old tradition of philosophy, turns to his own path, gradually enters into a deeper understanding of nature and human nature, and discovers the successful way to transmit his wisdom to the wider world. Focusing on the final and most prominent step in that process and offering detailed textual analysis of Plato's "Protagoras, Charmides, and Republic", "How Philosophy Became Socratic" charts Socrates' gradual discovery of a proper politics to shelter and advance philosophy.

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With an introduction by Dr. Laurence Marlow. A spectre is haunting Europe (and the world). Not, in the twenty-first century, the spectre of communism, but the spectre of capitalism. Marx's prediction that the state would wither away of its own accord has proved inaccurate, and he did not foresee the tyrannies which have ruled large parts of the globe in his name. Indeed, he would have been appalled if he had witnessed them. But his analysis of the evils and dangers of raw capitalism is as correct now as when it was written, and some of his suggestions (progressive income tax, abolition of child labour, free education for all children) are now accepted with little question. In a world where capitalism is no longer held in check by fear of a communist alternative, The Communist Manifesto (with Socialism Utopian and Scientific, Engels's brief and clear exposition of Marxist thought) is essential reading. The Condition of the Working Class in England in 1844 is Engels's first, and probably best-known, book. With Henry Mayhew's London Labour and the London Poor, it was and is the outstanding study of the working class in Victorian England.

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Actors fascinate us in part because they live out the truths we cannot - or do not - want to live out ourselves. In his latest book, acclaimed photographer Howard Schatz develops upon his well-received monthly feature for Vanity Fair,"In Character." Schatz' mastery of his craft is demonstrated as he himself acts, taking on the role of a director and giving his subjects detailed situations to explore, which are listed with the resulting image.The actors featured here - including John Malkovich, Pierce Brosnan, Michael Douglas, Colin Firth, Laurence Fishburne, Whoopi Goldberg, Michael C. Hall, Hugh Laurie, Amy Poehler, and Geoffrey Rush, among other illustrious greats - demonstrate their skill for improvisation while Schatz captures the complexity of their emotional and physical range. This inventive collection is a richly entertaining revelation of the fantasy of transformation. Schatz does not simply create characters from these actors - he helps to reveal their humanity.

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A bitter feud between the Montagues and the Capulets keeps the city of Verona, Italy, in a state of constant unrest. Despite the enmity, Romeo Montague and Juliet Capulet fall passionately in love. Enlisting the help of Friar Laurence, the young lovers wed in secret, hoping that their marriage will finally unite the two families. But things go terribly, tragically wrong. One of Shakespeare’s most widely performed plays, Romeo and Juliet has been adapted for every conceivable format. Yet no adaptation — film, television, radio, or opera — can match the richness of the original. This inspired graphic novel version depicts every scene of the play in full-color illustrations, accompanied by every word of the original text. Authentic yet easy to follow, this exciting adaptation is ideal for purists, students, and readers who appreciate Shakespeare’s matchless verse. Also available are a Plain Text version, translated into modern U.S. English, and a Quick Text version, with less dialogue for a fast-paced read.

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The third wave of democratization produced a wealth of enduring social science. Beginning in the 1970s, it prompted scholars to develop important theories on authoritarian breakdowns and transitions to democracy. No one in the field was more influential than Guillermo O'Donnell (1936-2011), whose pathbreaking work shaped the scholarship of generations of social scientists. Reflections on Uneven Democracies honors the legacy of O'Donnell's research by advancing debates related to his work on democracy. Drawing together a veritable Who's Who of eminent scholars - including two of O'Donnell's closest collaborators, Philippe Schmitter and Laurence Whitehead - the volume examines issues related to democratic breakdowns and stability, the nature and quality of new democracies, institutional strength, the rule of law, and delegative democracy. This reexamination of some of the most influential arguments about democracy of the past forty years leads to original approaches and insights for a new era of democracy studies. Students of democracy and institutional performance, both Latin Americanists and comparativists more generally, will find this essential reading.

