Search results for ""author kathryn"

New essays on Thomas Traherne challenge traditional critical readings of the poet. Thomas Traherne has all too often been defined and studied as a solitary thinker, "out of his time", and not as a participant in the complex intellectual currents of the period. The essays collected here take issue with this reading, placing Traherne firmly in his historical context and situating his work within broader issues in seventeenth-century studies and the history of ideas. They draw on recently published textual discoveries alongside manuscripts which will soon be published for the first time. They address major themes in Traherne studies, including Traherne's understanding of matter and spirit, his attitude towards happiness and holiness, his response to solitude and society, and his Anglican identity. As a whole, the volume aims to re-ignite discussion on settled readings of Traherne's work, to reconsider issues in Traherne scholarship which have long lain dormant, and to supplement our picture of the man and his writings through new discoveries and insights. Elizabeth S. Dodd is programme leader for the MA in theology, ministry and mission and lecturer in theology, imagination and culture at Sarum College, Salisbury; Cassandra Gorman is lecturer in English at Trinity College, Cambridge. Contributors: Jacob Blevins, Warren Chernaik, Phoebe Dickerson, Elizabeth S. Dodd, Ana Elena González-Treviño, Cassandra Gorman, Carol Ann Johnston, Alison Kershaw, Kathryn Murphy

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This revised and updated second edition of The Globalization and Development Reader builds on the considerable success of a first edition that has been used around the world. It combines selected readings and editorial material to provide a coherent text with global coverage, reflecting new theoretical and empirical developments. Main text and core reference for students and professionals studying the processes of social change and development in “third world” countries. Carefully excerpted materials facilitate the understanding of classic and contemporary writings Second edition includes 33 essential readings, including 21 new selections New pieces cover the impact of the recession in the global North, global inequality and uneven development, gender, international migration, the role of cities, agriculture and on the governance of pharmaceuticals and climate change politics Increased coverage of China and India help to provide genuinely global coverage, and for a student readership the materials have been subject to a higher degree of editing in the new edition Includes a general introduction to the field, and short, insightful section introductions to each reading New readings include selections by Alexander Gershenkron, Alice Amsden, Amartya Sen, Anne-Marie Slaughter, Cecile Jackson, Dani Rodrik, David Harvey, Greta Krippner, Kathryn Sikkink, Leslie Sklair, Margaret E. Keck, Michael Burawoy, Nitsan Chorev, Oscar Lewis, Patrick Bond, Peter Evans, Philip McMichael, Pranab Bardhan, Ruth Pearson, Sarah Babb, Saskia Sassen, and Steve Radelet

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This book offers pragmatic advice for archival researchers. Archival research of any magnitude can be daunting. With this in mind, Alexis E. Ramsey, Wendy Sharer, Barbara L'Eplattenier, and Lisa Mastrangelo have developed an indispensable volume for the first-time researcher as well as the seasoned scholar. ""Working in the Archives"" is a guide to the world of rhetoric and composition archives, from locating an archival source and its materials to establishing one's own collection of archival materials. This practical volume provides insightful information on a variety of helpful topics, such as basic archival theory, processes, and principles; the use of hidden or digital archives; the intricacies of searching for and using letters and photographs; strategies for addressing the dilemmas of archival organization without damaging the provenance of materials; the benefits of seeking sources outside academia; and the difficult (yet often rewarding) aspects of research on the Internet. ""Working in the Archives"" moves beyond the basics to discuss the more personal and emotional aspects of archival work through the inclusion of interviews with experienced researchers such as Lynee Lewis Gaillet, Peter Mortensen, Kathryn Fitzgerald, Kenneth Lindblom, and David Gold. Each shares his or her personal stories of the joys and challenges that face today's researchers. Packed with useful recommendations, this volume draws on the knowledge and experiences of experts to present a well-rounded guidebook to the often winding paths of academic archival investigation. These in-depth yet user-friendly essays provide crucial answers to the myriad questions facing both fledgling and practiced researchers, making Working in the Archives an essential resource.

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The iconic Star Trek characters' lifestories told for the first time in their own words; perfect for fans of the upcoming Star Trek: Strange New Words. James T. Kirk chronicles the greatest Starfleet captain's life (2233-2293), in his own words. From his youth spent on Tarsus IV, his time in the Starfleet Academy, his meteoric raise through the ranks of Starfleet, and his illustrious career at the helm of the Enterprise, this in-world memoir uncovers Captain Kirk in a way Star Trek fans have never seen. Jean-Luc Picard tells the story of one of the most celebrated names in Starfleet history. His extraordinary life and career makes for dramatic reading: court martials, unrequited love, his capture and torture at the hand of the Cardassians, his assimilation with the Borg and countless other encounters as captain of the celebrated starship Enterprise. Kathryn Janeway reveals her career in Starfleet, from her first command to her epic journey through the Delta Quadrant leading to her rise to the top as vice-admiral in Starfleet Command. The woman who travelled further than any human ever had before, stranded decades from home, encountering new worlds and species and overcoming one of Starfleet's greatest threats - the Borg - on their own remote and hostile territory.

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Regulation by public and private organizations can be hijacked by special interests or small groups of powerful firms, and nowhere is this easier than at the global level. In whose interest is the global economy being regulated? Under what conditions can global regulation be made to serve broader interests? This is the first book to examine systematically how and why such hijacking or "regulatory capture" happens, and how it can be averted. Walter Mattli and Ngaire Woods bring together leading experts to present an analytical framework to explain regulatory outcomes at the global level and offer a series of case studies that illustrate the challenges of a global economy in which many institutions are less transparent and are held much less accountable by the media and public officials than are domestic institutions. They explain when and how global regulation falls prey to regulatory capture, yet also shed light on the positive regulatory changes that have occurred in areas including human rights, shipping safety, and global finance. This book is a wake-up call to proponents of network governance, self-regulation, and the view that technocrats should be left to regulate with as little oversight as possible. In addition to the editors, the contributors are Kenneth W. Abbott, Samuel Barrows, Judith L. Goldstein, Eric Helleiner, Miles Kahler, David A. Lake, Kathryn Sikkink, Duncan Snidal, Richard H. Steinberg, and David Vogel.

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Almost every person works at some point in their lives. The Research Handbook on Work and Well-Being examines the association of particular work experiences with employee and organizational health and performance. Ronald J. Burke and Kathryn M. Page bring together an impressive collection of contributions where well-being is considered an umbrella term for happiness, satisfaction, flow, engagement, commitment and organizational identification, among other concepts. Chapters describe successful organizational efforts to achieve high levels of employee well-being and creating psychologically healthy workplaces. They cover topics such as transformational leadership, organizational support, training and development and supportive work-family policies and programs. Acknowledging that work experiences and conditions can also contribute to dissatisfaction, insecurity, illness, injuries and even death, they also examine negative work experiences and conditions such as abusive supervision, occupational stress, little control and insecurity. Practical and engaging, this Handbook will appeal to academics and students interested in work and health. Containing the latest research evidence, it will also offer valuable insights to human resource managers, organizational wellness managers and occupational health practitioners.Contributors include: B.L. Ahrens, H.C. Atkinson, D.W. Ballard, T.M. Brobst, R.J. Burke S. Clarke, J.P. Dahms, A. Day, J.K. Dimoff, K.J. Emich, P. Fairlie, M.J. Grawitch, S. Gregersen, J. Halbesleben, N. Hartling, F. Hull, E.K. Kelloway, D. Klotz, C. Korunka, B. Kubicek, M. Lafleche, T. LaMontagne, L.M. Lavaysse, W. Lewchuk, H. Lingard, J. Leilanie Del Prado Lu, A. Milner, K. Moore, V.J. Morganson, A. Nienhaus, K. Page, A. Pervez, N. Reavley, A.M. Richardsen, T.Taris, C. Thomson, M. Turner, S. Vincent-Hoper, J. Weston, T.A. Wright, C.M. Youssef-Morgan

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Joy Harjo's play Wings of Night Sky, Wings of Morning Light is the centerpiece of this collection that includes essays and interviews concerning the roots and the reaches of contemporary Native Theater. Harjo blends storytelling, music, movement, and poetic language in Wings of Night Sky, Wings of Morning Light—a healing ceremony that chronicles the challenges young protagonist Redbird faces on her path to healing and self-determination. This text is accompanied by interviews with Native theater artists Rolland Meinholtz and Randy Reinholz, as well as an interview with Harjo, conducted by Page. The interviews highlight the lives and contributions of Meinholtz, a theater artist and educator who served as the drama instructor at the Institute of American Indian Arts from 1964–70 and a close mentor and friend to Harjo; and Reinholz, producing artistic director of Native Voices at the Autry, the nation's only Equity theater company dedicated exclusively to the development and production of new plays by Native American, First Nations, and Alaska Native playwrights. The new interview with Harjo focuses on her experiences working in theater. Essays on Harjo's work are provided by Mary Kathryn Nagle—an enrolled citizen of the Cherokee nation, playwright, and attorney who shares her insights on the legal and historical frameworks through which we can better understand the significance of Harjo's play; and Priscilla Page—writer, performer, and educator (of Wiyot heritage), who looks at indigenous feminism, jazz, and performance as influences on Harjo's theatrical work.

