Search results for ""author kathryn"

'I'd follow her anywhere' GILLIAN FLYNN'One of the boldest thriller writers working today' TESS GERRITSEN'Her characters, plot, and pacing are unrivalled' MICHAEL CONNELLY_________________________________________The first book in Karin Slaughter's #1 bestselling GRANT COUNTY series.She was found in the local diner. Brutally murdered. Ritually mutilated.And she won't be the last.The sleepy town of Heartsdale, Georgia, is jolted into panic when Sara Linton, paediatrician and medical examiner, finds a woman dead in the local diner. She has been cut: two deep knife wounds form a lethal cross over her stomach. But it's only once Sara starts to perform the post-mortem that the full extent of the killer's brutality becomes clear. Police chief Jeffrey Tolliver - Sara's ex-husband - is in charge of the investigation, and when a second victim is found, crucified, only a few days later, both Jeffrey and Sara have to face the fact that themurder wasn't a one-off attack. What they're dealing with is a seasoned sexual predator. A violent serial killer..._________________________________________Crime and thriller masters know there's nothing better than a little Slaughter:'Passion, intensity, and humanity' LEE CHILD'A writer of extraordinary talents' KATHY REICHS'Fiction doesn't get any better than this' JEFFERY DEAVER'A great writer at the peak of her powers' PETER JAMES'Raw, powerful and utterly gripping' KATHRYN STOCKETT'With heart and skill Karin Slaughter keeps you hooked from the first page until the last' CAMILLA LACKBERG'Amongst the world's greatest and finest crime writers' YRSA SIGURÐARDÓTTIR

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‘If outdoor activities with young children have always baffled you, then this is the book for you. Practical in style and structure, it has an accessible approach which is based in the best early years practice and provides plenty of challenges and new ideas. It is a must have for your early years setting.’ - Kathryn Solly, Headteacher at Chelsea Open Air Nursery School and Children’s Centre, UKA garden can be a magical place for young children and offers them rich and engaging learning experiences as they interact with a variety of plants and wildlife throughout the year. This book guides you through the process of creating a garden, however small, for young children. It looks at the impact a garden area can have on children’s overall development and the benefits of using natural materials as learning tools.Full of practical advice on how to design, develop resource and use a garden area, this book brings together: advice on planning a garden and how to get children, parents and the local community involved ideas for settings with limited space ideas for different spaces including a wildlife space, a woodland space, a digging area, sand and water spaces and a growing area suggestions of plants, flowers and crops to grow with very young children information about the wildlife children may discover a calendar guide to activities and garden planning throughout the year ways to encourage children to develop a sense of awareness of the importance of conservation and sustainability guidance on health and safety clear links with EYFS to show how a garden supports the areas of learning and development. Written for all early years practitioners, this book is the definitive guide for those looking to further enhance their outdoor environment and fulfil the potential learning opportunities that a garden can provide.

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Most publishers keep a "slushpile" - the stack of unsolicited manuscripts which contains a large percentage of preposterous or frightening book proposals, which might just conceal that one jewel of a bestseller or classic novel lying near the bottom. Authors discovered via the slush pile include Roddy Doyle, J. K. Rowling and Philip Roth. Stephenie Meyer sent 15 query letters about her teenage-vampire saga and got nearly 10 rejection letters; one even arrived after she signed with an agent and received a three-book deal from Little, Brown. Kathryn Stockett's The Help was turned down 60 times over 3½ years before becoming a best seller. Sadly though, these are the exceptions...Written by a reader with over a decade of slush pile experience, Something Nasty in the Slushpile takes a tour through the 'do's and 'don't's of book proposal, including many examples of hilarious, misguided and plain weird approaches. The contents include:Offputing greetings:Dear honourable reader, dear potential agent, friend and colleague, dear colleagues etc. Famous first lines:After ten books of criticism, I am turning my attention to a subject close to my heart, the illustrated story of my own life ... I don't really need to explain ... it would make this letter too longFirstly may I apologise for not getting this to you sooner after our conversation last week, however an unexpected funeral cropped up.Someone is killing literary agents ...I would have e-mailed you, but I am not allowed access to such facilities as I have just been sectioned. I should be out soon. Barmy USPs:It's like a British male version of Eat, Pray, Love. But less shrill and more believable. There are echoes of Paul Theroux and parallels with The Alchemist and SiddharthaMy book is just about me, just an ordinary 'Jo Bloggs' chipping away relentlessly at the big roadblocks put in my way ...I want 10,000 people to be reading my book at the same time all over the world. I want the light to go on for them, the penny to drop and the wheel of change to start turning ...One person can make a difference and I want that person to be me. How not to respond to constructive criticism:Dear so-called publisher...I have shown my manuscript to my spiritual guide and he agrees that you are utterly wrong...

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This is the second of three volumes from the project 'Authority and Persuasion: the Role of Commonplaces in Western Europe (c.1450-c.1800)'. The project was launched by the universities of Copenhagen, Durham and Groningen and involved scholars from a range of disciplines who researched the use of commonplaces as a means of persuasion in the early modern world. Commonplaces as a technical term refers to the loci communes collected in late medieval and early modern commonplace books. In the project, however, the notion of commonplace was broadened to include means of persuasion in all kinds of texts as well as the visual arts, theatre, music and other media. This broader notion embraces metaphors, proverbs, figures, and expressions that enjoyed both a history of use in a given society or language community and a wide currency in that society. This is the second volume from the Commonplace Culture series. It analyses the use of commonplaces to bolster power, or sometimes to question it. The volume focuses on the seventeenth century. In the latter part of this period, the status and cognitive scope of the printed commonplace book declined; yet, a sthe essays in this volume demonstrate, the cognitive practices evidenced in commonplace books continued to enjoy good health. The 'commonplaces' analysed by contributors to this volume constitute cultural objects which gained persuasive potential from the exploitation of material bearing the authority of the past, yet they are not commonplaces stricto sensu. The essays in the volume examine not only written texts but also theatre, music, processions, ballets, and royal entries. In particular, the notion of the commonplace is taken into the visual domain, indicating that in the seventeenth century the visual was central to those diverse practices which sought to shore up God-given power through the pre-existing authority of commonplace material. The first volume concerns 'Reformation, Counter-Reformation and Revolt', and the third volume deals with 'Legitimation of Authority'.

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A guide to align your daily life with your divine Soul Mission, bringing a sense of purpose and fullness, ease and joy into every day• Shares practices to bring you back in touch with the energy of your inner child, reconnect your soul with its mission, explore your soul contracts, and call on the Angels to support you • Details ways of connecting with your Soul Mission and offers guidance for aligning through each method • Includes a fun exercise to establish a 12-month Soul Mission Manifestation Plan and set things in motion WOULDN’T IT BE GREAT to jump out of bed in the morning, eager to start the day, knowing that this day--each day!--is an opportunity to align yourself with your very own divine purpose for being on Earth? Reminding us of our connection to Source, Discover Your Soul Mission shows a way to remember, to understand why we were born and what we are meant to experience on this planet. As we touch in with the energy of our inner child, we rediscover that sweet spot that made our heart sing when young, that direct line to our soul. While soul contracts with family and others might impact us on our path in different directions, we can reopen the clear channel to the GPS of our heart and energetic system through meditations, reflections, and exercises. Once realigned with the mission of our soul, many divine tools of manifestation open to us and, supported by angelic mentors, we will be guided to establish our personal 12-month Mission Manifestation Plan that helps realize our life purpose. Guiding many in the quest for meaning and purpose, Kathryn Hudson shares how to move from feeling out of place or out of sorts with where we are in our lives to moving intentionally into fulfillment and knowing that we are exactly where we are meant to be. And why do it alone if divine help is at hand? Taking you from simple questions and requests to direct experience and actual co-creation with the angelic realm, Discover Your Soul Mission offers a way to bring renewed zest to your life.

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The auteur theory - the belief that a director's personal influence and artistic control over a movie are so great that the filmmaker is regarded as the key artist in making a film - was first popularized in America by film critic Andrew Sarris. In the New Hollywood Era of the 1960s and 1970s, as weakening studio control granted directors more artistic freedom, the theory gained traction, embraced by both the media and by directors themselves, and it came to be a significant factor in the filmmaking process. With its almost ubiquitous acceptance, the auteur theory also had, in hindsight, a negative effect. It undeniably played a role in establishing and romanticizing the dominance of the white heterosexual male point of view while ignoring the contributions of screenwriters and cinematographers, and worse, excluding marginalized aspiring filmmakers from the industry.Mavericks: Interviews with the World's Iconoclast Filmmakers amplifies the voices of a wide-ranging group of groundbreaking filmmakers whose identities, perspectives, and works don't conform to typical Hollywood standards. Author Gerald Peary, whose experience as a film studies professor, film critic, arts journalist, and director of documentaries culminates in a lifetime of film scholarship, presents a riveting collection of interviews with idiosyncratic directors - including Black, queer, female, and non-Western filmmakers—whose unconventional work is marked by their unique artistic points of view and molded by their social and political consciousness.Beginning in the 1970s and ending at the dawn of the new millennium, the collection includes Peary's talks with more than twenty film pioneers. Prior to Kathryn Bigelow's 2010 win as the first woman to receive an Oscar for best director, Peary interviewed cutting-edge female directors, including Iran's Samira Makhmalbaf (Blackboards, 2000), Poland's Agnieszka Holland (Europa, Europa, 1990), Norway's Liv Ullmann (Sofie,1992), and America's Roberta Findlay (Snuff, 1975), who is the first female director of pornographic films. While some of the collection's conversations focus on a single film, other interviews are an ambitious discussion of the filmmaker's whole career. Interviews with a disparate range of male filmmakers are also included: Howard Alk (The Murder of Fred Hampton, 1971), Ousmane Sembéne (Mandabi, 1968 and Emitai, 1971), Mel Brooks (The Producers, 1967, Young Frankenstein, 1974, and Blazing Saddles, 1974), Gus Van Sant (My Own Private Idaho, 1991, Good Will Hunting, 1997, and Milk, 2008), and John Waters (Pink Flamingos, 1972, Hairspray, 1988, and Pecker, 1998). With contextualizing introductions and insightful questions, Peary reveals the brilliance of these maverick directors and offers readers a lens into the minds of these incredible and engaging artists.