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From the author of Masters and Commanders, Andrew Roberts' The Storm of War: A New History of the Second World War has been hailed as the finest single-volume account of this epic conflict. The Second World War lasted for 2,174 days and claimed the lives of over 50 million people. Why did it take the course that it did? Why did the Axis lose? And could they, with a different strategy, have won? Ranging from the Western front to North Africa, from the Baltic to the Far East, he brings the story of the war - and those who fought it - into focus as never before. 'One of the greatest historians of our time ... His masterpiece' Oliver Marre, Observer 'An undoubted triumph. This, simply, is the best one-volume history of the Second World War currently available' Laurence Rees 'Magnificent ... Stylish penmanship, gritty research and lucid reasoning, coupled with poignant and haunting detours into private lives ruined and shortened' Economist 'Moving, thought-provoking, enlightening' Roger Moorhouse, Independent 'An exceptional accomplishment ... the definitive single-volume history of the war ... Essential' Peter Watts, Time Out 'In what might be his best book yet, Roberts gives us the war as seen from the other side of the hill - the German Reich' Nigel Jones, Sunday Telegraph Andrew Roberts's Masters and Commanders was one of the most acclaimed, bestselling history books of 2008. His previous books include Salisbury: Victorian Titan (1999), which won the Wolfson History Prize and the James Stern Silver Pen Award for Non-Fiction, Hitler and Churchill: Secrets of Leadership (2003), which coincided with four-part BBC2 history series.

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The third wave of democratization produced a wealth of enduring social science. Beginning in the 1970s, it prompted scholars to develop important theories on authoritarian breakdowns and transitions to democracy. No one in the field was more influential than Guillermo O'Donnell (1936-2011), whose pathbreaking work shaped the scholarship of generations of social scientists. Reflections on Uneven Democracies honors the legacy of O'Donnell's research by advancing debates related to his work on democracy. Drawing together a veritable Who's Who of eminent scholars - including two of O'Donnell's closest collaborators, Philippe Schmitter and Laurence Whitehead - the volume examines issues related to democratic breakdowns and stability, the nature and quality of new democracies, institutional strength, the rule of law, and delegative democracy. This reexamination of some of the most influential arguments about democracy of the past forty years leads to original approaches and insights for a new era of democracy studies. Students of democracy and institutional performance, both Latin Americanists and comparativists more generally, will find this essential reading.

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The trajectory of Friedrich Nietzsche's thought has long presented a difficulty for the study of his philosophy. How did the young Nietzsche classicist and ardent advocate of Wagner's cultural renewal become the philosopher of Will to Power and the Eternal Return? With this book, Laurence Lampert answers that question. He does so through his trademark technique of close readings of key works in Nietzsche's journey to philosophy: The Birth of Tragedy, Schopenhauer as Educator, Richard Wagner in Bayreuth, Human All Too Human, and "Sanctus Januarius," the final book of the 1882 Gay Science. Relying partly on how Nietzsche himself characterized his books in his many autobiographical guides to the trajectory of his thought, Lampert sets each in the context of Nietzsche's writings as a whole, and looks at how they individually treat the question of what a philosopher is. Indispensable to his conclusions are the workbooks in which Nietzsche first recorded his advances, especially the 1881 workbook which shows him gradually gaining insights into the two foundations of his mature thinking. The result is the most complete picture we've had yet of the philosopher's development, one that gives us a Promethean Nietzsche, gaining knowledge even as he was expanding his thought to create new worlds.

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AI is nothing without somewhere to run it. Now that mobile devices have become the primary computing device for most people, it's essential that mobile developers add AI to their toolbox. This insightful book is your guide to creating models and running them on popular mobile platforms such as iOS and Android. Laurence Moroney, lead AI advocate at Google, offers an introduction to machine learning techniques and tools, then walks you through writing Android and iOS apps powered by common ML models like computer vision and text recognition, using tools such as ML Kit, TensorFlow Lite, and Core ML. If you're a mobile developer, this book will help you take advantage of the ML revolution today. Explore the options for implementing ML and AI on mobile devices--and when to use each Create ML models for iOS and Android Write ML Kit and TensorFlow Lite apps for iOS and Android and Core ML/Create ML apps for iOS Understand how to choose the best techniques and tools for your use case: on-device inference versus cloud-based inference, high-level APIs versus low-level APIs, and more Learn privacy and ethics best practices for ML on devices