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Essays exploring medieval castration, as reflected in archaeology, law, historical record, and literary motifs. Castration and castrati have always been facets of western culture, from myth and legend to law and theology, from eunuchs guarding harems to the seventeenth- and eighteenth-century castrati singers. Metaphoric castration pervadesa number of medieval literary genres, particularly the Old French fabliaux - exchanges of power predicated upon the exchange or absence of sexual desire signified by genitalia - but the plain, literal act of castration and its implications are often overlooked. This collection explores this often taboo subject and its implications for cultural mores and custom in Western Europe, seeking to demystify and demythologize castration. Its subjects includearchaeological studies of eunuchs; historical accounts of castration in trials of combat; the mutilation of political rivals in medieval Wales; Anglo-Saxon and Frisian legal and literary examples of castration as punishment; castration as comedy in the Old French fabliaux; the prohibition against genital mutilation in hagiography; and early-modern anxieties about punitive castration enacted on the Elizabethan stage. The introduction reflects on these topics in the context of arguably the most well-known victim of castration in the middle ages, Abelard. LARISSA TRACY is Associate Professor of Medieval Literature at Longwood University. Contributors: Larissa Tracy, Kathryn Reusch, Shaun Tougher, Jack Collins, Rolf H. Bremmer Jr, Jay Paul Gates, Charlene M. Eska, Mary A. Valante, Anthony Adams, Mary E. Leech, Jed Chandler, Ellen Lorraine Friedrich, Robert L.A. Clark, Karin Sellberg, LenaWånggren

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Selections from the "Pandemic Files" published by The Yale Review, the preeminent journal of literature and ideas“If only our response to the pandemic on other fronts could have been as speedy and potent as this literary one.”—Kirkus Reviews, starred review In beautifully written and powerfully thought prose, A World Out of Reach offers a crucial record of COVID-19 and the cataclysmic spring of 2020—a record for us and for posterity—in the arresting voices of poets, essayists, scholars, and health care workers. Ranging from matters of policy and social justice to ancient history and personal stories of living under lockdown, this vivid compilation from The Yale Review presents a first draft of one of the most tumultuous periods in recent history.Contributors: Katie Kitamura • Laura Kolbe • Nitin Ahuja • Rena Xu • Alicia Christoff • Miranda Featherstone • Maya C. Popa • Major Jackson • John Witt • Octávio Luiz Motta Ferraz • Joan Naviyuk Kane • Nell Freudenberger • Briallen Hopper • Brandon Shimoda • Yusef Komunyakaa • Laren McClung • Eric O’Keefe-Krebs • Sean Lynch • Millicent Marcus • Meghana Mysore • Rachel Jamison Webster • Emily Ziff Griffin • Rowan Ricardo Philips • Kathryn Lofton • Monica Ferrell • Russell Morse • Randi Hutter Epstein • Noreen Khawaja • Victoria Chang • Joyelle McSweeney • Khameer Kidia • Emily Greenwood • Elisa Gabbert • Emily Bernard • Hafizah Geter • Emily Gogolak • Roger Reeves

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'One of the boldest thriller writers working today' TESS GERRITSEN'Her characters, plot, and pacing are unrivalled. . .' MICHAEL CONNELLY________________________________________The second book in Karin Slaughter's #1 bestselling GRANT COUNTY series.When a teenage quarrel in the small town of Heartsdale explodes into a deadly shoot-out, Sara Linton - paediatrician and medical examiner - finds herself entangled in a horrific tragedy. What seems at first to be an individual catastrophe has wider implications when the autopsy reveals evidence of long-term abuse and ritualistic self-mutilation.Sara and police chief Jeffrey Tolliver start to investigate, but the children surrounding the victim close ranks. The families turn their backs. Then a young girl is abducted, and it soon becomes clear that the first death is linked to an even more brutal crime.And unless Sara and Jeffrey can uncover the deadly secrets the children hide, it is going to happen again._________________________________________Crime and thriller masters know there's nothing better than a little Slaughter:'I'd follow her anywhere' GILLIAN FLYNN'Passion, intensity, and humanity' LEE CHILD'A writer of extraordinary talents' KATHY REICHS'Fiction doesn't get any better than this' JEFFERY DEAVER'A great writer at the peak of her powers' PETER JAMES'Raw, powerful and utterly gripping' KATHRYN STOCKETT'With heart and skill Karin Slaughter keeps you hooked from the first page until the last' CAMILLA LACKBERG'Amongst the world's greatest and finest crime writers' YRSA SIGURÐARDÓTTIR

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Pursuing a dream is hard work, but the right words delivered at the right time—by people who’ve been there and done that—can give us just the motivation we need. The right words can rekindle our enthusiasm, re-energize our efforts, dispel doubt, let us know we’re not alone, and show us that the fight is worth it—and winnable. Kathryn and Ross Petras are masters at choosing and delivering just the right words. Their books—such as “Age Doesn’t Matter Unless You’re a Cheese” and “Dance First. Think Later.”—and bestselling calendar, The 365 Stupidest Things Ever Said, have over 5.2 million copies in print. Now comes a book for dreamers and doers, plus writers, entrepreneurs, graduates, artists, future movers and shakers. Collecting the hard-won, brilliantly expressed advice from pioneers who have paved the way, including everyone from Rumi to Steve Jobs, Michelangelo to Oprah to Tina Fey, “It Always Seems Impossible Until It’s Done” is like a rousing locker-room speech, inspiring courage, commitment, and perseverance.“I’ve missed more than 9,000 shots in my career. I’ve lost almost 300 games. 26 times, I’ve been trusted to take the game-winning shot and missed. I’ve failed over and over and over again in my life. And that is why I succeed.” —Michael Jordan“Go for it, baby! Life ain’t no dress rehearsal.” —Tallulah Bankhead “Perfection is like chasing the horizon. Keep moving.” —Neil Gaiman“If you aren’t in over your head, how do you know how tall you are?” —T. S. Eliot“It always seems impossible until it’s done.” —Nelson Mandela

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Three definitions of the word Yield give meaning to the odyssey undergone in Claire Dyer’s third collection: a journey which sees a son become a daughter, and a mother a poet for both of them. Charting these transitions, the poems take us through territories known and familiar – landscapes of childhood, family and home – into further regions where inner lives alter, outer ones are reimagined. Whether evoking clinic visits, throwing away old boyhood clothes, grieving over what’s lost, these honest and unashamed poems build to celebrate that place at the heart of motherhood where gender is no differentiator and love the gain. 'The actual things of the world are everywhere in Claire Dyer’s Yield – thick socks, Glenfiddich, bathrobes, Swarfega, Swedish Meatball Wraps – and in the spaces between move families, friends, lovers, their interrelations astutely picked out as the unsaid is made solid. But such rooted settings don’t prevent flight. Any poet who can end a poem with the lines “the bones in its spine small white discs of” or “Fuck the gob-lin. Rock it” has earned the right to our attention.' ~ Matthew Caley 'There is so much that is uncompromising in Claire Dyer’s poems: the cruel precision of each word, line and image, and the sharply perfect intelligence of every metaphor and conceit. And yet Yield is a warm embrace of a book. A chronicle of love, generosity and ethics, Yield is a restorative piece of writing – a solace.' ~ Kathryn Maris

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This collection of essays provides the first systematic and multidisciplinary analysis of the role of gender in the formation and dissemination of the American social sciences in the late nineteenth and early twentieth centuries. Other books have traced the history of academic social science without paying attention to gender, or have described women's social activism while ignoring its relation to the production of new social knowledge. In contrast, this volume draws long overdue attention to the ways in which changing gender relations shaped the development and organization of the new social knowledge. And it challenges the privileged position that academic--and mostly male--social science has been granted in traditional histories by showing how women produced and popularized new forms of social knowledge in such places as settlement houses and the Russell Sage Foundation. The book's varied perspectives, building on recent work in history and feminist theory, break from the traditional view of the social sciences as objective bodies of expert knowledge. Contributors examine new forms of social knowledge, rather, as discourses about gender relations and as methods of cultural critique. The book will create a new framework for understanding the development of both social science and the history of gender relations in the United States. The contributors are: Guy Alchon, Nancy Berlage, Desley Deacon, Mary Dietz, James Farr, Nancy Folbre, Kathryn Kish Sklar, Dorothy Ross, Helene Silverberg, and Kamala Visweswaran.