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This invigorating volume explores the literary worlds inhabited by the pioneering Irish author George Moore (1852–1933). With an eye to Moore’s innovative embrace of visual art, feminism and literary history, and in the spirit of his feisty resistance to ‘orthodoxy’, it investigates his influences and inventive strategies in novel, short story and memoir. Amongst the names emerging from the disparate spheres of impressionism, literary coteries, the paratextual and the music world are those of Manet, Mallarmé, Wilde, Héloïse, Elgar and Bourdieu, all with Moorian links. Contested depictions of religion and nationalism simmer; France and French influences encompass fin-de-siècle stories and medieval texts; epistolary details evidence vital parental support; contemporary authors write back to Moore. These voyages of discovery enter the fields of feminist scholarship and the New Woman, life writing and letters, fin-de-siècle aesthetics, intersections between art, music and literature, and literary transitions from Victorian to Modern. Valuably, the authors suggest numerous opportunities for additional research in these areas, as well as within Moore studies. This collection, with contributions from an international set of established and new scholars, delivers fresh and original findings as it builds on the substantial and ever-growing corpus of Moore studies.

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Despite the great literary achievements of Chaucer, Langland, and the Pearl Poet, Ricardian English books were still a niche market in 1400. As Kathryn Kerby-Fulton shows, however, their generation was transformational in nurturing the resurgence of English writing, in part as a result of the mass underemployment of clerks originally trained for the church but unable to find steady positions in it. Surviving instead as ecclesiastical or choral "piece workers," or in secular jobs in government or private households, this "clerical proletariat" lived and worked in liminal spaces between the ecclesiastical and lay world. And there the most enterprising found new material—and new audiences—for poetry in English. Since English book production in London prior to 1380 was rare, Kerby-Fulton's study begins in the prior century with great regional poets, revealing their early experimentation with a new poetics of vocational crisis. Preoccupied with underemployment, patronage, careerist ambition, alienation, and changing literary fashion, these thirteenth-century writers were choosing the more avant garde option of writing in English while feeling backwards to earlier tradition in works such as Laȝamon's Brut and The Owl and the Nightingale. These early experimenters invoked semi-remembered literary forms in a still evolving written vernacular, breaking ground for Ricardian writers, who turned to these conventions during the massive clerical unemployment of the Great Schism era. Kerby-Fulton's is the first study of Langland's legacy of articulating an authorial employment crisis, and its echoes in Hoccleve and Audelay. It also uses new tools for uncovering proletarian writers in unattributed Middle English works, including the famous Harley 2253 lyrics, the "York Realist's" Second Trial from the York Cycle, St. Erkenwald, and Wynnere and Wastour. Taking in proletarian themes, including class, meritocracy, the abuse of children ("Choristers' Lament"), the gig economy, precarity, and the breaking of intellectual elites (Book of Margery Kempe), The Clerical Proletariat and the Resurgence of Medieval English Poetry speaks to both past and present employment urgencies.

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Competing Kingdoms rethinks the importance of women and religion within U.S. imperial culture from the early nineteenth century to the mid-twentieth. In an era when the United States was emerging as a world power to challenge the hegemony of European imperial powers, American women missionaries strove to create a new Kingdom of God. They did much to shape a Protestant empire based on American values and institutions. This book examines American women’s activism in a broad transnational context. It offers a complex array of engagements with their efforts to provide rich intercultural histories about the global expansion of American culture and American Protestantism.An international and interdisciplinary group of scholars, the contributors bring under-utilized evidence from U.S. and non-U.S. sources to bear on the study of American women missionaries abroad and at home. Focusing on women from several denominations, they build on the insights of postcolonial scholarship to incorporate the agency of the people among whom missionaries lived. They explore how people in China, the Congo Free State, Egypt, India, Japan, Ndebeleland (colonial Rhodesia), Ottoman Bulgaria, and the Philippines perceived, experienced, and negotiated American cultural expansion. They also consider missionary work among people within the United States who were constructed as foreign, including African Americans, Native Americans, and Chinese immigrants. By presenting multiple cultural perspectives, this important collection challenges simplistic notions about missionary cultural imperialism, revealing the complexity of American missionary attitudes toward race and the ways that ideas of domesticity were reworked and appropriated in various settings. It expands the field of U.S. women’s history into the international arena, increases understanding of the global spread of American culture, and offers new concepts for analyzing the history of American empire.Contributors: Beth Baron, Betty Bergland, Mary Kupiec Cayton, Derek Chang, Sue Gronewold, Jane Hunter, Sylvia Jacobs, Susan Haskell Khan, Rui Kohiyama, Laura Prieto, Barbara Reeves-Ellington, Mary Renda, Connie A. Shemo, Kathryn Kish Sklar, Ian Tyrrell, Wendy Urban-Mead

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For many inside and outside the legal academy, the right place to look for law is in constitutions, statutes, and judicial opinions. This book looks for law in the “wrong places”—sites and spaces in which no formal law appears. These may be geographic regions beyond the reach of law, everyday practices ungoverned or ungovernable by law, or works of art that have escaped law’s constraints. Looking for Law in All the Wrong Places brings together essays by leading scholars of anthropology, cultural studies, history, law, literature, political science, race and ethnic studies, religion, and rhetoric, to look at law from the standpoint of the humanities. Beyond showing law to be determined by or determinative of distinct cultural phenomena, the contributors show how law is itself interwoven with language, text, image, and culture. Many essays in this volume look for law precisely in the kinds of “wrong places” where there appears to be no law. They find in these places not only reflections and remains of law, but also rules and practices that seem indistinguishable from law and raise challenging questions about the locations of law and about law’s meaning and function. Other essays do the opposite: rather than looking for law in places where law does not obviously appear, they look in statute books and courtrooms from perspectives that are usually presumed to have nothing to say about law. Looking at law sideways, or upside down, or inside out defamiliarizes law. These essays show what legal understanding can gain when law is denied its ostensibly proper domain. Contributors: Kathryn Abrams, Daniel Boyarin, Wendy Brown, Marianne Constable, Samera Esmeir, Daniel Fisher, Sara Ludin, Saba Mahmood, Rebecca McLennan, Ramona Naddaff, Beth Piatote, Sarah Song, Christopher Tomlins, Leti Volpp, Bryan Wagner

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Joint Venture Strategies: Design, Bargaining, and the Law is a thoughtful approach to negotiating workable joint ventures. Significant detail is devoted to performing appropriate preparatory activities to improve the range of terms that could be considered in forging contractual agreements. The book sets realistic expectations for firms who might cooperate with partners by delineating the pitfalls of venturing and anticipating the posturing of potential parties with the objective of creating synergistic returns for all. Company examples inform their explanations of how to structure controls and share the benefits of working with partners. Special detail is devoted to the needs of venture capital and private equity investors. The book is necessary homework to be read before courting attractive opportunities through joint ventures.'- Kathryn Rudie Harrigan, Columbia Business School, USAlthough they have the potential to create synergies, joint ventures by their nature contain inherent risk. Therefore, each partner in a joint venture needs to incentivize each other in order to maximize its own payoff. Extensive pre-contractual and post-contractual bargaining is essential. This book provides successful bargaining strategies from the point of view of each partner company.Using a game theoretical framework to analyze joint venture strategy, it describes practical and legal issues that arise when creating synergies and incentive bargaining in a joint venture. With a particular focus on intellectual property law, including analysis based on many real cases, the book covers issues relating to creating synergies, corporate law issues of conflicts of interest, and antitrust law issues relating to cooperation between independent companies.Theoretically new and practically useful, Joint Venture Strategies will appeal to academics and practicing lawyers. From a corporate perspective, this book is essential for successful joint venture planning and strategy.

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The term child nutrition programs refers to several U.S. Department of Agriculture Food and Nutrition Service (USDA-FNS) programs that provide food for children in institutional settings. These include the school meals programs-the National School Lunch Program and School Breakfast Program-as well as the Child and Adult Care Food Program, Summer Food Service Program, Special Milk Program, and Fresh Fruit and Vegetable Program. Chapter 1 provides an overview of these and other current issues in the child nutrition programs. The child nutrition programs and the Special Supplemental Nutrition Program for Women, Infants, and Children (WIC) were last reauthorized in 2010 as reported in chapter 2. Chapter 3 describes how each program operates under current law, focusing on eligibility rules, participation, and funding. This introductory section describes some of the background and principles that generally apply to all of the programs; subsequent sections go into further detail on the workings of each. Chapter 4 examines what is known about SFSP participation, other programs that help feed low-income children over the summer, and challenges, if any, in providing summer meals to children and the extent to which USDA provides assistance to address these challenges. Chapter 5 is the statement of Kathryn A. Larin on improvements needed in the summer meals program. Chapter 6 provides an overview of the WIC program, including administration, funding, eligibility, benefits, benefits redemption, and cost containment policies. Chapter 7 assesses the extent to which leading research practices were followed in USDA's most recent review of vegetables available under WIC. Chapter 8 discusses SNAP E&T programs, including program participants, design, and USDA oversight, and USDA's efforts to address SNAP program integrity, including improper payments, as well as recipient and retailer fraud.

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"Superb...Gopnik persuasively assembles his case over the course of this mesmerising book, which is as much art history and philosophy as it is biography" Kathryn Hughes, The GuardianWhen critics attacked Andy Warhol's Marilyn paintings as shallow, the Pop artist was happy to present himself as shallower still: He claimed that he silkscreened to avoid the hard work of painting, although he was actually a meticulous workaholic; in interviews he presented himself as a silly naïf when in private he was the canniest of sophisticates. Blake Gopnik's definitive biography digs deep into the contradictions and radical genius that led Andy Warhol to revolutionise our cultural world.Based on years of archival research and on interviews with hundreds of Warhol's surviving friends, lovers and enemies, Warhol traces the artist's path from his origins as the impoverished son of Eastern European immigrants in 1930s Pittsburgh, through his early success as a commercial illustrator and his groundbreaking pivot into fine art, to the society portraiture and popular celebrity of the '70s and '80s, as he reflected and responded to the changing dynamics of commerce and culture.Warhol sought out all the most glamorous figures of his times - Susan Sontag, Mick Jagger, the Barons de Rothschild - despite being burdened with an almost crippling shyness. Behind the public glitter of the artist's Factory, with its superstars, drag queens and socialites, there was a man who lived with his mother for much of his life and guarded the privacy of his home. He overcame the vicious homophobia of his youth to become a symbol of gay achievement, while always seeking the pleasures of traditional romance and coupledom. (Warhol explodes the myth of his asexuality.)Filled with new insights into the artist's work and personality, Warhol asks: Was he a joke or a genius, a radical or a social climber? As Warhol himself would have answered: Yes.

