Search results for ""McGill-Queen's University Press""

In Canada, it can be easy to consider landscape painting as cliche, an art form whose time has passed. David Alexander's vibrant, large-scale works show the wonder and possibility that remain undiminished in paintings of the natural environment and breathe new life into the landscape tradition. Gathering together six essays on Alexander, this book provides insight into Alexander's inspiration, creative drive, and the unique engagement with nature that has led him to seek out and paint remote locales across Canada and as far away as Greenland, Iceland, New Mexico, and Argentina. Award-winning writer Sharon Butala contributes an extended meditation on her first encounter with the artist and his work. An interview with Robert Enright reveals Alexander's engagement with tradition, and texts by the late Gilbert Bouchard, Ihor Holubizky, Adalsteinn Ingolfsson, and Liz Wylie, present a variety of insights into understanding and appreciating his art. A detailed chronology of Alexander's career is included. Reproductions of his major works appear throughout and the essays are illustrated with preliminary paintings and working sketches, conveying insight into his creative process. A valuable discovery for those interested in nature and its artistic renderings, Alexander's art is about conveying an immersion in the landscape. This book allows a similar presence within his lushly painted landscapes, imparting an intimate understanding of his art.

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John Warkentin looks at the work of geographers from 1831 to 1977 through the regional descriptions of seven perceptive observers of Canada who provide very different but illuminating interpretations: Joseph Bouchette, a surveyor-general from Lower Canada; George Parkin, an educator and journalist from New Brunswick; J.D. Rogers, a British barrister and scholar; Harold Innis, the great economic historian; R.C. Wallace, a geologist with administrative experience in the North; Bruce Hutchison, a brilliant BC journalist with deep regional insights; and Thomas Berger, who presided over a Royal Commission on northern development in the 1970s. Warkentin's introduction reveals how their descriptions and interpretations of Canada's areas helped provide the perceptions that influence contemporary conceptions of the country - both its regions and as a whole.

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Alberta's iconic river has been dammed and plumbed, made to spin hydro-electric turbines, and used to cleanse Calgary. Artificial lakes in the mountains rearrange its flow; downstream weirs and ditches divert it to irrigate the parched prairie. Far from being wild, the Bow is now very much a human product: its fish are as manufactured as its altered flow, changed water quality, and newly stabilized and forested banks. The River Returns brings the story of the Bow River's transformation full circle through an exploration of the recent revolution in environmental thinking and regulation that has led to new limits on what might be done with and to the river. Rivers have been studied from many perspectives, but too often the relationship between nature and people, between rivers and the cultures that have grown up beside them, have been separated. The River Returns illuminates the ways in which humans, both inadvertently and consciously, have interacted with nature to make the Bow.

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Assembling an informed group of scholars, this volume focuses on the study and practice of central agencies, regulation, budgeting, energy and science policy, and governing instruments. A overview that looks beyond Doern's tremendous body of work, Policy: From Ideas to Implementation is also a survey of the methods and central issues of the Canadian and international public policy disciplines.

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Exploring a dynamic period of change and development at the University of Victoria.

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Ricardo Grinspun is associate professor, economics, and fellow, Centre for Research on Latin America and the Caribbean (CERLAC), York University. Yasmine Shamsie is assistant professor, political science, Wilfrid Laurier University, and fellow, CERLAC

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How families in nineteenth-century Montreal coped with deviance.

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A reappraisal of the role of historical understanding, political commitment, ideology, and revolutionary consciousness in modernity.

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A resource for anti-racist scholars and activists.

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An overview of the physical and cultural nature of the Canadian North and the great changes that have occurred in recent decades.

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An in-depth study that highlights the similarities that make evangelicalism in North America a unified religious subculture while showing how differences between Canadian and American evangelicals reflect the distinct history and culture of each nation.

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A timely examination of Canada's hospital experience.