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Assessing the dawn of the Anthropocene era, a poet and philosopher asks: How do we live at the end of the world? The end of the Holocene era is marked not just by melting glaciers or epic droughts, but by the near universal disappearance of shared social enterprise: the ruling class builds walls and lunar shuttles, while the rest of us contend with the atrophy of institutional integrity and the utter abdication of providing even minimal shelter from looming disaster. The irony of the Anthropocene era is that, in a neoliberal culture of the self, it is forcing us to consider ourselves as a collective again. For those of us who are not wealthy enough to start a colony on Mars or isolate ourselves from the world, the Anthropocene ends the fantasy of sheer individualism and worldlessness once and for all. It introduces a profound sense of time and events after the so-called "end of history" and an entirely new approach to solidarity. How to Live at the End of the World is a hopeful exploration of how we might inherit the name "Anthropocene," renarrate it, and revise our way of life or thought in view of it. In his book on time, art, and politics in an era of escalating climate change, Holloway takes up difficult, unanswered questions in recent work by Donna Haraway, Kathryn Yusoff, Bruno Latour, Dipesh Chakrabarty, and Isabelle Stengers, sketching a path toward a radical form of democracy—a zoocracy, or, a rule of all of the living.

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What is sex exactly? Does everyone agree on a definition? And does that definition hold when considering literary production in other times and places? Sex before Sex makes clear that we cannot simply transfer our contemporary notions of what constitutes a sex act into the past and expect them to be true for the people who were then reading literature and watching plays. The contributors confront how our current critical assumptions about definitions of sex restrict our understanding of representations of sexuality in early modern England. Drawing attention to overlooked forms of sexual activity in early modern culture, from anilingus and interspecies sex to “chin-chucking” and convivial drinking, Sex before Sex offers a multifaceted view of what sex looked like before the term entered history. Through incisive interpretations of a wide range of literary texts, including Romeo and Juliet, The Comedy of Errors, Paradise Lost, the figure of Lucretia, and pornographic poetry, this collection queries what might constitute sex in the absence of a widely accepted definition and how a historicized concept of sex affects the kinds of arguments that can be made about early modern sexualities.Contributors: Holly Dugan, George Washington U; Will Fisher, CUNY–Lehman College; Stephen Guy-Bray, U of British Columbia; Melissa J. Jones, Eastern Michigan U; Thomas H. Luxon, Dartmouth College; Nicholas F. Radel, Furman U; Kathryn Schwarz, Vanderbilt U; Christine Varnado, U of Buffalo–SUNY.

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Without environmental justice, there can be no social justice. The critical symptoms of human suffering, climate collapse and animal maltreatment are now global and far-reaching. Despite their interdependence, the treatment of these afflictions remains disconnected. What follows is policy and design decisions that fail to tackle the problems collectively. Exposing the narrow perspectives that dominate architectural discourse and practice, this volume sets the table for inclusive architectural engagement during a time circumscribed by pandemic, climate change and inequality. An respected group of international voices amplifies interactions relating to sexism, racism, classism, homophobia, transphobia and environmental catastrophe, exploring how they are inextricably linked. Without acknowledging the interconnectedness of these injustices, we will not find effective ways to halt the deepening crisis. Or be able to experience an architecture that addresses the effects of the human-centred Anthropocene age. Readers are invited to imagine, rage, rail, protest, contest, channel, dream and envision from a position of humility, equity, and in some instances, experiential fury. The future of architecture is contingent on working at the intersection. Features: Marcos Cruz, Casper Laing Ebbensgaard, Antón García-Abril, Alexandra Daisy Ginsburg, Ariane Lourie Harrison, Kerry Holden, Walter Hood, Joyce Hwang, Kabage Karanja, V. Mitch McEwen, Débora Mesa, Timothy Morton, Stella Mutegi, Brenda Parker, Carolyn Steel, McKenzie Wark, Kathryn Yusoff and Joanna Zylinska.

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Chance is a photography magazine and serialized art book that looks at the world through the lens of theater and design. A calm, noise-free place to engage with the aesthetics of design in detail, Chance integrates all of the arts, material and non-material, into a single space where the poetry of human thought can expand our desire for a more provocative and lifted engagement with design. The team at Chance produces an original photo shoot of nearly every production they cover, and believe that a more thorough glimpse into the world of design can change the way people think and write about the theater and the artists who create for it. Started in 2012 by a group of designers, writers and artists, Chance is more than a magazine. As a thoroughly stylized and high-quality publication, Chance is an immersive, image-rich, serialized art-book on contemporary events in performance and design that comprehensively redefines the relationship between theater and print. In Issue 4: Unbound, new spaces mean new ideas, and the reactivation of theatre as a literary contact sport. Chance 4 includes Kathryn Hamilton's Sister Sylvester; the Comedie-Francaise and Virginie Gervaise; The Chekhov Project at Lake Lucille; Rita Ryack's Casa Valentina; Tim Etchells' and Hugo Glendinning's Empty Stages; James Thompson's work in the Democratic Republic of the Congo; Sandrine Philippe's stage-ready couture; design legend Eugene Lee's library; the Toneelgroep's scenographer Jan Versweyveld and video designer Tal Yarden; Hugh Hardy's new buildings for LCT3 and TFANA; Kristen Robinson's broken space for Nora; and Jeff Hinchee's paper theatre kit.

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The popularity of such books as Frank McCourt's Angela's Ashes, Mary Karr's The Liars' Club, and Kathryn Harrison's controversial The Kiss, has led columnists to call ours "the age of memoir." And while some critics have derided the explosion of memoir as exhibitionistic and self-aggrandizing, literary theorists are now beginning to look seriously at this profusion of autobiographical literature. Informed by literary, scientific, and experiential concerns, How Our Lives Become Stories enhances knowledge of the complex forces that shape identity, and confronts the equally complex problems that arise when we write about who we think we are. Using life writings as examples—including works by Christa Wolf, Art Spiegelman, Oliver Sacks, Henry Louis Gates, Melanie Thernstrom, and Philip Roth—Paul John Eakin draws on the latest research in neurology, cognitive science, memory studies, developmental psychology, and related fields to rethink the very nature of self-representation. After showing how the experience of living in one's body shapes one's identity, he explores relational and narrative modes of being, emphasizing social sources of identity, and demonstrating that the self and the story of the self are constantly evolving in relation to others. Eakin concludes by engaging the ethical issues raised by the conflict between the authorial impulse to life writing and a traditional, privacy-based ethics that such writings often violate.

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The first history of Frank Lloyd Wright's exhibitions of his own work--a practice central to his career More than one hundred exhibitions of Frank Lloyd Wright's work were mounted between 1894 and his death in 1959. Wright organized the majority of these exhibitions himself and viewed them as crucial to his self-presentation as his extensive writings. He used them to promote his designs, appeal to new viewers, and persuade his detractors. Wright on Exhibit presents the first history of this neglected aspect of the architect's influential career. Drawing extensively from Wright's unpublished correspondence, Kathryn Smith challenges the preconceived notion of Wright as a self-promoter who displayed his work in search of money, clients, and fame. She shows how he was an artist-architect projecting an avant-garde program, an innovator who expanded the palette of installation design as technology evolved, and a social activist driven to revolutionize society through design. While Wright's earliest exhibitions were largely for other architects, by the 1930s he was creating public installations intended to inspire debate and change public perceptions about architecture. The nature of his exhibitions expanded with the times beyond models, drawings, and photographs to include more immersive tools such as slides, film, and even a full-scale structure built especially for his 1953 retrospective at the Guggenheim Museum. Placing Wright's exhibitions side by side with his writings, Smith shows how integral these exhibitions were to his vision and sheds light on the broader discourse concerning architecture and modernism during the first half of the twentieth century. Wright on Exhibit features color renderings, photos, and plans, as well as a checklist of exhibitions and an illustrated catalog of extant and lost models made under Wright's supervision.

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Disease is thought to be a great leveler of humanity, but in antebellum New Orleans acquiring immunity from the scourge of yellow fever magnified the brutal inequities of slave-powered capitalism.Antebellum New Orleans sat at the heart of America’s slave and cotton kingdoms. It was also where yellow fever epidemics killed as many as 150,000 people during the nineteenth century. With little understanding of mosquito-borne viruses—and meager public health infrastructure—a person’s only protection against the scourge was to “get acclimated” by surviving the disease. About half of those who contracted yellow fever died.Repeated epidemics bolstered New Orleans’s strict racial hierarchy by introducing another hierarchy, what Kathryn Olivarius terms “immunocapital.” As this highly original analysis shows, white survivors could leverage their immunity as evidence that they had paid their biological dues and could then pursue economic and political advancement. For enslaved Blacks, the story was different. Immunity protected them from yellow fever, but as embodied capital, they saw the social and monetary value of their acclimation accrue to their white owners. Whereas immunity conferred opportunity and privilege on whites, it relegated enslaved people to the most grueling labor.The question of good health—who has it, who doesn’t, and why—is always in part political. Necropolis shows how powerful nineteenth-century white Orleanians—all allegedly immune—pushed this politics to the extreme. They constructed a society that capitalized mortal risk and equated perceived immunity with creditworthiness and reliability. Instead of trying to curb yellow fever through sanitation or quarantines, immune white Orleanians took advantage of the chaos disease caused. Immunological discrimination therefore became one more form of bias in a society premised on inequality, one more channel by which capital disciplined and divided the population.