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'Extremely atmospheric and unputdownable. I loved it' Marian KeyesWhat readers are saying about The House of Secrets:'Libby and Zoe are complex, courageous and believeable and I found their stories absolutely compelling to read with a very satisfying ending''I cried, I smiled, I swore in anger at parts . . . such a brilliant piece of writing''Enjoyed every page of this lovely book and its lovely heroines Zoe and Libby. Highly recommended for a great feel good read''Finished the whole book in one night, literally unputdownable'An ordinary house on an ordinary street, built in 1936 and never lived in. Its rooms might be empty, but this house is full of secrets.When Zoe and Win, raw and reeling from a recent tragedy, move into their new home it's meant to be a fresh start and a way to mend the holes in their relationship.But pushed to the back of a cupboard is a suitcase that's been gathering dust for eighty years. Inside is a wedding dress, letters and a diary all belonging to a woman called Libby. And there's something else in the suitcase, something that echoes Zoe's own pain.Zoe follows Libby's trail from Paris to Spain on the brink of Civil War to secret trysts in London, and as Libby finds the courage to live and love again, Zoe begins to let go of her own grief.But when Libby's story takes a darker turn, Zoe becomes increasingly obsessed with discovering what really happened all those years ago. Because if Libby managed to get her happy ever after then maybe Zoe and Win can too . . .Perfect for fans of Rachel Rhys, Jenny Ashcroft, Santa Montefiore and Kathryn Hughes. 'An engrossing read' Woman & Home'A wonderful book' Heat'This beautiful dual love story is a real page-turner' Hello!'Filled with warmth and great characters' Stylist

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Encompassing a range of disciplines - notably anthropology, politics, history, comparative literature, and philosophy - the annual publication "Late Editions" exposes unsettling dilemmas and unprecedented challenges facing cultural studies on the brink of the twenty-first century. Successive volumes appear annually until the year 2000, each engaging the predicaments of particular institutions, nations, and persons at this point of social, cultural, and political change. The project will test the limits of scholarly conventions by finding new ways to expose cultural formations emerging from the maturation or exhaustion of once-powerful ideas whose validity is now deeply in question. "Perilous States", the first volume of "Late Editions", presents conversations between American scholars, most of whom are anthropologists, and individuals situated amidst political and social upheaval with whom they share affinities. Primarily but not exclusively from Eastern Europe, the cast includes Russian writers, Hungarian scientists and academics, Armenian politicians, Siberian religious and medical leaders, a Gypsy leader, a Polish poet, a French politician, and a white South African musician who is a self-styled Zulu. Their voices unite around themes of democracy, market economy, individual rights, and the reawakened force of suppressed ethnic and racial identities. To obtain fresh perspectives on these cultural and social transformations, the volumes consist of in-depth conversations, relayed in essay form, between scholars and individuals in other cultures with whom they share affinities. This novel approach blends the immediacy of interviews, the objectivity of journalism, and the intellectual rigor of scholarship. The second volume published in the autumn of 1994 addresses issues of science and culture. Contributors to this volume are Marjorie Balzer, Sam Beck, David B. Coplan, Michael M.J. Fischer, Nia Georges, Bruce Grant, Douglas R. Holmes, Stella Grigorian, George E. Marcus, Kathryn Milun, Eleni Papagaroufali, Paul Rabinow and Julie Taylor.

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The final section of the Montpellier Codex analysed in full for the first time, with major implications for late-medieval music. The Montpellier Codex (Bibliothèque interuniversitaire, Section Médecine, H.196) occupies a central place in scholarship on medieval music. This small book, packed with gorgeous gold leaf illuminations, historiated initials, and exquisite music calligraphy, is one of the most famous of all surviving music manuscripts, fundamental to understandings of the development of thirteenth- and fourteenth-century polyphonic composition. At some point in its historyan eighth section (fascicle) of 48 folios was appended to the codex: when and why this happened has long perplexed scholars. The forty-three works contained in the manuscript's final section represent a collection of musical compositions, assembled at a complex moment of historical change, straddling the historiographical juncture between the thirteenth and fourteenth centuries. This book provides the first in-depth exploration of the contents and contexts of the Montpellier Codex's final fascicle. It explores the manuscript's production, dating, function, and notation, offering close-readings of individual works, which illuminate compositionally progressive features of therepertoire as well as its interactions with existing musical and poetic traditions, from a variety of perspectives: thirteenth- and fourteenth-century music, art history, and manuscript culture. CATHERINE A. BRADLEY isan Associate Professor at the University of Oslo; KAREN DESMOND is Assistant Professor of Music at Brandeis University. Contributors: Rebecca A. Baltzer, Edward Breen, Sean Curran, Rachel Davies, Margaret Dobby, Mark Everist, Solomon Guhl-Miller, Anna Kathryn Grau, Oliver Huck, Anne Ibos-Augé, Eva M. Maschke, David Maw, Dolores Pesce, Alison Stones, Mary Wolinski

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Writers of the Black Chicago Renaissance comprehensively explores the contours and content of the Black Chicago Renaissance, a creative movement that emerged from the crucible of rigid segregation in Chicago's "Black Belt" from the 1930s through the 1960s. Heavily influenced by the Harlem Renaissance and the Chicago Renaissance of white writers, its participants were invested in political activism and social change as much as literature, art, and aesthetics. The revolutionary writing of this era produced some of the first great accolades for African American literature and set up much of the important writing that came to fruition in the Black Arts Movement. The volume covers a vast collection of subjects, including many important writers such as Richard Wright, Gwendolyn Brooks, and Lorraine Hansberry as well as cultural products such as black newspapers, music, and theater. The book includes individual entries by experts on each subject; a discography and filmography that highlight important writers, musicians, films, and cultural presentations; and an introduction that relates the Harlem Renaissance, the White Chicago Renaissance, the Black Chicago Renaissance, and the Black Arts Movement.Contributors are Robert Butler, Robert H. Cataliotti, Maryemma Graham, James C. Hall, James L. Hill, Michael Hill, Lovalerie King, Lawrence Jackson, Angelene Jamison-Hall, Keith Leonard, Lisbeth Lipari, Bill V. Mullen, Patrick Naick, William R. Nash, Charlene Regester, Kimberly Ruffin, Elizabeth Schultz, Joyce Hope Scott, James Smethurst, Kimberly M. Stanley, Kathryn Waddell Takara, Steven C. Tracy, Zoe Trodd, Alan Wald, Jamal Eric Watson, Donyel Hobbs Williams, Stephen Caldwell Wright, and Richard Yarborough.

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Archaeologists tend to rely on scientific methods to reconstruct past histories, an approach that can alienate local indigenous populations and limit the potential of archaeological research. Essays in this volume argue that listening to and learning from local and descendant communities is vital for interpreting the histories and heritage values of archaeological sites.Case studies from around the world demonstrate how a humanistic perspective with people-centric practice decolonizes the discipline by unlocking an intellectual space and collaborative role for indigenous people. These examples show how listening to oral traditions has opened up broader understandings of ancient rituals in Tanzania—where indigenous knowledge paved the way to significant archaeological finds about local iron technology. Archaeologists working with owners of traditional food ovens in Northern Australia discovered the function of mysterious earth mounds nearby, and the involvement of local communities in the interpretation of the Sigiriya World Heritage Site in Sri Lanka led to a better understanding of indigenous values. The ethical implications for positioning archaeology as a way to bridge divisions are also explored. In a case study from Northern Ireland, researchers risked sparking further conflict by listening to competing narratives about the country's political past, and a study of archival records from nineteenth-century grave excavations in British Columbia, where remains were taken without local permission, reveals why indigenous people in the region still regard archaeology with deep suspicion.The value of cultural apprenticeship to those who have long-term relationships with the landscape is nearly forgotten today, contributors argue. This volume points the way to a reawakening of the core principles of anthropology in archaeology and heritage studies.Contributors: Peter Schmidt | Alice Kehoe | Kathryn Weedman Arthur | Catherine Carlson | Billy Ó Foghlú | Audrey Horning | Steve Mrozowski | George Nicholas | Innocent Pikirayi | Jonathan Walz | Camina Weasel Moccasin | Jagath Weerasinghe

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Essays discussing the medieval book, its owners and its readers. Reading, writing, sharing texts, and book ownership in the fifteenth and sixteenth centuries, and how they fostered social and intellectual links and networks between individuals, particularly among women: these are subjects whichthe pioneering work of Mary C. Erler has done so much to illuminate. The essays here, in this volume in her honour, build on her scholarship, engaging with Professor Erler's characteristic use of bibliography in the service of biography by investigating how the physical object of the book can enlighten our understanding of medieval readers and writers. They analyze, for example, what "reading" means in terms of the act itself (and the accessories, such asbookmarks, that helped to set the stage for reading), whether done aloud or silently, in such different venues as an aristocratic court, bourgeois household, village community, and monastic cloister. They also consider the culture of medieval reading practices, especially those of women, across social classes, and in terms of the transition between the pre- and post-Reformation periods; the fluidity of genre boundaries; and changes in devotional reading and writing in this liminal period. A wide variety of genres are covered, including secular romance, devotional texts, schoolbooks, and the illustrated Old Testament preface to the famous Queen Mary Psalter, which recasts the story and image of ancient Israelites to suit elite readerly taste. MARTIN CHASE is Professor of English and Medieval Studies at Fordham University; MARYANNE KOWALESKI is Joseph Fitzpatrick S.J. Distinguished Professor of History and Medieval Studies at Fordham University. CONTRIBUTORS: Allison Alberts, Caroline M. Barron, Heather Blatt, Martin Chase, Joyce Coleman, Sheila Lindenbaum, Joel T. Rosenthal, Michael G. Sargent, Kathryn A. Smith.