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In this major new interpretation of the music of J. S. Bach, we gain a striking picture of the composer as a unique critic of his age. By reading Bach’s music “against the grain” of contemporaries such as Vivaldi and Telemann, Laurence Dreyfus explains how Bach’s approach to musical invention in a variety of genres posed a fundamental challenge to Baroque aesthetics.“Invention”—the word Bach and his contemporaries used for the musical idea that is behind or that generates a composition—emerges as an invaluable key in Dreyfus’s analysis. Looking at important pieces in a range of genres, including concertos, sonatas, fugues, and vocal works, he focuses on the fascinating construction of the invention, the core musical subject, and then shows how Bach disposes, elaborates, and decorates it in structuring his composition. Bach and the Patterns of Invention brings us fresh understanding of Bach’s working methods, and how they differed from those of the other leading composers of his day. We also learn here about Bach’s unusual appropriations of French and Italian styles—and about the elevation of various genres far above their conventional status.Challenging the restrictive lenses commonly encountered in both historical musicology and theoretical analysis, Dreyfus provocatively suggests an approach to Bach that understands him as an eighteenth-century thinker and at the same time as a composer whose music continues to speak to us today.

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David Ambrose’s fascination with the world of entertainment began aged five sitting under the stairs of an isolated rural cottage, listening to the radio. He realised there was a life out there beyond anything on offer in bleak post-war Lancashire. His enthusiasm for theatre and film failed to be derailed by a law degree from Oxford, where his first plays were performed while he was still an undergraduate. Three years later he was sitting with Orson Welles and Laurence Harvey shooting a major Roman epic for which he had written the screenplay. An international career followed, taking in theatre, films, and eventually a series of mind-bending novels which have been described as ‘Hitchcock meets Hawking’. Fifty years on Ambrose is still trying to work out how it all happened to that kid under the stairs with his radio. A Fate Worse than Hollywood is his attempt at an answer.

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Winner of the Society for Theatre Research Book Prize 2020 Vivien Leigh was perhaps the most iconic actress of the twentieth century. As Scarlett O’Hara and Blanche Du Bois she took on some of the most pivotal roles in cinema history. Yet she was also a talented theatre actress with West End and Broadway plaudits to her name. In this ground-breaking new biography, Alan Strachan provides a completely new full-life portrait of Leigh, covering both her professional and personal life. Using previously unseen sources from her archive, recently acquired by the V&A, he sheds new light on her fractious relationship with Laurence Olivier, based on their letters and diaries, as well as on the bipolar disorder which so affected her later life and work. Revealing new aspects of her early life as well as providing glimpses behind-the-scenes of the filming of Gone with the Wind and A Streetcar Named Desire, this book provides the essential and comprehensive life-story of one of the twentieth century’s greatest actresses.

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Hailed as an “arresting” (Lawrence Klepp, New Criterion) account, Nature’s Mutiny chronicles the great climate crisis of the seventeenth century that totally transformed Europe’s social and political fabric. Best-selling historian Philipp Blom reveals how a new, radically altered Europe emerged out of the “Little Ice Age” that diminished crop yields across the continent, forcing thousands to flee starvation in the countryside to burgeoning urban centers, and even froze London’s Thames, upon which British citizens erected semipermanent frost fairs with bustling kiosks, taverns, and brothels. Highlighting how politics and culture also changed drastically, Blom evokes the era’s most influential artists and thinkers who imagined groundbreaking worldviews to cope with environmental cataclysm. As we face a climate crisis of our own, “Blom’s prodigious synthesis delivers a sharply-focused lesson for the twenty-first century: the profound effects of just a few degrees of climate change can alter the course of civilization, forever” (Laurence A. Marschall, Natural History).