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An innovative history that shows how the religious idea of the heathen in need of salvation undergirds American conceptions of race.If an eighteenth-century parson told you that the difference between “civilization and heathenism is sky-high and star-far,” the words would hardly come as a shock. But that statement was written by an American missionary in 1971. In a sweeping historical narrative, Kathryn Gin Lum shows how the idea of the heathen has been maintained from the colonial era to the present in religious and secular discourses—discourses, specifically, of race.Americans long viewed the world as a realm of suffering heathens whose lands and lives needed their intervention to flourish. The term “heathen” fell out of common use by the early 1900s, leading some to imagine that racial categories had replaced religious differences. But the ideas underlying the figure of the heathen did not disappear. Americans still treat large swaths of the world as “other” due to their assumed need for conversion to American ways. Purported heathens have also contributed to the ongoing significance of the concept, promoting solidarity through their opposition to white American Christianity. Gin Lum looks to figures like Chinese American activist Wong Chin Foo and Ihanktonwan Dakota writer Zitkála-Šá, who proudly claimed the label of “heathen” for themselves.Race continues to operate as a heathen inheritance in the United States, animating Americans’ sense of being a world apart from an undifferentiated mass of needy, suffering peoples. Heathen thus reveals a key source of American exceptionalism and a prism through which Americans have defined themselves as a progressive and humanitarian nation even as supposed heathens have drawn on the same to counter this national myth.

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Pathways to Complexity synthesizes a wealth of new archaeological data to illuminate the origins of Maya civilization and the rise of Classic Maya culture. In this volume, prominent Maya scholars argue that the development of social, religious, and economic complexity began during the Middle Preclassic period (1000–300 B.C.), hundreds of years earlier than previously thought.Contributors reveal that villages were present in parts of the lowlands by 1000 B.C., challenging the prevailing models estimating when civilization took root in the area. Combining recent discoveries from the northern lowlands—an area often neglected in other volumes—and the southern lowlands, the collection then traces the emergence of sociopolitical inequality and complexity in all parts of the Yucatan peninsula over the course of the Middle Preclassic period. They show that communities evolved in different ways due to influences such as geographical location, ceramic exchange, shell ornament production, agricultural strategy, religious ritual, ideology, and social rankings. These varied pathways to complexity developed over half a millennium and culminated in the institution of kingship by the Late Preclassic period.Presenting exciting work on a dynamic and poorly understood time period, Pathways to Complexity demonstrates the importance of a broad, comparative approach to understanding Preclassic Maya civilization and will serve as a foundation for future research and interpretation. Contributors: M. Kathryn Brown | George Bey III | Tara Bond-Freeman | Fernando Robles Castellanos | Tomas Gallareta Negron | E. Wyllys Andrews V | Anthony Andrews | David S. Anderson | Lauren Sullivan | Jaime J. Awe | James F. Garber | Mary Jane Acuña | William Saturno | Bobbi Hohmann | Terry Powis | Paul Healy | Richard Hansen | Donald W. Forsyth | David Freidel | Barbara Arroyo | Richard E. W. Adams

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For the majority of cultures around the world, religion permeates and informs everyday rituals of survival and hope. But religion also has served as the foundation for national differences, racial conflicts, class exploitation, and gender discrimination. Indeed, religious spirituality, having been transformed by contemporary economic and political events, remains both empowering and controversial. Religions/Globalizations examines the extent to which globalization and religion are inseparable terms, bound up with each other in a number of critical and mutually revealing ways. As the contributors to this work suggest, a crucial component of globalization—the breakdown of familiar boundaries and power balances—may open a space in which religion can be deployed to help refabricate new communities. Examples of such deployments can be found in the workings of liberation theology in Latin America. In other cases, however, the operations of globalization have provided a space for strident religious nationalism and identity disputes to flourish. Is there in fact a dialectical tension between religion and globalization, a codependence and codeterminism? While religion can be seen as a globalizing force, it has also been transformed and even victimized by globalization. A provocative assessment of a contemporary phenomenon with both cultural and political dimensions, Religions/Globalizations will interest not only scholars in religious studies but also those studying Latin America, the Middle East, South Asia, and Africa. Contributors. David Batstone, Berit Bretthauer, Enrique Dussel, Dwight N. Hopkins, Mark Juergensmeyer, Lois Ann Lorentzen, Eduardo Mendieta, Vijaya Rettakudi Nagarajan, Kathryn Poethig, Lamin Sanneh, Linda E. Thomas

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This year's Best American Magazine Writing features outstanding writing on contentious issues including incarceration, policing, sexual assault, labor, technology, and environmental catastrophe. Selections include Paul Ford's ambitious "What Is Code?" (Bloomberg Businessweek), an innovative explanation of how programming works, and "The Really Big One," by Kathryn Schulz (The New Yorker), which exposes just how unprepared the Pacific Northwest is for a major earthquake. Joining them are Meaghan Winter's expose of crisis pregnancy centers (Cosmopolitan) and a chilling story of police prejudice that allowed a serial rapist to run free (the Marshall Project in partnership with ProPublica). Also included is Shane Smith's interview with Barack Obama about mass incarceration (Vice). Other selections demonstrate a range of long-form styles and topics across print and digital publications. The imprisoned hacker and activist Barrett Brown pens hilarious dispatches from behind bars, including a scathing review of Jonathan Franzen's fiction (The Intercept). "The New American Slavery" (Buzzfeed) documents the pervasive exploitation of guest workers, and Luke Mogelson explores the purgatorial fate of an undocumented man sent back to Honduras (New York Times Magazine). Joshua Hammer harrowingly portrays Sierra Leone's worst Ebola ward as even the staff succumb to the disease (Matter). And in "The Friend," Matthew Teague's wife is afflicted with cancer, his friend moves in, and the result is a devastating narrative of relationships and death (Esquire). The collection concludes with Jenny Zhang's "How It Feels," an unconventional meditation on the intersection of teenage cruelty and art (Poetry).

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'One of our finest thriller writers' Evening StandardA BBC2 BETWEEN THE COVERS BOOK CLUB PICK 2021'Oliver Harris is always pure quality' Ian Rankin'A fascinating tale of modern espionage in a unique setting' Irish IndependentThree friends from a mission many years ago reconnect when one of them dies in mysterious circumstances on remote Ascension Island. Rory Bannatyne had been tasked with tapping a new transatlantic data cable, but a day before he was due to return home he is found hanged. When Kathryn Taylor, on the South Atlantic MI5 desk, begs ex-spy Elliot Kane to go over and investigate, he can't say no, but it's an uneasy reintroduction to the intelligence game.Entirely isolated from the world, the disappearance of a young girl on the island at the same time as Rory's death means local tensions are high. Elliot needs to discover what happened to her as well as to Rory. But the island contains more secrets than even the government knows, and it's not going to give them up without a fight. WHAT READERS ARE SAYING'Captivating...Gripping, relevant and frenetic. You'll be hard pressed to put this one down for a second' Amazon reader five star review'Stunning spy novel...This is the best of its genre I've read' Amazon reader five star review'A bit like a thinking person's Lee Child' Amazon reader five star review