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‘The term pageturner was made for books like this’ Andrea Mara ‘Thoroughly addictive, The Fall is full of twists you won't see coming’ Kathryn Croft She promised not to tell. They made sure she couldn’t… At her surprise 40th birthday party, Kate Granger feels like the luckiest woman in the world but just hours later her fifteen-year-old daughter, Caily, is found unconscious underneath a bridge when she should have been at school. Now, Caily lies comatose in her hospital bed, and the police don’t believe it was an accident. As the investigation progresses, it soon becomes clear that not everyone in the family was where they claimed to be at the time of her fall. Caily should be safe in hospital but not everyone wants her to wake up. Someone is desperate to protect the truth and it isn’t just Caily’s life that is in danger. Because some secrets are worth killing for… Readers are RIVETED by Louise Jensen! ‘This book keeps you on your toes! It is an excellent psychological thriller, with the tension building up throughout . . . A well-deserved 5 stars from me’ NetGalley reviewer,⭐⭐⭐⭐⭐ ‘Compelling and chilling. Louise is at the top of her game when it comes to writing a unputdownable psychological thriller’ NetGalley reviewer,⭐⭐⭐⭐⭐ ‘Louise Jensen has done it again . . . The writing had the sheer talent of wanting me keep reading one more chapter deep into the night’ NetGalley reviewer,⭐⭐⭐⭐⭐ ‘Full of suspense and edge-of-your-seat moments. If I could give more than 5 stars I would because this book is definitely one of my favourite reads’ NetGalley reviewer,⭐⭐⭐⭐⭐

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With its fascinating history, incomparable culinary landscape, and blossoming art scene, Mexico City has become one of the most sought-after destinations for the hip, curious traveler. Fodor’s brand-new guidebook, Inside Mexico City, touches on the top tourist sights, from the Zócalo to the Frida Kahlo Museum, but also delves into the under-the-radar places that only insiders from Mexico City know about. The Fodor's Inside series is designed for travelers looking for authentic, hyperlocal experiences. Perfectly sized to fit in your bag or pocket, these guides are designed with an artistic bent and are easy to use, look good, and don't make you feel like a tourist. Written by Mexico City residents—with customized neighborhood maps and one-of-a-kind, hand-drawn illustrations by Kathryn Holeman—Inside Mexico City covers the restaurants, bars, coffee shops, and boutiques in the neighborhoods that locals love best. Fodor’s Inside Mexico City includes: OFF-THE-BEATEN-PATH COVERAGE to help you explore locally loved, up-and-coming neighborhoods that other guidebooks don’t cover well or at all. ITINERARIES that will help you plan your trip. MAPS that are easy to read, plus a FREE PULL-OUT MAP. BEST BET LISTS with our favorites in a variety of categories including: best local foods, best kid-friendly attractions, and most romantic restaurants. INSTAGRAM-WORTHY PHOTO SPOTS that tell you how and where to get remarkable shots that you’ll definitely want to share. AT A GLANCE FEATURES on local events, history, locally-made goods, books and movies set in Mexico City, and more. COOL PLACES TO STAY highlighting the most unique lodgings in the city. BEST CITY TOURS from the coolest companies, including gallery walks, culinary tours, and mezcal tastings. QUICK SIDE TRIPS to the best places in Teotihuacán, Cuernavaca, and Valle de Bravo. GETTING AROUND features in every neighborhood to make navigation via public transit or walking easy. HAND-DRAWN ILLUSTRATIONS INTERESTING STREET AND PUBLIC ART that is worth discovering. BACK IN THE DAY SPOTLIGHTS of famous spots to give the city historical context. COVERS the best neighborhoods in Mexico City, including Centro Histórico, La Condesa, La Roma, Polanco, Juarez, La Zona Rosa, Coyocán, San Angel, and more. ABOUT FODOR'S AUTHORS: Each Fodor's Travel Guide is researched and written by local experts. Fodor’s has been offering expert advice for all tastes and budgets for over 80 years. For more travel inspiration, you can sign up for our travel newsletter at fodors.com/newsletter/signup, or follow us @FodorsTravel on Facebook, Instagram, and Twitter. We invite you to join our friendly community of travel experts at fodors.com/community to ask any other questions and share your experience with us! Planning on visiting more of Mexico? Check out Fodor’s Los Cabos, Fodor’s Cancun & the Riviera Maya, and Fodor’s Puerto Vallarta. *Important note for digital editions: The digital edition of this guide does not contain all the images or text included in the physical edition.

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A political party worker who produces crowds for electoral rallies. A “prison specialist” who serves other people’s prison sentences in exchange for a large fee. An engineer who is able to secure otherwise impossible building permits. These and other dealmakers—whose behind-the-scenes expertise and labor are often invisible—have an intrinsic role in the city's functioning and can be indispensable for navigating everyday life in Bombay, one of the world’s most complex, dynamic, and populous cities. Bombay Brokers collects profiles of thirty-six such “brokers.” Written by anthropologists, artists, city planners, and activists, these character sketches bring into relief the paradox that these brokers’ knowledge and labor are simultaneously invisible yet essential for Bombay’s functioning. Their centrality reveals the global-scale paradoxes and gaps that these brokers mediate and bridge. In this way, Bombay Brokers prompts a reconsideration of what counts as legitimate and valuable knowledge and labor while offering insight into changing structures of power in Bombay and around the globe. Contributors. Anjali Arondekar, Sarthak Bagchi, Tobias Baitsch, Sangeeta Banerji, Srimati Basu, Tarini Bedi, Amita Bhide, Lisa Björkman, Uday Chandra, Simon Chauchard, Ka-Kin Cheuk, Michael Collins, Daisy Deomampo, Maura Finkelstein, Ajay Gandhi, Rupali Gupte, Kathryn C. Hardy, Lalitha Kamath, Prasad Khanolkar, Bhushan Korgaonkar, Ratoola Kundu, Ken Kuroda, Annelies Kusters, Lisa Mitchell, Shailaja Paik, Gautam Pemmaraju, Lubaina Rangwala, Llerena Guiu Searle, Atreyee Sen, Prasad Shetty, Rohan Shivkumar, Edward Simpson, David Strohl, Rachel Sturman, R. Swaminathan, Aneri Taskar, Yaffa Truelove, Sahana Udupa, Lalit Vachani, Leilah Vevaina

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Decorated current CIA analyst Mark Henshaw continues the “authentic, compelling, and revealing” (Jason Matthews) Red Cell series following agent Kyra Stryker who must work to save the CIA from being torn apart by a mole at the highest echelons, with the help of recently retired analyst, Jonathan Burke.When a dirty bomb goes off in an Israeli port, Israel’s feared intelligence service—the Mossad—unleashes their most deadly assassins across the globe. They suspect that Iran supplied the radioactive material used in the attack, and Israel will protect the homeland by any means necessary. Meanwhile at CIA headquarters in Langley, Virginia, Kyra Stryker is just settling in to her new position: chief of the Red Cell, the CIA’s special ops think tank. Soon after the attack on Israel, the CIA discovers evidence that a mole in Langley is helping Mossad wage its covert war. The FBI launches a counterintelligence investigation led by an ambitious special agent, who quickly identifies a suspect. Not convinced that the FBI has the right man, Stryker asks for help from her former mentors—now-retired Red Cell Chief Jonathan Burke and his wife, former CIA Director Kathryn Cooke—to protect the convenient scapegoat, find the truth, and convince Mossad to stop its assassination campaign before a world war overtakes the Middle East. Kyra’s campaign takes her to Iran, where she uncovers kidnapping, torture, back-channel diplomacy, and an illegal op, but also finds help from the most unlikely source she could imagine. “[A] taut plot” (Publishers Weekly), The Last Man in Tehran is a deeply satisfying, fascinating and thrilling novel by a real-life CIA analyst.

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Change isn’t going anywhere. Learn how to manage it.We live in a wild world of volatility, unpredictability, chaos, and ambiguity, with change seemingly as the only constant. Change can be difficult. It often induces resistance, panic, and fatigue. And, as you may expect or have experienced first-hand, many organizations aren’t handling change all that well, with many efforts resulting in failure. What you may not realize, however, is that some workplace change initiatives are stunning successes, rolling out smoothly and more easily embraced. Why do some change initiatives fail while others succeed? How can organizations and employees handle change better?In The Hard and Soft Sides of Change Management, Kathryn Zukof offers practices and approaches to help you and your organization roll out, receive, and manage change effectively. Namely, Zukof shows that you need to manage the process (or the “hard”) side and the people (or the “soft”) side of change and find the sweet spot between the two. She demonstrates that when you integrate both sides, you and your organization can make change less of a hit-or-miss affair. Successful change management means deploying sound project management techniques that increase the odds of achieving the outcomes of your change initiative. It also means helping employees understand the need and vision for change, so they feel less threatened by it and become excited and energized by what’s ahead.To deliver best results, you need to: Define the change and how to get there—with project charters and plans. Involve the right people in the right ways—from dedicated change teams to affected stakeholders. Build support, understanding, and awareness—with communication, training, and resistance management plans. Assess progress and adjust along the way—through action reviews and steps to tackle thorny issues. Capturing the inherently messy nature of workplace change—from technology implementations, mergers and acquisitions, and business transformations to office relocations and more—this book offers tangible insights to help you and your organization tackle change challenges. Follow the book’s tools and practices to lessen the messy and objectionable parts of change and actively give your change initiatives the best chance for positive outcomes.