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Published between 1975 and 2000 and completed shortly before his death, Hugh Hood's twelve-volume novel-series The New Age/Le nouveau siecle represents a major achievement in Canadian fiction. Hood takes us on a remarkable, though challenging, journey in time and space while chronicling the life of his intellectually inquisitive protagonist, Matt Goderich. Moving from history and politics to literature and the arts, from popular song to the vagaries of fashion, from urban stress to the relaxations of cottage-country, these novels explore the texture of Canadian life with a depth and comprehensiveness that, when fully grasped, are dazzling. In Canadian Odyssey W.J. Keith steers general readers and specialist students alike through the complexities of Hood's scheme. He presents biographical information about the planning and writing of the series, places it among other examples of "Roman-Fleuve," offers background concerning Hood's literary influences, and provides novel-by-novel discussions of each book. Written in a straightforward style, avoiding jargon and the excesses of literary theory, Canadian Odyssey makes a convincing case for The New Age as a great Canadian masterpiece.

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In The Tower under Siege Brian Lewis, Christine Massey, and Richard Smith explore these important themes and issues from the varying perspectives of students, teachers, policy makers, and administrators. They describe the opportunities, changes, and policies developing in Canadian universities and governments in response to the education revolution. While most studies of the education revolution tend to be highly polemical, The Tower under Siege occupies a middle space, identifying issues and policy processes used to manage change and create more opportunities for education. The Tower under Siege will be of great interest to anyone concerned with, excited about, or worried by the expanding role of technology in higher education: teachers, researchers, students, parents, policy makers, and administrators.

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Pettersson demonstrates the implications and applications of the theory through a series of detailed studies of literary works, taking care to show that his theory is compatible with a broad variety of perspectives. Combining an intimate knowledge of modern literary theory and the aesthetics of literature with innovative applications of linguistics and cognitive psychology to the literary work, he provides a thorough treatment of fundamental problems in the area, including the concept of a text or work, the concept of form, and the distinctiveness of the literary use of language.

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In the past, few women artists were commissioned to create public works of art. These seven artists received most of the commissions awarded to women between 1958 and 1988, although until now their sizable body of work has been given little attention. Taking into account the purpose of public art - to enhance the environment and communicate with a public often perplexed and sometimes alienated by works of art - Gunda Lambton assesses the appeal and quality of commissioned works by these artists. She highlights the difficulties that many women artists encounter and combines detailed biographies of the artists with an examination of their work. This book will appeal to those interested in art as well as to art historians, urban historians, women's studies specialists, and policy makers.

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Asthma is one of the most common respiratory diseases, affecting between twelve and fifteen million people in North America. Although asthma can often be treated successfully, many misconceptions about it persist. In response to requests from patients and health care professionals, Helene Boutin and Louis-Philippe Boulet have written this practical guide to understanding and controlling asthma. Understand and Control Your Asthma is designed to help asthmatics take control of their health through better understanding of the disease and its treatment and by applying self-management skills to avoid attacks. Topics discussed include the factors that trigger asthma, the different treatments available, effects and side-effects of medications, and what to do if the disease becomes worse. Questionnaires enable asthma sufferers to evaluate their understanding of the concepts presented in the book and develop a personal case history, which will help them to communicate more effectively with physicians about their symptoms. Boutin and Boulet also provide advice on measures that may help asthmatics lead normal and productive lives. Understand and Control Your Asthma is a valuable reference and workbook for asthma sufferers and their families, friends, and colleagues. It will also be of interest to asthma specialists and general practitioners.

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Adam Shortt began teaching political economy at Queen's University in the late 1880s. His theories attracted students and faculty who were interested in applying the new tenets of economics and political science to questions of Canadian public policy. The concerns of the group that formed around Shortt were broad and self-consciously cumulative, a perspective promoted particularly by Shortt's colleague and successor O.D. Skelton. The group encouraged reassessment of the role of the social scientist in the university and society, and analysed contentious economic and political questions of the day. Addressing economic policies such as industrialization, foreign investment, labour-business relations, and prairie settlement, they examined the political and governmental ramifications of economic problems, concentrating on the role of political parties, the broad role of government, the place of the public service, and ethnic, class, and regional political relations. Ferguson demonstrates that Shortt, Skelton, Clark, and Mackintosh clearly argued on behalf of the new liberalism, emphasizing individual rights and positive government. He suggests that their ideas reveal an intellectual position which differed from the imperialist and continentalist alternatives that dominated Canadian thinking at the time.