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Don’t miss this gripping thriller from the author of The Weekend Alone – with a twist that will take your breath away! ‘An excellent thriller and a writer to look out for’ Lesley Sanderson, author of I Know You Lied ‘It's been such a long time since I couldn't put a book down, and this one literally had me up all night! It was utterly compelling and every page was loaded with suspense’ Kathryn Croft, author of The Lying Wife _____ A mother in mourning Two years ago, Sarah’s husband was jailed for her murder; her body was never found. Now, her grieving mother, Claire, spends her sleepless nights running a helpline for vulnerable women. A woman with a secret Claire takes many calls, but one caller isn’t like the rest. She isn’t calling for help – she’s calling because she claims to know what happened to Sarah. A killer on the loose But when Claire hears the terrifying news that her daughter’s killer has escaped from prison, she realises her nightmare is far from over – and her family are in danger yet again. Readers LOVE My Daughter’s Killer! ‘Oh wow! This is such a good read… I was hooked from page one and it never let up.’ NetGalley reviewer ⭐⭐⭐⭐⭐ ‘Ohh what a thrilling read… Talk about being blown away!… I can not recommend this enough’ NetGalley reviewer ⭐⭐⭐⭐⭐ ‘I have not read anything quite like this before. It’s an excellent addictive and gripping psychological thriller… Highly recommended’ NetGalley reviewer ⭐⭐⭐⭐⭐ ‘I could not put this down!… I was literally gasping out loud towards the end… Honestly this book is just BRILLIANT’ NetGalley reviewer ⭐⭐⭐⭐⭐ ‘Fantastically written, this is an ’up all night’ thriller’ NetGalley reviewer ⭐⭐⭐⭐⭐ Praise for Jacqueline Grima: ‘Wow! The twist in this really came out of nowhere for me – I had inklings that all was not as it seems but was not expecting quite the reveal I got!’ NetGalley reviewer ⭐⭐⭐⭐⭐ ‘A wonderful twist filled thriller!… I couldn’t turn the pages fast enough.’ NetGalley reviewer ⭐⭐⭐⭐⭐ ‘A masterclass in story telling! I literally read this in one day.’ NetGalley reviewer ⭐⭐⭐⭐⭐ ‘What an absolute grip of a read… I was hooked from the start and this was a one sit read.’ NetGalley reviewer ⭐⭐⭐⭐⭐ ‘A gripping read that had me on the edge of my seat… Full of twists… I was hooked.’ NetGalley reviewer ⭐⭐⭐⭐⭐ ‘A book with a real ‘sting in its tail’… A really good psychological thriller… Certainly fooled me!’ NetGalley reviewer ⭐⭐⭐⭐⭐ ‘What a chilling thriller!…There was a colossal twist!… Masterful storytelling, highly recommended if you like Adele Parks and B.A. Paris.’ NetGalley reviewer ⭐⭐⭐⭐⭐ ‘A fast paced and incredibly gripping read. I could not put it down.’ NetGalley reviewer ⭐⭐⭐⭐⭐ ‘If this was a TV programme I would be hiding behind the sofa!… Several unexpected twists that I never would have guessed.’ NetGalley reviewer ⭐⭐⭐⭐⭐

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**Finalist in the Outstanding Music Education Resource Category for the 2023 Music & Drama Education Awards** HerStory: The Piano Collection presents invaluable repertoire by remarkable female composers across the ages. This important collection is progressively graded, suitable for intermediate to advanced level players (approximately Grade 4 to Grade 8) and also features a piano duet and an ensemble piece for piano, clarinet, viola and cello. Written and compiled by award-winning author and piano pedagogue Karen Marshall, each piece is accompanied by a fascinating ‘snapshot’ of the 29 composers, providing invaluable insights into how they lived and composed, alongside quotes from them or about them. In addition there are suggestions of other pieces to try, personal observations from Karen Marshall and pedagogical activities and ideas. “This vibrant collection of wonderful music from literally every musical period promises to enrich the musical lives of everyone. Female composers have suffered shocking neglect over the centuries, but society is now beginning to make amends. Karen Marshall’s extraordinary anthology brings neglected jewels out of obscurity and into the limelight, where they will be loved and cherished.” Kathryn Page, pianist, adjudicator, teacher and co-founder of Chetham’s International Piano Summer School ‘Marshall's book is much more than a practical text – it is a library of forgotten treasures that we should bring back to life on pianos across the world. This is proof that the uniting force of music can transcend patriarchal barriers and has the power to inspire the next generation to start a new cycle of creativity.’ Hattie Fisk, Music Teacher Online, 1st May 2022 HerStory is more than the sum of its parts, a singular and significant achievement, lifting the lid on a terrific range of superb music that is long-overdue its day in the sun. Not only so, but Karen Marshall has also done a huge service in further elevating the music with such a wealth of historical research, personal detail, and pedagogic insight, all delivered with her wonderfully personable expertise and infectious enthusiasm. As a fresh and varied collection of 30 intermediate to advanced pieces, the book offers rich pickings for concerts, piano clubs, festivals and examination syllabi alike, and will surely come to be regarded as a significant sourcebook of musical inspiration. These are winsome, highly likeable works which audiences will surely warm to, and which students and players of all ages will undoubtedly find deeply rewarding to play. Andrew Eales, pianodao.com, March 2022 Over the past few months, I’ve enjoyed exploring HerStory. It is a unique collection, and one which should be seen as an iconic milestone in music publishing. It is rare for me to say it, but I enjoyed every piece, and it’s a collection I shall enjoy playing from as much as I enjoy teaching. David Barton, davidbartonmusic.co.uk, May 2022

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The foremost experts on the North American Model of Wildlife Conservation come together to discuss its role in the rescue, recovery, and future of our wildlife resources.At the end of the nineteenth century, North America suffered a catastrophic loss of wildlife driven by unbridled resource extraction, market hunting, and unrelenting subsistence killing. This crisis led powerful political forces in the United States and Canada to collaborate in the hopes of reversing the process, not merely halting the extinctions but returning wildlife to abundance. While there was great understanding of how to manage wildlife in Europe, where wildlife management was an old, mature profession, Continental methods depended on social values often unacceptable to North Americans. Even Canada, a loyal colony of England, abandoned wildlife management as practiced in the mother country and joined forces with like-minded Americans to develop a revolutionary system of wildlife conservation. In time, and surviving the close scrutiny and hard ongoing debate of open, democratic societies, this series of conservation practices became known as the North American Model of Wildlife Conservation.In this book, editors Shane P. Mahoney and Valerius Geist, both leading authorities on the North American Model, bring together their expert colleagues to provide a comprehensive overview of the origins, achievements, and shortcomings of this highly successful conservation approach. This volume• reviews the emergence of conservation in late nineteenth–early twentieth century North America• provides detailed explorations of the Model's institutions, principles, laws, and policies• places the Model within ecological, cultural, and socioeconomic contexts• describes the many economic, social, and cultural benefits of wildlife restoration and management• addresses the Model's challenges and limitations while pointing to emerging opportunities for increasing inclusivity and optimizing implementationStudying the North American experience offers insight into how institutionalizing policies and laws while incentivizing citizen engagement can result in a resilient framework for conservation. Written for wildlife professionals, researchers, and students, this book explores the factors that helped fashion an enduring conservation system, one that has not only rescued, recovered, and sustainably utilized wildlife for over a century, but that has also advanced a significant economic driver and a greater scientific understanding of wildlife ecology.Contributors: Leonard A. Brennan, Rosie Cooney, James L. Cummins, Kathryn Frens, Valerius Geist, James R. Heffelfinger, David G. Hewitt, Paul R. Krausman, Shane P. Mahoney, John F. Organ, James Peek, William Porter, John Sandlos, James A. Schaefer

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An inside look at how midcentury DC journalists silenced their own skepticism and shaped public perceptions of the Cold War. Americans’ current trust in journalists is at a dismayingly low ebb, particularly on the subject of national and international politics. For some, it might be tempting to look back to the mid-twentieth century, when the nation’s press corps was a seemingly venerable and monolithic institution that conveyed the official line from Washington with nary a glint of anti-patriotic cynicism. As Kathryn McGarr’s City of Newsmen shows, however, the real story of what Cold War–era journalists did and how they did it wasn’t exactly the one you’d find in the morning papers. City of Newsmen explores foreign policy journalism in Washington during and after World War II—a time supposedly defined by the press’s blind patriotism and groupthink. McGarr reveals, though, that DC reporters then were deeply cynical about government sources and their motives, but kept their doubts to themselves for professional, social, and ideological reasons. The alliance and rivalries among these reporters constituted a world of debts and loyalties: shared memories of harrowing wartime experiences, shared frustrations with government censorship and information programs, shared antagonisms, and shared mentors. McGarr ventures into the back hallways and private clubs of the 1940s and 1950s to show how white male reporters suppressed their skepticism to build one of the most powerful and enduring constructed realities in recent US history—the Washington Cold War consensus. Though by the 1960s, this set of reporters was seen as unduly complicit with the government—failing to openly critique the decisions and worldviews that led to disasters like the Vietnam War—McGarr shows how self-aware these reporters were as they negotiated for access, prominence, and, yes, the truth—even as they denied those things to their readers.

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Continuing the definitive space opera anthology series. Today's most popular writers produce new stories set in their most famous universes, alongside essential and seminal short fiction from past masters. The definitive collection of explorers and soldiers, charting the dark frontiers of our expanding universe. Amongst the infinite stars we find epic sagas of wars, tales of innermost humanity, and the most powerful of desires - our need to create a better world. The second volume of seminal short science fiction, featuring twenty-six new stories from series such as Wayfarers, Confederation, The Lost Fleet, Waypoint Kangaroo, Ender, Dream Park, the Polity and more. Alongside work from tomorrow's legends, revisit works by masters who helped define the genre: Arthur C. Clarke, Jack Campbell, Becky Chambers, Robert Heinlein, George R.R. Martin, Susan R. Matthews, Orson Scott Card, James Blish, E.E. "Doc" Smith, Tanya Huff, Curtis C. Chen, Seanan McGuire, Sharon Lee and Steve Miller, Larry Niven and Steven Barnes, Gardner Dozois, David Farland, Mike Shepherd, C.L. Moore, Neal Asher, Weston Ochse, Brenda Cooper, Alan Dean Foster, Kristine Kathryn Rusch, Kevin J. Anderson, David Weber and C.J. Cherryh. Infinite Stars: Dark Frontiers brings you the essential work from past, present, and future bestsellers as well as Grand Masters of science fiction.