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'Ruminative and enigmatic . . . powerful' Simon Armitage'Tenderly inquisitive . . . a powerful poetry of witness . . . full of discovery' Alycia Pirmohamed'Majella Kelly offers so much: ecstatic lyricism . . . emotional excavation and virtuosic skill' Kathryn Maris The astonishing poetry debut exploring hidden histories, mythical landscapes and self-discovery in the face of limits on women's bodily autonomyIn 2017, the presence of a mass grave was confirmed in a disused sewage system in Tuam, County Galway. In it were the bodies of infants - wards of the Bon Secours Mother and Baby Home, where from 1925 to 1961 the children of unmarried women were sent to live their lives in the care of nuns. Their deaths were the result of a conservative culture which, under the influence of the Church, took a prurient interest in women's private lives and bodies.In The Speculations of Country People, her hauntingly lyrical debut collection, Majella Kelly reckons with that legacy. She traces the journeys of women in our own day, from controlling relationships to sexual reawakening and new happiness. The speculations of the title are in part those of gossip, the chatter of small communities everywhere; but they are also those of a local, very Irish mythos, in which pagan and Christian - and truth and legend - blend and blur.Here, then, are hares and selkies, a seductive 'master otter' of 'fabulous elegance' who might carry a woman away in the night; here is the last man on Omey Island; here a retired stuntman, dragging his bed of rusty nails along the beach. And here - quiet, against the beauty and loneliness of the Connemara landscape - are the little bones that wash up on shores or stick from the earth to speak of what has been.

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The unforgettable novel from Nikola Scott about two women - born decades apart - each faced with the knowledge that a man in their lives is not what he seems... Perfect for readers of Dinah Jefferies and Kate Morton.AN EBOOK BESTSELLER 'An atmospheric and gripping read' My Weekly'Wonderful characters and a very moving storyline' Sun'I was completely enthralled' Kathryn Hughes'I loved this touching exploration of love and its capacity for consolation and destruction... compelling and satisfying ' Judith LennoxAugust 1939At peaceful Summerhill, orphaned Maddy hides from the world and the rumours of war. Then her adored sister Georgina returns from a long trip with a new friend, the handsome Victor. Maddy fears that Victor is not all he seems, but she has no idea just what kind of danger has come into their lives...TodayChloe is newly pregnant. This should be a joyful time, but she is fearful for the future, despite her husband's devotion. When chance takes her to Summerhill, she's drawn into the mystery of what happened there decades before. And the past reaches out to touch her in ways that could change everything...What readers are saying about Summer of Secrets: 'An absolute joy... If you only read one book this year I recommend this one' 5 Star Amazon Reviewer'Nikola Scott has a magical way of piecing her stories together and has done her characters proud with the way she has written their journeys. An emotionally charged, harrowing and majestic novel' Kaisha at The Writing Garnet 'Such an intriguing story with a balance of lighter and darker moments. Rich in detail and beautifully told. Five stars from me!' Rachel at Rae Reads

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For many inside and outside the legal academy, the right place to look for law is in constitutions, statutes, and judicial opinions. This book looks for law in the “wrong places”—sites and spaces in which no formal law appears. These may be geographic regions beyond the reach of law, everyday practices ungoverned or ungovernable by law, or works of art that have escaped law’s constraints. Looking for Law in All the Wrong Places brings together essays by leading scholars of anthropology, cultural studies, history, law, literature, political science, race and ethnic studies, religion, and rhetoric, to look at law from the standpoint of the humanities. Beyond showing law to be determined by or determinative of distinct cultural phenomena, the contributors show how law is itself interwoven with language, text, image, and culture. Many essays in this volume look for law precisely in the kinds of “wrong places” where there appears to be no law. They find in these places not only reflections and remains of law, but also rules and practices that seem indistinguishable from law and raise challenging questions about the locations of law and about law’s meaning and function. Other essays do the opposite: rather than looking for law in places where law does not obviously appear, they look in statute books and courtrooms from perspectives that are usually presumed to have nothing to say about law. Looking at law sideways, or upside down, or inside out defamiliarizes law. These essays show what legal understanding can gain when law is denied its ostensibly proper domain. Contributors: Kathryn Abrams, Daniel Boyarin, Wendy Brown, Marianne Constable, Samera Esmeir, Daniel Fisher, Sara Ludin, Saba Mahmood, Rebecca McLennan, Ramona Naddaff, Beth Piatote, Sarah Song, Christopher Tomlins, Leti Volpp, Bryan Wagner

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‘One of the boldest thriller writers working today’ TESS GERRITSEN‘Her characters, plot, and pacing are unrivalled’ MICHAEL CONNELLY__________________________________A darkly comic tale about Mr Less-Than-Average in an average world from the No. 1 Bestseller.Crime fiction obsessive Martin Reed is the proverbial butt of everyone's jokes. Working as a glorified accountant at Southern Toilet Supply and still living with his cantankerous mother, he has become resigned to the world in which he lives - the school bullies now pick on him in the workplace, women still spurn him and his arch enemy is now his supervisor.But then he arrives at work one morning to find the police on site. A co-worker has been brutally murdered and her body abandoned in a ditch. And the overwhelming evidence points to Martin - especially when he can't or won't admit that he has an alibi. When a second victim is found in the company bathroom, things really conspire against Martin. The one bright star on his otherwise bleak horizon is the beautiful and sympathetic Detective Anther Albada, but even she's beginning to have her doubts about his innocence. Could Martin be guilty? Or is he just misunderstood?_________________________________________Crime and thriller masters know there’s nothing better than a little Slaughter:‘I’d follow her anywhere’ GILLIAN FLYNN‘Passion, intensity, and humanity’ LEE CHILD ‘A writer of extraordinary talents’ KATHY REICHS ‘Fiction doesn't get any better than this’ JEFFERY DEAVER ‘A great writer at the peak of her powers’ PETER JAMES ‘Raw, powerful and utterly gripping’ KATHRYN STOCKETT ‘With heart and skill Karin Slaughter keeps you hooked from the first page until the last’ CAMILLA LACKBERG ‘Amongst the world‘s greatest and finest crime writers’ YRSA SIGURÐARDÓTTIR

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Each year, over 40,000 new students enter America's law schools. Each new crop experiences startlingly high rates of depression, anxiety, fatigue, and dissatisfaction. Kathryne M. Young was one of those disgruntled law students. After finishing law school (and a PhD), she set out to learn more about the law school experience and how to improve it for future students. Young conducted one of the most ambitious studies of law students ever undertaken, charting the experiences of over 1000 law students from over 100 different law schools, along with hundreds of alumni, dropouts, law professors, and more. How to Be Sort of Happy in Law School is smart, compelling, and highly readable. Combining her own observations and experiences with the results of her study and the latest sociological research on law schools, Young offers a very different take from previous books about law school survival. Instead of assuming her readers should all aspire to law-review-and-big-firm notions of success, Young teaches students how to approach law school on their own terms: how to tune out the drumbeat of oppressive expectations and conventional wisdom to create a new breed of law school experience altogether. Young provides readers with practical tools for finding focus, happiness, and a sense of purpose while facing the seemingly endless onslaught of problems law school presents daily. This book is an indispensable companion for today's law students, prospective law students, and anyone who cares about making law students' lives better. Bursting with warmth, realism, and a touch of firebrand wit, How to Be Sort of Happy in Law School equips law students with much-needed wisdom for thriving during those three crucial years.

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'I loved every page of this funny, warm, delightful novel!' LIANE MORIARTY'This is the book to beat in 2022. Flawless book. A pure joy. Full of humour, lovable characters, wit and surprises'⭐ ⭐ ⭐ ⭐ ⭐ reader review'Brilliant, funny and uplifting'⭐ ⭐ ⭐ ⭐ ⭐ reader review.......................You can marry into them, but can you ever really be one of them?Things haven't gone well for Simon Larsen lately. He adores his wife, Tansy, and his children, but since his business failed and he lost the family home, he can't seem to get off the couch.His larger-than-life in-laws, the Schnabels - Tansy's mother, sister and brother - won't get off his case. To keep everyone happy, Simon needs to do one little job: he has a week to landscape a friend's backyard for an important Schnabel family event.But as the week progresses, Simon is derailed by the arrival of an unexpected house guest. Then he discovers Tansy is harbouring a secret. As his world spins out of control, who can Simon really count on when the chips are down?Life with the Schnabels is messy, chaotic and joyful, and Dinner with the Schnabels is as heartwarming as it is outrageously funny........................Praise for Dinner with the Schnabels:'Told with great humour and pathos. It is a tonic and a delight' PIP WILLIAMS'Toni Jordan at her finest - brilliantly observed and highly entertaining. I inhaled her words then snorted them out laughing!' JOANNA NELL'Smart, tender, wise and hilarious. This is a dinner I didn't want to leave' KATHRYN HEYMANPraise for Toni Jordan:'Laugh-out-loud funny' The Australian Women's Weekly'Crisp and clever' Saturday Paper'A moving comedy' Who Weekly'An emotionally rich domestic drama' The Australian'Pitch-perfect blend of intelligence, compassion and humour' The Guardian

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Conversations with leading women artists, composers and writers from Judy Chicago, Anohni and Lynne Tillman to Ellie Ga, Tauba Auerbach and Renee Green This massive volume comprises over 80 interviews published across a 13-year span of Lauren O’Neill-Butler’s career as a writer, educator, editor and cofounder of November magazine. The majority of the interviews first appeared on Artforum.com’s interviews column, which O’Neill-Butler edited for 11 years. The book is divided into two sections, “Q&A” and “As Told To”—the first comprising interviews in a traditional format and the second recast by O’Neill-Butler in the interviewee’s voice. Interviewees include: Judy Chicago, Shannon Ebner, Carolee Schneemann, Lucy R. Lippard, Joan Semmel, Liz Deschenes, Eleanor Antin, Andrea Fraser, Anohni, Claudia Rankine, Lorrie Moore, Adrian Piper, fierce pussy, Nan Goldin, Nell Painter, Frances Stark, Sara Greenberger Rafferty, Alex Bag, Agnès Varda, Lisi Raskin, Mary Mattingly, Carol Bove, Jennifer West, Aki Sasamoto, Mary Ellen Carroll, Rebecca Solnit, Rita McBride and Kim Schoenstadt, Karla Black, Julia Bryan-Wilson, Lynda Benglis, Sturtevant, Rachel Foullon, Ellie Ga, Lisa Tan, Mira Schor, Jo Baer, Ruby Sky Stiler, Suzanne Lacy, Rebecca Warren, Katy Siegel, Marlene McCarty, Rachel Mason, Mary Kelly, Dianna Molzan, Lynne Tillman, Polly Apfelbaum, Jesse Jones, Dorothea Rockburne, Sarah Crowner, Lucy Skaer, Sophie Calle, Mary Beth Edelson, W.A.G.E., Mary Heilmann, Pauline Oliveros, Kathryn Andrews, Jessamyn Fiore, Aura Rosenberg, Lucy McKenzie, Rhonda Lieberman, Lucy Dodd, Hong-Kai Wang, Sakiko Sugawa, Beverly Semmes, Virginia Dwan, Jeanine Oleson, Tauba Auerbach, Renee Green, Iman Issa, Monir Shahroudy Farmanfarmaian, Joan Jonas, Yoko Ono, Donna J. Haraway and more.