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Interpretations of Beowulf brings together over six decades of literary scholarship. Illustrating a variety of interpretative schools, the essays not only deal with most of the major issues of Beowulf criticism, including structure, style, genre, and theme, but also offer the sort of explanations of particular passages that are invaluable to a careful reading of a poem. This up-to-date collection of significant critical approaches fills a long-standing need for a companion volume for the study of the poem. Larger patterns in the history of Beowulf criticism are also traceable in the chronological order of the collection. The contributors are Theodore M. Andersson, Arthur Gilchrist Brodeur, Jane Chance, Laurence N. de Looze, Margaret E. Goldsmith, Stanley B. Greenfield, Joseph Harris, Edward B. Irving, Jr., John Leyerle, Francis P. Magoun, Jr., M. B. McNamee, S. J., Bertha S. Phillpotts, John C. Pope, Richard N. Ringler, Geoffrey R. Russom, T. A. Shippey, and J. R. R. Tolkien.

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Whenever you use a smartphone, website, or IoT device, your behaviour is determined to a great extent by a designer. Their software code defines from the outset what is possible, with very little scope to interpret the meaning of those 'rules' or to contest them. How can this kind of control be acceptable in a democracy? If we expect legislators to respect values of legitimacy when they create the legal rules that govern our lives, shouldn't we expect the same from the designers whose code has a much more direct rule over us?In this book Laurence Diver combines insight from legal theory, philosophy of technology, and programming practice to develop a new theoretical and practical approach to the design of legitimate software. The book critically engages with the rule(s) of code, arguing that, like laws, these should exhibit certain formal characteristics if they are to be acceptable in a democracy. The resulting digisprudential affordances translate ideas of legitimacy from legal philosophy into the world of code design, to be realised through the 'constitutional' role played by programming languages, integrated development environments (IDEs), and agile development practice. The text interweaves theory and practice throughout, including many insights into real-world technologies, as well as case studies on blockchain applications and the Internet of Things.

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THE SCHOOL FOR GOOD AND EVIL is now a major motion picture from Netflix – starring Academy Award winner Charlize Theron, Kerry Washington, Laurence Fishburne, Michelle Yeoh, Sofia Wylie, Sophie Anne Caruso, Jamie Flatters, Earl Cave, Kit Young and more! What rises . . . must fall.Two brothersOne Good.One Evil.In exchange for power and immortality, they watch over the Endless Woods and rule the School for Good and Evil.Yet all School Masters must face a test.Theirs is loyalty.But what happens when loyalty is corrupted? When the bonds of blood are broken?Who will survive? Who will die? And what will become of the school and its students?The journey that started a hundred years ago throttles towards its end. This final chapter in the duology that began with the RISE OF THE SCHOOL FOR GOOD AND EVIL brings the tale of the twin School Masters to the brink of war and a shocking conclusion that will change the course of the school forever.

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Great Plains Literature is an exploration of influential literature of the Plains region in both the United States and Canada. It reflects the destruction of the culture of the first people who lived there, the attempts of settlers to conquer the land, and the tragic losses and successes of settlement that are still shaping our modern world of environmental threat, ethnic and racial hostilities, declining rural communities, and growing urban populations. In addition to featuring writers such as Ole Edvart Rölvaag, Willa Cather, and John Neihardt, who address the epic stories of the past, Great Plains Literature also includes contemporary writers such as Louis Erdrich, Kent Haruf, Ted Kooser, Rilla Askew, N. Scott Momaday, and Margaret Laurence. This literature encompasses a history of courage and violence, aggrandizement and aggression, triumph and terror. It can help readers understand better how today’s threats to the environment, clashes with Native people, struggling small towns, and rural migration to the cities reflect the same forces that were important in the past.

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GROSS FUN: Score points for each disgusting sandwich you complete.EASY TO LEARN: Simple rules and a quick-start video will have you playing right out of the box.AWARD-WINNING: Gold prize winner at the 2023 Independent Toy Awards.PERFECT FOR AGES 5 TO 9: and great fun for older chefs, too.LAURENCE KING PUBLISHING has been capturing imaginations and inspiring creativity in new and unexpected ways for over 30 years, with playful and eye-catching games, gifts and books.A card game in which children play short-order cooks competing to be the first to complete a revolting sandwich for their monster customers. Each sandwich needs two pieces of 'bread' and five ingredients to be finished, from crispy fried ants to toenail clippings and belly button lint! But these are some fussy monster customers: not everybody loves sewer spinach or elephant ear wax! Can you be the first to satisfy your customer and achieve the title of Monster Chef?!