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Essays exploring medieval castration, as reflected in archaeology, law, historical record, and literary motifs. Castration and castrati have always been facets of western culture, from myth and legend to law and theology, from eunuchs guarding harems to the seventeenth- and eighteenth-century castrati singers. Metaphoric castration pervadesa number of medieval literary genres, particularly the Old French fabliaux - exchanges of power predicated upon the exchange or absence of sexual desire signified by genitalia - but the plain, literal act of castration and its implications are often overlooked. This collection explores this often taboo subject and its implications for cultural mores and custom in Western Europe, seeking to demystify and demythologize castration. Its subjects includearchaeological studies of eunuchs; historical accounts of castration in trials of combat; the mutilation of political rivals in medieval Wales; Anglo-Saxon and Frisian legal and literary examples of castration as punishment; castration as comedy in the Old French fabliaux; the prohibition against genital mutilation in hagiography; and early-modern anxieties about punitive castration enacted on the Elizabethan stage. The introduction reflects on these topics in the context of arguably the most well-known victim of castration in the middle ages, Abelard. Larissa Tracy is Associate Professor of Medieval Literature at Longwood University. Contributors: Larissa Tracy, Kathryn Reusch, Shaun Tougher, Jack Collins, Rolf H. Bremmer Jr, Jay Paul Gates, Charlene M. Eska, Mary A. Valante, Anthony Adams, Mary E. Leech, Jed Chandler, Ellen Lorraine Friedrich, Robert L.A. Clark, Karin Sellberg, LenaWånggren

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Essays studying the relationship between literariness and form in medieval texts. The twenty-first century has witnessed the re-emergence of various kinds of literary formalism, and one project that characterizes most of these diverse formalisms is the effort to distinguish what is precisely literary about their objects of study. The presumed relation between form and the literary that this project presupposes, however, raises questions that still need to be addressed. What is it about form that produces the category of the literary? What precisely is literary about literary form? Can the literary be defined beyond form? This volume explores these questions in the historical and geographical frame of late medieval Britain, across vaunted literary works such as the Franklin's Tale, Sir Gawain and the Green Knight, and the Towneley Shepherds' Plays, and presumed "non-literary" texts, such as books of hours. By studying texts from a period long priorto literary formalism - indeed, before any fully articulated theory of the literary - the essays gathered here aim to rethink the relationship between form and the literary. Robert J. Meyer-Lee is Margaret W. PepperdeneDistinguished Scholar-in-Residence at Agnes Scott College; Catherine Sanok is an Associate Professor of English and Women's Studies at the University of Michigan. Contributors: Anke Bernau, Jessica Brantley, Seeta Chaganti, Shannon Gayk, Kathryn Kerby-Fulton, Andrew Klein, Robert J. Meyer-Lee, Ingrid Nelson, Maura Nolan, Sarah Elliott Novacich, Catherine Sanok, Emily Steiner, Claire M. Waters.

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In Walk Till the Dogs Get Mean, Adrian Blevins and Karen Salyer McElmurray collect essays from today’s finest established and emerging writers with roots in Appalachia. Together, these essays take the theme of silencing in Appalachian culture, whether the details of that theme revolve around faith, class, work, or family legacies. In essays that take wide-ranging forms—making this an ideal volume for creative nonfiction classes—contributors write about families left behind, hard-earned educations, selves transformed, identities chosen, and risks taken. They consider the courage required for the inheritances they carry. Toughness and generosity alike characterize works by Dorothy Allison, bell hooks, Silas House, and others. These writers travel far away from the boundaries of a traditional Appalachia, and then circle back—always—to the mountains that made each of them the distinctive thinking and feeling people they ultimately became. The essays in Walk Till the Dogs Get Mean are an individual and collective act of courage. Contributors: Dorothy Allison, Rob Amberg, Pinckney Benedict, Kathryn Stripling Byer, Sheldon Lee Compton, Michael Croley, Richard Currey, Joyce Dyer, Sarah Einstein, Connie May Fowler, RJ Gibson, Mary Crockett Hill, bell hooks, Silas House, Jason Howard, David Huddle, Tennessee Jones, Lisa Lewis, Jeff Mann, Chris Offutt, Ann Pancake, Jayne Anne Phillips, Melissa Range, Carter Sickels, Aaron Smith, Jane Springer, Ida Stewart, Jacinda Townsend, Jessie van Eerden, Julia Watts, Charles Dodd White, and Crystal Wilkinson.

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A political party worker who produces crowds for electoral rallies. A “prison specialist” who serves other people’s prison sentences in exchange for a large fee. An engineer who is able to secure otherwise impossible building permits. These and other dealmakers—whose behind-the-scenes expertise and labor are often invisible—have an intrinsic role in the city's functioning and can be indispensable for navigating everyday life in Bombay, one of the world’s most complex, dynamic, and populous cities. Bombay Brokers collects profiles of thirty-six such “brokers.” Written by anthropologists, artists, city planners, and activists, these character sketches bring into relief the paradox that these brokers’ knowledge and labor are simultaneously invisible yet essential for Bombay’s functioning. Their centrality reveals the global-scale paradoxes and gaps that these brokers mediate and bridge. In this way, Bombay Brokers prompts a reconsideration of what counts as legitimate and valuable knowledge and labor while offering insight into changing structures of power in Bombay and around the globe. Contributors. Anjali Arondekar, Sarthak Bagchi, Tobias Baitsch, Sangeeta Banerji, Srimati Basu, Tarini Bedi, Amita Bhide, Lisa Björkman, Uday Chandra, Simon Chauchard, Ka-Kin Cheuk, Michael Collins, Daisy Deomampo, Maura Finkelstein, Ajay Gandhi, Rupali Gupte, Kathryn C. Hardy, Lalitha Kamath, Prasad Khanolkar, Bhushan Korgaonkar, Ratoola Kundu, Ken Kuroda, Annelies Kusters, Lisa Mitchell, Shailaja Paik, Gautam Pemmaraju, Lubaina Rangwala, Llerena Guiu Searle, Atreyee Sen, Prasad Shetty, Rohan Shivkumar, Edward Simpson, David Strohl, Rachel Sturman, R. Swaminathan, Aneri Taskar, Yaffa Truelove, Sahana Udupa, Lalit Vachani, Leilah Vevaina

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A twisted and tantalizing horror novel set amidst the splendour of a secluded summer retreat. 'Gripping... the narrative's lush prose crafts both deliciously creepy horror scenes and a nuanced, self-assured protagonist consumed by grief and longing for acceptance.' Publishers Weekly When Mars Matthias loses his sister Caroline under horrific circumstances, it propels him to learn all he can about the once-inseparable sibling who'd grown tragically distant. Mars's gender-fluidity means he's often excluded from the traditions - and expectations - of his politically-connected family, including attendance at the prestigious Aspen Conservancy Summer Academy where his sister devoted so much of her time. But with his grief still fresh, he insists on attending in her place. The setting may be pristine and sun-drenched, but there's an undercurrent of tension buzzing ominously. Mars seeks out his sister's old friends: a group of girls dubbed the Honeys, named for the beehives they maintain behind their cabin. They are beautiful and terrifying - and Mars is certain they're connected to Caroline's death. But the longer he stays at Aspen, the more the sweet mountain breezes give way to hints of decay. Mars's memories begin to falter, bleached beneath the relentless summer sun. Something is hunting him in broad daylight, toying with his mind. If Mars can't find it soon, it will eat him alive... Heathers meets Midsommar, exploring the corruption that lies just under the surface of the perfect lives of the uber-rich Perfect for fans of Kathryn Foxfield and Ace of Spades Highly original, brilliantly written, queer YA horror

