Search results for ""Author . Rainer""

A valuable introduction for newcomers as well as an important reference and source of inspiration for established researchers, this book provides an up-to-date summary of central topics in the field of nonequilibrium statistical mechanics and dynamical systems theory.Understanding macroscopic properties of matter starting from microscopic chaos in the equations of motion of single atoms or molecules is a key problem in nonequilibrium statistical mechanics. Of particular interest both for theory and applications are transport processes such as diffusion, reaction, conduction and viscosity.Recent advances towards a deterministic theory of nonequilibrium statistical physics are summarized: Both Hamiltonian dynamical systems under nonequilibrium boundary conditions and non-Hamiltonian modelings of nonequilibrium steady states by using thermal reservoirs are considered. The surprising new results include transport coefficients that are fractal functions of control parameters, fundamental relations between transport coefficients and chaos quantities, and an understanding of nonequilibrium entropy production in terms of fractal measures and attractors.The theory is particularly useful for the description of many-particle systems with properties in-between conventional thermodynamics and nonlinear science, as they are frequently encountered on nanoscales.

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During the 20th century, Vietnam and Poland were both victims not only of devastating wars, but also of socialist planned economies that destroyed whatever war hadn’t already. In 1990, Vietnam was still one of the poorest countries in the world, while Poland was one of the poorest in Europe. But in the three decades since then, both countries have drastically improved their citizens’ standards of living and escaped the vicious cycle of national poverty. In this book, Rainer Zitelmann identifies the reasons behind the sensational growth of both nations’ economies, drawing out the lessons that other countries can learn from these two success stories. To explain the source of their success, he returns to Adam Smith’s 1776 treatise, The Wealth of Nations: the only way to overcome poverty is through economic growth, Smith wrote, and economic freedom

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The Historicism movement in art (1830-1920) was perhaps the most democratic of all. European furniture makers sought to recapture the magic and affluence displayed in early, highly stylized and aristocratic pieces of the Gothic, Rococo, Renaissance, Baroque, and Classicism periods--but at a fraction of the cost. These artists brought a great deal to their reproductions, applying a contemporary practicality that resulted in pieces of crafty pomp, opulence, and exaggerated beauty that were priced to reach the growing bourgeoisie. Historicism furniture pieces are not only art history documents of the most diverse cultures and styles of the 19th century, but they are also individual collector's items, their value not determined by objectively derived pricing factors alone. To that end, this book enlists the help of an international jury of furniture experts, from renowned art auction houses and antique dealer companies and restorers, to appraise and price over 15,000 featured pieces. Historicism is directly related to the strengthened bourgeoisie, to wealth and the newly rich, as well as to the foundation of nations. With this social and economic background, the furniture of the 19th century can be better comprehended and appreciated.

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Poets and intellectuals brushed shoulders in bustling coffeehouses, young avant-gardists heralded a new era in social and sexual liberalism, waltzes resounded through the Ringstrasse, the Vienna Secession preached: “To every age its art — to every art its freedom;” and tremors warned of looming political disintegration when the Austrian capital passed into a new century. Across economics, science, art, and music, Vienna blossomed into a “laboratory of modernity,” one which nurtured some of the greatest artistic innovators—from Egon Schiele’s unflinching nude portraits to Gustav Klimt’s decadent Portrait of Adele Bloch-Bauer I, from the ornamental seams and glass floors of Otto Wagner to Ditha Moser’s calendars adorned in golden deities. Discover the zeitgeist, the scandals, and the extraordinary protagonists in this introduction to a transformative epoch. Across painting, sculpture, architecture, and design, we explore all the movers and shakers through insightful profiles and crisp double-page reproductions. Marking the centenary of the deaths of some of its brightest talents, this collection joins Vienna in its 2018 celebration of Modernism.

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Goethe was not only a child genius, a beloved poet, and an important politician throughout his life he also sometimes missed and suffered for it. Yet he had the special ability to accept mental anguish and to implement it for the further development of his own creativity.Since Goethes time psychology has made great progress, and especially neurobiology has made great discoveries about the nature of the human mind. Nevertheless, we have few documents that so deeply illustrate the development of creativity as Goethes letters and his works not to mention the detailed descriptions delivered by his family and friends, both male and female. His path to creativity can even today be an inspiration and a beacon to guide all of us to discover our own creative tendencies. Thus, a study of Goethes path to creativity is not solely an intellectual delight, but also one with very practical benefits.