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How can external actors-governments, regional organizations, the United Nations, financial institutions, nongovernmental organizations-affect the process of democratic transition and consolidation? In Beyond Sovereignty, leading scholars and policy experts examine the experiences of a variety of Latin American nations and the relevant characteristics of intergovernmental and nongovernmental organizations to draw lessons that can be applied globally. The contributors begin by discussing evolving views of sovereignty, democracy, and regional security. They review the past efforts and present capacity of various international organizations-the United Nations, the Organization of American States, external financial institutions, and transnational nongovernmental organizations-to further efforts to deepen democracy. They also offer case studies of how these organizations related to democratic development in Chile, El Salvador, Haiti, and Peru. The last section applies lessons learned to two problematic regimes: Cuba and Mexico. This timely and useful collection will be of interest to all who study democratic transition and consolidation, comparative politics, Latin American politics, international organizations, and international relations more generally. Contributors: Domingo E. Acevedo, Larry Diamond, Jorge I. Dominguez, Denise Dresser, Stephanie J. Eglinton, Patricia Weiss Fagen, Tom Farer, David P. Forsythe, Alicia Frohmann, Claudio Grossman, Anita Isaacs, Anthony P. Maingot, Joan M. Nelson, David Scott Palmer, Karen L. Remmer, Kathryn A. Sikkink, and Fernando R. Teson. "Concern over democracy's uncertain prospects inspired the project that culminates in this volume. Two assumptions shaped the collective effort of its contributors: one, that external actors can contribute to the defense and enhancement of democracy, and two, that tolerance for such external action has increased dramatically-even measures that would once have been widely condemned as impermissible intervention are acquiring a remarkable aura of legitimacy. An increase in tolerance is least marked, however, for unilateral action of a coercive nature, which in the Western Hemisphere usually means action that the Unites States has taken on its own initiative."-from the Introduction

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A Thai foodseller on the streets of Bangkok, a cyclo driver in a Vietnamese village, a Pahari migrant laborer in the Himalayas, a Parsi-Christian professional social worker shuttling back and forth between London and Calcutta—Trans-Status Subjects examines how these and other South and Southeast Asians affect and are affected by globalization. While much work has focused on the changes wrought by globalization—describing how people maintain foundations or are permanently destabilized—this collection theorizes the complex ways individuals negotiate their identities and create alliances in the midst of both stability and instability, as what the editors call trans-status subjects. Using gender paradigms, historical time, and geographic space as driving analytic concerns, the essays gathered here consider the various ways South and Southeast Asians both perpetuate and resist various hierarchies despite unequal mobilities within economic, social, cultural, and political contexts. The contributors—including literary and film theorists, geographers, historians, sociologists, and anthropologists—show how the dominant colonial powers prefigured the ideologies of gender and sexuality that neocolonial nation-states have later refigured; investigate economic and artistic production; and explore labor, capital, and social change. The essays cover a range of locales—including Sri Lanka, Vietnam, Thailand, Singapore, Borneo, Indonesia, and the United States. In investigating issues of power, mobility, memory, and solidarity in recent eras of globalization, the contributors—scholars and activists from South Asia, Southeast Asia, England, Australia, Canada, and the United States—illuminate various facets of the new concept of trans-status subjects.Trans-Status Subjects carves out a new area of inquiry at the intersection of feminisim and critical geography, as well as globalization, postcolonial, and cultural studies. Contributors. Anannya Bhattacharjee, Esha Niyogi De, Karen Gaul, Ketu Katrak, Karen Leonard, Philippa Levine, Kathryn McMahon, Andrew McRae, Susan Morgan, Nihal Perera, Sonita Sarker, Jael Silliman, Sylvia Tiwon, Gisele Yasmeen

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Selected by editor John Barton, the 2023 edition of Best Canadian Poetry showcases the best Canadian poetry writing published in 2021.“My goal,” writes guest editor John Barton of his long career as a literary magazine editor, “was always to be jostled awake, and I soon realized that I was being jostled awake for two—myself and the reader … I came to understand that my job description included an obligation to expose readers to wide varieties of poetry, to challenge their assumptions while expanding their taste.” In selecting this year’s edition of Best Canadian Poetry, Barton brings the same catholic spirit to his survey of Canadian poems published by magazines and journals in 2021. From new work by Canadian favourites to exciting new talents, this year’s anthology offers fifty poems to challenge and enlarge your sense of the power and possibility of Canadian poetry.Featuring:Leslie Joy Ahenda • Billy-Ray Belcourt • Bertrand Bickersteth • Tawahum Bige • Stephanie Bolster • Susan Braley • Moni Brar • Jake Byrne • Helen Cho • Conyer Clayton • Lucas Crawford • Sophie Crocker • Michael Dunwoody • Evelyna Ekoko-Kay • Tyler Engström • Triny Finlay • Elee Kraljii Gardiner • Lise Gaston • Susan Gillis • Beth Goobie • Patrick Grace • Laurie D. Graham • River Halen • Eva H.D. • Louise Bernice Halfe—Skydancer • Sarah Hilton • Karl Jirgens • Mobólúwajídìde D. Joseph • Penn Kemp • Jeremy Loveday • Randy Lundy • Helen Han Wei Luo • Colin Morton • Jordan Mounteer • Samantha Nock • Kathryn Nogue • Michelle Porter • Rebekah Rempel • Armand Garnet Ruffo • Richard Sanger • Nedda Sarshar • K.R. Segriff • Christina Shah • Sandy Shreve • Adrian Southin • J.J. Steinfeld • Sarah Yi-Mei Tsiang • Eric Wang • Tom Wayman • Jan Zwicky

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Film scholarship has long been dominated by textual interpretations of specific films. Looking Past the Screen advances a more expansive American film studies in which cinema is understood to be a social, political, and cultural phenomenon extending far beyond the screen. Presenting a model of film studies in which films themselves are only one source of information among many, this volume brings together film histories that draw on primary sources including collections of personal papers, popular and trade journalism, fan magazines, studio publications, and industry records.Focusing on Hollywood cinema from the teens to the 1970s, these case studies show the value of this extraordinary range of historical materials in developing interdisciplinary approaches to film stardom, regulation, reception, and production. The contributors examine State Department negotiations over the content of American films shown abroad; analyze the star image of Clara Smith Hamon, who was notorious for having murdered her lover; and consider film journalists’ understanding of the arrival of auteurist cinema in Hollywood as it was happening during the early 1970s. One contributor chronicles the development of film studies as a scholarly discipline; another offers a sociopolitical interpretation of the origins of film noir. Still another brings to light Depression-era film reviews and Production Code memos so sophisticated in their readings of representations of sexuality that they undermine the perception that queer interpretations of film are a recent development. Looking Past the Screen suggests methods of historical research, and it encourages further thought about the modes of inquiry that structure the discipline of film studies.Contributors. Mark Lynn Anderson, Janet Bergstrom, Richard deCordova, Kathryn Fuller-Seeley, Sumiko Higashi, Jon Lewis, David M. Lugowski, Dana Polan, Eric Schaefer, Andrea Slane, Eric Smoodin, Shelley Stamp

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For many years there has been growing concern about the culture of fear that is penetrating maternity services throughout the world, and that the fear felt by maternity care workers is directly and indirectly being transferred to the women and families they serve. The consequences of fear includes increased risk of defensive practice, where the woman and her family become potential enemies to those providing her care. In addition, the prevailing risk management and 'tick box' culture in maternity services encourages maternity workers to give priority to the records instead of the childbearing woman. These factors contribute to the dissatisfaction felt by those using and providing maternity services, and the apparent lack of kindness and respect. There is however increasing evidence that kindness, compassion and mutual respect improves efficiency, effectiveness, experience and staff morale within healthcare settings. The Roar Behind the Silence provides information, inspiration and practical suggestions to support maternity care workers, policy makers, and maternity care funders across the world in their quest to deliver sensitive, compassionate and high quality maternity services. The book highlights examples of good practice, and practical tools for making change happen, using evidence and stories where appropriate. Edited by Sheena Byrom & Soo Downe, with contributions by Hana Ruth Abel, Maria Helena Bastos, Dean Beaumont, Dianne Bowser, Anna Byrom, Sheena Byrom, Penny Campling, Michael Clift, Hannah Dahlen, Raymond de Vries, Soo Downe, Ngai Fen Cheung, Julie Frohlich, Kathryn Guttridge, Jennifer Hall, Shelagh Heneghan, Milli Hill, Billie Hunter, Mavis Kirkham, Mande Limbu, Amali Lokugamage, Kerstin Uvnas Moberg, Mercedes Perez-Botella, Gill Phillips, Elizabeth Prochaska, Progress Theatre Group, Rineke Schram, Anna Ternovszky, Lucie Warren and Robin Youngson.