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_________________________________________Desire leaves a man destroyed – a young girl's curiosity reveals secrets better left hidden – an accidental encounter on a train ends violently – ambition leads to a curious exchange – an uncanny likeness changes two lives forever.A novel in sixteen chilling parts, linked by a glittering charm bracelet which brings misfortune to everyone who handles it. In Like A Charm, the cream of British and American crime writers combine for a must-have collection. From nineteenth-century Georgia, where the bracelet is forged in fire, to wartime Leeds, a steam train across Europe, the violent backstreets of 1980s Scotland, present-day London, a Manhattan taxi, the Mojave desert and back to Georgia, each writer weaves a gripping story of murder, betrayal and intrigue._________________________________________Crime and thriller masters know there’s nothing better than a little Slaughter:‘I’d follow her anywhere’ GILLIAN FLYNN ‘One of the boldest thriller writers working today’ TESS GERRITSEN ‘Her characters, plot, and pacing are unrivalled’ MICHAEL CONNELLY ‘Passion, intensity, and humanity’ LEE CHILD ‘A writer of extraordinary talents’ KATHY REICHS ‘Fiction doesn't get any better than this’ JEFFERY DEAVER ‘A great writer at the peak of her powers’ PETER JAMES ‘Raw, powerful and utterly gripping’ KATHRYN STOCKETT ‘With heart and skill Karin Slaughter keeps you hooked from the first page until the last’ CAMILLA LACKBERG ‘Amongst the world‘s greatest and finest crime writers’ YRSA SIGURÐARDÓTTIR

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What is sex exactly? Does everyone agree on a definition? And does that definition hold when considering literary production in other times and places? Sex before Sex makes clear that we cannot simply transfer our contemporary notions of what constitutes a sex act into the past and expect them to be true for the people who were then reading literature and watching plays. The contributors confront how our current critical assumptions about definitions of sex restrict our understanding of representations of sexuality in early modern England. Drawing attention to overlooked forms of sexual activity in early modern culture, from anilingus and interspecies sex to “chin-chucking” and convivial drinking, Sex before Sex offers a multifaceted view of what sex looked like before the term entered history. Through incisive interpretations of a wide range of literary texts, including Romeo and Juliet, The Comedy of Errors, Paradise Lost, the figure of Lucretia, and pornographic poetry, this collection queries what might constitute sex in the absence of a widely accepted definition and how a historicized concept of sex affects the kinds of arguments that can be made about early modern sexualities.Contributors: Holly Dugan, George Washington U; Will Fisher, CUNY–Lehman College; Stephen Guy-Bray, U of British Columbia; Melissa J. Jones, Eastern Michigan U; Thomas H. Luxon, Dartmouth College; Nicholas F. Radel, Furman U; Kathryn Schwarz, Vanderbilt U; Christine Varnado, U of Buffalo–SUNY.

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THE SUNDAY TIMES BESTSELLER'Essential, clever and kind' Alain de Botton'I am a huge admirer of Julia's work' Elizabeth Day____________________In her bestselling follow-up to Grief Works and This Too Shall Pass, much-loved psychotherapist Julia Samuel invites us into her sessions as she explores the relationships that have the power to touch us and hurt us most: those with our family.Through eight beautifully told case studies, covering a variety of families across multiple generations, she analyses common issues from losing a parent to children leaving home, and from separation to step-relationships. In doing so she shows how much is, in fact, inherited -- and how much can be healed when it is faced together.Every Family Has A Story provides the tools that will help with this work of improving our relationships. Its twelve touchstones for family well-being show how to communicate effectively, set boundaries, fight productively and allow change.This is a wise and insightful exploration of modern life that will help us create the families we wish for.____________________'Julia Samuel writes with unfailing grace, tenderness and consummate storytelling. Everyone who reads this will learn something profound' Rachel Clarke'Julia Samuel offers vivid insights in a book for all families... I was utterly drawn in' Kathryn Mannix'Fascinating... Julia Samuel's compassionate work never fails to inform, comfort and make me think' Pandora Sykes'A wise and important book, full of insight into the pain and beauty at the heart of family life... I loved it' Clover Stroud'Julia Samuel is so wise and compassionate. I love every word she writes' Cathy Rentzenbrink

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An original and engaging account of the Obama years from a group of leading political historiansBarack Obama's election as the first African American president seemed to usher in a new era, and he took office in 2009 with great expectations. But by his second term, Republicans controlled Congress, and, after the 2016 presidential election, Obama's legacy and the health of the Democratic Party itself appeared in doubt. In The Presidency of Barack Obama, Julian Zelizer gathers leading American historians to put President Obama and his administration into political and historical context. These writers offer strikingly original assessments of the big issues that shaped the Obama years, including the conservative backlash, race, the financial crisis, health care, crime, drugs, counterterrorism, Iraq and Afghanistan, the environment, immigration, education, gay rights, and urban policy. Together, these essays suggest that Obama's central paradox is that, despite effective policymaking, he failed to receive credit for his many achievements and wasn't a party builder. Provocatively, they ask why Obama didn't unite Democrats and progressive activists to fight the conservative counter-tide as it grew stronger.Engaging and deeply informed, The Presidency of Barack Obama is a must-read for anyone who wants to better understand Obama and the uncertain aftermath of his presidency.Contributors include Sarah Coleman, Jacob Dlamini, Gary Gerstle, Risa Goluboff, Meg Jacobs, Peniel Joseph, Michael Kazin, Matthew Lassiter, Kathryn Olmsted, Eric Rauchway, Richard Schragger, Paul Starr, Timothy Stewart-Winter, Thomas Sugrue, Jeremi Suri, Julian Zelizer, and Jonathan Zimmerman.

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A classic collection of the New Yorker’s most urgent and groundbreaking reporting from the front lines of the climate emergency In 1989, just one year after climatologist James Hansen first came before a Senate committee and testified that the earth was now warmer than it had ever been in recorded history, thanks to humankind’s heedless consumption of fossil fuels, New Yorker writer Bill McKibben published a deeply reported and considered piece on climate change and what it could mean for the planet. At the time, the piece was to some speculative to the point of alarmist; read now, McKibben’s work is heroically prescient. Since then, the New Yorker has devoted enormous attention to climate change, describing the causes of the crisis, the political and ecological conditions we now find ourselves in, and the scenarios and solutions we face. The Fragile Earth tells the story of climate change – its past, present, and future – taking readers from Greenland to the Great Plains, and into both laboratories and rain forests. It features some of the best writing on global warming from the last three decades, including Bill McKibben’s seminal essay ‘The End of Nature,’ the first piece to popularize both the science and politics of climate change for a general audience, and the Pulitzer Prize-winning work of Elizabeth Kolbert, as well as Kathryn Schulz, Dexter Filkins, Jonathan Franzen, Ian Frazier, Eric Klinenberg, and others. The result, in its range, depth, and passion, promises to bring light, and sometimes heat, to the great emergency of our age.

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A classic collection of the New Yorker’s most urgent and groundbreaking reporting from the front lines of the climate emergency In 1989, just one year after climatologist James Hansen first came before a Senate committee and testified that the earth was now warmer than it had ever been in recorded history, thanks to humankind’s heedless consumption of fossil fuels, New Yorker writer Bill McKibben published a deeply reported and considered piece on climate change and what it could mean for the planet. At the time, the piece was to some speculative to the point of alarmist; read now, McKibben’s work is heroically prescient. Since then, the New Yorker has devoted enormous attention to climate change, describing the causes of the crisis, the political and ecological conditions we now find ourselves in, and the scenarios and solutions we face. The Fragile Earth tells the story of climate change – its past, present, and future – taking readers from Greenland to the Great Plains, and into both laboratories and rain forests. It features some of the best writing on global warming from the last three decades, including Bill McKibben’s seminal essay ‘The End of Nature,’ the first piece to popularize both the science and politics of climate change for a general audience, and the Pulitzer Prize-winning work of Elizabeth Kolbert, as well as Kathryn Schulz, Dexter Filkins, Jonathan Franzen, Ian Frazier, Eric Klinenberg, and others. The result, in its range, depth, and passion, promises to bring light, and sometimes heat, to the great emergency of our age.

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Continuing the definitive space opera anthology series. Today's most popular writers produce new stories set in their most famous universes, alongside essential and seminal short fiction from past masters. The definitive collection of explorers and soldiers, charting the dark frontiers of our expanding universe. Amongst the infinite stars we find epic sagas of wars, tales of innermost humanity, and the most powerful of desires - our need to create a better world. The second volume of seminal short science fiction, featuring twenty-six new stories from series such as Wayfarers, Confederation, The Lost Fleet, Waypoint Kangaroo, Ender, Dream Park, the Polity and more. Alongside work from tomorrow's legends, revisit works by masters who helped define the genre: Arthur C. Clarke, Jack Campbell, Becky Chambers, Robert Heinlein, George R.R. Martin, Susan R. Matthews, Orson Scott Card, James Blish, E.E. "Doc" Smith, Tanya Huff, Curtis C. Chen, Seanan McGuire, Sharon Lee and Steve Miller, Larry Niven and Steven Barnes, Gardner Dozois, David Farland, Mike Shepherd, C.L. Moore, Neal Asher, Weston Ochse, Brenda Cooper, Alan Dean Foster, Kristine Kathryn Rusch, Kevin J. Anderson, David Weber and C.J. Cherryh. Infinite Stars: Dark Frontiers brings you the essential work from past, present, and future bestsellers as well as Grand Masters of science fiction.