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How much do we really know about Ancient Egypt? The pharaohs and pyramids are familiar history fodder, but what about the farmers, the soldiers, the laborers, and the families that made up the vast majority of this much mythologized civilization? With a thrilling spread of visual references, this TASCHEN adventure attempts to set the record straight by offering a distinctive everyday take on Ancient Egypt. Like a piece of published excavation, the book explores the many layers of this ancient society, digging down from the sacred or grandiose to the daily experiences and ordinary individuals. The democratic approach bestows this distant era with exciting vitality and relevance for all the family. As we explore everything from family arrangements to leisure activities to labor movements, we not only uncover the different experiences of this ancient land but also parallels and precedents to our own societies. The result is a particularly vivid encounter with an ancient age and with some of our most ingenious and influential forebears.

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Begun in 1912 at the castle of Duino near Trieste, these ten Elegies were finally completed, after a decade of sporadic and protracted creation, at the Chateau Muzot in the Swiss Valais. Rilke considered them his greatest achievement, and, as MacIntyre suggests, they are "among the great and unforgettable poetry of the world." Rainer Maria Rilke was one of Germany's most important poets. His influences include the paintings of the Worpswedders and the French Impressionists, the sculpture of Rodin (to whom he was both friend and secretary), and the poetry of Baudelaire, Verlaine, Mallarme, and other symbolists. His poetry is innovative, enigmatic, and entertainingly idiosyncratic. C.F. MacIntyre's translations are both true to the original and poetic in their own right, and in each book he includes an introduction and notes. German text faces the English translation.

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A new translation of Rilke's great work with close readings of each of the ten elegies elucidating how their poetic attributes constitute their meaning. Rilke continues to be the most read and discussed German poet of the modern period. The Duino Elegies, together with the Sonnets to Orpheus, remain his greatest achievement. The themes of the ten elegies - and the conceptual world unique to Rilke from which they emerge - can best be understood through their poetic form: their imagery and neologistic formations, their angular syntax, their abrupt changes of tone and linguistic register, their use of multiple personae and speaking voices, and the often-ironic self-presentation of the author. Commentators, however, have often treated these features as mere formal devices that we can somehow see through to get to what really matters, that is, to what Rilke has to say about the human condition or the meaning of life, to his philosophy or worldview. On the contrary, they are constitutive of meaning in the elegies, and understanding them is crucial to our experience of reading Rilke's work. The purpose of this book is to make such features visible and to explain them to the reader as clearly as possible. This is the first full-length book in English devoted to the elegies in over thirty years. It offers an entirely new translation of each elegy, paired with the original German text, and a close reading of each.

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In contrast to studies of New Testament theology that ask or assume what it is, this volume investigates where it comes from. In a dialogue with Hans Dieter Betz, the contributors ask about the origins and preconditions of New Testament theology. How did it begin, both in terms of its historical stimuli and in terms of its earliest literary expressions? To what extent, if at all, did early Christians think of themselves as "doing theology"? How did early Christians come to understand their faith as an object of knowledge, and thus as theology? And, how did early Christians participate in and contribute to wider philosophical conversations about religion and what can be known about the divine in Roman antiquity?