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Malcolm MacLeod begins his history of Memorial University College by describing the forces that promoted the creation of Newfoundland's own higher-education institution and the conditions that frustrated its advancement, such as the uneasy development of educational co-operation between religious denominations. MacLeod goes on to analyse different aspects of institutional life to 1950, such as the institution's governance and patterns of staffing, the students' social backgrounds, and the college's curriculum. He also outlines Memorial's links with other aspects of society and provides the historical and social framework for its development, leading us through the optimism of the twenties and the depression of the thirties to the abandonment of self-government and the overwhelming changes that came with and after the war. He concludes by contrasting Memorial's slow and uncertain progress before 1950 with its achievements since, and by placing Memorial in the context of the development of higher education in Canada and the modernization of Newfoundland.

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In An American Princess, Laurie Dennett relates the remarkable story of a New England woman whose wealth, intelligence, and charm took her to the heart of aristocratic and intellectual Europe. Marguerite Chapin (1880-1963) was the product of two cultures: her father's enterprising American one and her mother's French heritage, which enabled her to move to Paris when she inherited a fortune at age twenty-one. There, she studied singing with the greatest tenor of the age, commissioned paintings from artists such as Pierre Bonnard, Edouard Vuillard, and Andre Derain, and drew upon her many friendships with writers to found and edit the pioneering literary review Commerce. Her marriage, in 1911, to the composer Prince Roffredo Caetani, a member of one of Italy's oldest dynasties, added a whole new dimension to her life. Not only did it bring her a title, but happiness, two children, and a set of extraordinarily talented in-laws. When Marguerite and Roffredo moved to Italy in 1932, she found refuge from fascism and an outlet for creativity at Ninfa, the estate where the Caetani had created a garden among the ruins of a medieval town. At age sixty-eight, having survived the death of her son, the war, and the German occupation, Marguerite launched the international review Botteghe Oscure. Its aim was to reclaim respectability for Italian writing, but through her discerning and generous editorial vision, it became a showcase for writers everywhere. An engrossing biography based on extensive original research, An American Princess celebrates Marguerite Chapin Caetani's impressive accomplishments and legacy.

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Canada has seen the study of Islamic art and archeology grow steadily over the last five decades, with growth in research and teaching across numerous Canadian universities as well as important collections of Islamic art and archaeological materials, most notably at the Royal Ontario Museum and the Aga Khan Museum.Made for the Eye of One Who Sees uncovers the contributions of scholars and museum curators at Canadian institutions to current scholarship on Islamic art. Employing a wide range of approaches and theoretical perspectives, contributors cover topics from across the Islamic world dating from the eighth century to the present. Subjects include the iconography of architectural design and decoration, the role of Qur’anic inscriptions, the representation of symbolic animals in sculpture, and the interpretation of Persian manuscript painting. The book also juxtaposes modern and contemporary worlds, providing insightful reflections on the early history of the Islamic collections at the Royal Ontario Museum, Matisse’s creative encounter with Byzantine and Islamic visual culture, and the ongoing dialogue between new media and the traditional concepts underpinning Islamic art.Bringing together recent scholarship on Islamic art, architecture, and archaeology, Made for the Eye of One Who Sees provides an overview of the important contributions Canada is making to this rich and evolving field of study.

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Prehistoric human life is a common reference point in contemporary culture, inspiring attempts to become happier, healthier, or better people. Exploited by capitalism, overwhelmed by technology, and living in the shadow of environmental catastrophe, we call on the prehistoric to escape the present, and to model alternative ways of living our lives.In Back to the Stone Age Ben Pitcher explores how ideas about race are tightly woven into the powerful origin stories we use to explain who we are, where we came from, and what we are like. Using a broad range of examples from popular culture – from everyday practices like lighting fires and walking in the woods to engagements with genetic technologies and Neanderthal DNA, from megaliths and museum mannequins to television shows and best-selling nonfiction – Pitcher demonstrates how prehistory is alive in the twenty-first century, and argues that popular flights back in time provide revealing insights into present-day anxieties, obsessions, and concerns.Back to the Stone Age shows that the human past is not set in stone. By opening up the prehistoric to critical contestation, Pitcher places racial justice at the centre of questions about the existence and persistence of Homo sapiens in the contemporary world.