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'One of the boldest thriller writers working today' TESS GERRITSEN'Her characters, plot, and pacing are unrivalled' MICHAEL CONNELLY_________________________________________The sixth book in Karin Slaughter's #1 bestselling GRANT COUNTY series.Lena Adams has spent her life struggling to forget her childhood in Reece, the small town which nearly destroyed her. She's made a new life as a police detective in Heartsdale - but nothing could prepare her for the violence which explodes when she is forced to return.A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect.Her boss, police chief Jeffrey Tolliver, has no choice but to help. Soon after his arrival, a second victim is found dead and the town closes ranks.Jeffrey is soon entangled in a horrifying underground world of bigotry and rage.Can he discover the truth before the killer strikes again?_________________________________________Crime and thriller masters know there's nothing better than a little Slaughter:'I'd follow her anywhere' GILLIAN FLYNN'Passion, intensity, and humanity' LEE CHILD'A writer of extraordinary talents' KATHY REICHS'Fiction doesn't get any better than this' JEFFERY DEAVER'A great writer at the peak of her powers' PETER JAMES'Raw, powerful and utterly gripping' KATHRYN STOCKETT'With heart and skill Karin Slaughter keeps you hooked from the first page until the last' CAMILLA LACKBERG'Amongst the world's greatest and finest crime writers' YRSA SIGURÐARDÓTTIR

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*FOYLES NON-FICTION BOOK OF THE MONTH* 'I really can't recommend this enough - especially if you are going on holiday' Tom Holland 'Delightful ... Lucy Lethbridge has written a glorious romp of a book' Kathryn Hughes, The Mail on Sunday ‘It is the paramount wish of every English heart, ever addicted to vagabondizing, to hasten to the Continent…’ In 1815 the Battle of Waterloo brought to an end the Napoleonic Wars and the European continent opened up once again to British tourists. The nineteenth century was to be an age driven by steam technology, mass-industrialisation and movement, and, in the footsteps of the Grand Tourists a hundred years earlier, the British middle-classes flocked to Europe to see the sights. In Tourists, the voices of these travellers – puzzled, shocked, delighted and amazed – are brought vividly to life. From the discomfort of the stagecoach to the ‘self-contained pleasure palace’ of the beach resort, Lucy Lethbridge brilliantly examines two centuries of tourists’ experience. Among a range of disparate characters, we meet the commercial titans of Victorian tourism, Albert Smith, Henry Gaze and Thomas Cook, as well as their successor, Vladimir Raitz, the creator of the modern beach holiday. The growth of popular tourism introduced new markets in guidebooks, souvenirs, cuisine and health cures. It smoothed over class differences but also exacerbated them. It destroyed traditional cultures while at the same time preserving them. From portable cameras to postcards and suntans, Tourists explores how tourism has reflected changing attitudes to modernity and how, from the grand hotel to the campsite, the foreign holiday exposes deep fears, hopes and even longings for home.

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An original and engaging account of the Obama years from a group of leading political historiansBarack Obama's election as the first African American president seemed to usher in a new era, and he took office in 2009 with great expectations. But by his second term, Republicans controlled Congress, and, after the 2016 presidential election, Obama's legacy and the health of the Democratic Party itself appeared in doubt. In The Presidency of Barack Obama, Julian Zelizer gathers leading American historians to put President Obama and his administration into political and historical context. These writers offer strikingly original assessments of the big issues that shaped the Obama years, including the conservative backlash, race, the financial crisis, health care, crime, drugs, counterterrorism, Iraq and Afghanistan, the environment, immigration, education, gay rights, and urban policy. Together, these essays suggest that Obama's central paradox is that, despite effective policymaking, he failed to receive credit for his many achievements and wasn't a party builder. Provocatively, they ask why Obama didn't unite Democrats and progressive activists to fight the conservative counter-tide as it grew stronger.Engaging and deeply informed, The Presidency of Barack Obama is a must-read for anyone who wants to better understand Obama and the uncertain aftermath of his presidency.Contributors include Sarah Coleman, Jacob Dlamini, Gary Gerstle, Risa Goluboff, Meg Jacobs, Peniel Joseph, Michael Kazin, Matthew Lassiter, Kathryn Olmsted, Eric Rauchway, Richard Schragger, Paul Starr, Timothy Stewart-Winter, Thomas Sugrue, Jeremi Suri, Julian Zelizer, and Jonathan Zimmerman.

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A two-hour adventure celebrating 50 years of Dark Shadows! "Some are born with magic, some acquire magic, and others have magic thrust upon them." The year is 1767 and young widow Laura Murdoch Stockbridge is to marry Joshua Collins, heir to the Collins fortune. Meanwhile, Joshua's sister Abigail is in love with disreputable sailor Abraham Harkaway. But the course of true love never did run smooth, especially when the witch Angelique Bouchard is around. For Angelique has been sent back in time and she has one mission - to destroy the Collins family forever. Featuring cast from the original television series, Blood and Fire is a special audio drama to celebrate the 50th Anniversary of Dark Shadows with specially composed music and cinematic sound design. Dark Shadows at Big Finish covers a popular range of 50 individual stories, two special four-story seasons, and the acclaimed Dark Shadows - Bloodlust serial series, released twice-weekly over seven weeks in 2015. The original American TV series has been a cult hit for decades, and consists of over 1200 episodes, and a Tim Burton film in 2012 with Johnny Depp and Helena Bonham Carter.Recorded in the US and UK, the Big Finish Dark Shadows range use significant casts to tell a wide range of stories. CAST: Lara Parker (Angelique Bouchard), Kathryn Leigh Scott (Patience Collins), Mitchell Ryan (Caleb Collins), Andrew Collins (Joshua Collins), Daisy Torme (Abigail Collins), James Storm (Abraham Harkaway) and Jerry Lacy (Malachi Sands) with John Karlen (Alfred Loomis), Lisa Richards (Euphemia Spencer Stockbridge) & Christopher Pennock (Uriah Spencer Stockbridge).

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Photography is usually written about from the point of view of either the photographer or the viewer. Living with His Camera offers a perspective rarely represented—that of the photographed subject. Dick Blau has been making art photographs of the people he lives with for more than thirty years; cultural theorist Jane Gallop has been living with him—and his camera—for twenty years. Living with His Camera is Gallop’s nuanced meditation on photography and the place it has in her private life and in her family. A reflection on family, it attempts—like Blau’s photographs themselves—to portray the realities of family life beyond the pieties of conventional representations. Living with His Camera is about some of the most pressing issues of visuality and some of the most basic issues of daily life. Gallop considers intimate photographs of moments both dramatic and routine: of herself giving birth to son Max or crying in the midst of an argument with Blau, pouring herself cereal as Max colors at the breakfast table, or naked, sweeping the floor. With her trademark candor, humor, and critical acumen, Gallop mixes personal reflection with close readings of Roland Barthes’s Camera Lucida, Susan Sontag’s On Photography, Kathryn Harrison’s novel Exposure, and Pierre Bourdieu’s Photography. Presenting his photographs and her text, Living with His Camera is a portrait of a couple whose professional activity is part of their private lives and whose private life is viewed through their professional gazes. While most of us set aside rigorous thought when we turn to the sentimental realm of home life, Gallop and Blau look at each other not only with great affection but also with the keen focus of a sharp, critical gaze.

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As one of the preeminent philosophers of the twentieth century, W. V. Quine (1908–2000) made groundbreaking contributions to the philosophy of science, mathematical logic, and the philosophy of language. This collection of essays examines Quine's views, particularly his holism and naturalism, for their value (and their limitations) to feminist theorizing today.Some contributors to this volume see Quine as severely challenging basic tenets of the logico-empiricist tradition in the philosophy of science—the analytic/synthetic distinction, verificationism, foundationalism—and accept various of his positions as potential resources for feminist critique. Other contributors regard Quine as an unrepentant empiricist and, unlike feminists who seek to use or extend his arguments, they interpret his positions as far less radical and more problematic. In particular, critics and advocates of Quine's arguments that the philosophy of science should be "naturalized"—understood and pursued as an enterprise continuous with the sciences proper—disagree deeply about whether such a naturalized philosophy is "philosophy enough." Central issues at stake in these disagreements reflect current questions of special interest to feminists and also bridge the analytic and postmodern traditions. They include questions about whether and how the philosophy of science, as a form of practice, is or can be normative as well as questions concerning the implications of Quine's philosophy of language for the transparency and stability of meaning. In representing feminist philosophy centrally engaged with the analytic tradition, this volume is important not only for what it contributes to the understanding of Quine and naturalized epistemology but also for what it accomplishes in working against restrictive conceptions of the place of feminism within the discipline.Aside from the editors, the contributors are Kathryn Pyne Addelson, Louise M. Antony, Richmond Campbell, Lorraine Code, Jane Duran, Maureen Linker, Phyllis Rooney, and Paul A. Roth.

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