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From court portraits for the Spanish royals to horrific scenes of conflict and suffering, Francisco José de Goya y Lucientes (1746–1828) made a mark as one of Spain’s most revered and controversial artists. A master of form and light, his influence reverberates down the centuries, inspiring and fascinating artists from the Romantic Eugène Delacroix to Britart enfants terribles, the Chapman brothers. Born in Fuendetodos, Spain, in 1746, Goya was apprenticed to the Spanish royal family in 1774, where he produced etchings and tapestry cartoons for grand palaces and royal residences across the country. He was also patronized by the aristocracy, painting commissioned portraits of the rich and powerful with his increasingly fluid and expressive style. Later, after a bout of illness, the artist moved towards darker etchings and drawings, introducing a nightmarish realm of witches, ghosts, and fantastical creatures. It was, however, with his horrific depictions of conflict that Goya achieved enduring impact. Executed between 1810 and 1820, The Disasters of War was inspired by atrocities committed during the Spanish struggle for independence from the French and penetrated the very heart of human cruelty and sadism. The bleak tones, agitated brushstrokes, and aggressive use of Baroque-like light and dark contrasts recalled Velázquez and Rembrandt, but Goya’s subject matter was unprecedented in its brutality and honesty. In this introductory book from TASCHEN Basic Art 2.0 we set out to explore the full arc of Goya’s remarkable career, from elegant court painter to deathly seer of suffering and grotesquerie. Along the way, we encounter such famed portraits as Don Manuel Osorio Manrique de Zúñiga, the dazzling Naked Maja, and The 3rd of May 1808 in Madrid, one of the most heart-stopping images of war in the history of art.

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Si Rilke es el poeta por excelencia es porque puso su vida entera al servicio de la poesía: no tuvo otra meta que culminar la obra que estaba llamado a hacer. Los sentimientos más sutiles, las descripciones más precisas, las visiones más grandiosas: esa es la esencia de cada una de las tres etapas sucesivas en que va cristalizando su obra. Y todo lo hizo con una extraordinaria agudeza espiritual y verbal. Como escribió Paul Valéry, Rilke logró iluminar los más hondos secretos de la intimidad del hombre.La presente antología trata de abarcar la producción poética de Rilke. Hay en ella poemas juveniles y poemas de madurez, representativos de la evolución de esa obra, y también de los temas y de los tonos más presentes en ella. De todos los libros que escribió Rilke hay alguna muestra entre estos Cuarenta y nueve poemas.

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Wunderbar wohlschmeckender Wein auf der Zunge, Todesgeruch in der Nase und den Finger in der Wunde zur Vergewisserung der Botschaft des neuen Lebens: Ausgerechnet das "geistliche Evangelium" enthält ausgesprochen sinnlich-körperliche Erzählungen. Rainer Hirsch-Luipold interpretiert sie als Antwort auf die erkenntnistheoretische Problemanalyse: "Keiner hat Gott jemals gesehen" (Joh 1,18). Vom Gedanken der Fleischwerdung des göttlichen Logos her entwickelt das vierte Evangelium eine christologisch zentrierte Ästhetik des Unsichtbaren. Über Augen, Mund und Nase der ersten Zeugen erhalten die Leserinnen und Leser die Möglichkeit der Wahrnehmung Gottes in der Begegnung mir Jesus. Gemäß der soteriologischen Pragmatik des Evangeliums werden sie dadurch über Gotteserkenntnis und Glauben zum Leben geführt. Ausgehend von drei exemplarischen Erzählungen entwirft der Autor eine Gesamtsicht der literarischen Technik, Pragmatik und Theologie des vierten Evangeliums.

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René Maria Rilke was born in Prague on 4 December 1875 and died near Montreux in Switzerland, on 29 December 1926. The foremost lyric German poet of the 20th century, he is remembered primarily for his Duino Elegies, the Sonnets to Orpheus, the Neue Gedichte, the Buch der Bilder, the Stundenbuch, and the Cornet. Although his mature poetry has been translated into many languages, his early poetry remains accessible only in the original German. This translation of the Larenopfer, or offerings to the Lares, the Roman household deities, are songs that Rilke sings to his hometown Prague and to his beloved Bohemia, short poems on the parks, fountains, churches, bridges and palaces of Prague, not forgetting Rabbi Löw’s legends, the Jewish cemetery, the Thirty Years’ War and, of course, young love. This cycle of 90 poems offers the reader a unique view into Rilke’s fascinating world, the turn-of-the-century atmosphere of Prague, then the third largest city in the Austro-Hungarian Empire. Here a young German of the ruling bourgeoisie shows great appreciation for contemporary Czech literary works and enthusiasm for the cause of Czech cultural identity. Larenopfer possesses not only literary merit but is also of considerable sociological and historical interest.

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