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Father Luigi Giussani engaged tirelessly in educational initiatives throughout the course of his life. Much of his thought was communicated through the richness and rhythm of oral discourse, preserved as audio and video recordings in the archive of the Fraternity of Communion and Liberation in Milan.This volume presents the last three spiritual exercises of the Fraternity of Communion and Liberation, drawing from the transcripts of these recordings. In these exercises Giussani investigates the rise of ethics and the decline of ontology that have accompanied modernity and the spread of rationalism. Bearing up against old age and illness, he resisted the urge to withdraw, instead finding new avenues of communication and the technological means to reach all corners of the movement. To Give One’s Life for the Work of Another explores the nature of God, the powerful human experience of self-awareness, and the fundamental components of Christianity, in the unmistakable voice of a consummate teacher.At a time when young people are abandoning the church and questioning the value of faith, Father Giussani’s method of judging and verifying Christianity as an experience is a timeless intervention.

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Breastfeeding is a human bodily function that differs in practice across cultural and historical boundaries, yet is framed as “natural” and morally virtuous. Breastfeeding and the Pursuit of Happiness rejects the dichotomy of right versus wrong, exploring the historical, political, and symbolic roots of this sacrosanct belief in “breast is best” – from allusions to biblical milk and honey to contemporary claims of parenting and wellness experts.Within disparate contexts such as medieval Europe, eighteenth-century France, contemporary Indonesia, and the mommy blogosphere, Phyllis Rippey finds that infant feeding prescriptions often serve the interests of the powerful rather than meeting the needs of women, infants, and families. Upending some of our most cherished beliefs about the maternal breast, Rippey reveals the ways historical and contemporary debates over breast versus bottle feeding distract from the underlying issues of poverty, environmental destruction, and violence against women. Rippey balances science-based and historical analysis with the stories of lesbian mothers and trans fathers, Black and White breastfeeding advocates, and Indonesian mothers, among other mothers who express feelings of empowerment, pleasure, pain, and moral failure.At turns witty, heartbreaking, and intellectually compelling, Breastfeeding and the Pursuit of Happiness draws on Hannah Arendt, Black feminist thought, affect theory, the ethics of care, and theories of political humility to offer a new framework for valuing and affirming the human power of giving and receiving care, including through the breast.

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Covering a period that runs from the founding of the colony in the early seventeenth century to the conquest of 1760, People, State, and War under the French Regime in Canada is a study of colonial warriors and warfare that examines the exercise of state military power and its effects on ordinary people.Overturning the tendency to glorify the military feats of New France and exploding the rosy myth of a tax-free colonial population, Louise Dechêne challenges the stereotype of the fighting prowess and military enthusiasm of the colony’s inhabitants. She reveals the profound incidence of social divides, the hardship war created for those expected to serve, and the state’s demands on the civilian population in the form of forced labour, requisitions, and billeting of soldiers. Originally published posthumously in French, People, State, and War under the French Regime in Canada is the culmination of a lifetime of research and unparalleled knowledge of the archival record, including official correspondence, memoirs, military campaign journals, taxation records, and local parish records. Dechêne reconstructs the variegated composition and conditions of military forces in New France, which included militia, colonial volunteers, and regular troops, as well as Indigenous allies. The study offers an informed and ambitious comparison between France and other French colonies and shows that the mobilization of an unpaid, compulsory militia in New France greatly exceeded requirements in other parts of the French domain.With empathy, sensitivity to the social dimensions of life, and a piercing insight into the operations of power, Dechêne portrays the colonial condition with its rightful dose of danger and ambiguity. Her work underlines the severe toll that warfare takes on the individual and on society and the persistent deprivation, disorder, fear, and death that come with conflict.

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