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Reveals the secretive, inaccurate, and often violent ways that the American criminal system really works Curtis Flowers spent twenty-three years on death row for a murder he did not commit. Atlanta police killed 92-year-old Kathryn Johnston during a misguided raid on her home. Rachel Hoffman was murdered at age twenty-three while working for Florida police. Such tragedies are consequences of snitching. Although it is nearly invisible to the public, the massive informant market shapes the American legal system in risky and sometimes shocking ways. Police rely on criminal suspects to obtain warrants, to perform surveillance, and to justify arrests. Prosecutors negotiate with defendants for information and cooperation, offering to drop charges or lighten sentences in exchange. In this book, Alexandra Natapoff provides a comprehensive analysis of this powerful and problematic practice. She shows how informant deals generate unreliable evidence, allow serious criminals to escape punishment, endanger the innocent, and exacerbate distrust between police and poor communities of color. First published over ten years ago, Snitching has become known as the “informant bible,” a leading text for advocates, attorneys, journalists, and scholars. This influential book has helped free the innocent, it has fueled reform at the state and federal level, and it is frequently featured in high-profile media coverage of snitching debacles. This updated edition contains a decade worth of new stories, new data, new legislation and legal developments, much of it generated by the book itself and by Natapoff’s own work. In clear, accessible language, the book exposes the social destruction that snitching can cause in heavily-policed Black neighborhoods, and how using criminal informants renders our entire penal process more secretive and less fair. By delving into the secretive world of criminal informants, Snitching reveals deep and often disturbing truths about the way American justice really works.

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During the nineteenth century, the United States entered the ranks of the world's most advanced and dynamic economies. At the same time, the nation sustained an expansive and brutal system of human bondage. This was no mere coincidence. Slavery's Capitalism argues for slavery's centrality to the emergence of American capitalism in the decades between the Revolution and the Civil War. According to editors Sven Beckert and Seth Rockman, the issue is not whether slavery itself was or was not capitalist but, rather, the impossibility of understanding the nation's spectacular pattern of economic development without situating slavery front and center. American capitalism—renowned for its celebration of market competition, private property, and the self-made man—has its origins in an American slavery predicated on the abhorrent notion that human beings could be legally owned and compelled to work under force of violence. Drawing on the expertise of sixteen scholars who are at the forefront of rewriting the history of American economic development, Slavery's Capitalism identifies slavery as the primary force driving key innovations in entrepreneurship, finance, accounting, management, and political economy that are too often attributed to the so-called free market. Approaching the study of slavery as the originating catalyst for the Industrial Revolution and modern capitalism casts new light on American credit markets, practices of offshore investment, and understandings of human capital. Rather than seeing slavery as outside the institutional structures of capitalism, the essayists recover slavery's importance to the American economic past and prompt enduring questions about the relationship of market freedom to human freedom. Contributors: Edward E. Baptist, Sven Beckert, Daina Ramey Berry, Kathryn Boodry, Alfred L. Brophy, Stephen Chambers, Eric Kimball, John Majewski, Bonnie Martin, Seth Rockman, Daniel B. Rood, Caitlin Rosenthal, Joshua D. Rothman, Calvin Schermerhorn, Andrew Shankman, Craig Steven Wilder.

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Despite a growing consensus that effective palliative care should be a core element in the treatment of all terminally ill patients, challenging questions remain about the physician's role in helping suffering patients end their lives. Physician-assisted dying remains one of the most controversial issues facing doctors, lawmakers, and patients today, and the need for intelligent and informed opinion on both sides of the debate is greater than ever. In this volume, a distinguished group of physicians, ethicists, lawyers, and activists come together to present the case for the legalization of physician-assisted dying, for terminally ill patients who voluntarily request it. To counter the arguments and assumptions of those opposed to legalization of assisted suicide, the contributors examine ethical arguments concerning self-determination and the relief of suffering; analyze empirical data from Oregon and the Netherlands; describe their personal experiences as physicians, family members, and patients; assess the legal and ethical responsibilities of the physician; and discuss the role of pain, depression, faith, and dignity in this decision. Together, the essays in this volume present strong arguments for the ethical acceptance and legal recognition of the practice of physician-assisted dying as a last resort-not as an alternative to excellent palliative care but as an important possibility for patients who seek it. Contributors: Marcia Angell, Anthony L. Back, Charles H. Baron, Andrew I. Batavia, Tom L. Beauchamp, Els Borst-Eilers, Dan W. Brock, Christine K. Cassel, Eric J. Cassel, Barbara Coombs-Lee, Linda Ganzini, Peter Goodwin, Martin Gunderson, Gerrit K. Kimsma, Sylvia A. Law, David Mayo, Alan Meisel, Robert A. Pearlman, Thomas Preston, John Shelby Spong, Helene Starks, Eli D. Stutsman, Kathryn L. Tucker, Johannes J. M. Van Delden, Herman H. van der Kloot Meijburg, Evert van Leeuwen, Jaap J. F. Visser

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Despite the importance of archives to the profession of history, there is very little written about actual encounters with them—about the effect that the researcher’s race, gender, or class may have on her experience within them or about the impact that archival surveillance, architecture, or bureaucracy might have on the histories that are ultimately written. This provocative collection initiates a vital conversation about how archives around the world are constructed, policed, manipulated, and experienced. It challenges the claims to objectivity associated with the traditional archive by telling stories that illuminate its power to shape the narratives that are “found” there.Archive Stories brings together ethnographies of the archival world, most of which are written by historians. Some contributors recount their own experiences. One offers a moving reflection on how the relative wealth and prestige of Western researchers can gain them entry to collections such as Uzbekistan’s newly formed Central State Archive, which severely limits the access of Uzbek researchers. Others explore the genealogies of specific archives, from one of the most influential archival institutions in the modern West, the Archives nationales in Paris, to the significant archives of the Bakunin family in Russia, which were saved largely through the efforts of one family member. Still others explore the impact of current events on the analysis of particular archives. A contributor tells of researching the 1976 Soweto riots in the politically charged atmosphere of the early 1990s, just as apartheid in South Africa was coming to an end. A number of the essays question what counts as an archive—and what counts as history—as they consider oral histories, cyberspace, fiction, and plans for streets and buildings that were never built, for histories that never materialized.Contributors. Tony Ballantyne, Marilyn Booth, Antoinette Burton, Ann Curthoys, Peter Fritzsche, Durba Ghosh, Laura Mayhall, Jennifer S. Milligan, Kathryn J. Oberdeck, Adele Perry, Helena Pohlandt-McCormick, John Randolph, Craig Robertson, Horacio N. Roque Ramírez, Jeff Sahadeo, Reneé Sentilles

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A new look at how reading was practised and represented in England from the seventh century to the beginnings of the print era, finding many kinships between reading cultures across the medieval longue durée. Even as it transforms human cultures, routines, attention spans, and the wiring of our brains, the media revolution of the last few decades also urges a reconsideration of the long history of reading. The essays in this volume take a new look at how reading was practised and represented in England from the seventh century to the beginnings of the print era, using texts from Aldhelm to Malory and Wynkyn de Worde, arguing that whether unpicking intricate Latin, contemplating image-texts, or participating in semiotically-rich public rituals, reading cultivated and energized the subject's values, perceptions, and attitudes to the world. Part I, "Practices of Reading", asks how writers, scribes and artists engaged readerly attention through textual layout, poetic form, hermeneutic difficulty, or images, while Part II, "Politics of Reading", explores how different textual communities manipulated the anxieties and opportunities for education, moral improvement or entertainment associated with reading; particular topics addressed include Bible translation and exegesis, page layout, literary form and readerly practice, fiction, hermeneutics, and performance. Although it understands reading as culturally and technologically localized, the book finds many kinships between reading cultures across the medieval longue durée and the literatures and literacies that proliferate today. Contributors: Amy Appleford, Michelle De Groot, Daniel Donoghue, Andrew James Johnston, Andrew Kraebel, Katherine O'Brien O'Keeffe, Catherine Sanok, Samantha Katz Seal, James Simpson, Emily V. Thornbury, Kathleen Tonry, Kathryn Mogk Wagner, Nicholas Watson, Erica Weaver, Anna Wilson.

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During the nineteenth century, the United States entered the ranks of the world's most advanced and dynamic economies. At the same time, the nation sustained an expansive and brutal system of human bondage. This was no mere coincidence. Slavery's Capitalism argues for slavery's centrality to the emergence of American capitalism in the decades between the Revolution and the Civil War. According to editors Sven Beckert and Seth Rockman, the issue is not whether slavery itself was or was not capitalist but, rather, the impossibility of understanding the nation's spectacular pattern of economic development without situating slavery front and center. American capitalism—renowned for its celebration of market competition, private property, and the self-made man—has its origins in an American slavery predicated on the abhorrent notion that human beings could be legally owned and compelled to work under force of violence. Drawing on the expertise of sixteen scholars who are at the forefront of rewriting the history of American economic development, Slavery's Capitalism identifies slavery as the primary force driving key innovations in entrepreneurship, finance, accounting, management, and political economy that are too often attributed to the so-called free market. Approaching the study of slavery as the originating catalyst for the Industrial Revolution and modern capitalism casts new light on American credit markets, practices of offshore investment, and understandings of human capital. Rather than seeing slavery as outside the institutional structures of capitalism, the essayists recover slavery's importance to the American economic past and prompt enduring questions about the relationship of market freedom to human freedom. Contributors: Edward E. Baptist, Sven Beckert, Daina Ramey Berry, Kathryn Boodry, Alfred L. Brophy, Stephen Chambers, Eric Kimball, John Majewski, Bonnie Martin, Seth Rockman, Daniel B. Rood, Caitlin Rosenthal, Joshua D. Rothman, Calvin Schermerhorn, Andrew Shankman, Craig Steven Wilder.