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Shortlisted for the 2021 BARS First Book Prize (British Association for Romantic Studies)​The Printed Reader explores the transformative power of reading in the eighteenth century, and how this was expressed in the fascination with Don Quixote and in a proliferation of narratives about quixotic readers, readers who attempt to reproduce and embody their readings. Through intersecting readings of quixotic narratives, including work by Charlotte Lennox, Laurence Sterne, George Colman, Richard Graves, and Elizabeth Hamilton, Amelia Dale argues that literature was envisaged as imprinting—most crucially, in gendered terms—the reader’s mind, character, and body. The Printed Reader brings together key debates concerning quixotic narratives, print culture, sensibility, empiricism, book history, and the material text, connecting developments in print technology to gendered conceptualizations of quixotism. Tracing the meanings of quixotic readers’ bodies, The Printed Reader claims the social and political text that is the quixotic reader is structured by the experiential, affective, and sexual resonances of imprinting and impressions. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

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Shortlisted for the 2021 BARS First Book Prize (British Association for Romantic Studies) The Printed Reader explores the transformative power of reading in the eighteenth century, and how this was expressed in the fascination with Don Quixote and in a proliferation of narratives about quixotic readers, readers who attempt to reproduce and embody their readings. Through intersecting readings of quixotic narratives, including work by Charlotte Lennox, Laurence Sterne, George Colman, Richard Graves, and Elizabeth Hamilton, Amelia Dale argues that literature was envisaged as imprinting—most crucially, in gendered terms—the reader’s mind, character, and body. The Printed Reader brings together key debates concerning quixotic narratives, print culture, sensibility, empiricism, book history, and the material text, connecting developments in print technology to gendered conceptualizations of quixotism. Tracing the meanings of quixotic readers’ bodies, The Printed Reader claims the social and political text that is the quixotic reader is structured by the experiential, affective, and sexual resonances of imprinting and impressions. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

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Hamlet has inspired four outstanding film adaptations that continue to delight a wide and varied audience and to offer provocative new interpretations of Shakespeare’s most popular play. Cinematic Hamlet contains the first scene-by-scene analysis of the methods used by Laurence Olivier, Franco Zeffirelli, Kenneth Branagh, and Michael Almereyda to translate Hamlet into highly distinctive and remarkably effective films. Applying recent developments in neuroscience and psychology, Patrick J. Cook argues that film is a medium deploying an abundance of devices whose task it is to direct attention away from the film’s viewing processes and toward the object represented. Through careful analysis of each film’s devices, he explores the ways in which four brilliant directors rework the play into a radically different medium, engaging the viewer through powerful instinctive drives and creating audiovisual vehicles that support and complement Shakespeare’s words and story. Cinematic Hamlet will prove to be indispensable for anyone wishing to understand how these films rework Shakespeare into the powerful medium of film.

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This book examines the creation of the Antients Grand Lodge and traces the influence of Ireland and the London Irish, and most especially that of Laurence Dermott, the Antients' Grand Secretary, in the development of freemasonry in the second half of the eighteenth century. The book demonstrates the relative accessibility of the Antients and contrasts this with the exclusivity of the 'Moderns' -- the original Grand Lodge of England. The Antients instigated what became a six decades long rivalry with the Moderns and pioneered fundamental changes to the social composition of freemasonry, extending formal sociability to the lower middling and working classes and creating one of the first modern friendly societies. Schism does not stand solely as an academic work but introduces the subject to a wider Masonic and non-Masonic audience and, most particularly, supplements dated historical works. The book contributes to the history of London and the London Irish in the long eighteenth century and examines the social and trade networks of the urban lower middling and working class, subjects that remains substantially unexplored. It also offers a prism through which Britain's calamitous relationship with Ireland can be examined.

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