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The vast and mysterious universe is explored in this anthology from award-winning editor and anthologist Neil Clarke (Clarkesworld magazine, The Best Science Fiction of the Year).The urge to explore and discover is a natural and universal one, and the edge of the unknown is expanded with each passing year as scientific advancements inch us closer and closer to the outer reaches of our solar system and the galaxies beyond them.Generations of writers have explored these new frontiers and the endless possibilities they present in great detail. With galaxy-spanning adventures of discovery and adventure, from generations ships to warp drives, exploring new worlds to first contacts, science fiction writers have given readers increasingly new and alien ways to look out into our broad and sprawling universe. Stories include are: A Jar of Goodwill — Tobias S. Buckell Mono no aware — Ken Liu Rescue Mission — Jack Skillingstead Shiva in Shadow — Nancy Kress Slow Life — Michael Swanwick Three Bodies at Mitanni — Seth Dickinson The Deeps of the Sky — Elizabeth Bear Diving into the Wreck — Kristine Kathryn Rusch The Voyage Out — Gwyneth Jones The Symphony of Ice and Dust — Julie Novakova Twenty Lights to “The Land of Snow” — Michael Bishop The Firewall and the Door — Sean McMullen Permanent Fatal Errors — Jay Lake Gypsy — Carter Scholz Sailing the Antarsa — Vandana Singh The Mind is Its Own Place — Carrie Vaughn The Wreck of the Godspeed — James Patrick Kelly Seeing — Genevieve Valentine Travelling into Nothing — An Owomoyela Glory — Greg Egan The Island — Peter Watts The Final Frontier delivers stories from across this literary spectrum, a reminder that the universe is far large and brimming with possibilities than we could ever imagine, as hard as we may try.

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"This compendium of research on insider threats is essential reading for all personnel with accountabilities for security; it shows graphically the extent and persistence of the threat that all organizations face and against which they must take preventive measures."— Roger Howsley, Executive Director, World Institute for Nuclear Security High-security organizations around the world face devastating threats from insiders—trusted employees with access to sensitive information, facilities, and materials. From Edward Snowden to the Fort Hood shooter to the theft of nuclear materials, the threat from insiders is on the front page and at the top of the policy agenda. Insider Threats offers detailed case studies of insider disasters across a range of different types of institutions, from biological research laboratories, to nuclear power plants, to the U.S. Army. Matthew Bunn and Scott D. Sagan outline cognitive and organizational biases that lead organizations to downplay the insider threat, and they synthesize "worst practices" from these past mistakes, offering lessons that will be valuable for any organization with high security and a lot to lose. Insider threats pose dangers to anyone who handles information that is secret or proprietary, material that is highly valuable or hazardous, people who must be protected, or facilities that might be sabotaged. This is the first book to offer in-depth case studies across a range of industries and contexts, allowing entities such as nuclear facilities and casinos to learn from each other. It also offers an unprecedented analysis of terrorist thinking about using insiders to get fissile material or sabotage nuclear facilities. Contributors: Matthew Bunn, Harvard University; Andreas Hoelstad Dæhli, Oslo; Kathryn M. Glynn, IBM Global Business Services;Thomas Hegghammer, Norwegian Defence Research Establishment, Oslo; Austin Long, Columbia University; Scott D. Sagan, Stanford University; Ronald Schouten, Massachusetts General Hospital and Harvard Medical School; Jessica Stern, Harvard University; Amy B. Zegart, Stanford University

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Sometimes, to find love, you have to be a little accommodating… A whip-smart, hilariously funny romcom for fans of Mhairi McFarlane and Sophie Kinsella! ‘Witty, heartwarming and totally relatable’ Kathryn Freeman Cath Beckinsale is in a jam. She’s a single mum of three, with her 40th birthday in sight and a precarious hold on employment. And she can’t quite let go of her late husband Gaz, whose ashes are still in an urn on the kitchen table. To make ends meet a student lodger seems like the perfect solution – after all, what’s one more child in the house? But when Dan flies in from the US with guitar and chest hair on display, it’s immediately clear that he’s no teenager, but someone who quickly sends life in an unexpected direction. ‘Properly hilarious yet touching and real …serving up laugh after laugh amid the challenges of life’ Pernille Hughes Readers love The Accidental Housemate: ‘I loved every page of this book. Thank you Sal Thomas for giving me so many laughs’ ⭐⭐⭐⭐⭐ ‘Absolutely brilliant. Loved, loved, loved the characters and it was just so heartwarming and uplifting’ ⭐⭐⭐⭐⭐ ‘Did I dislike anything about this book? Absolutely not! Well other than the fact I didn’t want it to end’ ⭐⭐⭐⭐⭐ ‘Witty and charming story. Had me laughing out loud at several points’ ⭐⭐⭐⭐⭐ ‘A lovely, lovely read. Definitely a great one to read on the beach’ ⭐⭐⭐⭐⭐ ‘I loved this book so much!!!’ ⭐⭐⭐⭐⭐ ‘Not what I was expecting, as it was so much better’ ⭐⭐⭐⭐⭐ ‘An utter gem of a book…has all the feels; its poignant, funny and smart’ ⭐⭐⭐⭐⭐

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Reveals the secretive, inaccurate, and often violent ways that the American criminal system really works Curtis Flowers spent twenty-three years on death row for a murder he did not commit. Atlanta police killed 92-year-old Kathryn Johnston during a misguided raid on her home. Rachel Hoffman was murdered at age twenty-three while working for Florida police. Such tragedies are consequences of snitching. Although it is nearly invisible to the public, the massive informant market shapes the American legal system in risky and sometimes shocking ways. Police rely on criminal suspects to obtain warrants, to perform surveillance, and to justify arrests. Prosecutors negotiate with defendants for information and cooperation, offering to drop charges or lighten sentences in exchange. In this book, Alexandra Natapoff provides a comprehensive analysis of this powerful and problematic practice. She shows how informant deals generate unreliable evidence, allow serious criminals to escape punishment, endanger the innocent, and exacerbate distrust between police and poor communities of color. First published over ten years ago, Snitching has become known as the “informant bible,” a leading text for advocates, attorneys, journalists, and scholars. This influential book has helped free the innocent, it has fueled reform at the state and federal level, and it is frequently featured in high-profile media coverage of snitching debacles. This updated edition contains a decade worth of new stories, new data, new legislation and legal developments, much of it generated by the book itself and by Natapoff’s own work. In clear, accessible language, the book exposes the social destruction that snitching can cause in heavily-policed Black neighborhoods, and how using criminal informants renders our entire penal process more secretive and less fair. By delving into the secretive world of criminal informants, Snitching reveals deep and often disturbing truths about the way American justice really works.

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My little boy's room was empty, his bed neatly made. Alarm bells should have rung immediately. Then the knock on the door came. All I remember is a thick fog wrapping itself tightly around me. This couldn't be happening to us . . . Three years ago, nurse Zoe's son Ethan was found drowned in a muddy river by their home, along with his best friend Josh. With no witnesses, their deaths were ruled a tragic accident. Heartbroken, Zoe and her family move away from her home. They're just beginning to get back to some kind of normality, when, out of the blue, Zoe receives an anonymous email: You need to find out the truth about what happened to your son. Don't let this rest. Don't believe the lie. Shaken, Zoe starts an obsessive hunt for the truth. But why is her husband so reluctant to help? And why is Josh's mother so determined not to believe her? An absolutely unputdownable psychological thriller about a mother's desperate search for the truth. Fans of Jane Corry, Jenny Blackhurst and Rachel Abbott will be hooked from the very first page.See what readers are saying about The Warning:'Man, what a book! Can I repeat again - what a book!...a thrilling rush in each page ...a total rollercoaster ride. I loved its bumpy roads, the twists and turns churned my stomach, and I enjoyed every bit of it'. Book Reviews by Shalini'Oh my goodness! This twisty thriller keeps you on the edge of your seat all the way until the very end ...fascinating ... I could not put it down...interesting and captivating.' Goodreads Reviewer, 5 stars.'Absolutely cracking psychological thriller... a truly magnificent read. I was glued to it from start to finish, barely able to put it down... the exact book I needed to kick my reading mojo back into gear.' Leah Reads Books'OMG Kathryn Croft has done it again!!! I devoured this book in two days!!! I absolutely loved it along with all the other books I've read of hers. From the beginning to end kept in suspense and shock. I really didn't see any of it coming.' Goodreads Reviewer, 5 stars'I proudly hand over 5 twisty messed-up stars to this book!!! I loved this and all the WTF moments... It was so freakin' cool to read! Very interesting plot(s) going on here!! Twisted, twisty, dark, sad, awesome!!! Oh let's just say... THAT ending!... 5 Stars from me!!!' Goodreads Reviewer, 5 stars

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Examines how images of accumulation help open up the climate to political mobilization The current epoch is one of accumulation: not only of capital but also of raw, often unruly material, from plastic in the ocean and carbon in the atmosphere to people, buildings, and cities. Alongside this material growth, image-making practices embedded within the fields of art and architecture have proven to be fertile, mobile, and capacious. Images of accumulation help open up the climate to cultural inquiry and political mobilization and have formed a cultural infrastructure focused on the relationships between humans, other species, and their environments.The essays in Accumulation address this cultural infrastructure and the methodological challenges of its analysis. They offer a response to the relative invisibility of the climate now seen as material manifestations of social behavior. Contributors outline opportunities and ambitions of visual scholarship as a means to encounter the challenges emergent in the current moment: how can climate become visible, culturally and politically? Knowledge of climatic instability can change collective behavior and offer other trajectories, counteraccumulations that draw the present into a different, more livable, future.Contributors: Emily Apter, New York U; Hans Baumann; Amanda Boeztkes, U of Guelph; Dominic Boyer, Rice U; Lindsay Bremner, U of Westminster; Nerea Calvillo, U of Warwick; Beth Cullen, U of Westminster; T. J. Demos, U of California, Santa Cruz; Jeff Diamanti, U of Amsterdam; Jennifer Ferng, U of Sydney; Jennifer Gabrys, U of Cambridge; Ian Gray, U of California, Los Angeles; Gökçe Günel, Rice U; Orit Halpern, Concordia U; Gabrielle Hecht, Stanford U; Cymene Howe, Rice U; Wendy Hui Kyong Chun, Simon Fraser U; Robin Kelsey, Harvard U; Bruno Latour, Sciences Po, Paris; Hannah le Roux, U of the Witwatersrand, Johannesburg; Stephanie LeMenager, U of Oregon; Nashin Mahtani; Kiel Moe, McGill U; Karen Pinkus, Cornell U; Stephanie Wakefield, Life U; McKenzie Wark, The New School; Kathryn Yusoff, Queen Mary U of London.

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